THE BULLETPROOF BLACK MAN: CONTEXTUALIZING SUPERHERO LUKE CAGE THROUGH MASS INCARCERATION and BLACK RADICALISM in the 1970S and 2010S

Total Page:16

File Type:pdf, Size:1020Kb

THE BULLETPROOF BLACK MAN: CONTEXTUALIZING SUPERHERO LUKE CAGE THROUGH MASS INCARCERATION and BLACK RADICALISM in the 1970S and 2010S THE BULLETPROOF BLACK MAN: CONTEXTUALIZING SUPERHERO LUKE CAGE THROUGH MASS INCARCERATION AND BLACK RADICALISM IN THE 1970s AND 2010s A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAIʻ I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS, IN HISTORY MAY 2017 BY Misha Ann Matsumoto Thesis Committee: Margot Henriksen, Chairperson Suzanna Reiss Njoroge Njoroge Keywords: Comic books, Black Radicalism, New Black Radicalism, Mass Incarceration, Luke Cage, Marvel Comics, Netflix, Black Lives Matter, #BlackLivesMatter TABLE OF CONTENTS: LIST OF FIGURES ........................................................................................................................ ii INTRODUCTION .......................................................................................................................... 1 CHAPTER ONE. #BlackLivesMatter: the Inequalities of the Ameican Justice System ............. 10 It Began with a Hashtag: #BlackLivesMatter, Establishing a Movement, Not a Moment ....... 11 Synthesizing Black Radicalism: from the Civil Rights Movement to 2016 ............................. 19 Black Radicalism and Incarceration in the 1970s and 2010s ................................................... 24 Intersectionality and Social Mobilization’s Role in Developing the BLM Movement ............ 27 CHAPTER TWO. Mass Incarceration: The Fourth Peculiar Institution ...................................... 31 The Legalized System of Oppression ....................................................................................... 31 1970s: The Civil Rights Movement’s New Fight for Social Justice ........................................ 36 The Prison Industrial Complex: The Lasting Effects of the Prison System ............................. 42 Black Radicalization and the Prison in the 2010s ..................................................................... 49 CHAPTER THREE. The Bulletproof Black Man: Contextualizing Superhero Luke Cage in the 1970s and 2010s ................................................... 58 Creating Luke Cage, the Hero for Hire ..................................................................................... 58 The Power of Cage: Bulletproof Skin in a Bullet-Prone Age ................................................... 64 Racial Stratification and the Criminalization of Space ............................................................. 77 Institutionalized Racism: Racial Profiling and Mass Incarceration .......................................... 92 CONCLUSION: .......................................................................................................................... 101 BIBLIOGRAPHY ....................................................................................................................... 107 i LIST OF FIGURES Figure 1: America's Incarceration Rate Compared to Global Numbers ...................................... 49 Figure 2: A Sample of State Break Down of Police Violence. .................................................... 55 Figure 3: Cover of Hero for Hire #1. ........................................................................................... 58 Figure 4: Hero for Hire and Marvel's Luke Cage's portrayal of Mariah. .................................... 63 Figure 5: Quirt's abuse of solitary confinement protocol. ........................................................... 68 Figure 6: Rackham's abuse of power against Shades and Comanche. ....................................... 70 Figure 7: Mike Colter, as Luke Cage, paying homage to Trayvon Martin, donning a grey hoodie. ................................................................................................. 76 Figure 8: The wrongful conviction of Carl Lucas (Luke Cage). ................................................. 80 Figure 9: The social degradation in Cage's Harlem ..................................................................... 81 Figure 10: The cinematic representation of Cottonmouth as king of Harlem. ............................ 82 Figure 11: Cage's meeting with the Faceless One on Doom's planet, Latveria. .......................... 85 Figure 12: Harlem police department's harassment of the black community after ..................... 87 Figure 13: Lonnie's interrogation in Marvel's Luke Cage ........................................................... 88 Figure 14: Lonnie as a victim of Harlem’s .................................................................................. 90 Figure 15: Carl Lucas' adoption of the name Luke Cage. ........................................................... 95 Figure 16: The legal death of Cage and the corresponding removal of citizenship rights of naturally born American citizen due to incarceration. ............. 96 Figure 17: Dr. Noah Burnstein's experimentation on Carl Lucas in Luke Cage: Hero for Hire. 99 Figure 18: Dr. Noah Burnstein's experimentation on Carl Lucas in Marvel's Luke Cage ......... 100 ii INTRODUCTION “When I think about what is going on in the world right now, the world is ready for a bulletproof black man.” -Cheo Hodari Coker, Marvel’s Luke Cage creator1 2017 marks the five-year anniversary of Trayvon Martin’s death. Martin’s story continues to be a source of inspiration and power for movements like Black Lives Matter, which recognize the continuities of racial injustices throughout American history. Solidarity for Martin continues into 2017. Professional athletes have worn hoodies in memory of Martin; mantras like “I am Trayvon Martin” highlight how Martin’s experience could be any young black man’s experience; former president Barrack Obama was quoted as saying, “If I had a son, he would look like Trayvon”; and celebrities have tweeted, hashtagged, and posted “hoodies up” memorials in support of the Trayvon Martin Foundation.2 Martin’s death has become a symbol for the deeply embedded history of the oppression of blacks in American society, emphasizing racial targeting, race-based biases in law enforcement, and the mass incarceration of African Americans. Connections between the mass incarceration of African Americans and black radicalism is established in both Marvel’s 1972-1973 Luke Cage: Hero for Hire comic book series and Netflix’s 2016 Marvel’s Luke Cage television series. After being wrongly incarcerated on a narcotics charge, Luke Cage is subjected to prison guards’ abuse of power, deplorable living conditions, and medical experimentation. In hopes of attaining parole, Cage volunteers for Dr. 1 Verne Gay, “Colter superb as superhero ascending, ‘Luke Cage,’” Honolulu Star Advertiser, 1 October 2016, D3. 2 Darran Simon, “Trayvon Martin’s death sparked a movement that lives on five years later,” CNN, 26 February 2017, accessed 26 February 2017. http://www.cnn.com/2017/02/26/us/trayvon-martin-death-anniversary/. Maeve McDermott, “‘Hoodies up’: Celebrities honor Trayvon Martin five years after his death,” USA Today, 26 February 2017, accessed 26 February 2017. http://www.usatoday.com/story/life/entertainthis/2017/02/26/celebrities- honor-trayvon-martin-five-years-after-his-death/98452544/. 1 Noah Burstein’s biometric altering experiment. While in the bio-chamber, a rapacious prison guard, Captain Rackham, takes advantage of Cage’s confinement and increases the chemical solution to maximum exposure attempting to kill Cage. Instead, Cage emerges from the bio- chamber with newfound powers of augmented strength and bulletproof skin, making him virtually indestructible. Luke Cage: Hero for Hire is representative of the increasing problem of African American mass incarceration and the rise of black radical ideas. Following the life of Cage, the comic book series shows the struggles African Americans face in a white society: unjust prison sentences and racialized targeting of black men. As the first black American hero to have his own eponymously titled comic-book series, Luke Cage and his story only lasted sixteen issues; however, with the creation of Marvel’s Luke Cage, Cage has gained appeal with a new generation and has become a pertinent character once again.3 The 2016 Netflix series openly addresses the proliferated racial targeting of African Americans and the prominence of a new black activism in the twenty-first century: the Black Lives Matter movement. The struggles Cage endures, and the symbolic representation of his powers in both series, are relevant reminders of the significant historical intersections between this character and the emergence of black radical movements and an increasing focus on the prison industrial complex. In both Luke Cage: Hero for Hire and Marvel’s Luke Cage, Luke Cage represents an African American prisoner who is able to use his strength, masculinity, and impenetrable skin as powerful tools to fight crime as a reluctant hero while also raising awareness of the deplorable conditions of the prison, the struggles of African Americans’ fight for social equality, and the development of the fourth peculiar institution emerging in America. Sociologist Loïc Wacquant 3 The Black Panther is the first African superhero to appear in an American comic book. The Black Panther character first appeared in Marvel’s Fantastic Four #52 (1966), and in 1976 he gained his own title series. Black Panther serves as an alias for T’Challa, a monarch of the fictional African kingdom of Wakanda, a scientist, and a former educator. 2 argues in “From Slavery to Mass Incarceration” (2002) that mass incarceration emerged as a new peculiar institution in the 1960s that racially
Recommended publications
  • Joshua Anderson, CAS Production Sound Mixer
    Joshua Anderson, CAS Production Sound Mixer Cinema Audio Society (CAS); I.A.T.S.E., local 695 (Los Angeles); I.A.T.S.E., local 52 (New York) Cell: 347.512.2157 E-mail: [email protected] Website: www.productionsoundmixer.com IMDb: www.imdb.com/name/nm1220095 Television (Selected List) THE ORVILLE (Season 3) 20th Century Fox, Hulu (2021) Line Producer: Howard Griffith; UPM: Lillian Awa Cast: Seth MacFarlane, Adrianne Palicki, Penny Johnson Jerald, Scott Grimes WU-TANG: AN AMERICAN SAGA (Season 1) Imagine Television, Hulu (2019) Line Producer: Gail Barringer, Robert Ortiz; UPM: Ernesto Alcalde, Alyson Latz Cast: Ashton Sanders, Shameik Moore, Erika Alexander, Dave East, Siddiq Saunderson JESSICA JONES (Seasons 1, 2 & 3) ABC Studios, Marvel TV, Netflix (2015, 2018 & 2019) Line Producer: Tim Iacofano; UPM: Evan Perazzo, Jonathan Shoemaker Cast: Krysten Ritter, Carrie-Ann Moss, David Tenant, Janet McTeer, Rachel Taylor DAREDEVIL (Seasons 1 & 3) ABC Studios, Marvel TV, Netflix (2015 & 2018) Line Producer: Kati Johnston, Evan Perazzo; UPM: Jill Footlick, Jonathan Shoemaker Cast: Charlie Cox, Vincent D’Onofrio, Rosario Dawson, Elden Hensen, Deborah Ann Woll THE DEFENDERS (Mini Series) ABC Studios, Marvel TV, Netflix (2017) Line Producer: Evan Perazzo; UPM: Holly Rymon Cast: Charlie Cox, Krysten Ritter, Mike Colter, Finn Jones, Sigourney Weaver IRON FIST (Season 1) ABC Studios, Marvel TV, Netflix (2017) Line Producer: Evan Perazzo; UPM: Tyson Bidner, Holly Rymon Cast: Finn Jones, David Wenham, Jessica Henwick, Tom Pelfry, Rosario Dawson
    [Show full text]
  • Arthur Suydam: “Heroes Are What We Aspire to Be”
    Ro yThomas’’ BXa-Ttrta ilor od usinary Comiics Fanziine DARK NIGHTS & STEEL $6.95 IN THE GOLDEN & SILVER AGES In the USA No. 59 June 2006 SUYDAM • ADAMS • MOLDOFF SIEGEL • PLASTINO PLUS: MANNING • MATERA & MORE!!! Batman TM & ©2006 DC Comics Vol. 3, No. 59 / June 2006 ™ Editor Roy Thomas Associate Editors Bill Schelly Jim Amash Design & Layout Christopher Day Consulting Editor John Morrow FCA Editor P.C. Hamerlinck Comic Crypt Editor Michael T. Gilbert Editors Emeritus Jerry Bails (founder) Contents Ronn Foss, Biljo White, Mike Friedrich Writer/Editorial: Dark Nights & Steel . 2 Production Assistant Arthur Suydam: “Heroes Are What We Aspire To Be” . 3 Eric Nolen-Weathington Interview with the artist of Cholly and Flytrap and Marvel Zombies covers, by Renee Witterstaetter. Cover Painting “Maybe I Was Just Loyal” . 14 Arthur Suydam 1950s/60s Batman artist Shelly Moldoff tells Shel Dorf about Bob Kane & other phenomena. And Special Thanks to: “My Attitude Was, They’re Not Bosses, They’re Editors” . 25 Neal Adams Richard Martines Golden/Silver Age Superman artist Al Plastino talks to Jim Kealy & Eddy Zeno about his long Heidi Amash Fran Matera and illustrious career. Michael Ambrose Sheldon Moldoff Bill Bailey Frank Motler Jerry Siegel’s European Comics! . 36 Tim Barnes Brian K. Morris When Superman’s co-creator fought for truth, justice, and the European way—by Alberto Becattini. Dennis Beaulieu Karl Nelson Alberto Becattini Jerry Ordway “If You Can’t Improve Something 200%, Then Go With The Thing John Benson Jake Oster That You Have” . 40 Dominic Bongo Joe Petrilak Modern legend Neal Adams on the late 1960s at DC Comics.
    [Show full text]
  • 240 190 Luke Cage 260 Iron Fist Danny Rand 300 Doctor Strange
    Iron Man Tony Stark Ant-Man Hank Pym Fire Ant Swarm 4 1 1 70 30 10 Human 4 Mutate 4 Insect 4 Unique Hero 1 Unique Hero 1 Common Hero 1 Defender Scientist Scavenger Arrogant 4 Innovative 3 Irritating 1 Marvel Medium 5 5 Marvel Tiny 2 6 Marvel Tiny 1 1 Propulsion Boots Radio Insect Control Swarm Tunneling Instead of his normal move, Iron Man may use his Propulsion Boots. After revealing an Order Marker on this card and before taking a If you win initiative, you may immediately place each Fire ant Propulsion Boots has a move of 5. When counting spaces for Iron Man’s turn with Ant-Man, you may first take a turn with up to two Swarm you control on any unoccupied land space within 5 Propulsion Boots movement, ignore elevations. Iron Man may propel over different Insect Heroes you control. spaces of its current location. A Fire Ant Swarm cannot be water without stopping, propel over figures without becoming engaged, and propel over obstacles such as ruins. Iron Man may not propel more Mighty Leap 5 placed on any space that is higher or lower than 5 levels from than 12 levels up or down in a single use of Propulsion Boots. When using its original placement. Fire Ant Swarms moved with Swarm Instead of his normal move, Ant-Man may Mighty Leap. Mighty Propulsion Boots, Iron Man will take any leaving engagement attacks. Iron Tunneling will not take any leaving engagement attacks. Leap has a move of 5. When counting spaces for Ant-Man’s Man rolls 3 fewer attacks dice on any turn that he uses Propulsion Boots.
    [Show full text]
  • Jada Pinkett Smith, Queen Latifah, Regina Hall and Tiffany Haddish Star in a Laugh-Out-Loud Summer Movie About Taking a Trip to the Essence Festival
    GIRL TRIPPING JADA PINKETT SMITH, QUEEN LATIFAH, REGINA HALL AND TIFFANY HADDISH STAR IN A LAUGH-OUT-LOUD SUMMER MOVIE ABOUT TAKING A TRIP TO THE ESSENCE FESTIVAL. REGINA R. ROBERTSON TAGS ALONG FOR THE WILD RIDE PHOTOGRAPHY BY WARWICK SAINT 82 ESSENCE.COM JULY 2017 This page: Pinkett URING THE THICK OF SUMMER, Smith wears a built a brand based on perfection. is to wreak as much havoc as humanly possible over July Fourth weekend. it’s nearly impossible to escape the Mugler dress, Then there’s seemingly levelheaded Along with the group’s barhopping up and down Bourbon Street and earrings grip of New Orleans’ heat. Stand- Altuzarra Sasha (Latifah), a reluctant gossip dancing in the aisles of the Superdome—while Kendrick Lamar, Maxwell, New and Le Silla pumps. ing beneath a tree, hoping for even c olumnist who’s determined to live Edition, Diddy and Mariah Carey rock the Festival stage—the level of fun in the slightest hint of cool, doesn’t Opening spread: her best life despite her rocky which Ryan, Sasha, Lisa and Dina indulge sways between reckless abandon and On Jada: a Christian do the trick. Nor does sipping finances. A former wild child and straight-up debauchery, including one hilarious scene with a scantily clad Siriano dress, Dana strawberryD lemonade with an ice water chaser. Rebecca Designs current divorced mom of two, Lisa Siriboe. (Thank you, Mr. Lee.) Back at the Pink Motel, Pinkett Smith cracks up It’s sweltering, from sunup to sundown, and the earrings. Ring, (Pinkett Smith) has b ecome so about all that his character Malik endures: “Awww, poor Kofi.
    [Show full text]
  • BERNARD BAILY Vol
    Roy Thomas’ Star-Bedecked $ Comics Fanzine JUST WHEN YOU THOUGHT 8.95 YOU KNEW EVERYTHING THERE In the USA WAS TO KNOW ABOUT THE No.109 May JUSTICE 2012 SOCIETY ofAMERICA!™ 5 0 5 3 6 7 7 2 8 5 Art © DC Comics; Justice Society of America TM & © 2012 DC Comics. Plus: SPECTRE & HOUR-MAN 6 2 8 Co-Creator 1 BERNARD BAILY Vol. 3, No. 109 / April 2012 Editor Roy Thomas Associate Editors Bill Schelly Jim Amash Design & Layout Jon B. Cooke Consulting Editor John Morrow FCA Editor P.C. Hamerlinck AT LAST! Comic Crypt Editor ALL IN Michael T. Gilbert Editorial Honor Roll COLOR FOR $8.95! Jerry G. Bails (founder) Ronn Foss, Biljo White Mike Friedrich Proofreader Rob Smentek Cover Artist Contents George Pérez Writer/Editorial: An All-Star Cast—Of Mind. 2 Cover Colorist Bernard Baily: The Early Years . 3 Tom Ziuko With Special Thanks to: Ken Quattro examines the career of the artist who co-created The Spectre and Hour-Man. “Fairytales Can Come True…” . 17 Rob Allen Roger Hill The Roy Thomas/Michael Bair 1980s JSA retro-series that didn’t quite happen! Heidi Amash Allan Holtz Dave Armstrong Carmine Infantino What If All-Star Comics Had Sported A Variant Line-up? . 25 Amy Baily William B. Jones, Jr. Eugene Baily Jim Kealy Hurricane Heeran imagines different 1940s JSA memberships—and rivals! Jill Baily Kirk Kimball “Will” Power. 33 Regina Baily Paul Levitz Stephen Baily Mark Lewis Pages from that legendary “lost” Golden Age JSA epic—in color for the first time ever! Michael Bair Bob Lubbers “I Absolutely Love What I’m Doing!” .
    [Show full text]
  • Free Catalog
    Featured New Items DC COLLECTING THE MULTIVERSE On our Cover The Art of Sideshow By Andrew Farago. Recommended. MASTERPIECES OF FANTASY ART Delve into DC Comics figures and Our Highest Recom- sculptures with this deluxe book, mendation. By Dian which features insights from legendary Hanson. Art by Frazetta, artists and eye-popping photography. Boris, Whelan, Jones, Sideshow is world famous for bringing Hildebrandt, Giger, DC Comics characters to life through Whelan, Matthews et remarkably realistic figures and highly al. This monster-sized expressive sculptures. From Batman and Wonder Woman to The tome features original Joker and Harley Quinn...key artists tell the story behind each paintings, contextualized extraordinary piece, revealing the design decisions and expert by preparatory sketches, sculpting required to make the DC multiverse--from comics, film, sculptures, calen- television, video games, and beyond--into a reality. dars, magazines, and Insight Editions, 2020. paperback books for an DCCOLMSH. HC, 10x12, 296pg, FC $75.00 $65.00 immersive dive into this SIDESHOW FINE ART PRINTS Vol 1 dynamic, fanciful genre. Highly Recommened. By Matthew K. Insightful bios go beyond Manning. Afterword by Tom Gilliland. Wikipedia to give a more Working with top artists such as Alex Ross, accurate and eye-opening Olivia, Paolo Rivera, Adi Granov, Stanley look into the life of each “Artgerm” Lau, and four others, Sideshow artist. Complete with fold- has developed a series of beautifully crafted outs and tipped-in chapter prints based on films, comics, TV, and ani- openers, this collection will mation. These officially licensed illustrations reign as the most exquisite are inspired by countless fan-favorite prop- and informative guide to erties, including everything from Marvel and this popular subject for DC heroes and heroines and Star Wars, to iconic classics like years to come.
    [Show full text]
  • BRAZILIAN Billionaire and International Troublemaker Roberto Da Costa Struck a Deal with the U.S
    BRAZILIAN billionaire and international troublemaker Roberto Da Costa struck a deal with the U.S. to transform A.I.M. from a rogue organization into American Intelligence Mechanics. They are now... The U.S.Avengers and their supportby staff going of bigger, scientists, crazier spies and and weirder. tacticians now serve as the American Government’s first line of defense against all things big, crazy and weird-- --Captain America 20XX, a Roberto and his team are still settling into their new positions, but they won’t have time to get comfortable future version of Luke Cage and Jessica Jones’ daughter, just appeared in their headquarters, and she needs all the help she can get! U.S.AVENGERS No. 2, March 2017. Published Monthly except in January by MARVEL WORLDWIDE, INC., a subsidiary of MARVEL ENTERTAINMENT, LLC. OFFICE OF PUBLICATION: 135 West 50th Street, New York, NY 10020. BULK MAIL POSTAGE PAID AT NEW YORK, NY AND AT ADDITIONAL MAILING OFFICES. © 2017 MARVEL No similarity between any of the names, characters, persons, and/or institutions in this magazine with those of any living or dead person or institution is intended, and any such similarity which may exist is purely coincidental. $3.99 per copy in the U.S. (GST #R127032852) in the direct market; Canadian Agreement #40668537. Printed in the USA. Subscription rate (U.S. dollars) for 12 issues: U.S. $26.99; Canada $42.99; Foreign $42.99. POSTMASTER: SEND ALL ADDRESS CHANGES TO U.S.AVENGERS, C/O MARVEL SUBSCRIPTIONS P.O. BOX 727 NEW HYDE PARK, NY 11040.
    [Show full text]
  • Episode 033 Straight Talk from Mike Colter
    Episode 033 Straight Talk From Mike Colter For season two's first interview Charlie brings on one of his closest friends, Luke Cage and Evil star Mike Colter. Friends now for almost twenty-three years, Colter comes on to share his thoughts and the insights gained from a solid two-decade career. What's the importance of training? How do you navigate the ups and downs of success? What did you have to learn about becoming #1 on the call sheet? Mike answers those questions and also discusses how he chooses material, and how he navigated the early years of struggle. He also doles out some straight talk for anyone considering a serious acting career. You can follow CBP on Instagram @creatingbehavior, and the Maggie Flanigan Studio @maggieflaniganstudio. Leave a message for Charlie through SpeakPipe at https://www.creatingbehaviorpodcast.com Mike Colter https://www.vulture.com/2016/09/marvel-luke-cage-mike-colter.html https://www.cbs.com/shows/evil/cast/216190/ https://siouxcityjournal.com/entertainment/television/spirituality-can-be-a-comfort-in-evil-times- says-actor-mike-colter/article_b78314b3-69e2-56c8-bd6d-6bb4f9496873.html https://www.usmagazine.com/celebrity-news/pictures/luke-cage-alum-mike-colter-how-i-spend- a-typical-day-in-quarantine-during-the-coronavirus-outbreak/ https://variety.com/2019/tv/features/mike-colter-evil-life-post-marvel-interview-1203303255/ https://www.mensjournal.com/health-fitness/how-mike-colter-got-ripped-for-luke-cage-w444279/ https://nymag.com/strategist/article/mike-colter-favorite-things.html .
    [Show full text]
  • By JOHN WELLS a M E R I C a N C H R O N I C L E S
    AMERICAN CHRONICLES THE 1965-1969 by JOHN WELLS Table of Contents Introductory Note about the Chronological Structure of American Comic Book Chronicles ................. 4 Note on Comic Book Sales and Circulation Data.......................................... 5 Introduction & Acknowledgements ............ 6 Chapter One: 1965 Perception................................................................8 Chapter Two: 1966 Caped.Crusaders,.Masked.Invaders.............. 69 Chapter Three: 1967 After.The.Gold.Rush.........................................146 Chapter Four: 1968 A.Hazy.Shade.of.Winter.................................190 Chapter Five: 1969 Bad.Moon.Rising..............................................232 Works Cited ...................................................... 276 Index .................................................................. 285 Perception Comics, the March 18, 1965, edition of Newsweek declared, were “no laughing matter.” However trite the headline may have been even then, it wasn’t really wrong. In the span of five years, the balance of power in the comic book field had changed dramatically. Industry leader Dell had fallen out of favor thanks to a 1962 split with client Western Publications that resulted in the latter producing comics for themselves—much of it licensed properties—as the widely-respected Gold Key Comics. The stuffily-named National Periodical Publications—later better known as DC Comics—had seized the number one spot for itself al- though its flagship Superman title could only claim the honor of
    [Show full text]
  • New Avengers: Volume 1 Ebook
    NEW AVENGERS: VOLUME 1 PDF, EPUB, EBOOK Brian Bendis,Stuart Immonen | 160 pages | 27 Jul 2011 | Marvel Comics | 9780785148739 | English | New York, United States New Avengers: Volume 1 PDF Book Avengers 4 "Captain America Joins Avengers "The Taking of the Avengers! Frank D'Armata Illustrator. Avengers "Duty Over All! This volume is a slightly weak 4 stars, but it's surely better than Marc Waid's All-New Avengers and is at least comparable with Gerry Duggan's Uncanny Avengers , so I'm happy with it as a start. Time will tell if Bendis can sustain such high quality on two titles that are essentially the same -- for the time being the Avengers and New Avengers books are a smashing success, as is "The Heroic Age. Strange, strangely enough. This was a very enjoyable read. As a result, Doctor Strange subsequently regains his position of Sorcerer Supreme. Avengers "Thieves Honor" Cover date: January , Avengers "On the Matter of Heroes! Here, a couple of that book's cast White Tiger and Power Man join up with an assortment of other heroes from Squirrel Girl to Hawkeye for a series that's all about crazy science and weird extradimensional business from the get-go. First in Series. It's half the whole reason the Avengers movie made a gajillion dollars. Sep 03, Sam Quixote rated it did not like it. Because most of the people who really love Joss Whedon really enjoy how his characters constantly quip. But as a first volume, this made me very happy indeed. The first two were written by Brian Michael Bendis and depicted a version of Marvel's premiere superhero team, the Avengers.
    [Show full text]
  • Subscription Pamplet New 11 01 18
    Add More Titles Below: Vault # CONTINUED... [ ] Aphrodite V [ ] ___________________________ [ ] Auntie Agatha's Wayward Bunnies (6) [ ] James Bond [ ] Bitter Root [ ] Lone Ranger [ ] ___________________________ [ ] Blackbird [ ] Mars Attack [ ] Bully Wars [ ] Miss Fury [ ] ___________________________ [ ] Burnouts [ ] Project SuperPowers 625 N. Moore Ave., [ ] Cemetery Beach (of 7) [ ] Rainbow Brite [ ] ___________________________ [ ] Cold Spots (of 5) [ ] Red Sonja Moore OK 73160 [ ] Criminal [ ] Thunderbolt [ ] ___________________________ [ ] Crowded [ ] Turok [ ] Curse Words [ ] Vampirella Dejah Thores [ ] ___________________________ [ ] Cyber Force [ ] Vampirella Reanimator Subscription [ ] Dead Rabbit [ ] ___________________________ [ ] Die Comic Pull Sheet [ ] East of West [ ] ___________________________ [ ] Errand Boys (of 5) [ ] Evolution [ ] ___________________________ We offer subscription discounts for [ ] Exorisiters [ ] Freeze [ ] Adventure Time Season 11 [ ] ___________________________ customers who want to reserve that special [ ] Gideon Falls [ ] Avant-Guards (of 12) comic book series with SUPERHERO [ ] Gunning for Hits [ ] Black Badge [ ] ___________________________ BENEFITS: [ ] Hardcore [ ] Bone Parish [ ] Hit-Girl [ ] Buffy Vampire Slayer [ ] ___________________________ [ ] Ice Cream Man [ ] Empty Man Tier 1: 1-15 Monthly ongoing titles: [ ] Infinite Dark [ ] Firefly [ ] ___________________________ 10% Off Cover Price. [ ] Jook Joint (of 5) [ ] Giant Days [ ] Kick-Ass [ ] Go Go Power Rangers [ ] ___________________________
    [Show full text]
  • British Writers, DC, and the Maturation of American Comic Books Derek Salisbury University of Vermont
    University of Vermont ScholarWorks @ UVM Graduate College Dissertations and Theses Dissertations and Theses 2013 Growing up with Vertigo: British Writers, DC, and the Maturation of American Comic Books Derek Salisbury University of Vermont Follow this and additional works at: https://scholarworks.uvm.edu/graddis Recommended Citation Salisbury, Derek, "Growing up with Vertigo: British Writers, DC, and the Maturation of American Comic Books" (2013). Graduate College Dissertations and Theses. 209. https://scholarworks.uvm.edu/graddis/209 This Thesis is brought to you for free and open access by the Dissertations and Theses at ScholarWorks @ UVM. It has been accepted for inclusion in Graduate College Dissertations and Theses by an authorized administrator of ScholarWorks @ UVM. For more information, please contact [email protected]. GROWING UP WITH VERTIGO: BRITISH WRITERS, DC, AND THE MATURATION OF AMERICAN COMIC BOOKS A Thesis Presented by Derek A. Salisbury to The Faculty of the Graduate College of The University of Vermont In Partial Fulfillment of the Requirements For the Degree of Master of Arts Specializing in History May, 2013 Accepted by the Faculty of the Graduate College, The University of Vermont, in partial fulfillment of the requirements for the degree of Master of Arts, specializing in History. Thesis Examination Committee: ______________________________________ Advisor Abigail McGowan, Ph.D ______________________________________ Melanie Gustafson, Ph.D ______________________________________ Chairperson Elizabeth Fenton, Ph.D ______________________________________ Dean, Graduate College Domenico Grasso, Ph.D March 22, 2013 Abstract At just under thirty years the serious academic study of American comic books is relatively young. Over the course of three decades most historians familiar with the medium have recognized that American comics, since becoming a mass-cultural product in 1939, have matured beyond their humble beginnings as a monthly publication for children.
    [Show full text]