Media Composer, Film Composer, Media Station XL V11.7
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AI Media Analytics Readme
Avid® | AI Media Analytics Version 2018.9 ReadMe Important Information Avid® recommends that you read all the information in this ReadMe file thoroughly before setting up an Avid | AI Media Analytics environment. This ReadMe describes the required installation and configuration for running Avid | AI Media Analytics using Microsoft Azure Video Indexer. Additional information on MediaCentral | Cloud UX and MediaCentral | Asset Management is available online in guides. For more information about Azure Video Indexer, refer to Microsoft documentation. Important: Search the Avid Knowledge Base at http://www.avid.com/learn-and-support for the most up-to-date ReadMe file, which contains the latest information that might have become available after the documentation was published. Revision History Date Revised Changes Made September 28, 2018 First publication Contents About Avid | AI Media Analytics . 2 Installing the Media Analytics Packages. 4 Assigning Media Analytics Rights . 7 (Optional) Enabling the Media Analytics Processing Trigger . 8 (Optional) Enabling Media Analytics Processing for Additional Asset Types. 9 Creating Provider Configuration Profiles . 11 Triggering Media Analytics Processes by Using a Watch Folder Import. 16 Triggering Media Analytics Processes in MediaCentral | Cloud UX . 19 Monitoring Media Analytics Processes in the Process App . 20 Searching for Media Analytics Results in the Search App . 21 Displaying Media Analytics Results in the Markers Tab . 24 About Avid | AI Media Analytics About Avid | AI Media Analytics Avid | AI Media Analytics provides a framework that automates content indexing, such as facial detection, scene recognition, and speech-to-text conversion, by using third-party capabilities. The current version provides support for Microsoft Cognitive Services (Azure Video Indexer) and includes a Media Analytics API for additional providers. -
Avid Technology Announces Q2 2020 Results
Avid Technology Announces Q2 2020 Results August 3, 2020 68% Year-Over-Year Subscription Revenue Growth Driven by Continued Increase in Paid Subscriptions with Net Increase of 24,000 Subscriptions in the Quarter Operating Income Increased 214% Year-Over-Year from Improved Gross Margin and Significantly Reduced Operating Expenses BURLINGTON, Mass., Aug. 03, 2020 (GLOBE NEWSWIRE) -- Avid® (NASDAQ: AVID), a leading technology provider that powers the media and entertainment industry, today announced its second quarter 2020 financial results. During the second quarter, the Recurring Revenue components of the company’s business were resilient despite the COVID-19 global pandemic. The Company reported record subscription revenue of $16.4 million, up 68% year-over-year and maintenance revenue was stable, resulting in 8.5% year-over-year growth in Annual Contract Value. Also, in the quarter, Avid significantly improved its profitability as a result of higher gross margin coupled with a more efficient cost structure. The year-over-year improvement in gross margin of 760 basis points was a result of a greater portion of revenue coming from higher-margin software in the quarter and benefits from expense reductions in non-material cost of sales. Profitability was also enhanced by the $11 million year-over-year reduction in operating expenses in the quarter, which the Company will continue to closely manage towards the target of at least a $30 million reduction for fiscal 2020. For the second quarter, total revenue declined year-over-year, as the non-Recurring Revenue portions of the Company’s business related to product and professional services continued to be negatively impacted by weaker demand as a result of the COVID-19 global pandemic, which has caused the postponement or cancellation of many live music and major sporting events, and the temporary suspension of many film and television productions. -
Avid Media Composer Basics Guide • 0130-07971-02 • September 2009
Avid® Media Composer® Basics Guide ™ make manage move | media Avid ® Legal Notices Product specifications are subject to change without notice and do not represent a commitment on the part of Avid Technology, Inc. This product is subject to the terms and conditions of a software license agreement provided with the software. The product may only be used in accordance with the license agreement. Avid products or portions thereof are protected by one or more of the following United States Patents: 5,077,604; 5,267,351; 5,309,528; 5,355,450; 5,396,594; 5,440,348; 5,467,288; 5,513,375; 5,528,310; 5,557,423; 5,568,275; 5,577,190; 5,584,006; 5,634,020; 5,640,601; 5,644,364; 5,654,737; 5,715,018; 5,719,570; 5,724,605; 5,726,717; 5,729,673; 5,745,637; 5,752,029; 5,754,180; 5,754,851; 5,799,150; 5,812,216; 5,828,678; 5,842,014; 5,852,435; 5,905,841; 5,929,836; 5,930,445; 5,946,445; 5,986,584; 5,987,501; 6,016,152; 6,018,337; 6,023,531; 6,058,236; 6,061,758; 6,091,778; 6,105,083; 6,118,444; 6,130,676; 6,134,607; 6,141,691; 6,198,477; 6,201,531; 6,223,211; 6,249,280; 6,269,195; 6,330,369; 6,351,557; 6,353,862; 6,357,047; 6,392,710; 6,404,435; 6,407,775; 6,417,891; 6,426,778; 6,477,271; 6,489,969; 6,512,522; 6,532,043; 6,546,190; 6,552,731; 6,553,142; 6,570,624; 6,571,255; 6,583,824; 6,618,547; 6,636,869; 6,665,450; 6,678,461; 6,687,407; 6,704,445; 6,747,705; 6,763,134; 6,766,063; 6,791,556; 6,810,157; 6,813,622; 6,847,373; 6,871,003; 6,871,161; 6,901,211; 6,907,191; 6,928,187; 7,043,058; 7,081,900; 7,103,231; 7,266,241; 7,280,117; RE40,107; 7,403,561; 7,433,519; 7,512,885; 7,545,957; D352,278; D392,267; D392,268; D392,269; D395,291; D396,853; D398,912. -
Pro Tools | Quartet Your Personal Professional Music Studio
Pro Tools | Quartet Your personal professional music studio For musicians, engineers, producers, sound designers, and audio post professionals who demand a complete audio/MIDI creative solution, Pro Tools® | Quartet enables you to turn your Mac or PC into a high-performance yet portable music and audio production studio. Featuring industry-standard Pro Tools software and the best-in-class Quartet by Apogee 12x8 audio interface, Pro Tools | Quartet provides everything you need to create professional- level productions that will help you stand out from the crowd—from first note to final mix. And now it’s more affordable and an even better value than ever—bundle the interface with a full Pro Tools license and get a free year of upgrades included at no additional charge, or choose a lower cost 1-year Pro Tools subscription and get all upgrades included throughout your subscription. Plus, both options come with your choice of two additional premium Avid plug-ins at no extra charge. Top Rear Create with industry-standard Pro Tools Sound Amazing® with Quartet • Work with the award-winning toolset trusted by audio pros worldwide • Record performances in 24-bit/192 kHz resolution • Write, play, practice, record, edit, mix, and master music faster • Connect mics, instruments, and more to high-quality I/O: • Get seamless integration with Quartet by Apogee for optimized control o Four combination mic/instrument/line inputs • Create large, richly detailed sessions easily with 64-bit performance o Eight channels of ADAT/SMUX input via Toslink • Track -
Avid Filmscribe User's Guide
Avid® FilmScribe™ User’s Guide ™ make manage move | media Avid ® Copyright and Disclaimer Product specifications are subject to change without notice and do not represent a commitment on the part of Avid Technology, Inc. The software described in this document is furnished under a license agreement. You can obtain a copy of that license by visiting Avid's Web site at www.avid.com. The terms of that license are also available in the product in the same directory as the software. The software may not be reverse assembled and may be used or copied only in accordance with the terms of the license agreement. It is against the law to copy the software on any medium except as specifically allowed in the license agreement. Avid products or portions thereof are protected by one or more of the following United States Patents: 4,746,994; 4,970,663; 5,045,940; 5,077,604; 5,267,351; 5,309,528; 5,355,450; 5,396,594; 5,440,348; 5,452,378; 5,467,288; 5,513,375; 5,528,310; 5,557,423; 5,568,275; 5,577,190; 5,583,496; 5,584,006; 5,627,765; 5,634,020; 5,640,601; 5,644,364; 5,654,737; 5,724,605; 5,726,717; 5,729,673; 5,745,637; 5,752,029; 5,754,180; 5,754,851; 5,799,150; 5,812,216; 5,828,678; 5,842,014; 5,852,435; 6,061,758; 6,532,043; 6,546,190; 6,636,869; 6,747,705. -
Designed to Perform the 8 Channel Server
Designed to Perform NEW The 8 Channel Server Production & Media Server Designed to Perform More Power. More Channels. More Capabilities. The new generation of XT servers, with its flexible 8 channel SD/HD & 6 channel 3D/1080p configuration, combines EVS’ world-class speed & reliability with the ultimate capabilities and performance. XT3 integrates today’s top broadcast and IT technologies to offer broadcasters and producers unparalleled motion control and adaptability. Based on its unique Loop Recording technology and its powerful networking capabilities, XT3 offers operators complete media control from ingest to playout, including live editing, slow-motion replays, multi-channels playback, and transfer to third-party systems such as craft editors, automation, archiving, or storage. The XT3 is the first server to natively support such a wide range of codecs without requiring hardware changes, allowing production teams to easily choose amongst the different compression schemes they want to use throughout the entire edit process. Designed to boost broadcasters’ live and near-live production capabilities, the XT3 provides operators with the highest level of bandwidth, flexibility and control available in the industry today. Main Applications ■ Live OB/Remote production ■ Studio ingest ■ Live studio production ■ Content control & delay ■ Fast turnaround production ■ Scenarized production ■ VTR replacement Production & Media Server Designed to Perform The 8 Channel Server Loop Recording Dual Networking EVS ingest solutions and loop recording guarantee unin- The XT3 can be linked to either one of two separate networks : terrupted multi-channel recording and access to recorded The EVS high-bandwidth media sharing network called material at any time. Recording starts as soon as the server XNet[2], which allows all video and audio sources recorded is booted, and remains on until the server is shut down. -
Avid Media Composer and Film Composer Input and Output Guide • Part 0130-04531-01 Rev
Avid® Media Composer® and Film Composer® Input and Output Guide a tools for storytellers® © 2000 Avid Technology, Inc. All rights reserved. Avid Media Composer and Film Composer Input and Output Guide • Part 0130-04531-01 Rev. A • August 2000 2 Contents Chapter 1 Planning a Project Working with Multiple Formats . 16 About 24p Media . 17 About 25p Media . 18 Types of Projects. 19 Planning a Video Project. 20 Planning a 24p or 25p Project. 23 NTSC and PAL Image Sizes . 23 24-fps Film Source, SDTV Transfer, Multiformat Output . 24 24-fps Film or HD Video Source, SDTV Downconversion, Multiformat Output . 27 25-fps Film or HD Video Source, SDTV Downconversion, Multiformat Output . 30 Alternative Audio Paths . 33 Audio Transfer Options for 24p PAL Projects . 38 Film Project Considerations. 39 Film Shoot Specifications . 39 Viewing Dailies . 40 Chapter 2 Film-to-Tape Transfer Methods About the Transfer Process. 45 Transferring 24-fps Film to NTSC Video. 45 Stage 1: Transferring Film to Video . 46 Frames Versus Fields. 46 3 Part 1: Using a 2:3 Pulldown to Translate 24-fps Film to 30-fps Video . 46 Part 2: Slowing the Film Speed to 23.976 fps . 48 Maintaining Synchronized Sound . 49 Stage 2: Digitizing at 24 fps. 50 Transferring 24-fps Film to PAL Video. 51 PAL Method 1. 52 Stage 1: Transferring Sound and Picture to Videotape. 52 Stage 2: Digitizing at 24 fps . 52 PAL Method 2. 53 Stage 1: Transferring Picture to Videotape . 53 Stage 2: Digitizing at 24 fps . 54 How the Avid System Stores and Displays 24p and 25p Media . -
Avid Announces New Five-Year Agreement with Microsoft Azure to Bring More Media Companies to the Cloud
Avid Announces New Five-Year Agreement with Microsoft Azure to Bring More Media Companies to the Cloud May 4, 2020 Strategic Cloud Partners Build on Early Success to Help Media Companies with Content Workflows in the Cloud; Partners Respond Swiftly to Help Customers Work Remotely Amid the COVID-19 Global Health Pandemic BURLINGTON, Mass., May 04, 2020 (GLOBE NEWSWIRE) -- Leading media and entertainment technology provider Avid® (Nasdaq: AVID) today announced it has renewed its cloud collaboration with Microsoft. Over the course of the new five-year strategic alliance agreement Avid will continue to develop and deploy its cloud-based solutions on Microsoft Azure. Since launching their initial collaboration, Avid and Microsoft have helped some of the world’s largest media companies to break new ground by moving their film and television content workflows into the cloud, which has enabled teams, including hundreds of editors, journalists and other contributors to collaborate on movies, TV shows and other content on a global scale. The renewed alliance continues the companies’ mutual commitments and investments in technology, product development and go-to-market efforts globally. Together, Avid and Microsoft have already produced several essential media workflows running in the cloud, including collaborative editing, content archiving, active backup and production continuity. Since the onset of the COVID-19 global health pandemic, Avid and Microsoft have also mobilized rapidly to aid numerous Avid clients urgently needing to transition their production personnel to working remotely from their homes in order to keep entertainment and news content pipelines flowing. Available solutions for remote working include the highly-scalable and secure Avid | Edit On Demand™ virtualized production environment, featuring Avid Media Composer® video editing software and Avid NEXIS® storage running on Azure. -
Field Recorder Workflow Guide
Field Recorder Workflow Guide Version 7.2 Copyright © 2006 Digidesign, a division of Avid Technology, Inc. All rights reserved. This guide may not be duplicated in whole or in part without the express written consent of Digidesign. Avid, Digidesign, and Pro Tools are either trademarks or registered trademarks of Avid Technology, Inc. in the US and other countries. All other trademarks contained herein are the property of their respective owners. Product features, specifications, system requirements, and availability are subject to change without notice. PN 9329-55679-00 REV A 07/06 contents Chapter 1. Introduction . 1 Field Recorder Terminology . 1 Supported Field Recorder Audio Files and Metadata. 2 Displaying Field Recorder Metadata in Pro Tools . 2 DigiBase Support for Field Recorder Metadata . 3 Chapter 2. Field Recorder Workflows . 5 Ensuring Metadata of Source Files Have Been Preserved . 5 Receiving Source Files . 5 Importing Source Files into Pro Tools . 6 Displaying Multichannel Files from a Field Recorder in the Region List. 9 Choosing an Alternate Channel for a Specific Region . 9 Appendix A. Overview of Production Workflows. 11 Terminology . 11 Film Workflow . 13 Video and Fully Non-Linear Workflows. 15 Contents iii iv Field Recorder Workflow Guide chapter 1 Introduction Pro Tools 7.2 adds support for importing multi- Digital Field Recorders channel audio files and metadata recorded by field recorders, as well as new post-production A field recorder, also known as a hard disk loca- workflows for using these files. tion audio recorder, is a device used by a produc- tion sound mixer during a film or video shoot to make a multichannel recording of multiple mi- crophone inputs recorded simultaneously. -
Avid Film Composer and Universal Offline Editing Getting Started Guide
Avid® Film Composer® and Universal Offline Editing Getting Started Guide Release 10.0 a tools for storytellers® © 2000 Avid Technology, Inc. All rights reserved. Film Composer and Universal Offline Editing Getting Started Guide • Part 0130-04529-01 • Rev. A • August 2000 2 Contents Chapter 1 About Film Composer and Media Composer Film Composer Overview. 8 About 24p Media . 9 About 25p Media . 10 Editing Basics . 10 About Nonlinear Editing. 10 Editing Components. 11 From Flatbed to Desktop: Getting Oriented. 12 Project Workflow . 13 Starting a Project . 14 Editing a Sequence . 15 Generating Output . 16 Chapter 2 Introduction Using the Tutorial. 17 What You Need . 19 Turning On Your Equipment . 19 Installing the Tutorial Files . 20 How to Proceed. 21 Using Help. 22 Setting Up Your Browser . 22 Opening and Closing the Help System . 22 Getting Help for Windows and Dialog Boxes. 23 Getting Help for Screen Objects . 23 Keeping Help Available (Windows Only) . 24 3 Finding Information Within the Help . 25 Using the Contents List . 25 Using the Index . 25 Using the Search Feature . 26 Accessing Information from the Help Menu. 27 Using Online Documentation . 29 Chapter 3 Starting a Project Starting the Application (Windows). 31 Starting the Application (Macintosh). 32 Creating a New User . 33 Selecting a Project . 33 Viewing Clips . 34 Using Text View. 35 Using Frame View. 36 Using Script View . 37 Chapter 4 Playing Clips Opening a Clip in the Source Monitor. 39 Displaying Tracking Information . 40 Controlling Playback. 44 Using the Position Bar and Position Indicator . 45 Controlling Playback with Playback Control Buttons . 46 Controlling Playback with Playback Control Keys . -
Avid Technology 2008 Investor Day
Avid Technology 2008 Investor Day October 27th, 2008 Safe Harbor Statement Please note that remarks made during this presentation may include forward-looking statements, as defined by the Private Securities Litigation Reform Act of 1995. Any statements contained in this presentation that are not statements of historical fact may be deemed to be forward-looking statements. There are a number of factors that could cause actual events or results to differ materially from those indicated by these forward- looking statements, such as competitive factors, including Avid’s ability to anticipate customer needs, pricing pressures, Avid’s ability to execute its strategic plan, and adverse changes in general economic or market conditions, particularly in the content-creation industry. Other important events and factors appear in Avid’s filings with the U.S. Securities and Exchange Commission. In addition, the forward-looking statements included in this presentation represent our estimates only as of today and should not be relied upon as representing our views as of any subsequent date. Avid undertakes no obligation to review or update these forward-looking statements. A historical reconciliation of the GAAP to non GAAP reconciliation is available on www.avid.com in our quarterly earning press releases. For purposes of understanding our future business model, we are providing some forward-looking analysis on a non-GAAP basis. Our GAAP financial measures are not, however, accessible on a forward-looking basis and the differences between our future -
Episode 7.4 User Guide
User Guide Episode 7.4 User Guide Episode User Guide | 221487 June 2017 2 Episode User Guide Copyrights and Trademark Notices Copyrights and Trademark Notices Copyright © 2017 Telestream, LLC. All rights reserved. No part of this publication may be reproduced, transmitted, transcribed, altered, or translated into any languages without the written permission of Telestream. Information and specifications in this document are subject to change without notice and do not represent a commitment on the part of Telestream. Telestream, CaptionMaker, Episode, Flip4Mac, FlipFactory, Flip Player, Lightspeed, ScreenFlow, Switch, Vantage, Wirecast, Gameshow, GraphicsFactory, MetaFlip, and Split-and-Stitch are registered trademarks and MacCaption, e-Captioning, Pipeline, Post Producer, Tempo, TrafficManager, VidChecker, and VOD Producer are trademarks of Telestream, LLC. All other trademarks are the property of their respective owners. QuickTime, MacOS X, and Safari are trademarks of Apple, Inc. Bonjour, the Bonjour logo, and the Bonjour symbol are trademarks of Apple, Inc. MainConcept is a registered trademark of MainConcept LLC and MainConcept AG. Copyright 2004 MainConcept Multimedia Technologies. Microsoft, Windows 7 | 8 | Server 2008 | Server 2012, Media Player, Media Encoder, .Net, Internet Explorer, SQL Server 2005 Express Edition, and Windows Media Technologies are trademarks of Microsoft Corporation. This product is manufactured by Telestream under license from Avid to pending patent applications. This product is manufactured by Telestream under license from VoiceAge Corporation Dolby and the double-D symbol are registered trademarks of Dolby Laboratories. Other brands, product names, and company names are trademarks of their respective holders, and are used for identification purpose only. Episode User Guide 3 Copyrights and Trademark Notices Third Party Library Notices The following notices are required by third party software and libraries used in Episode.