Jazzweek with Airplay Data Powered by Jazzweek.Com • August 3, 2009 Volume 5, Number 36 • $7.95
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Highly Recommended New Cds for 2018
Ed Love's Highly Recommended New CDs for 2018 Artist Title Label Dave Young and Terry Promane Octet Volume Two Modica Music Phil Parisot Creekside OA2 John Stowell And Ulf Bandgren Night Visitor Origin Eric Reed A Light In Darkness WJ3 Katharine McPhee I Fall In Love Too Easily BMG Takaaki Otomo New Kid In Town Troy Dr. Lonnie Smith All In My Mind Blue Note Clovis Nicolas Freedom Suite Ensuite Sunnyside Wayne Escoffery Vortex Sunnyside Steve Hobbs Tribute To Bobby Challenge Adam Shulman Full Tilt Cellar Live` Scott Hamilton Live At Pyat Hall Cellar Live Keith O’ Rourke Sketches From The Road Chronograph Jason Marsalis Melody Reimagined Book One Basin Street 1 Ed Love's Highly Recommended New CDs for 2018 Artist Title Label Dan Block Block Party High Michael Waldrop Origin Suite Origin Roberto Margris Live In Miami J Mood Dan Pugach Nonet Plus One Unit UTR Jeff Hamilton Live From San Pedro Capri Phil Stewart Melodious Drum Cellar Live Ben Paterson That Old Feeling Cellar Live Jemal Ramirez African Skies Joyful Beat Michael Dease Reaching Out Positone Ken Fowser Don’t Look Down Positone New Faces Straight Forward Positone Emmet Cohen With Ron Carter Masters Legacy Series Volume Two Cellar Live Bob Washut Journey To Knowhere N/C Mike Jones and Penn Jillette The Show Before The Show Capri 2 Ed Love's Highly Recommended New CDs for 2018 Artist Title Label Dave Tull Texting And Driving Toy Car Corcoran Holt The Mecca Holt House Music Bill Warfield For Lew Planet Arts Wynton Marsalis United We Swing Blue Engine Scott Reeves Without A Trace Origin -
Tenor Saxophone Mouthpiece When
MAY 2014 U.K. £3.50 DOWNBEAT.COM MAY 2014 VOLUME 81 / NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editors Ed Enright Kathleen Costanza Art Director LoriAnne Nelson Contributing Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, -
Downbeat-2-19-Soul-Fingers-Pages
Jazz / BY DENISE SULLIVAN MAGNUS CONTZEN Draksler/Eldh/Lillinger Punkt.Vrt.Plastik INTAKT 318 ++++ Bobby Broom The lineup of any ensemble has an alchemical quality to it. The right combination of personal- A Personalized Perspective ities and styles can yield nothing less than gold. Three trios and a quartet—led by a drummer, guitarist John Chiodini (Natalie Cole, Tony But throw in one bad element and it quickly can a guitarist, a keyboardist and a bassist, re- Bennet) and organist Joe Bagg (Madeleine turn leaden. spectively—demonstrate an ability to cast a Peyroux, Larry Coryell) through two pieces That was the risk drummer Christian wide net and still remain within the jazz tradi- by Brazilian musician César Camargo Maria- Lillinger and bassist Petter Eldh took when they tion. From originals to classic rock standards, no, plus a samba, “Cascades Of The 7 Water- started working with pianist Kaja Draksler in a soul, blues and a touch of Brazil, these play- falls” by Alex Malheiros, as well as the Chiod- new trio. The pair already were familiar with ers rely on their deep love and knowledge of ini-penned “Cheetahs And Gazelles,” with its one another, having provided the backbone for modes and material, and a commitment to own Brazilian changes. Seiwell was a found- the marvelous free-jazz quartet Amok Amor. laying it down. ing member of Paul McCartney’s Wings and Draksler was the X-factor they brought into their Known for his work on the Hammond there’s a dramatic version of “Live & Let Die” creative partnership, a new source of heat that B-3 organ, Raphael Wressnig lets loose included here, plus a guest appearance by on Chicken Burrito (Pepper Cake 2110; rocker Edgar Winter, who hits the saxophone could bend their playing into new shapes. -
The Once and Future King? Ravi Coltrane Quartet in Flux Savoy Jazz SVY 17444 (2005)
The Once and Future King? Ravi Coltrane Quartet In Flux Savoy Jazz SVY 17444 (2005) Last year the editors of Jazz Times yielded to temptation and ran the eye-catching headline “COLTRANE RETURNS!” to cover the new release by keyboardist Alice Coltrane. Several thousand readers groaned. So it usually goes with the heirs and scions of the jazz world: A marketing dream becomes a musical disappointment. As befits a quintessentially democratic art, jazz “dynasties” are few and of relatively modest distinction (no offense meant to, for example, Mtume James Heath, Ellis Marsalis or Von Freeman). The birth-children of Dizzy Gillespie, Miles Davis and Charlie Parker steered away from musical pursuits. A decade ago if asked to point to a jazz family with a truly influential parent and child we might have started and ended with Dewey and Joshua Redman (and even that may be a stretch). John Coltrane’s living example was not what influenced his son to take up jazz: John died when Ravi was wearing diapers. Nor was the son’ s embrace of the father’s chosen tools, the tenor and soprano saxophone, pre-ordained; the younger Coltrane did not succumb to the horns’ siren songs until he was in his late teens. Ravi Coltrane consciously chose, as a young adult, to walk the path which his father blazed for so many. While he certainly benefitted as a young artist from the goodwill which his family brought with such early employers as Jack DeJohnette, Pharoah Sanders and particularly Elvin Jones, Mr. Coltrane made the most of the opportunities presented to him. -
Miguel Zenón Quartet
Jimmy Katz Jimmy MIGUEL ZENÓN QUARTET Miguel Zenón Alto Sax Luis Perdomo Piano Hans Glawischnig Bass Henry Cole Drums PROGRAM There will be no intermission. Saturday, February 11 @ 7 PM and 9:30 PM Prince Theatre Part of the African Roots, American Voices series. 16/17 SEASON 5 PROGRAM NOTES Miguel Zenón’s new album, Típico, is above all a celebration of his longstanding quartet. His previous releases have augmented the core unit with additional instrumentalists as Zenón looked outward to explore various aspects of his Puerto Rican heritage. This new album feels more intimate. Its focus stays closer to home, with nods to Zenón’s own personal and professional life as it zeroes in on what makes his band unique. Zenón’s quartet has been developing a common language for more than a decade. Pianist Luis Perdomo and bassist Hans Glawischnig have been with Zenón since the turn of the millennium; drummer Henry Cole joined the band in 2005. Their language is thoroughly fluent in modern jazz, with instrumental prowess. The dialect of rhythmic and harmonic complexity they’ve created together through the years is distinctive. ABOUT THE ARTISTS Miguel Zenón (Alto Sax) Multiple Grammy® nominee and Guggenheim and MacArthur Fellow Miguel Zenón represents a select group of musicians who have masterfully balanced and blended the often contradictory poles of innovation and tradition. Widely considered as one of the most groundbreaking and influential saxophonists of his generation, he has also developed a unique voice as a composer and as a conceptualist, concentrating his efforts on perfecting a fine mix between Latin American folkloric music and jazz. -
M-Pact to Bring Its Signature Vocal-Only Pop-Jazz Sound to Doudna.Pdf" (2011)
Eastern Illinois University The Keep 2011 Press Releases 1-21-2011 01/21/2011 - M-Pact To Bring Its Signature Vocal- Only Pop-Jazz Sound To Doudna.pdf University Marketing and Communications Follow this and additional works at: http://thekeep.eiu.edu/press_releases_2011 Recommended Citation University Marketing and Communications, "01/21/2011 - M-Pact To Bring Its Signature Vocal-Only Pop-Jazz Sound To Doudna.pdf" (2011). 2011. 7. http://thekeep.eiu.edu/press_releases_2011/7 This Article is brought to you for free and open access by the Press Releases at The Keep. It has been accepted for inclusion in 2011 by an authorized administrator of The Keep. For more information, please contact [email protected]. M-pact to Bring its Signature Vocal-Only Pop-Jazz Sound to Doudna Jan-21-2011 M-pact, which uses only human voices to create its trailblazing signature pop-jazz sound, will perform at Eastern Illinois University's Doudna Fine Arts Center on Tuesday, Feb. 1. The Los Angeles-based sextet has been hailed as "one of the best pop- jazz vocal groups in the world" by the San Francisco Chronicle, and their performance has been described as "a vocal wall of sound" by National Public Radio. The group describes its sound as a combination of "the smooth soul of Stevie Wonder; the percussive power of Stomp; the funk and drive of Earth, Wind, & Fire; the hip licks of Take 6; and the brass bite of the Harry Connick Jr. Big Band." Touring renowned fine arts halls and jazz festivals across four continents, m-pact has performed with many pop superstars, including Sheryl Crow, Boyz II Men, Kenny G, Liza Minnelli, Babyface, Rick Springfield and Jackson Browne. -
Jazzweek Smooth Singles Chart Dec
airplay data JazzWeek Smooth Singles Chart Dec. 22, 2008 powered by TW LW 2W Peak Artist Title Label TW LW +/- Weeks Reports Adds 1 1 1 1 Tim Bowman Sweet Sundays Trippin’ ’N’ Rhythm 309 333 -24 23 17 0 2 2 3 2 Warren Hill La Dolce Vita Koch 291 303 -12 22 16 0 3 4 4 1 Dave Koz Life In The Fast Lane Capitol 279 275 4 22 17 0 4 3 2 1 Eric Darius Goin’ All Out Blue Note 273 284 -11 34 18 0 5 5 5 5 Euge Groove Religify Narada 254 254 0 20 17 0 6 6 6 3 Paul Hardcastle Marimba Trippin ’N’ Rhythm 237 243 -6 28 15 0 7 10 7 7 Michael Lington You And I Nu Groove 157 147 10 14 16 0 8 11 14 8 Beyonce At Last Columbia 150 127 23 6 16 2 9 7 9 7 Wayne Brady Ordinary Peak 137 151 -14 18 16 0 10 8 11 8 Kenny G Tango Starbucks/Concord 136 150 -14 31 15 0 11 14 15 11 Nick Colionne No Limits Koch 132 114 18 23 18 0 12 9 8 8 Sergio Mendes The Look Of Love (w/ Fergie) Concord 126 149 -23 22 15 0 13 12 10 4 Earl Klugh Driftin’ Koch 119 127 -8 34 17 0 14 16 12 1 The Sax Pack Fallin’ For You (w/ Steve Cole, Jeff Kashiwa Shanachie 118 108 10 45 15 0 & Kim Waters) 15 15 16 8 Marcus Miller Free (w/ Corinne Bailey Rae) Concord 105 113 -8 52 13 0 16 13 13 13 John Legend Good Morning Home School/G.O.O.D./Co- 99 121 -22 7 15 0 lumbia 17 18 17 6 Jesse Cook Cafe Mocha EMI 96 95 1 38 12 0 18 24 22 18 Oli Silk Chill Or Be Chilled Trippin’ ’N’ Rhythm 85 82 3 12 16 0 18 21 28 19 Jesse Cook Havana EMI 85 85 0 4 10 2 20 20 20 1 Jessy J Tequila Moon Peak 84 94 -10 51 14 0 21 17 19 1 Brian Culbertson Always Remember GRP 83 102 -19 38 12 0 22 22 18 13 Al Green Stay With Me (By -
Aug 31, 1973, Vol. 02 No. 16
■f t ia.'i;;-:;;!.--;'«':' /v.-^ ■ii'’'a. “ ■V - ■"‘‘X. • ■ . > (> .- , ■ DANNY / NEXT ISSUE Friday 9 "14 DEADLINE Monday Q - j O V olum e n Issue B16 August 31, 1973 626-0656 MBCCA PUBUCATTONS, P. O. b o x 627 S. F. CA. 94101 News Caps In San Francisco at the comer of Church and 17th, sprayed in black paint across a building, are these words. ALL POWER TO THOSE WHO DARE TO STRUGGLE, ♦ ♦lie**!*!********* For the first time scientists have predicted an EARTHQUAKE. This one in the Aderondack Moun tains of New Yoilr State. The prediction was two days in ad vance and occurred exactly as predicted at 2. 5 on the Richter S cale. In New York City the Jews are upset about the opening of the film version of JESUS CHRIST SUPERSTAR, charging that it is anti-semetic, and the Catholics are in an outrage over two remn episodes on t, v. of MAUDE whic react sympathetically to Maude's decision to have an abortion. RUDOIP NUREYEV of Ritch Street fame has been learning to sail in the ancient harbor of Tel Aviv. Learning, he collided with another boat and once with the harbor wall. NDCON still says he's innocent and the polls indicate some Amer icans still believe him. Among those is California's own Ronald Reagan. According to Nixon, John Dean is the man who'led him astray. He pledges now "a new level of political decency and integrity. Meanwhile the "legmen"—those little guys who carry out the orders like Howard Hunt Jr. --brood it out in jail and the reality of the American Dream continues. -
Jazzweek Smooth Singles Chart Dec
airplay data JazzWeek Smooth Singles Chart Dec. 15, 2008 powered by TW LW 2W Peak Artist Title Label TW LW +/- Weeks Reports Adds 1 1 4 1 Tim Bowman Sweet Sundays Trippin’ ’N’ Rhythm 333 319 14 22 17 0 2 3 3 2 Warren Hill La Dolce Vita Koch 303 277 26 21 18 0 3 2 2 1 Eric Darius Goin’ All Out Blue Note 284 284 0 33 18 0 4 4 1 1 Dave Koz Life In The Fast Lane Capitol 275 275 0 21 18 0 5 5 6 5 Euge Groove Religify Narada 254 248 6 19 17 0 6 6 5 3 Paul Hardcastle Marimba Trippin ’N’ Rhythm 243 235 8 27 15 0 7 9 9 7 Wayne Brady Ordinary Peak 151 138 13 17 16 0 8 11 10 8 Kenny G Tango Starbucks/Concord 150 123 27 30 17 0 9 8 8 8 Sergio Mendes The Look Of Love (w/ Fergie) Concord 149 142 7 21 18 3 10 7 12 7 Michael Lington You And I Nu Groove 147 148 -1 13 16 0 11 14 20 11 Beyonce At Last Columbia 127 112 15 5 13 2 11 10 7 4 Earl Klugh Driftin’ Koch 127 126 1 33 17 0 13 13 15 13 John Legend Good Morning Home School/G.O.O.D./Co- 121 121 0 6 16 2 lumbia 14 15 17 14 Nick Colionne No Limits Koch 114 106 8 22 15 0 15 16 11 8 Marcus Miller Free (w/ Corinne Bailey Rae) Concord 113 105 8 51 13 0 16 12 13 1 The Sax Pack Fallin’ For You (w/ Steve Cole, Jeff Kashiwa Shanachie 108 122 -14 44 16 0 & Kim Waters) 17 19 16 1 Brian Culbertson Always Remember GRP 102 93 9 37 15 0 18 17 19 6 Jesse Cook Cafe Mocha EMI 95 100 -5 37 12 0 19 27 27 19 Chris Standring Have Your Cake And Eat It Ultimate Vibe 94 69 25 12 15 3 19 20 23 1 Jessy J Tequila Moon Peak 94 91 3 50 15 0 21 28 39 21 Jesse Cook Havana EMI 85 59 26 3 13 5 22 18 14 13 Al Green Stay With Me (By The -
Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 12/07/2011 02:48 Pm
Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 12/07/2011 02:48 pm WNCU 90.7 FM Format: Jazz North Carolina Central University (Raleigh - Durham, NC) This Period (TP) = 11/30/2011 to 12/06/2011 Last Period (TP) = 11/23/2011 to 11/29/2011 TP LP Artist Album Label Album TP LP +/- Rank Rank Year Plays Plays 1 2 Freddy Cole Talk To Me HighNote 2011 12 9 3 2 20 Bill O'Connell Triple Play Plus Three Zoho 2011 11 4 7 3 41 Rene Marie Black Lace Freudian Slip Motema 2011 10 2 8 3 78 Mary Louise Knutson In The Bubble Meridian Jazz 2011 10 1 9 5 11 Joey DeFrancesco 40 HighNote 2011 9 5 4 5 284 Takuya Kuroda Edge Self-Released 2011 9 0 9 7 28 Vanguard Jazz Orchestra Forever Lasting - Live in Planet Arts 2011 8 3 5 Tokyo 7 284 Sophie Milman In The Moonlight eOne 2011 8 0 8 9 5 Dr. Michael White Adventures In New Basin Street 2011 7 7 0 Orleans Jazz Pt. 1 9 7 Jeff McLaughlin Quartet Blocks Owl Studios 2011 7 6 1 9 284 Ken Fowser & Behn DuoTone Posi-Tone 2011 7 0 7 Gillece 9 284 Jay Ashby & Steve Davis Mistaken Identity MCG Jazz 2011 7 0 7 13 1 Pat Martino Undeniable: Live At Blues HighNote 2011 6 10 -4 Alley 13 5 Alan Leatherman Detour Ahead AJL 2011 6 7 -1 13 11 Ron Carter Ron Carter's Great Big Sunnyside 2011 6 5 1 Band 13 11 Stefon Harris, David Ninety Miles Concord Picante 2011 6 5 1 Sanchez, Christian Scott 13 28 Cedar Walton The Bouncer High Note 2011 6 3 3 13 41 John Stein Hi Fly Whaling City Sound 2011 6 2 4 13 78 Lenora Zenzalai Helm I Love Myself When I'm Zenzalai 2011 6 1 5 Laughing 13 284 Ernest Stuart Solitary -
Marygold Manor DJ List
Page 1 of 143 Marygold Manor 4974 songs, 12.9 days, 31.82 GB Name Artist Time Genre Take On Me A-ah 3:52 Pop (fast) Take On Me a-Ha 3:51 Rock Twenty Years Later Aaron Lines 4:46 Country Dancing Queen Abba 3:52 Disco Dancing Queen Abba 3:51 Disco Fernando ABBA 4:15 Rock/Pop Mamma Mia ABBA 3:29 Rock/Pop You Shook Me All Night Long AC/DC 3:30 Rock You Shook Me All Night Long AC/DC 3:30 Rock You Shook Me All Night Long AC/DC 3:31 Rock AC/DC Mix AC/DC 5:35 Dirty Deeds Done Dirt Cheap ACDC 3:51 Rock/Pop Thunderstruck ACDC 4:52 Rock Jailbreak ACDC 4:42 Rock/Pop New York Groove Ace Frehley 3:04 Rock/Pop All That She Wants (start @ :08) Ace Of Base 3:27 Dance (fast) Beautiful Life Ace Of Base 3:41 Dance (fast) The Sign Ace Of Base 3:09 Pop (fast) Wonderful Adam Ant 4:23 Rock Theme from Mission Impossible Adam Clayton/Larry Mull… 3:27 Soundtrack Ghost Town Adam Lambert 3:28 Pop (slow) Mad World Adam Lambert 3:04 Pop For Your Entertainment Adam Lambert 3:35 Dance (fast) Nirvana Adam Lambert 4:23 I Wanna Grow Old With You (edit) Adam Sandler 2:05 Pop (slow) I Wanna Grow Old With You (start @ 0:28) Adam Sandler 2:44 Pop (slow) Hello Adele 4:56 Pop Make You Feel My Love Adele 3:32 Pop (slow) Chasing Pavements Adele 3:34 Make You Feel My Love Adele 3:32 Pop Make You Feel My Love Adele 3:32 Pop Rolling in the Deep Adele 3:48 Blue-eyed soul Marygold Manor Page 2 of 143 Name Artist Time Genre Someone Like You Adele 4:45 Blue-eyed soul Rumour Has It Adele 3:44 Pop (fast) Sweet Emotion Aerosmith 5:09 Rock (slow) I Don't Want To Miss A Thing (Cold Start) -
The Singing Guitar
August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW.