Violence in a Womens Prison 1982

Total Page:16

File Type:pdf, Size:1020Kb

Violence in a Womens Prison 1982 Violence in a womens prison 1982 click here to download Violence in a Women's Prison is a Italian-French women in prison film directed by Bruno Mattei. It was also released as Caged Women, Emanuelle in Hell or Emanuelle Escapes from Hell. The film is about Emanuelle (Laura Gemser) who is sent to Santa Catarina Women's Penitentiary for drugs and prostitution where. Action · Emanuelle goes undercover into a prison to expose the corrupted officials who are brutalizing the inmates. Emanuelle is shocked by the horrors and humiliation the prisoners are subjected to See full summary». Violence in a Women's Prison is a film directed by Bruno Mattei with Laura Gemser, Gabriele Tinti, Maria Romano, Ursula Flores, . Year: Original title: Violenza in un carcere femminile (Emanuelle in Hell). Synopsis: Emanuelle goes undercover into a prison to expose the corrupted officials who are brutalizing the. Violence in a Women's Prison on www.doorway.ru Find trailers, reviews, and all info for Violence in a Women's Prison by Bruno Mattei. Violence In A Women's Prison () featuring the delightful "Laura Gemser",Black Emanuelle films. That. I haven't seen this and judging by the trailer, I probably will never have the stomach to. Say what you want about Violence In A Women's Prison, but you can't fault it for shortchanging you on the sleaze. Chalk full of lesbianism, brutality, and a men's prison right across the street, Mattei makes sure that he gets every cent worth of filth out the $67, budget. And no, I'm not making a moral. Find trailers, reviews, synopsis, awards and cast information for Violence in a Women's Prison () - Bruno Mattei on AllMovie - Laura Gemser returns as Emanuelle Sterman/Laura. A review of Bruno Mattei's WIP exploitation movie Violence In A Woman's Prison starring Laura Gemser. Part of Yell! Magazine's Classics in Exploitation Series. Violence in a Women's Prison () review. Director: Bruno Mattei. Starring: Laura Gemser, Gabriele Tinti, Maria Romano, Ursula Flores, Antonella Giacomini, Franco Caracciolo, Françoise Perrot, Lorraine De Selle, Jacques Stany, Leila Durante, Franca Stoppi, Raul Cabrera. Laura Gemser plays Emanuelle, an undercover reporter, who goes into a women's prison to expose the corruption and violence that the sadistic warden Lorraine. Directed By Bruno Mattei Starring Laura Gemser • Gabriele Tinti • Maria Romano • Ursula Flores • Antonella Giacomini Genres Foreign Language Film • Prison Film • Softcore Sex Film • Women-in-Prison • Exploitation Film Studios & Franchises Shriek Show Other Titles Caged Women [Italy] • Violenza in un carcere. Caged Women / Violence in a Women's Prison / Emanuelle Reports from a Women's Prison / Emmanuelle in Hell / Women's Penitentiary 4 / Violenza in un Carcere Feminile (/) -**½. Pondering the principles of intellectual property as applied in the Italian movie industry of the 60's, 70's, and 80's is a good way to. The consequences of sexual violence follow the individual into the community upon release. This paper estimates the prevalence of sexual victimization within a state prison system. A total of 6, men and women participated in a survey administered using audio- CASI. Weighted estimates of. Violence in a Woman's Prison [Violenza in un Carcere Femminile] (Italy, France) [90 min] by Goza Ecstatica Download. Women's Prison, Female Jail, Prison Violence, Toughest Prison DOcumentary - BC FİLM by Glenn Weiss Download. Best Documentary HD - Violence And Lesbian in Women's Prison[prison life]. Violenza In Un Carcere Femminile (Violence in a Women's Prison) (). No names detected! Please consider editing or uploading chapters with real names. DVD English 0 0 8 chapters Contributed by yilmazm_ 1, Chapter 1, 2, Chapter 2, 3, Chapter 3, Ships from huntingdon valley, PA, USA. Questions? Contact the seller. Seller's Description. New. Buy with confidence-Satisfaction Guaranteed! Delivery Confirmation included for all orders in the US. See All Copies. Violence in a Women's Prison. DVD, Very Good. $ $ Add to Cart. + $ shipping. Mr Farkland tarafından paylaşılan Womens Prison Massacre () Part 1 videosunu Dailymotion üzerinde izle. Violence in a Women's Prison AKA Violenza in un carcere femminile AKA Caged Women AKA Chicks in Chains (). IMDB link. The strong ones take the weak ones give. Director: Bruno Mattei OVERALL: R2. Click a link to jump to that release. Alternatively, use the tick boxes to select only the releases you wish to view. Violence in a Women's Prison (). As early as the s, Hollywood made women in prison films as melodramas with minimal action and means to portray the pathway to a righteous life with titles such as “Ladies They Talk About” and “Hold Your Man”. By the s, with the influence of pulp novels. VIOLENCE IN A WOMEN'S PRISON (). Approx. Running minutes Release dates 01/02/ Director(s) Vincent Dawn. Cast includes Laura Gemser, Gabriele Tinti, Maria Romano, Lorraine De Selle, Jacques Stany, Franca Stoppi, Raul Cabrera. Cut All known versions of this work passed uncut. Suitable only for. Similarly, many counties send women to other jurisdictions to avoid maintaining quarters for just a few in the local jail (Connolly, ; Kerle and Ford, ). These prisoners, too Women's lower level of violence—another aspect of the nature problem—also fosters second-class treatment (Mecoy, ). Women are less. Director Series: Bruno Mattei: Violence in a Women's Prison (). MovieViolence in a Women's Prison Alternate TitleCaged Women DirectorBruno Mattei CategoryFeature Adult Language, Graphic Violence, Not For Children, Nudity, Profanity, Rape & Sexual Abuse, Violence Rating2 / 10 ( users) DescriptionLaura Gemser returns as Emanuelle Sterman/Laura Kendall. Violence in a Women's Prison () Dir.: Bruno Mattei Starring: Laura Gemser, Gabriele Tinti, Maria Romano Follow us everywhere Facebook: www.doorway.ru Twitter: www.doorway.ru Pinterest: www.doorway.ru Buzzfeed: www.doorway.ru A women's prison camp is located deep in the tropical rain forest. Sadistic guards and a warden from hell make life almost unbearable for the inmates, and any infraction of the rules is dealt with swiftly and savagely. The camp doctor is horrified at what he sees happening, and drinks heavily to push the. Women, crime, and criminal justice. New York: Basil Blackwell. Moyer, I. (, March). Deceptions and realities of life in women's prisons. Prison journal Pollock-Byrne, J. (). Women, prison, and crime. Pacific Grove, Calif: Brooks/Cole. Propper, A. (, May). Make- believe families and homosexuality. Violence also has not risen to the same levels in women's prisons as in men's correctional institutions In addition, "race does not seem to be the cause of characterized as a cooperative and caring prisoner community has slowly evolved into a more dangerous and competitive prison social climate" (Fox b, ). of sexual coercion, which reinforces women's sense of powerlessness and undermines self-esteem and self-worth, adding to the distress and suffering of women. The circumstances surrounding the death of Paula Richardson, an Indigenous woman in an Australian prison, graphically demonstrate both the sexual violence. Violence in a Women's Prison () aka Chicks in Chains aka Emanuelle Reports from a Women's Prison aka Violence in a Women's Prison. Violence in a Women's Prison ()- Thriller, Drama feature directed by Bruno Mattei; released in Spainon Betamax, VHS videotape by Libza Video. www.doorway.ru?ref_=fn_al_tt_1. Violence in a Women's Prison is a Action, Horror film directed by Bruno Mattei and starring Laura Gemser, Gabriele Tinti. Maden T. Psychiatric disorder in women serving a prison sentence. London: University of London MD Thesis Hafner H, Boker W. Crimes of violence by mentally abnormal offenders. The psychiatric epidemiological study in the Federal Republic of Germany. Cambridge: Cambridge University Press, Mayhew H. Watch full length Violence in a Women&;s Prison is a Italian-French women in prison film directed by Bruno Mattei. The film is about Emanuelle who. He wrote that: girls entering or leaving the women's prison, Armagh, for whatever reason have to undergo a completely naked visual examination of all parts of their Those best known include Winnie Mandela, still an ANC idol, and Ruth First who was killed by a South African letter bomb in Maputo in and who had. Months of racial tension and violence led up to the killings of two black inmates by white prisoners this month in Brushy Mountain State Penitentiary. The facility is part of a troubled state system, on trial itself for more than four years, that has been found guilty by a state judge of inadequacies in virtually every. Violence In A Women's Prison is however hardly my Gemser vehicle of choice, the film an early '80s done-by-the-numbers women in prison film of Bruno Mattei (perhaps best known for assuming A genre which by was already tired gets an unsympathetic rehashing for this nonetheless mildly entertaining film. Year: Duration: Directed by: Bruno Mattei. Actors: Laura Gemser, Gabriele Tinti, Maria Romano, Ursula Flores, Lorraine De Salle. Language: English | Italian. Country: Italy | France. Also known as: Violenza in un carcere femminile, Chicks in Chains, Emanuelle In Prison, Emanuelle Reports From Women's. Using situational factors to predict types of prison violence. Journal of Offender Empowering female inmates: An exploratory study of a therapeutic community and its impact on the coping skills of substance abusing female inmates. International Journal of Cotton, D.J., & Groth, A. N. (). Inmate rape: Prevention and. Characteristics of prison sexual assault targets, victims, and offenders in male Oklahoma correctional facilities. Manuscript submitted for publication. Google Scholar. Hensley, C., Tewksbury, R., & Koscheski, M. (in press). The characteristics and motivations behind female prison sex. Women and Criminal Justice. We gave a professional and honest review of Violence In A Women's Prison. Read the review, check out the DVD cover and the theatrical posters, and look at some stills from the movie.
Recommended publications
  • H K a N D C U L T F I L M N E W S
    More Next Blog» Create Blog Sign In H K A N D C U L T F I L M N E W S H K A N D C U LT F I L M N E W S ' S FA N B O X W E L C O M E ! HK and Cult Film News on Facebook I just wanted to welcome all of you to Hong Kong and Cult Film News. If you have any questions or comments M O N D AY, D E C E M B E R 4 , 2 0 1 7 feel free to email us at "SURGE OF POWER: REVENGE OF THE [email protected] SEQUEL" Brings Cinema's First Out Gay Superhero Back to Theaters in January B L O G A R C H I V E ▼ 2017 (471) ▼ December (34) "MORTAL ENGINES" New Peter Jackson Sci-Fi Epic -- ... AND NOW THE SCREAMING STARTS -- Blu-ray Review by ... ASYLUM -- Blu-ray Review by Porfle She Demons Dance to "I Eat Cannibals" (Toto Coelo)... Presenting -- The JOHN WAYNE/ "GREEN BERETS" Lunch... Gravitas Ventures "THE BILL MURRAY EXPERIENCE"-- i... NUTCRACKER, THE MOTION PICTURE -- DVD Review by Po... John Wayne: The Crooning Cowpoke "EXTRAORDINARY MISSION" From the Writer of "The De... "MOLLY'S GAME" True High- Stakes Poker Thriller In ... Surge of Power: Revenge of the Sequel Hits Theaters "SHOCK WAVE" With Andy Lau Cinema's First Out Gay Superhero Faces His Greatest -- China’s #1 Box Offic... Challenge Hollywood Legends Face Off in a New Star-Packed Adventure Modern Vehicle Blooper in Nationwide Rollout Begins in January 2018 "SHANE" (1953) "ANNIHILATION" Sci-Fi "A must-see for fans of the TV Avengers, the Fantastic Four Thriller With Natalie and the Hulk" -- Buzzfeed Portma..
    [Show full text]
  • From Voodoo to Viruses: the Evolution of the Zombie in Twentieth Century Popular Culture
    From Voodoo to Viruses: The Evolution of the Zombie in Twentieth Century Popular Culture By Margaret Twohy Adviser: Dr. Bernice Murphy A thesis submitted in partial fulfilment of the Degree of Master’s of Philosophy in Popular Literature Trinity College Dublin Dublin, Ireland October 2008 2 Abstract The purpose of this thesis is to explore the evolutionary path the zombie has followed in 20th Century popular culture. Additionally, this thesis will examine the defining characteristics of the zombie as they have changed through its history. Over the course of the last century and edging into the 21st Century, the zombie has grown in popularity in film, videogames, and more recently in novels. The zombie genre has become a self-inspiring force in pop culture media today. Films inspired a number of videogames, which in turn, supplied the film industry with a resurgence of inspirations and ideas. Combined, these media have brought the zombie to a position of greater prominence in popular literature. Additionally, within the growing zombie culture today there is an over-arcing viral theme associated with the zombie. In many films, games, and novels there is a viral cause for a zombie outbreak. Meanwhile, the growing popularity of zombies and its widening reach throughout popular culture makes the genre somewhat viral-like as well. Filmmakers, authors and game designers are all gathering ideas from one another causing the some amount of self- cannibalisation within the genre. 3 Table of Contents Introduction 4 Chapter One 7 Evolution of the Dead Chapter Two 21 Contaminants, Viruses, and Possessions—Oh my! Chapter Three 34 Dawn of the (Digital) Dead Chapter Four 45 Rise of the Literary Zombie Conclusion 58 Bibliography 61 4 Introduction There are perhaps few, if any fictional monsters that can rival the versatility of the humble zombie (or zombi)1.
    [Show full text]
  • Bodies of Desire and Bodies in Distress
    Bodies of Desire and Bodies in Distress Bodies of Desire and Bodies in Distress: The Golden Age of Italian Cult Cinema 1970-1985 By Xavier Mendik Bodies of Desire and Bodies in Distress: The Golden Age of Italian Cult Cinema 1970-1985, By Xavier Mendik This book first published 2015 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2015 by Xavier Mendik All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-5954-0, ISBN (13): 978-1-4438-5954-7 This book is dedicated with much love to Caroline and Zena CONTENTS Acknowledgements .................................................................................... ix Foreword ................................................................................................... xii Enzo G. Castellari Introduction ................................................................................................ 1 Bodies of Desire and Bodies of Distress beyond the ‘Argento Effect’ Chapter One .............................................................................................. 21 “There is Something Wrong with that Scene”: The Return of the Repressed in 1970s Giallo Cinema Chapter Two ............................................................................................
    [Show full text]
  • Studying Film with André Bazin
    BLANDINE JORET FILM THEORY IN MEDIA HISTORY STUDYING FILM WITH ANDRÉ BAZIN BLANDINE JORET STUDYING FILM WITH ANDRÉ BAZIN ANDRÉ WITH FILM STUDYING Studying Film with André Bazin Film Theory in Media History Film Theory in Media History explores the epistemological and theoretical foundations of the study of film through texts by classical authors as well as anthologies and monographs on key issues and developments in film theory. Adopting a historical perspective, but with a firm eye to the further development of the field, the series provides a platform for ground-breaking new research into film theory and media history and features high-profile editorial projects that offer resources for teaching and scholarship. Combining the book form with open access online publishing the series reaches the broadest possible audience of scholars, students, and other readers with a passion for film and theory. Series editors: Prof. Dr. Vinzenz Hediger (Goethe University Frankfurt, Germany), Weihong Bao (University of California, Berkeley, United States), Dr. Trond Lundemo (Stockholm University, Sweden). Editorial Board Members: Dudley Andrew, Yale University, United States Raymond Bellour, CNRS Paris, France Chris Berry, Goldsmiths, University of London, United Kingdom Francesco Casetti, Yale University, United States Thomas Elsaesser, University of Amsterdam, the Netherlands Jane Gaines, Columbia University, United States Andre Gaudreault, University of Montreal, Canada Gertrud Koch, Free University of Berlin, Germany John MacKay, Yale University, United States Markus Nornes, University of Michigan, United States Patricia Pisters, University of Amsterdam, the Netherlands Leonardo Quaresima, University of Udine, Italy David Rodowick, University of Chicago, United States Philip Rosen, Brown University, United States Petr Szczepanik, Masaryk University Brno, Czech Republic Brian Winston, Lincoln University, United Kingdom Film Theory in Media History is published in cooperation with the Permanent Seminar for the History of Film Theories.
    [Show full text]
  • Soft in the Middle Andrews Fm 3Rd.Qxd 7/24/2006 12:20 PM Page Ii Andrews Fm 3Rd.Qxd 7/24/2006 12:20 PM Page Iii
    Andrews_fm_3rd.qxd 7/24/2006 12:20 PM Page i Soft in the Middle Andrews_fm_3rd.qxd 7/24/2006 12:20 PM Page ii Andrews_fm_3rd.qxd 7/24/2006 12:20 PM Page iii Soft in the Middle The Contemporary Softcore Feature in Its Contexts DAVID ANDREWS The Ohio State University Press Columbus Andrews_fm_3rd.qxd 7/24/2006 12:20 PM Page iv Copyright © 2006 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Andrews, David, 1970– Soft in the middle: the contemporary softcore feature in its contexts / David Andrews. p. cm. Includes bibliographic references and index. ISBN 0-8142-1022-8 (cloth: alk. paper)—ISBN 0-8142-9106 (cd-rom) 1. Erotic films— United States—History and criticism. I. Title. PN1995.9.S45A53 2006 791.43’65380973—dc22 2006011785 The third section of chapter 2 appeared in a modified form as an independent essay, “The Distinction ‘In’ Soft Focus,” in Hunger 12 (Fall 2004): 71–77. Chapter 5 appeared in a modified form as an independent article, “Class, Gender, and Genre in Zalman King’s ‘Real High Erotica’: The Conflicting Mandates of Female Fantasy,” in Post Script 25.1 (Fall 2005): 49–73. Chapter 6 is reprinted in a modified form from “Sex Is Dangerous, So Satisfy Your Wife: The Softcore Thriller in Its Contexts,” by David Andrews, in Cinema Journal 45.3 (Spring 2006), pp. 59–89. Copyright © 2006 by the University of Texas Press. All rights reserved. Cover design by Dan O’Dair. Text design and typesetting by Jennifer Shoffey Forsythe.
    [Show full text]
  • Frears & Kureishi
    programme08-24pageA4.qxd 11/8/09 15:42 Page 1 FREE admission PORTOBELLO FILM FESTIVAL 3–20 Sept 2009 the beat goes on 700 NEW FILMS programme08-24pageA4.qxd 11/8/09 15:42 Page 2 PORTOBELLO FILM FESTIVAL Weekdays 6pm–11pm, Weekends 1pm–11pm 3–20 Sept 2009 Welcome to the 14th Portobello Film Festival Highlights Sat 12 Sept Portobello’s response to the credit crunch is NO ENTRY FEE. FREARS/KUREISHI 10 Simply turn up and enjoy 17 days of non stop cutting edge cinema from the modern masters of the medium – unimpressed with bling, Thu 3 Sept & COMEDY spin and celebrity culture, these guys have gone out and made their GRAND OPENING WESTBOURNE STUDIOS 11 films, often on budgets of next to nothing, for the sheer thrill of it. WESTBOURNE STUDIOS 1 FAMILY FILM SHOW On the opening night we have a film from Joanna Lumley and A.M. QATTAN CENTRE 4 Survival International, highlights from Virgin Media Fri 4 Sept Shorts, and Graffiti Research Laboratories Sun 13 Sept – last seen lighting up Tate Modern at the Urban Art expo. There’s HORROR more street art from Sickboy, Zeus, Inkie, Solo 1, WESTBOURNE STUDIOS 2 SPANISH DAY BA5H and cover artiste Dotmasters in the foyer. HOROWITZ WESTBOURNE STUDIOS 11 On Friday 4, Michael Horovitz remembers the Beat THE TABERNACLE 2 Generation and its enduring influence at The Tabernacle. And on FAMILY FILM SHOW A.M. QATTAN CENTRE 4 Sunday 6, Lee Harris premieres Allen Ginsberg In Heaven and William Burroughs in Denmark. Sat 5 Sept Mon 14 Sept There are family films every weekend at The Tabernacle and INTERNATIONAL the A.M.
    [Show full text]
  • Love and Punishment: a Feminist Theo-Ethical Analysis of Gender Entrapment, Carceral Resistance, and the Incarceration of Women ‘Behind a Man’
    Love and Punishment: A Feminist Theo-Ethical Analysis of Gender Entrapment, Carceral Resistance, and the Incarceration of Women ‘Behind a Man’ By Alexandra Elizabeth Chambers Dissertation Submitted to the Faculty of the Graduate School of Vanderbilt University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY in Religion January 31, 2021 Nashville, TN Approved: Date: Stacey M. Floyd-Thomas, Ph.D. Ellen Armour, Ph.D. Juan Floyd-Thomas, Ph.D. Lisa Guenther, Ph.D. Copyright © 2021 by Alexandra Elizabeth Chambers All Rights Reserved For survivors in their struggle to be free from prisons in all their forms and for all who dream of a world where women can both be loved and be free ii ACKNOWLEDGEMENTS The completion of this project was made possible by communities of love and care that have helped me to remain open to new possibilities while also urging me to finish the work that is before me. I am exceedingly grateful to each member of my Dissertation Committee who have all informed and encouraged my development as a student and scholar. Dr. Ellen Armour first introduced me to religious studies and feminist theology when I was an undergraduate student. I have been most fortunate to have also been her student throughout my pursuits in graduate education. Dr. Lisa Guenther has shown me through her teaching and commitments what it means to be a scholar-activist and that it is possible to speak of prison abolition in the academy. Dr. Juan Floyd-Thomas was an early supporter of my doctoral studies and one of the first to critically engage and respond to early versions of arguments that came to be included here.
    [Show full text]
  • Constructed Realities in Women's Prisons: from "Beyond Scared
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Oregon Scholars' Bank CONSTRUCTED REALITIES IN WOMEN’S PRISONS: FROM BEYOND SCARED STRAIGHT TO ORANGE IS THE NEW BLACK by TEIJA STEARNS A THESIS Presented to the Department of Journalism and Communications and the Robert D. Clark Honors College in partial fulfillment of the requirements for the degree of Bachelor of Arts June 2014 An Abstract of the Thesis of Teija Steams for the degree of Bachelor of Arts in the Department of Journalism and Communications to be taken June 2014 Title: Constructed Realities in Women's Prisons: From Beyond Scared Straight to Orange is the New Black - Approved: r ~a..-;/(_ Kim Sheehan The show Orange is the New Black, released by Netflix in 2013 and set in a women's prison, received rave reviews and skyrocketed in popularity. Critics lauded the show as a realistic representation of prison. This paper examines the mediated reality of women's prisons, compares past and present representations of women's prisons in the mass media, and examines the prison industrial complex and media effects theories. This paper finds that Orange is the New Black represents a fundamental shift in media discourse and audience interest in the stories of incarcerated women. ii Acknowledgements I would like to thank Professor Kim Sheehan for her patient guidance and enthusiasm throughout the thesis process. I would also like to acknowledge the inside students at Oregon State Penitentiary who participated in the Inside-Out program for inspiring me to pursue this topic.
    [Show full text]
  • Numéro 10 – Novembre 2013
    1 Couverture Mononc’ Mario d’après une photo de Charles Mohapel avec Denis Rouge dans le rôle de Chtulhu et Mario dans le rôle de Santo ! 2- Sommaire et Nouvelle insolite de Matante 3- Nouvelles Insolites - Matante Valérie 3- Ce qu’ils ont dit… 4- Rions avec Lovecraft 9- Films de Zombies – Mario Giguère 26- Les Parents – Matante Valérie 27- Angélique – Matante Valérie 28- Rions avec The Walking Dead 29- Les Nanardises d’Oncle Mario 31- Nouvelle Insolite – Alain Jetté 32- Soirée au Zénob 34- Photos d’Halloween de Matante Valérie 37- Protocole Zombie 38- Pour les amateurs de Dr Who 39- Lectures d’Oncle Mario Prochaine date de tombée 20 Janvier 2013 Fanzine électronique des membres de Québec SF. Le contenu et les droits respectifs sont redevables aux auteurs. Numéro 10 – Novembre 2013 2 Ce qu’ils ont dit du numéro précédent Encore un excellent numéro que j'ai feuilleté mais que je compte lire au complet dès que possible! Ah! Les films de ma jeunesse, les glorieuses années 60... Et, Jean, ton image est tellement intrigante qu'on s'en va louer PACIFIC RIM drelà. Merci à Mario pour ce neuvième Opus. En passant, moi-aussi j'ai bien aimé Le Mausolée des Matins Blêmes. Mario, as-tu pensé à en envoyer une copie à l'auteur? Ça fait toujours du bien de voir que son livre est apprécié... Bonne journée prudente, XXX Matante Valérie « Merci pour ce commentaire de lecture encourageant. Voilà qui donne une bonne raison pour écrire de futurs projets dans un contexte où - tu le sais sûrement autant que moi - les appréciations des lecteurs constituent une facette fondamentale de notre motivation.
    [Show full text]
  • Download Download
    CINERGIE il cinema e le altre arti 7 SPECIALE Mare Monstrum Il riverbero di Jaws nei sequel illegittimi: mockbuster, imitazioni, ripoff (e documentari) di produzione italiana (1976-1995) E sapete chi era quel mostro marino? Quel mostro marino era né più né meno quel gigantesco Pesce-cane, ricordato più volte in questa storia, e che per le sue stragi e per la sua insaziabile voracità, veniva soprannominato “l’Attila dei pesci e dei pescatori”. [Carlo Collodi, Le avventure di Pinocchio. Storia di un burattino] Nella realizzazione del “Monstro” di Pinocchio (Hamilton Luske e Ben Sharpsteen, 1940), la Disney è forse tra i primi produttori hollywoodiani a trasferire nel cinema le potenzialità simboliche del leviatano biblico. Evocando Moby Dick, gli sceneggiatori sostituiscono il “Pesce-cane” di Collodi con un grande cetaceo che aspira e inghiotte tutto ciò che incontra. Esistono molte interpretazioni che tentano di decrittare questa scelta, più o meno votate alla verisimiglianza, ma non c’è una spiegazione uffi ciale. Forse è perché si sa che dalle fauci dello squalo non si torna indietro che a brandelli – anche se si è burattini di legno – e un conto è narrarlo per mezzo della scrittura, altro è tradurlo per immagini. Al contrario, la dentuta cavità orale del pescecane sarà esplicitata, sin dal titolo originale, da Spielberg trentacinque anni più tardi. Jaws arriva nelle sale italiane in occasione delle festività natalizie del 1975. Uscito negli Stati Uniti nel giugno dello stesso anno, conquista i mercati europei sull’onda del consenso ottenuto in patria. Se Pinocchio è un grande successo letterario italiano rivisitato dal cinema statunitense, viceversa, la nostra industria cinematografi ca saprà sfruttare i successi hollywoodiani replicandoli o clonandoli per rispondere alle esigenze di un pubblico altrettanto vorace, non solo italiano.
    [Show full text]
  • Includes Some Mature Content
    KA LEO SPECIAL ISSUE VOLUME 110 ISSUE NO.42 APR. 18, 2016 the WARNING: Includes some mature content [COVER PATTERN] SOURCE: FREEPIK [COVER DESIGN] JOELYN DALIT / KA LEO O HAWAI‘I 02 APR. 18, 2016 KA LEO: THE VOICE MEET THE STAFF KA LEO EDITOR-IN-CHIEF Noelle Fujii CUSTOMCUSTOM WORKWORK MANAGING EDITOR Brad Dell CHIEF COPY EDITOR Wesley Babcock REPAIRS ASSOC CHIEF COPY EDITOR Zebley Foster DESIGN EDITOR Joelyn Dalit NEW & USED MOPEDS ASSOC DESIGN EDITOR Lauren Tabor NEWS EDITOR Victor Ong Pucks Alley, 1019 University Ave ASSOC NEWS EDITOR Courtney Teague (808) 942-9253 FEATURES EDITOR Ikaika Shiveley ASSOC FEATURES EDITOR Spencer Oshita OPINIONS EDITOR Kimberlee Speakman ASSOC OPINIONS EDITOR Brooke Alcuran SPORTS EDITOR Drew Afualo ASSOC SPORTS EDITOR Zach Johnson COMICS EDITOR Khari Saffo WEB EDITOR Alden Alayvilla Working for the Department of Parks and ASSOC WEB EDITOR Eryn Yuasa Recreation children’s Summer Fun Program. If SOCIAL MEDIA EDITOR Jasmine Yi you complete at least one year of college (24 PHOTO EDITOR Ken Reyes credits) by June 2016 and intend to continue ASSOC PHOTO EDITOR Shane Grace towards a degree in the Fall, apply online at: ASSOC PHOTO EDITOR Reese Kato HONOLULUPARKS.COM SPECIAL ISSUES EDITOR Nicolyn Charlot ASSOC SPECIAL ISSUES EDITOR Starting pay: $10.25 per hour Christina Yan Returning DPR Student Aides: $11.50 per hour. MARKETING DIRECTOR Ashley Maria For more information, call 768-3020. ADMINISTRATION Ka Leo O Hawai‘i is the campus newspa- per of the University of Hawai‘i at Mānoa. It is published by the Student Media Board weekly except on holidays and during exam periods.
    [Show full text]
  • 1 Anne Schwan Postfeminism Meets the Women in Prison Genre
    [Forthcoming in Television & New Media, Special Issue on “Screening Women’s Imprisonment: Agency and Exploitation in Orange is the New Black, ed. Sarah Artt and Anne Schwan, 2016] Anne Schwan Postfeminism Meets the Women in Prison Genre: Privilege and Spectatorship in Orange is the New Black This article argues that Netflix’s original series Orange is the New Black (2013-), based on Piper Kerman’s memoir (2010), uses postfeminist strategies to covertly promote prison reform and exercise a subtle critique of (female) mass incarceration while renegotiating the boundaries of the women in prison genre in a neoliberal context of media production.1 Similar to earlier examples of the women in prison genre, OITNB highlights relationships between women, in this instance relationships between a particularly diverse group of women, with a view to interrogating white, middle-class women’s identity through Piper Chapman’s character, who also serves as a foil for the show’s implied viewer, at least initially. OITNB inhabits the tensions associated both with the women in prison genre and postfeminism, tensions manifesting themselves in titillating content and Netflix’s aggressive marketing campaigns, which appropriate women’s prison experiences as a life-style choice rather than focusing on in-depth analyses of the root causes of incarceration. Yet, the series has the potential to mobilize social awareness and activist sensibilities amongst its target audience, in a political and media environment where the individual and social cost of mass incarceration is increasingly recognized as untenable.2 Building on theories of postfeminism and recent work on the women in prison genre in feminist 1 media, film and cultural studies, and by analyzing the show’s self-reflexive strategies and its exploration of Piper’s perspective, I suggest that the series affords useful opportunities for assessing the effectiveness of (post)feminism’s tactics as an ally in the fight against social inequalities, media (mis-)representation and mass imprisonment specifically.
    [Show full text]