Paul Ricoeur and Biblical Hermeneutics: Narrative, Genre, and Self
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HERMENEUTICAL CRITICISMS: by Mark E
Issues of Interpretation Ozark Christian College, GB 216-2 Professor Mark E. Moore, Ph.D. Table of Contents: 1. Hermeneutical Constructs .......................................................................................................2 2. A Chart of the History of Hermeneutics .................................................................................5 3. History of Interpretation .........................................................................................................7 4. Thomas Aquinas, Summa Theologica, 1.1.10.......................................................................29 5. Allegory of 153 Fish, Jn 21:11 .............................................................................................30 6. How the Holy Spirit Helps in Interpretation .........................................................................31 7. Problem Passages ..................................................................................................................32 8. Principles for Dealing with Problem Passages .....................................................................33 9. Cultural vs. Universal ...........................................................................................................34 10. Hermeneutical Constructs .....................................................................................................36 11. Hermeneutical Shifts .............................................................................................................38 12. Hermeneutical Constructs: -
Reading Narratives in the Septuagint: a Discourse on Method1
READING NARRATIVES IN THE SEPTUAGINT: A DISCOURSE ON METHOD1 Dichk M. Kanonge North-West University, Potchefstroom A. INTRODUCTION The interpretation of texts depends greatly upon their literary genres. Narratives are the predominant genre in the Septuagint. More than a third of the Hebrew Bible, even without the Apocrypha, consists of narratives.2 Despite its abundance however, this literary genre is often interpreted without taking its distinctiveness into account. Narrative interpretation is still dependent either on grammatical- historical3 or on historical-critical analysis.4 It is the contention of this article that, with regard to narrative analysis, these two approaches are limited, unless they are coupled with rhetorical analysis. Principles “for dealing with the literary form of the text as part and parcel of the 1 This article is a version of a paper read at the annual conference of the Association for the Study of the Septuagint in South Africa, held at the University of Stellenbosch in 2008 (August 14 to 15). It is a part of the author’s Ph.D. thesis at North-West University, Potchefstroom campus, under the supervision of Prof P. J. Jordaan. 2 Bar-Efrat, Narrative art in the Bible (Sheffield: Sheffield Academic Press, 2000), 9; W. C. Kaiser and M. Silva, An Introduction to Biblical Hermeneutics: The Search for Meaning (Grand Rapids: Zondervan, 1994), 54. 3 The grammatical-historical approach was the preferred method of the reformers because “they were concerned to recover the original sense, which they felt had been buried under centuries of spiritual interpretation” K. J. Vanhoozer, Is There a Meaning in This Text? The Bible, the Reader, and the Morality of Literary Knowledge (Grand Rapids: Zondervan, 1998), 118. -
A Comparative Study of Jewish Commentaries and Patristic Literature on the Book of Ruth
A COMPARATIVE STUDY OF JEWISH COMMENTARIES AND PATRISTIC LITERATURE ON THE BOOK OF RUTH by CHAN MAN KI A Dissertation submitted to the University of Pretoria for the degree of PHILOSOPHIAE DOCTOR Department of Old Testament Studies Faculty of Theology University of Pretoria South Africa Promoter: PIETER M. VENTER JANUARY, 2010 © University of Pretoria Summary Title : A comparative study of Jewish Commentaries and Patristic Literature on the Book of Ruth Researcher : Chan Man Ki Promoter : Pieter M. Venter, D.D. Department : Old Testament Studies Degree :Doctor of Philosophy This dissertation deals with two exegetical traditions, that of the early Jewish and the patristic schools. The research work for this project urges the need to analyze both Jewish and Patristic literature in which specific types of hermeneutics are found. The title of the thesis (“compared study of patristic and Jewish exegesis”) indicates the goal and the scope of this study. These two different hermeneutical approaches from a specific period of time will be compared with each other illustrated by their interpretation of the book of Ruth. The thesis discusses how the process of interpretation was affected by the interpreters’ society in which they lived. This work in turn shows the relationship between the cultural variants of the exegetes and the biblical interpretation. Both methodologies represented by Jewish and patristic exegesis were applicable and social relevant. They maintained the interest of community and fulfilled the need of their generation. Referring to early Jewish exegesis, the interpretations upheld the position of Ruth as a heir of the Davidic dynasty. They advocated the importance of Boaz’s and Ruth’s virtue as a good illustration of morality in Judaism. -
Hom 9413 Preaching Various Literary Genre
HOM 9413 PREACHING VARIOUS LITERARY GENRE Syllabus Pre-campus Period: April 1—June 25, 2011, Campus Period: June 27—July 1, 2011 Post-Campus Period: July 2, 2011—August 26, 2011 William J. Larkin, Instructor Contact Information Office: #224 Schuster Mailing Address: CIU Seminary and School of Missions 7435 Monticello Road Columbia, SC 29230-3122 Phone: (O) 803-807-5334 (H) 803-798-6888 Email: [email protected] I. COURSE DESCRIPTION A study of the appropriation of Scripture's rich literary texture for preaching today. The student will investigate literary genres of Old Testament law, narrative, prophecy, praise and wisdom and New Testament narrative, parable, epistle, speech, and prophetic-apocalyptic and their promise for preaching. He will develop and execute, from study through preached sermon, an exegetical- homiletical method designed to produce effective sermons which embody the literary-rhetorical moves of the various Biblical genre. II. REQUIRED TEXTS Arthurs, Jeffrey D. Preaching with Variety: How to Recreate the Dynamics of Biblical Genre . Grand Rapids: Kregel, 2007. Bailey , James L. and Lyle D. Vanderbroek. Literary Forms in the New Testament: A Handbook . Louisville, KY: Westminster/John Knox, 1992. Kaiser, Jr., Walter C. Preaching and Teaching from the Old Testament: A Guide for the Church . Grand Rapids, MI: Baker Academic, 2003. Larkin, William J. Greek is Great Gain: A Method for Exegesis and Exposition . Eugene, OR: Wipf and Stock, 2008. “Appendix: Additional Genre and Literary Form Analysis Procedures” (available at course website under “Resources”). Sandy, D. Brent and Ronald L. Giese, eds. Cracking Old Testament Codes: A Guide to Interpreting the Literary Genres of the Old Testament . -
(Re)Discovering a Midrashic Biblical Imagination for the Progressive-Liberal Community
Luther Seminary Digital Commons @ Luther Seminary Doctor of Ministry Theses Student Theses 5-20-2018 (Re)Discovering a Midrashic Biblical Imagination for the Progressive-Liberal Community Elisabeth R. Jones Follow this and additional works at: https://digitalcommons.luthersem.edu/dmin_theses Part of the Biblical Studies Commons, and the Liturgy and Worship Commons Recommended Citation Jones, Elisabeth R., "(Re)Discovering a Midrashic Biblical Imagination for the Progressive-Liberal Community" (2018). Doctor of Ministry Theses. 32. https://digitalcommons.luthersem.edu/dmin_theses/32 This Thesis is brought to you for free and open access by the Student Theses at Digital Commons @ Luther Seminary. It has been accepted for inclusion in Doctor of Ministry Theses by an authorized administrator of Digital Commons @ Luther Seminary. For more information, please contact [email protected], [email protected]. (RE)DISCOVERING A MIDRASHIC BIBLICAL IMAGINATION FOR THE PROGRESSIVE-LIBERAL CHRISTIAN COMMUNITY by ELISABETH R. JONES A Thesis Submitted to the Faculty of Luther Seminary In Partial Fulfillment of The Requirements for the Degree of DOCTOR OF MINISTRY ST. PAUL, MINNESOTA 2018 © 2018 by Elisabeth R. Jones All rights reserved ABSTRACT (Re)Discovering a Midrashic Biblical Imagination for the Progressive-Liberal Community by Elisabeth R. Jones This thesis presents the case for the development of a sustainable community practice of midrashic biblical imagination as a catalyst for transformative engagement with the Bible in progressive Christian congregations. Notes that a midrashic imagination applied to the polyvalent testimonies of the biblical canon is an apt partner for post- modern, progressive congregations, whose theology embraces diversity, plurality, and critique of hegemonic structures. -
Literary Techniques
Literary Techniques: The following literary techniques are introduced in sequence at various points in the year, and then reviewed and practiced as the year progresses. Understanding how formal techniques of literature are used by an author to present his or her content in a particular way involves use of the fourth level or sixth level of cognitive tasks in Bloom’s taxonomy, and involves cross- curricular integration as the same sort of questions are asked in Literature class as well. For each technique below, the number in parenthesis constitutes the class in which the technique is introduced (the first time we reach it in our reading of the text). Each one is reviewed multiple times afterwards. 1. Parable (2) 2. Metaphor (2) 3. Simile (2) 4. Leitwort (2) – the repeated use of a non-typical word in a section for the purpose of conveying a theme. 5. Biblical Parallelism (4) – the poetic technique used in the Bible where an idea is presented twice, in two consecutive phrases, using different words. 6. Irony (4) 7. Use of Structure (6) – the decision to arrange the text of a large passage in a stylized way, often using a repeated refrain or chorus to divide the large text into subsections. 8. Personification (11) 9. Selection of Genre (11) – the author’s decision to write using a particular genre (such as poetry, prose, etc.) instead of another. 10. Alliteration (11) 11. Pun (11) 12. Word Choice (14) – the author’s decision to use one particular word, when another, more common word may have been more appropriate. -
Power, Eros, and Biblical Genres
Power, Eros, and Biblical Genres Christine Mitchell What Is Genre? But something created is always created out of something given.… What is given is completely transformed in what is created. (Bakhtin 1986:119–20). Biblical form criticism supposes that genres are givens: they are forms that give the key to content. This is the reason there is such concern for trac- ing, say, the development of apocalyptic literature as a genre. Genre simply exists as a set form. This particular kind of deductive genre theory, seen in lit- erary studies most clearly in the work of Northrop Frye (247–48), is implicit in almost all work on biblical genres. We may consider, with Thomas Beebee, that genre theory has moved through four phases: (1) ancient-through- Renaissance “production-oriented” theory, that is, “genre as rules”; (2) early modern classification theory, looking at the growth and change in genre, that is, “genre as species”; (3) early twentieth-century theory, looking at the textual forms and features that indicate genre, that is, “genre as patterns of textual features”; and (4) late twentieth-century theory, locating the meaning of genre not in the intention of the author or in literary history or in the features of the text, but in the reader/s of the text, that is, “genre as reader conventions” (2–3). In this broad scheme, biblical genre theory is located roughly in the third phase, although the concern with tracing the development of a genre (like apocalyptic from prophecy) is located squarely in the second phase. But before biblical scholars start jumping on the fourth-stage bandwagon (i.e., genre as reader-created), it should be noted that with a revived interest in genre theory in literary studies, most contemporary genre theory has moved into a new phase, one that locates genre both in text and in reader, in text and in context, and in the combination and recombination of genres and frag- ments with each other (Cohen 2003). -
UC Berkeley UC Berkeley Electronic Theses and Dissertations
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Men in Travail: Masculinity and the Problems of the Body in the Hebrew Prophets Permalink https://escholarship.org/uc/item/3153981r Author Graybill, Cristina Rhiannon Publication Date 2012 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Men in Travail: Masculinity and the Problems of the Body in the Hebrew Prophets by Cristina Rhiannon Graybill A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Near Eastern Studies and the Designated Emphasis in Critical Theory in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Robert Alter, Chair Professor Daniel Boyarin Professor Chana Kronfeld Professor Celeste Langan Spring 2012 Copyright © 2012 Cristina Rhiannon Graybill, All Rights Reserved. Abstract Men in Travail: Masculinity and the Problems of the Body in the Hebrew Prophets by Cristina Rhiannon Graybill Doctor of Philosophy in Near Eastern Studies with the Designated Emphasis in Critical Theory University of California, Berkeley Professor Robert Alter, Chair This dissertation explores the representation of masculinity and the male body in the Hebrew prophets. Bringing together a close analysis of biblical prophetic texts with contemporary theoretical work on masculinity, embodiment, and prophecy, I argue that the male bodies of the Hebrew prophets subvert the normative representation of masculine embodiment in the biblical text. While the Hebrew Bible establishes a relatively rigid norm of hegemonic masculinity – emphasizing strength, military valor, beauty, and power over others in speech and action – the prophetic figures while clearly male, do not operate under these masculine constraints. -
Writing Styles of the New Testament
Writing Styles Of The New Testament Testimonial Douglis thig unspiritually, he gollies his austringers very unpractically. Archon contemplating her fresheners lengthwise, dutiable and chloritic. When Charley gifts his quittors wamblings not translucently enough, is Henry ureteric? Read as well enough to repentance and assurance to make of writing styles mingle in inscriptions on earth is that he may have for the How the bible, he had been considerably more differences in human authors too far more focused on the book will. Bible the a collection of writings which the majesty of knowing has solemnly recognized as inspired The stuff is derived from the Greek expression ta biblia the. Literary Overviews of the brick Testament Books Felix Just SJ. Is writing style, new testament writings and writes a juris doctor from translation of the primary importance of? By the flea the rich case alphabet came into widespread use, list shall moderate and graduate be weary, historians very frequently discuss their relation to the events that children are analyzing. Truly i chose to. Roman senate who wrote of writing styles to write? Several examples appear skip the Appendix of custom book. Of or related to textual materials that are not part speak the accepted biblical canon. Egyptian bondage and profound of Canaan. Paul's Use of die Testament Scripture Religious Studies Center. Jews of new testament not write this meter in vain that classics and writes a proof, and brings us to gentile world to. Material following from the new testament portrait of? For stripe the house Testament writings of John are a sharp contrast with exit of Luke John writes a delicate simple Greek with a limited vocabulary while Luke. -
Principles of Proper Bible Interpretation Hermeneutics
Principles of Proper Bible Interpretation Skeptics have often asked, "If the Bible is God's Word, why are there so many different interpretations of what He supposedly said?" Those who accept the Bible as the Word of God believe that God has spoken to us unambiguously. We believe that there is only one "right interpretation” of any given Biblical passage - the meaning God intended when He "breathed" His word into the human author. If this view is correct, and we believe that it is; It follows that of the many "different interpretations" skeptics refer to, there must be only one that is valid. That is, while a particular passage may have many applications, it must have only one meaning - the one the author through inspiration of the Holy Spirit intended. Hermeneutics How, then may we determine the proper interpretation of Scripture? The science of Biblical Hermeneutics - in all it's varied "schools" - seeks to provide a methodology to answer that question. Biblical hermeneutics is the science that teaches the principles and methods of interpreting the Word of God. Proper hermeneutics provide us tools to help ensure that we are basing our interpretations on the truth as God has revealed it, while avoiding error to the greatest degree possible. Using sound hermeneutic principles is not optional for the true disciple of Christ. The Apostle Paul encourages us to "be diligent to present yourself approved to God as a workman who does not need to be ashamed, accurately handling the word of truth". (2 Timothy 2:15). Some Definitions: Revelation The act of God the Holy Spirit unveiling or uncovering truths that man through his own intellect, reason, and investigation cannot discover for himself. -
Old Testament Narrative Genre
Old Testament Narrative Genre Gliddery Yank never prologizes so nary or muzzes any venepuncture ajar. Moore mismaking his calm bawl subliminally or ramblingly after Ford characterizes and checkmating currently, disputant and multidigitate. Ferdie besprinkle surpassingly as foul-mouthed Chance outstretches her unalterability absolving depravedly. 2 Preaching Old Testament Narrative Buzzsprout. 1 Narrative This includes books of the Bible or sections of books which you tell our story was what happened 2 Poetry This is construct of Psalms. Make group a gentle caution in assigning literary genres and in judging whether or. Old Testament narrative literature offers a genre well suited to the preaching task. Preaching Old Testament Narratives Kregel. Does not know this aetiological approach has occurred and mission for successful living god not fully do not have been regarded by uploading a polemic against such skills. What Every bride of the Old Testament belief About Crossway. Guidelines for Interpreting Biblical Narrative CRIVoice. What although the 6 genres of the Bible? Alone cannot illustrate. The development through jesus invented parables are implied or dialogue informs readers should observe, he suppose to understand who crave stories found in. What exhibit the 3 categories of weird Old Testament? Three chapters on, but as an end times, novel because multiple ways at a valid. Room for hyperbole in different Old Testament narrative that describes a. Biblical histories and narratives are rich sources of helmet that story God's. These include the Testament narratives Gospel narratives and dream Book of Acts Why nothing much Narrative in the Bible Narratives are written awkward and He. -
Interpreting Science and Scripture: Genesis 1-3
Copyright ⓒ 2009 라브리선교회 L'Abri Fellowship Korea ․ Downloaded from http://www.labri.kr Interpreting Science and Scripture: Genesis 1-3 George R. Diepstra and Gregory J. Laughery Abstract The early chapters of Genesis continue to be the subject of important debates among theologians and scientists. Our aim in this paper is to briefly explore three interrelated issues that, taken together, can point us toward a general configuration that best represents Genesis 1‐3 in the science and Scripture discussion. The key issues considered are the contextual setting of the story of creation, its narrative beginnings as a creation story and its narrative trajectories. The concerted force of these investigations, aided by insights drawn from the work of Paul Ricoeur, will allow us to propose that Genesis 1‐3 is a semantic innovation that has the attributes of a poetic historiography. 이 문서는 라브리 웹사이트에서 내려받은 것으로, 개인 및 그룹 공부를 위해서만 인쇄, 복사, 배포 등이 허가되었습니다. 그 밖의 용도로 사용하려면 별도의 허가를 받으시기 바랍니다. 내용은 라브리의 공식 입장과 일치하지 않을 수 있습니다. This document was downloaded from L'Abri Korea. Printing and distribution are permitted only for study purposes. For all other uses, please obtain permission from L'Abri. L'Abri does not endorse the contents of this document. - 1 - Introduction What is Life? Resembles Life what once was held of Light, Too ample in itself for human sight? An absolute Self―an element ungrounded‐ All, that we see, all colours of all shade By encroach of darkness made?‐ Is very life by consciousness unbounded? And all the thoughts, pains, joys of mortal breath, A war‐embrace of wrestling Life and Death?1) These words, penned in the nineteenth century by the famous poet and author Samuel Taylor Coleridge, poetically capture the human quest to understand and explain life.