OctaMED V4 Manual QUICK CONTENTS GUIDE: 1. Introduction 3. Hard Disk Installation 4. About The Manual 7. Credits 8. Status Bar 10. Edit Functions 14. The Timer 15. Files Panel 16. Save Format 19. Midi Support 20. Play Panel 24. Channel Splitting 28. Instrument Types 33. Block Panel 37. Edit Panel 40. Setting Octaves 44. Misc Edit Controls 49. Volume Panel 50. Midi Panel 61. Range Panel 67. Block Editor 70. Keyboard Input 72. Graphic Notation Editor 76. Printing 77. Synthetic Sound Editor 90. Sample Sound Editor 98. Sample List Editor 102. Commands And Effects 115. Keyboard Shortcuts 120. Synthetic And Hybrid Sound Commands 131. OctaMEDPlayer Instructions 134. Broadening Your Horizons 0 IMPORTANT NOTICE FROM THE COPYRIGHT OWNER This manual is released as FREEWARE on disk only,it may not be reproduced in whole or part as a printed manual and subsequently offered for sale. If you are running a public domain service,ie: selling to other Amiga users via post etc., you may include this disk in your library as long as it is not sold for more than £1.50 maximum,including postage/packing. Any person found to be offering it for sale above this price WILL be first warned not to do so before prosecution steps are taken against the offender under the copyright restriction act! A MESSAGE FROM THE MANUAL EDITOR: A few years ago I came across a pd version of MED (Music EDitor). I was a bit perplexed by MED's rows and columns of numbers. Previously I had used music programs where the screen displays an image of a sheet music score and you use the mouse to pick up notes and paste them on the staff note by note. So MED notation just did not look like music. I soon discovered this was a very special program. Once I began to understand its basic principles, MED was a much easier and more direct method of entering and composing music than programs I had used in the past. More important, it offered features to enhance the creation of subtle and sophisticated music. Since then, MED has gone through several revisions, and has now evolved into OctaMED-Pro. While doing so it has become one of the best music software tools for the Amiga, and is arguably one of the best software values on any computer. A SHORT HISTORY OF OCTAMED-PRO: In the early days of the Amiga, programmers wanted a fast, convenient way to write music for games and demos. SoundTracker was written in response to this need. It was easier to use than writing assembly code and it generated music in a format easily integrated into programs. SoundTracker, and the many clones that followed, soon became the music standard for Amiga software designers. As a result, most Amiga games and virtually all demo programs had their music written with SoundTrackers. 1 1 Unfortunately, like far too many Amiga utilities, Trackers required more patience than most of us have. Although composing music was not especially difficult, they often crashed, seldom came with instructions, could not use standard IFF sound files, and disliked multi-tasking. In spite of these problems, Trackers became increasingly popular, a testament to their usefulness. Recognizing the value of SoundTracker, Teijo Kinnunen began designing an improved program. The first version, MED (Music EDitor), appeared in the Autumn of 1989. Teijo improved this version with new program code and, in April of 1990, he released MED Version 2.00. In addition to much greater stability, MED had many other enhancements. Perhaps most important was support for MIDI. MED gained a reputation as a well-behaved piece of music software. Virtually every Amiga publication on both sides of the Atlantic has reviewed and praised MED. In 1991 after being persuaded by Ray the original proprietor of Amiganuts,(Ray passed Amiganuts to Mark,to concentrate on budget progs), Teijo released OctaMED, with increased power and versatility, including many new tools such as the GRAPHIC NOTATION EDITOR,as suggested by Ray,also the SAMPLE EDITOR, and the SYNTHETIC SOUND EDITOR. The most signifiant change, and the source of the new name, was the Split Channel Mode. This new mode let Amiga play eight sounds at the same time, breaking out of the four voice limitation of the hardware design and With this release of OctaMED-Pro, a number of new features have been added and previous ones refined to make OctaMED-Pro an even more seamless and comprehensive sound and music system. FLOPPY DISK USE: You should make a copy of your original program disk. Use the copy as your work disk and the original for making new copies.If you're not sure how to copy a disk, refer to the manual that came with your Amiga. The OctaMED-Pro disk is bootable. Put the disk in the drive, start your computer and OctaMED-Pro will load automatically,this takes some time due to loading of copyright notices/decrunching etc,however,you can speed things up by following the instructions on the following page. 2 HARD DISK INSTALLATION: Decide where you want OctaMED-Pro on your hard disk. Create a directory or "drawer" there called OctaMED. Put the OctaMED-Pro floppy disk in DF0:. Then open a CLI window and enter the following for each file name listed below: COPY DF0: TO DH1:Music/OctaMED file name | | | | | Each of the files | | listed below. The disk or | partition name. The path description,to OctaMED-Pro dir. Copy to the OctaMED directory: (files marked * MUST be copied) Demos (dir) Some demonstration songs Docs (dir) Documents Programmers (dir) Information for programmers Demos.info Demo directory icon Docs.info Doc directory icon Programmers.info Programmers directory icon OctaMED * The main program OctaMEDPlayer The stand-alone player program RAY.B-F.gfx1 * Graphics data } or WHATEVER.gfx1 etc RAY.B-F.gfx1 * Graphics data } name depends RAY.B-F.gfx2 * Graphics data } on where you RAY.B-F.gfx3 * Graphics data } purchased RAY.B-F.gfx7 * Graphics data } OctaMED from. OctaMEDPlayer The stand-alone song player OctaMED.info * OctaMED-Pro's icon file OctaMEDPlayer.info OctaMEDPlayer's icon file You need only the files marked with an asterisk to run the program. You may want to move OctaMEDPlayer into your "C:" directory so you can easily run it from the CLI without having to type out the path description. 3 ABOUT THE MANUAL: The more control a program offers, the more you must study and learn to use it effectively. OctaMED-Pro provides the ability to control virtually every aspect of your composition. As a result, it has what may seem at first a bewildering number of controls and screen gadgets. The aim of this manual is to provide you with the information you need to use all the power of OctaMED-Pro. It is a reference book, rather than a tutorial. It groups explanations of controls by the screens on which they appear. If you have used a SoundTracker style of music composer, the BLOCK EDITOR will be familiar to you. However, because OctaMED-Pro offers so many new features and unique techniques, reading this manual is necessary to use the program effectively. A NOTE TO NEW USERS: If you are new to Tracker composers, first read the BLOCK EDITOR instructions. The BLOCK EDITOR is the heart of the program, where you enter music and will do most of the work of creating music. Begin by playing and looking at the demonstration song. Next you might enter some music from a sheet music score. After you have this experience,you will have gained enough facility to begin experimenting with your own music. AN OVERVIEW OF OCTAMED-PRO EDITORS AND PANELS: OctaMED-Pro uses a number of screens to perform various tasks and 3 areas are always visible regardless of which screen is in use: STATUS BAR offers information and controls you frequently need. The MENU PANEL opens the editors and control panels. The TIMER provides a way to time songs. 4 Among the screens, there are five separate editors: BLOCK EDITOR Composing, entering and editing music. GRAPHIC NOTATION EDITOR A traditional notation music editor. SAMPLE EDITOR Sample and modify sampled instruments. SYNTHETIC SOUND EDITOR Designing synthetic waveform sounds. SAMPLE LIST EDITOR To edit and organize instrument files. Also,there are ten panels for composing songs,controlling, instruments, and file handling operations. FILES PANEL Loads/saves songs and instruments in various formats. PLAY PANEL Controls tempo, volume, filters, and sequence lists. INSTR PANEL Loads,transposes,adjusts various types of sound. BLOCK PANEL Cuts,pastes,opies,deletes blocks and song parts. EDIT PANEL Controls track sound and note editing. MISC PANEL Clears and quits the program, and sets preferences. VOL PANEL Sets the master, and proportional volume for tracks. MIDI PANEL Controls MIDI instruments/writes maps/MIDI messages. TRANS PANEL Adjusts pitch song, block, track or instrument. RANGE PANEL Complex cutting and editing of large areas of a song. In addition to these, there are four special purpose editors: Programmable Input Key Editor on the EDIT PANEL Play Sequence List Editor on the PLAY PANEL MIDI Map Editor on the MIDI PANEL MIDI Message Editor on the MIDI PANEL Waveform Sequence Editor on the SYNTHETIC SOUND EDITOR OCTAMED-PRO SCREEN OBJECTS: You select buttons by putting the mouse pointer on them and clicking (usually) with the left mouse button. There are two types of buttons. Some perform an immediate action one time. Others select settings that remain in effect until you reset them. The second type of button changes color when selected. 5 PROPORTIONAL GADGETS look like slider controls.