2015 Winter/Spring Season JAN 2015 Sponsored by Time Warner Inc.

Larry Poons, Untitled, 2009, acrylic on canvas, 68”x85”

Published by: Season Sponsor: BAM 2015 Winter/Spring Season #MariinskyBAM

Brooklyn Academy of Music The Mariinsky Theatre

Alan H. Fishman, Valery Gergiev, Chairman of the Board General and Artistic Director, State Academic Mariinsky Theatre

William I. Campbell, Frederick Iseman, Vice Chairman of the Board Chairman, Mariinsky Foundation of America

Adam E. Max, Donald M. Kendall, Vice Chairman of the Board Chairman Emeritus

Karen Brooks Hopkins, Michael D. White, President Vice Chairman

Joseph V. Melillo, Executive Producer

BAM and the Mariinsky Theatre present Cinderella Music by Sergei Prokofiev Choreography by Alexei Ratmansky Mariinsky Ballet Musical direction by Valery Gergiev Conducted by Valery Gergiev Season Sponsor: BAM Howard Gilman Opera House Jan 17 & 20 at 7:30pm; Jan 18 at 3pm

BAM engagement made possible by: Running time: two hours and 50 minutes, including two intermissions

Libretto by Nikolai Volkov after motifs from the fairytale by Charles Perrault Leadership support for the Mariinsky Residency at Set design by Ilya Utkin and Yevgeny Monakhov BAM provided by Frederick Iseman Costume design by Elena Markovskaya

VTB Bank is the Principal Partner of the Mariinsky Lighting design by Gleb Filshtinsky Theatre. Sberbank and Yoko Nagae Ceschina are Principal Sponsors. World premiere: Support for the Signature Artists Series provided by the Howard Gilman Foundation November 21, 1945, Bolshoi Theatre Premiere at the Kirov Theatre: Major support for the Mariinsky Residency at April 8, 1946 BAM provided by Renova Premiere of Alexei Ratmansky’s version:

Leadership support: March 5, 2002, Mariinsky Theatre The Harkness Foundation for Dance The SHS Foundation Cinderella—Casting

Cinderella Diana Vishneva (1/17) Anastasia Matvienko (1/18) Nadezhda Batoeva (1/20)

The Prince Konstantin Zverev (1/17) Alexander Sergeyev (1/18) Vladimir Shklyarov (1/20)

Stepmother Yekaterina Kondaurova (1/17, 1/20) Daria Pavlenko (1/18)

Khudishka Margarita Frolova (1/17, 1/20) Xenia Dubrovina (1/18)

Kubishka Yekaterina Ivannikova (1/17, 1/20) Anna Lavrinenko (1/18)

Fairy-Tramp Elena Bazhenova (1/17, 1/20) Lyubov Kozharskaya (1/18)

Cinderella’s mother Lyubov Kozharskaya (1/17, 1/20) Elena Bazhenova (1/18)

Cinderella’s father Soslan Kulaev

The Four Seasons: Spring—Vasily Tkachenko (1/17, 1/20), Vladislav Shumakov (1/18) Summer—Ernest Latypov (1/17, 1/20), Boris Zhurilov (1/18) Autumn—Konstantin Ivkin Winter—Andrey Solovyov

Dance Teachers Viktoria Brileva, Yuri Smekalov

Hairdressers/Searchers Alexey Nedviga, Denis Zainetdinov, Yaroslav Bayboridin

Female dancer Alisa Sodoleva

Male dance Alexey Tyutyunik Cinderella Photo: N. Razina

SYNOPSIS Act I

A room in Cinderella’s Father’s house. Her Stepmother, a capricious and arrogant woman, and her two daughters Kubishka and Khudishka, are occupied with preparations for the ball. The hairdressers are styling their hair. The kind and polite Cinderella, wearing an old dress, is the mirror image of her dead mother.

She is busy with the dirtiest household tasks. Once alone, Cinderella mourns the past, remembering her happy childhood days. Her Father appears and Cinderella throws her arms around him. He, however, has come in drunk with his drinking companions to ask his daughter for money. The Stepmother appears and launches a tirade of abuse at her husband. Cinderella is alone once more. Suddenly, an old tramp appears. Cinderella pities her. The final preparations for the ball are being made. The dance teachers arrive.

They rehearse with Khudishka and Kubishka, but the slow-witted Sisters are unable to learn the steps. Cinderella observes the lesson.

The Stepmother and the Sisters depart for the palace. Cinderella waltzes dreamily, thinking up her own dance for the ball. The old tramp appears again; she is, in fact, a Fairy and has come to reward Cinderella’s kindness.

She presents her with a pair of glass slippers and a dress that she removes from her heavy bags. The Four Seasons appear and help with Cinderella’s transformation.

cont. Cinderella

cont. The Fairy warns Cinderella that the effect of the magic charms will cease at midnight.

If Cinderella does not leave the palace on time, she will instantly find herself dressed in dirty rags again.

Act II

The ball at the palace is in full swing. The Stepmother and her daughters arrive. Kubishka, Khudishka, the Stepmother, and all the other ladies try to attract the attention of the Prince.

Unexpectedly, a strange figure appears. The Stepmother and the Sisters do not recognize Cinderella.

The Prince is enchanted by her. Her every movement delights the court.

The hall empties; the Prince and Cinderella are left alone. Cinderella, carried away by the fact that her dreams have come true, suddenly remembers about the time. The clock begins to chime midnight.

Cinderella runs from the palace and, in her haste, loses one of the slippers. The Prince and the guests rush after her, but she disappears. The Prince picks up the tiny slipper; it will help him find the mysterious beauty.

Act III

The court ladies of the kingdom are in despair; the slipper is too small for their feet. The Prince leaves to search the world for the unknown girl. Early in the morning Cinderella is dozing in her corner of the house. After waking up, she remembers the previous night. If it were not for the slipper she unexpectedly finds, the whole thing could have been a dream. The Sisters appear. Naturally, they once again begin to quarrel. Cinderella tries to part them, but the Stepmother enters and falls on her.

Unexpectedly, the searchers rush in, looking for the girl who lost her slipper at the ball. The Prince arrives. None of the girls there remotely remind him of his mysterious beauty. In vain Kubishka and Khudishka try to squeeze their feet into the tiny slipper. Then the Stepmother decides to try it on. Cinderella, hidden in her corner, drops the other slipper.

The startled Prince looks at Cinderella and recognizes the girl he has been looking for. The Fairy-Tramp puts the slippers back in her bag. They have served their purpose here, but they will come in handy somewhere else…

ABOUT THE COMPOSER

SERGEI PROKOFIEV (1891—1953) first studied piano with his mother, who encouraged him to compose as well. He studied at the St. Petersburg Conservatory with Rimsky-Korsakov and Liadov. He forged a bond with the impresario Sergei Diaghilev, who assisted in setting up Prokofiev’s first performance outside of Russia, in Rome in 1915. Several of his works, including his Third Piano Concerto and The Love of the Three Oranges, premiered in Chicago. He moved to Paris, where a number of his ballets were produced by Diaghilev in 1920s. He returned to Russia, where he wrote his most famous works, including Romeo and Juliet, Peter and the Wolf, War and Peace, and Cinderella. Cinderella

Alexei Ratmansky is renowned for his gem-like ballets. The three-act Cinderella is one of the most monumental scores of Stalinist “grand style” ballet. Nonetheless, when the two came together, a “grand spectacle” was created... except the court balls remind us of ballets based on fairytales and the Soviet period, vaguely reminiscent of the evening room at the National restaurant in Brighton Beach, and the Stepmother resembles the harridans of communal flats in Zoshchenko’s stories. And, depict- ing the seasons, punks in multicolored outfits dart about among the guests, and the Fairy Godmother goes about as a tramp.

The huge, skeletal clock created by architects Ilya Utkin and Yevgeny Monakhov gently swings round, turning into a grand chandelier, then back again: what better metaphor could there be for this mad, exhausting race against time? First it is Cinderella fleeing from the ball, then the Prince in pursuit of his bride. It is this race that makes Cinderella stand out from all other ballets that end in a wedding. In fact, Alexei Ratmansky has created a sad ballet, saying that this race is a race for lost time, a race that can never be won. But Ratmansky’s Cinderella also honors the whole Mariinsky Ballet, from the prima ballerina to the “walk-on” parts, the characters who appear but fleetingly, then leave the stage...

© The Mariinsky Theatre

MARIINSKY FOUNDATION OF AMERICA

Our Mission—The Mariinsky Foundation of America was formed in 1999 to support the activities of the Mariinsky Theatre’s constituent institutions: The Mariinsky Opera, Ballet, and Orchestra and the Academy for Young Singers and the Young Musicians’ Orchestra.

The Mariinsky Foundation of America’s mission includes a commitment to strengthen and expand the cultural, educational and business relationships between Russia and the United States and to be a positive, apolitical force for peace.

Chairman Directors Artistic Advisory Board Frederick Iseman Donald V. Almeida Plácido Domingo, Chairman Olivier Berggruen Santiago Calatrava Chairman Emeritus Sarah Billinghurst Christoph Eschenbach Donald M. Kendall Len Blavatnik Renée Fleming Kristy Kingston Frank Gehry Vice Chairman Klaus Kleinfeld Dmitri Hvorostovsky Michael D. White Daisuke Kotegawa Anna Netrebko Alexsei Kudrin Maya Plisetskaya President and Susan E. Lehrman Alexei Ratmansky Executive Director Selwa Roosevelt Esa-Pekka Salonen Christopher Minev Fiorenza Scholey Cohen George Tsypin Elena Selman Secretary Vasily Titov Distinguished Board of Carl L. Reisner Semyon M. Vainshtock International Advisors Victor Vekselberg The Hon. John Beyrle Treasurer Olga Geroulanos-Votis Kenneth J. Bialkin Peter Lusk Herman Gref Dr. Irwin Mark Jacobs Adnan Kassar Dr. Henry Kissinger Andrey Kostin Dr. M. Lee Pearce James D. Wolfensohn Who’sMariinsky Who Ballet

THE MARIINSKY BALLET is closely linked with daring innovator and a brilliant connoisseur of the entire history of the development of Russian the past—became head of the company, its choreographic art which began more than two repertoire was enriched with new productions, and a half centuries ago. An important role in in particular ballets dealing with contemporary the establishment and evolution of Russian ballet life. Galina Ulanova, Alexei Yermolayev, Marina was played by foreign dance masters. At the end Semenova, and Vakhtang Chabukiani all danced of the 18th century, Franz Hilverding, Gasparo at the Mariinsky Theatre during that period. Angiolini, Giuseppe Canziani, and Charles le Ballet in the 1930s was largely influenced Picq were all working in St. Petersburg. As far by dramatic theater, and this was reflected in back as the 1790s, however, the first Russian such productions as Rostislav Zakharov’s The ballet teacher, Ivan Valberkh, came to the fore. Fountain of Bakhchisarai, Vakhtang Chabukiani’s The main sphere of his activities was in a small The Heart of the Hills and Leonid Lavrovsky’s mime ballet company. He sought to make his Romeo and Juliet. productions rich in subject matter and to create recognizable, lifelike images. The 1960s saw Spartacus and Choreographic Miniatures by Leonid Yakobson being staged, Ballet divertissements, reflecting his response as well as productions of The Stone Flower and to the events of the Napoleonic War, occupied The Legend of Love by Yuri Grigorovich, and The a special place in his work. The history of Coast of Hope and The Leningrad Symphony St. Petersburg ballet in the 19th century was by Igor Belsky—ballets which revived the associated with the activities of Charles Didelot, traditions of symphonic dances. The success Jules Perrot, and Arthur Saint-Léon. In 1869, of these productions would obviously have the position of principal ballet master was been impossible without superb performers. entrusted to Marius Petipa who markedly raised During the period of the 1950s to 1970s, the the professional standards of the company. company’s dancers included Irina Kolpakova, The peak accomplishments of this famous Natalia Makarova, Alla Osipenko, Irina choreographer were ballets staged in the period Gensler, Alla Sizova, Rudolf Nureyev, Mikhail of his collaboration with the composers Pyotr Baryshnikov, Valery Panov, Yuri Soloviev, and Tchaikovsky and Alexander Glazunov—The Anatoly Sapogov. La Sylphide and Napoli by Sleeping Beauty, Swan Lake, and Raymonda. August Bournonville appeared in the repertoire The talents of many generations of ballerinas towards the end of the 1970s, as did fragments have been revealed in these works­—from of old choreography by Perrot, Saint-Léon, and Yekaterina Vyazem, Marina Semenova, and Coralli. Roland Petit and Maurice Béjart came to Galina Ulanova to younger dancers who are just work with the company for a period. starting their careers at the Mariinsky Theatre. At the turn of the 19th century, the Mariinsky Ballet The present-day repertoire of the Mariinsky Ballet produced such great dancers as Anna Pavlova, includes, along with Petipa’s legacy—Swan Mathilde Kschessinska, Tamara Karsavina, Lake, Raymonda, Le Corsaire, La Bayadère, and Olga Preobrazhenskaya, Olga Spesivtseva, The Sleeping Beauty—ballets staged by Michel Vaslav Nijinsky, and Nikolai and Sergei Legat. Fokine, George Balanchine, Frederic Ashton, Many of them brought glory to Russian ballet William Forsythe, Alexei Ratmansky, Angelin during the legendary Saisons russes in Paris Preljocaj, and Wayne McGregor. which brought the pioneering works of Michel Fokine to Europe. The first years following the Ever since 2001, the Mariinsky Theatre has Russian Revolution ushered in difficult times for hosted the annual International Ballet Festival the Mariinsky Theatre. Almost all of its leading Mariinsky. Its participants include the greatest artists abandoned the company. Nevertheless, soloists from leading ballet companies from all the classical repertoire was retained during this over the globe. period. In 1922 when Fyodor Lopukhov—a Who’s Who

VALERY GERGIEV is artistic and general direc- ALEXEI RATMANSKY (choreographer) graduated tor of the Mariinsky Theatre. He established and from the Bolshoi Ballet School in 1986 (class directs festivals including the Stars of the White of teacher P. A. Pestov). He was a principal Nights, the Gergiev Festival (the Netherlands), dancer with the National Opera of Ukraine, and the Moscow Easter Festival. In 1997 follow- the Royal Winnipeg Ballet (Canada), and the ing Sir Georg Solti’s death, Valery Gergiev took Danish Royal Ballet. As a choreographer he over the World Orchestra for Peace. The maestro has worked with New York City Ballet (produc- is principal conductor of the London Symphony tions of Russian Seasons, Concerto DSCH, and Orchestra and, starting in 2015, will become Namouna), Opéra de Paris (Psyché), London’s principal conductor of the Munich Philharmonic Royal Ballet (24 Preludes), Dutch National Orchestra. At the Mariinsky Theatre Gergiev has Ballet (Don Quixote after Petipa and Gorsky and overseen the emergence of a plethora of world- Memories of a Dear Place), San Francisco Ballet class singers. Under his direction the theater’s (Le Carnaval des animaux and From Foreign opera and ballet repertoires have become much Lands), Danish Royal Ballet (Turandot’s Dream, richer and more diverse, now including a broad The Nutcracker, Anna Karenina, and The Golden range of works from 18th- to 20th-century Cockerel), Swedish Royal Ballet (The Firebird), classics as well as music by contemporary Australian Ballet (The Dance School), National composers. In 2006 the Concert Hall opened Ballet of Canada (Romeo and Juliet), Miami City on the site of workshops that had burned down, Ballet (Symphonic Dances), National Opera of and May 2, 2013 saw the opening of the new Ukraine (Le Baiser de la fée), Opera of Georgia Mariinsky Theatre (Mariinsky-II) alongside the (Bizet Variations), and the International Ballet historical building—thus the Mariinsky Theatre of Copenhagen (Flight to Budapest and Bolero). was transformed into a theater and concert He has collaborated with numerous stars of the complex unparalleled in Russia. Established by ballet world. For Mikhail Baryshnikov he staged Gergiev in 2009, the Mariinsky recording label Valse-Fantasie; for Nina Ananiashvili he staged has already released more than 25 discs that the ballets Charms of Mannerism, Dreams of have won praise and acclaim from critics and Japan, and Leah; for Diana Vishneva he staged audiences alike across the globe. He works with Pierrot Lunaire; and for Wendy Whelan he staged the Metropolitan Opera; the Vienna, New York, Fandango. He has staged productions in Hel- and Rotterdam Philharmonic Orchestras; and the sinki, Riga, Vilnius, Warsaw, Seattle, Philadel- Filarmonica della Scala. In 2014 the Children’s phia, and Milan. From 2004—09 he was artistic Chorus of Russia, founded on the initiative of director of the Bolshoi Ballet of Russia (Moscow). Gergiev on the basis of the All-Russian Choral Productions staged for the Bolshoi Theatre Society, first performed a program at the Mariin- include The Bright Stream, The Bolt, Le Corsaire sky-II and subsequently took part in the Closing after Marius Petipa (with Yuri Burlaka), Flames Ceremony of the XXII Olympic Games in Sochi. of Paris after motifs of the choreography of Vasily Gergiev’s numerous awards and prizes include Vainonen, Lost Illusions, Jeu de cartes, and prestigious government decorations from Russia, Capriccio. For the Territory festival he staged Germany, Italy, France, Japan, the Netherlands, the ballet Old Lady Falling Down with Bolshoi and Poland. He is dean of the faculty of arts of Theatre dancers. Since 2009 he has been artist the St. Petersburg State University, co-chairman in residence with the American Ballet Theatre, of the Organizational Committee of the XV where he has staged the ballets Shostakovich International Tchaikovsky Competition, chairman Trilogy (set to Symphony No. 9, Chamber Sym- of the All-Russian Choral Society, and honorary phony, and Piano Concerto No. 1), Dumbarton, president of the Edinburgh International Festival. Seven Sonatas, The Firebird, The Bright Stream, In 2012 the maestro was awarded the titles of and On the Dnieper. The company will premiere honorary doctor of the Moscow State University his new production of The Sleeping Beauty and honorary professor of the St. Petersburg next summer. He began to collaborate with the Rimsky-Korsakov Conservatoire. Mariinsky Theatre in 1998 on the initiative of Valery Gergiev and Makhar Vaziev. At the Mari- Who’s Who

insky Theatre he has staged productions of the Jewels (Emeralds, Rubies, Diamonds), La Valse, ballets Le Baiser de la fée, Le Poème de l’extase, and A Midsummer Night’s Dream (Titania, Middle Duet, Cinderella, The Little Humpbacked Hippolyta); Yuri Grigorovich’s The Legend of Horse, Anna Karenina, and Concerto DSCH. His Love (Mekhmeneh Bahnu); Ratmansky’s Anna awards include a Golden Mask, a Kiev Pectoral, Karenina (Anna); as well as ballets by Fokine, a prize from the Lifar Competition, the Benois Jerome Robbins, Roland Petit, Forsythe, Pierre Prize, a Dance Magazine prize, a British critics’ Lacotte, Angelin Preljocaj, and McGregor. prize, a Bessie Award, and a Shostakovich Prize, among others. He has been named a Knight of ANASTASIA MATVIENKO was a prize-winner at the Order of the Danish Flag, an Honored Artist the Serge Lifar International Competition (Kiev, of Ukraine, and winner of the Diaghilev Competi- 2002) and the International Ballet and Chore- tion in Moscow. ography Competition (Moscow, 2005). She was the recipient of a prize and the press jury award DANCERS at the International Ballet Competition in Varna (2004), and the Dance Open International Ballet NADEZHDA BATOEVA is a recipient of the Prize (2011). Born in Sevastopol, Ukraine, she Hope of Russia prize (2008). She was born graduated from the Kiev State School of Dance. in Neryungri, graduated from the Vaganova She was a soloist with the National Opera of Academy of Russian Ballet in 2009, and joined Ukraine from 2001, and from 2007 to 2009 the Mariinsky Ballet that year. Her repertoire was a prima ballerina with the Mikhailovsky includes Giselle (Classical Duet); Swan Lake Theatre in St. Petersburg. She joined the (Friends of the Prince); La Bayadère (“Manu” Mariinsky Theatre in 2009 where she performs dance, Indian Dance, Trio of Shades); The Sleep- both classical and contemporary repertoires. Her ing Beauty (the White Cat); Don Quixote (Amour, repertoire includes Giselle (Giselle); La Bayadère Flower sellers); Michel Fokine’s Chopiniana and (Nikia, Gamzatti); The Sleeping Beauty (Aurora); Le Carnaval (Columbine); Leonid Jakobson’s Swan Lake (Odette-Odile); Don Quixote (Kitri); Spartacus (Etruscans) and Shurale (Fiery Witch); Fokine’s Chopiniana; Balanchine’s Symphony George Balanchine’s Jewels (Rubies), Apollo in C, Scotch Symphony, Serenade, Apollo (Polyhymnia), and Symphony in C (I. Allegro (Terpsichore), Jewels (Rubies), and A Midsum- vivo, III. Allegro vivace); Alexei Ratmansky’s mer Night’s Dream (Hippolyta); Lavrovsky’s Cinderella (Cinderella), Anna Karenina (Kitty), Romeo and Juliet (Juliet); Ratmansky’s The Little and Concerto DSCH; William Forsythe’s In the Humpbacked Horse (Tsar Maiden); and Cinder- Middle, Somewhat Elevated; and Infra by Wayne ella (Cinderella); as well as ballets by Robbins, McGregor. Benjamin Millepied, and McGregor.

YEKATERINA KONDAUROVA is a recipient DARIA PAVLENKO was named an Honored of the Benois de la Danse (2006), Golden Artist of Russia (2010), and won the Spirit of Sofit (2008), and Golden Mask (2011) prizes, Dance prize (Ballet magazine, 2000) and the and Ballet magazine’s Spirit of Dance—2011 Golden Mask (2001). She was born in Moscow, prize. She was born in Moscow, and joined the graduated from the Vaganova Academy of Rus- Mariinsky Ballet soon after graduating from the sian Ballet (class of Elena Yevteyeva), and joined Vaganova Academy of Russian Ballet in 2001. the Mariinsky Theatre in 1996, where she has She has been a principal since 2012. Her been a principal since 2002. Her repertoire repertoire includes Swan Lake (Odette-Odile); includes Swan Lake (Odette-Odile), La Bayadère La Bayadère (Nikia and Gamzatti); Raymonda (Nikia), Raymonda (Raymonda), The Sleeping (Raymonda); Le Corsaire (Medora); The Sleep- Beauty (Lilac Fairy), The Fountain of Bakh- ing Beauty (Lilac Fairy); Yakobson’s Spartacus chisarai (Zarema, Maria), The Legend of Love (Phrygia and Aegina); Balanchine’s Prodigal Son (Mekhmeneh Bahnu), and Spartacus (Aegina), (the Siren), Serenade, Symphony in C (Second as well as ballets by Fokine, Balanchine, Jerome Movement), The Four Temperaments (Choleric), Robbins, Petit, Kenneth MacMillan, Forsythe, Who’s Who and Ratmansky. She premiered roles in Kirill (Jean de Brienne), Don Quixote (Basilio), as well Simonov’s Come in!, David Dawson’s Reverence, as ballets by Balanchine, Forsythe, Lander, and Alexei Miroshnichenko’s Wie der Alte Leiermann, Ratmansky. He originated roles including Zéphyr The Ring, and Yuri Smekalov’s Presentiment of in a reconstruction of Petipa’s ballet Le Réveil Spring. de Flore (2007) and in Harlequin (a recon- struction of Fokine’s ballet Le Carnaval, 2008). ALEXANDER SERGEYEV received the Ministry He has appeared in gala concerts to celebrate of Culture of the Republic of Tatarstan’s award for Maris Liepa’s 70th birthday (Moscow, 2006), achievements in culture (2009). He is a recipi- the Malakhov and Friends gala (Berlin, 2008), ent of the Golden Sofit, St. Petersburg’s most Ballettisimo (Guadalajara, 2008), DANCE OPEN prestigious theater prize, in the category Best (St. Petersburg, 2010), Nureyev and Friends Performing Ensemble for his work in the ballet (Vienna, 2012), and Stars of the 21st Century For Four by Christopher Wheeldon (2007). He (Paris, New York, 2012). In 2012 at the Bolshoi was born in St. Petersburg, graduated from the Theatre he performed the role of Prince Siegfried Vaganova Academy of Russian Ballet, and joined in Swan Lake. the Mariinsky Ballet in 2004, where he has been a soloist since 2010. His repertoire includes DIANA VISHNEVA was named a People’s Artist roles in classical ballets: Giselle (Count Albrecht); of Russia (2007), and is a winner of the State Swan Lake (Prince Siegfried); Balanchine’s Prize of Russia (2000), the Prix de Lausanne Apollo (Apollo), Serenade, Symphony in C (1st International Ballet Competition (1994), the Movement), Jewels (Emeralds, Rubies), The Benois de la Danse (1995), the Golden Sofit Four Temperaments (Sanguine), Piano Concerto (1996), the BALTIKA (1998), the Golden Mask No 2., Ballet Imperial, Theme and Variations, (2001, 2009, and 2013), 2002 Dancer of the and Scotch Symphony; Ratmansky’s Cinderella Year (Dancer of Europe), and the Ballet maga- (Prince), The Little Humpbacked Horse (Ivan the zine prize (2003). She is a prima ballerina with Fool), and Anna Karenina (Count Vronsky); as the Mariinsky Theatre, which she joined in 1995 well as ballets by Lander, MacMillan, Preljocaj, after graduating from the Vaganova Academy of and McGregor. He danced in the premiere perfor- Russian Ballet; she has also been a principal mances of Diana Vishneva: Beauty in Motion, with ABT since 2005. She performs both clas- Ratmansky’s Pierrot Lunaire, and Three Point sical and contemporary repertoires and appears Turn by Roden in the US, and in the Russian at the world’s leading ballet theatres, including premiere at the Mariinsky Theatre. the Teatro alla Scala, Paris Opera Ballet, and the Berliner Staatsoper. In the 2010—11 season VLADIMIR SHKLYAROV was a prize winner at she performed with the companies of Édouard the Vaganova-Prix International Competition (St. Lock and Martha Graham. In 2008, with Ardani Petersburg, 2002) and the International Ballet Artists Management and the Orange County Per- and Choreography Competition (Moscow, 2009). forming Arts Center, she presented the program He is a recipient of prizes including the Spirit of Diana Vishneva: Beauty in Motion. In 2011 the Dance (2008), the Leonid Massine International ballerina presented the project Diana Vishneva: Prize (Positano, 2008), and the Zegna–Mari- Dialogues, run with support from the Mariinsky insky New Talent Award (London, 2008). He Theatre, the Diana Vishneva Foundation, and was born in St. Petersburg, graduated from Ardani Artists. In 2013 she premiered Diana the Vaganova Academy of Russian Ballet, and Vishneva: On the Edge. Her repertoire includes joined the Mariinsky Theatre in 2003, where ballets by Petipa, Fokine, Balanchine, Lavrovsky, he has been a principal dancer since 2011. He MacMillan, Graham, Alberto Alonso, Petit, Neu- performs lead roles in all of the theater’s classical meier, Ratmansky, Preljocaj, and Forsythe. ballet repertoire: La Sylphide (James), Giselle (Count Albrecht), Le Corsaire (Ali), La Bayadère KONSTANTIN ZVEREV was a prize winner at (Solor, Golden Idol), The Sleeping Beauty (Prince the International Ballet Competition in Seoul in Désiré), Swan Lake (Prince Siegfried), Raymonda 2009. He joined the Mariinsky Ballet in 2005 Who’s Who

after graduating from the Vaganova Academy of Lamp Shades for Mezzanines (2001) at Mos- Russian Ballet. His repertoire includes roles in cow’s Central House of Artists. He is author of such ballets as Giselle (Count Albrecht, Hans); numerous architectural and design works. Mon- Swan Lake (Prince Siegfried, von Rothbart); Don akhov designed sets for the Mariinsky Theatre’s Quixote (Basilio and Espada); Le Réveil de Flore production of The Flying Dutchman (1998), and (Apollo); Balanchine’s Theme and Variations, worked on the production of the opera War and Jewels (Diamonds, Emeralds), La Valse, and Peace for the Mariinsky Theatre (1999) and the A Midsummer Night’s Dream (Oberon, Pas de Metropolitan Opera in (2002). He worked with deux from Act II); Yakobson’s Shurale (Shurale); Ratmansky on productions of the ballets The Lavrovsky’s Romeo and Juliet (Romeo, Paris); Flames of Paris (2008, Bolshoi Theatre, Mos- Ratmansky’s Anna Karenina (Count Vronsky) cow) and The Bright Stream (2005, National and Concerto DSCH; Alonso’s Carmen Suite Opera of Riga). (José, Torero); In the Middle, Somewhat Elevated by Forsythe, and ballets by Robbins, ELENA MARKOVSKAYA (costume designer) Lander, and Preljocaj. graduated from the Surikov Arts School and the Moscow Architectural Institute. She has designed CREATIVE TEAM several monuments in Moscow including a memorial to students of the Architectural Institute ILYA UTKIN (set designer) graduated from the who died during the Great Patriotic War. She Moscow Architectural Institute and has won works as a portrait artist, and has executed a many international competitions including The- portrait of Alexei II, Patriarch of all the Russias, atre for Future Generations (Paris 1977), Crystal ordered by the Moscow Patriarchate. She has Palace (with Alexander Brodsky, Tokyo, 1982), participated in many arts exhibitions in Moscow, Historic and Local Housing (Tokyo, 1983), The and first worked as a costume designer at Glass Tower (Tokyo, 1984), and the East Meets Moscow’s Mossoviet Theatre on a production of West design competition (US, 1988). He has Brothers and Liza (1999). She worked with Rat- designed numerous architectural ensembles and mansky on productions of the ballets The Flames interiors in Moscow, the US, and the Nether- of Paris (2008, Bolshoi Theatre, Moscow) and lands. Solo exhibitions include Melancholy, a The Bright Stream (2005, National Opera of photographic exhibition (Moscow, 1995), and Riga). others with Alexander Brodsky at the San Diego University Gallery (1989) and the Linda Farris GLEB FILSHTINSKY (lighting designer) was Gallery (Seattle, 1990). Utkin worked with born in 1970 in Leningrad and graduated from Ratmansky on the ballet productions The Flames the St. Petersburg Academy of Theatre Arts, of Paris (2008, Bolshoi Theatre, Moscow) and specializing in decorative theater art. He debuted The Bright Stream (2005, the National Opera as a lighting designer with a production of of Riga). Fahrenheit 451 by the St. Petersburg Youth Art Theatre (1990, production by Vasily Sazonov). YEVGENY MONAKHOV (set designer) graduated In his 25-year-long career, he has taken part in from the Moscow Architectural Institute and has more than 300 dramatic and musical produc- won many international competitions including tions. He has worked on productions by leading Theatre for Future Generations (Paris, 1977), Russian theaters including Maly Drama Theatre/ The Design of Scissors (Nagoia, 1989), and Theatre of Europe, Bolshoi Theatre, Alexandrin- Design for the Future (Tokyo, 1993); he partici- sky Theatre, Mariinsky Theatre, Tovstonogov pated in the international exhibition Architecture Bolshoi Drama Theatre, Novosibirsk Opera and and Imagination (Netherlands, 1989) and the Ballet Theatre, Boris Eifman Ballet, and Moscow Biennale Design-98 (Sainte-Étienne, France, Chekhov Arts Theatre. International theaters in- 1998). Has designed the interiors of many clude Opéra de Paris, Schaubühne and Deutsche buildings in Moscow. He designed items for the Staatsoper (Berlin), Teatro Real (Madrid), English exhibition Clothing for IKEA Chairs (2000) and National Opera (London), Théâtre Royal de la Who’s Who

Monnaie (Brussels), Burgtheater (Vienna), Bayer- St. Petersburg Academy of Theatre Arts (Manage- ische Staatsoper (Munich), Teatro alla Scala ment of Creative and Technological Processes in (Milan), Metropolitan Opera (New York), Neth- Contemporary Theatre). He is a multiple recipi- erlands Opera (Amsterdam), Salzburg Festival, ent of Russia’s national Golden Mask theater and Zurich Opera. He created the lighting and prize, a participant in the Prague Quadrennial stage designs for musicals including North-East, international set design and stage space exhibi- Monte Christo, An Everyday Miracle, Count tion, a recipient of Latvia’s National Theatre Arts Orlov, and The Scarlet Sails. He frequently works Prize, Estonia’s National Theatre Arts Prize, and on stage designs, directing multimedia and major the Facets of Theatre for the Masses All-Russian high-tech shows. He founded and is artistic prize for major forms of theater art. director of the St. Petersburg-based Show-Con- sulting set design and stage technology studio. He is director of the masters’ department of the Margarita Frolova, Kondaurova, Yekaterina Ivannikova. Photo by N.Razina Yekaterina Who’sMariinsky Who Orchestra

FIRST VIOLIN CELLO TRUMPET Stanislav Izmaylov Oleg Sendetsky Sergei Kryuchkov Principal Principal Timur Martynov Alexei Lukirsky Anton Gakkel Yuri Fokin Leonid Veksler Dmitry Ganenko Vitaly Zaitsev Anton Kozmin Omar Bairamov Mikhail Rikhter Yekaterina Larina TROMBONE Khristian Artamonov Vladimir Yunovich Andrei Smirnov Dina Zikeyeva Alexei Lobikov Kristina Minosian DOUBLE BASS Mikhail Seliverstov Akhan Meyerbekov Kirill Karikov Viktoria Boezhova Principal TUBA Danara Urgadulova Vladimir Shostak Nikolai Slepnev Vsevolod Vasiliev Denis Kashin Kirill Murashko Yevgeny Ryzhkov PERCUSSION Boris Markelov Andrei Khotin SECOND VIOLIN Arseny Shuplyakov Zumrad Ilieva FLUTE Yuri Alexeyev Principal Nikolai Mokhov Yevgeny Zhikalov Elena Luferova Sofia Viland Mikhail Vedunkin Viktoria Shchukina Tatiana Khvatova Vladislav Ivanov Anastasia Lukirskaya Mikhail Pobedinskiy Andrei Pokatov HARP Inna Demchenko OBOE Sofia Kiprskaya Andrei Novodran Pavel Kundyanok Natalia Polevaya Alexei Fyodorov KEYBOARD Alexei Krasheninnikov Ilya Ilin Olga Okhromenko Svetlana Petrova CLARINET ORCHESTRA MANAGER VIOLA Viktor Kulyk Vladimir Ivanov Yuri Afonkin Ivan Stolbov Principal Vitaly Papyrin TOUR MANAGER Dinara Muratova Nadya Bitskaya Lina Golovina BASSOON Alexander Shelkovnikov Rodion Tolmachev STAGE HANDS Yevgeny Barsov Yuri Radzevich Victor Belyashin Roman Ivanov Ruslan Mamedov Nikolai Prozherov Mikhail Anikeyev Ilya Vasiliev HORN MARIINSKY FOUNDATION Dmitry Vorontsov Maria Keith Alexander Afanasiev Tour Manager Vladislav Kuznetsov Maestro! Travel & Touring Yuri Akimkin Hotels Pyotr Rodin MARIINSKY BALLET MARIINSKY BALLET

CINDERELLA CINDERELLA Stepmother—Jan 18: Anastasia Petushkova replaces Daria Pavlenko Stepmother—Jan 18: Anastasia Petushkova replaces Daria Pavlenko Female dancer—Yana Selina replaces Alisa Sodoleva Female dancer—Yana Selina replaces Alisa Sodoleva

MARIINSKY ORCHESTRA MARIINSKY ORCHESTRA

Additional musicians: Additional musicians: Andrei Tian (first violin) Andrei Tian (first violin) Nina Pirogova (second violin) Nina Pirogova (second violin) Andrei Petushkov (viola) Andrei Petushkov (viola) Dmitrii Popov (double bass) Dmitrii Popov (double bass) Alexander Levin (oboe) Alexander Levin (oboe) Nikita Vaganov (clarinet) Nikita Vaganov (clarinet) Valeria Rumiantseva (keyboard) Valeria Rumiantseva (keyboard) Cast list as of 3 Jan

Swan Lake 15 Jan 16 Jan Odetta-Odille Viktoria Tereshkina Uliana Lopatkina Prince Siegfried Vladimir Shkliarov Yevgeny Ivanchenko The Reigning Princess, Elena Bazhenova Elena Bazhenova Siegfried’s mother Prince's Tutor Soslan Kulaev Soslan Kulaev Rothbart Andrey Ermakov Yuri Smekalov Joker Vladislav Shumakov Yaroslav Baybordin Prince's friends Yana Selina Ekaterina Ivannikova Nadezhda Batoeva Anastasia Nikitina Filipp Stepin Xander Parish Sygnets Anastasia Asaben Anastasia Asaben Anastasia Mikheikina Anastasia Mikheikina Anastasia Sogrina Anastasia Sogrina Oxana Marchuk Oxana Marchuk Big Swans Anastasia Petushkova Anastasia Petushkova Viktoria Brileva Viktoria Brileva Yulianna Chereshkevich Yulianna Chereshkevich Diana Smirnova Diana Smirnova 2 swans Yana Selina Ekaterina Ivannikova Nadezhda Batoeva Anastasia Nikitina Spanish dance Liubov Kozharskaya Liubov Kozharskaya Anastasia Petushkova Anastasia Petushkova Roman Belyakov Roman Belyakov Alexander Beloborodov Alexander Beloborodov Neapolitan Dance Anna Lavrinenko Anna Lavrinenko Alexey Nedviga Alexey Nedviga Hungarian dance Olga Belik Olga Belik Boris Zhurilov Boris Zhurilov Mazurka Xenia Dubrovina Xenia Dubrovina Elena Androsova Elena Androsova Natalya Dzevulskaya Natalya Dzevulskaya Maria Shevyakova Maria Shevyakova Andrey Solovyov Andrey Solovyov Maksim Petrov Maksim Petrov Alexey Kuzmin Alexey Kuzmin Vadim Belyaev Vadim Belyaev

CINDERELLA 17 Jan 18 Jan 20 Jan Cinderella Diana Vishneva Anastasia Matvienko Nadezhda Batoeva

The Prince Konstantin Zverev Alexander Sergeyev Vladimir Shklyarov Stepmother Ekaterina Kondaurova Amastasia Petushkova Ekaterina Kondaurova Khudishka Margarita Frolova Xenia Dubrovina Margarita Frolova Kubishka Ekaterina Ivannikova Anna Lavrinenko Ekaterina Ivannikova Fairy-Tramp Elena Bazhenova Liubov Kozharskaya Elena Bazhenova Cinderella’s mother Liubov Kozharskaya Elena Bazhenova Liubov Kozharskaya Cinderella’s father Soslan Kulaev Soslan Kulaev Soslan Kulaev The Four Seasons: Spring Vasily Tkachenko Vladislav Shumakov Vasily Tkachenko Summer Ernest Latypov Boris Zhurilov Ernest Latypov Autumn Konstantin Ivkin Konstantin Ivkin Konstantin Ivkin Winter Andrey Solovyov Andrey Solovyov Andrey Solovyov Dance Teachers Viktoria Brileva Viktoria Brileva Viktoria Brileva Yuri Smekalov Yuri Smekalov Yuri Smekalov Hairdressers/Search Alexey Nedviga Alexey Nedviga Alexey Nedviga ers Denis Zainetdinov Denis Zainetdinov Denis Zainetdinov Yaroslav Bayboridin Yaroslav Bayboridin Yaroslav Bayboridin Female dancer Yana Selina Yana Selina Yana Selina Male dance Alexey Tyutyunik Alexey Tyutyunik Alexey Tyutyunik

Swan Lake 21 Jan 22 Jan 23 Jan Odetta-Odille Ekaterina Kondaurova Oxana Skorik Viktoria Tereshkina Prince Siegfried Timur Askerov Xander Parish Vladimir Shklyarov The Reigning Elena Bazhenova Elena Bazhenova Elena Bazhenova Princess, Siegfried’s mother Prince's Tutor Soslan Kulaev Soslan Kulaev Soslan Kulaev Rothbart Andrey Ermakov Yuri Smekalov Andrei Ermakov Joker Vladislav Shumakov Yaroslav Bayboridn Vasily Tkachenko Prince's friends Yana Selina Ekaterina Ivannikova Yana Selina Nadezhda Batoeva Anastasia Nikitina Nadezhda Batoeva Filipp Stepin Ernest Latypov Filipp Stepin Sygnets Anastasia Asaben Anastasia Asaben Anastasia Asaben Anastasia Mikheikina Anastasia Mikheikina Anastasia Mikheikina Anastasia Sogrina Anastasia Sogrina Anastasia Sogrina Oxana Marchuk Oxana Marchuk Oxana Marchuk Big Swans Alisa Sodoleva Alisa Sodoleva Alisa Sodoleva Viktoria Brileva Viktoria Brileva Viktoria Brileva Yulianna Chereshkevich Yulianna Chereshkevich Yulianna Chereshkevich Diana Smirnova Diana Smirnova Diana Smirnova 2 swans Yana Selina Ekateirna Ivannikova Yana Selina Nadezhda Batoeva Anastsia Nikitina Nadezhda Batoeva Spanish dance Liubov Kozharskaya Liubov Kozharskaya Liubov Kozharskaya Anastasia Petushkova Anastasia Petushkova Anastasia Petushkova Roman Belyakov Roman Belyakov Roman Belyakov Alexander Beloborodov Alexander Beloborodov Alexander Beloborodov Neapolitan Dance Anna Lavrinenko Anna Lavrinenko Anna Lavrinenko Alexey Nedviga Alexey Nedviga Alexey Nedviga Hungarian dance Olga Belik Olga Belik Olga Belik Boris Zhurilov Boris Zhurilov Boris Zhurilov Mazurka Xenia Dubrovina Xenia Dubrovina Xenia Dubrovina Elena Androsova Elena Androsova Elena Androsova Natalya Dzevulskaya Natalya Dzevulskaya Natalya Dzevulskaya Maria Shevyakova Maria Shevyakova Maria Shevyakova Andrey Solovyov Andrey Solovyov Andrey Solovyov Maksim Petrov Maksim Petrov Maksim Petrov Alexey Kuzmin Alexey Kuzmin Alexey Kuzmin Vadim Belyaev Vadim Belyaev Vadim Belyaev

Gala programme - 24 Jan

I PART - CHOPENIANA The 7th waltz Oxana Skoryk Mazurka The Young man Timur Askerov Prelude Xenia Ostreikovskaya The 11th waltz Yana Selina 2 dancers Anna Lavrinenko Oxana Marchuk Solo piano Alexandra Zhilina

II PART

In the Night 1st Pas de Deux Anastasia Matvienko Filipp Stepin 2nd Pas de Deux Yekaterina Kondaurova Yevgeny Ivanchenko 3rd Pas de Deux Viktoria Tereshkina Yuri Smekalov Solo piano Liudmila Sveshnikova

III PART WITHOUT

1 Pas de Deux Anastasia Matvienko Konstantin Zverev 2 Pas de Deux Kristina Shapran Andrey Yermakov 3 Pas de Deux Ndezhda Batoeva Filipp Stepin 4 Pas de Deux Tatiana Tiliguzova Ernest Latypov 5 Pas de Deux Margarita Frolova Xander Parish Solo piano Philipp Kopachevsky

Gala programme - 25 Jan

I PART - CHOPENIANA The 7th waltz Oxana Skoryk Mazurka The Young man Timur Askerov Prelude Xenia Ostreikovskaya The 11th waltz Yana Selina 2 dancers Anna Lavrinenko Oxana Marchuk Solo piano Alexandra Zhilina

II PART

In the Night 1st Pas de Deux Anastasia Matvienko Vladimir Shkliarov 2nd Pas de Deux Yekaterina Kondaurova Yevgeny Ivanchenko 3rd Pas de Deux Uliana Lopatkina Andey Yermakov Solo piano Liudmila Sveshnikova

III PART WITHOUT

1 Pas de Deux Anastasia Matvienko Konstantin Zverev 2 Pas de Deux Kristina Shapran Andrey Yermakov 3 Pas de Deux Yana Selina Filipp Stepin 4 Pas de Deux Tatiana Tiliguzova Ernest Latypov 5 Pas de Deux Margarita Frolova Xander Parish Solo piano Philipp Kopachevsky

BAM

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Salutes BAM

BAM 2015 Theater Sponsor

Salutes Jan 2015

Contents

Round-Up BAMcinématek

Still from Round-Up. Photo: Sufjan Stevens Jamie Lee Curtis in The Fog. Courtesy Photofest

Sufjan Stevens takes us into the world of rodeo John Carpenter’s unique, terrifying vision in Round-Up. receives a BAMcinématek retrospective. by Richard Gehr by R. Emmet Sweeney

Eat, Drink & Be Literary Bold-faced literary names populate the 2015 reading and dinner series. by Susan Yung BAMbill Jan Cover Artist

Larry Poons Larry Poons was born in 1937 and grew up in New York. In 1955, he attended the New England Conservatory of Music, and two years later transferred to the Museum of Fine Arts, Boston. He was given his first one-man exhibition in 1963 at Richard Bellamy’s famed Green Gallery, and in 1965 his work was included in MoMA’s celebrated exhibition, The Responsive Eye. In 1969, Poons was the youngest artist featured in curator Henry Geldzahler’s landmark survey, New York Painting and Sculpture, 1940—70. In 1981 the MFA Boston organized an exhibition of his paintings from the 1970s. The work of Larry Poons is included in major museum and private collections throughout the US and abroad. Larry Poons, Untitled, 2009 Acrylic on canvas, 68” x 85” He currently lives and works in New York. Courtesy of Danese/Corey Gallery and the artist This work is currently available for purchase; all proceeds benefit BAM. For pricing and inquiries, please contact BAM Visual Art at [email protected] or 718.636.4101. 2014 WINTER/SPRING #Sufjan Photo by We Are Films Photo by We Round-Up. Round-Up.

Sufjan Stevens’

by Richard Gehr Round-Up

From concept albums like Michigan and Illinois, RG: What are your favorite events? through BAM stage projects like The BQE SS: I prefer the roping events because they feel and Planetarium, Brooklyn-based composer- more closely tied to techniques actually required performer Sufjan Stevens’ work often displays in cattle ranching. They seem to exhibit more a deep appreciation of place. Stevens turns his skill and craft than the others. Bull riding is gaze westward in Round-Up, a collaborative beautiful and grotesque, but it also seems a little exploration—with filmmakers Alex and Aaron pornographic. It’s so unreal and irrational—why Craig—of the rodeo, our country’s only ritualized would anyone ever want to do that? The odds space for human-animal confrontation. are in the animal’s favor, though, so it’s pretty exciting in that sense. Richard Gehr: What sparked your interest in the rodeo world? RG: Rodeos have been criticized for subjecting Sufjan Stevens: It was happenstance. During a animals to cruelty. What are your thoughts on road trip out west a few years ago, I kept noticing that? advertisements for rodeos. I’d never been to one SS: Rodeo is unkind to both animals and and decided to attend the Pendleton Round-Up humans. But the domestication of plants and in eastern Oregon. I immediately felt drawn to animals is unkind to plants and animals, too. the sportsmanship of it. I’m from Michigan, There’s an inherent moral dilemma at the heart where we have drag racing but no rodeos. of all of modern man’s conquests.

RG: Unlike other sports and entertainments, RG: Round-Up seems like the polar opposite of rodeo originated as an actual profession. your prior BAM commission, The BQE. SS: It comes from cattle ranching. It’s the SS: Exactly. They’re related projects. The BQE is migration of a Spanish-Mexican tradition to the about man and machine, and the conquest of United States. Cowboy iconography is familiar to industry on the East Coast. Round-Up is about everyone, but most city-dwellers probably haven’t man and animal, and the conquest of nature in seen a real rodeo except maybe on ESPN. the West. Round-Up

RG: How did the Craig brothers become involved lush fanfare and romantic flourish to contrast with Round-Up? with the ugliness of the expressway. Round-Up’s SS: I’d originally planned to photograph the imagery is lush and beautiful, so I wanted the rodeo myself, just for fun, but I had to cancel music to be a lot more subdued. And with only because of work. Two weeks before the 2013 two pianos and two percussionists playing mallet Round-Up, I asked Alex and Aaron if I could instruments—and my electronics—it’s a much fly them out there to film the rodeo for a few smaller ensemble than The BQE. days, with no plan in mind. They organized the whole thing in a matter of days and ended up RG: How did you get together with Yarn/Wire? shooting more than 40 hours of footage. I was SS: I’d seen them play at ISSUE Project Room overwhelmed by what they came up with and and some off-the-radar loft spaces. They usually realized this was going to be a long-form project. play knotty, noisy, and almost antagonistic experimental music, which is the direction I RG: What about their footage impressed you? first thought I’d go in when I started working on SS: Everything is shot in slow motion at 300 Round-Up. But I soon discovered that it required high-definition frames per second. One second of something more flowing and restrained, and they activity becomes 12 seconds on the screen. They were totally up for it. had access to the stalls where they release the bareback riders. Some shots are very intimate. RG: What else are you working on? It’s been a You can see riders’ anticipation and preparatory couple of years since you released Silver & Gold: gestures, the look of terror and the sweat. The Songs for Christmas, Vols. 6–10. footage also captures the amazing choreography SS: After this project I’m going to Miami to work between man and animal. There’s so much on my tan. dance in rodeo: horse tails and stirrups, cowboy hats, tassels and chaps flying all over the place. Richard Gehr is a Brooklyn writer. His most The film is quite visceral. recent book is I Only Read It for the Cartoons: The New Yorker’s Most Brilliantly Twisted Artists. RG: How did you go about composing the music for Round-Up? Was there a country influence? Round-Up runs Jan 20 to 25 at the BAM Harvey; SS: Not at all. The music is modal, droning, live music will accompany the film projected on repetitive, and almost invisible. I tried to stay out the Steinberg Screen. of the way of the imagery. The BQE’s music was Photo by We Are Films Photo by We Round-Up. Round-Up. EAT, DRINK & BE LITERARY #EDBL

ust when you thought Eat, Drink & Be “For her debut novel, Yanique ... has written an Literary couldn’t get any zeitgeistier, along epic multigenerational tale set in the US Virgin comes the 2015 lineup, co-presented by Islands that traces the ambivalent history of JBAM and the National Book Foundation. its inhabitants during the course of the 20th Photo: Liz Lauren This highly popular series, now in its 11th year, century.” Yanique has garnered several prizes features authors reading excerpts of their books, in her young career, including a Fulbright along with terrific food and wine. The events take Scholarship. She lives in Brooklyn and her native place in the BAMcafé, under the soaring arched St. Thomas, Virgin Islands. windows atwinkle with Leo Villareal’s Stars.

In addition to being a 2012 MacArthur Fellow, Another New Yorker, Michael Cunningham (Mar New York resident Dinaw Mengestu (Jan 27) 11), wrote The Snow Queen, a novel dealing in is an avid tweeter. A recent tweet: “In All Our part with everyday New Yorkers encountering Names, my characters are contemptuous of spiritual signposts. He is praised for his fluent the privileged students who merely talk of prose, such as this phrase about releasing revolution.” About his lauded recent novel, The pigeons: “ ... silvered by earthly light, counter New York Times Book Review said, “All Our to the windblown flakes, sail them effortlessly Names is a book about an immigrant, but more west into the agitated air that’s blowing the profoundly it is a story about finding out who you snow toward the East River...” The author is

are, about how much of you is formed by your best-known for The Hours, which was made into family and your homeland, and what happens a feature film besides winning a PEN/Faulkner when those things go up in smoke... The Award and a Pulitzer Prize. victories in this beautiful novel are hard fought and hard won, but won they are, and they are Lydia Davis (Mar 18) has earned a cult following durable.” for her diamond-like nuggets of short stories, some just one sentence. Time after time, she Tiphanie Yanique’s (Mar 3) most recent book defies the normal indulgences of length and and debut novel, Land of Love and Drowning, elaboration, concisely painting a scene or a has received praise. Publisher’s Weekly said, feeling, leaving just the essence. She won the BAM

Official Airline of BAM

Salutes #EDBL

2013 Man Booker International Prize for body Jane Smiley (Jun 2) has chronicled the of work, was a MacArthur Fellow, and recently American farm family in her novels, most published Can’t and Won’t. famously in the classic A Thousand Acres (1991), and this year in Some Luck, the first Chris Ware (Apr 21) has helped vault the volume in a trilogy about an Iowa family during graphic novel into the adult literary domain with the first half of the 20th century. Smiley has titles such as Building Stories (2012) and Jimmy captured the country’s rapid evolution in the Corrigan: The Smartest Kid on Earth (2003). post-war era. Her numerous characters quickly His minutely detailed drawings and empathetic develop into fleshed out personalities; even

characters capture humanity in the fullest sense. babies’ traits are recounted memorably. She has He was the first cartoonist to be selected byThe won many accolades, including a Pulitzer Prize New York Times Magazine as a serial contributor. and a PEN USA Lifetime Achievement Award. Additionally, his work has been exhibited in museums and he edited McSweeney’s Quarterly The Flamethrowers, her second novel, brought Concern No. 13, comprising all comics. Rachel Kushner (Jun 10) into the spotlight last year; the paperback version of this finalist Joseph O’Neill’s (Apr 29) most recent novel, The for a 2013 National Book Award was recently Dog, was nominated for a Man Booker Prize, released. The book’s main character, Reno, is

and his novel Netherland (2008) won a PEN/ larger than life and yet consummately human. Faulkner Award. In an interview with The Paris An artist in her 20s, she is also bent on setting Review, he spoke of writing his latest book: “I a land-speed record on a motorcyle. The story wanted The Dog to capture some of the stillness caroms from the Bonneville salt flats, to a cabal and depth of philosophical texts. For me, there’s of anarchists in Rome, to the art scene in New enormous pleasure and excitement in that.” He York in all its dazzling artifice and depth. manages to balance this depth with incisive and frequently hilarious observations of daily life and The series is moderated by Deborah Treisman pop culture. and Lorin Stein.

—Susan Yung. Illustrations by Nathan Gelgud BAM Directory

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Harvey Theater Sponsor Salutes Thanks to our Winter/Spring Season supporters

Season Sponsor: Major support for BAM provided by:

Major support for Global BAM BAM 2015 Theater Sponsor Support for the Howard Gilman Signature provided by: Artist Series provided by: Winter/Spring supporters: Frances Bermanzohn & Alan Roseman The Gladys Krieble Delmas Foundation Rohit & Katharine Desai Leadership support for BAM’s presentation The Francena T. Harrison Foundation Trust of A Human Being Died That Night Stephanie & Timothy Ingrassia Programming in the BAM Harvey Theater provided by Steven & Susan Felsher The Frederick Loewe Foundation is endowed by the Doris Duke Charitable The Ambrose Monell Foundation Foundation. Leadership support for Mark Morris Henry and Lucy Moses Fund, Inc. Dance Group at BAM provided by Donald R. Mullen Jr. Leadership support for opera at Robert L. Turner Samuel I. Newhouse Foundation, Inc. BAM provided by: The Jerome Robbins Foundation, Inc. Aashish & Dinyar Devitre Major support for Round-Up provided by Rolex SA The Frederick Loewe Foundation Pablo J. Salame The Fan Fox & Leslie R. Samuels Endowment support for the Foundation, Inc. BAM engagement made possible by: Winter/Spring Season: The Morris and Alma Schapiro Fund The Andrew W. Mellon Foundation Fund The Peter Jay Sharp Foundation for Opera and Music-Theater; The Peter The Shubert Foundation, Inc. Jay Sharp Fund for Opera and Theater; The SHS Foundation Lila Wallace-Reader’s Digest Endowment Starry Night Fund The Harold and Mimi Steinberg Principal Partners of the Mariinsky Fund for Community, Educational, & Charitable Trust Theatre: Public Affairs Programming; The SHS Foundation; Estate of Richard B. Fisher; The Winston Foundation, Inc. The Starr Foundation; Nora Ann Wallace and Jack Nusbaum; The Devitre Fund; Title Sponsor of BAM Rose Cinemas and

and the BAM Fund to Support Emerging BAMcinématek: and Local Musicians.

Official Airline of BAM: BAM Rose Cinemas are named in recognition of a major gift in honor of Leadership support for Mariinsky Jonathan F.P. and Diana Calthorpe Rose, Residency at BAM provided by and have been generously supported by Frederick Iseman. Special Thanks to BAM Board Chair Alan The Peter Jay Sharp Foundation, and the H. Fishman, and BAM Board Vice Chairs Estate of Richard B. Fisher. Major support for Mariinsky Residency William I. Campbell and Adam E. Max at BAM provided by: The Steinberg Screen at the BAM Harvey BAM 2015 Music Sponsor: Theater is made possible by:

Leadership support for dance at BAM The BAM facilities are owned by the City of New York and benefit from public provided by The Harkness Foundation Presenting sponsor of BAMkids for Dance funds provided through the New York City Department of Cultural Affairs with and community programs support from Mayor Bill De Blasio; Leadership support for Scandinavian BAMcafé Live sponsor: programming provided by The Barbro Cultural Affairs Commissioner Tom Osher Pro Suecia Foundation Finkelpearl; the New York City Council including Council Speaker Melissa Major sponsor for BAM programming: Mark-Viverito, Finance Committee Chair Julissa Ferreras , Cultural Affairs Committee Chair Jimmy Van Bramer, Programming in the BAM Lepercq Space the Brooklyn Delegation of the Council, is supported by The Lepercq Charitable and Councilwoman Laurie Cumbo; and Foundation. BAM’s production of Semele was made Brooklyn Borough President Eric Adams. possible by a generous grant from the BAM Marquee Sponsor: KT Wong Foundation in association with Official Beverage of BAM: PACE Gallery. Leadership support for BAM’s presentation of Semele provided by Mercedes T. Bass, and Ellen and James S. Marcus. Harvey Theater Sponsor: Official Piano for BAM: Support for Winter/Spring Season provided by: Your tax dollars make BAM programs possible through funding from:

Leadership support for BAM’s presentation BAM would like to thank the Brooklyn of Ghosts provided by Delegations of the New York State Betsy and Ed Cohen/Areté Foundation Assembly, Joseph R. Lentol, Delegation Leader; and New York Senate, Senator Promotional Partner: Velmanette Montgomery, Delegation Leader. BAMcinématek #CARPENTER . Courtesy Photofest The Fog Jamie Lee Curtis in

by R. Emmet Sweeney

CarpenterHe came of age in film school at the same Resurrection ofCraft Broncho Billy (1970). time as the Steven Spielberg/George Lucas “movie brats,” but John Carpenter is generally Carpenter would drop out of USC to complete excluded from triumphal histories of 1970s production of his first feature, the absurdist New Hollywood cinema. Yet Carpenter’s space-madness comedy Dark Star (1974), genre reinventions have become as equally written with future Alien scribe Dan O’Bannon. influential as those of his cinéaste brethren. Shot on a shoestring with blinking cardboard While Lucas and Spielberg tried to supersize sets and an alien made out of a beach ball, the 1930s adventure serial, Carpenter took the it skewers self-important space opera three professionals-on-a-mission films of Howard years before Star Wars. His first fully-funded Hawks and fractured them for the Reagan era. production was Assault on Precinct 13 (1976), He developed a style of slow-burn—precisely a siege film loosely based on Hawks’Rio Bravo choreographed widescreen features that were in which a black cop, a white convict, and a no irresistible tension-and-release machines. bullshit secretary hole up in an isolated prison But while Jaws and Star Wars appealed to all to fight off a gang attack. Carpenter shows a audiences, Carpenter’s subversive streak led to mastery of the wide Panavision frame, making films deeply suspicious of the American dream, it a film of constricting horizontals: of shotgun creating entertainments that stick in your throat. barrels and gang members strung along a street like holes in a belt. John Carpenter was born into an artistic family on January 16, 1948 in Carthage, NY. His Then came the depth charge of Halloween father Warren was a musician and teacher who (1978), conceived with Assault’s assistant editor moved the family to Bowling Green in 1953 Debra Hill (a producer through Escape From after accepting a position teaching music history New York), which was well funded enough for and theory at Western Kentucky University. After Carpenter and DP Dean Cundey to play with a a few years of college at Western Kentucky, Panaglide Steadicam rig, which patiently tours John transferred to USC to study filmmaking, the well-appointed bourgeois interiors soon to be where he co-wrote the Oscar-winning short The sullied by Michael Myers. A lesser-known stalker #CARPENTER tracks Lauren Hutton in Carpenter’s feminist if impersonal Stephen King killer car movie Rear Window homage Someone’s Watching Me! Christine (1983), and the beautiful alien road (1978), an NBC telefilm that he directed before movie romance Starman (1984), in which the the Halloween explosion. Ripe for rediscovery, it NSA is the villain. They Live (1987) provides follows Hutton’s indomitable television director, his most explicit political statement, with aliens her philosopher lover (David Birney), and lesbian turning the Me Generation populace into literal pal (Adrienne Barbeau) as they search for her consumerist zombies. It is urgent, blunt force breathy attacker. pulp commentary that has Rowdy Roddy Piper slugging complacency in the face. Carpenter and Cundey then made a string of creeping-dread classics dependent on groups A narrative of decline has emerged around his dissolving from within—collapsing the Hawksian post-1980s work, but that is why retrospectives ideal of creating a family out of the professional like this are so necessary. The gonzo super- unit. The Fog (1980) pitted a collection of natural Westerns Vampires (1998) and Ghosts of outcasts against leprous ghost pirates, out for Mars (2001) are gloriously scuzzy throwbacks to vengeance for past colonialist sins. Escape his Assault days, while The Ward (2010) is an from New York (1981) forces apolitical nihilist elegantly composed haunted psych ward movie Snake Plisskin (Kurt Russell) to play nice with that entraps its inmates inside low-angle tracking the authoritarian US government as well as shots. the crazies on Manhattan island prison. (In the jokey, underrated 1996 sequel Escape to LA, Carpenter has retained his subversive vitality, Plisskin turns into something of an accidental taking archetypally American weird tales and revolutionary). In Carpenter’s The Thing (1982, investing them with a destabilizing dread. adapted from the same novella as the Hawks classic), an Arctic research team discovers a R. Emmet Sweeney writes a weekly column shape-shifting alien, and paranoia destroys for Movie Morlocks, the official blog of Turner them. It’s the first part of a loose “Apocalypse” Classic Movies, and is a regular contributor to trilogy that also includes Prince of Darkness Film Comment. (1987; Satan will end the world) and In the Mouth of Madness (1994; HP Lovecraft-inspired John Carpenter: Master of Fear runs from Feb bestsellers will end the world). 5—22, opening with an in-person conversation with Carpenter and NPR’s Brooke Gladstone The box office failure ofThe Thing led Carpenter on Feb 5. Tickets available now at BAM.org/ to take assignment jobs, including the efficient Carpenter.

They Live, courtesy Photofest Securing BAM’s Future

BAM Endowment A great institution is built upon on a secure future. At BAM, a growing endowment is the foundation for expansive programming that continues to set new standards for artistic daring and excellence. The BAM Endowment provides the financial underpinning to launch new artistic initiatives, plan for future years, seize opportunities for institutional advancement, and confront unanticipated challenges. BAM sincerely thanks those listed below for their generous support in securing BAM’s future.

$5,000,000 and above $500,000 and above $100,000 and above Richard B. Fisher & Jeanne The Campbell Family Foundation Michael Bailkin, Marvin Levine, Donovan Fisher The Devitre Fund Jesse Masyr, David Stadtmauer The Howard Gilman Foundation Judith R. & Alan H. Fishman Robert & Joan Catell Fund for The Peter Jay Sharp Foundation Charles J. & Irene F. Hamm Education Programs Lila Wallace-Reader’s Digest Maribelle & Stephen Leavitt Neil D. & Kathleen M. Chrisman Endowment Fund for Community, Diane & Adam E. Max Mr. & Mrs. Henry Christensen III Educational, & Mary & Jim Ottaway Jr. in honor of Madison S. Finlay Public Affairs Programs Ruth Blackburne Ottaway Francena T. Harrison Rockefeller Brothers Fund Performance Fund $1,000,000 and above Jonathan F.P. & Diana V.C. Rose Rita K. Hillman Altria Group, Inc./Next Wave Martha A. & Robert S. Rubin HSBC Bank USA, N.A. Forward Fund Nora Ann Wallace & Jack Nusbaum Independence Community Bank BAM Fund to Support Emerging Stephanie & Tim Ingrassia and Local Musicians $250,000 and above Mr. & Mrs. Edgar A. Lampert Brooklyn Community Foundation The Bohen Foundation Annie Leibovitz & Studio The Irene Diamond Fund The Jessica E. Smith and Kevin R. Leo Burnett, USA Doris Duke Charitable Foundation Brine Charitable Trust James McLaren & Lawton Fitt Emily H. Fisher The Charles & Valerie Diker Dance Sarah G. Miller & Frank L. Coulson The Ford Foundation Fund to Endowment Fund The Morgan Stanley Community Support Collaborative Creativity The Horace W. Goldsmith Foundation and Educational Fund Among U.S. Artists Michael Bancroft Goth Endowed J.P. Morgan & Co. Incorporated The Andrew W. Mellon Foundation Annual Performance Fund The Jerome Robbins Foundation, Inc. Fund For Opera & Music-Theater William Randolph Hearst May & Samuel Rudin Family Bruce C. Ratner Endowment for Education and Foundation William Boss Sandberg Humanities Programs Mr. & Mrs. Ame Vennema The Peter Jay Sharp Fund for Opera The Rita & Alex Hillman Foundation Verizon Communications and Theater Carole & Irwin Lainoff The Isak and Rose Weinman The SHS Foundation Maxwell Family Fund in Community Foundation in honor of Madame The Starr Foundation Funds, Inc. Lilliana Teruzzi The Geraldine Stutz Trust, Inc. The Winston Foundation Anonymous

As of September 1, 2014

Photo: Peter Jay Sharp Building, by Ben Cohen Securing BAM’s Future

Planned Giving Another way to help BAM prepare for the future is by making a provision in your estate plans. You create a legacy for many generations to come and ensure BAM’s excellence continues for the next 150 years. Existing options for planned giving include making a bequest in your will, and naming BAM as a beneficiary in your retirement plan or insurance policy, among others. Unless otherwise specified by a donor, it is BAM’s policy to apply planned gifts toward its endowment. Individuals who have made such gifts are recognized in the select group of patrons known as BAM Angels.

Our special thanks to the foresight of the charitable BAM Angels listed below.

BAM Angels Denis Azaro Barbara T. Hoffman David L. Ramsay, MD Bettina Bancroft William Josephson William Boss Sandberg Robert & Joan Catell Charlotte & Stanley Kriegel Louis Sanders Neil D. Chrisman Edgar A. Lampert Harriet L. Senz Mr. & Mrs. Henry Christensen III Harvey Lichtenstein Toni Mendez Shapiro Mallory Factor Phyllis Holbrook Lichtenstein Bella F. Stoll Madison S. Finlay Georgene M. Maxwell Lynn M. Stirrup Richard B. Fisher Scott C. McDonald PaulaMarie Susi Judith R. & Alan H. Fishman Evelyn & Everett Ortner Charlene Magen Weinstein & Barry M. Fox Frank J. & Adeline Pannizzo Laurence Benjamin Molloy Rita Hillman William Winthrop Parsons Judge Franklin R. Weissberg Marie D. Powers Carol Yorke & Gerard Conn

For more information on the BAM Endowment or on Planned Giving opportunities please contact Denis Azaro at 718.636.4193 or [email protected]. All inquiries will remain strictly confidential. BAM

Season Sponsor

Salutes Upcoming Events @BAM_Brooklyn

2015 WINTER/SPRING NATIONAL THEATRE LIVE BAM and Scott Rudin present Treasure Island | Feb 28 at 12pm | BRC The Iceman Cometh | By Eugene O’Neill | Goodman Theatre Directed by Robert Falls | Feb 5—Mar 15 | HT THE MET: LIVE IN HD Hannibal Buress—The Comedy Comisado Tour Tchaikovsky’s Iolanta, Bartok’s Bluebeard’s Castle Feb 8 at 8pm | OH Feb 14 at 12:30pm | BRC An Evening with Matt Groening & Lynda Barry: Love, Pre-screening discussion with Fred Plotkin at 11:30am Hate & Comics—The Friendship That Would Not Die Feb 12 at 8pm | OH BAMCAFÉ LIVE En Garde! Neil Gaiman and Daniel Handler Feb 17 at 8pm | OH FREE MUSIC FRI & SAT NIGHTS Cole Wiliams | Feb 6 at 9pm BAMKIDS Renee Manning | Feb 7 at 9pm 17th Annual BAMkids Film Festival | Feb 7 & 8 | BRC Bradd Marquis | Feb 13 at 10pm Movie Matinee: The Circus (1928) | Feb 22 at 2pm | BRC Joshua Van Ness & MOR | Feb 20 at 9pm Live Performance: Blocks Revolutionary Snake Ensemble | Feb 21 at 9pm Feb 28 & Mar 1 at 10:30am & 1:30pm | FS Drue Davis | Feb 27 at 9pm Monifah | Feb 28 at 9pm MASTER CLASS BAMCINÉMATEK Interpreting Myth and Drama | With Martha Frintzila REPERTORY, CLASSICS, FESTIVALS Co-presented by BAM, Mark Morris Dance Group, John Carpenter: Master of Fear| Feb 5—22 | BRC and the Onassis Cultural Center NY | Feb 24 Fog City Maverick: The Films of John Korty 6:30—9pm | MMDC Feb 24—26 | BRC

BC=BAMcafé | BRC=BAM Rose Cinemas | FS=Fishman Space (BAM Fisher) | HS=Hillman Studio (BAM Fisher) HT=BAM Harvey Theater | OH=BAM Howard Gilman Opera House | MM=Mark Morris Dance Center . Photo: Liz Lauren The Iceman Cometh BAM Supporters & Patrons

BAM wishes to thank our patrons for all the operating, capital, and endowment support you’ve given us over the past year. (List represents gifts between October 1, 2013—October 1, 2014)

$500,000 and above The Rita and Alex Hillman The Morris and Alma The Scherman Foundation, Will & Prattana Kennedy brigitte nyc Foundation Schapiro Fund Inc. Alexander E. Kipka & Brooklyn Borough Stephanie & Timothy Shearman & Sterling LLP Bartholomew A. Sheehan & Katherine Nintzel President’s Office— Ingrassia Starry Night Fund Sheila A. Cain David L. Klein, Jr. Eric Adams Frederick Iseman Joseph A. Stern Skadden, Arps, Slate, Foundation Brooklyn Community The Lepercq Charitable Toll Brothers Meagher & Flom LLP KPMG LLP Foundation Foundation Pedro Jose Torres & Cecilia Joseph and Sylvia Slifka Jay Kriegel & Kathryn The City of New York— Toby Devan Lewis Picon Foundation McAuliffe (Tides Bill de Blasio, Mayor Pierre and Tana Matisse Virginia B. Toulmin Mr. & Mrs. Howard Foundation) Judith R. & Alan H. Foundation Foundation Solomon Eileen M. Lach Fishman mcgarrybowen Joseph LeRoy & Ann C. Brian Stafford Solange Landau Ford Foundation New York State Council on Warner Fund The Harold and Mimi Hon. Brad Lander, New The Howard Gilman the Arts Williams & Connolly LLP Steinberg Charitable Trust York City Council Foundation Oliver Wyman, Inc. Jennifer Small & Adam Judy & Michael Steinhardt François & Calleen Goldman Sachs Gives at Onassis Cultural Center NY Wolfensohn The Geraldine Stutz Letaconnoux the recommendation of May & Samuel Rudin KT Wong Foundation Trust, Inc. The Levine Foundation Anne Hubbard & Harvey Family Foundation, Inc. Anonymous Ram Sundaram John Lipsky & Zsuzsanna Schwartz The Fan Fox & Leslie R. Estate of Martha Zalles S. Karasz Robin & Edgar Lampert Samuels Foundation, Inc. $25,000 and above Anonymous (2) Carley Roney & David Liu Diane & Adam E. Max Santander Jody & John Arnhold Lynn J. Loacker The New York City The Shubert Foundation, Inc. Susan L. Baker & Michael $10,000 and above The Lupin Foundation Council—Brooklyn Axel Stawski & Galia Meiri R. Lynch Linda & Max Addison Briehan Lynch & Alexander Delegation The Joseph S. and Diane BNY Mellon Roger Alcaly & Helen Bodian Evis The New York City H. Steinberg Charitable Bryan Cave LLP Allen & Overy LLP M&T Bank Council—Melissa Mark- Trust Goldman Sachs Gives at Allan Arffa & Kay Mattis Family Foundation Viverito, Speaker Target the recommendation of Matschullat Scott C. McDonald New York City Department Laurie M. Tisch Illumination R. Martin Chavez David Ashen McGuireWoods LLP of Cultural Affairs Fund Linda & Adam Chinn The Barker Welfare William Patrick McMullan & New York City Economic Robert L. Turner Mr. & Mrs. Henry Foundation Rachel McPherson Development Corporation John L. & Eva Usdan Christensen III The Howard Bayne Fund Constance & H. Roemer PASNY Viacom Citi Foundation Tony Bechara McPhee The Jerome Robbins The Winston Foundation, Inc. Constans Culver Foundation Roger & Brook Berlind Medgar Evers College Gifts Foundation, Inc. Robert Davoli & Eileen Paula & Earl Black and Grants Jonathan F.P. & Diana $50,000 and above McDonagh Emma Bloomberg & Edward S. Moore Calthorpe Rose Altria Group, Inc. Rohit & Katharine Desai Christopher Frissora Foundation The SHS Foundation Mercedes T. Bass DeWitt Stern The Bloomingdale’s Fund of Barbara & Richard Moore United States Department Frances Bermanzohn & Mark Diker & Deborah the Macy’s Foundation Morgan Stanley of State, Bureau of Alan Roseman Colson Mr. & Mrs. Anthony Bowe Munger, Tolles & Olson LLP Educational and Cultural Citi Andre & Stephanie Dua The Brooklyn Brewery Charles M. Nathan & Alisa Affairs Betsy and Ed Cohen/Areté Epstein Teicher Donald A. Capoccia F. Levin The Wall Street Journal Foundation Philanthropies Jim Chervenak New York State Office of Con Edison Barry M. Fox Credit Suisse Parks, Rec. and Historic $250,000 and above The Corinthian Foundation Freshfields Bruckhaus Ahmad Deek & Marie-Line Preservation Bloomberg Philanthropies Ide & David Dangoor Deringer LLP Grinda Royal Norwegian Consulate Booth Ferris Foundation Davis Polk & Wardwell Barbara Gladstone Gallery Beatrice & James Del General Aashish & Dinyar Devitre Della Rosa Family Inc. Favero The O’Grady Foundation Dow Jones Foundation Foundation Beth & Gary Allen Glynn Charles & Valerie Diker Joey O’Loughlin Charles J. & Irene F. Hamm The Gladys Krieble Delmas Goodwin Procter LLP Dow Jones & Company, Inc. William J. & Dorothy K. The Hearst Foundations, Inc. Foundation The Grand Marnier Jean and Louis Dreyfus O’Neill Foundation Suzie & Bruce Kovner Delta Air Lines Foundation Foundation, Inc. Jim & Mary Ottaway Leon Levy Foundation Brendan & Barbara Dugan The William and Mary Robert and Mercedes Michael Palm Foundation Donald R. Mullen Jr. Thérèse M. Esperdy & Greve Foundation Eichholz Foundation Stephen Palmese Stavros Niarchos Robert G. Neborak GGMC Parking, LLC Carol & Roger Einiger William & Laura Taft Foundation Steven & Susan Felsher H3 Hardy Collaboration Mallory & Elizabeth Factor Paulsen Martha A. & Robert S. Rubin Forest City Ratner Architecture Linda & Martin Fell Peck Stacpoole Foundation The Peter Jay Sharp Companies In Memory of Robert Sklar Estate of Richard B. Fisher Laura Pels International Foundation Gotham Organization, Inc. Hasty Pudding Institute Fribourg Family Foundation Foundation for Theater David & Jane Walentas The Harkness Foundation of 1770 Fried, Frank, Harris, Shriver Pfizer Inc. Nora Ann Wallace & Jack for Dance Barbara Haws & William & Jacobson LLP Philip Morris International Nusbaum The Emily Davie & Joseph Josephson Alvin E. Friedman-Kien & Lyon & Hilary Polk The Robert W. Wilson S. Kornfeld Foundation Charles Hayden Foundation Ryo Toyonaga Maya Polsky Charitable Trust Grace Lyu-Volckhausen Cheryl Henson & Ed Finn Gibson, Dunn & Crutcher, Marcel Przymusinski Anonymous James I. McLaren & Lawton Penn & Diane Holsenbeck LLP R/GA W. Fitt Richard Hulbert David & Susie Gilbert William & Katherine Rayner $100,000 and above The Ambrose Monell Michael Klein Goldman, Sachs & Co. Reed Smith LLP Altman Foundation Foundation Dan & Abbe Klores Elaine Golin Related Companies American Express Henry and Lucy Moses Tal Litvin The Green Fund Inc. William D. & Susan Kahan Bank of America Fund, Inc. Frederick Loewe The Grodzins Fund Rifkin Jessica E. Smith & Kevin Nash Family Foundation Foundation, Inc. Mr. & Mrs. Henry B. Gutman Max Rifkind-Barron R. Brine National Endowment for Gary Lynch & Kate Hall The Marc Haas Foundation, River Cafe William I. Campbell & the Arts Goldman Sachs Gives at Inc. Mr. & Mrs. Theodore C. Christine Wächter- National Grid the recommendation of Mr. & Mrs. Burton K. Rogers Campbell Samuel I. Newhouse David & Susan Marcinek Haimes Rolex SA Chase Foundation, Inc. Merrill Lynch & Co. Dozier Hasty & Nancy Alexandra Munroe & Robert Robert Sterling Clark The New York Community Foundation, Inc. Havens-Hasty Rosenkranz Foundation Trust Morgan, Lewis & Bockius, The Jim Henson Foundation Shelley & Donald Rubin Corinthian Media, Inc. The Barbro Osher Pro LLP Cecilia & James Herbert Foundation Cumberland Packing Suecia Foundation Linda & Stuart Nelson Hill Country Barbecue Bette & Richard Saltzman Jeanne Donovan Fisher Paul, Weiss, Rifkind, The Nets Foundation Market Michael J. Schmidtberger & Fleurs Bella Wharton & Garrison O’Melveny & Myers LLP Sophie Hughes Margaret Sung First New York Partners Sarah & Spencer Robertson Gabriel & Lindsay Pizzi Hunter Public Relations Richard G. Schneidman Management Goldman Sachs Gives at Alex Porter Consulate General of Israel Donna & Marvin Schwartz Susan L. Foote & Stephen the recommendation of The Reed Foundation Johnson & Johnson Timothy & Julie Sebunya L. Feinberg Pablo J. Salame Renova Alan Jones & Ashley Garrett Adi Shamir & Richard D. Agnes Gund Anna Kuzmik Sampas & Blanchette Hooker Miriam Katowitz & Arthur Baron The Francena T. Harrison George Sampas Rockefeller Fund Radin The Evelyn Sharp Foundation Trust Gene & Terry Kaufman Foundation BAM Supporters & Patrons

Sidley Austin LLP The Bertha and Isaac Jill & Sheldon Bonovitz Philip Kearns & Sid Ray Juliet Taylor & James Walsh Sills Family Foundation Liberman Foundation Dr. & Mrs. Jeffrey S. Borer Helen Kim-Bordes Josephine & Philip Teverow Susan & Larry Sills in memory of Jeffrey George A. Bowen & Alan & Susan Kolod ToyQube NY/NJ Snowflake Youth P. Klein Marianne L. Nosal Jayme Koszyn & Thomas Peter C. Trent Foundation Gwen Libstag J. Anthony Braddock O’Handley Susan Unterberg Edward Spilka The Liman Foundation Lisa Brian Thomas Koveleskie Vanetta Vancak Sam & Ellen Sporn MALIN+GOETZ Brooklyn Gin Joan Kreiss Bernardette Vaskas Ronald P. Stanton/The Donna Marshall Brooklyn Roasting Company Mark Krueger Charitable Vidaris Delancey Foundation McGraw Hill Financial Brooklyn Tea Company Fund of Tides Patricia Voight & Rachel The Starr Foundation Joyce F. Menschel Andrew D. Brown Foundation Wolff Jean Stein Mr. & Mrs. Richard L. Robert & Joan Catell Miodrag Kukrika Thomas Von Foerster John Strasswimmer Menschel Herbert & Beverly Chase Hugh & Betsy Lamle Vosges Haut-Chocolat Amanda Taylor Fund of the Martin F. & Selma E. Mertz Amita & Purnendu Foundation Howard & Ruth Warshower Anne Cox Chambers Morgan Stanley Polk Wealth Chatterjee Nancy N. Lassalle Robert Watt & Dawn Foundation Management Joyce E. Chelberg LeadDog Marketing Bradford Wendy vanden Heuvel Michael Muldoon Pamela Codispoti & Mark Roseanne Legrand John R. Wellschlager & William Parsons Estate Stephen R. Nelson Habner Jonathan E. Lehman Elizabeth D. McDermott Wilmer, Cutler, Pickering, New England Foundation Louis Colaianni Hon. Stephen Levin, New Victoria Westhead & John Hale & Dorr for the Arts’ National Stuart H. Coleman & Meryl York City Council Levy Carol Yorke & Gerard Conn Dance Project Rosofsky The Family of Wilbur Kirby Woodson Barbara & David Zalaznick New York City Department John Contratti A. Levin Nancy Workman & Pia & Jimmy Zankel for the Aging Ranny Cooper & David Richard Levy & Lorraine Jonathan Miller Jennifer Carlson & Andrew New York State Education Smith Gallard Richard C. Yancey Zolli Department Breukelein Institute/Dennis Christopher Li Greci & Nurten Goksu Yolac Anonymous David & Janet Offensend Corrado Robert Ohlerking Nancy Young The Perseus Books Group The Cowles Charitable Trust Simon Lipskar & Kate Zeichner, Ellman & Krause $5,000 and above Diana Elzey Pinover & The Criterion Collection Zuckerman LLP The Aeroflex Foundation Eugene A. Pinover Sebastian Cucullu Susan Lorence Matthew & Myra The Sidney and Beatrice Rajika & Anupam Puri Jennie & Richard Descherer Lowe Campbell Ewald Zuckerbraun Albert Foundation Bradley Radoff Diana Diamond & John Christine La Monica Lunn Anonymous (2) Matthew & Krista Frances A. Resheske Alschuler Dianne MacKenzie Annenberg Tracey & Phillip Riese Trey Ditto Anne Mackinnon $1,500 and above Damian Aquiles and Rush Philanthropic Arts Frederick N. & Michele Jan Marks Aaron Abend Pamela Ruiz Foundation Oka Doner John Martinez & Andrea Nora Abousteit & Joshua Jeffrey & Shari Aronson DT Salazar Inc. Suzan & Fred Ehrman Bozzo Ramo Nathaniel Beck & Karen Jack Sanderson Dwight W. and Ann C. Ellis Richard J. Massey Brice Acosta Hackett Jon & NoraLee Sedmak Gail Erickson & Christa Rice Mia Mather Caroline P. Addison Leslie & Alan Beller Amy Sherman-Palladino Seth & Sara Faison Sharon & Curtis Mechling Ronald & June Ahrens Denise Bernardo & Eddie Simon Sinek Fiona Morgan Fein & Norma & Randy Moore Alexandra Alger Muentes Ted Snowdon Harvey Fein Michael Newhouse Daniel Algrant JJ & Michelle Berney Jeanne & Steven Stellman David W. Fitts Linda Nochlin Pommer Jonathan & Jennifer Soros Geoffrey Bible Stop & Stor Charitable Fund Robert L. Forbes Christopher A. Noey & Mark Almeida & Theresa Bingham McCutcheon LLP Michael M. Thomas Mr. & Mrs. Austin T. Ghiora Aharoni Galvin Louis Camilleri Michael Tuch Foundation, Fragomen, Jr. James C. & Marie Nugent- American Endowment Capezio/Ballet Makers Inc. David Frazee Head Marlas Foundation Dance Foundation, Inc. Margo & Anthony Viscusi Cultural Services of the NYC Department of Janet Aspen & Joseph Albert & June S. Cardinali The Weininger Foundation, French Embassy in the Youth and Community Polizzotto Natalia Chefer Inc. United States Development Milton & Sally Avery Arts Airbnb Jill Weinstein FXFOWLE Architects William McGinty & Bianca Foundation Cleary Gottlieb Steen & Francis H. Williams Paul A. Gangsei & Susan Orlando Jonathan Aviv Hamilton LLP Nina Winthrop Herman Wilhelmina Parris Carla Balakgie Timothy & Carol Cole Carolyn & H.L. Wise Lynn Gilbert Pivot Peter Balis & Brian The Aaron Copland Fund Elizabeth & Richard Witten Shellie Gillespie John Perkins & Hope Dana Goldston for Music, Inc. Claire & Curtis Wood Virginia Gliedman Bill & Patty Dugan Perlmuth Alexandra Ballard Kimberly Cox Michael & Barbara Rhonna & Ezra Goodman Marnie S. Pillsbury Paul Balser Stuart D. Freedman & Carla Zimmerman Gordon & Mary Gould POP NYC Nancy Barber E. Craig Anonymous Larry E. Dumont, M.D. & Aleksey Pryadko Andrea Barbieri Crunch Martin Gould David L. Ramsay, MD Wilhelmina Barker Hon. Laurie Cumbo, New $2,500 and above Francis Greenburger & Peter & Susan Restler In memory of Robert L. York City Council Jacqueline & Joseph Isabelle Autones Mr. & Mrs. David Barocci Peter Curran Aguanno Peter & Monika Greenleaf Rockefeller Hugo Barreca & Wendy Joan K. Davidson (The J.M. Donald Allison & Sumiko Ito Amy & Ronald Guttman Seth Rosenberg & Catherine Schlemm Kaplan Fund) Mark Allison & Stephanie Hartley & Marks Publishers, Lebow Byron Bartlett Elizabeth De Cuevas Holmquist Inc. Gerald Rosenfeld Whitney Baxter Cristina Enriquez-Bocobo & Alvin J. Rockwell 1990 James G. Croghan & Louis John Rubino Martine Beamon & Eddie Cody J. Smith Charitable Trust R. Hedgecock Ira Schreger Joyce Samuel Feldman & Marilyn The American Chai Trust Molly Heines & Thomas Nancy Schuh Kathleen Begala & Yves- Meyerhoff Amphion Foundation Moloney Gabriel & Jolie Schwartz Andre Istel Barbara J. Fife Rina Anoussi & Takis David & Jennifer Herman- Tatiana Serafin Anka & Louis Begley First American Title Anoussis Feldman Vivien & Michael Shelanski Richard & Elizabeth Insurance Company of Aon Foundation Dr. Arlene Heyman, MD Ted & Mary Jo Shen Bellingham New York Frank & Mary Ann Arisman Pamela Hoiles Gil Shiva Sara Benincasa Paul J. Fribourg Daniel Baldini Phyllis & Jan Hyde Barbara Simmons Alan Berenbaum Laurie Garrett David Bank & Jason R. Scott & Viktoriia Irwin Patricia J. S. Simpson Judith Berg Ann and Gordon Getty Stone Mark Jackson & Karen Ellynne Skove Thérèse D. Bernbach Foundation Leah & Benjamin Barber Hagberg Mike & Janet Slosberg Marie-Eve Berty Nomi Ghez Foundation Katie Barthmaier & Brent David & Amy Jaffe Stephen Smith & Ford Julia Bienstock John N. & Gillett A. Gilbert Buck Douglas Jaffe & Kristin Rogers Karen Binder & Victor Ney MaryAnne Gilmartin Jayne H. Baum Heavey Sarah & R. Sorenson Stefanie Birkmann & Sunil Pamela Grace Martin & Mickey Baumrind Donna & Carroll Janis Joan & Laurence Sorkin Savkar Regina M. Griffin Jim & Lisa Bedell Michele & David Joerg Melissa Schiff Soros Dr. David Biro Scott & Ellen Hand George E. Berger & Randy & Mill Jonakait Tom & Wendy Stephenson Jeffrey Blair Barton Hill Associates LLC Barbara Julius & Marc Michael & Marjorie Stern Jennie & Jake Blair John & Samantha Hunt David I. Berley, Walter & Silberberg Dr. Susan Stewart Allison Blinken Investors Bank Samuels, Inc. Julia Kahr & Brian Colton The Dorothy Strelsin Alexis Bloom Linda & Lawton Johnson Elaine S. Bernstein Rita J. and Stanley Foundation Gary N. Boston & Dr. Mary Kantor Susan V. Berresford H. Kaplan Family Elizabeth F. Stribling Charles Lee Seryl & Charles Kushner Paul Blackman & Sharon Foundation, Inc. Daniel & Toby Talbot Bill Bragin & Lisa Philp Family Foundation Rowlands J. J. Kasper Jr. Alexander Tarakhovsky & Samy Brahimy & Lizanne Michael Lee Alison Blood Katten Muchin Rosemann Anne Schaefer Merrill Robert Lehman Foundation Mr. & Mrs. James P. LLP Kathryn Taras & Anthony Amanda Brainerd Marion Leydier Bodovitz Gerri Kay Elitcher Thanks to the many Ignite campaign donors for supporting innovative arts education at BAM. Ignite campaign co-chairs are Richard Feldman of The SHS Foundation and actor-artist Lucy Liu.

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BAM greatly appreciates all contributions in support of our work. We apologize for any inaccuracies. Please contact the Development Department at [email protected] with any corrections. BAM Board

Brooklyn Academy of Music David E.R. Dangoor Sarah C. Robertson Mary Kantor Cheryl Della Rosa Jonathan F.P. Rose John Lipsky Chairman of the Board Dinyar S. Devitre Anna Kuzmik Sampas Laurie Mallet Alan H. Fishman Beth Rudin DeWoody Alberto Sanchez Cathy-Ann Martine-Dolecki Mark Diker Timothy Sebunya David L. Ramsay, M.D., M.Ed. Vice Chairmen of the Board Andre Dua Bartholomew A. Sheehan III Elaine Weinstein William I. Campbell Brendan J. Dugan Danny Simmons Hon. Franklin R. Weissberg Adam E. Max Thérèse Esperdy Jessica Smith Vaughn C. Williams, Esq. Teri Everett Brian Stafford President Mallory Factor Axel Stawski BAM Endowment Trust Chair Karen Brooks Hopkins Ronald E. Feiner, Esq. Joseph A. Stern Timothy J. Ingrassia Richard E. Feldman, Esq. Pedro J. Torres Secretary Steven G. Felsher John L. Usdan Vice Chair Joseph V. Melillo Jeanne Donovan Fisher Brigitte Vosse Gabriel Pizzi Barry M. Fox Nora Ann Wallace Treasurer MaryAnne Gilmartin Veronica Westberg Treasurer James I. McLaren Robert M. Greenberg Adam Wolfensohn Keith Stubblefield G. Penn Holsenbeck Claire Wood President Emeritus Anne Hubbard Andrew Zolli Members Harvey Lichtenstein Mark H. Jackson William A. Douglass III Daniel A. Klores Chairmen Emeriti Steven G. Felsher Members Edgar A. Lampert Neil D. Chrisman Elizabeth Holtzman Jeffrey H. Barker François Letaconnoux Seth S. Faison James I. McLaren Tony Bechara Gary Lynch Bruce C. Ratner Norman L. Peck Fran Bermanzohn Patricia E. Michels Alberto Sanchez Gordon Bowen Ahrin Mishan Honorary Trustees Timothy Sebunya Linda Chinn Donald R. Mullen Jr. Robert L. Forbes R. Edward Spilka Henry Christensen III William A. Perlmuth Charles J. Hamm Nora Ann Wallace Pamela A. Codispoti David L. Picket Barbara B. Haws, C.A. Henry Christensen III, Ex Officio Dr. Rudolph F. Crew Frances A. Resheske William Josephson Thérèse Esperdy, Ex Officio Alan H. Fishman, Ex Officio

BAM Staff

Karen Brooks Hopkins, President ARCHIVES James Kehoe, Head Carpenter, HT Kenneth Aguillera, Collie Dean, Joseph V. Melillo, Executive Sharon Lehner, Director of Archives John Manderbach, Head Senior Attendant Guards Producer Sarah Gentile, Digital Project Archivist Electrician, HT Marlon Desouza, Felix Jusino, Alice Bernstein, Executive Vice Louie Fleck, Archives Manager Edward Donohue, Master of Kevin Lemon, Teonia Smith, Andel President Bree Midavaine, Mary Rhymer, Properties, HT Thomas, Michael Whyte, Attendant Stephanie S. Hughley, Vice President Processing Archivists Alison Dabdoub, Sound Engineer, HT Guards of Education & Humanities Jan Carr, Digital Content Writer Joe Werner, Asst. Carpenter, HT John Lanasa, Vice President of Anita Goss, Volunteer Librarian Oscar Gruchalski, Utility Man CUSTODIAL SERVICES Marketing & Communications Ivonne Paredes, Anika Paris, Richard Wurzbach, Utility Man Ramon Cabassa, Custodial Supervisor Riccardo Salmona, Vice President Mark Toepfer, Rebecca Walsh, Mary Lou Houston, Wardrobe Yossess Allen, Allan Boyce, Ludlow for Institutional Advancement Interns Supervisor Chamberlain, Isaias Flores, Mayra Keith Stubblefield,Chief Financial Larysa McKenna, Volunteer Guillen, Ron Rathan, Akeon Thomas, Officer and Vice President of ARTIST SERVICES Custodians Finance & Administration GENERAL MANAGEMENT Mary Reilly, Director of Artist Services Patrick J. Scully, General Manager Stacey Dinner, Artist Services DEVELOPMENT PRESIDENT’S OFFICE Sarah Bierenbaum, Asst. General Manager INDIVIDUAL GIVING Grace Eubank, Manager Manager Jeannine Baca, Britney Polites, William Lynch, Director of Sara Danielsen, Asst. General Artist Services Representatives Leadership Gifts BAM ROSE CINEMAS Manager, Fisher Building Emma Acciani, Fisher Representative Barbara Cummings, Director of Efi Shahar,Cinema Executive Jaclyn Bouton, Project Manager Development Manager Kevin Condardo, GM Budget THEATER MANAGEMENT Glenn Alan Stiskal, Director of Michael Katz, Projectionist Manager Christine M. Gruder, Theater Manager Major Gifts Adam Goldberg, Asst. Manager Liana Agredo, Jessie Fairbanks, John L. Jones, Assoc. Theater Gwendolyn Dunaif, Assoc. Adam Birnbaum, Film Buyer Project Supervisors Manager Director, Major Gifts & Patron Andreea Drogeanu, Brente Kelly, Molly Rodino, GM Coordinator, Sonia Clayton, Jacqueline David, Programs Davina Roberts, Anthony Shields Jr., Budgets & Contracts Leroy Houston, Theater Staff Richard Serrano, Research Manager Head Floor Staff Dakota Scott, Admin. Asst. & Supervisors Holly Shen Chaves, Curator of BAMshop Liaison Visual Arts ARTISTIC PROGRAMMING Nivia Prescod, BAM Fisher Front BUILDING OPERATIONS Mary Gordanier, Visual Arts Asst. Stonie Darling, Department Manager of House Rep. & Rentals Asst. Michael Zanca, Director of Building Ben Lasser, Manager, Patron Ross Marshall, Manager of Artistic Chris Mode, GM Intern Operations Program Planning Rohan Bhasin, Facilities Manager Travis Calvert, Project Coordinator, Courtney Surmanek, Admin. Asst. PRODUCTION Wendy Berot, Special Projects Major Gifts Neil Kutner, Director of Production Manager Kaylen Higgins, Admin. Asst. PROGRAMS & CURATORIAL Josh Escajeda, Dylan Nachand, Markee Glover, Mailroom Clerk Hadley Leary, Intern Nick Schwartz-Hall, Line Producer Assoc. Production Managers Cassandra Hunte, Mailroom Asst. Amy Cassello, Assoc. Producer, Paul Bartlett, Ryan Gastelum, Elaine Colon, Jean Smith, Building MEMBERSHIP Next Wave Festival Jennifer Grutza, Elizabeth Moreau, Services Assoc. Katherine King, Director of Darrell M. McNeill, Assoc. Producer, Barbara Wohlsen, Production Steve McDowell, Auxiliary Technician Membership Programs Music Supervisors Alysha Wright, Building Operations Sarah Mischner, Membership Rachel Katwan, Asst. Line Producer Danielle Colburn, Laura Williams, Coordinator Manager R. Michael Blanco, DanceMotion Palmer Johnston, Production Harsh Lochan, Building Operations Bruce Smolanoff, Telefund USASM, Project Director Coordinators Asst. Manager Sophia Shackleton, DanceMotion Heli Soell, Admin. Coordinator Cheryl-Lyn Miller, Membership USASM, Project Manager Eliza Brennessel, Jacoba Fleishman, BUILDING MAINTENANCE Coordinator Ashley Yergens, DanceMotion Sara Tolchinsky, Interns Anthony Shields, Maintenance Shannon Alexander, Jessica Benton, USASM, Project Assistant Supervisor Allison Bodwell, Stéphanie De Danny Kapilian, Producer, R&B STAGE CREW Daniel Curato, Calvin Brackett, Latour, Justin Gray, Festival, MetroTech Thomas Paulucci, Crew Chief Ronald Hunter, Maintainers Kimberly Howard, Samantha Steven Serafin,Special Consultant Cyrus Similly, Head Carpenter, OH Carl Blango, Asst. Maintainer Inniss, Melissa Krzywicki, Emilie & Editor, BAM: The Complete James D’Adamo, Head Electrician,OH McDonald, Joe Mulligan, Adrienne Works Amy Domjan, Asst. Electrician, OH SECURITY Reynolds, Amanda Wilder, Marc Putz, Sound Engineer, OH Chris Thompson, Security Manager Membership Representatives Paul McManus, Ass’t. Carpenter/ Melvin Patterson, Manuel Taveras, Flyman, OH Supervising Attendant Guards BAM Staff

INSTITUTIONAL GIVING HUMANITIES Jamie Kraus, Digital Media GOVERNMENT & COMMUNITY Clemente Luna, Director of Violaine Huisman, Director of Coordinator AFFAIRS Institutional Giving Humanities Benjamin Cohen, Assoc. Director Tamara McCaw, Director of Kailin Husayko, Semra Ercin, Molly Silberberg, Humanities of Video Govt. & Community Affairs Institutional Giving Managers Manager Ben Katz, Video Production Dewonnie Frederick, Community Stephanie Caragliano, Institutional Manager Affairs & Bazaar Manager Giving Coordinator LEAD INSTRUCTORS Alexander Guns, Catherine Lee, Ilex Bien-Aime, Govt. & Joshua Cabat, Young Film Critics Video Production Assts. Community Affairs Coordinator CORPORATE RELATIONS Samara Gaev, Arts & Justice Chantal Bernard, Director of Michael LoMonico, Shakespeare MARKETING HUMAN RESOURCES Corporate Relations Teaches Teachers Gillian Fallon, Director of Seth Azizollahoff, Director of Gwendolyn Pointer, Director, Jenny Rocha, Dancing into the Marketing Human Resources Corporate Sponsorships/New Future Raphaele de Boisblanc, Melanie Jenny Rodriguez, Human Business Development Pat Hall, BAM/Restoration Cherry, Allison Kadin, Program Resources Manager Ashley Jacobson, Corporate DanceAfrica Coordinator Marketing Managers Cynthia Smith, Payroll Manager Relations Manager Rhea Daniels, Program Marketing Sajal Javid, Benefits Manager Elizabeth Sarkady, Business TEACHING ARTISTS Projects Coordinator Alexis Boehmler, Human Development Manager Sarah Abrams, Harold Claire Frisbie, Content Marketing Resources Coordinator Rebecca Carew, Corporate Akyeampong, Sékou Alájé, Manager Taryn Kao, Intern Sponsorship Project Coordinator Jennifer Armas, Brigitte Barnett- Joaquin Esteva, Advertising Katerina Patouri, Intern Loftis, Melissa Brown, Mahogany Manager INFORMATION TECHNOLOGY Browne, Chia-Ti Chiu, Darian Jenny Choi, Publications Manager William Allen Lee III, Director of PATRON SERVICES Dauchan, Harris Eisenstadt, Robert Wood, Copywriter Information Technology Ramzi Awn, Director of Patron Imani Faye, Kimani Fowlin, Ana Catherine Charnov, Interim Thomas Brown, Tessitura Services Garcia, Glenn Gordon, Ingrid Marketing Asst. Business Manager Michael Kendrick, Manager of Gordon, Rachael Holmes, Mel Laura Scholl, Marketing Operations Ira Sibulkin, Assoc. Director of IT Patron Services & Donor House, Albert Iturregui-Elias, Manager Chris Tusciuk, Web Development Relations Lauren Keating, Gwendolyn Kelso, Britt Aronovich, Marketing Analyst Manager Jessica Hindle, Patron Services Nicole Kempskie, Abigail Levine, Chris Tyler, Content Marketing Asst. Timothy Assam, Systems Coordinator Spencer Lott, Farai Malianga, Lucile Hecht, Intern Administrator Samantha Shay, Patron Services Geneva Manley, Hector Morales, Svetlana Mikhalevskaya, Database Asst. Michael Mullen, Kwesi Nkroma, STRATEGIC MARKETING Developer Alexander Jofe, Intern Gene Osborne, Pamela Patrick, Molly Meloy, Director of Strategic Jason Q. Minnis, IT Project Drew Petersen, Katie Issel Pitre, Marketing Manager SPECIAL EVENTS Baba Wali Rahman, Mike Ramsey, Jessie Montgomery, Marketing Matthew Taylor, Andrei Iliescu, Margaret Breed, Director of Gwenyth Reitz, Najee Ritter, Manager, Customer Loyalty & Web Developers Special Events Victor Sanchez, Robby Stamper, Strategy Jersy Rodriguez, Network Analyst Marissa Neiman, James Vause, Rohiatou Siby, Elizabeth Simmons, Susan Bishop, Admin. Coordinator Special Events Managers Keomi Tarver, Karen Thornton- TICKET & CUSTOMER SERVICES Lucas Austin, Junior Desktop Paloma Wake, Special Events Daniels, Leese Walker, Adia G. Scott Kubovsak, Director of Analyst Coordinator Whitaker, Todd Woodard Ticket Services Royda C. Venture, Ticket Services PROJECT MANAGEMENT ENDOWMENT & PLANNED MARKETING & Manager Jeremy Dewey, Director, Project GIVING COMMUNICATIONS Georgina Richardson, Customer Management Denis Azaro, Endowment & BOX OFFICE Care Manager Stephanie Sherline, MBA Intern Planned Giving Director Fred Dorso, Treasurer Giovanny Lopez, Ticket Services Alexandra Biss, Manager of Board Victor Jouvert, First Asst. Coordinator Relations Treasurer Latasha McNeil, Asst. Manager Audience Research & Analysis Kevin McLoughlin, Charlie Dolce, Ryan Mauldin, Senior Ticket George A. Wachtel EDUCATION & HUMANITIES Russell Grier, Asst. Treasurers Services Representative Shana Parker, Director of Saul Almiachev, Anaïs Blin, Louisa Bookseller Operations for E&H PUBLICITY de Butts, Justin Dash, Dominique Greenlight Bookstore Jennifer Leeson, Operations Sandy Sawotka, Director of Delgado, Evan Dice, Robert Manager for E&H Publicity Ebanks, Miranda Gauvin, Joya European Production Jackie Katz, Education Assoc. Joe Guttridge, Assoc. Director Harris, Warren Ng, Elsie Pacella, Representative

Victoria Collado, Education Asst. of Publicity Edward Raube-Wilson, Tara On Tour Ltd., Roger Chapman Rebekah Gordon, Admin. Asst. Susan Yung, Editorial Manager Ricasa, Shanice Tulley, Noel Vega, Sarah Garvey, David Hsieh, Jimmy Weaver, Althea Wilkinson, Film Buyer BAMCINÉMATEK Adriana Leshko, Publicity Ticket Services Representatives Adam Birnbaum Gabriele Caroti, Director Managers Nellie Killian, David Reilly, Lauren Morrow, Junior Publicist FINANCE & ADMINISTRATION Immigration Counsel Programmers Baha Ebrahimzadeh, Education & CAPITAL PROJECTS Jonathan Ginsburg, Fettman, Lisa Thomas, Publicity Manager Humanities Publicist Jonathan Jones, Director, Capital Tolchin and Majors, PC Andrew Chan, Marketing Manager James Sutton, Publications Asst. Projects Jesse Trussell, Programming Asst. Drew Devero, Publicity Intern Matthew Baclini, Capital Projects Insurance Broker Hannah Thomas, Publicity & Analyst Dewitt Stern Marketing Asst. DESIGN Laura Grady, Capital Projects Ryan Werner, Programmer at Clara Cornelius, Director of Design Manager Legal Counsel Large Patrick Morin, Assoc. Director Ronald E. Feiner PC of Design FINANCE & ADMINISTRATION EDUCATION Ryan Rowlett, Senior Interactive Ellen Leszynski, Project Medical Consultants Steven McIntosh, Director of Designer Coordinator Ahmar Butt, MD Education & Family Programs Katie Positerry, Interactive Anders Cohen, MD John P. Tighe, Asst. Director of Designer FINANCE Education Michelle Angelosanto, Kyle Kozue Oshiro, Controller Restaurateur John S. Foster, Education Manager Richardson, Designers Tameka White, Asst. Controller Great Performances Eveline Chang, Verushka Wray, Casey Cleverly, Design Studio Claudia Bailey, Budget Manager Program Managers Coordinator Brian Gee, Accounting Assoc. Cathleen Plazas, Internship Katherine McDonald, Creative David McCullough, Budget December 15, 2014 Coordinator Services Admin. Ass’t. Coordinator Paul Weintrob, Keven Urlich, Ariel Davis, Intern Seon Gomez, Staff Accountant Education Interns Adam Sachs, Fiscal Manager Suzanne Youngerman, Curatorial DIGITAL MEDIA Douglas Fischer, Fiscal Coordinator Consultant Stephen Litner, Director of Digital Yusuf Siddiquee, Fiscal Asst. Media Aaron Weibel, Digital Operations Manager Nicholas Breul, Digital Production Administrator