Justifying Group Intellectual Property: Applying Western Normative Principles to Justify Intangible Cultural Property
JUSTIFYING GROUP INTELLECTUAL PROPERTY: APPLYING WESTERN NORMATIVE PRINCIPLES TO JUSTIFY INTANGIBLE CULTURAL PROPERTY HARSHAVARDHAN GANESAN* I. INTRODUCTION What does Yoga,1 the German band Enigma,2 fan fiction,3 anti-fungal properties of Neem,4 Wikipedia,5 the Chain Art Project,6 and aboriginal paintings have in common? They all belong to a legal lacunae, a lacuna relating to group-rights (or collective rights) in Intellectual Property Law. Intellectual Property (‘IP’) has almost consistently, since its inception, romanticized the idea of a sole creator, or individual genius.7 This has deprived vast numbers of small, creative groups and indigenous people of IP protection, which has had varied effects on them, ranging from moral disparagement,8 to economic deprivation,9 and even cultural misappropriation.10 These events have not been ignored either at the domestic or international level however, with a steady consensus building up in favor of Cultural Property (‘CP’),11 particularly following the * Harshavardhan Ganesan is an advocate currently practicing in the Madras High Court with Senior Counsel, Mr. Satish Parasaran. 1 Stuart Schüssel, Copyright Protection Challenges and Alaska Natives' Cultural Property, 29 ALA. L. REV. 313, 315 (2012). 2 Timothy D. Taylor, A Riddle Wrapped in a Mystery: Transnational Music Sampling and Enigma's “Return to Innocence,” in MUSIC AND TECHNOCULTURE, 64, 68 (René T. A. Lysloff & Leslie C. Gay, Jr. eds., 2003). 3 Margaret Leidy, Protecting Creation: The Twilight Series, Creation Stories, and the Conversion of Intangible Cultural Property, 41 Sw. U. L. REV. 509 (2012). 4 Srividhya Ragavan, Protection of Traditional Knowledge, 2 MINN. INTELL. PROP.
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