DOCSLIB.ORG

Axyl Langford

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Axyl Langford Axyl Langford Age: 16 yrs. Hair/Eyes: Long Brown/Green Height/Weight: 5’6”, 170 lbs. VoCal Range: E3-E#6 Theatre CATS Grizabella Theatre Tulsa/Sara Phoenix “13” PatriCe Theatre Tulsa/Jeremy SteVens Joseph and the Amazing TeChniColor DreamCoat Narrator Theatre Tulsa/Laura SkoCh A Little Princess Lottie CMT of BartlesVille/Reegan MCKenzie A Christmas Carol Belle AmeriCan Theatre Company/Claudia Sanders Hairspray Velma Von Tussle Theatre Tulsa/Peter Brennen Lion King Scar Theatre Tulsa/ Laura Dossett CatCh Me If You Can Paula Abagnale Clark Youth Theatre/Robert Young Willy Wonka VeruCa Salt CasCia Hall Performing Arts/Rebekah Peddy Treasure Island Captain Smollett Theatre Tulsa/ Laura Dossett Gypsy Baby Louise (understudy)/Newsboy LOOK MusiCal Theatre/EriC Gibson OliVer! Workhouse boy/Fagin's gang/Strawberry Vendor Theatre Tulsa/Sara Phoenix Cinderella and the Phantom Fairy Kitty/Baker EnCore! Theatre Arts/Josh and Mindy Barker Wizard of Oz MunChkin Mayor/Winged Monkey EnCore! Theatre Arts/Josh and Mindy Barker Les Miserables Ensemble/soloist Theatre Tulsa/Sara Phoenix Fiddler on the Roof Ensemble Theatre Tulsa/Sara Phoenix ChiCago Ensemble Broadway Theatre ProjeCt/Debra MCWaters Evita Children's Choir Light Opera Oklahoma/EriC Gibson T.V. Kristin Chenoweth: Coming Home Duet with Kristin Chenoweth PBS/Kenny Ortega Commercial Why I LoVe EnCore! PrinCipal EnCore! Theatre Arts/Josh and Mindy Barker Live/Other Sang a duet with Kristin Chenoweth at Kristin Chenoweth LiVe! in ConCert Sang a solo at Feinstein’s/54 Below NY at a Cabaret ShowCase hosted by Gianna & Chazz Palminteri and Broadway Theatre Project. Kristin Chenoweth Broadway BootCamp (Soloist) and Master’s Class PerformanCe (Ensemble) 2015 Kristin Chenoweth Broadway BootCamp and First Annual Kristi Awards PerformanCe (soloist) 2017-2018 Sang on Channel 8 Good Day Tulsa to promote the musiCals “A Christmas Carol” and “A Little PrinCess Sang on Channel 8 Good Day Tulsa to promote the musiCals “Joseph and the Amazing TechniColor DreamCoat” and “13” Member of Oklahoma All-State Children's Chorus 2014-2017 PerformanCes and ConCerts with Tulsa Youth Opera 2011-2013 Sang the National Anthem for the Opening of Grand Lake Fireworks Show 2012-2015 National Anthem was broadCast on KITO Radio Station 2012-2015 Sang the National Anthem at the Patriot Club Celebrity Golf Tournament and Folds of Honor Gala 2013 Sang the National Anthem at the Stone Canyon Firework Show 2013 and Tulsa Revolution Pro Indoor Soccer Game Training TV/Film ACtors Workshops at EnCore! Theatre Arts with Josh and Mindy Barker Advanced audition intensiVe for Young Performers for Film with Sara Clark of The Actor FaCtory Broadway Camp with A Class Act New York - classes taught by Broadway performers Hamilton Camp with A Class ACt New York – taught by Andrew Chapelle Artsbridge 2 two week Camp in Minneapolis, MN – taught by Various musiCal theatre College instructors Broadway Theatre ProjeCt three week intensiVe in Florida Broadway Bootcamps with Theatre Tulsa Trained with Tulsa Youth Opera from 2011-2013 Acting Camp and ImproV Classes with EnCore! Theatre Arts PriVate VoCal and Piano lessons Ballet, Jazz and Jazz Funk Lessons Special Skills AcCents - British, Cockney, Spanish, New York, and Irish, learns lines and musiC quiCkly, cartwheels and round-offs, walk on stilts, ride a ripstiCk, ride a bike, jump rope, plays ukulele .
Load more

Recommended publications
  • Iolanthe Prog 2010.Pdf
    Previous Productions 1949 Iolanthe 1978 Orpheus in the Underworld 1950 The Gondoliers The Yeomen of the Guard The Mikado 1979 The Sorcerer registered charity no. 1103764 1951 HMS Pinafore 1980 The Pirates of Penzance affiliated to N.O.D.A. and Ealing Arts & Leisure Iolanthe HMS Pinafore 1952 Patience 1981 Lilac Time Hon. President The Yeomen of the Guard 1982 The Mikado Margaret Bannon 1953 Trial by Jury HMS Pinafore 1983 Princess Ida Ruddigore Patience 1954 The Gondoliers 1984 The Gondoliers Hon. Life Members 1955 The Mikado Trial by Jury 1985 Ruddigore Pam Craddock, Edwin Owen, Pauline Pressey The Pirates of Penzance 1986 The Merry Widow Roy Talbot, Dave & Pam Thomas 1956 Patience Iolanthe Iolanthe 1957 HMS Pinafore Cox and Box 1987 Trial by Jury Chairman 1958 The Sorcerer The Pirates of Penzance Edwin Owen The Yeomen of the Guard 1988 La Belle Helene 1959 The Mikado Ruddigore The Yeomen of the Guard Vice-Chairman 1960 The Gondoliers Patience 1989 The Gypsy Baron Alan Whitworth 1961 Princess Ida 1990 The Mikado 1962 The Mikado Trial by Jury Die Fledermaus Hon. Secretary The Pirates of Penzance 1991 HMS Pinafore Debbie Edwards, 12 Sovereign Close, Ealing, London, W5 2DE 1963 Iolanthe 1992 Princess Ida The Gondoliers Tel: 0844 880 1852 The Yeomen of the Guard 1993 Ruddigore 1964 The Sorcerer Ruddigore 1994 Patience Iolanthe Patron's Secretary 1965 The Gondoliers 1995 The Grand Duke 1966 The Gypsy Baron Trial by 1996 The Merry Widow Alvina Doughty, 415 Allenby Road, Southall, Middlesex UB1 2HG Jury HMS Pinafore The Sorcerer 1967 Princess Ida 1997 The Pirates of Penzance Committee 1968 Blossom Time La Vie Parisienne Alvina Doughty, Catherine Hickling, Geof Morgan The Yeomen of the Guard 1998 The Yeomen of the Guard James D'Souza, Jeremy Rowett 1969 The Mikado The Gondoliers 1999 The Mikado 1970 Patience 2000 The Gondoliers PATRONS 1971 Trial by Jury and The Pirates 2001 Ruddigore of Penzance Iolanthe 2002 Iolanthe John Chamberlain Roy & Marion Haworth Joanna McEwen Mr L.
    [Show full text]
  • No. 1 Iolanthe Company 1883 26 Feb
    No. 1 Iolanthe Company 1883 26 Feb. – 10 Mar. Manchester THEATRE ROYAL. Messrs. Gilbert and Sullivan have achieved so many perfectly legitimate successes, and in doing so have provided the theatre-going public with so much genuine and innocent enjoyment, that it is inevitable that any new production of theirs should be awaited with feelings of pleased interest. Between them they may be said to have hit upon an entirely new vein of dramatic and musical ore. Cynics may tell us that the vein is of the thinnest, and that it is being remorselessly overworked, but that is an ill-natured view of the situation which the great majority of people will very properly decline to entertain. It may be, indeed it is, true that both author and composer repeat themselves not infrequently, and that "Iolanthe" is only a further development of "Pinafore" and "Patience," and that musicians who have a clear and distinct knowledge of "Cox and Box" are able to put their fingers on the germ of almost every number of the latest of Mr. Sullivan's compositions. But there is nothing in all this to spoil our enjoyment of "Iolanthe." It may be judged on its own merits with most satisfactory results. It in no sense spoils our pleasure in listening to the charming nonsense of "Iolanthe" to be reminded that the idea of the amorous Lord Chancellor has been worked up in "Trial by Jury," or that the fairies of the former piece are the sisters, cousins, and aunts of "Pinafore," with the single addition of wings.
    [Show full text]
  • Iolanthe & Orpheus in the Underworld (March 2004)
    TheGilbert & Sullivan Society of Edinburgh presents Iolanthe or The Peer And The Peri Libretto By Music By W.S. Gilbert Arthur Sullivan and Orpheus In The Underworld By J. Offenbach Director Alan Borthwick Musical Director David Lyle Assistant Director Liz Landsman CHARITY NUMBER: SC027486 http://www.edgas.org/ W e l c o m e ood evening, Ladies and Gentlemen, and a warm welcome to the King's Theatre and to our week of musical extravaganza. GTwo complete shows on alternate nights! Whether you are settling down to a 'spell' in Fairyland with Iolanthe, or getting ready to party the night away with Orpheus in Hades, you are certainly in for a musical treat. After our resounding success with Ruddygore in 2003, we decided that a double production would be appropriate in 2004. Consequently, after a year of very hard work under our talented production team, we have both shows in one week at the King's. Alongside our rehearsals, Society members have been busy with our programme of concerts in aid of good causes, and these are tak- ing us from Stranraer to Dunkeld this season, with many places in between. 2003 drew to a close with the huge success of our Usher Hall concert with the Band of HM Royal Marines in aid of the King George's Fund for Sailors, and we hope to join the Band there again in November 2004. By that time, we will also be well into rehearsals for our next production, The Yeomen of the Guard, due at the King's in March 2005.
    [Show full text]
  • SEAMUS M. BOURNE SCENIC DESIGNER (910) 547-0954 [email protected] Member of United Scenic Artists, Local USA 829, IATSE CURRICULUM VITAE
    SEAMUS M. BOURNE SCENIC DESIGNER (910) 547-0954 www.smbourne.com [email protected] Member of United Scenic Artists, Local USA 829, IATSE CURRICULUM VITAE E DUCATION Indiana University, Bloomington, Indiana Master of Fine Arts - Scenic Design, 2006 - 2009 University of North Carolina - Wilmington, Wilmington, North Carolina Bachelor of Arts - Theatre, 2001 - 2005 Stagecraft Institute of Las Vegas Certificat de Resuissir - Digital Drafting, June 2017 E MPLOYMENT HISTORY Berry College, Mount Berry, Georgia Clinical Assistant Professor of Theatre Design, August 2015 - May 2018 Visiting Lecturer - Theatre Design, August 2013 - May 2015 Adjunct Professor - Theatre Design, January - May 2013 Professional Staff - Technical Director, August 2012 - May 2013 • Created syllabi and taught courses at introductory and advanced levels • Introduced modern scenic construction practices • Introduced stage management course and mentored student stage managers • Designed or mentored students designing for Berry College Theatre Company productions • Mentored students attending conferences to participate in design competitions or find employment Bourne CV Page "1 of "12 • Facilitated the reinstatement of the Kappa Alpha cast of Alpha Psi Omega, National Theatre Honor Society; also served as Faculty Advisor Center for Puppetry Arts, Atlanta, Georgia Scene Shop Foreman, Summer 2016 LOOK Musical Theatre, Tulsa, Oklahoma Resident Scenic Designer & Co-Production Manager, Summers 2012 & 2013 Theatre in the Square, Marietta, Georgia Resident Scenic Designer & Technical
    [Show full text]
  • Dr. Elser – Curriculum Vitae
    A. Christian Elser, DMA Professional Experience Associate Professor of Music Presbyterian College, Clinton, SC 2008-pres. • Tenure granted, 8/14 • Director, Voice Area/Voice Faculty -Responsible for curriculum and supervision of three voice faculty members and two collaborative pianists/voice coaches -Applied voice studio of BA in music/BS in music education majors and minors -Courses taught: Vocal Pedagogy, Vocal Repertoire, Singer’s Diction (English, Italian, French, German, Latin), Musical Theatre Voice Class • Director, PC Opera & Musical Theatre -Produce, stage and music direct one fully staged opera and/or musical theatre production every year -Courses taught: Opera & Musical Theatre Workshop • Music History Faculty -Courses taught: 20th Century Music History, Music Appreciation • Music Theory Faculty -Courses taught: 20th Century Music Theory, Fundamentals of Music Theory • Departmental Tonmeister -Responsible for departmental audio recording/editing, archiving, and maintenance of recording studio General Director & Co-Founder GLOW Lyric Theatre, Greenville, SC 2009-pres. GLOW is a registered 501(c)(3) non-profit performing arts organization that produces a summer festival season of operand musical theatre at the Peace Center for the Performing Arts in , Greenville, SC as well as a chamber opera and musical theatre series at the Younts Center for Performing Arts in Fountain Inn, SC. • General Director: -Grew operational budget from $700 in 2009 to over $180,000 for 2015 -Manage fully staged professional productions of opera, operetta
    [Show full text]
  • DAVID AUXIER (Director/Author/MC) David Has Been a Proud Nygasper Since 1992, Starting MARK YORK (Arranger/Music Director/Accompanist) Makes His NYGASP Debut
    DAVID AUXIER (Director/Author/MC) David has been a proud NYGASPer since 1992, starting MARK YORK (Arranger/Music Director/Accompanist) makes his NYGASP debut. New York in the ensemble, and then working his way through such roles as Sgt. of Police (Pirates), Pooh-Bah credits: Jerry Herman’s Music Coordinator (1992-present); Cy Coleman’s Music Assistant (1999- and Pish-Tush (Mikado), the Herald (Grand Duke), the Grand Vizier (Rose of Persia) the Boatswain 2004); Co-Arranger/Associate MD for Busker Alley directed by Tony Walton and starring Jim Dale and most recently Captain Corchoran (Pinafore). On the production side, David wrote the book and & Glenn Close. Composer: Rest In Peace, Apple Annie, The Porker Sisters, Galveston! and many directed the NYGASP revue G&S á la Carte at City Center (2007) and at Symphony Space (2011) children’s musicals. Broadway/London: Sweet Charity starring Christina Applegate, Cy Coleman’s (while playing everyone's favorite G&S aficionado, Walter). Most recently in New York, David has Pamela’s First Musical, starring Michele Lee, Mack & Mabel In Concert, Cy Coleman at the New been co-directing and choreographing all of the recent NYGASP productions at City Center and York Pops, Kenny Rogers: Christmas From The Heart, Mack And Mabel (London West End). Symphony Space, including Ruddigore, Utopia, Ltd., The Grand Duke, Iolanthe and Patience. He is also active in the New York cabaret scene and a MAC award-nominated song writer - find out more BENJAMIN WEILL (Technical Director) N Benjamin Weill thrilled to be back for his fourth at www.davidauxier.com.
    [Show full text]
  • Music by Marvin Hamlisch Lyrics by Craig Carnelia
    NYU STEINHARDT MUSIC AND PERFORMING ARTS PROFESSIONS MUSIC AND PERFORMING ARTS PROFESSIONS NYU Steinhardt’s Department of Music and Performing Arts Professions was Program in Vocal Performance and established in 1925. Since that time, Steinhardt Music and Performing Arts Professions NYU Skirball Center for the Performing Arts has functioned as NYU’s “school” of music and developed into a major research and Present practice center in music technology, music business, music composition, film scoring, music performance practices, performing arts therapies, and the performing arts-in- education (music, dance, and drama). Today, 1,500 students majoring in renowned music and performing arts programs are guided by 300 faculty. Our degree programs— baccalaureate through Ph.D.—share the Steinhardt School’s spirit of openness and innovation that encourages the pursuit of high artistic and academic goals. Our rich and varied expertise and interests bring performance majors and composers together with choreographers, directors, actors, dancers, educators, librettists, and filmmakers in collaborative projects often reviewed by the New York media. Faculty sit on leading journal editorial boards and publish some of the most significant performing arts research on the scene today. Coupled with leading faculty and advanced studios in music technology and a nationally recognized program in music business, our Department and the Steinhardt School offer an unparalleled environment for artistic, professional, and scholarly challenge and growth. SEPTEMBER 12–14, 2013 We recognize that in addition to substantial training in individual specializations, our graduates require multiple skills and broad experiences to pursue a successful and fulfilling career. We encourage students to take courses and to interact with faculty across traditional programmatic and Steinhardt School lines.
    [Show full text]
  • Jenna Tamisiea Elser S T a G E D I R E C T O R [email protected] 864.593.2000
    Jenna Tamisiea Elser S t a g e D i r e c t o r [email protected] www.jennadirectress.com 864.593.2000 Theatre (selected) Guys and Dolls Arkansas Shakespeare Theatre 2019 Education A Year with Frog & Toad Synchronicity Theatre Atlanta 2018 Master of Fine Arts in Directing The Rocky Horror Show Warehouse Theatre 2018 Florida State University In the Heights Glow Lyric Theatre 2018 Hair Glow Lyric Theatre 2017 Bachelor of Arts in Musical Theatre Spring Awakening Warehouse Theatre 2017 Minor in Women’s Studies Hands on a Hard Body Guilford College Arts Collective 2016 The University of Tulsa West Side Story Glow Lyric Theatre 2016 A Chorus Line FSU Theatre 2015 Artistic Leadership The Hot Mikado Glow Lyric Theatre 2015 Co-Founder and Artistic Director The Wiz Glow Lyric Theatre 2015 Glow Lyric Theatre • 2009 - present Five Women Wearing the Same Dress FSU Lab Theatre 2014 Cabaret Nights LOOK Musical Theatre 2014 Director of Converse Opera Theatre RENT Glow Lyric Theatre 2014 Converse College • 2017 - 2019 Jesus Christ Superstar Glow Lyric Theatre 2013 Instructor of Record Willy Wonka: The Musical Tryon Fine Arts Center 2013 Florida State University • 2013 - 16 Seussical the Musical Tryon Fine Arts Center 2012 25th Putnam County Spelling Bee Presbyterian College Opera 2012 Awards Devised & Workshops 2017 Broaway World Award Best Musical: Spring Awakening Movement: Stories from the Rainbow Proud Mary Theatre Co. 2018 The Cry of the Valkyrie Converse Opera Theatre 2018 2016 Drama League, Leo Shull New Musical Pulse Anam Cara Theatre 2017
    [Show full text]
  • Gilbert & Sullivan
    Gilbert & Sullivan W. S. Gilbert and Arthur Sullivan were an unlikely pair. While both yearned to be something else - Gilbert a "serious" playwright and Sullivan a "serious" composer - they collaborated between 1871 and 1896 on fourteen comic operas that, from small beginnings, won them fame, fortune and a place in posterity assured surely beyond their wildest dreams. Gilbert was an impatient, acerbic, crotchety man with a gift for writing that expressed itself first in humorous illustrated poems - The Bab Ballads - and then in stories, plays and comic operas. Sullivan, six years younger, was born into a musical family, studied at the Royal Academy of Music and Leipzig, after which, with some success, he took up composing. Both men cut their comic opera teeth with other collaborators: in the late 1860s, Gilbert wrote six short family-friendly comic operas or "entertainments" for Thomas Reed. Sullivan's first foray into the realm was Cox and Box (1866), written with librettist F. C. Burnard for an informal gathering of friends. Then, in 1871, producer John Hollingshead brought Gilbert and Sullivan together to produce a Christmas entertainment, Thespis, at his Gaiety Theatre, a large West End house. The piece was an extravaganza in which the classical Greek gods, grown elderly, are temporarily replaced by a troupe of 19th-century actors and actresses, one of whom is the eponymous Thespis, the Greek father of the drama. Its mixture of political satire and grand opera parody mimicked Offenbach's Orpheus In The Underworld and La Belle Helene, which (in translation) then dominated the English musical stage.
    [Show full text]
  • “Oh, Joy Unbounded...”
    Gilbert & Sullivan 8 Exhibition Catalog George Mason University Libraries 8 Exhibition Catalog George Mason Gilbert & Sullivan “Oh, Joy Unbounded...” A Celebration of Exhibition Catalog George Mason University Libraries “Oh, Joy Unbounded...” A Celebration of Gilbert &Sullivan Selections from the collection of David and Annabelle Stone Exhibition Catalog George Mason University Libraries George Mason University Libraries with George Mason University College of Visual and Performing Arts presents “Oh, Joy Unbounded...” A Celebration of Gilbert & Sullivan From the David and Annabelle Stone Gilbert & Sullivan Collection Exhibit Catalog by Mason Publishing, George Mason University Libraries Catalog design: Emily L. Cole and John W. Warren Cover images: Children’s Pirates of Penzance, Souvenir program, D’Oyly Carte’s Children’s Opera Co., Savoy Theatre, London, 1884-85 © 2017 by George Mason University Libraries “Oh, joy unbounded, With wealth surrounded, The knell is sounded Of grief and woe.” —from Trial by Jury Gilbert and Sullivan Introduction by Rick Davis ‘Oh, Joy Unbounded…’ offers unparalleled access to the creative process, the relation- ships, the business decisions, and the influence of Gilbert and Sullivan on their time and beyond. That we have this access is thanks to the generosity of David and An- nabelle Stone in sharing items from their extensive collection for our celebrations of Gilbert and Sullivan this year. This partnership between the College of Visual and Performing Arts and the Uni- versity Libraries, working with David to host exhibitions, scholarly events, and performances, represents a groundbreaking collaboration. Nothing less than such a partnership can fully recognize Gilbert and Sullivan as the transformative pair of creative geniuses that they were.
    [Show full text]