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Dokkedal/Dixen Och Dj Bang Bang Club
Uppsala 29.09.2010 Pressmeddelande RJD2 Uppsala Konsert & Kongress Onsdag 6 oktober, 20.00 Sal B Support: Dokkedal/Dixen och Dj Bang Bang Club Med en mix av hiphop, soul och pop är RJD2 nu större än någonsin. Ett bra tecken är att en av hans låtar används som signatur i den enormt populära tv-serien Mad Men. Onsdag 6 oktober kommer han till Uppsala. Ramble John ”RJ” Krohn startade sin lysande karriär hemma i Ohio, USA. Han lånade ett par skivspelare av en kompis och började sin bana som DJ. Med en mix av hiphop, soul och pop är han nu större än någonsin. Ett bra tecken är att en av hans låtar används som signatur i den enormt populära tv-serien Mad Men. RJD2 säger att en av hans vänner använde RJD2 om honom i sina raplåtar, sedan dess har namnet blivit kvar. Hans första album Deadringer togs emot med jubel av både publiken och branschen. Och det ledde till ett samarbete med rapparen Blueprint som de kallade Soul Position. Det följdes upp av ytterligare två album unlimited EP och 8 million Stories innan han kom med sitt andra soloalbum, Since We Last Spoke, på bolaget Definitive Jux. Sedan dess har han samarbetat med och producerat en mängd rapartister, Copywrite, Cunninlynguists, Cage, MF DOOM, Diverse och Aceyalone, för att ta några. Under 2007 släppte han soloalbumet The Third Hand. RJD2 är en kultartist i skateboardvärlden och skateboardfilmkretsar där hans musik ofta används i filmmontage. Förra året startade han sin egen skivlabel RJ’s Electrical Connections och har återutgett plattor som Your Face Or Your Knee Caps, The Horror, och Since We Last Spoke och en box som han valt att helt enkelt kalla 2002-2010. -
RJD2 2002-2010 Mp3, Flac, Wma
RJD2 2002-2010 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Hip hop Album: 2002-2010 Country: US Released: 2009 Style: Instrumental, Downtempo, Hip Hop MP3 version RAR size: 1316 mb FLAC version RAR size: 1167 mb WMA version RAR size: 1140 mb Rating: 4.1 Votes: 545 Other Formats: RA TTA WAV DTS MMF AAC AC3 Tracklist Hide Credits Deadringer A1 The Horror A2 Salud A3 Smoke & Mirrors Good Times Roll Pt.2 A4 Mixed By – John Chinn* Final Frontier B1 Featuring – Blueprint B2 Ghostwriter B3 Cut Out To FL B4 Shot In The Dark F.H.H. C1 Featuring – Jakki* C2 Chicken-Bone Circuit C3 The Proxy C4 2 More Dead D1 Take The Picture Off D2 Silver Fox June D3 Featuring – Copywrite D4 Work The Horror A1 The Horror A2 Ghostwriter Remix Final Frontier Remix A3 Featuring – Aesop Rock, Blueprint, Murs, Vast Aire A4 Bus Stop Bitties A5 Good Times Roll Pt.1 B1 Sell The World June Remix B2 Featuring – Copywrite B3 Counselling Inst. B4 Final Frontier Inst. B5 F.H.H. Inst. Since We Last Spoke A1 Since We Last Spoke A2 Exotic Walk A3 1976 B1 Ring Finger B2 Making Days Longer B3 Someone's Second Kiss C1 To All Of You C2 Clean Living C3 Iced Lightning D1 Intro D2 Through The Walls D3 One Day Tin Foil Hat A1 The Sleepaway A2 The Highest Of Courts The Move (Feat. Tage) A3 Vocals – Tage* A4 When It Wobbles B1 Thine Planetarium B2 Before Or Since B3 The Girls From Art School Credits Producer – RJD2 Notes Sticker on the front reads: "1000 pc. -
College Responds to Swine Flu Scare Community Forum Fosters
A Hamilton College Student Publication, Clinton, NY May 8, 2009 Volume XLIX Number 25 THE SPECTATOR Coalition Considers Crackdown on Hard Alcohol by Thomas Yarnell ’10 further explore a proposal for NEWS EDITOR this new judicial structure. In their report from March 2004, Hamilton College could the Coalition recommended to soon be cracking down on the the president that the College consumption of hard alcohol implement a point system. on campus. The Alcohol Co- The suggestion for a point alition, a group composed of system was, for the most part, a faculty, administrators and stu- response to student feedback on dents, is currently debating the alcohol-related issues. At the idea of recommending a ban on time, many students expressed hard alcohol to the administra- frustration over the seemingly tion. Though the Coalition has arbitrary nature of the judicial not yet reached a consensus on process for violations of Col- the issue, if it ends up advocat- lege policy, and the point sys- ing a ban and the administration tem was intended to clear up institutes such a rule, the Col- any confusion. lege may forbid hard alcohol The Coalition has since as early as next semester. been wrestling with the idea The Alcohol Coalition was of a ban on hard alcohol for appointed by President Joan all students, including those Hinde Stewart in the fall of over 2 years old, due in part 2003 and charged with finding to evidence that suggests that PHOTO BY KATE tummarello ’11 ways to reduce the negative students inflict more self-harm The College could potentially ban all hard alcohol from campus, effective next school year. -
BTS' 'Life Goes On' Launches As Historic No. 1 on Billboard Hot
BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth NOVEMBERAirplay 30, 2020 Page 1 of 36 Leader; Travis Denning Makes History INSIDE BTS’ ‘Life Goes On’ Launches as Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music GroupHistoric Nashville), debuts at No. 1 on No. Billboard’s 1lion on audience Billboard impressions, up 16%). Hot 100 Top• CountryBTS Earns Albums Fifth chartNo. dated April 18. In its first week (ending April 9), it earned1 Album 46,000 on Billboardequivalent album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cording200 toChart Nielsen With Music/MRC ‘Be’ Data. and totalBY GARY Country TRUST Airplay No. 1 as “Catch” (Big Machine Label Group) ascends Southside marks Hunt’s second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chart• and Why fourth The Musictop 10. It followsBTS freshman’ “Life Goes LP On” soars onto the Billboard Hot ending Nov. 26,Young’s according first ofto six Nielsen chart entries,Music/MRC “Sleep With- Publishing Market Is Montevallo, which arrived at the summit songs in chart No - at No. 1. Data. It alsoout earned You,” 410,000 reached No.radio 2 in airplay December audience 2016. He Still Booming — And 100 vember 2014 and reigned for nine weeks.The song To date, is the South Korean septet’s third Hot 100 impressionsfollowed in the week with the ending multiweek Nov. -
The Now Metal
sept04_01_Cover 8/26/04 11:37 AM Page 1 c CMJ FREE FREE FREE INSIDE!! EXCLUSIVE CMJ New Music Monthly CDCD THE BEST MAGAZINE YOU EVER HEARD. THE NOW METAL Shadows Fall Leads The Charge Of Intellectual, Congenial, Sensitive Metal... Up Your Ass Can you count, suckas? $6.98 US $9.98 CAN ISSUE NO. 127 WWW.CMJ.COM THE BLACK KEYS • MASTODON Volume 122 • ADEM • THE FEATURES www.cmj.com MURS GRABS ’EM IN THE BISCUITS Reviews: Björk, Interpol, Melvins, American Music Club, AWOL One (twice!) sept04_02_ad [MM04] 8/26/04 11:31 AM Page 2 ...AND YOU WILL KNOW US BY THE TRAIL OF DEAD AESOP ROCK AVAIL BOUNCING SOULS BUMBLEBEEZ81 CLINIC COACHWHIPS CONCRETES CONSTANTINES CUT COPY DECEMBERISTS DILLINGER FOUR THE FAINT GLASS CANDY HIDDEN CAMERAS HOPE OF THE STATES NICOLAI DUNGER PEDRO THE LION PERCEPTIONISTS PINBACK Q AND NOT U RJD2 SONDRE LERCHE SONIC YOUTH REGISTER EARLY FOR THE BEST SAVINGS SPARTA Special Discounts for college students and groups www.cmj.com/marathon STRAYLIGHT RUN DONT MISS: SUFJAN STEVENS • Dozens of seminars, workshops and tradeshow exhibits TED LEO/PHARMACISTS • Thousands of broadcast, music and film industry VIPs • CMJ FilmFest — explore the convergence of music and film TV ON THE RADIO • CVC@CMJ: CVC Report's annual Music Video Conference AND MORE! Receive a one-year subscription to SPIN, free with your CMJ Music Marathon registration. Be where all the action is! Book your room now at CMJ Headquarters by contacting the Westin NY. Reserve by calling 888.627.7149 or go to cmj.com/marathon WIN A GIBSON SG! Sponsored by Register for the CMJ Music Marathon 2004 and you’ll be Powered by entered to win a Gibson SG Special Faded Photo of My Morning Jacket at Music Marathon ’03 by Rahav Segev sept04_03_ad[aol] 8/26/04 11:39 AM Page 30 sept04_04_ad[touchandgo] 8/26/04 11:44 AM Page 30 sept04_05_contents 8/26/04 11:47 AM Page 5 CMJ ISSUE 127 ® SHADOWS FALL EDITORIAL Editor: STEVE CIABATTONI Deputy Editor: NICOLE KEIPER Managing Editor: TOM MALLON METAL’S GREAT AMERICAN HEROES 14 Associate Editor: CHRISTOPHER R. -
Artistic Knowledge and Performance Identity Formation in Toronto's Hip
Artistic Knowledge and Performance Identity Formation in Toronto’s Hip-Hop Communities of Practice by Maria Myrtle D. Millares A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Faculty of Music University of Toronto © Copyright by Maria Myrtle D. Millares, 2020 ii Artistic Knowledge and Performance Identity Formation in Toronto’s Hip-Hop Communities of Practice Maria Myrtle D. Millares Doctor of Philosophy Faculty of Music University of Toronto 2020 Abstract This research project illustrates, through the voices of Toronto hip-hop artists, how the complex, mutually influential interactions between individuals and their communities shape and create knowledge, while encouraging the articulation of difference through unique performance identities. Their learning spaces are not institutional classrooms, but rather public spaces such as community centres, church basements, and concrete city squares, where the line between teacher and student is crossed and blurred. I employ narrative methodology as a means of obtaining the rich accounts necessary to illuminate these community-based learning processes. Hip-hop’s history is passed on orally and aurally as artists cultivate their craft. Artists’ personal stories are essential to the way hip-hop’s history, together with its teaching philosophies, are internalized and passed on in community spaces. Narratives elicited through interviews, conducted as dialogue, have the potential to more respectfully trace these individual-communal relationships. As such, the body of my data consists of the narratives of three Toronto hip-hop artists – B-boy Jazzy Jester, DJ Ariel, and MC LolaBunz – presented and interpreted according to the themes or moments that they have voiced as significant to the development of their skills and of their performance identities.