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Chunga 12 I Learned That Mike Glicksohn and It Is a Pleasure to See Them Again
13 s e p t e m b e r 2 0 0 7 “But wouldn’t it be cheaper just to use a man in a suit?” Chunga is a darkened theater where Lee Hoffman and Ron Bennett sit in the middle third row. Rich brown leans forward in the row behind them, and he won’t stop talking. Other fans are expected, and all three look over their shoulders in anticipation. In the projection booth, Bob Tucker is pouring shots from a green-labeled bottle. One for each reel change — two cartoons, a news reel, the serial chapter, the A picture, and the B picture. A pleasant odor of bourbon and popcorn fills the darkness as he throws the switch. Available by editorial whim or wistfulness, or, grudgingly, for $3.50 for a single issue; PDFs of every issue may be found at eFanzines.com. Edited by Andy ([email protected]), Randy ([email protected]), and carl ([email protected]). Please address all postal correspondence to 1013 North 36th Street, Seattle WA 98103. Editors: please send three copies of any zine for trade. In this issue . The Ascent of Hokum Art Credits A premonitory caution . 1 in order of first appearance Terminal Eyes Marc Schirmeister front cover by Andy Hooper . 2 William Rotsler 3, 26 Take the Hokum and Run (Celluloid Fantasia reprints) Stu Shiffman 7, 9, 10 by Stu Shiffman . 5 Ken Fletcher 12, 14, 15 Woody Guthrie, the Singing Sidekick by Stu Shiffman . 6 Ian Gunn 14 The Most Monstrous Show on Earth! Michael Dobson 15 (bottom), from by Bob Webber . -
Available Videos for TRADE (Nothing Is for Sale!!) 1
Available Videos For TRADE (nothing is for sale!!) 1/2022 MOSTLY GAME SHOWS AND SITCOMS - VHS or DVD - SEE MY “WANT LIST” AFTER MY “HAVE LIST.” W/ O/C means With Original Commercials NEW EMAIL ADDRESS – [email protected] For an autographed copy of my book above, order through me at [email protected]. 1966 CBS Fall Schedule Preview 1969 CBS and NBC Fall Schedule Preview 1997 CBS Fall Schedule Preview 1969 CBS Fall Schedule Preview (not for trade) Many 60's Show Promos, mostly ABC Also, lots of Rock n Roll movies-“ROCK ROCK ROCK,” “MR. ROCK AND ROLL,” “GO JOHNNY GO,” “LET’S ROCK,” “DON’T KNOCK THE TWIST,” and more. **I ALSO COLLECT OLD 45RPM RECORDS. GOT ANY FROM THE FIFTIES & SIXTIES?** TV GUIDES & TV SITCOM COMIC BOOKS. SEE LIST OF SITCOM/TV COMIC BOOKS AT END AFTER WANT LIST. Always seeking “Dick Van Dyke Show” comic books and 1950s TV Guides. Many more. “A” ABBOTT & COSTELLO SHOW (several) (Cartoons, too) ABOUT FACES (w/o/c, Tom Kennedy, no close - that’s the SHOW with no close - Tom Kennedy, thankfully has clothes. Also 1 w/ Ben Alexander w/o/c.) ACADEMY AWARDS 1974 (***not for trade***) ACCIDENTAL FAMILY (“Making of A Vegetarian” & “Halloween’s On Us”) ACE CRAWFORD PRIVATE EYE (2 eps) ACTION FAMILY (pilot) ADAM’S RIB (2 eps - short-lived Blythe Danner/Ken Howard sitcom pilot – “Illegal Aid” and rare 4th episode “Separate Vacations” – for want list items only***) ADAM-12 (Pilot) ADDAMS FAMILY (1ST Episode, others, 2 w/o/c, DVD box set) ADVENTURE ISLAND (Aussie kid’s show) ADVENTURER ADVENTURES IN PARADISE (“Castaways”) ADVENTURES OF DANNY DEE (Kid’s Show, 30 minutes) ADVENTURES OF HIRAM HOLLIDAY (8 Episodes, 4 w/o/c “Lapidary Wheel” “Gibraltar Toad,”“ Morocco,” “Homing Pigeon,” Others without commercials - “Sea Cucumber,” “Hawaiian Hamza,” “Dancing Mouse,” & “Wrong Rembrandt”) ADVENTURES OF LUCKY PUP 1950(rare kid’s show-puppets, 15 mins) ADVENTURES OF A MODEL (Joanne Dru 1956 Desilu pilot. -
Introduction to the Complete Directory to Prime Time Network and Cable TV Shows
Broo_9780345497734_2p_fm_r1.qxp 7/31/07 10:32 AM Page ix INTRODUCTION In the following pages we present, in a sin- eral headings. For example, newscasts are gle volume, a lifetime (or several lifetimes) of summarized under News, movie series under television series, from the brash new medium Movies and sports coverage under Football, of the 1940s to the explosion of choice in the Boxing, Wrestling, etc. All other series are 2000s. More than 6,500 series can be found arranged by title in alphabetical order. There here, from I Love Lucy to Everybody Loves is a comprehensive index at the back to every Raymond, The Arthur Murray [Dance] Party cast member, plus appendixes showing an- to Dancing with the Stars, E/R to ER (both nual network schedules at a glance, the top with George Clooney!), Lost in Space to Lost 30 rated series each season, Emmy Awards on Earth to Lost Civilizations to simply Lost. and other information. Since the listings are alphabetical, Milton Network series are defined as those fed out Berle and The Mind of Mencia are next-door by broadcast or cable networks and seen si- neighbors, as are Gilligan’s Island and The multaneously across most of the country. Gilmore Girls. There’s also proof that good Broadcast networks covered are ABC, CBS, ideas don’t fade away, they just keep coming NBC, Fox, CW, MyNetworkTV, ION (for- back in new duds. American Idol, meet merly PAX) and the dear, departed DuMont, Arthur Godfrey’s Talent Scouts. UPN and WB. We both work, or have worked, in the TV Original cable series are listed in two dif- industry, care about its history, and have ferent ways. -
MURPHY Lamotta
On the Air RADIO-TELEVISION PROGRAMS ! | Highlights For Improved IGASOROILJ Radio Today Wednesday, July 4, 1951 Radio. VACATION LOANS AUTOMATIC HEAT I Parlor Games 6:30, WCFM—Unfinished Business: KIDNEY P.M. WMAL 630 WRC 980 WWDC 1260! WINX 1340 WEAM 1390 WOl 1450 WTOP 1500 I *HONt HU. 5656 OAY NKMnl Marquis Childs, Robert Nathan, FUNCTION "10 :M Stir Nl«S Nam, EM III Walff lews, Cavalcale News; Cactus Matt Liberty Cereusel Nows; Edwards Will Allan, John Herling, Drew • nit delicious natural $300 water from Hof Is Not for tikkIRS; Nias Earl Gidwii Daacc Data •parts; Rewzie Cactus Matt Treasure Cbest News; Factflader Pearson and others speak on prej-, ON TOUR SIGNATURE OR AUTO Springs, im- :M T*l CISC! Kid Nam; Bertaua Nam; Sparta lifalcait Biaaif Music Wimbledon Teails News; McDoaale udice in Arkansas, 5:11 " " the Nation’s " Capital. proved subnormal Kid- ’:«5 3-Star Eatra, Nam Malady lane liltaa Grant Joseph C. Harscb Re* Ceckrae 5600 8:00, WRC—Pete Kelly’s Blues: ney function of APpIston :M Tilly Batters Platters Faltaa Jr-" laws, Cavalcaii News; Baaciaf U. N. SpetJiiht Eddie-Ealleber's of observed Ciifrtss Lewlsi Jack Webb stars on the new pro- majority Spectators Elmir Davis Music; Weather Marfas; Barter liltaa Graat BesiiaeC far Baac. Tke WeatherpiM Summer Show cases. It is delivered NOLAN LOAN 00. Ino. which " gram concerns the adven- to ill Line Rinser Nam at the Wsrld Gakrlel Haattar lavalcale Places ta Ge Joke Vaadercook right you. mm MacArthur tures of a 7:15 musician in the 3223 By Harry :«j Western Tills Oh Maa’s Family News Real liltaa Great euf Kaew Liberty Scoreboard Da* Hellenkeck young Phone ME. -
The Inventory of the Sonya Hamlin Collection #782
The Inventory of the Sonya Hamlin Collection #782 Howard Gotlieb Archival Research Center hamlin.s HAMLIN, SONYA September 1980 Outline of Inventory RESTRICTED #782 I. SONYA HAMLIN SHOW 1970-1975 A. General Files Boxes 1-68 B. Other Files Boxes 69-76 C. Correspondence with Guests and Co-Hosts Boxes 76-77 II. MEET THE ARTS 1963-1968 Boxes 77-80 III. SUNDAY OPEN HOUSE SHOW 1976-1978 Boxes 81-85 IV. GENERAL FILES By Topic Boxes 86-92 V. PERSONAL CORRESPONDENCE AND MEMORABILIA A. Fan Mail 1974 Box 92 B. Condolence Letters 1977 Box 92 C. Personal Correspondence, Photographs, Box 93 Memorabilia 1958 D. Memorabilia and Printed Material Boxes 94-96 VI. TAPE RECORDINGS, FILMS, VIDEOTAPES, SLIDES Boxes 96-118 Packages and Cartons 1-10 VII. MEMORABILIA AND MANUSCRIPTS Box 119 Packages 11, 12 VIII. GRAPHIC MATERIAL IX. AWARDS Box 120 Package 13 X. RECENT CORRESPONDENCE AND GENERAL FILES Boxes 121-128 1 Hamlin, Sonya Addenda July 1981 RESTRICTED I. VIDEOTAPES, FILMS, AUDIO TAPES A. "For Women Today" later titled Boxes 129-135 "Sonya Hamlin Show." B. "Sunday Open House" .Boxes 135-151 C. "Meet the Arts" Boxes 152-154 D. Re: Trip to China Boxes 154-157 2 Hamlin, Sonya #782 September 1980 RESTRICTED I. "SONYA HAMLIN SHOW" (originally titled "For Women Today") A. General Files. For daily programs WBZ-TV, 1970-1975, includes correspondence, notes, memos, printed research material, mimeographed show outlines, etc. Boxes 1-12 1. Feb. 1970 - Dec, 1970, ca, 250 files Boxes 13-25 2. Jan. 1971 - Dec. 1971, ca. 300 files Boxes 26-42 3. -
BULLETIN PRESIDENT TREASURER EDITOR John Bachochin Loren Moore Mike Prero 15731 S
BULLETIN PRESIDENT TREASURER EDITOR John Bachochin Loren Moore Mike Prero 15731 S. 4210 Rd., POB 1181 12659 Eckard Way Claremore, OK 74017 Roseville, CA 95678 Auburn,CA 95603 918-342-0710 916-783-6822 530-906-4705 No. 373 February 2016 by Mikeby Prero Mike Prero Hospitals! They’re like lawyers. No one wants to go to one, but when you need one...you need one! The earliest documented institutions aiming to provide cures were ancient Egyptian temples. In Ancient Greece, temples dedicated to the healer-god Asclepius functioned as hospitals. India had hospitals at least No. 373 SIERRA-DIABLO BULLETIN-February 2016 Page 2 as early as c. 400 BC. Historically, hospitals were normally founded and funded by religious orders or charitable groups or individuals. Nearly 100,000 Americans are hospitalized every day, which means nearly 40 million every year. It’s difficult to compare and rank all hospitals. They differ greatly in service, results, etc., but many specialize in certain areas. For example: the Anderson Cancer Center in Huston is ranked no. 1 in cancer treatment; the Cleveland Clinic in Ohio is ranked no. 1 in cardiology and heart surgery; and the Hospital for Special Surgery in New York City is ranked no. 1 in Orthopedics. Still, a U.S. News & World Report listing of the top ten best U.S. hospitals, released last year, gives the following: 1. Massachusetts General Hospital 2. Mayo Clinic 3. UCLA Medical Center (tied) 3. Johns Hopkins Hospital (tied) 5. Cleveland Clinic 6. Brigham and Women’s Hospital 7. New York-Presbyterian University Hospital of Columbia and Cornell 8. -
User's Guide to WDAM Radio's History of Buddy Holly & the Crickets
User's Guide To WDAM Radio's History Of Buddy Holly & The Crickets Preface To The 2020 Edition This across-four-decades-and-two-centuries-long work-in-progress now has been converted to MP3. This new version is expanded from the most recent edition (2009) and contains even more hit and significant non-hit covers of Buddy Holly “solo” and Buddy Holly & The recordings ... as well as newly discovered Buddy Holly "salute" songs, interviews, and recorded historical artifacts that WDAM Radio has identified and acquired. The Collection Congratulations! You now own every hit record ever recorded by Buddy Holly (and/or records on which Buddy appeared as a back-up singer/musician) in both the United States and the United Kingdom. It also includes all charted hits by the Crickets [including all of their many United Kingdom hits, too!] after Buddy's death, as well as their remaining discography. All are in chronological order! .... or at least, sort of. You'll also enjoy original versions of songs that were later re-made into hits by Holly...plus every other artists' hit covers [including those that were only hits in the United Kingdom] of Holly originals ever recorded...plus almost all of those glorious "Buddy Holly death-salute" songs (along with similar tributes to J.P. Richardson and Ritchie Valens). It's the only collection of its kind this side ... or any side of Lubbock, Texas; Clovis, New Mexico; New York City; or Clear Lake, Iowa. (If you know the history of Buddy Holly, you will know why those locations were chosen.) Every release on single 45's (or 78's) is followed by the highest position reached in Billboard magazine and the year. -
Arthur Murray Dance Studios
Arthur Murray Dance Studios Arthur Murray (April 4, 1895 – March 3, 1991) was an American dance instructor and businessman, whose name is most often associated with the dance studio chain that bears his name. His pupils include Eleanor Roosevelt, the Duke of Windsor, John D. Rockefeller Jr., Cornelius Vanderbilt Whitney, Barbara Hutton, Elizabeth Arden, Manuel L. Quezon, and Jack Dempsey. Television evangelist D. James Kennedy and Little House on the Prairie actress Katherine MacGregor were instructors of Murray's technique. Arthur Murray was inducted into the National Museum of Dance's Mr. & Mrs. Cornelius Vanderbilt Whitney Hall of Fame in 2007. In 1919, Murray began studying commerce at the Georgia School of Technology, and taught ballroom dancing in Atlanta at the Georgian Terrace Hotel. In 1920, he organized the world's first "radio dance", which were broadcast to a group of about 150 dancers (mostly Tech students) situated atop the roof of the Capital City Club in downtown Atlanta. His first business was selling dance lessons by mail, using a kinetoscope. Though the idea was successful, he had problems with the business, which failed. His second business was drawing and selling "footprints" which prospective dancers placed on the floor and followed to learn dancing. This mail-order business remained successful. His third business, launched in 1925, involved selling branded dance lessons through franchising. He trained dance instructors for the Statler Hotel chain, who then went to various hotels and gave lessons; Murray kept some of the profits from each franchise. This business was expanded more widely in 1938, when an Arthur Murray dance studio franchise was opened in Minneapolis, Minnesota. -
Download Show Archive
1959 - 1960 6O NOTEWORTHY PERFORMANCE NO. OF PRODUCTION PERFORMERS DATES PERFORMANCES VENUE SEASON SPONSOR Business Professional Women’s Club ODD MAN IN Ann Sheridan, Scott McKay 10/26/59 1 HHS THE DARK AT THE Joan Blondell 1 HHS TOP OF THE STAIRS TWO FOR THE SEESAW Hal March 2 HHS LOOK HOMEWARD, Miriam Hopkins 1 HHS ANGEL 1960 - 1961 6O SEASON SPONSOR Business Professional Women’s Club THE PLEASURE OF Joan Bennett, Donald Cook 10/ 7/1960 1 HHS HIS COMPANY ONCE UPON A MATTRESS Edward Everette Horton, 12/1/1960 1 HHS Imogene Coca, King Donovan J. B. John Carradine 3/16/1961 1 HHS ANDERSONVILLE TRIAL Brian Donlevy 4/10/1961 1 HHS 1961 - 1962 5O SEASON SPONSOR Business Professional Women’s Club A THURBER CARNIVAL Arthur Treacher, Imogene Coca, 1 HHS King Donovan THE MIRACLE WORKER Eileen Brennan 1 HHS THE BEST MAN Don Porter, Scott Brady 1 HHS CRITICS CHOICE Jeffrey Lynn, Wanda Hendrix 1 HHS 1962 - 1963 6O NOTEWORTHY PERFORMANCE NO. OF PRODUCTION PERFORMERS DATES PERFORMANCES VENUE SEASON SPONSOR Business Professional Women’s Club A SHOT IN THE DARK Annie Farge 10/ 20/1962 1 HHS CARNIVAL Elaine Malbin 12/1/1962 1 HHS MARY, MARY Jeffrey Lynn 2/2/1963 1 HHS THE PREMISE Theodore Flicker 1 HHS (New York cast flew in for performance) 1963 - 1964 6O SEASON SPONSOR Business Professional Women’s Club A THOUSAND CLOWNS John Ireland 1 HHS A MAN FOR ALL Robert Harris, Jeff Morrow 1 HHS SEASONS THE BOYS FROM Chet Summers, Eddie Roll, 1 HHS SYRACUSE Ralph McWilliams CAMELOT Jeannie Carson, Biff McGuire, 3/11/1964 1 HHS Melville Cooper 1964 - 1965 6O SEASON SPONSOR Business Professional Women’s Club LUTHER Alan Bergmann 1 HHS SPOON RIVER Original Cast - Barbara Gilbert, Carl 1 HHS Esser, Linda Seff, William Severs OLIVER! Jules Munchin, Joan Eastman, 1 HHS Christopher Spooner NEVER TOO LATE Lyle Talbot, Penny Singleton 1 HHS 1965 - 1966 6O NOTEWORTHY PERFORMANCE NO. -
Instead Draws Upon a Much More Generic Sort of Free-Jazz Tenor
1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. JOE WILDER NEA Jazz Master (2008) Interviewee: Joe Wilder (February 22, 1922 – May 9, 2014) Interviewer: Julie Burstein Date: August 25-26, 1992 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 129 pp. Burstein: I wanted to start by asking you about your beginnings in Colwyn, I guess. [She pronounces it as “coal-win.”] Wilder: Colwyn, it’s pronounced. [Wilder says “coll-win,” as in collar.] Burstein: Colwyn. Wilder: Yeah, Colwyn. Burstein: . Colywn, Pennsylvania, and about your family. Where were your folks from? Wilder: My – I think – I know my father’s family are from North Carolina. I think my mother’s family were also from North Carolina. Apparently they had come North much earlier than my father’s family, because my mother was born in Pennsylvania. My father was born in North Carolina. He left – my grandfather brought his family to Philadelphia – to Colwyn, as a matter of fact. That’s something I don’t really understand. I don’t know how they managed to end up in Colwyn, but that’s where they did. My father was 12 years old at that time. He’s now – he’ll be 92 in November – the 23rd of November. Burstein: So this was in 1912 that they came there. Wilder: Yeah, in 1912 he came – they came to Colwyn. There were – in Colwyn, I think there was my paternal grandparents and my maternal grandparents, and my aunts and uncles, and my family. -
Academy of Television Arts & Sciences
67 YEARS OF EMMY® 1948 The Emmy Awards are conceived. The Television Academy’s founding fathers struggle to name the award: Television Academy founder Syd Cassyd suggests “Ike,” the nickname for the television iconoscope tube. Pioneer television engineer and future (1949) Academy president Harry Lubcke suggests “Immy,” a nickname for the image-orthicon camera tube instrumental in the technical development of television. “Immy” is feminized as “Emmy” because the statuette, designed by engineer Louis McManus (who enlisted his wife Dorothy to model for it) depicts the winged “muse of art uplifting the electron of science.” 1949 First Emmy Awards – given to Los Angeles area programming – take place at the Hollywood Athletic Club on January 25. Tickets are $5.00. It is broadcast on local station KTSL. There are less than a million television sets in the U.S. The master of ceremonies was popular TV host Walter O’Keefe. Six awards are given: Most Outstanding Television Personality: Twenty-year-old Shirley Dinsdale and her puppet sidekick Judy Splinters for “The Judy Splinters Show.” The Station Award for Outstanding Overall Achievement: KTLA (the first commercial television station west of the Mississippi River). Technical Award: Engineer Charles Mesak of Don Lee Television for the introduction of TV camera technology. The Best Film Made for Television: “The Necklace” (a half hour adaptation of Guy de Maupassant's classic short story). Most Popular Television Program: “Pantomime Quiz.” A special Emmy is presented to Louis McManus for designing the statuette. 1950 Second Emmy Awards (January 27, Ambassador Hotel) KFI-TV broadcasts, the six other Los Angeles area stations share expense of the telecast. -
ST. JAMES THEATER (Originally Erlanger Theater), 246-256 West 44Th Street
Landmarks Preservation Commission December 15, 1987; Designation List 198 LP-1374 ST. JAMES THEATER (originally Erlanger Theater), 246-256 West 44th Street. Built 1926-27; architects, Warren & Wetmore. Landmark Site: Borough of Manhattan Tax Map Block 1015, Lot 54. On June 14 and 15, 1982, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the St. James Theater (originally Erlanger Theater) and the proposed designation of the related Landmark Site (Item No. 70). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty witnesses spoke or had statements read into the record in favor of designation. One witness spoke in opposition to designation. The owner, with his representatives, appeared at the hearing, and indicated that he had not formulated an opinion regarding designation. The Commission has received many letters and other expressions of support in favor of this designation. DESCRIPTION AND ANALYSIS The St. James (built as the Erlanger) Theater survives today as one of the historic playhouses that symbolize American theater for both New York and the nation. Built in 1926-27, the St. James was designed by the prominent firm of Warren & Wetmore as the last Broadway theater erected for Abraham Erlanger. Abraham Erlanger had been a principal in the infamous Klaw & Erlanger Theatrical Syndicate, which had dominated the American theater industry for several decades on either side of the turn of the century. After the break-up of the Syndicate, Klaw and Erlanger went their separate ways, and each built theaters named for themselves.