DOCSLIB.ORG

Simon Callow Christopher Ridley

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Paddock Suite, The Courtyard, 55 Charterhouse Street, London, EC1M 6HA p: + 44 (0) 20 73360351 e: [email protected] Simon Callow Christopher Ridley Location: Greater London Eye Colour: Hazel Height: 5'9" (175 cm) Hair Colour: Grey Playing Age: 56 - 65 Television 2021, Television, Codringher, The Witcher (Season 2), Netflix, Stephen Surjik 2018, Television, Aubrey, The Dead Room, BBC, Mark Gatiss 2017, Television, Henry Palmer, The Rebel, Gold, Vadim Jean 2017, Television, Larry South, Death In Paradise, BBC, Richard Signy 2015, Television, Fortune Teller, Galavant, ABC Studios, Various 2015, Television, Haydn, Virtuoso (pilot), HBO, Alan Ball 2015, Television, Duke of Sandringham, Outlander, Starz, Douglas Mackinnon Television, Dickens, Dr Who, BBC Television, Euros Lynn Television, Colonel Melchettoe, Miss Marple: The Body In The Library, LWT, Andrew Wilson Television, Galileo, Galileo's Daughter, CBS, Nicholas Jones Television, Rupert Halliday, Trial & Retributions II and IV, YTV, Aisling Walsh Television, An Audience With Charles Dickens, Independent Image, Tom Kinnemont Television, Feathers, Little Napoleons, BBC Television, Robert Walker Television, The Vicar, Femme Fatale, BBCTelevision, Udyan Prassad Television, Bye Bye Columbus, Greenpoint, Peter Barnes Television, John Mortimer, Trials of Oz, BBC Television, Sheree Folkson Television, Patriot Witness, BBC Television, Television, Quass, Old Flames, BBC Television, Chris Morahan Television, Inspector Morse, Central Television, Television, Cariani & The Courtesan, BBC Television, Leslie Megahey Television, Jacob, The Christmas Tree, YTV, Herbert Wise Television, Mr Micawber, David Copperfield, BBC Television, Barry Letts Television, Handel, Handel, Channel 4 Films, Anna Ambrose Television, Scarecrow and Mrs King, Warner Bros., William Wiard Television, Hugo, Deadhead, BBC Television, Robert Walker Television, Tom Chance, Chance In A Million, Thames Television, Michael Mills Television, Moliere, All The World's A Stage, BBC Television, Keith Cheetham Television, The Poet, La Ronde, BBC Television, Kenneth Ives Television, Napoleon, Man of Destiny, BBC Television, Desmond Davies Television, Wings of Song, Granada Television, June Howson Television, Instant Enlightenment Including VAT, BBC Television, John Bruce Film 2017, Film, The Man Who Invented Christmas, Mazur/Kaplan Company, Bharat Nalluri 2016, Film, Uncle Martin, Blue Iguana, The UK Film Studio Productions, Hadi Hajaig 2016, Film, Judge, Hampstead, Ecosse Films, Joel Hopkins 2016, Film, Mr Puccini, Victoria & Abdul, Phenomenom Pictures, Stephen Frears 2015, Film, Radcliffe, Viceroys House, Pathe, Gurinder Chadha Film, Russell, The Curse of King Tut, Russell Mulcahy Simon Callow 1/3 Film, Fat Boy, Rag Tale, Carousel Pictures, Mary McGuikan Film, Mr Butler, Bob The Butler, Bob Productions Ltd., Gary Sinor Film, Andre, The Phantom of the Opera, Really Useful Films, Joel Schumacher Film, Pryor Walter VII, Angels In America, HBO, Mike Nicholls Film, Dean Bentcliffe, White on White, Groveside Ltd., Roger Spottiswoode Film, King of Anatolia, Bright Young Things, Revolution Films, Stephen Fry Film, King Edgar, George & The Dragon, Carousel Pictures, Tom Reeve Film, Mr Wroth, Sex & Violence, Circuit Productions, David Beard Film, Sir John Osgood, Thunderpants, Dragon Pictures, Peter Hewitt Film, Colonel Soft, No Man's Land, Noe Productions Sarl, Danis Tanovic Film, Charles Dickens, Christmas Carol, Illuminated Film Co., Jimmy T. Mmurakami Film, Richard Spenser, Deadly Appearances, Shaftesbury Films, George Bloomfield Film, Tilney, Shakespeare In Love, Miramax, John Madden Film, Bedrooms & Hallways, Berwin & Dempsey, Rose Troche Film, Fosco, Woman In White, Carlton, Tim Fywell Film, Captain Fairfax, The Scarlet Tunic, Scorpio Productions, Stuart St. Paul Film, Vincent Cadby, Ace Ventura II, Deuce Productions, Steve Odekerk Film, Charles II, Purcell, Ladbroke Films, Tony Palmer Film, Major Owen, Stowaway, Pierre Javaux, Augustine Villarouga Film, Ziagiacomo, Victory, Victory Cinema, Mark Peploe Film, Street Fighter, Shadaloo Productions, Steven de Souza Film, Richard Cosway, Jefferson In Paris, Merchant Ivory, James Ivory Film, Gareth, Four Weddings And A Funeral, Polygram, Mike Newell Film, Eddie Cheese, Soft Top Hard Shoulder, Gruber Brothers, Stefan Schwartz Film, Simon Markham, Postcards From The Edge, Columbia, Mike Nichols Film, The Crucifer of Blood, Merchant Ivory, Fraser Heston Film, Mr & Mrs Bridge, Merchant Ivory, James Ivory Film, Manifesto, Cannon, Dustin Makavejev Film, Mr Ducie, Maurice, Merchant Ivory, James Ivory Film, The Good Father, Mike Newell Film, Reverend Beebe, A Room With A View, Merchant Ivory, James Ivory Film, Shikaneder, Amadeus, Milos Forman Stage 2019, Stage, Song At Twilight, Theatre Royal Bath Productions, Stephen Unwin 2018, Stage, A Christmas Carol, The Arts Theatre, Tom Cairns 2018, Stage, Oscar Wilde, De Profundis, Assembly Productions, Mark Rosenblatt Stage, Count Fosco, The Woman In White, Really Useful Theatre Company, Trevor Nunn Stage, Theo, Holy Terrors, ATG, Lawrence Boswell Stage, Otto, Through The Leaves, Southwark Playhouse/West End, Daniel Kramer Stage, The Mystery of Charles, West End/Broadway/Australia, Patrick Garland Stage, Falstaff, The Chimes At Midnight, Chichester Theatre, Patrick Garland Stage, The Importance of Being Oscar, Savoy Theatre, Patrick Garland Stage, Face, The Alchemist, Birmingham Rep/National, Bill Alexander Stage, Ned, The Destiny of Me, Leicester Haymarket, Simon Callow Stage, Single Spies, National/Queens, Alan Bennett & Simon Callow Stage, Faust, Hammersmith Lyric Theatre, Alan Brightman Stage, Kiss of the Spiderwoman, Bush Theatre, Simon Stokes Stage, Melancholy Jaques, Traverse/Bush Theatre, Jean Jourdheuil Stage, Perelli, On The Spot, Watford/West End, Robert Walker Stage, Lord Foppington, The Relapse, Hammersmith Lyric Theatre, Stage, Lord Are, Restoration, Royal Court, Edward Bond Stage, Verlaine, Total Eclipse, Hammersmith Lyric Theatre, David Hare Stage, Sisterly Feeling, Royal National Theatre, Alan Ayckbourn Stage, Amadeus, Amadeus, Royal National Theatre, Peter Hall Stage, Orlando, As You Like It, Royal National Theatre, John Dexter Stage, Plumbers Progress, Prince of Wales, Mike Ockrent Stage, Mary Barnes, Royal Court, Peter Farago Stage, Titus, Titus Andronicus, Bristol Old Vic Theatre, Adrian Noble Stage, The Irresistible Rise of Arturo Ui, Half Moon Theatre, Robert Walker Languages: (* = Native/Fluent) German, French, English* Simon Callow 2/3 Performance: Voice Over + Access to Studio Powered by Spotlight and Tagmin The information in this CV has been provided by or on behalf of the client concerned via Spotlight.com. Every effort has been made to make sure that the information contained in this page is correct and Spotlight and Tagmin can accept no responsibility for its accuracy. Simon Callow 3/3.
Recommended publications
  • Christopher Diffey – TENOR Repertoire List

    Christopher Diffey – TENOR Repertoire List

    Christopher Diffey – TENOR Repertoire List Leonard Bernstein Candide Role: Candide Volkstheater Rostock: Director Johanna Schall, Conductor Manfred Lehner 2016 A Quiet Place Role: François Theater Lübeck: Director Effi Méndez, Conductor Manfred Lehner 2019 Ludwig van Beethoven Fidelio Role: Jaquino Nationaltheater Mannheim 2017: Director Roger Vontoble, Conductor Alexander Soddy Georges Bizet Carmen Role: Don José (English) Garden Opera: Director Saffron van Zwanenberg 2013/2014 OperaUpClose: Director Rodula Gaitanou, April-May 2012 Role: El Remendado Scottish Opera: Conductor David Parry, 2015 (cover) Melbourne City Opera: Director Blair Edgar, Conductor Erich Fackert May 2004 Role: Dancaïro Nationaltheater Mannheim: Director Jonah Kim, Conductor Mark Rohde, 2019/20 Le Docteur Miracle Role: Sylvio/Pasquin/Dr Miracle Pop-Up Opera: March/April 2014 Benjamin Britten Peter Grimes Role: Peter Grimes (cover) Nationaltheater Mannheim: Conductor Alexander Soddy, Director Markus Dietz 2019/20 A Midsummer Night’s Dream Role: Lysander (cover) Garsington Opera: Conductor Steauart Bedford, Director Daniel Slater June-July 2010 Francesco Cavalli La Calisto Role: Pane Royal Academy Opera: Dir. John Ramster, Cond. Anthony Legge, May 2008 Gaetano Donizetti Don Pasquale Role: Ernesto (English) English Touring Opera: Director William Oldroyd, Conductor Dominic Wheeler 2010 Lucia di Lammermoor Role: Normanno Nationaltheater Mannheim 2016 Jonathan Dove Swanhunter Role: Soppy Hat/Death’s Son Opera North: Director Hannah Mulder, Conductor Justin Doyle April
  • DICKENS on SCREEN, BFI Southbank's Unprecedented

    DICKENS on SCREEN, BFI Southbank's Unprecedented

    PRESS RELEASE 12/08 DICKENS ON SCREEN AT BFI SOUTHBANK IN FEBRUARY AND MARCH 2012 DICKENS ON SCREEN, BFI Southbank’s unprecedented retrospective of film and TV adaptations, moves into February and March and continues to explore how the work of one of Britain’s best loved storytellers has been adapted and interpreted for the big and small screens – offering the largest retrospective of Dickens on film and television ever staged. February 7 marks the 200th anniversary of Charles Dickens’ birth and BFI Southbank will host a celebratory evening in partnership with Film London and The British Council featuring the world premiere of Chris Newby’s Dickens in London, the innovative and highly distinctive adaptation of five radio plays by Michael Eaton that incorporates animation, puppetry and contemporary footage, and a Neil Brand score. The day will also feature three newly commissioned short films inspired by the man himself. Further highlights in February include a special presentation of Christine Edzard’s epic film version of Little Dorrit (1988) that will reunite some of the cast and crew members including Derek Jacobi, a complete screening of the rarely seen 1960 BBC production of Barnaby Rudge, as well as day long screenings of the definitive productions of Hard Times (1977) and Martin Chuzzlewit (1994). In addition, there will be the unique opportunity to experience all eight hours of the RSC’s extraordinary 1982 production of Nicholas Nickleby, including a panel discussion with directors Trevor Nunn and John Caird, actor David Threlfall and its adaptor, David Edgar. Saving some of the best for last, the season concludes in March with a beautiful new restoration of the very rare Nordisk version of Our Mutual Friend (1921) and a two-part programme of vintage, American TV adaptations of Dickens - most of which have never been screened in this country before and feature legendary Hollywood stars.
  • Shakespeare on Film, Video & Stage

    Shakespeare on Film, Video & Stage

    William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994.
  • Natural Pursuits – the Screen Dramas of Simon Gray Television Season at BFI Southbank in August 2011

    Natural Pursuits – the Screen Dramas of Simon Gray Television Season at BFI Southbank in August 2011

    PRESS RELEASE June 2011 11/49 Natural Pursuits – The Screen Dramas of Simon Gray Television Season at BFI Southbank in August 2011 BFI Southbank celebrates the tragi-comic screen dramas of the late Simon Gray. A writer of immense wit and intellectual charm whose razor-sharp dialogue is unsurpassed. The month long season features some of Gray’s most celebrated work including screenings of Unnatural Pursuits (1992), After Pilkington (1987) and They Never Slept (1991) which feature performances by British acting elite including Alan Bates, Edward Fox and Miranda Richardson. Following the screening of They Never Slept, a panel of guests including producer Kenith Trodd, and directors Udayan Prasad and Christopher Morahan will discuss his great contribution to television drama and the theatre illustrated with clips of some of his early and rare television plays to be chaired by Broadcaster Matthew Sweet. After the screening of Butley on Sunday 14 Aug, Lindsay Posner, director of the 40th anniversary revival of the play currently running at the Duchess Theatre will also be welcomed to the BFI stage for a Q&A. Gray wrote prolifically from the mid-60s onwards for both the West End stage (Otherwise Engaged, Quartermaine’s Terms, The Late Middle Classes, Butley) and for television, where such important early successes such as Death of a Teddy Bear, Man in a Sidecar and The Caramel Crisis were carelessly wiped. His most fertile period writing specifically for TV occurred between 1975 and 1993 during a close collaboration with producer Kenith Trodd and four major directors, Michael Lindsay- Hogg, Christopher Morahan, Udayan Prasad and Pat O’Connor.
  • Othello and the Stranger in Shakespeare

    Othello and the Stranger in Shakespeare

    THEATRE & TALK AN ETF BAR FRINGE PRODUCTION “Black is Fair” Othello and the Stranger in Shakespeare Teacher`s Support Pack The English Theatre Frankfurt 2013 William Shakespeare, Othello The English Theatre Frankfurt 2013 Teacher`s Support Pack Table of Contents 1 Othello, the Moor of Venice: Introduction p. 3 2 Characters p. 5 3 Synopsis p. 5 3.1 Brief Version p. 5 3.2 Comprehensive Version p. 6 4 The Main Characters as Seen by Themselves and Others p. 11 4.1 Othello p. 11 4.2 Iago p. 16 4.3 Desdemona p. 21 5 Perceptions of Blackness & The Moor p. 25 5.1 A Selection of Quotes from the Play p. 25 5.2 Definition: The word "Moor" p. 26 5.3 Essay: The Black Other in Elizabethan Drama p. 28 6 The ETF 2013 production p. 33 6.1 Time p. 33 6.2 Setting p. 34 6.3 On Jealousy p. 36 6.4 Lingering Questions Today p. 38 A Note for the Teachers (Hinweise zu diesen Unterrichtsmaterialien) Sie können dieses Teacher`s Support Pack auf Anfrage auch als Word-Dokument bekommen, um einzelne Texte/Aufgaben vor Ausdruck zu bearbeiten. Das bietet Ihnen auch die Chance, das Paket in der von Ihnen gewünschten Fassung an Ihre SchülerInnen digital weiterzuleiten. Das Bild- und Informationsmaterial kann den SchülerInnen dabei helfen, sich einen Überblick über die relevanten thematischen Aspekte zu verschaffen und eigene Sichtweisen des Stücks zu entdecken. Bei allen Fragen bezüglich dieser Materialien oder Interesse an Begleitworkshops zu einem Aufführungsbesuch für Ihre Lerngruppe Gespräche mit Schauspielern nach der Vorstellung wenden Sie sich bitte per Email an uns: [email protected] Das Team von T.I.E.S (Theatre in Education Service) wünscht Ihnen viel Erfolg bei der Arbeit mit dem Teacher`s Support Pack.
  • Theatre Archive Project Archive

    Theatre Archive Project Archive

    University of Sheffield Library. Special Collections and Archives Ref: MS 349 Title: Theatre Archive Project: Archive Scope: A collection of interviews on CD-ROM with those visiting or working in the theatre between 1945 and 1968, created by the Theatre Archive Project (British Library and De Montfort University); also copies of some correspondence Dates: 1958-2008 Level: Fonds Extent: 3 boxes Name of creator: Theatre Archive Project Administrative / biographical history: Beginning in 2003, the Theatre Archive Project is a major reinvestigation of British theatre history between 1945 and 1968, from the perspectives of both the members of the audience and those working in the theatre at the time. It encompasses both the post-war theatre archives held by the British Library, and also their post-1968 scripts collection. In addition, many oral history interviews have been carried out with visitors and theatre practitioners. The Project began at the University of Sheffield and later transferred to De Montfort University. The archive at Sheffield contains 170 CD-ROMs of interviews with theatre workers and audience members, including Glenda Jackson, Brian Rix, Susan Engel and Michael Frayn. There is also a collection of copies of correspondence between Gyorgy Lengyel and Michel and Suria Saint Denis, and between Gyorgy Lengyel and Sir John Gielgud, dating from 1958 to 1999. Related collections: De Montfort University Library Source: Deposited by Theatre Archive Project staff, 2005-2009 System of arrangement: As received Subjects: Theatre Conditions of access: Available to all researchers, by appointment Restrictions: None Copyright: According to document Finding aids: Listed MS 349 THEATRE ARCHIVE PROJECT: ARCHIVE 349/1 Interviews on CD-ROM (Alphabetical listing) Interviewee Abstract Interviewer Date of Interview Disc no.
  • Don Pasquale

    Don Pasquale

    Gaetano Donizetti Don Pasquale CONDUCTOR Dramma buffo in three acts James Levine Libretto by Giovanni Ruffini and the composer PRODUCTION Otto Schenk Saturday, November 13, 2010, 1:00–3:45 pm SET & COSTUME DESIGNER Rolf Langenfass LIGHTING DESIGNER Duane Schuler This production of Don Pasquale was made possible by a generous gift from The Sybil B. Harrington Endowment Fund. The revival of this production was made possible by a gift from The Dr. M. Lee Pearce Foundation. GENERAL MANAGER Peter Gelb MUSIC DIRECTOR James Levine 2010–11 Season The 129th Metropolitan Opera performance of Gaetano Donizetti’s Don Pasquale Conductor James Levine in o r d e r o f v o c a l a p p e a r a n c e Don Pasquale, an elderly bachelor John Del Carlo Dr. Malatesta, his physician Mariusz Kwiecien* Ernesto, Pasquale’s nephew Matthew Polenzani Norina, a youthful widow, beloved of Ernesto Anna Netrebko A Notary, Malatesta’s cousin Carlino Bernard Fitch Saturday, November 13, 2010, 1:00–3:45 pm This afternoon’s performance is being transmitted live in high definition to movie theaters worldwide. The Met: Live in HD series is made possible by a generous grant from its founding sponsor, the Neubauer Family Foundation. Bloomberg is the global corporate sponsor of The Met: Live in HD. Marty Sohl/Metropolitan Opera Mariusz Kwiecien as Chorus Master Donald Palumbo Dr. Malatesta and Musical Preparation Denise Massé, Joseph Colaneri, Anna Netrebko as Carrie-Ann Matheson, Carol Isaac, and Hemdi Kfir Norina in a scene Assistant Stage Directors J. Knighten Smit and from Donizetti’s Don Pasquale Kathleen Smith Belcher Prompter Carrie-Ann Matheson Met Titles Sonya Friedman Scenery, properties, and electrical props constructed and painted in Metropolitan Opera Shops Costumes executed by Metropolitan Opera Costume Department Wigs by Metropolitan Opera Wig Department Assistant to the costume designer Philip Heckman This performance is made possible in part by public funds from the New York State Council on the Arts.
  • Holiday Issue 2014 CUES

    Holiday Issue 2014 CUES

    OPERAVolume 55 Number 03 | Holiday Issue 2014 CUES World Premiere Iain Bell and Simon Callow A CHRISTMAS CAROL DECEMBER 5, 7, 9, 11, 14, 16, 17, 19, 20, 21 PATRICK SUMMERS PERRYN LEECH ARTISTIC & MUSIC DIRECTOR MANAGING DIRECTOR Margaret Alkek Williams Chair ADVERTISE IN OPERA CUES Opera Cues is published by Houston Grand Opera Association; all rights reserved. Opera Cues is produced by Houston Grand Opera’s Communications Department, Judith Kurnick, director. Director of Publications Laura Chandler Art Direction / Production Pattima Singhalaka Contributors Iain Bell Simon Callow Perryn Leech Myles Mellor For information on all Houston Grand Opera productions and events, or for a complimentary season brochure, please call the Customer Care Center at 713-228-OPERA (6737). Houston Grand Opera is a member of OPERA America, Inc., and the Theater District Association, Inc. Find HGO online: HGO.org facebook.com / houstongrandopera twitter.com / hougrandopera Readers of Houston Grand Opera’s Mobile: HGO.org Opera Cues magazine are the most desirable prospects for an advertiser’s message. LOYAL: 51 percent of readers have been reading Opera Cues for more than three years. DEDICATED: 42 percent of readers read the magazine from cover to cover. EDUCATED: More than 90 percent are college-educated, and 57 percent hold graduate degrees. SOCIAL: 44 percent patronize downtown restaurants when they go to a performance at Houston Grand Opera. For more information on advertising in Opera Cues, call Matt Ross at 713-956-0908. 2 | Opera Cues Holiday Issue 2014 www.HGO.org B:8.625” T:8.375” S:7.875” KEEPING ELITE PERFORMERS IN THE SPOTLIGHT.
  • Fiona Lindsay Fionalindsay@Mac.Com 07836767487

    Fiona Lindsay [email protected] 07836767487

    Fiona Lindsay [email protected] 07836767487 Personal Details Height - 5’8 Build – Slim Eyes – Green/Blue Hair – Dark Brown Accent – Neutral/Scottish Voice – Warm, assured, calming Other languages –French, Italian, Spanish Skills – Interviewing, Presenting, Writing, Ideas Development and Programming, Producing, Acting, Media Training, Theatre Practitioner Expert in – All aspects of theatre performance, Shakespeare Radio Dexter and Dodd for BBC Radio 4 produced by Culture Wise – Critics Choice, Pick of the Week –writer and presenter Character Assassins for BBC Radio 4 produced by Culture Wise – Critics Choice, Pick of the week –writer and presenter 3 Ideas in development with Culture Wise for BBC Radio 4 Television Interviewing Evening Standards Theatre Awards – Special Awards Interviews with Alan Bennett, Eileen Aitkins, Trevor Nunn, Richard Eyre, Adrian Lester, Richard Bean, Howard Brenton, Ben Wishaw, Clare Higgins, Anna Chancellor Sky Arts 1 – Interview with Julian Clary – Hay Sessions Sky Arts 1 – Interview with Joss Ackland – Hay Sessions Trading Places – CBBC Behind The Scenes At The RSC – Channel Four Shakespeare In The 21st Century – RESA TV ( USA) Live event Interviewing –full list attached Face to Face – own show, Arts Theatre, West End – Michael Parkinson, Alison Steadman, Raymond Blanc, Stephen Mangan, Juliet Stevenson, David Baddiel, Julian Clary, Sandi Toksvig Cheltenham Literature Festival – recent interviews include – Rupert Everett, Ken Dodd, Paul O’Grady, Patricia Hodge, Sandi Toksvig, Ben Fogle, Stephen
  • Othello Draft 7

    Othello Draft 7

    Studying Othello Studying Othello Studying Othello – Credits Credits Written and edited by Barbara Bleiman and Lucy Webster, with Juliet Harrison and David Kinder Video: Michael Simons and Guido Martini Cover: Blaise Thompson Printed by: Spiderweb Published by: The English and Media Centre, 18 Compton Terrace, London N1 2UN www.englishandmedia.co.uk ISBN: 0-907016-81-2 Acknowledgements – text Thanks to the following who have kindly given permission for the use of copyright material: ‘Why should he call her whore?’ in Reading Shakespeare Historically by Lisa Jardine (Routledge, 1996); Shakespeare’s Language by Frank Kermode (Penguin, 2001) Copyright © Frank Kermode, 2001; Abner Stein and author for Shakespeare’s Division of Experience (Jonathan Cape, 1981) by Marilyn French Copyright © Marilyn French; Shakespeare is Hard, but so is Life by Fintan O’Toole (Granta Books, 1990, 2000); extracts from a conversation between Sam Mendes, director of the National Theatre’s 1997 production of Othello and Genista McIntosh © National Theatre, reproduced by permission; ‘Shakespeare: interpretative contexts’ by Catherine Belsey in Literature in Context (2001) edited by Rick Rylance and Judy Simons reproduced with permission of Palgrave Macmillan; This Stage- Play World, Texts and Contexts 1580-1625 by Julia Briggs (Oxford University Press, 1983, 1987) and Shakespeare, Race and Colonialism by Ania Loomba (Oxford University Press, 2002) by permission of the authors and Oxford University Press. Thanks also to Sarah Robertson for permission to reproduce extracts from her AS coursework (pages 125-128), to Katherine Harding for her visual representation of the play (page 77) and to Sally Phoenix for comments on the text.
  • Original Writer Title Genre Running Time Year Director/Writer Actor

    Original Writer Title Genre Running Time Year Director/Writer Actor

    Original Running Title Genre Year Director/Writer Actor/Actress Keywords Writer Time Katharine Hepburn, Alcoholism, Drama, Tony Richardson; Edward Albee A Delicate Balance 133 min 1973 Paul Scofield, Loss, Play Edward Albee Lee Remick Family Georgian, Eighteenth Century, Simon Langton; Jane Colin Firth, Pride and Prejudice Drama, Romance, Jane Austen 53 min 1995 Austen, Andrew Crispin Bonham-Carter, Vol. I Romance Classic, Davies Jennifer Ehle Strong Female Lead, Inheritance Georgian, Eighteenth Century, Simon Langton; Jane Colin Firth, Pride and Prejudice Drama, Romance, Jane Austen 54 min 1995 Austen, Andrew Crispin Bonham-Carter, Vol. II Romance Classic, Davies Jennifer Ehle Strong Female Lead, Inheritance Georgian, Eighteenth Century, Simon Langton; Jane Colin Firth, Pride and Prejudice Drama, Romance, Jane Austen 53 min 1995 Austen, Andrew Crispin Bonham-Carter, Vol. III Romance Classic, Davies Jennifer Ehle Strong Female Lead, Inheritance Georgian, Eighteenth Century, Simon Langton; Jane Colin Firth, Pride and Prejudice Drama, Romance, Jane Austen 53 min 1995 Austen, Andrew Crispin Bonham-Carter, Vol. IV Romance Classic, Davies Jennifer Ehle Strong Female Lead, Inheritance Georgian, Eighteenth Century, Simon Langton; Jane Colin Firth, Pride and Prejudice Drama, Romance, Jane Austen 50 min 1995 Austen, Andrew Crispin Bonham-Carter, Vol. V Romance Classic, Davies Jennifer Ehle Strong Female Lead, Inheritance Georgian, Eighteenth Century, Simon Langton; Jane Colin Firth, Pride and Prejudice Drama, Romance, Jane Austen 52 min 1995 Austen,
  • Oliver Cotton

    Oliver Cotton

    Oliver Cotton Agents Dallas Smith Associate Agent Sarah Roberts [email protected] +44 (0) 20 3214 0800 Assistant Alexandra Rae [email protected] +44 (0) 20 3214 0800 Roles Film Production Character Director Company US AMONG THE STONES Richard Dictynna Hood Caspian Films KIN Richard Dictynna Hood Likely Story NORTH V SOUTH Brian Galloway Steve Nesbit North South Films POPE JOAN Arsenius Sonke Wortmann Constantine Films THE DARK KNIGHT RISES 2 STAR AIR FORCE Christopher Nolan GENERAL COLOUR ME KUBRICK PC Metcalf Brian Cook RAIN DOGS Lord Grey Rob Moffatt BONE HUNTER Regulus Rob Moffatt THE GISELLA PERL STORY Moshe Joe Sargent SHANGHAI KNIGHTS Jack the Ripper Jackie Chan United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Character Director Company BABY BLUE Ron Wood Theo Van Gogh Shooting Star THE DANCER UPSTAIRS Merino John Malkowich Lola Films INNOCENTS Angelini Peter Kosminski Channel 4 BEOWULF Hrothgar Graham Baker THE OPIUM WAR George Elliot Xie-Jing THE INNOCENT SLEEP Lusano Scott Mitchell SON OF THE PINK PANTHER King Fahed Blake Edwards CHRISTOPHER COLUMBUS - Harana John Glen THE DISCOVERY HIDING OUT Landis Bob Giraldi THE SICILIAN Roccofino Michael Cimino ELENI Katis Peter Yates FIREFOX Priabin Clint Eastwood OLIVER TWIST Monks Clive Donner THE DAY CHRIST DIED John James Cellan Jones THE MULBERRY BUSH HERE WE GO ROUND Curtis Clive Donner Television Production Character Director Company KILLING EVE Maciek Shannon Murphy BBC