Lois Potter's Book Provides a Delightful Guide Through Shakespeare's
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THE ALCHEMIST THROUGH the AGES an Investigation of the Stage
f [ THE ALCHEMIST THROUGH THE AGES An investigation of the stage history of Ben Jonson's play by JAMES CUNNINGHAM CARTER B.Sc., University of British Columbia, 196 8 A THESIS SUBMITTED IN PARTIAL FULFILMENT. OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in the Department of English We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA October 1972 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of The University of British Columbia Vancouver 8, Canada Date 27 QclAtt ii ABSTRACT THE ALCHEMIST THROUGH THE AGES An Investigation of the Stage History of Ben Jonson's Play This study was made to trace the stage history of The Alchemist and to see what effect theatrical productions can have in developing critical awareness of Jonson's dramatic skill in this popular play. Therefore an attempt has been made to record all performances by major companies between 1610 and 197 0 with cast lists and other pertinent information about scenery/ stage action and properties. The second part of the thesis provides a detailed analysis of four specific productions considered in light of their prompt books, details of acting and production, and overall critical reception. -
Shakespeare and London Programme
andShakespeare London A FREE EXHIBITION at London Metropolitan Archives from 28 May to 26 September 2013, including, at advertised times, THE SHAKESPEARE DEED A property deed signed by Mr. William Shakespeare, one of only six known examples of his signature. Also featuring documents from his lifetime along with maps, photographs, prints and models which explore his relationship with the great metropolis of LONDONHighlights will include the great panoramas of London by Hollar and Visscher, a wall of portraits of Mr Shakespeare, Mr. David Garrick’s signature, 16th century maps of the metropolis, 19th century playbills, a 1951 wooden model of The Globe Theatre and ephemera, performance recording and a gown from Shakespeare’s Globe. andShakespeare London In 1613 William Shakespeare purchased a property in Blackfriars, close to the Blackfriars Theatre and just across the river from the Globe Theatre. These were the venues used by The Kings Men (formerly the Lord Chamberlain’s Men) the performance group to which he belonged throughout most of his career. The counterpart deed he signed during the sale is one of the treasures we care for in the City of London’s collections and is on public display for the first time at London Metropolitan Archives. Celebrating the 400th anniversary of the document, this exhibition explores Shakespeare’s relationship with London through images, documents and maps drawn from the archives. From records created during his lifetime to contemporary performances of his plays, these documents follow the development of his work by dramatists and the ways in which the ‘bardologists’ have kept William Shakespeare alive in the fabric of the city through the centuries. -
Education Pack
Education Pack 1 Contents Introduction ..................................................................................................................... 3 Section 1: Shakespeare and the Original Twelfth Night ..................................................... 4 William Shakespeare 1564 - 1616 ...................................................................................... 5 Elizabethan and Jacobean Theatre ..................................................................................... 6 Section 2: The Watermill’s Production of Twelfth Night .................................................. 10 A Brief Synopsis .............................................................................................................. 11 Character Map ................................................................................................................ 13 1920s and Twelfth Night.................................................................................................. 14 Meet the Cast ................................................................................................................. 16 Actor’s Blog .................................................................................................................... 20 Two Shows, One Set ........................................................................................................ 24 Rehearsal Diary ............................................................................................................... 26 Rehearsal Reports .......................................................................................................... -
English Professional Theatre, 1530-1660 Edited by Glynne Wickham, Herbert Berry and William Ingram Index More Information
Cambridge University Press 978-0-521-10082-3 - English Professional Theatre, 1530-1660 Edited by Glynne Wickham, Herbert Berry and William Ingram Index More information Index Note: search under ‘London and Environs’; ‘Playing Companies’; ‘Playhouses’; and ‘Stage Characters’ for individual entries appropriate to those categories. Abell, William (alderman), 586 Andrews, Richard (player), 245 Abuses, 318 Anglin, Jay P., ‘The Schools of Defense’, Acton, Mr (justice of the peace), 158 296 Actors. See Players Anglo, Sydney, 20; ‘Court Festivals’, 291 Adams, John (player), 300 Annals of England. See Stow, John Adams, Joseph Quincy, Shakespearean Playhouse, Anne, Queen, 119, 122, 125, 513–14, 561, 562, 550n, 597n, 626n; Dramatic Records of Sir 564, 580, 625, 630–1; her company of Henry Herbert, 581, 582, 582n players, see Playing Companies Admiral, Lord. See Lord Admiral Apothecaries, 388, 501 Admiral’s players. See Playing Companies Arber, Edward, 192 Aesop, 171 Archer, George (rent gatherer), 611n Agrippa, Henry Cornelius (writer), 159 Arches, Court of the, 292, 294n, 312 Alabaster, William (playwright), 650 Ariosto, Ludovico, I Suppositi, 297n Aldermen of London. See London Armin, Robert (player and writer), 123, 196, Alderson, Thomas (sailor), 643 197, 198; Foole vpon Foole, 411–12 All Hallowtide, 100 Army Plot, The, 625, 636 All Saints Day, 35 Arthur, Thomas (apprentice player), 275–7 Allen, Giles, 330–2&n, 333–6&n, 340, 343–4, Arundel, Earl of (Henry Fitzalan, twelfth Earl), 346–7, 348, 352, 355, 356–7, 367–72, 372–5, 73, 308; his company -
NEW FACES Intellectual Output
PROJECT : NEW FACES Intellectual Output n°6 FACING EUROPE IN CRISIS: SHAKESPEARE’S WORLD AND PRESENT CHALLENGES (VOL. 2) Language: English Edited by Richard Chapman and Paola Spinozzi (Università di Ferrara) The European Commission's support for the production of this publication does not constitute an endorsement of the contents, which reflect the views only of the authors, and the Commission cannot be held responsible for any use which may be made of the information contained therein. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Strategic Partnerships for Higher Education NEW FACES 2016-1-FR01-KA203-023980 Table of contents 1. Wheeling Strangers of Here and Everywhere Present Issues of Integration and the Early Modern Crisis of Conversion Lieke Stelling, Universiteit Utrecht…………… ……………………..…………….p.1 2. Shakespeare and the Origins of European Culture Wars Jean-Christophe Mayer, Université Paul-Valéry Montpellier 3……………..……..p.14 3. Educated Shrews: Shakespeare, Women’s Education and Its Backlash Larisa Kocic-Zámbó, Szegedi Tudományegyetem / University of Szeged………..p.27 4. Towards a Critical Reevaluation of The Rape of Lucrece Juan F. Cerda, Universidad de Murcia…………………………………………...…p.47 5. LOL and LLL Nathalie Vienne-Guerrin, Université Paul-Valéry Montpellier 3…………………..p.58 6. From a Corrupt Eden to Bio-power: War and Nature in the Henriad Martin Procházka, Univerzita Karlova…………………………………..…………p.68 7. Crises of Our Time in Song of the Goat Theatre’s Island Agnieszka Romanowska, Uniwersytet Jagielloński w Krakowie…………………..p.81 8. Mrs Shakespeare’s New Face(t)s Paola Spinozzi, Università di Ferrara………………………………………...……..p.99 Strategic Partnerships for Higher Education NEW FACES 2016-1-FR01-KA203-023980 New Faces essay collection, Lieke Stelling, August 2019 Wheeling Strangers of Here and Everywhere. -
The National Archives Req 2/706 1 ______
THE NATIONAL ARCHIVES REQ 2/706 1 ________________________________________________________________________ SUMMARY The documents below are the pleadings, interrogatories, depositions and orders in a lawsuit initiated on 28 January 1632 in the Court of Requests by Cuthbert Burbage (1564/5-1636), Richard Robinson (d.1648?), Winifred Robinson (d.1642), William Heminges (1602?-1649x53), John Lowin (1576?-1653) and Joseph Taylor (1586?-1652) against Sir Mathew Brend (1600-1659) for performance of a covenant signed by Sir Mathew Brend in his minority granting the surviving shareholders a further lease of the ground on which the Globe was built for fifteen years, to commence immediately after the expiry of the old lease for thirty-one years which had been granted by his father, Nicholas Brend (d.1601), by indenture dated 21 February 1599, to Cuthbert Burbage, Richard Burbage (1568-1619), William Shakespeare (1564-1616) of Stratford upon Avon, Augustine Phillips (d.1605), Thomas Pope (d.1603), John Heminges (1566?- 1630) and William Kempe. The lawsuit was finally settled in court on 18 November 1634 by agreement of the parties that Sir Mathew Brend would grant a further lease of nine years at a rent of £40 per year. However the new lease had not been signed at the date of an order made by the then Lord Chamberlain, Philip Herbert (1584-1650), 1st Earl of Pembroke and Montgomery, on 12 July 1635 (see TNA LC 5/133, pp. 44-51), and had still not been signed when Cuthbert Burbage died on 15 September 1636. The final extant decree in the case is dated 28 November 1637. -
Period 8 1605-1623.2.Fassungdoc
(8) Period 1605-1616 Time Event Edward de Vere, 17th Earl William Shakespeare of of Oxford Stratford 1605 Publication of the play Eastward Ho! , a coproduction of Ben Jonson, George Chapman, and John Marston. The play contains many allusions to plays of Shakespeare’s (Hamlet, Merchant of Venice, Richard III, The Tempest ). May 4: In his will Augustine Phillips bequeaths to him and two others November 1605: Gunpowder Plot: 30 shillings in gold. Catholic conspirators try to blow up Parliament. July 24: Acquires from Ralph Huband an interest in a lease of tithes. (1) 1606 May 3: The Jesuit Henry Garnet is hanged for his alleged implication in the Gunpowder Plot. 1607 1608 August 9: The in-door theatre in Blackfriars leased by the Burbage brothers. December 1608: Sues John Addenbrooke for 6 pounds and 4 shillings. 1609 January 28: ! Troilus and Cressida is entered in the Stationers’ Register. May 20: The Sonnets are entered in the Stationers’ Register and published as : “Shake-speares Sonnets... By Our Ever-Living Poet”. 1610 February 8: Robert Keysar, a goldsmith and theater manager, sues “Richard Burbage, Cuthbert Burbage, John Heminges, Henrye Condell and others” for the interest he pretends to have in the Blackfriars Theater. (4) 1611 Sues along with others one Mister Carew and others for the payment of an interest in tithes. His name is added to a list of petitioners for the repair of the highways. 1612 May 11, June 19: Witness in the suit of Stephen Belott against his father-in-law Christopher Mountjoy at the Court of Requests, London. -
Finding Refuge in King Lear: from Brexit to Shakespeare's European
Multicultural Shakespeare: Translation, Appropriation and Performance vol. 19 (34), 2019; http://dx.doi.org/10.18778/2083-8530.19.07 ∗ Stephen O’Neill Finding Refuge in King Lear: From Brexit to Shakespeare’s European Value Abstract: This article considers how Shakespeare’s King Lear has become a Brexit play across a range of discourses and media, from theatre productions and journalism to social media. With its themes of division and disbursement, of cliff edges and tragic self- immolation, Lear is the Shakespearean play that has been turned to as metaphor and analogy for the UK’s decision following the 23 June 2016 referendum to leave the European Union. Reading this presentist application of Shakespeare, the article attends to Shakespeare as itself a discourse through which cultural ideas, both real and imaginary, about Brexit and the EU are negotiated. It asks how can we might remap Lear in this present context―what other meanings and histories are to be derived from the play, especially in Lear’s exile and search for refuge, or in Cordelia’s departure for and return from France? Moving from a consideration of a Brexit Lear to an archipelagic and even European Lear, this article argues that Shakespeare is simultaneously a site of supranational connections and of a desire for values of empathy and refuge that reverberate with debates about migration in Europe. Keywords: Shakespeare; Brexit; EU; Maps; Archipelago; Presentism; Refuge. Give me the map there. (Shakespeare, King Lear, Act 1, Scene 1, line 35)1 This is like a Shakespearean tragedy where everyone is trying to do what is right. -
The Eroticisation of Religious and Nationalistic Rhetoric in Early-Modern England
A University of Sussex DPhil thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details i ‘Harlots and Harlotry’: The Eroticisation of Religious and Nationalistic Rhetoric in Early Modern England Catherine Anne Parsons Submitted for the qualification of Doctor of Philosophy in English Literature University of Sussex September 2010 ii I hereby declare that this thesis has not been, and will not be, submitted in whole or in part to another University for the award of any other degree. Signature iii I would like to acknowledge the help and support of my supervisor, Dr Margaret Healy in the task of researching this thesis. Thanks are also due to Dr Paul Quinn, a source of consistent help and advice, and a number of my fellow Doctoral Students at the University of Sussex, notable amongst them Barbara Kennedy and Janis Darvill. iv University of Sussex Catherine Anne Parsons Submitted for the examination for Doctor of Philosophy in English Literature ‘Harlots and Harlotry’: The Eroticisation of Religious and Nationalistic Rhetoric in Early-Modern England Summary This thesis explores gendered embodiment in early-modern England as a „semiotic field‟ onto which were transcribed anxieties about the contingent nature of individual and national „masculine‟ identity in an era of social and religious change and flux. -
Who Is the Dark Lady of the Sonnets: Shaw Versus Shakespeare
WHO IS THE DARK LADY OF THE SONNETS: SHAW VERSUS SHAKESPEARE BILJANA VLAŠKOVIĆ University of Kragujevac Abstract: Many questions have been raised concerning the identity of the two persons to whom Shakespeare dedicated his Sonnets. The paper concentrates on Shakespeare’s “Dark Lady” and delves into G. B. Shaw’s play The Dark Lady of the Sonnets whilst trying to disclose the true identity of the woman in question – was she Emilia Lanier, Mary Fitton, or someone else? Keywords: The Sonnets, the Dark Lady, William Shakespeare, G. B. Shaw 1. Introduction Imagine reaching the end of a detective novel and not being told who the killer is! The sensation can be compared to the fascination which surrounds the everlasting mystery of Shakespeare’s Sonnets. Although indisputably miniature masterpieces in and by themselves, the Sonnets are indebted to the undisclosed identities of a Mr. W H and a Dark Lady for their unremitting popularity. This paper is an attempt at unraveling the mystery of the Dark Lady’s identity: but, what started with a narrow range of options as for who this woman might have really been has amounted up to a narrow investigation of both the Sonnets and the historical context which surrounds them. This investigation in turn provided me, the literary sleuth, with evidence connecting the Dark Lady of the Sonnets with as many as seven Elizabethan women! Indubitably, all the women had to share certain characteristics as described in the Sonnets, and a sole missing element would be enough to eliminate a lady from the group of suspects. -
103 Leicester Road, Ashby-De-La -Zouch, Leicestershire. LE65 1DF Tel: 01530 413596
103 Leicester Road, Ashby-de-la -Zouch, Leicestershire. LE65 1DF Tel: 01530 413596 24th January 2007 OLD ASHBEIANS` ASSOCIATION DINNER Dear Member, This will be held at the Lyric Rooms, Lower Church Street, Ashby-de-la-Zouch on Saturday, 10th March, 2007 at 7.00 p.m. for 7.30.p.m. Parking is available in the car park for Manor House School using the South Street entrance. Regrettably locked security gates means that there is no access to the school grounds for parking. During the evening the School musical department will provide entertainment. A meal will be provided at a cost of £15 per head and the following menu has been selected. Celery and Stilton soup or Seasonal Melon and Prawn Cocktail with a tangy citrus dressing. * Roast Leg of Pork served with sage & onion stuffing and apple and pear compote. Served with fresh seasonal vegetables and potatoes * Treacle Tart with roasted plums and cinnamon sauce. or Black cherry and milk chocolate roulade with a hint of kirsch and lashings of cream. * Coffee with cream and mints Hopefully you will wish to join us. An early reply would be appreciated. Please indicate on the slip below how many places you would like me to reserve and return it to me by Saturday, 3rd March 2007. If anyone has any special dietary needs, then an individual meal can be prepared if ordered in advance. There will be the usual raffle raising funds for the School Music Department. If you wish to donate a prize then please bring this along with you on the evening. -
Is Shakespeare Dead ?
Is Shakespeare Dead ? By Mark Twain 1 CHAPTER I Scattered here and there through the stacks of unpublished manuscript which constitute this formidable Autobiography and Diary of mine, certain chapters will in some distant future be found which deal with "Claimants"--claimants historically notorious: Satan, Claimant; the Golden Calf, Claimant; the Veiled Prophet of Khorassan, Claimant; Louis XVII., Claimant; William Shakespeare, Claimant; Arthur Orton, Claimant; Mary Baker G. Eddy, Claimant--and the rest of them. Eminent Claimants, successful Claimants, defeated Claimants, royal Claimants, pleb Claimants, showy Claimants, shabby Claimants, revered Claimants, despised Claimants, twinkle starlike here and there and yonder through the mists of history and legend and tradition--and oh, all the darling tribe are clothed in mystery and romance, and we read about them with deep interest and discuss them with loving sympathy or with rancorous resentment, according to which side we hitch ourselves to. It has always been so with the human race. There was never a Claimant that couldn't get a hearing, nor one that couldn't accumulate a rapturous following, no matter how flimsy and apparently unauthentic his claim might be. Arthur Orton's claim that he was the lost Tichborne baronet come to life again was as flimsy as Mrs. Eddy's that she wrote Science and Health from the direct dictation of the Deity; yet in England near forty years ago Orton had a huge army of devotees and incorrigible adherents, many of whom remained stubbornly unconvinced after their fat god had been proven an impostor and jailed as a perjurer, and to-day Mrs.