The Orphan Among Us: an Examination of Orphans in Newbery Award Winning Literature
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THE ORPHAN AMONG US: AN EXAMINATION OF ORPHANS IN NEWBERY AWARD WINNING LITERATURE by April A. Mattix B.A., Saint Francis University, 1997 M.I.A., University of Pittsburgh, 1999 M.A.T, Chatham University, 2003 Submitted to the Graduate Faculty of The School of Education in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2012 UNIVERSITY OF PITTSBURGH SCHOOL OF EDUCATION This dissertation was presented by April A. Mattix It was defended on June 5, 2012 and approved by Kimberley Gomez, Associate Professor, Urban Education Christina Groark, Associate Professor, Education Marah Gubar, Associate Professor, English John Myers, Associate Professor, Instruction and Learning Dissertation Advisor: Patricia A. Crawford, Associate Professor, Instruction and Learning ii Copyright © by April A. Mattix 2012 iii THE ORPHAN AMONG US: AN EXAMINATION OF ORPHANS IN NEWBERY AWARD WINNING LITERATURE April Mattix, Ph.D. University of Pittsburgh, 2012 ABSTRACT Orphan stories in children’s literature are rich and complex, and they have historically permeated the pages of children’s books. The purpose of this study was to explore the use of orphans as protagonists in children’s award-winning literature through content analysis. This study utilizes all the Newbery Award winning books (1922 – 2011) as well as the Newbery Honor books of the last decade (2002 – 2011) to provide a wide and deep swath of novels in order to present both historical perspective and attention to current trends. Specifically, this study explores how orphans are portrayed in Newbery texts, considers the messages these books convey about orphans, and compares the literary orphans against their real life counterparts. This investigation also seeks to determine the efficacy of previously established paradigms of orphan stories when compared to Newbery award-winning texts. The data in this study demonstrate that the orphan narrative is a popular form of children’s literature in the Newbery collection. It is a common literary tool for Newbery authors, and it serves as a platform for writers to develop strong, determined, and resilient protagonists who overcome adversity. The study also suggests that while there are similarities between the portrayal of orphans in Newbery texts and real life iv orphans, there are some discrepancies, particularly in the literary orphan’s ability to overcome the obstacles he or she faces. Additionally, current paradigms of orphan narrative literature do not wholly capture this corpus of texts. Finally, recommendations for practical classroom applications of the Newbery orphan stories are introduced. v TABLE OF CONTENTS PREFACE................................................................................................................................. XVI 1.0 INTRODUCTION ............................................................................................................... 1 1.1 THE STUDY ................................................................................................................ 3 1.2 RESEARCH QUESTIONS ........................................................................................ 4 1.3 SIGNIFICANCE OF PROPOSED STUDY.............................................................. 4 1.4 OVERVIEW ................................................................................................................ 7 2.0 DEFINING THE RESEARCH TERRAIN ....................................................................... 8 2.1 THEORETICAL FOUNDATION............................................................................. 8 2.1.1 Cultural Studies.............................................................................................. 10 2.1.2 Narrative Theory............................................................................................ 11 2.1.3 Reader Response ............................................................................................ 12 2.1.4 Developing Perspectives on Childhood ........................................................ 13 2.2 DEFINING THE ORPHAN ..................................................................................... 14 2.3 DEFINING THE ORPHAN NARRATIVE ............................................................ 16 2.4 THE APPEAL OF THE ORPHAN NARRATIVE ................................................ 17 2.5 PARADIGMS OF ORPHAN LITERATURE ........................................................ 18 2.5.1 Essential Elements of the Orphan Story...................................................... 19 2.5.2 Historical Shifts in Orphan Representation ................................................ 19 vi 2.6 ORPHAN LIFE ......................................................................................................... 22 3.0 METHODOLOGY ............................................................................................................ 27 3.1 THE DATA ................................................................................................................ 27 3.2 PROCEDURES.......................................................................................................... 29 3.2.1 Research Question 1: How prevalent are orphan stories within children’s award winning literature?......................................................................................... 29 3.2.2 Research Question 2: How do award-winning children’s books depict orphans?...................................................................................................................... 30 3.2.3 Research Question 3: Do orphan stories reflect or distort the realities of orphan life?................................................................................................................. 32 3.2.4 Research Question 4: Do award winning orphan story narratives adhere to previously established paradigms of orphan literature? ................................... 33 3.2.5 Procedure Summary...................................................................................... 35 4.0 DATA ANALYSIS PART 1.............................................................................................. 38 4.1 PREVALENECE OF ORPHANS IN AWARD WINNING CHILDREN’S LITERATURE.................................................................................................................... 39 4.2 HISTORICAL NEWBERY SUMMARIES............................................................ 43 4.2.1 Phase 1 Newbery Orphan Narratives........................................................... 44 4.2.1.1 The Dark Frigate (1924)..................................................................... 44 4.2.1.2 Gay Neck, The Story of a Pigeon (1928)........................................... 47 4.2.1.3 Roller Skates (1937)............................................................................ 49 4.2.2 Phase 2 Newbery Orphan Narratives........................................................... 50 4.2.2.1 Call it Courage (1941) ........................................................................ 50 vii 4.2.2.2 Johnny Tremain (1944) ...................................................................... 53 4.2.2.3 King of the Wind (1949)..................................................................... 55 4.2.2.4 Door in the Wall (1950) ...................................................................... 57 4.2.2.5 Amos Fortune, Free Man (1951) ....................................................... 60 4.2.2.6 Secret of the Andes (1953).................................................................. 62 4.2.2.7 Carry On, Mr. Bowditch (1956) ........................................................ 64 4.2.2.8 Rifles for Watie (1958) ....................................................................... 66 4.2.2.9 The Witch of Blackbird Pond (1959) ................................................ 69 4.2.3 Phase 3 Newbery Orphan Narratives........................................................... 71 4.2.3.1 Island of the Blue Dolphins (1961) .................................................... 71 4.2.3.2 The Bronze Bow (1962) ...................................................................... 74 4.2.3.3 I, Juan de Pareja (1966) ..................................................................... 77 4.2.3.4 Up A Road Slowly (1967) ................................................................... 79 4.2.3.5 From the Mixed-Up Files of Mrs. Basil E. Frankweiler (1968)...... 81 4.2.3.6 The High King (1969) ......................................................................... 83 4.2.3.7 Summer of the Swan (1971)............................................................... 84 4.2.3.8 Julie of the Wolves (1973) .................................................................. 86 4.2.3.9 The Slave Dancer (1974) .................................................................... 91 4.2.3.10 The Grey King (1976)....................................................................... 93 4.2.4 Post Mills Historical Newbery Orphan Narratives..................................... 95 4.2.4.1 Dicey’s Song (1983)............................................................................. 95 4.2.4.2 The Whipping Boy (1987) .................................................................. 97 4.2.4.3 Maniac Magee (1991) ....................................................................... 100 viii 4.2.4.4 Missing May (1993) .......................................................................... 103 4.2.4.5 Walk Two Moons