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Volume 25 November • December 2016 Number 6
TM Volume 25 November • December 2016 Number 6 www.ArtAccess.com 2 ArtAccess.com © November • December 2016 ArtAccess.com © November • December 2016 3 All This I’ve learned to be wary of women who walk up to me with a frown that is not mean, necessarily, but it’s not generous either. And while the downward curve of her mouth would seem perfectly normal had I just addressed, say, terrorism, my talk was about how we can better accept and support each other. Here she comes, I think, arms locked, question loaded. I’ve triggered something. She wants to take me down a notch, there is contempt in her eyes. Write of Way Write “That was cute,” she said. I just stared at her. And if my mind could have abandoned my feelings, it would have. I could feel a slow hiss seeping out of my pride, like when my bicycle tire rolls over a thorn. I’d just given a talk at the State Capitol for a group of visiting writers. Cute was not what I was going for. I thank God my skin has grown thick. “So, where do you see yourself going with all this?” she said. “All this?” I said. “Where do you see yourself in five years?” I have a limited tolerance for this generic question. I never know if it’s a need to instruct or to compete, but the two always seem joined in people like this. They can’t seem to fathom that life can be less conventional and more entrepreneurial than they know it to be. -
Washington Funding Report: FY 2011 – 2016
Washington Institute of Museum and Library Services Funding Report: FY 2011 - 2016 The Institute of Museum and Library Services (IMLS) helps ensure that all Americans have access to museum, library, and information services. IMLS is an independent grantmaking agency and the primary source of federal support for the nation’s approximately 123,000 libraries and 35,000 museums. The agency supports innovation, lifelong learning, and entrepreneurship, enabling museums and libraries to deliver services that make it possible for communities and individuals to thrive. IMLS Investments IMLS Investments: FY 2011-2016 # Projects Federal % of Non-Federal Total $ or Awards Funding Federal $ Contribution $ Grants to States, Libraries 431 * $19,618,687 59% $12,830,000 * $32,448,687 Competitive Awards to Museums & Libraries 146 $13,378,884 41% $10,161,216 $23,540,100 Total 577 $32,997,571 100% $22,991,216 $55,988,787 * FY 2016 data for the Grants to States, Libraries count of projects and non-federal contribution are not yet available. Figures shown here only include FY 2011-2015. Grants to State Library Administrative Agencies The Library Grants to States Program, supported by the Library Grants to States Awards (LSTA): Services and Technology Act (LSTA), is IMLS's largest program and FY 2011-2016 provides grants to every state using a population-based formula. State Library Administrative Agencies (SLAAs) provide IMLS with a five-year FY 2016 $3.26 M plan and use subawards and statewide projects to improve library services. FY 2015 $3.30 M In FY 2014, IMLS’s $3.28 million grant to the SLAA leveraged FY 2014 $3.28 M approximately $2.27 million in support from the state that year for library services through the SLAA. -
Dxseeeb Syeceb Suquamish News
dxseEeb syeceb Suquamish News VOLUME 15 JUNE 2015 NO. 6 Reaching Milestones In this issue... Suquamish celebrates opening of new hotel tower and seafood plant Seafoods Opening pg. 3 CKA Mentors pg. 4 Renewal Pow Wow pg. 8 2 | June 2015 Suquamish News suquamish.org Community Calendar Featured Artist Demonstration Museum Movie Night the Veterans Center Office at (360) 626- contact Brenda George at brendageorge@ June 5 6pm June 25 6pm 1080. The Veterans Center is also open clearwatercasino.com. See first-hand how featured artist Jeffrey Join the museum staff for a double feature every Monday 9am-3pm for Veteran visit- Suquamish Tribal Veregge uses Salish formline designs in his event! Clearwater with filmmaker Tracy ing and Thursdays for service officer work Gaming Commission Meetings works, and the techniques he uses to merge Rector from Longhouse Media Produc- 9am-3pm. June 4 & 8 10am two disciplines during a demonstration. tions. A nonfiction film about the health The Suquamish Tribal Gaming Commis- For more information contact the Suqua- of the Puget Sound and the unique rela- Suquamish Elders Council Meeting sion holds regular meetings every other mish Museum at (360) 394-8499. tionship of the tribal people to the water. June 4 Noon Then Ocean Frontiers by filmmaker Karen The Suquamish Tribal Elders Council Thursday throughout the year. Meetings nd Museum 32 Anniversary Party Anspacker Meyer. An inspiring voyage to meets the first Thursday of every month in generally begin at 9am, at the Suquamish June 7 3:30pm coral reefs, seaports and watersheds across the Elders Dining Room at noon. -
Download NARM Member List
Huntsville, The Huntsville Museum of Art, 256-535-4350 Los Angeles, Chinese American Museum, 213-485-8567 North American Reciprocal Mobile, Alabama Contemporary Art Center Los Angeles, Craft Contemporary, 323-937-4230 Museum (NARM) Mobile, Mobile Museum of Art, 251-208-5200 Los Angeles, GRAMMY Museum, 213-765-6800 Association® Members Montgomery, Montgomery Museum of Fine Arts, 334-240-4333 Los Angeles, Holocaust Museum LA, 323-651-3704 Spring 2021 Northport, Kentuck Museum, 205-758-1257 Los Angeles, Japanese American National Museum*, 213-625-0414 Talladega, Jemison Carnegie Heritage Hall Museum and Arts Center, 256-761-1364 Los Angeles, LA Plaza de Cultura y Artes, 888-488-8083 Alaska Los Angeles, Los Angeles Contemporary Exhibitions, 323-957-1777 This list is updated quarterly in mid-December, mid-March, mid-June and Haines, Sheldon Museum and Cultural Center, 907-766-2366 Los Angeles, Museum of Contemporary Art (MOCA), Los Angeles, 213-621-1794 mid-September even though updates to the roster of NARM member Kodiak, The Kodiak History Museum, 907-486-5920 Los Angeles, Skirball Cultural Center*, 310-440-4500 organizations occur more frequently. For the most current information Palmer, Palmer Museum of History and Art, 907-746-7668 Los Gatos, New Museum Los Gatos (NUMU), 408-354-2646 search the NARM map on our website at narmassociation.org Valdez, Valdez Museum & Historical Archive, 907-835-2764 McClellan, Aerospace Museum of California, 916-564-3437 Arizona Modesto, Great Valley Museum, 209-575-6196 Members from one of the North American -
Volume 26 March • April 2017 Number 2 2 Artaccess.Com © March • April 2017 Here We Are
TM Volume 26 March • April 2017 Number 2 www.ArtAccess.com 2 ArtAccess.com © March • April 2017 Here We Are I’m not unlike many professional artists. My work means piecing together of Way Write a career from teaching, publishing, speaking fees, grants, honorariums, and applying to choreograph in far away places, which satisfies my addiction to traveling, and my love of dancing. Dancers are my mobile community. Wherever I go, here we are. I’m in KeriKeri, New Zealand, first studio on a North Island tour. And it’s not every day that I get to teach Polynesians, so, quickly as possible, I’m going to write this and press SEND. I’m sitting outside a private home, pilfering the wireless. My lodging doesn’t have internet, possibly what I like best about it. Talia walked into the studio slowly, but I didn’t get the feeling it was because she is bigger than most people, only that she comes from a humid place in the middle of the Pacific Ocean and slowly is just how people move due to the heat. “I know nothing about your kind of dancing,” she said, “I worry I make fool of myself.” But as soon as she started moving her hips, it didn’t take long to see how there is nothing slow about her dancing. “Hula is an amazing dance form,” I whispered to the director. “We have a lot of Samoan dancers,” he said. “We had to have our floor reinforced.” I liked Talia right away. When I think more about why, I consider all the people who are moving to Seattle lately with lots of money and, oftentimes, airs to match. -
Seafood, Shellfish Or Eggs May Pose a Health Risk
1 VENUES 2 We are proud of our partnerships at the most unique venues in the area. Our entire team, from sales to operations and kitchen staff are accustomed to working primarily in museums or historic venues. We take special care and consideration on all events in planning around limitations on timing and set up, care and respect to patrons and physical spaces while executing an event, and special attention to artifacts and exhibits before, during and after the event. Exclusive Caterer Museum of Flight ♦ South Seattle/Boeing Field One of the Preferred Caterers Seattle Pacific Science Center ♦ Seattle Seattle Center ♦ Seattle Wing Luke Asian Museum ♦ Seattle The Big Picture ♦ Seattle Seattle Public Library ♦ Seattle Sky View Observatory ♦ Seattle South Side Seattle Design Center ♦ South Seattle Living Computer Museum ♦ SODO Boeing Customer Experience Center ♦ Renton LeMay-America’s Car Museum ♦ Tacoma Union Station ♦ Tacoma LeMay Family Collection at Marymount ♦ Tacoma North Side Future of Flight ♦ Mukilteo/Paine Field East Side Bellevue Arts Museum ♦ Bellevue DeLille Cellars ♦ Woodinville The Woodhouse Wine Estates ♦ Woodinville Puget Sound Energy Conference Center ♦Bellevue LeMay/ACM and Pacific Science Center Menus 3/1/19 TABLE OF CONTENTS Catering Policies 4 Beverages 5 Wine List 6 Breakfast Buffets 7 Seated Breakfasts & A La Carte Items 8 Casual Lunch Buffets & Snacks 9 Lunch Buffets 10 Seated Luncheons 11 Dinner Buffets 12 Seated Dinners 13-14 Light Hors d’oeuvre Buffets 15 Heavy Hors d’oeuvre Buffets 16 A La Carte Hors d’oeuvre 17 Buffet Enhancements 18 Stations 19 Desserts 20 Specialty Cakes 21 CATERING POLICIES 4 FOOD MINIMUMS Food minimum purchases range from $1,000.00—$2,000.00 based upon day of the week. -
Ryan Molenkamp
RYAN MOLENKAMP Selected solo exhibitions 2018 The Last Frontier, Kirkland Arts Center/Kirkland Public Library, Kirkland, WA 2017 Vancouver! Vancouver! This is It!, Linda Hodges Gallery, Seattle, WA 2016 Still Afraid, Linda Hodges Gallery, Seattle, WA 2016 New Paintings, Duplex Gallery, Portland, OR 2014 Fear of Volcanoes, Linda Hodges Gallery, Seattle, WA 2011 The Watcher, Bryan Ohno Gallery, Seattle, WA 2010 Flood, Gallery4Culture, Seattle, WA Sound Plans, Handforth Gallery @ Tacoma Public Library, Tacoma, WA 2008 View Lots, SOIL Gallery, Seattle, WA 2003 Automatic Style, Brick and Mortar Gallery, Tacoma, WA Selected group exhibitions 2018 Collectors Choice, SAM Gallery, Seattle, WA 2018 Outside Influences, SAM Gallery, Seattle, WA 2017 Point of View, LAUNCH LA/KP Projects, Los Angeles, CA 2017 Seeing Northwest Nature, SAM Gallery, Seattle, WA 2016 Urban Artist Showcase, Chehalem Cultural Center, Newberg, OR 2015 Bellingham National 2015, Whatcom Museum, Bellingham, WA 2014 Made in the Northwest, SAM Gallery, Seattle, WA 2013 Suburbia: Dream or Nightmare?, Linda Hodges Gallery, Seattle, WA Connections, Cuchifritos Gallery, New York, NY Cascadia, Collar Works Galley, Troy, NY 2012 Conditions of Possibility, Umpqua Valley Arts Center, Roseburg, OR 2011 Earth Matters, SAM Gallery, Seattle, WA Home Away From Home, Jacob Lawrence Gallery, Seattle, WA Mad Homes, public art exhibition presented by MadArt, Seattle, WA Forecast: Communicating Weather and Climate, WA State Convention Center Bloom + Collapse, SOIL, Seattle, WA 2010 KAC Links Invitational, -
Washington State National Maritime Heritage Area Feasibility Study for Designation As a National Heritage Area
Washington State National Maritime Heritage Area Feasibility Study for Designation as a National Heritage Area WASHINGTON DEPARTMENT OF ARCHAEOLOGY AND HISTORIC PRESERVATION Washington State National Maritime Heritage Area Feasibility Study for Designation as a National Heritage Area WASHINGTON DEPARTMENT OF ARCHAEOLOGY AND HISTORIC PRESERVATION APRIL 2010 The National Maritime Heritage Area feasibility study was guided by the work of a steering committee assembled by the Washington State Department of Archaeology and Historic Preservation. Steering committee members included: • Dick Thompson (Chair), Principal, Thompson Consulting • Allyson Brooks, Ph.D., Department of Archaeology and Historic Preservation • Chris Endresen, Office of Maria Cantwell • Leonard Forsman, Chair, Suquamish Tribe • Chuck Fowler, President, Pacific Northwest Maritime Heritage Council • Senator Karen Fraser, Thurston County • Patricia Lantz, Member, Washington State Heritage Center Trust Board of Trustees • Flo Lentz, King County 4Culture • Jennifer Meisner, Washington Trust for Historic Preservation • Lita Dawn Stanton, Gig Harbor Historic Preservation Coordinator Prepared for the Washington State Department of Archaeology and Historic Preservation by Parametrix Berk & Associates March , 2010 Washington State NATIONAL MARITIME HERITAGE AREA Feasibility Study Preface National Heritage Areas are special places recognized by Congress as having nationally important heritage resources. The request to designate an area as a National Heritage Area is locally initiated, -
The Artists' View of Seattle
WHERE DOES SEATTLE’S CREATIVE COMMUNITY GO FOR INSPIRATION? Allow us to introduce some of our city’s resident artists, who share with you, in their own words, some of their favorite places and why they choose to make Seattle their home. Known as one of the nation’s cultural centers, Seattle has more arts-related businesses and organizations per capita than any other metropolitan area in the United States, according to a recent study by Americans for the Arts. Our city pulses with the creative energies of thousands of artists who call this their home. In this guide, twenty-four painters, sculptors, writers, poets, dancers, photographers, glass artists, musicians, filmmakers, actors and more tell you about their favorite places and experiences. James Turrell’s Light Reign, Henry Art Gallery ©Lara Swimmer 2 3 BYRON AU YONG Composer WOULD YOU SHARE SOME SPECIAL CHILDHOOD MEMORIES ABOUT WHAT BROUGHT YOU TO SEATTLE? GROWING UP IN SEATTLE? I moved into my particular building because it’s across the street from Uptown I performed in musical theater as a kid at a venue in the Seattle Center. I was Espresso. One of the real draws of Seattle for me was the quality of the coffee, I nine years old, and I got paid! I did all kinds of shows, and I also performed with must say. the Civic Light Opera. I was also in the Northwest Boy Choir and we sang this Northwest Medley, and there was a song to Ivar’s restaurant in it. When I was HOW DOES BEING A NON-DRIVER IMPACT YOUR VIEW OF THE CITY? growing up, Ivar’s had spokespeople who were dressed up in clam costumes with My favorite part about walking is that you come across things that you would pass black leggings. -
Resume Di Nino Full 2020 (Pdf) Download
lynndinino.com 2313 N 29th St .Tacoma Wa 98403 . (253) 396 0774 . [email protected] Born: Roswell, N.M. 1945 A freelance artist since 1974, I’m self-taught and completely self-supporting through private commissions, shows and galleries. My sculptural work stems from ideas or phrases, usually involving social or political observation. The excitement comes in selecting the right materials to fit the idea: maybe concrete, household objects, plastic, shredded newspaper, coffee beans – whatever will express my story in a clever way. I often use animal shapes. I sometimes combine a sober idea with humor for impact. I also have a long history of working in five dimensions: the usual three plus working with large groups of artists and presenting performance in real time, involving ideas, costumes, props, music, lights, and spoken word. GROUP SHOWS: VISUAL ART 2021 ERA Living: Sheltering in the Studio curated by June Sekiguchi, Culver House Broadview, Seattle WA 2020 note: due to COVID, many shows online only NWCraft20, juried online exhibition benefiting the Bellevue Arts Museum, Bellevue WA https://www.nwdesignercraftsmen.org/ ERA Living: Beloveds: Artist Couples curated by June Sekiguchi, Lakeshore Residence, Seattle WA https://madmimi.com/p/782c711 Icon 2020, Lynn Hanson Gallery, (also years 2017, 2018, 2019) Seattle WA http://www.lynnhansongallery.com/icon-2020.html MIND + BODY juried invitational, Port Angeles Fine Arts Center, Port Angeles, WA http://www.pafac.org/wellbeing.html 2020 SOUTHWEST JURIED EXHIBITION, Leonor Fuller Gallery, South Puget Sound College https://spscc.edu/gallery/exhibition/southwest-juried-show-2020 RECYCLED ARTS SHOW curated by Debbie Palmer, Fogue Art Gallery, Georgetown Seattle WA https://www.seattlerecycledarts.com/fogue-gallery-show REFLECTIONS Kirkland Arts Center, invitational by Donna Lindeman Porter, Kirkland WA https://my.matterport.com/show/?m=bazM3TMYvBo CURRENTS 2020, NWDC* juried membership, Schack Art Center, Everett WA. -
Oral History Interview with Edward B. Thomas, 1983 April 28-May 10
Oral history interview with Edward B. Thomas, 1983 April 28-May 10 Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a tape-recorded interview with Edward B. Thomas on April 28 & May 10, 1983. The interview took place in Seattle, Washington, and was conducted by John Olbrantz for the Archives of American Art, Smithsonian Institution. Interview DATE: APRIL 28, 1983 [Tape 1] JOHN OLBRANTZ: Ed, can you tell me a little bit about your background, where you were born, your early childhood experiences, your parents, who your father was, who your mother was, how they came to live in this part of the country? EDWARD THOMAS: Well, I was born in Cosmopolis, Washington, and many times when I've come through customs, when I was much younger and especially at the Mexican border, they would say, "Where were you born?" and I'd say, "Cosmopolis, Washington," they'd say, "Look, bud! Don't get funny with us." (laughter) But there actually is such a place as Cosmopolis, Washington. Nobody had any particular influence upon me, I would say, in my younger years as far as becoming interested in art, and particularly teaching art. I had a very severe illness when I was four and five years old and was confined to bed a lot, and so people brought me tablets and color crayons and pencils and stuff like that. -
French Impressionism and the Northwest
Contact: Hillary Ryan, 253.272.4258 ext 3051 [email protected] Tacoma Art Museum presents New Exhibition Monet, Renoir, Degas, and Their Circle: French Impressionism and the Northwest IMAGES AVAILABLE August 2, 2019 (Tacoma, WA)— Opening on September 28, Tacoma Art Museum will present Monet, Renoir, Degas, and Their Circle: French Impressionism and the Northwest, a new exhibition that examines how the work of French Impressionists and their immediate precursors made their way into Northwest public and private collections. It also will include selected paintings by American and Northwest artists to illustrate the spread of Impressionism across the country. “The purpose of this exhibition is deeply connected to the same passion that drove the French Impressionists, to transform the way we see,” said David F. Setford, TAM’s Executive Director and curator of this exhibition. “It does this in two ways. First, it puts rarely seen works from TAM’s European art collection into context and allows for an expanded visitor learning opportunity. In addition, it is also the first time that these Impressionist works from museums and private collections in the Northwest have been seen together. It will provide a lasting resource about French Impressionism and its historical impact for curators and collectors in our region and beyond.” Monet, Renoir, Degas, and Their Circle: French Impressionism and the Northwest was organized and curated by the Tacoma Art Museum, and includes approximately fifty (50) works of art. The exhibition is accompanied by a small publication including essays by Setford and TAM curator Margaret Bullock, as well as an online listing of French Impressionist works currently in Northwest public collections.