ARTs pace Doing Time: \Vomen, Hand·Sphming, and QI4i1tmakiHg in Lancaster COHnty. Pennsylvallia, 1800-1880 Adam's Mark Hotel, Lone Star Ballroom C4, 2nd Floor Patricia Keller, McNeil Center, University of Pennsylvania

ARTs pace is a conference within the conference, tailored to the Un-Express; or. Delivering Slowness as Political Ploy needs and interests of practicing artists but open to all conference Kristine Woods, Maryland Institute College of Art; Christopher attendees. It includes a session space, set theater-style, and a Whitley, Maryland Institute College of Art lounge for video programming and other events. All ARTspace sessions are included in the complete chronological listing beginning on page 27, as well as here. All ARTspace events 21 are held in the Lone Star Ballroom C4, 2nd Floor, Adam's Mark Thursday, February Hotel, unless otherwise noted. 7:30-9:00 am

Morning coffee, tea, and juice Wednesday, February 20 9:30 am-12:00 pm 7:30-9:00 am ARTspace Morning coffee. tea, and juice Immense Prints Adam's Mark Hotel. Lone Star Ballroom C4, 2nd Floor 9:30 am-12:00 pm Chair: Sheri Fleck Rieth, University of Mississippi Type A; or; How 1 Leamed to Stop Worrying and Love My Dremel Tool ARTspace Chris Brady, Hinds Community College landscape: Fact and Fiction War Birds: Large-Scale Print Collages Adam's Mark Hotel, Lone Star Ballroom C4, 2nd Floor Dale Clifford, Savannah College of Art and Design Chairs: Janet L. Pritchard, University of Connecticut; Thomas P. Bnthn, University of Connecticut Satirical Large-Scale Prints: Outlaw Printmaking alld Beyond Discussants: Judith Thorpe, University of Connecticut; Bruce Tom Huck, \Vashington University. St. Louis Myren, University of Connecticut Make It Big: Don't Make It Red, Make It Bille! Barbara Madsen, Mason Gross SdlOOl of the Arts, Rutgers 12:30-2:00 pm University PaperCllts ARTspace Carlyle Wolfe, University of Mississippi Artists' ResidenciesJ\Vorldwide Opportunities Adam's Mark Hotel. Lone Star Ballroom C4, 2nd Floor Lil Ole Lady, Living Large Chair: Elizabeth Conner, independent artist Sheri Fleck RIeth, University of Mississippi

2:30-5:00 pm 12:30-2:00 pm

ARTspace ARTspace Gestures of Resistance: Craft, Performance, and the Politics The Sustainable Studio of Slowness Adam's Mark Hotel, Lone Star Ballroom C4, 2nd Floor Adam's Mark Hotel, Lone Star Ballroom C4, 2nd Floor Chairs: Patricia Flores, California College of the Arts; Duane Slick, Chairs: Shalmon Rae Stratton, Three\Valls Artist Residency and Rhode Island School of Design Exhibitions; Judith Leemal1I1, Assumption College Hazardous Traditions: A SllOrt History ofthe Envirotlmental Impact of The roo·Mile Suit: Costume as an Exercise in Regionalism Art Practice Kelly Cobb, Maryland Institute College of Art Patricia Flores, California College of the Arts Michael Rakowitz and the Anti·Craft Tradition lrial by Fire; or, The Implementation oj Culture Change ht the Art Bibiana Obler, Johns Hopkins University School and the Studio Setti1lg Duane Slick, Rhode Island School of Design Making and Faking: Industrial Distillation of the Crafted Mark Rod Northcutt, Rochester Institute ofTeclmology Personal and Environmmtal Sustaillability: Self, Disaster, Revolution Jae Rhim Lee, Massachusetts Institute of Technology

24 CAA2008 FEBRUARY 20-23 ARTspace ARTspace The Divas and Iron Chefs of Encaustic Annual Artist Interviews Adam's Mark Hotel, Lone Star Ballroom C4, 2nd Floor Adam's Mark Hotel, Lone Star Ballroom C4. 2nd Floor Chair: Reni Gower, Virginia Commonwealth University Yoko Ono, recipient of the 2008 CAA Distinguished Body of\Vork Encaustic Painters ojAtlcient Times Award, and the Iraqi artist Adel Ahidin are interviewed. Richard Frumess, R & F Handmade Paints Contemporary Encaustic Painting Joanne Mattera. Massachusetts College of Art and Montserrat 23 College of Art Saturday, February Reveal/Collceal Kristy Deetz, University of\Visconsin, Green Bay 7:30-9:00 am Mapping Topographies: Wax Suifaces and Digital Shimmer Morning coffee, tea, and juice Peter Dykhuis, Dalhousie Art Gallery Material, Memory, and Meaning Lorraine Glessner, Tyler School of Art 9:30 am-12:00 pm Heated Drawing ARTspace Cheryl Goldsleger, Georgia State University Fictional Realism Adam's Mark Hotel, Lone Star Ballroom C4, 2nd Floor Recent Work in Wax and Plaster Chair: Robert Jessup, University of North Texas Heather Harvey, independent artist, Big Stone Gap. Virginia Fictional Realism Hammer, Tape, Torch, Mesh, and Wax: Approaches within cm Robert Jessup, University of North Texas Encaustic Process Jeffrey Hirst, independent artist. Minneapolis Painting: COllstmcting Tmths, Lies, and Temporary Meanings Matthew Bourbon, University of North Texas Divas and Chefs Discussed Timothy McDowell, Connecticut College TIle Space in Between: Pictorial Storytelling Elaine Pawlowicz, University of North Texas Human Perception versus the Camera: The Virtues of Drawing from Life Friday, February 22 Lari Gibbons, University of North Texas 7:30-9:00 am 12:30-2:00 pm Morning coffee, tea, and juice ARTspace Chicana Art: The Politics of Spirihtal and Aesthetic Altarities 9:30 am-12:00 pm Adam's Mark Hotel, Lone Star Ballroom C4, 2nd Floor Chair: Laura Perez, University of California, Berkeley ARTspace Living locally, Exhibiting Nationally: A Conversation with Amalia Mesa·Bains, California State University, Monterey Bay Vernon Fisher, David Bates and Melissa Miller Celia Alvarez Munoz, independent artist, Arlington Adam's Mark Hotel, Lone Star Ballroom C4, 2nd Floor Chair: Philip Van Keuren, Southern Methodist University Yolanda Lopez, independent artist, San Francisco Delilah Montoya, University of Houston

ARTspace CAA Services to Artists Committee ARTspace Then and Now: What George Kubler's Book, TIle Shape of Time, Studio Art Open Session Means Today Sculpture Adam's Mark Hotel, Lone Star Ballroom C4, 2nd Floor Adam's Mark Hotel, Lone Star Ballroom C4, 2nd Floor Chair: Reva \VoIf, State University of New York, New Paltz Chair: Tanya Synar, Texas \Vomen's University Back to the Future: Lawrence Alloway, George Kubler, aud Cameron Schoepp, Texas Christian University New York's Downtown Scene Shelley Rice, New York University; Mary Miller, Yale University Frances Bagley, independent artist, Dallas Tom Orr, independent artist, Dallas

FEBRUARY 20-23 CAA2008 25

PROGRAM SESSIONS

Wednesday, February 20

9:30 am-12:00 pm Linda Montano and tile Tensions of Monasticism Karen Gonzalez Rice, Duke University Shlrlio Art Open Session Visual Odtllre and tile Sacred: Creative Act-s of Resistance and Painting Redemption in Art, Film, and New Media Adam's Mark Hotel, Austin Ballroom 2, 2nd Floor Scott Parsons, Augustana College Chair: Kelly Banm, Blanton Museum of Art, University of Texas, Austin Nothing and Everything Design Studies Fomm Julia Marrisroe. University of Florida 111e Current State of Design History Adam's Mark Hotel, Dallas Ballroom D3, 1st Floor Navigating the Gulfbetween Compulsion and IroH}, in Contemporary Chairs: Hazel Clark, Parsons the New School for Design: David Painting Brody, Parsons the New School for Design Brian Bishop, University of Alabama Mediation: From Design History to Cultural History? Painting the Wasteland: TIle Environmental Critique in Grace Lees-Maffei, University of Hertfordshire Contemporary Painting liz \Vard, Trinity University Political Histories of Design; or. the State in Design History Bess Williamson, University of Delaware Defillillg the Desigll Deficit ill Ballgladesh A Disciplined Muse: Distinguishing Art History. Visual Studies, Lisa Farooque, Purdue University and Visual Culture Adam's Mark Hotel, Dallas Ballroom AI, 1St Floor Surveying tile Design History Survey Chairs: Francesca BaVUSD, College Misericordia; Analisa Leppanen­ Sarah lichtman, Parsons the New School for Design Guerra, DePaul University Designing Graphic Design History Paying My Dues: Defining or De-JYing Discipliflary Boundaries? Teal Triggs, London College of Communication, University of the Matthew Reynolds, Center for the Arts in Society, Carnegie Arts, London Mellon University

Researching the Visual Culture of Urban Africa: Shifts in Awareness Continuous Crossroads: Research and Pedagogy, Problems, and and Disciplinary Analysis Opportunities with Digital Models, Archaeology, and Art History Till Forster, UniversWit Basel Adam's Mark Hotel, Dallas Ballroom D2, 1st Floor Beyond tIle Visual: Toward a Kinesthetic Art History Chairs: Arne R. Flaten, Coastal Carolina University; Alyson A. Gill, Nell Andrew, Northwestern University Arkansas State University A Stlldy oftile Cover Pages of a Calligraplly]ollnlal-A Visllal Computer Modeling, Architectural Studies, and Electronic Publicatio1lS: Studies Approach Reconstructions of tile Mmtaba of KnomllOtep from Drawings aHd Sophia Suk Mun Law, Ungnan University, Hong Kong Surveys of dIe Metropolitan Museum ofArt Egyptian Expedition David Sherratt Johnson, Musewn of Reconstructions Teaching tile \Vrong Madonna in the Desert Southwest: Vahdng Contemporary Visual Culture in a Culturally Conservative Place 71le Virtual Monastery: Digital Representation of Arc1weology, Stephanie L Taylor, New Mexico State University Architecture, al1d Texts at Snint-jean-des- Vignes, Soissons Sheila Bonde, Brown University; Clark Maines, \Vesleyan University Beyond Belief: 111eo/Aesthetics or Just Old-Time Religion? Auteur or Architectural Historian? Rendering tile YMCA Adam's Mark Hotel, Austin Ballioom I, 2nd Floor with Rhinoceros Chair: Ronald R. Bernier, Sordoni Art Gallery, Wilkes University Paula Rachel Lupkin, Washington University Beyond Spirituality: Sacramental and Liturgical Aesthetics in COl1temporary Art Daniel A. Siedell, University of Nebraska, Omaha ARTspace Landscape: Fact and Fiction Aesthetics after tile Sublime Adam's Mark Hotel, Lone Star Ballroom C4, 2nd Floor Jason A. Danner, College of William and Mary Chairs: Janet L. Pritchard, University of Connectiult; Thomas P. A Secular Trinity? TIlt Trcmsfonuation of Christian Iconography ht a Bmhll, University of Connecticut post-Cltristian Age Discussants: Judith Thorpe, University of Connecticut; Bmce Michelle Lang, University of Nebraska, Kearney Myren, University of Connecticut

FEBRUARY 20-23 CAA2008 27 9:30 am-12:oo pm Cultural Identity and Etmscan Art Adam's Mark Hotel, Dallas Ballroom A2, 1st Floor Reframing the New Topographies Movement Chair: P. Gregory \Varden, Southern Methodist University Adarn's Mark Hotel, Dallas Ballroom DI, Ist Floor Giving the Etruscans TIleir Due Chair: John Rohrbach, Amon Carter Museum Jocelyn Penny Small, Rutgers, State University of New Jersey Same as It Ever Was: Rereading tile New Topographies TIle Murder ofClytenmestra on Etruscall Bronze Mirrors Toby }urovics, Smithsonian American Art Museum Alexandra A. Carpino, Northern Arizona University 11lt Cinematic Lmldscapes ofAntonion; alld Godard (Hid TIleir TIle judgment of Paris ill Etruria Influence on the New Topograp/iics Photographers J. Keith Doherty, Boston University Larisa Dryansky, Universite de Paris I, Pantheon·Sorbonne Mistress alld Master: Political Iconography ill Early Urban Italy TIlt New Topograpllics and Minimalism Anthony Tuck, University of Massachusetts Greg Foster-Rice, Cohmlbia College Chicago Etruscan Vogue: Borrowed Aesthetic or Italic Beauty? Real Estate Opportunities Bridget K. Sandhoff, University of Missouri, St. Louis Britt Salvesen, Center for Creative Photography, University of Arizona Discussant: Jenifer Neils, University of Califonlia, Berkeley New Topographies Now: Simulated Lcmdscape and Degraded Utopia Christopher Burnett, University of Toledo Shtdio Art Open Session Video Art Adam's Mark Hotel, Dallas Ballroom A3, 1st Floor Word and Image: Intersections of Art and Literature Chair: Barton \Veiss Adam's Mark Hotel. Lone Star Ballroom A4, 2nd Floor Chair: Crispin Sartwell, Dickinson Col1ege Leveraging Great Mitlds iu tile Graphic Design Classroom Meta Newhouse Ollly TIlis Now: Literature in tile Studio Abigail Donovan, University of Delaware Hindsight: The Moving Image aud tile Post·Photographic John Aasp 111 Illustration, Where Is the Story CHId What Does It Say? J. Anne Montgomery, independent artist, South Bend Loop Ayelet Zohar Diderot's Salons: Exliibitions without Pictures Kristin O'Rourke, Darhnouth College TIle Literary Imperative in the Video Works of Steve Reinke and William E. jones Commerce into Culture: Wenda Gil'S Neon Calligraphy Series Justin lincoln, Virginia Commonwealth University David Cateforis, University of Kansas Word Up: 71 .. Literal Art of Glmll LigOll Jody cutler, University of Central Florida Visual Culture Caucus The Fresh New Look of Sheepherding Adam's Mark Hotel, Dallas Ballroom AI, 1st Floor Art History Open Session Chair: Stephanie Kathryn Bacon, Boise State University African Art Monkey Theater: Put·OIlS and Propaganda Adam's Mark Hotel, Houston Ballroom A, 3rd Floor Craig J. Peariso, Columbia University Chairs: Roslyn Adele Walker, Dallas Museum of Art; Mikelle Smitll Omari·Tunkara, University of Arizona Redirecting tile Green Arrows: Recycling Campaigns and COllseroationist Narratives Contimlities in Clay: Teracotta Images from Calabar, Nigeria Max Ilboiron, New York University Christopher Slogar, California State University, Fullerton Potemkin Village Groupe BogoIau Kasohane Stephanie Benzaquen, Zavod K6/4 Janet Goldner, independent scholar and artist, New York joumey to Conversion: How tIJe Palll and Ruth Tis11man Collection of Africau Art became tile \Valt Dislley/Tisl!man Collection at tile Nati01/al Museum ofAfrican Art, Smithsonicm Illstitlltioll Deborah Stokes Tlte Reinstallation of tile African Collectiou at the Neuberger Museum of Art: TIle Chalfeflge ofTraniformation Marie-Therese Brincard, Neuberger Museum of Art

28 CAA2008 FEBRUARY 20-23 Art Spaces Archives Project Collecting the Avant Garde: The Instimtional Perspective­ ARTspace Taming the Untame Artists' ResidenciesfWorldwide Opportunities Adam's Mark Hotel, Dallas Ballroom Dj, 1st Floor Adam's Mark Hotel, Lone Star Ballroom C4, 2nd Floor Chair: David Platzker, Art Spaces Archives Project Chair: Elizabeth Conner, independent artist Barbara Moore, Bound and Unbound Andrew Perchuk, Getty Research Institute Mid America College Art Association Milall Houston, Museum of Modern Art, New York Transforming Art and Design Schools: Physical Space and Programmatic Change Adam's Mark Hotel, Dallas Ballroom A2, 1St Floor Arnerican Society for 18th-Century Studies Chairs: Valerie Eickmeier, Herron School of Art and Design; Perspectives in 18th·Century Art \Vayne Potratz, University of Minnesota Adam's Mark Hotel, Dallas Ballroom Aj, 1st Floor Discussants: Michael Aurbach, Vanderbilt University; Joe Seipel, Chair: Anne Schroder, Nasher Museum of Art, Duke University Virginia Commonwealth University The Elements: Experimental Philosophy in 18th-Century Peiforming and Visual Arts Elizabeth Liebman National Council on Education for the Ceramic Arts Clay in the Age of Mechanical Reproduction Nove/Words for Art: An Exchange of Critical Language in Adam's Mark Hotel, Austin Ballroom I, 2nd Floor the 18th Century Chair: Anthony Merino, National Council on Education for the Barbara Anderman, Lebanon Valley College Ceramic Arts Eros alld Mythos in Late 18th-Century French Art Dorothy Johnson, University of Iowa eAA International Committee National and International Organizations of Art Historians and Artists: Aims, Interests, and Activities Arts Council of the African Studies Association Adarn's Mark Hotel, Austin Ballroom 3, 2nd Floor Business Meeting Chairs: Jennifer Milam, University of Sydney; Veerle Thielem.ans, Adam's Mark Hotel, Dallas Ballroom D2, 1st Floor Terra Foundation for American Art, Musee d'Art Americain Giverny Association of Historians of American Art Introduction of Speakers Business Meeting Veerle Thielemans, Terra Foundation for American Art, Musee Adam's Mark Hotel, Houston Ballroom A, 3rd Floor d'Art Americain Giverny

National Art Education Association Contemporary Perspectives on Art Teaching and learning The Search for Vision's Body: 111e Role of Touch in the Practice of Adam's Mark Hotel, Dallas Ballroom 01, 1st Floor Painting and Architecmre Chair: Melody K. Milbrandt, National Art Education Association Adam's Mark Hotel, Houston Ballroom C, jrd Floor Building Bridges between Artists (md Educators Chairs: 1110mas Berding, Michigan State University; Sanda Iliescu, Mary Stewart, Florida State University University of Virginia Figure/Ground: Difference as an Opportlmity for Leaming TIle Tactility of Vision; or, Experiencing Painting and Sculpture in John Howell \Vhite, KutztO\vn University Scarpa's Castelvecchio and Cal1oviano Galleries Nathaniel Coleman, New Castle University Arts-Based Research and Visual Culture Inquiry: Critical Conllections B. Stephen Carpenter II, Texas A&M University Trace and Artifice Jill Moser, independent artist, New York Rebalancing Art Pedagogy in Tenus of Form + I11eme + Context Renee Sandell, George Mason University I1lreshold COlluections: Dialectics of Cybemetic Dematerialization and the Physicality of Pointing Derek Brueckner, University of Manitoba In Search of tile Tactilists: A Survey of Contemporary Haptic Aesthetes Jennifer Justice, independent scholar, Chicago Touch Is Essential: TIle "magic ofOfe rea/world" in the Work of Peter Zumthor Phoebe Crisman, University of Virginia Discussant: Scott Poole, Virginia Tech

FEBRUARY 20-23 CAA2008 29 Greenmedia Futures: Combining Art and Technology to Promote Sustainability Art History Open Session Adam's Mark Hotel, San Antonio Ballroom A, 3rd Floor Greek and Roman Art Chair: Tiffany Grace Holmes, School of the Art Institute of Chicago Adam's Mark Hotel, Houston Ballroom A, 3rd Floor Air Pollution and Public Agency Chair: John R. Clarke, University of Texas, Austin Beatriz da Costa, University of California, Irvine Rereading tile SmpedoH Krater Real Costs and Oil Standard Jenifer Neils, University of California, Berkeley Michael Mandiberg, College of Staten Island, City University of Animal Love: The Iconography oj Zoophilia in Greek An New York Annetta Alexandridis, Comell University Breathtaking: Climate Science in Art aud Media Captives and Patrons: Persian Precedents Jor the Ethnic Personifications Andrea Polli, Hunter College, City University of New York on the Sebasteiol1 at Aphrodisias Eco-tech Strategies: Digestive Table and Otller Works Benjaruin Rubin, University of Michigan, Ann Arbor Amy Youngs, Ohio State University Intra hanc definitonem: Domitiall alld tile Ara IlIcelldii Neronimd 011 tile Quirinal Discussant: Linda \Veintraub, independent scholar, Rhinebeck. New York Lea K. Cline, University of Texas, Austin New Lig/lt 011 a Neglected Medium: Late Romall 'Vall Paintings and tlte Evidence oj Dioc1etian's Imperial Cult Chapel Beyond the West: Asian Modernism and Design Susalma McFadden, University of Pennsylvania Adam's Mark Hotel, Dallas Ballroom D3, 1st Floor Chair: Daniel Huppatz, Pratt Instihlte Charles and Ray Eames in Iudia Donald Judd Saloni Mathur, University of California, Los Angle1es Adam's Mark Hotel. Houston Ballroom B, 3rd Floor Chair: Frances Colpitt, Texas Christian University Pang Xlmqin: Assimilating the World and tile Native in Modem Design Xiaoqing 2hu, University of Maryland Flavin Judd, Judd Foundation In tile Name oj "Modemization": TIle Design oj tile Chairman Mao Judd on Phenomena Memorial (nld the Rise and Fall oj HIm Guofollg Adrian Kohn, University of Texas, Austin Shuishall Yu, Oakland University DOllald Jlldd: Black as Space Tim Martin, De Montfort University kimt Modemities and Olympic Games: TIle Cases ofJapan and ClJina Jilly Traganou, Parsons the New School for Design Discussant: David Raskin, School of the Art Instihtte of Chicago Discussant: Sarah Teasley, Northwestern University

Painting and Critique in the Age of the Market Electronic and Emergent Media Art and Their Relationship to Adam's Mark Hotel, Dallas Ballroom C, 1st Floor Culture, Society, Identity, and Politics Chairs: Christopher K. Ho, Rhode Island School of Design; Peter K. Adaln's Mark Hotel, Dallas Ballroom Dr, 1st Floor Rostovsky, New York University Chair: Max Kazemzadeh, University of North Texas '~ Picture, and therefore a Model": Facture mId Frivolity il1 Painting after Richter Christopher Bedford, Courtauld Institute and Los Angeles County Modernist Primitivism Revisited: North American Prehistories Museum of Art Adam's Mark Hotel, Dallas Ballroom A2, 1st Floor Chairs: Claudia Mesch, Arizona State University; Gray Sweeney, A Few (Maifll}! First-Person} Observations on Various Failed Strategies Arizona State University (Some More Interesting tlJafl Others) Kevin Zucker, Rhode Island School of Design Stuan Davis a11d Georgia O'Keq{e: Making Modemism in New Mexico Ernily Ballew Neff, Museum of Fine Arts, Houston Just Do It? Painting and the Problem oj Intention Jonathan T. D. Neil, Art Review, and Boyd Level \VolJgang Paalm, European "Indian ism, " and the New York Sc11001 Amy \Vinter, Godwin-Tembach Museum, Queens College TIle Treachery oj Images Hilary \Vilder, Virginia Commonwealth University Cultures at a Crossroads: 'Voilid the Hopi Call TIlem Surrealists or Realists? Jessica \Veltoll. Virginia Commonwealth University Savage by Design: TIle American Indian Primitive in 'Vestem Photography Aleta Ringlero. Arizona State University Modemists and Head-Hunters: Edward S. Curtis's Indians in Film and Photography Shannon Egan, Gettysburg College Discussant: Barbara McCloskey, University of Pittsburgh 30 CAA2008 FEBRUARY 20--23 Painting as Mixed Media? Questions of language, Materials, Art History Open Session Illusion, and Unconventional Surface Northern Renaissance Art Dallas Ballroom A3, 1st Floor, Adam's Mark Hotel Adam's Mark Hotel, Austin Ballroom 2, 2nd Floor Chair: Nancy Morrow, Kansas State University Chair: Jeffrey Chipps Smith, University of Texas, Austin Mix It Up Eve mId Adam: Illvestigathig the Prototypes' Prototypes: jan vall Eyck, Samantha Kntkowski, University of Texas, Austin Hugo van der Goes, Albrecht DUrer Carol J. Purtle, University of Memphis TIle Slwped Ctmvos in tile 1930s: TIle Sculptuml Paintiugs of Abmham Joel Tobias and TIleir Sources, hJjluelices, alld Expressive Techniqlles 111< Injlllence of Technical A'lalyses on the Stlldy oflan van Eyck Herbert R. Hartel, Brooklyn College, City University of New York Noelle Streeton, University College, London "TIle Loveliest Flesh Charred Beyond Recognition": Bmce Conner, Open Sesame: all the Openiflgs and Closings of Early Netherlandish Pointing. mId tIle Art ofAssemblage Triptychs mid Their Impact all Meaning Kevin Hatch, Princeton University Lynn F. Jacobs, University of Arkansas Paintings like Pictures, PictIlres like Paifltiugs-Image, Object, Illusion, Readiflg Northern Narratives: HallS Memlillg's Scenes from the and Representation? TIle Paintings of Richard Heipp Advent and Triumph of Christ Richard Heipp, University of Florida Sally \V. Coleman, University of Texas, Austin Paintiug in tile Expanded Field: Emergellce oftlie Non-Paintiug-Centric TIle Ideal Flemish City as a Livil1g Panorama to Frame Early Practice Netl,erlandish Art Robert Bubp, \Vichita State University Hans J. Van Miegroet, Duke University

JaponismejOccidentalism Contesting Everydayness: Sihlations of Art and the Quotidian Adam's Mark Hotel, Austin Ballroom I, 2nd Floor Adam's Mark Hotel, Austin Ballroom 3, 2nd Floor Chair: Christopher G. Reed, Pennsylvania State University Chair: Royce W. Smith, School of Art and Design, College of Fine Arts, \Vichita State University Tile Constmction of COfltinuity: Edmolld de Goncollrt's japollisme Pamela Warner, University of Rhode Island TIle Time \Varp of tile Everyday: Surrealism al1d the Outmoded Abigail Susik, Columbia University Decadeuce: Japanese Paiuterly Respomes to japollisme, 1893-1910 Chelsea Foxwell, Columbia University In tile Space of tile City: Daniel Buren's Affichages Sauvages Jennifer Farrell, Yale University Art Gallery Marketing Cllltumi Fmltasy: japan's TeallOuse at the Louisiana Purcllase Exposition Claes O/dmburg's Tlleater of Vision: Experiencing Everydayness at Hsuan Tsen, Stanford University The Store (1962) Nadja Rottner, Columbia University Frencll Body Orientalized: TsuguJJant Foujita's Reclining Nudes of tile Early 1920S Common Sense: Class, Creativity, and the Everyday in tile \Vork of Ikuyo Nakagawa, City University of New York Ric1l(1rd Billillgll(l/1l Vanessa Corby, York st. John University Kandinsky and the Utopian ill japaflese Modernism Alicia Volk, University of Maryland Drifters: Plastics, Pollutants, cwd Personhood Pam Longobardi, Georgia State University

Gilded-Age Portraiture: Another Look Adam's Mark Hotel, Dallas Ballroom D2, 1st Floor ARTspace Chairs: \Villiam Rudolph, Dallas Museum of Art; Sylvia Yount, Geshues of Resistance: Craft, Performance, and the Politics Virginia Museum of Fine Arts of Slowness Adam's Mark Hotel, Lone Star Ballroonl C4, 2nd Floor Self-Portrait as a Bulletin Board; or, Jol111 F. Peta's Piecemeal Self Chairs: Shannon Rae Stratton, TIlree\Val1s Artist Residency and Meredith Paige Davis, Ramapo College of New Jersey Exhibitions; Judith Leemann, Assumption College On Last-ChaHce Gulch: Cabinet Cards of Afiican Americans and TIle lOo-Mile Suit: Costume as all Exercise in Regiollolism Asians by J. P. Ball ill Helcua, MOlltaua, c. 1887-1900 Kelly Cobb, Maryland Institute College of Art Theresa Leininger-Miller, University of Cincinnati Mic1l(1el Rakowitz and tile Anti-craft Tradiliol1 Reinventing Portrait PllOtograplly: Zaida Ben-Yusllj and tile Roots of Bibiana Obler, Johns Hopkins University Modernist Portraiture Frank H. Goodyear, III, National Portrait Gallery, Smithsonian Making and Faking: Ind"strial Distillation ofth. Crajled Mark Institution Rod Northcutt, Rochester Institute of Technology Precious Objects: Mil1iatllre Painting at tile Tlml of tile Century Doing Time: \Vomen, Hand-Spinning, alld Quiltmaking in Lancaster Carrie Rebora Barratt, Metropolitan MUSetull of Art County, Pennsylvania, 1800-1880 Patricia Keller, McNeil Center, University of Pennsylvania Figure aHd Ground: John Singer Sarge~lt,'s Divided Social Body Susan Sidlauskas, Rutgers, State University of New Jersey UlI-Express; or, Deliveriug SiolVuess as Political Ploy Kristine \Voods, Maryland Institute College of Art; Christopher Whittey, Maryland Institute College of Art

FEBRUARY 20-23 CAA2008 31 2:30-5:00 pm 5:30-7:00 pm Collecting and Collectivity: Contemporary Art at the Interstices of Foundations in Art: Theory and Education Acquisition and Conunullity Teaching Gell M (the Millennium Generation) Adam's Mark Hotel, Lone Star Ballroom &t, 2nd Floor Adam's Mark Hotel. Dallas Ballroom AI, 1St Floor Chairs: Charissa N. Terranova, University of Texas, Dallas; Noah Chair: Steven Bleicher, Coastal Carolina University SiInblist, Southern Methodist University The Polychromic Classroom A Houston-Based Artist Anthony Fontana, Bowling Green State University Lynne McCabe What- Are Words For? 11le Display of Knowledge: Martha RosIer's Library Juan Juarez, Syracuse University Catherine Caesar, University of Dallas What about Creativitr? Kabakov (HId Koons: 11le Artist in the Collective David Kamm, Luther College Marian Mazzone, College of Charleston Changing the Sheets: Textbooks for New Leamillg Strategies Collecting as a Vocntiofl: Tile Aesthetic Project oJ Dominique and Ralph Lanllann, University of Evansville John de Menil Pamela Smart, Binghamton University CAA Publications Committee Cllratillg the RacllOfsk)' Col/ection Censorship and Publishing in the Arts Allan Schwartzman, Rachofsky Collection Adam's Mark Hotel, Dallas Ballroom A2, 1st Floor Chair: Paul B. Jaskot, DePaul University

University of North Carolina Center for Craft, Creativity and Design Enabling Creativity and Preserving Processes: Partnerships between Academia, Artists, and Communities Adam's Mark Hotel, Dallas Ballroom D2, 1st Floor Chair: Jody Sen'on, Appalachian State University Marjorie Devon, Tamarind Instihlte, University of Mexico Dan Rockhill, University of Kansas Brent Skidmore, University of North Carolina, Asheville

Historians of 18th-Cenhlry Art and Architecture Business Meeting Adam's Mark Hotel, Dallas Ballrooll1 A3, 1st Floor

Leonardo/International Society for the Arts, Sciences, and Technology Business Meeting Adau1's Mark Hotel, Dallas Bal1rooll1 D3, 1St Floor

32 CAA2008 fEllflUld{Y 20-23 Thursday, February 21 Radical Art Caucus Power and the Gendered Imagery of Contemporary Global Politics Adam's Mark Hotel, Houston Ballroom A, 3rd Floor 7:30-9:00 am Chairs: Carol G. Duncan, Ramapo College of New Jersey; Hannah Association for Latin American Art Feldman, Northwestern University Business Meeting Antiwar Art------and Feminist? Adam's Mark Hotel, Dallas Ballroom Ar, 1St Floor, Sue Malvern, University of Reading Traces of Class and Geflder in the PllOtographic Represefltatioll Catalogue Raisonne Scholars Association oJSoldiers Business Meeting Owen Mundy, University of Califonlia, San Diego Adam's Mark Hotel, Dallas Ballroom D3, 1St Floor "Girls say yes to boys who say 110": Contemporary Art during tile War on Terror Siona Wilson, College of Staten Island, City University of New York; 9:30 am-12:00 pm Sharon Parker, College for \Vornen, Kuwait University Handmade Utopias TIle Wars at Home Adam's Mark Hotel, Dallas Ballroom D2, 1St Floor Arnaud Gerspacher, Case \Vestern Reserve University Chair: Glenn Adamson, Victoria and Albert Museum I1toreau, Eiben Hubbard, and tlu! American Arts and Crafts Movement Jonathan Clancy, Graduate Center, City University of New York Provenance: The Transformative Power Adam's Mark Hotel, Dallas Ballroom A3, 1st Floor Crafting a Civic Utopia in Newark, New Jersey: Jail" Cotton Dana's Chairs: Gail Feigenbaum, Getty Research Instihlte; lnge Reist, Newark Library and Mllseum Frick Art Reference Library Ezra Shales, Alfred University From Place to Place: Provenience, Provenance, aud Archaeology Harvesters of Clay: Syndicate ofRllral Potters ofthe Be(wa Rosemary A. Joyce, University of California, Berkeley Alan C. Elder, Canadian Museum of Civilization From Mariette to ]oullain: Provenance and Vcdue in French Auction Can Craft, Utopia and Modemism Coexist? Norman Bel Geddes's \Var Sales Catalogues (1741-83) Models at tile Museum of Modem Art Sophie Raux, University of lille Nicolas P. Maffei, Nonvich School of Art and Design Provenance and Institutional Critique in tire Works of Hans Haacke Autllel1ticity and the Hal1dmade at Paolo Soleri's Arcosanti and Maria Eichhorn Elissa Auther, University of Colorado, Colorado Springs Jeannine Tang, Courtauld Institute of Art Discussant: Julia Bryan-Wilson, University of California, Irvine Provenance as Pedigree Elizabeth Pergam, Dian Woodner Collection

African American Art and Globalization: Critical Perspectives On Rethinking Provenance as tile Social Life ofArt Adam's Mark Hotel, Dallas Ballroom DI, 1st Floor Anne Higonnet, Barnard College Chair: John P. Bowles, Indiana University

Robert S. Duncanson as "Positively" American Offsite Session \Vendy Katz, University of Nebraska, lincoln TIuner in America Augustus Washington and the Origins ojAfrican Photography Dallas Museum of Art, Horchow Auditorium, 1st Floor Kevin Mulhearn, Graduate Center, City University of New York and Chairs: Gillian Forrester, Yale Center for British Art; Timothy University of South Carolina Upstate Barringer, Yale University Double-Consciousness in Tltree-D: Modemist and Global Perspectives in America's First Public Timler: the Metropolitan Museum of Art's Brief the Swlpture oj Nancy Elizabeth Prophet 1i~m with Til mer's Slave Ship and Its Early Reception in Boston Amalia K. Amaki, University of Alabama Nancy J. Scott, Brandeis University Marketing Haiti: Imperialism, Primitivism, and tIle Golden Age Reading Ruskin/Misreading l1mler: Fitz H. Lane's Compromised of Tourism Seascapes lindsay J. Twa, Augustana College Robert Slifkin, Yale University The Work ojArt in tI .. Age oj Hip Hop The Language of Landscape: Reading Detail in}. M. \V, TImler and Krista A. Thompson, Northwestenl University Frederic Church Jennifer Raab, Yale University

fEBRUARY 20-13 CAA2008 33 9:30 am-12:00 pm Gelldered Economies: Masculifle Markets and Feminhle Reprod!lction in Early Modem Art Photography aller Photography James Bloom, Vanderbilt University Adam's Mark Hotel, Austin Ballroom 3. 2nd Floor Comelis Ketel, Fitlgerpaillter: Procreation and Profit in Chair: Matthias Geiger, University of California, Davis Perspective c. 1600 Hvemgardi, Iceland as a Collaborative Site H. Perry Chapman, University of Delaware Jo Yarrington, Fairfield University; Marion Belanger

Peiforming tile Photograph with Minor White Art History Open Session Mary Goodwin, University of Alaska, Fairbanks Corporeality and Figuration in South Asia Tmpphtgs Adam's Mark Hotel, Houston Ballroom B, 3rd Floor Tiffany Ludwig, independent scholar and media consultant, Chair: Michael W. Meister, University of Pennsylvania Montclair; Renee Piechocki Replicating tlte Buddlta: Tlte Great Miracle oJSriiVlIstl, tlte I \Visl! to Say Divylivadlina and Ajanta's Cave 26 Sheryl Oring, independent scholar, Brooklyn Leela Aditi Wood, Detroit Institute of Arts Electric Girls a"d tlie I"visible IVorld Recovering tile Gum: Corporeal Presence and Architectural Laura larsen, Ohio University Embodiment in 10th-Century India Tamara Sears, New York University Making Heads or Tails oj It: Figuring Out Realism in Early Surrealist Drawing, 1915-50: Tracing the Subversive line and the Mughal Painting Wayward Mark Yael Rice, University of Pennsylvania Adam's Mark Hotel, Dallas Ballroom 03, 1st Floor Chairs: Leslie C. Jones, Los Angeles County Museum of Art; TIle Eviscerated Body: Gender and Nationalism in Swades11i Art Theresa Papanikolas, Los Angeles County Museum of Art Niharika Dinkar, Boise State University Experimc11tal Wanderings in tile Drawings of Robert Demos Mimetic Desire in PushpamaJa's Photographs Mary Ann Caws, Graduate Center, City University of New York Ajay Sinha, Mount Holyoke College Stopping Painting: Picasso, Automatism, and the Exquisite Corpse Susan Laxton, Princeton University The Self Within: Art between Mesmer and Freud Joan Miro's Automatic Drawing Adam's Mark Hotel. Dallas Ballroom A2, 1st Floor Charles Palermo, College of William and Mary Chair: Marsha Morton, Pratt Institute Remedios Varo's Mexican Drawings TIle Spirit and the Psyche: 19th-Century Automatic Drawings Rosa Berland, Museum of Moden} Art, New York Rachel Oberter, University of North Carolina, Chapel Hill A FigHre in the Margins: La Pomme d'Ebene, SHrrealism al1d the Hysterical Manipulation: Hypnosis and Electrotherapy in Late Post-\Vorld IVar II Body 19lh·Century Paris Ellen E. Adams, Miami University Mary Hunter, McGill University Kinaestl1etic SketclJing: Hermann Obrist's Occult Modemism Zeynep Alexander, Center for Advanced Study in the Visual Arts, Historians of Netherlandish Art National Gallery of Art, Washington, DC Gender and the Market in Netherlandish Art Adam's Mark Hotel, Houston Ballroom C, 3rd Floor Louis Ei/shemius's Artistic/Mesmeric Practice Chairs: Alison M. Kettering, Carleton CoHege; Lisa Rosenthal, Catherine McNickle Chastain· Elliott, University of Tampa University of Illinois, Urbana-Champaign Discussant: Nancy Locke, Pennsylvania State University Stimulating Desire, Negotiatil1g the Market: Pram van Mieris's Cloth Shop in Context Angela Ka·Yan Ho, University of Michigan, Am} Arbor Marketing and MasClllinity: Van Dyck among the Daughters of Lycomedes Suzanne \Valker, Tulane University Pennies from Heaven: Men, MOlley, and Morality in Northern Rellaissance Art Diane Wolfthal, University of Arizona

34 CAA2008 fEBRUARY 20-23 Museum Encounters between Objects and the Public Urban Image Now: Photographic and Filmic Manifestations of a Adam's Mark Hotel, San Antonio Ballroom B, 3rd Floor Subjective City Experience Chair: Christina Olsen, Getty Foundation Adam's Mark Hotel, San Antonio Ballroom A, 3rd Floor Chair: Miriam Paeslack, California College of the Arts Great Expectations: Encounters between Pictl,res and People in the Museum of Modem Art's Collection P/lOtogmphy vs. Visibility: Seeing Un,,'" Aspects oJ a City Sarah Ganz, Museum of Modern Art Elisabeth Neudoerfl, Academy of Visual Arts, Leipzig

Dialogical Encounters Ol~t·side: Dominique Gonzalez-foerster's City Spaces Rika Burnham, Metropolitan Museum of Art Stephen Monteiro, Universite de Paris I, Pantheon-Sorbolme

Intervention and Interpretation: Artists' Projects mId A!~dl'e'lce Urban Archaeologies: Embodied Viewership in Recent Media Art Reception in Contemporary Museums Robin Clark, st. Louis Art Museum Karen Moss, Orange County Museum of Art Reimagining tile Urban Di.fferent Publics, Diffirent Readiflgs: Creating Personal History in Nana Last, Rice University the Cllelsm jeam Memorial Susie Wise, Stanford University ARTspace Jill Baird, Museum of Anthropology at d,e University of British Immense Prints Columbia Adam's Mark Hotel, Lone Star Ballroom C4, 2nd Floor Discussant: Elizabeth Rodini, Johns Hopkins University Chair: Sheri Fleck Rieth, University of Mississippi Type A; or, HolV I Leamed to Stop Worrying and Love My Dremel Tool Chris Brady, Hinds Community College Neuroscience and the History of Art, Part I Adam's Mark Hotel, Lone Star Ballroom A4, 2nd Floor War Birds: Large-scale Print Collages Chairs: John Onians, University of East Anglia; Benjamin Lima, Dale Clifford, Savannah College of Art and Design Yale University Satirical Large-Scale Prints: Outlaw Printmaking alld Beyond TI,e Need for Nwroarthistory Tom Huck, \Vashington University, St. Louis John Onians, University of East Anglia Make It Big: Don't Make It Red, Make It Bille! From a Neuroaesthetics to a Neuroarthistory: Visual System Responses Barbara Madsen, Mason Gross School of the Arts, Rutgers to Cultuml Responses University James E. Cutting, Cornell University Papercuts Milfor Nel~rons and Mimetic Regimes Carlyle Wolfe, University of Mississippi Thomas Habinek, University of Southern California LiI Ole Lady, Living Large Understanding Motor Responses Sheri Fleck Rieth, University of Mississippi David Freedberg, Columbia University Toward a Cognitive Image Histcry Barbara Stafford, University of Chicago CAA Advocacy Session Cultural Patrimony in Iraq Adam's Mark Hotel. Dallas Ballroom Band C, ISt Floor Contemporary Design Theory and Practice Chairs: Nada Shabout, University of North Texas; Donny Adam's Mark Hotel, Austin Ballroom I, 2nd Floor George, Stony Brook University, State University of New York Chair: Keith Owens, University of North Texas

Moving On, Moving Ol~t: Future Scenarios for Design Education Susan K. Roth, Virginia Commonwealth University Anthropological 111eory: 1tansdisciplinary Intersectiom in Ethical Design Elizabeth Tunstal1, University of Illinois, Chicago Printed Books, I1teir Inherent Conventions, and TlJeir Comequent Limiting Effects on Design Thinking and Practice Rudi Meyer, Nova Scotia College of Art and Design 111eory and Practice in the Era of the Unsustainable: Looking Back to Look Fonvard John Calvelli, Pacific Northwest College of Art Dehomogmizing tile Future of tile Design Process Olle Subculture at a Time Michael Gibson, University of North Texas

FEBRUARY 20-23 CAA2008 35 9:30 am-12:00 pm

Drawing Concern: Issues in the Practice and Reception of a Visual Resources Association Neglected Art The Visual Resources Curator and Art Historian Parblership: Adam's Mark Hotel, Dallas Ballroom AI, 1St Floor Legacy Images in University Databanks Chair: Cheryl K. Snay, Blanton Museum of Art, University of Texas, Adam's Mark Hotel, Austin Ballroom 3, 2nd Floor Austin Chair: Kathe Hicks Albrecht, American University Drawings (HId the ColorejDisegno Debate in Renaissance Italy Save Ollr Slides! Part 1: Scholars' Legacy Collections in Digital Archives Thomas McGrath, Suffolk University Kathleen Arthur, James Madison University

Tile Cutting Edge: Wilen the Artist P14ts Down the Pencil and Takes Up Save Our Slides! Part 2 the Knife Sara Nair James, Mary Baldwin College Ken Grant, Harry Ransom Humanities Research Center, University FaCIlity Col/ections in the ARTstor Digital Library of Texas, Austin Barbara Rockenbach, ARTstor Preserved 011 Paper: Artists' Drawing Albums in Antebellum America Sharing the Legacy: Modem Latin American Images Joy Peterson Heynnan. University of Maryland Jacqueline Barnitz, University of Texas, Austin interventions: Framing Pedagogical Practices of Drawing in the Empire Discussant: Sigrid Knudsen, University of Texas, Austin aud the Colony Amy Kantawala, Teachers CoHege. Columbia University Teaching Drawing il1 America Arts Council of the African Studies Association Jan Howard, Museum of Art, Rhode Island School of Design (Re)Claiming Africa in the African Diaspora Adam's Mark Hotel, Houston Ballroom A, 3rd Floor Chairs: Jean M. Borgatti, Clark University; Heather Shirey, Rauschenberg and After University ofSt. 1110mas Adam's Mark Hotel, Austin Ballroom 2, 2nd Floor Defining tile Diaspora: Appropriating Public Spaces in Salvador da Chair: Lisa Susan \Vainwright, School of the Art Institute of Bahia, Brazil Chicago Heather Shirey, University of st. 1110mas Monogram as "Gloml" Icon: Rauscllenberg and C01ltemporary Globalism None So Blind as He Who Will Not See: Islam and Early American Visual Cldt14re Hiroko Ikegami, Osaka University Elizabeth Kuebler-Wolf, University of st. Francis Rauschenberg's Iudex: Toward Mediation and Indetenninacy in the Art 11 .. Social Lifo oflVest Africall Photographers in New York City of tile 1960s Harriet /. Walker, City University of New York Julia E. Robinson, Princeton University Gold Coasts ofthe Mind: Chris Ofili Rauscl!enberg and tile Embodied Image William Ian Bourland, University of Chicago Marie Shurkus, Pomona College Refilling Hierarchy: Rallschenberg alld Contemporary Korean Art Hee-Young Kim, Hanyang University CAA Education Committee Teaching Art in a Troubled World: Eco-Practice as Pedagogy Broken Narratives: From RauscJfenberg to Neo Rauch Adam's Mark Hotel, Dallas BaJlroom AI, 1st Floor Roni Feinstein, independent scholar, \Vestport, Connecticut Chair: Samantha Fields, California State University, Northridge Discussant: Jonathan D. Katz, Sterling and Francine Clark Art Ecoart Practice: Art Made in Response to El1vironmelltal Crisis Institute Patricia Watts, Sonoma County Museum of Art Sustaillability by Design Heidrun Mumper-Drumm, Art Center College of Design The Pedagogical Chal/enge ofthe Invisible Incremental Linda Weintraub, independent scholar, Rhinebeck, New York

ARTspace The Sustainable Studio Adam's Mark Hotel, Lone Star Ballroom C4, 2nd Floor Chairs: Patricia Flores, California College of the Arts; DUane Slick, Rhode Island School of Design

36 CAA2008 FEBRUARY 20-23 Hazardous Traditions: A Short History of tile Environmental Impact Reading Tolstoy: Russian History and Pictorial Narratives ofthe of Art Pmctice "Patn'otic War," 1812-1912 Patricia Flores, California College of the Arts Andrew M. Nedd, Savannah College of Art and Design Trial by Fire; or, 11le Implementation of C!41ture CI1al1ge ill the Art Leaming to Look: Illustrated Surveys and Popldar Art History in School mid the Studio Setting tile 19t1l Century Duane Slick, Rhode Island School of Design Amy M. Von Lintel, University of Southern California Personal alld ElIviroumental Sustainability: Self, Disaster, Revolution A Toucll of Blossom Jae Rhim Lee, Massachusetts Instihlte of Technology Alison Mairi Syme, University of Toronto

Association of Historians of American Art National Endowment for the Humanities The Impermanent Collection Grant Opportunities for Art Historians and Art Museums Adam's Mark Hotel, Austin Ballroom 2, 2nd Floor San Antonio Ballroom B, 3rd Floor, Adam's Mark Hotel Chairs: Vivien Green Fryd, Vanderbilt University; Laura Katzman, Chairs: Clay Lewis, National Endowment for the Humanities; James Madison University Barbara Bays, National Endowment for the Humanities

Catalogue Raisonne Scholars Association Association for Textual Scholarship in Art History Why Sculpture Is Never Boring Bridging the Arts: TIle Juncture of Literarnre, Criticism, and Art Dallas Ballroom D3, 1st Floor, Adam's Mark Hotel in the 19th Century Chairs: E. Adina Gordon, independent scholar, Englewood, New Adam's Mark Hotel, San Antonio Ballroom A, 3rd Floor Jersey; Steven Manford, independent scholar, Ontario Chair: Jessica Locheed

11le Roy Lichtenstein Catalogue Raisonne and the Authelltication of 11fe Matrix Medievnl Rebom: Frankenstein and "Quasj11l0do"~ Editiofled Sculpture Arcllitects of Revival aud the Makillg of an Artist Yolande Trincere, Roy Lichtenstein Foundation Tina \Valdeier Bizzarro, Rosemont College

Surpn'ses 011 the Catalogue Raisonne Trail: Freden'ck W. MacMo1Jnles's \Vn'til1g the Lalldscape: "Marc" de Montifaud's Reception of Corot Public (md Private SCIllpture Commissions \Vendelin Guentner, Marquette University E. Adina Gordon, independent scholar, Englewood, New Jersey '~ Better \Vay to Read Great Book-s": Romantic LitllOgraphs in Lawless Bronze: Forgeries ill the Sculpture of Frederic Remington (HId Gauguin's Scott Suite of 1829 Charles M. Russell Beth S. \Vright, University of Texas. Arlington Rick Stewart, Amon Carter Museum

Southern Graphics Council Association for Latin American Art Digital Printmaking: A Knight in Shining Armor, a Death Sentence, Emerging Scholars Session or Another Tool in the Toolbox for Traditional Printmaking? Adam's Mark Hotel, Dallas Ballroom DI, 1st Floor Adam's Mark Hotel, Austin Ballroonl I, 2nd Floor Chair: Adam Herring, Southern Methodist University Chair: Kristin Powers Nowlin, independent artist, Lincoln Nametagged Captives in Clnssic Maya Art: A Conjlation of Text Keeping Printmaking Viable ill tile Era of Digital Media and Image Todd D. Anderson, Southenl Illinois University, Edwardsville Catherine E. Burdick, University of Illinois, Chicago Ti,e Art of tile Flltllre: TIle Flltllre ofArt ForeigH Characters: Visualizing Identity in tile 21st-Ceutury Shaurya Kumar, Bowling Green State University Guatemalan Highlallds Embedded Practices Rhonda Taube, University of California, San Diego Kevin Haas, \Vashington State University Negotiating Nationalism: jean Charlot alld Modem Mexican Art State of the Art: A National Survey on the Impact of Digital TecJI1l010g}! Arden Decker, Graduate Center, City University of New York Ott Academic Pn'ntmakillg Sandra Murchison, Millsaps College Association of Historians of 19th-Century Art New Directions in I9th-Cenhlry Art History Association of Art Museum Curators Adam's Mark Hotel, Lone Star Ballroom fu}, 2nd Floor What Makes a Collector a Philanthropist? Lessons from the Chair: Anne Higonnet, Barnard College Miracle in Dallas Canova's Connoisseurship Games Adam's Mark Hotel, Houston Ballroom B, 3rd Floor Christina R. Ferando, Colmnbia University Chair: George T. M. Shackelford, Museum of Fine Arts, Boston Carolus-Duran's Portrait de M***: Portraying (alld Peifonning) tile Black-clad Parisielllle Justine Renee DeYoung, Northwestern University

FEBRUARY 20-23 CAA2008 37 Art Historians Interested in Pedagogy and Technology Business Meeting Adam's Mark Hotel, Houston Ballroom C, 3rd Floor Poster Sessions Adam's Mark Hotel, 2nd Floor main hallway, near Lone Star Ballrooms Queer Caucus for Art Business Meeting Poster Sessions are informal presentations for small Adam's Mark Hotel, Dallas Ballroom D2, 1st Floor groups displayed on poster boards by an individual. The poster display is usually a mixture of a brief narrative paper intermixed with illustrations, tables or graphs, and other Radical Art Caucus presentation materials. With a few concisely written areas Business Meeting of focus, the poster display communicates the essence of Adam's Mark Hotel, Dallas Ballroom A3, 1st Floor the presenter's research, synthesizing its main ideas and research directions. Poster displays will be on view for the duration of the conference, beginning on 1bursday morn­ Society of Architectural Historians ing. On Thursday and Friday, from 12:30 to 2:00 pm, Business Meeting presenters \vill be at the Poster area. Adam's Mark Hotel, Dallas Ballroom A2, 1st Floor Teachingfor Understanding in Foundation Design Jolm Baltrushtmas, Maryville University Prototyping tile Digital Clinical Chart for Cllitllral Heritage Derrick R. Cartwright, San Diego Museum of Art; Maurizio Studio Art Open Session Seracini, Center of Interdisciplinary Science for Art, Narrative in Contemporary Ceramics Archaeology, and Architecture (CISA3); Holly Witchey, Adam's Mark Hotel, Austin Ballroom I, 2nd Floor Cleveland Museum of Art Chair: Peter Beasecker, Meadows School of the Arts, Southern Healing Hearts through the Arts Methodist University Karla Freiheit, University of Kansas Margaret Meehan, University of Texas, Austin in London Calling: Art Protest and tlte "No MI1" Campaig/'l John Byrd, University of South Florida Hannah Liley, University of the Arts, London Ayumi Horle Leaming by Design: An Analysis of the Leaming Styles of Design Students Chris Gustin Barbara E. Martinson, Col1ege of Design, University of Minnesota Toward a Digital Aesthetic, Part I Within and Outside: 71te Aboriginal Prese1lce at the Venice Austin Ballroom 2, 2nd Floor, Adam's Mark Hotel Biennale 1997-2007 Chair: Steven Bleicher, Coastal Carolina University Nancy Mithlo, Smith College Digital Aesthetics and tile Collapse of Contemporary Common Sense "Coloiful, LumifJO!4s World": Genllan Landscape Painters \Varren Sack, University of California, Santa Cruz Representing tlte Colonies Itohan Osayimwese, University of Michigan, Ann Arbor TIle Persistence of Grids James Nesbit, Stanford University Experime1ltal Teaching, Active Leaming, aud tlte Art History SIHVey. A Graduate Teac1Jillg Laboratory at Duke University The Personalized Surface within Fine-Art Digital Printmaking Mitali J. Routh, Duke University; Robert A. Mayhew, Duke Paul Coldwell, FADE (Fine Art Digital Environment), University University; Karen Gonzalez Rice, Duke University of the Arts, London Paths to Ritual Dreams: TIle Architecture of Healing at Electronic Ritual aud Ceremony Pergamon Joan 1htckenbrod, School of the Art Institute of Chicago Ufuk Soyz, University of Texas, Austin (\Veb )Site·specijic: Public Art on the \Vorld \Vide \Veb Stlldio Art: \Vilat's Next? TIle Greening of Pedagogy Annie Gerin, Universite du Quebec, Montreal Unda \Veintraub, independent scholar, Rhinebeck, New York

38 CAA2008 FEBRUARY 20-23 rrtIJunsaay, RBorualJX 21 .

International Center of Medieval Art Those Were the Days: New York in the 1970S Current Perspectives on Manuscript Illumination in Late Adam's Mark Hotel, San Antonio Ballroom A, 3rd Floor Medieval Paris Chair: Alexander Dumbadze, George Washington University Adam's Mark Hotel.. Dallas Ballroom D3. 1st Floor Gellder in the New York Video Collectives: Women in tlu: Chair: Gregory T. Clark. University of the South "Global Village" Homage to L. M. j. Delaisse: Tile ROIlses in Context Deanne Pytlinski, Metropolitan State College of Denver Robert G. Calkins. Cornell University Spray Paint, Vandalism, and Reclamation: Gordon Matta-Clark's \Vhat's in a Name? Jean Pucelle, jean Le Noir, and TIleir Collaborators Graffiti Tmck and the Urban Ritual ofArt·Making Anna D. Russakoff, American University of Paris Jeffrey Thompson, \Vestern Michigan University Everybody Wallts to Rule tile World: The Livre des meIVeilles as TIle Fox: A Critical Position in and on 1970S Art Discourse Princely Propaganda Mary Keane Leclere, University of Virginia Andrea G. Kann, University of Iowa Jo Baer, the Problem of Painting, and Modemism's Last Stand: TIle Illmninator- "Libraire" and tJJe Book of Hours: TIle Case of the New York. '975 Boucimut \Vorkshop Patricia Kelly, DePaul University Christine Geisler Andrews, Smith College Crosstown Traffic Discussant: Richard H. Rouse, University of California, Alan \V. Moore, University of South Florida Los Angeles

The latin American City Imagining the Past: Reassessing Historical Reconstructions Adam's Mark Hotel, San Antonio Ballroom B, 3rd Floor of the Antique Chair: Alison Fraunhar, St. Xavier University Adam's Mark Hotel, Dallas Ballroom AI, 1st Floor TIle City as a Shirt: Visual Culture across Mediums in tile Chairs: Victoria C. Gardner Coates, University of Pennsylvania; A'lcient Andes Jon 1. Seydl. Cleveland Museum of Art Maya Stanfield-Mazzi, Tulane University Imagining the AlItiqlle in Milanese Reuaissance Swlptllre Peifontlit1g Images: TIle Spanish Viceregal City and Public Spectacle Charles R. Morscheck, Jr., Drexel University Ray Hernandez-Duran, University of New Mexico Giuliauo da Sangallo, the Crypta Balbi, aud Reconstmction as Occupatio/!: Cuba 1899 Narrative Stephanie Schwartz, Bryn Mawr College Cammy Brothers, University of Virginia Urban Form and the Modem Nation: Parque Mexico and Mexico City Piranesi's lmpeifect Ruins Kathryn O'Rourke, University of Pennsylvania Heather Hyde Minor, University of Illinois, Urbana-Champaign Discussant: David Craven "Speaking Ruins": Piranesi and Desprez nt Pompeii John Pinto, Princeton University Rodolfo Lauciani's Romes Beatified but Not Canonized Susan M. Dixon, University of TId sa Adam's Mark Hotel, Austin Ballroom 3, 2nd Floor Chair: William V. Gallis. Wells College Splendor nnd Misery of Frolch Painting: Revisiting tile School of Paris's Art History Open Session Exclusion from the Canon Self.Taught and Outsider Art Today Catherine Dossin, University of Texas, Austin Adam's Mark Hotel, Dallas Ballroom 02, 1st Floor Chair: Susan Mitchell Crawley. High Museum of Art How Screams Became "Pieces of Clear Ice": Lookiugfor Wojllarowicz in Gonzalez-Torres Searching for a Modem Opicinus in Louisiana: Psychoanalysis mid Mysoon Rizk, University of Toledo Outsider Art Deborah H. Cibelli. Nicholls State University Silence around john Cage Sandra Skurvida, Fashion Instihlte of Technology Orphans, Urchins, and Safe Bets: Cn1lonicity and Outsider Art Colin Rhodes. Sydney College of the Arts. University of Sydney TI,. Resurrecti01l ofJulia TI"da (1896-1973): Can01lizatioll or Disease? Cnnon Fonnation in a Field of Many Names Joanna P. Gardner.Huggett, DePaul University Charles Russell, Rutgers, State University of New Jersey, Newark jewish American Artists and the Fomwtion ofthe American Art CatIon TI,. Self-Taught Calion and tl,. Modernist Eye Samantha Baskind, Cleveland State University Jenifer P. Borum, Ameri£an Folk Art Museum

TI~e EpJJemeral as Metaphor: Self-Taught and Mainstream Alison Weld, independent artist and curator, New York

FEBRUARY 20·-23 CAA2008 39 Cute Adam's Mark Hotel, Houston Ballroom C, 3rd Floor ARTspace Chairs: Jillian Saint Jacques, Jan van Eyck Academie; Yasco The Divas and Iron Chefs of Encaustic Horsman, Leiden University Adam's Mark Hotel, Lone Star Ballroom C4. 2nd Floor Tile Apotlleosis oj Cute: 711e Sncred nlld ProJnlle ill til, \Vork oj Chair: Reni Gower, Virginia COll:l111onwealth University Mnrk Ryden Eucallstic Painters oj Aflcicut Times Acacia \Vanvick, \Vinona State University Richard Fnuness, R & F Handmade Paints The Girl with a Child i1l Her Eyes: Cuteness as Hierarchy Solvent in Contemporary Encaustic Painting Morrison, Mauet, and AYll Joanne Mattera, Massachusetts College of Art and Montserrat Joan Lee, Rhode Island School of Design College of Art Not So Cute: Kawaii as Critique RevealjCollcenl Kirstin Ringelberg, Elon University Kristy Deetz, University of Wisconsin, Green Bay It Always Floats: Cuteness as the Aesthetic Frame Mapping Topographies: Wax Swfnees mid Digital Shimmer Catherine \Vilcox-Tihts, \Vorcester State College Peter Dykhuis. Dalhousie Art Gallery

Material, Memory, and Meaning What's the Use? Critical Histories of Art and Design Colleges Lorraine Glessner, Tyler School of Art Adam's Mark Hotel, Dallas Ballroom A2, 1St Floor Heated Drawing Chair: Mary Ann Stankiewicz, Pennsylvania State University Cheryl Goldsleger. Georgia State University High? Medium? Low? Adjusting the Trajectory: Why Boston Recent 'Vork ill Wax m1d Plaster Brahmins LaunclJed Tliree Distinctly Different Institutions for Heather Harvey, independent artist, Big Stone Gap, Virginia Teachillg Ad"lts HolV to Mnke Art Paul Dobbs. Massachusetts College of Art Hammer.. Tape, Torch, Mesli, (Ind Wax: Approaches within an ElICallstic Process \Vhat Lies Beyond the Bn"/,",,s? 71" Politiml "Logics" oJCollege Jeffrey Hirst, independent artist, Mhmeapo1is Art Pedngogy John Baldacchino, Teachers College, Columbia University Divas and C1lefs Discllssed Timothy MCDowell, Connecticut College Art School Pedagogy: TeaclJing and Leaming in a Complex World Monique Fouquet, Emily Carr Institute of Art and Design Inside the Trenches: A Critical Evaluation of Redesigning Ali and The Vernacular Print in Contemporary Art Design Education Adam's Mark Hotel, Lone Star Ballroom A4, 2nd Floor Panne Giuntini, Otis College of Art and Design Chair: Beauvais Lyons, University of Tennessee Discussant: Timothy Emlyn Jones, Burren College of Art Takin'It to tile Street and Stickin' It to tile Man: Cilitural and Political Resistance in Contemporary Sticker Art Catherine Tedford, st. Lawrence University Radical Failures: Unrealized Exhibitions and Publications of the Printed Skin Early 20th· Century Avant Garde Jessica Meyer, Western KenhlCky University Adam's Mark Hotel, Dallas Ballroom A3, 1st Floor Chair: Adrian Sudhalter, Museum of Modern Art, New York TIle Relatiouat Print Cedar Loree Nordbye, University of Memphis Bauen: Expressionism aud tile Course of Modem Arcliitecture Kai Gutschow, Carnegie Mellon University Reproduction on Reverse: TIle Paradoxical Production of Pygoya Monica Kjellmann·Chapin, Emporia State University Screen Radio Orator: nle Comintem Project of Gustavs Klucis Maria Gough, Stanford University Kartooll Kings: The Graphic \Vork of Simon Grennan and Christopller Spermldio TIte Room ofthe Present (1930-]2): A Radical Failure in Alexander Christopher Sperandio, Carnegie Mellon University Domer's Attempts to Reinvent the Museum for tile 20tl1 Century Ines Katenhusen, Leibniz University, Hanover Made in America: Kurt Sclnvitters's Merzbau at the Museum of Offsite Session Modem Art, New York American Institute for Conservation of Historic and Artistic \Vorks Rachel Chumer, Columbia University Abstract Expressionist Painting: Looking Closely Dallas Museum of Art, Horchow Auditorium, 1St Floor Discussant: Michael \Vhite, University of York Chair: Rebecca Anne Rushfield, conservator Corey D'Augustine, Museum of Modern Art Discussant: Richard Shiff, University of Texas, Austin

40 CAA2008 FEBRUARY 20-23 Relhinking Arshile Gorky Friday, February 22 Adam's Mark Hotel, HOllston Ballroom A, 3rd Floor Chairs: Michael Richard Taylor, Philadelphia Museum of Art; Kim Servart Theriault, Dominican. University 7:30-9:00 am Arshile Gorky's "Urban Cubism" Imide and Out ARTslor Ara Merjian, Stanford University ARTstor User Group Meeting Adam's Mark Holel, Dallas Ballroom A2, 1st Floor Flight from Reality? A Recollsideratioll of Gorky's Abstract Aviation Mumls Chair: James Shulman, ARTstor Jody Patterson, University College. London Gorky's Storytelling: PerfonmHlce and Painting National Committee for the History of Art Dickran Tashjian, University of California, Irvine Business Meeting Adam's Mark Hotel, Dallas Ballroom AI, 1st Floor "Le D{C/ic Allaiogiqlle": Arshile Gorky alld Andre Bretoll Isabelle Dervaux, Morgan Library and Museum 9:30 am-12:00 pm

Distinguished Scholar Session Honoring Robert 1. Herbert Stephane Mallanne and 2oth.Cenhtry Art. TIleory, and Criticism Adam's Mark Holel, Dallas Ballroom B and C, lsI Floor Adam's Mark Hotel, Dallas Ballroom DI, 1st Floor Chair: Nancy J. Troy, Universily ofSoulhem CalIfornia Chair: Anna Sigridur Arnar, Minnesota State University, Mark Aulliff, Duke U niversily Moorhead S. Hollis Clayson, Northwestern University Mallannian Cinepoetics: "Expanded Cinema" in Early and Late Vanguardism Michael Leja, University of Pennsylvania Christophe Wall·Romana, University of Minnesota Cecile Whiting, University of California, ltv-ine Mallanll{ ill tile Cage Andrei Molotiu, University of Louisville Robert L. Herbert, Mount Holyoke College "Quallt au Livre": Mallanne, Authorship, aud Artists' Books Katie Brandon, University of Manchester 71" Shadow of Mallanll{ Common Terrain: Surveying Geography in Histories of Art, Alaslair R. Noble, Lafayette College Architecture, and Visual Culture Adam's Mark Hotel, Houston Ballroom B, 3rd Floor Badiou's Mallanlle and Picasso's Ontology Chairs: Jennifer \Vay, University of North Texas; Mickey S. Abel, David Lewis, City University of New York University of North Texas

The Regions oftile Zodiaque Series on Romallcsque Art lIalian Art after Fascism: '945-75 Janet Marquardt. Eastern Illinois University Adam's Mark Hotel, Austin Ballroom I, 2nd Floor Water, Architecture, and Myth in Early Modem Venice Chairs: Christopher G. Bennett, University of Michigan; Claire Daniel Savoy, Institute of Fine Arts, New York University Gilman, Columbia University Converget1ce ofArchitecture and Geography: I1IC Maps of an Baroque and Beyolld: Rethinking tile Aesthetics of Fascism in Architectural Historian Visconti's TIle Damned TIllay Atak, Southern California Institute of Architecture Jennie Hirsh, Maryland Institute College of Art Inslllarity: Images of lslandhood in Ireland Modem Architecture after Fascism at tile Quartiere Cesate Yvonne Scott, Trinity College, University of Dublin Jonathan Mekinda, University of Pennsylvania Jim CrolV, Geograpl1Y, and the Graphic Power of Design "Musica lIovissima": Italy and tile Arts 1945-58 Elizabeth Guffey. Purchase College, State University of New Romy Golan, City University of New York York TV or Not TV? Lucio Fontana's Luminous Images in Movement Now mId Then: Adventures in RepIJotography Anthony White, University of Melbourne Holly Markovitz, Boston University Arte Povera: Toward a Theory of Alchemical Ambivalence Plowing the Geographical Field: Response and Summation Karen Pinkus, University of Southern California Diane Favro, University of California, Los Angeles

FEBRUARY 20-23 CAA2008 41 9:30-12:00 pm The Silellce of Pure Painting: Creetlbergiml FonnaJism and Habits of Installation if! theArl Museum Art History Open Session Eik Kahng, \Valters Art Museum '7th. and ,8th.Century European Art, Part I Houston Ballroom B, 3rd Floor, Adam's Mark Hotel Mining Art Exhibitiolls: Discoveriflg Layers ofMe(anitlg) t11rollgh Chair: Babette Bohn, Texas Christian University Interiextual Narrative Exllibitioll Elizabeth B. Reese, Texas A&M University Harmonious Letters and Musicians' Paintbruslles: Adriano Banelden and Artistic Traditi011S ill Bologna during the First Half of the Precarious Museum, Permanent Masterpiece? 17th Century Sarah Lookofsky, University of California, San Diego Raffaella Morselli, Universita di Teramo Mm (HId Women in the Moon: Artemisia Gentileschi, Galileo, Judith, Art History Open Session and the Virgin Mary Pre-Columbian Art Elena Ciletti, Hobart and William Smith Colleges Adam's Mark Hotel, Houston Ballroom A, 3rd Floor Chair: Constance Cortez, Texas Tech University Tile Profossion of Portrait Painter in 17tlt·Cmtmy Florence Elena FUIll.agalli, Universita di Modena e Reggio Emilia Comparing Militaristic Imagery of Cllichetl Itza and TlIla with That of Mississippian Polities Severed Torsos and Metaphorical1taniformations: Christina of Jeff Karl Kowalski, Northenl Illinois University Sweden's Sala delle Muse (Iud Sala di Clytie in the Palazzo Riario-Corsilli The Functional mId Social Dimensions of Change ill Ancient Wian Zirpolo, Aurora: TI,. jounlal ofthe History of Art Maya Ceramics Dorie Reents-Budet, Museum of Fine Arts, Boston Lo Spazio di 11110 sposalizio: the Iconograpliy of Identity and tile Proliferation ofthe Nuptial Allegory in Early Modem Vetlice TIle Zapotec Un! Revisited: Recolltextualizillg Ceramic Effigy Vessels Esther Brummer, University of Cambridge from Oaxaca Ellen Hoobler, Columbia University

CAA Museum Committee TIle Pre-Colwnbimt Palimpsest Curricular Connections: TIle College Art Museum as Site for Bryan R. Just, Princeton University Art Museum Teaching and Learning Sigus and Syntax: Toward a MoclJe Epigraphy Adam's Mark Hotel, Dallas Ballroom A3, 1St Floor Margaret Jackson, Miami University Chair: Laurel Ellen Bradley, Carleton College Art Gallery TIle Future of Death at tile Temple of tile I1IScripti01lS, 683 CE, Bringing the Arts into tile Mainstream: New Directions in Liberal Paleuque, Chiapas, Mexico Art-s Education Elizabeth Drake Olton, University of New Mexico Pamela Franks, Yale University Art Gallery A Faculty Fellow at tile RISD Museum Andrew Raftery, Rhode Island School of Design TIle Visual Arts in Revolutionary and Napoleonic France ('789-,8'5) Faculty and Student Voices in tile Museum Adam's Mark Hotel, Dallas Ballroom AI, 1st Floor Susan J. Bender, Skidlnore College Chair: Amy Freund, Center for Advanced Study in the Visual Arts, National Gallery of Art, \Vashington, DC Trallifonning Facades: A Case Study of Engagement between Architecture and Art on Campus Quatremere, Cirodet, and the Politics of Originality in tile Scott Murray, University of Illinois, Urbana-Champaign Frencll Revolution Susan Houghton Libby, Rollins College Study Centers: Sites for Disciplinary and Interdiscipiilwry Learning and Collaboration Making Images/Image Makers in Troubled Times: Notes for a Social Celka Straughn, Harvard University Art Museums History of Printmaking Stephane Roy. Yale Center for British Art Discussant: Alison BanIes, Skidmore College Seehlg Nobody: TIle Display of Death in Hetl1lequin's Remorse of Orestes Art History Open Session Lela Greybill, University of Utah Objects in Museums Adam's Mark Hotel, Dallas Ballroom D2, 1st Floor Horace Vemet's L'ateHer Revisited Chair: James Clifton, Sarah Campbell Blaffer Foundation Albert Alhadeff, University of Colorado. Boulder From Cods to Sculptures: The Secularization of tile Musee Cuimet Ting Chang, Carnegie Mellon University Art History Open Session Photography before '954 A Museum ReIJoiutiofl: Radical Displays for tile Soviet Masses Adam's Mark Hotel, Dallas Ballroom D3, 1st Floor Masha Chlenova, Columbia University Chair: Peter Bacon Hales, University of Illinois, Chicago

42 CAA2008 FEBRUARY 20-23 A New Importation: Plumlism and tIle Definition of"Stmight Association of Historians of 19th·Century Art Photography" Art and Science in the 19th Century, Part I Lauren Kroiz, Massachusetts Institute of Technology Adam's Mark Hotel, Dallas Ballroom B, 1st Floor Chair: Barbara Larson, University of\Vest Florida From Shansliui (Mountain aud River) to Fellgjing (Landscape): Photography, Locality, and tile Conceptual Change in Chinese "Des cOil/curs primitives": Miscege'Jation and French Painting Landscape Painting, 1911-37 ofAlgeria Yi Gu, Brown University Peter Miller, independent scholar, Paris "HolV Biddy S,rved"; Staged Stereotypes in Lat, 19til-C'ntllry Pictllring the Prellistoric: ClJarles Knight, Henry Osborn, and the American Stereographs Natural History Museum Mazie McKenna Harris, University of Arizona Victoria Cain, University of Southern Califomia Screens with a Memory: Moholy-Nagy's TIleorization ofllie Camem/ess Natllral History and Cllltural History: 11le Art History of Elie Faure Photograph (Photogram) Serena Keshavjee, University of Winnipeg Noam M. EleoU, Princeton University Outing Hystericfil Men: Artists and Neurological Scientists of 11le Pl1otobook as Historical Witl1ess: Intertextllal and Interracial Mal, Hysteria Collabomtions in Ric1Jard Wright and Edwin Rosskam's 12 Million Fae Brauer, University of New South \Vales Black Voices TIle Etller and the Fowih Dimension: TIle 19th·Century Roots of Andrea Nelson, University of Minnesota Modernism's "Melfi-Realities" linda Henderson, University of Texas, Austin "I'll Be Your Mirror"; or, Why and How We Work on living Artists Adam's Mark Hotel, Austin Ballroom 2, 2nd Floor Art on the Borderline Chairs: Suzanne Hudson, University of Illinois, Urbana­ Adam's Mark Hotel, Houston Balhoom C, 3rd Floor Champaign and the Phillips Collection; Anne Byrd, University of Chair: Tirza Tme Latimer, Califonlia College of the Arts Califomia, Berkeley A Wrinkle in tile Mind: Notesfrom an Emigrant-Immigrant Daugllter Painting Lesson: Hantai and His Critics Noga \Vizansky. independent scholar and artist Agnes Berecz, independent scholar, New York Tongue Kisses: Language, National Identity, (HId the Complications Outtakes: Picturing MasClllillity in the Work of Loma Simpson of Desire Huey Copeland, Northwestern University Cyriaco Lopes, Stetson University Interviewing Artists Images of Alien Subjectivity: Cll1m·S1Jau Yi and Nat.su Ouoda's Aliens Phyllis Tuchman, independent scholar, New York of Extraordinary Ability Off Limits Katie Brewer Ball, New York University Richard Meyer, University of Southem California Proyecto IntemacioHal de Teirra-noya Discussant: Johanna Burton, Princeton Univiersity Linus lancaster, California State University, Sonoma (Sub)Urban Homicide: Th. Real Effiet of a Fictio"al Scenario Heather Layton, University of Rochester Art History Open Session Islamic Art, Part I Adam's Mark Hotel, Dallas Ballroom C, 1st Floor Back to the Kunstkanuner: New Approaches and New Research Chair: linda Kmnaroff, Los Angeles County Museum of Art Adam's Mark Hotel, San Antonio Ballroom A, 3rd Floor A Bri'f Biograp/ty of Abu Zayd Chair: Susan Maxwell, University of\Visconsin, Oshkosh Sheila S. Blair, Boston College "Many Old Heathen Imperial Pennies and tlie Like Antiquities" TIre Meaning of a Pictorial Narrative: An Aqllamanile in the Miriam Hall Kirch, University of North Alabama Henllitage Museum 11,. Utility of Like".ss; Portraits a"d th. "Historical" Epistemology of Elizabeth S. Ettinghausen, Princeton Research Forum tile Munich Kunstkammer Surrendering to Iudia: Nadir Shah's Delhi Loot and the 18th·Century Katharina Pilaski, independent scholar, Berlin

Aestlletic oftlie Exotic Quasi dalla Natura dipinti: Painting 011 Stone in Late 16th- aud Sussan Babaie, University of Michigan 17th-Century Italy A History of Ottoman Art History throllgh the Private Database of Ioana Magureanu. National University of Art, Bucharest EdwiH Bh11ley, III Suitable for Framing: TIle Kunstkammer and Early Still Life Painting Keelan Hall Overton, University of California, Los Angeles Janice L. Neri, Boise State University Crescent Moon Rising: Hilal Kazan and a New Generation of Female Discussant: Mark Meadow, University of California, Santa Barbara Master Calligraphers David Simonowitz, University of California, Santa Barbara

FEBRUARY 20-23 CAA2008 43 9:30-12:00 pm Generations of Modemism: Edmund Gosse and Sculptural Modemity, c. 1894-95, c. '907 Offsite Session Jason Edwards, University of York Sculpture/Drawing Nasher Sculpture Center, Nasher Hall, Lower Level W. G. Collingwood: Artist, Art HistoriaN, Critic, Archaeologist, and Chairs: Jane McFadden, Art Center College of Design; Sarah Anglo-Saxonist: Continuities and Ruptures, 1883~1907 Hamill, University of California, Berkeley Jane Hawkes, University of York Judd's Scale David Raskin, School of the Art Instihtte of Chicago ARTspace living Locally, Exhibiting Nationally: A Conversation with Vernon Drawing Dragging; or,. Michael Heizer's Misadventure in the Fisher, David Bales, and Melissa Miller Motor City Adam's Mark Hotel, Lone Star Ballroom C4, 2nd Floor Julian Myers, California College of the Arts Chair: Philip Van Keuren, Southern Methodist University How One Diagram Made 19705 Sculpture Intelligible for Us; or, Dark Voids, Suspended Stmctures, and the Ever-Expanding Expanded Field Eve Meltzer, New York University Concepts of Authenticity in the Visual Arts Adam's Mark Hotel, San Antonio Ballroom B, 3rd Floor Tracing out a Feeling Chairs: Nino Zchomelidse, Princeton University; Vernon Hyde Ann Reynolds, University of Texas, Austin Minor, University of IllillOis, Urbana-Champaign Inventing tile Authentic: Ugo da Carpi's Saint Veronica Altarpiece Trallsculturalism in 17th·Century Indian Art Nicole Lawrence, Harvard University and Courtauld Instihtte of Art Adam's Mark Hotel, Austin Ballroom 3, 2nd Floor Mastering the Model: Emulation and Authenticity in the Age of Chairs: Isabella Nardi, University of Oregon, Eugene; Mika Natif, LeBnm Indiana University. Bloomington Paul Duro, University of Rochester Aesthetic Syncretism a'ld Globalizing Ideology: Jahangir Seated on an Authentic Irony: Primitivism and lis Aftennath Allegorical Throne by Bichitr (1625) Frances Connelly, University of Missouri, Kansas City Valerie Gonzalez, Savannah College of Art and Design Other Pictures: TIle '11rtless AutJlenticity" of Vemacular Photography TIle Portuguese Legacy iu Goa Catherine Zurol11skis, University of California, Berkeley Mallica Kumbera Landnts, Rhode Island School of Design and Brmvn University Architecture Exhibitions and tlie Confrontation with Authenticity Wallis Miller, University of KenhlCky Chilli Khana and Ragamala: Painted Decoration in tlie Govi1ld Ma1ldir Palace at Datia Edward Rothfarb, University of California, Los Angeles 10:30 am-12:00 pm Pemvork, Production, and Patronage: Reexamining 17th-Century Kalamkari CAA Book and Trade Fair Exhibitor Session Gita V. Pai, University of California, Berkeley On the Surface Adam's Mark Hotel, Lone Star Ballroom A4, 2nd Floor Between Home and Diaspora: 17th-Century Transculturalism in Lat-tr Chairs: Mark D. Gottsegell, Art Materials Infomlation and Manvari Architecture Education Nenvork; Mark Golden, Golden Artist Colors Alka Patel, University of California, Irvine 12:30-2:00 pm Association for Texhtal Scholarship in Art History Don't Mind the Gap: Continuities in British Art Criticism, Advanced Placernent Program Art History 1880-1914 Teaching the College Art-History Survey Course Adam's Mark Hotel, Dallas Ballroom A2. 1st Floor Adam's Mark Hotel, San Antonio Ballroom B, 3rd Floor Chairs: Peter Trippi, Fine Art Connoisseur; Martina Droth, Henry Chair: Susan Aberth, Bard College Moore Instihtte 11 .. Question of Omissi 011' What Gets Left Out? Reinventing the Past: Modemism and Tradition in British Art Susan Aberth, Bard College Criticism, c. 1880-1914 Beyolld tile Museum: Looking at Local Art and Culture in Anna Gruetzner Robins, University of Reading AP Art History Victorian Art Critic Cosmo MonkJlOuse: A Consel1lative Reconsidered Doug Darracott, Plano \Vest Senior High Dana M. Garvey, University of\Vashington The "Obstacle Race" Revisited: Women Artists and the From "Magnificent" Papers to "Whitewaslied Walls": William Monis Art·History Survey and His Critics Susan Bakewell, University of Texas, Arlington Imogen Hart, Yale Center for British Art Discussant: Robert Nauman, University of Colorado, Boulder

« CAA2008 FEBRUARY 20-23 Design Studies Forum Space Is Iile Place Visual Rheforic and the Special Eloquence of Design Artifacts Toby Kamps, Contemporary Art Museum, Houston Adam's Mark Hotel, Houston Ballroom B, 3rd Floor Un Natllrally Chair: Leslie Chandler Atzmon Mary·Kay Lombino, Frances Lehman Loeb Art Center, Collapse: Tile Erasure of Time, History, and Memory in the Urban Vassar College Landscape of Nortlleru Ireland Situation Comedy Kate Catterall, University of Texas, Austin Michael Rooks, Honolulu Academy of Arts The Visual Rhetoric ofthe Ming· and Qing-dynasty Chiuese Silk Design Lee A. Talbot, Textile Museum Historians of 18th·Century Art and Architechtre The Esse1Jtial Olltline: Jolin Flaxman and the Search for Meaning in 18th·Century Session: Emerging Scholars a Single Line Adam's Mark Hotel, Dallas Ballroom 01, 1st Floor Jane \Vebb, Manchester Metropolitan University Chair: Melissa Hyde, University of Florida Iced up aud Platinum Plus 111e Paintings ofa Playwright: Literary Promotion in the Oeuvre of Ryan Molloy, Eastern Michigan University Charles·Autoine Coypel Discussant: Miodrag Mitrasinovic, Parsons the New School Esther Susan Bell, New York University for Design Fran{:ois Boucher and tIle Rituals of Display in 18th·Century CO/lchology Jessica Priebe, University of Sydney Women's Caucus for Art Borderlands: Feminism and Popular Cuihtre Manufacture oftIle Fair Queen: Kitty Fisher as Cleopatra Adam's Mark Hotel, Dallas Ballroom A3, 1st Floor Aimee Marcereau DeGalan, Cleveland Museum of Art Chairs: Jennifer Colby, National \Vomen's Caucus for Art; Yolanda Boudoir Arabesque: Frau{:oisjosep/J Be/anger and Architectural M. Lopez, independent artist and scholar Decoration in 1780s Paris Mereditll Martin, Wellesley College Radical Art Caucus Art in the Age of the Post·Patriot Act: TIle Case of the Critical Pacific Arts Association Art Ensemble Art and Identity in Oceania, Revisited Adam's Mark Hotel, Dallas Ballroom A2, 1st Floor Adam's Mark Hotel, Dallas Ballroom 02, 1st Floor Chair: Kirsten Claire Forkert, independent artist and critic, Chair: Stacy 1. Kamehiro, University of California, Santa Cmz Montreal 11le Kiloliana Art League: Americauizillg Hawaiian Art aud Culture, Film Screening: Strange Cliiture by Lynn Hershman Leeson 1894-1913 Stacy 1. Kamehiro, University of California, Santa Cruz Italian Art Society Without Bowldaries: Contemporary Oceania Artists, a Movement Art by Italian Women Happening Now Adam's Mark Hotel, Lone Star Ballroom A4, 2nd Floor Jewel Castro, MiraCosta College and Mesa College Chair: Diana Gisolfi, Pratt Instihlte, Pratt in Venice Positiolling Cultures: Contemporary Asian American, Hawaiian, aud On Religious 'Vomen Artists in Rellaissauce Pavia Pacific Islander Artists of Hawai'i Giancarla Periti, Center for Advanced Study in the Visual Arts, Margo 1. Machida, University of Connecticut National Gallery of Art, Washington, DC Arte Rustica Refined: 11le Photographs of Contessa Maria Ponti Historians of German and Central European Art and Architecture Pasolini at the Prima Biemwle Rommw (1921) Emerging Scholars lindsay Harris, Instihlte of Fine Arts, New York University Adam's Mark Hotel, Austin Ballroom I, 2nd Floor Carla Accardi and Feminist Aesthetics in Poshvar Ualy Chair: Steven Mansbach, University of Maryland Patrizia Costa Frezza, Texas Tech Painting a "Vocal Fabric": Paul Klee, Max Klinger, and Silent Reading Annie Bourneuf, Princeton University Independent Curators International Montage Is the Message: Weimar PllOtomontage and tilt Legacy of Exhibitions as Modes of Thinking Gennan Colollialism Adam's Mark Hotel, San Antonio Ballroom A, 3rd Floo, Brett M. Van Hoesen, University of Nevada, Reno Chair: Susan Hapgood, Independent Curators International Crystalline Ideologies, Blurry Aesthetics: Framing Socialist Realism in Mark Lombardi Yugoslav ArcilileclllY. '945-48 Robert Hobbs, Virginia Commonwealth University and Yale Vladimir Kulic, Florida Atlantic University University Walk Ways Shtart Horodner, Atlanta Contemporary Art Center

FEBRUARY 20-23 CAA2008 4S International Association of Art Critics Can Anyone Be a Critic? The Collision between Traditional New Media Caucus Criticism and Blogging Not leaming from Net.Art: TIle Rise of Newer Media Adam's Mark Hotel, Dallas Ballroom 03, 1St Floor Adam's Mark Hotel, Houston Ballroom A, 3rd Floor Chair: Terrie Sultan, Blaffer GaBery Chairs: James Morgan; Patrick lichty Can Anyolle Be a Critic? Brad Kligerman, Ecole Nationale Superieure d'Architechtre de Terrie Sultan, Blaffer Gallery Paris-Malaquais and Building with hnmaterials Tyler Green, Modern Art Notes Marisa Olson, Rhizome at the New Museum of Contemporary Art David Pagel, Los Angeles Times Joel Slayton, CADRE Laboratory, San Jose State University Rainy Knudson, Glasstire.com Anjali Gupta, Artlies ArtTable Special Session Adam's Mark Hotel, Austin Ballroom 3, 2nd Floor ARTspace Chair: Dena Muller, ArtTable CAA Services to Artists Committee TIlen and Now: What George Kubler's Book, The Shape of Time, Means Today CAA Committee on Diversity Practices Adam's Mark Hotel, Lone Star Ballroom C4, 2nd Floor World Art: A Panhuman Narrative for Egalitarian TeadIing Chair: Reva \Volf, State University of New York, New Paltz Adam's Mark Hotel, Dallas Ballroom AI, 1st Floor Chairs: Barbara Nesin, Spelman College; Chitra Ramanathan, Back to tile Future: Lawrence Alloway, George Kubler. alld New York's Indianapolis Art Center Downtown Scelle Shelley Rice, New York University World Art: Moral alld Illtellectual Isslles John Onians, University of East Anglia Mary Miller, Yale University Perspective Matters: Au Inquiry·Based Approach to Teaching World Art Melanie Herzog, Edgewood College Public Art Forum Business Meeting Adam's Mark Hotel, Dallas Ballroom B, 1st Floor Volunteer Lawyers for the Arts Ask the Lawyer Adam's Mark Hotel, Houston Ballroom C, 3rd Floor Chair: Elena M. Paul, Volunteer Lavfyers for the Arts Intellectual Property and the Ownership of Aesthetic Experience Sergio Munoz-Sarmiento, Volunteer Lawyers for the Arts

Historians of Islamic Art Teaching the History of Islamic Art and Architecture in the 21St/15th Century Adam's Mark Hotel, Austin Ballroom 2, 2nd Floor Chair: Kishwar Rizvi, Yale University Catherine Asher, University of Minnesota Sussan Babaie, University of Michigan David Roxburgh, Harvard University Ethel Sara Wolper, University of New Hampshire Irene Bierman, University ofcaHfornia, Los Angeles

46 CAA2008 FEBRUARY 20-23 New Perspectives on Eakins, Part I Adam's Mark Hotel, Dallas Ballroom 03, 1st Floor Poster Sessions Chairs: Henry Adams, Case Western University; Jennifer Doyle, Adam's Mark Hotel, 2nd Floor main hallway, near Lone University of Cali fomi a, Riverside Star Ballrooms Wllitl1er The \Vrestlers? Poster Sessions are informal presentations for small Ilene Susan Fort, Los Angeles County Museum groups dispJayed on poster boards by an individual. The poster display is usually a mixture of a brief narrative Memories of LOllis Picozzi Bregler paper intermixed with illustrations, tables or graphs, and James Maroney other presentation materials. \Vith a few concisely written Looking Like a Lesbian: Narrating tIle Qluer Subject of Deborah areas of focus, the poster display communicates the Brig/lt's The Management of Desire essence of the presenter's research, synthesizing its main Jacqueline Asher, University of California, Riverside ideas and research directions. Poster displays will be on view for the duration of the conference, beginning on TIlOltlas Eakins and Mood Disorders Thursday moming. On Thursday and Friday, from 12:30 Pedro Delgado, University of Texas Health Science Center at to 2:00 pm, presenters will be at the Poster area. San Antonio Teachingfor Ullderstallding in F01411datioll Design A Musician Looks at 71lOmas Eakins's The Concert Singer John Baltrushunas, Maryville University David Bamberger, Cleveland Institute of Music Theater and Cleveland Opera Prototypillg ti" Digitnl Clillicnl Cilnrt Jor Cultumi Heritnge Derrick R. Carhvright, San Diego Museum of Art; Epistemology ofThe Gross Clinic Maurizio Seracini, Center of Interdisciplinary Science for Amy Werbel, st. Michael's College Art, Archaeology, and Architecture (CISA)); Holly Witchey, Cleveland Museum of Art CAA International Committee Healing Hearts til rough the Arts Looted Art Karla Freiheit, University of Kansas Adam's Mark Hotel, Dallas Ballroom D2, 1st Floor Londoll Calling: Art il1 Protest and the "No Mu" Campaign Chair: Christiane Andersson, Bucknell University Hannah Liley, University of the Arts, London Constmcting a Gennanic Spanish Identity: TIle Restitution of the Learning by Design: All Analysis ofthe Learnil1g Styles of TreaSllre of Gllarrazar Design Students Matilde Mateo, Syracuse University Barbara E. Martinson, College of Design, University Looted Modemism: State-Sanctiolled Modemist Art in the Third Reich of Minnesota Gregory Maertz, St John's University 'Vithin and Outside: TIre Aborigiflal Presellce at tile Venice Securiug Looted Art: How the Art Market and Iutemational Security Bie/male 1997-2007 Shape tile Restitution Process Nancy Mithlo, Smith College Erik Nemeth, independent scholar, Santa Monica "Coloiflll, Luminous World": Gennan Landscape Painters Vita Brevis, Ars Longa? MOt1l1meHts Protection Legislation and the Representing tIle Colonies QuestioH of us Participation Itohan Osayimwese, University of Michigan, Ann Arbor Carolyn C. Guile, Colgate University Experimental Teadling, Active Leamiug, and tile Art History Phmder and Restitution: Cultural Heritage Law in the 21st Century SUiVey. A Graduafe Teaching Laboratory at Duke University Lucille A. Roussin, Benjamin N. Cardozo School of Law Mitali J. Routh, Duke University; Robert A. Mayhew, Duke University; Karen Gonzalez Rice, Duke University Patlls to Ritual Dreams: TIle Architectllre of Healiflg at PergamoH Ufuk Soyoz, University of Texas, Austin ARTspace Annual Artist Interviews Studio Art: What'sa Next? TIle Greening of Pedagogy Adam's Mark Hotel, Lone Star Ballroom, 2nd Floor linda \Veintraub, independent scholar, Rhinebeck, New York Yoko Ono, recipient of the 2008 eAA Distinguished Body of Work Award, and the Iraqi artist Adel Ahidin are interviewed.

FEBRUARY 20-23 CAA200S 47 2:30-5:00 pm Aesthetic Pursuits at tile Margins: Amateur Arts in British India ill tlte Early 20tll Century Historians of 18th-Cenhtry Art and Architechlre Renate Dohmen, Birkbeck College Critical Influences: ll1e 18th Century, the 19808, and a Generation of Scholarship Folk Archive: A New British Art Mark Edwards, University College London Adam's Mark Hotel, Dallas Ballroom 01, 1St Floor Chairs: Denise Amy Baxter, University of North Texas; Heather MacDonald, Dallas Museum of Art New Perspectives on 2oth·Century Italy, Part I 18th-Century Visual Arts and the Idea of Modern ism Austin Ballroom I, 2nd Floor, Adam's Mark Hotel Elizabeth Mansfield. University of the South Chair: Adrian R. Duran, Memphis College of Art Toward a Newer 18th Century Creating National and IntenwtiofJal Idetftities: 71le Futurist Laura Auricchio, Parsons the New School for Design Exllibitions at the Venice Biennale under Fascism, 1928-42 Laura Belles, Hunter College, and Museum of Modern Art Rewilldillg Fried's Absorption and Theahicality Kevin Chua, Texas Tech University Marinetti's La cucina futurista: Experimentation with Food and Art in Italy under Fascism Cuftl4ral C01lSIl1nption and tilt Expauding Field oj 18th-Centmy Art Daria Valentini. Stonehill College Heather McPherson, University of Alabama at Birmingham "Casa del Fascia Tipo": TIle Design of Fascist Party Centers, 1931-39 Discussant: Darcy Grimaldo Grigsby, University of California, Lucy Maulsby, Northeastern University Berkeley Illuminating Modem Italy: Pietro Chiesa mid Early 20th-Century Lighting Design Italian Art Society Chloe Chelz, Parsons the New SdlOOI for Design Islamic and Italian Art: Creating Shared Histories Giorgio Adam's Mark Hotel, Dallas Ballroom A3, 1st Floor Ardellgo Soffici alld De Chirico: Tmditioll, Nationalism, and the Metaphysical School Chairs: Alan Chong, Isabella Stewart Gardner Museum; Stefano Mariana Aguirre, Brown University Carboni, Metropolitan Museum of Art Atl Anonymous Venetian Panegyric for Sultan SiHeynuHl Ana Pulido-Rull, Harvard University Association for Latin American Art Sighting Technology in Contemporary latin American Art Mamluk Glass Mosaic in Context: The Mural Medium across the Adam's Mark Hotel, Dallas Ballroom A2, 1st Floor Medieval Mediterranean Chair: Maria Fernandez, Cornell University Ellen Kelmey, independent scholar, New York TecJl1lology and Revolution? D. A. Siqueiros and the Mural for tile Problems of Hybridity: Crafting and Using the "Siculo-Arabic" Ivories Electricians' Syndicate Anthony Cutler, Pennsylvania State University Jennifer Jolly, Ithaca College 71le Politics ofArchitectural Mimesis ill Italy and the Islamic World: Space, Movement, Light: Kinetic Gadgets, Optical Games, and the TI" Case ofllie DOllie oftlie Rock Promise of a New Era Kathryn Blair Moore, New York University Martha Sesin, University of British Columbia Discussant: GUlru Necipoglu, Harvard University From Communication to Containment: Technology in Argenti11e Art, 1966-72 Daniel R. Quiles Historians of British Art For love and Delighl: Amateurs, Dilettantes, and the Story of The Brazilian "Open Source" Approach to Art History, TJleory, British Art and Criticism Adam's Mark Hotel, Dallas Ballroom AI, 1st Floor, Simone OstofT, Petmsylvania State University Chairs: Juilee Decker, Georgetown College; Craig Hanson, Calvin City College Technology as Metaphor and Medium: Mexico as Subject in tlte Work ofFrancis Alrs, Rafael Lozano-Hemmer.. aud Melanie Smith TIle Society of Dilettanti and the Culture of Dilettantism in the British Adriana Zavala, Tufts University Enlightenment Jason Kelly, Indiana University and Purdue University at Indianapolis Art History Open Session Medieval Art: Addressing and Engaging the Audience TIle Moral EcO/wlIlY of Mary DeiallY Adam's Mark Hotel, Lone Star Ballroom A4, 2nd Floor Alicia Weisberg-Roberts, Yale Center for British Art Chair: Joan A. Holladay, University of Texas, Austin Painting Improved Breeds in the Age of Enlargement Visual Preaclling in the Early Middle Ages: TIle Healing Arts Leah Modigliani, State University of New York, Stony Brook iH the Frescoes oftile Carolingian Monastery ofSt.jolm iH Maslair, Switzerland Kirsten Ataoguz, Florida State University

48 CAA2008 FEBRUARY 20-23 RedefiHing the Late Medieval Canon: The Case oj Italian alld Turkish· To China and Back: Circularities in European Art and Gardens, Seljuk Ateliers in Service to tile Byzantine Emperor at Trebizoud 17oo~1900 Sarah Brooks, State University of New York. Stony Brook Greg M. Thomas, University of Hong Kong "Yet, inspired by love, I designed these figures": TIle Poet Francesco da Chlorophyll Prints: Transmigrations of Memories mId Bodies Barberino, the Sculptor Tino di Camaino, and Art E1tgaging Late Binh Dahn, independent artist, San Jose Medieval Allegorical Literafl~re Monstrous Demonstrations: Bioteknica and the Tissue Culture 6[ Art Giovanni Freni, Princeton University Project's Teratological Prototypes Framing Civic Devotion in Treeento Siena: 11le Creation, Context, and Lindsay Kelley, University of California, Santa Cmz Meaning of the Reliquary Frame in the Cleveland Museum of Art Malraux's Buddha Heads Virginia Brilliant, Cleveland Museum of Art Gregory Levine, University of California, Berkeley TIwrbis and the Ring of Forgeifi~Iness: Romallce and Devotional Practice in Gothic Prayerbooks Anne Rudloff Stanton, University of Missouri, Columbia TIle Glass Is Half Full: Embedding Feminism and Feminist Art Adam's Mark Hotel, San Antonio Ballroom A, 3rd Floor Chairs: Dena Muller. ArtTable; Susan Fisher Sterling, National Seeing across Culhtres: Visuality in the Early Modem Period Museum of\Vomen in the Arts Adam's Mark Hotel, Houston Ballroom B, 3rd Floor Chairs: Dana Leibsohn, Smith College; Jeanette Favrot Peterson, University of California, Santa Barbara Offsite Session American Society for Hispanic Art Historical Shldies Worshipers and Walls: Renaissance Art and Jewish Vision in tile Was TIlere a "Spanish School"? Spanish Artistic Interchange with Italian Ghetto Europe and the Americas, 1400-1900 Jeremy Glatstein, University of Southern California, and J. Paul Meadows Museum, Southern Methodist University, Dr. Bob and Getty Museum Jean Smith Auditorium, 1st Floor Chairs: Pamela A. Patton, Southern Methodist University; Mark A. Mimesis and Translatiol1 in Mexico· TenochtitMn Roglan, Meadows Museum, Southern Methodist University Patrick Hajovsky, Southwestern University Velazquez and Tintoretto: Tirato via di pratica Markers: Le Moyne de Morgl~es in 16th·Celltlny Florida Todd Olson, University of Califoria, Berkeley Giles Knox, Indiana University "Ulla Espaifa nueva que lIadie mejor que nosotros la podriamos lJaeer": Vislwl Knowledge/Facing Blindness Bronwen \Vilson, University of British Columbia Spanish Artists on Spanish Art, 1900-1930 Deborah L. Roldan, New York University Rupt!~red Vision: Disease, Decay, alld Restoration in the Napoleonic TIle Face oj Empire: Porlraiture and tile History of the Academy of Description de l'Egypte (1809-28) Eli2abeth Oliver, National Gallery of Art, Washington, DC New Spain Michael Alexander Brown, New York University Spanish Art at tile American Centemlials: Nationalism and Persons of Interest: Locating the Artist in Times of Conflict Intenwtionalism in Argentina, Mexico, and Chile Adam's Mark Hotel, Houston Ballroom C, Jrd Floor M. Elizabeth Boone, University of Alberta Chairs: Claire Ueberman, Illinois State University; Ann Compton, University of Glasgow Abu Ghraib: America's Torture al1d Fernando Botero's Response Deliberating Delacroix Adam's Mark Hotel, Houston Ballroom A, 3rd Floor Peter Seiz, University of California, Berkeley Chair: Joyce C. Polistena, Pratt Instihlte With Hindsight: Artists' Use and Appropriation oj Imagery in Response Delacroix after Delacroix to Contemporary Conflict Angela \Veight, independent curator and writer, London Barthelemy Jobert, Universite de Paris, Sorbomle \Var, Technology, and Feminist Utopias in tile Works of Martha RosIer Of Morocco and Modernity: Revisiting Delacroix's Orielltalism and Carolee Scimeemmm Jennifer Olmsted, \VaYlle State University Christine Filippone, Rutgers, State University of New Jersey Passive Aggressive: Delacroix without the Drama Endgame Strategies: Art as Advocacy and Restoration in tile Fonner Margaret MacNamidhe, University College Dublin Yugoslavia and Blmlla Delacroix's Agony: A Religious Crisis in 19th·Century France Pamela Biohler, University of San Francisco Cynthia Bland, University of Wisconsin, Stout Eugene Defacroix mId America Transplants: "Foreign" Objects in Visual Culture Shaw Smith, Davidson College Adam's Mark Hotel, Austin Ballroom 3, 2nd Floor Discussant: Joseph J. Rishel, Philadelphia Museum of Art Chairs: Krista Genevieve Lynes, San Francisco Art Institute; Eva Hayward, University of New Mexico

FEBRUARY 20-23 CAA2008 49 Queer Caucus for Art Journal of the Society of Architechtral Historians Queer love Boat? The Politics of Inclusion in Visual Culhlfe JSAH Online: Demonstration of the Multimedia pilot Adam's Mark Hotel, Austin Ballroom 2, 2nd Floor Adaln's Mark Hotel, Houston Ballroolt1 A, 3rd Floor Chairs: Erica Rand, Bates College; Jason Goldman, University of Chair: Hilary BaIlon, Columbia University, and editor, joumal Southern California of tile Society ofArchitectural Historimls Queering Faill4re, or GIllb! Glub! Anna Campbell. Grand Valley State University. Allendale Coalition of\Vomen in the Arts Organization emising tile Aisles: Christ in Queer Majesty in tile Nation's Capital Mothers of Innovation: Exploring Mixed Media, New Media Dominic Janes, Birkbeck College, London Adam's Mark Hotel, Austin Ballroom I, 2nd Floor Chair: Kyra Belan, Broward Community College Fat Is a Queer Issue: A Politics of Visual RepresentatioH Stefanie Snider, University of Southern California Nobody \ViU Hurt You: Drawings alld Imtallatiolls Terri Lindbloom, Florida State University Past Present Future: A Collaborative Instal'atiol! and Peiformance Jessica Lawless, Pitzer College Mother Earth, Cllallgifig Womal1: Installation.Peifonllance. Video/DVD Kyra Belan, Broward Community College Art History Open Session Past, Present, and Future: Experimentation and Innovation in New Criticism and an Old Problem North Florida Adam's Mark Hotel, Dallas Ballroom C, 1st Floor, Debra Murphy, University of North Florida Chair: Richard Shiff, University of Texas, Austin Reflecting and Rqracting Matlet, Modemist Critic \Vendy \Vischer, Ringling School of Art and Design John Zarobell. Philadelphia Museum of Art \Vork i1l the \Vorld: Art in Pf4blic Places Cezanne, MCnlet, aud the Portraits oJZola Maria Artelnis, independent artist, Atlanta Andre Dombrowski, Smith College Musical Language and Art Criticism: 11le Case of Fanliu-Latour Anne Leonard, Smart Museum of Art, University of Chicago National Endowment for the Arts Grant Opportunities Kandiusky and the Education of the Viewer Adam's Mark Hotel, San Antonio Ballroom B, 3rd Floor Riccardo Marchi, University of South Florida Chairs: Robert Frankel, National Endowment for the Arts; \Vendy Inttlviewillg johns Clark, National Endowment for the Arts Arny Kelly Hamlin, Institute of Fine Arts, New York University

Sidlley Tilli .... Artist/Sidney TIm .... Critic CAA Shtdent and Emerging Professionals Committee Diane Radycki, Moravian College What Your Next Boss Is Looking For Adam's Mark Hotel, Dallas Ballroom AI, 1st Floor Chairs: Daniel Larkin, Friends of Materials for the Arts; Maria Ann Conelli, American Folk Art Museum

5:00-6:00 pm Annual CAA Business Meeting Open Forum: Proposed Change to Board of Directors Ele,tion of New Members of the CAA Board of Directors Adam's Mark Hotel. Dallas Ballroom 03. 1st Floor Cast Your Vote! Make Your Voice Heard! The Annual CAA Business Meeting is open to all members of the Association. At this meeting the Board of Directors and CAA staff review the year's major accomplisrunents and the Association's financial starns, and all110lU1Ce new members of the Board of Directors. At the conclusion of the meeting, representatives of the Board of Directors and CAA staff will respond to your questions. Please come and share your interests and concerns. This year, CAA invites you to discuss a proposed change to CANs by·laws to anow profes­ sionals outside of the visual arts to serve on the Board of Directors, in order to broaden ex'Pert­ ise and support. All CAA members are invited to attend. For more information see page 21.

50 CAA2008 FEBRUARY 20-23 American Council for Southern Asian Art Historians of German and Central European Art and Architecture Ruins and Museums Business Meeting Adam's Mark Hotel, Dallas Ballroom DI, 1st Floor Adam's Mark Hotel, Austin Ballroom 2, 2nd Floor Chair: Janice Leoshko, University of Texas, Austin Seeillg Is Believing? Remains in Dellli Visual Culture Caucus Catherine Asher, University of Minnesota Business Meeting South Indian Goddesses in Ruins aud Museums Adam's Mark Hotel, Austin Ballroom 3, 2nd Floor Pad.Jna Kaimal, Colgate University Weighing Autllenticity: 71le "Indian Temple Hall" at the Plliladelpllia Museum ofArt Saturday, February 23 Darielle Mason, Philadelphia Museum of Art 7:30-9:00 am Art Ubraries Society of North America Community College Professors of Art and Art History Virtually the Same: Doing Research in the Digital library Business Meeting Adam's Mark Hotel, Dallas Ballroom A2, 1st Floor Adam's Mark Hotel, Austin Ballroom 3, 2nd Floor Chair: Arny Lucker, New York Universitr

Japan Art History Fonnn Art Historians of Southern California Business Meeting Representing Material Culture around the World Adam's Mark Hotel, Dallas Ballroom A2, 1st Floor Adam's Mark Hotel, Dallas Ballroom D2, 1St Floor Chairs: Constance Moffatt, Los Angeles Pierce College; Nina Berson, Los Angeles Pierce College \VOlnen's Caucus for Art "Let's Have some Swj": Drinking Coffee and Creating Community in Business Meeting tile Annenimt Diaspom Adam's Mark Hotel, Dallas Ballromn AI, 1st Floor Ramela Abbamontian, Los Angeles Pierce College COllstmcting a Religious Identity: Chromolithogmplls and the Ethiopian Orthodox Church 9:30 am-12:00 pm Briana Simmons, California State University, Northridge Art History Open Session TIle Everyday and the Distant: Ottoman and Egypll'all Costume in the Ardlitecture and Urbanism: Dallas, a Case in Point Paintings ofTintoretto Houston Ballroom A, 3rd Floor, Adam's Mark Hotel Sean Roberts, Los Angeles Pierce College Chair: Edward M. Baum, University of Texas, Arlington

Conmmnity College Professors of Art and Art History Art History Open Session Give TIlem What TIley Want or Give TIlem What TIley Need? The Long 19th Century Adam's Mark Hotel, Houston Ballroom B, 3rd Floor, Adam's Mark Hotel, Dallas Ballroom D3, 1st Floor Chair: Thomas Morrissey, Community College of Rhode Island Chair: Janis Bergman-Carton, Southern Methodist University A Fast Food Education? Tile Matrix of Col/ecting: Fashioning Identity in Early Tmdi Abram, Glendale Community College 19th-Cefltln)' China Marion S_ Lee, Ohio University Tile Administrator's Role: Arts in Conmwnit}, Colleges Today Sheldon Hurst, Adirondack Community College From "Muslim" to "Spanish": AntigUeclades arabes de Espana and the Fonnatio1l of a Natiotlal Artistic 1Yadition Tradeoffs: Edllcational Institutions vs. Research 11lstitutioflS Andrew Schulz, University of Oregon Thomas Morrissey, Community College of Rhode Island Rodin, Gaudier-Brzeska. aud the Erotics of Moden! Sculptr~ral Practice David G. Getsy, School of the Art Institute of Chicago Association of Historians of Nineteenth-Century Art Maswlinity alld Sociability i1l the Group Portraiture of Fantil1-LatOl~r Business Meeting Bridget Alsdorf, University of California, Berkeley Adam's Mark Hotel, San Antonio Ballroom A, 3rd Floor Discussant: Marnin Young, Texas Christian University

Design Shldies Fomm Business Meeting Adam's Mark Hotel, Houston Ballroom C, 3rd Floor

FEBRUARY 20-23 CAAZ008 Sl 9:30 am-12:00 pm Te kai·hcmtu 0 te waka/Director oftile Canoe: TIle Statue of Sir George Grey in Auckland The Contemporary Collaborator in an Interdisciplinary World, Part I Mark Stocker, University of Otago Adam's Mark Hotel, Austin Ballroom I, 2nd Floor Chairs: Brad Buckley, University of Sydney; Jo1m Canalllos, "Bronzed and Muscular Bodies": Jinrikishas, Tattooed Bodies, and Yokohama Tourist Photography University of Sydney Luke Gartlan, University of st. Andrews collaboration in Art, Option or Elemental? Melissa Wolf, independent artist, New York Divided Objects of Empire: British Artists' Portmits ofthe Ottoman Sultans Some Collaborators Are More Eq ...l TI,"" Others: Models of Mary Roberts, University of Sydney Collaboration in Contemporary Austraii{m Art Jacqueline Millner, University of Western Sydney ')I Strongly Shaded Picture": Representatiolls of Othello ""d Desdemona in Victorian Visual Culture Space alld Collective Actioll: A Report from Bostoll alld Beyolld Nancy Rose Marshall, University of\Visconsin, Madison Catherine D'Ignazio, independent artist, Boston Discussant: Andrew Stephenson, University of East London Loose Minds in a Box: Many Minds Working in Many Different \Vays Helen-Nicole Kostis. University of Maryland. Baltimore County. and Scientific Visualization Studio, Goddard Space Flight Imaging Dance: What Paintings, sculptures, Prints, and Center/National Aeronautics and Space Administration Photographs of Dancers Reveal-and/or Conceal Adam's Mark Hotel. Dallas Ballroom A3, 1st Floor Illegal Art: Illteractive Public Art Chair: Nancy G. Heller, University of the Arts Otis Kriegel, independent artist, New York What's Tllere, What's Not in Tllree Paintings of Spanish (or "Spanish") Dancers Theorizing Cross-Cultural Interaction among the Ancient and Early Nancy G. Heiler, University of the Arts Medieval Mediterranean, Near East, and Asia Adam's Mark Hotel, Dallas Ballroom D2, 1st Floor Dance as a Boyish Muse in Byzantine Art Chair: Matthew Canepa, College of Charleston John Hanson, Dumbarton Oaks Research library and Collections Are Tllere Hybrid Vislwl Cultures? Reflections on the Orientalizil1g Gerome's Almeh Dancer: An Autoclithonous Interpretation Pl1womena iu the Mediterranean of tile First Millennium BCE Rihab Kassatly Bagnole, Ohio University, Athens Nassos Papalexandrou, University of Texas, Austin Inspired Movement or Static UniJonnity: A Comparison ofTrecellto Tile Space Betwew: Placing "Culture" in Artistic Exchange: Iranian and Quattrocellto Dance Images and Chinese Identity in 6th·Century Xi'cm Barbara Sparti, independent scholar, Rome Bonnie Cheng, Oberlin College Dance as a Weapon: Isamu Noguchi's History as Seen From Mexico, 1936 Icollography of the Other. Images ofCu/tural Idelltity Oil the Silk Road during the Sui-Tang Ihmsition Ellen G. Landau, Case \Vestern Reserve University Kate A. Ungley, University of Hawai'i, Manoa BetlVeen Constantinople, Kiev, and Kwarazm: Investiture and the Food for Art, Part I Limits of Meaning on the Black Sea Littoral Adam's Mark Hotel, San Antonio Ballroom B, 3rd Floor \Varren T. \Voodfin, University of Peillsyivania Chair: Mimi Heilman, Skidmore College Pal/ems of Flight: Middle Byzalltille Appropriatioll ofthe Chillese Antoine VoJlon and the Petversioll of Butter Feng-Huang Bird Marui Reva Kessler, University of Kansas Alicia \Valker, \Vashington University, St. Louis Setting tile Modem Table in Imperial Vienna Heather Hess, Busch-Reisinger Museum, Harvard University Art Art ofTransculturation: Imperial Artists, Borders, and Encounters Museums Adam's Mark Hotel, Dallas Ballroom A2, 1st Floor Femand Leger's Pot au Feu: A Stew of Hunger, Desire, and Revulsion Chair: Julie Codell, Arizona State University Maureen G. Shanahan, James Madison University Introduction: Imperial Artists in tile British Empire You Are What (alld How) You Eat: Palll McCarthy's Food-Flillgillg Julie Codell, Arizona State University Festivities TIle Colonizing Camera of Geraldine Moodie Cary S. Levine, University of North Carolina, Chapel Hill Susan Close, University of Manitoba Martill Kippenberger's ')lvant-Garde ofthe Belly" TIle Otller Victoria: Priestley atld Dunbar's Figure for tile Gregory Williams, Boston University Cmvllpore Gllats Mary Ann Steggles, University of Manitoba Baron of Bengal: Robert Clive and the Birth of an Imperial Image Romita Ray, Syracuse University

52 CAA2008 FEBRUARY 20-23 Saturaay, February 23 ,

Sh.ruo Art Open Session TIt, Space ill Betweell: Pictorial Storytellillg latina Art (and Artists): In the Crossfire between Community and Elaine Pawlowicz, University of North Texas Mainstream Institutions Human Perception versus the Camera: TIle Virtues of Drawing Adam's Mark Hotel, Lone Star Ballroom 2nd Floor, A4, from Life Chair: Benito Huerta, University of Texas, Arlington Lari Gibbons, University of North Texas

Masculinity and Early Modern Art The Sculptor and the Garden Adam's Mark Hotel, San Antonio Ballroom A. 3rd Floor Adam's Mark Hotel, Austin Ballroom 2, 2nd Floor Chair: Unda Christine Hults, College of Wooster Chairs: Claire Black McCoy, Columbus State University; Mara Becoming Mr. Antinori: Posing Problems in Renaissance Portraiture Adamitz Scmpe, Columbus State University Allison Levy. University College. London Developing Site-Specifidty in tIle SCldpture Park: TIfree Site Projects "Come Ie imagini scoipite neUe pietre si diea lwvere effitto": at the Lawneier Sculpture Park in the 1980s COHstmcting Masculinity through tIle Magical Power of Images on Rebecca Reynolds, University of Chicago Carved Gems Isanm Noguchi's Lcmdscape as Sculpture Liliana Leopardi, Chapman University Larry list, independent curator, New York Visual Pieasilre and Narrative Painting: Annibale Carracci's Sleeping Garden, Park, and Cityscape: Wtle Sparta and the Public Illstallatiolls Venus and tile Male Gaze in Early Seicento Rome oj 1011 Hamilton Filliay Opher Mansour, Damllouth College Patrick Eyres, Columbus State University TIle Art of Friendship: Utrecht Artists, Fratemity, (Hid alba amicorum, c. 1600 The Gardw as a Site of Contemplation and Collection Elizabeth Nogrady, Insihlte of Fine Arts, New York University M. Kathryn Shields, Guilford College Fortitude, Fortune, and Fame: The Celebration and Commemoration of Topiary PUllth: 71" Sculptural Modijicatioll oJIrees Male Friendship ill TIvo Works by Salva tor Rosa Amanda Hellman, Williams College Alexandra Hoare, University of Toronto

The Evolution of Contemporary Quilt Art Visual Merchandising: The Art of Selling Adam's Mark Hotel, Dallas Ballroom AI, 1st Floor Adam's Mark Hotel, Houston Ballroom C, 3rd Floor Chair: Sandra Sider, independent artist, New York Chair: Louisa Iarocci, University of Washington Michael James, University of Nebraska, Uncoln Illustrated WindolVs: Drawing Crowds at the Maison Aubert David Hornung, Adelphi University Jillian Taylor Lerner, University of British Columbia Hieroglyphs oj Co,"merce: 71te ViSilO1 Rltetoric ojthe German Patricia Malarcher, Surface Design Association Sachplakat Kathleen Chapman, Robert Gore Rifkind Center for German Parody and Festivity Expressionist Studies, Los Angeles County Museum of Art Adam's Mark Hotel, Dallas Ballroom C, 1st Floor Selling Perceptions of Space: Bell Telephone Print Ads, 1908-30 Chair: David R. Smith, University of New Hampshire Emily Bills, University of Southern California EXllberant Gluttony. Bmegel's Overeaters Pontiac Hood Omaments: Chief of the Sixes Yemi Onafuwa, Columbia University Mona Hadler, Brooklyn College and Graduate Center, City TIle Early Modem Lottety in tile Netllerlauds: Charity as Festival University of New York alld Parody Annafli aud the Time of Space: Minimalism, Display, and flu! Jane Kromm, Purchase College, State University of New York Evolution of Timelessness Bean Kings and Brawling Priests: Pairing EphiplJany and Easter in John Potvin, University of Guelph Baroque Haarlem Kimberlee A. Cloutier-Blazzard, independent scholar, Gloucester, Massachusetts ARTspace Fictional Realism Bak1Jtiniall Camivalesque in the Clown Images of Rouault Adam's Mark Hotel, Lone Star Ballroom C4, 2nd Floor, Soo Kang, Chicago State University Chair: Robert Jessup, University of North Texas "La Cedille qui sount": Aesthetic Research under the "Sign of Humor" Fictional Realism Rosemary O'Neill, Parsons the New School for Design Robert Jessup, University of North Texas Painting: Constmcting 1hlflis, Lies, and Temporary Meanings Matthew Bourbon, University of North Texas

feBRUARY 20-23 CAA2008 53 9:30 am-12:00 pm Getty Research Institute Change Studio Art Open Session Adam's Mark Hotel, Austin Ballroom 2, 2nd Floor Contemporary Collage Chairs: Thomas Gaehtgens, Getty Research Institute; Charles Adam's Mark Hotel, Dallas Ballroom B. 1St Floor Salas, Getty Research Institute Chair: Leonard Stokes, Purchase College, State University of New York Animated Chauge: Patterns o/TraflsitioH in Art, Architecture, and Their Histories Imtinct and Intuition: Reordering tile Jumble Spyros Papa petros, Princeton University Josette Ursa, independent artist, Brooklyn Guerrilla Girls Do Hollywood: A Behind-tile-Scenes Look at Girls in Introducing One Type of Vi Siia 1 Language into the Field ofAnother the 'Wood" John Sparagana. Rice University Frida Kahlo, independent artist and art historian, Guerrilla Girls Documenting Place through Color Picasso, Horta, 1909: TIle Shift to Cubism Hearne Pardee, University of California, Davis Thomas Cummins, Harvard University

Is Evolutionism Still Dead? Queer Caucus for Art Adam's Mark Hotel, Dallas Ballroom Dl, 1St Floor ,Y QUE? Queer Art Made in Texas Chair: Jacob \Vamberg, University of Aarhus Adam's Mark Hotel, Dallas Ballroom A2, 1st Floor Making the Case for Evolutionism in Art History Chair: Harmony Hammond, independent artist, Galisteo Robert Bork, University of Iowa Heyd Fontenot, independent artist, Austin Alvis Riegl and Hegelianism \Vura Natasha-Ogunji, independent artist, Austin luge Use Mogensen, Thorvaldsens Museum Angela Piehl, independent artist, Austin "Cultural Selection": The Object in History larry Silver, University of Pennsylvania Chuck Ramirez, artist, San Antonio EvolutioHism Is Dead; Long Live tile TIreory of Evolution! Chris Sauter, independent artist, San Antonio Lauren Golden, independent scholar, London

CAA Museum Committee The Gallery and the Classroom 12:30-2:00 pm Dallas Ballroom D2, 1st Floor, Adam's Mark Hotel Chair: Dorothy Kosinski, Dallas Museum of Art Advanced Placement Program Studio Art Getting It Right: Teaching toward the Advanced Placement Studio Art Portfolio Society of Architectural Historians Adam's Mark Hotel, Austin Ballroom I, 2nd Floor Indigenous Architecture and landscape: Memory, Perfonnance, Chair: Charlotte Chambliss, Booker T. \Vashington High School for and Place the Performing and Visual Arts Adam's Mark Hotel, Dallas Ballroom AI, 1st Floor Preparing HigIJ Sc1lOol Art Studellts for Post-Foundation College Work Chair: Rachel Leibowitz, Texas Historical Commission Charlotte Chambliss, Booker T. Washington High School for the Nisga'a mid Tsims/lian LongllOuses as Peiformance Spaces Performing and Visual Arts Nancy Mackin, University of British Colurnbia Preservillg Heritage iH a Native American 1Hbal Arcllive: A Case Stlldy Creative Capital o/the Shasta Nation Portrait of the Artist as an Organizing Principle Brian Isaac Daniels, University of Pennsylvania Adaln's Mark Hotel, Dallas Ballroom D3, 1st Floor StructJlring Knowledges: Caching Il1Uit Architecture through Igloolik Chair: Sean Elwood, Creative Capital ISllma Productions Mel Chin, independent artist Erin Morton, Queen's University; Taryn Sirove, Queen's University Cory Arcangel, independent artist, New York ARTspace Laura Carton, independent artist, New York Chicana Art: The Politics of Spiritual and Aesthetic Altarities Adam's Mark Hotel, Lone Star Ballroom C4, 2nd Floor Chair: Laura Perez, University of Califomia, Berkeley Amalia Mesa-Bains, California State University, Monterey Bay Celia Alvarez Munoz, independent artist, Arlington Yolanda Lopez, independent artist, San Francisco Delilah Montoya, University of Houston

54 CAA2008 FEBRUARY 20-23 Historians of British Art Ojfirillg the Body, Retractillg Touch: 71 .. Ethics ofAlia Mendieta's Business Meeting Silueta Series Adam's Mark Hotel, Houston Ballroom B, 3rd Floor Amanda Boetzkes, Harvard University Jerky Nearness: Film TIleory, Immersive Media, and the (Dis)Embodied Spectator Historians of Islamic Art Karen Beckman, University of Pennsylvania Business Meeting Adam's Mark Hotel, Dallas Ballroom A3, 1st Floor Embodimellt ill alld for the Historiography of Art History Catherine M. Soussloff, University of CaHfornia, Santa Cruz

National Art Education Association Business Meeting Video Needs Art History Uke a 1V Set Needs a Plinth Adam's Mark Hotel, Austin Ballroom 3, 2nd Floor Adam's Mark Hotel, Houston Ballroom A, 3rd Floor Chair: Anthony Auerbach, Jan van Eyck Academie Video Art and tile Politics of Represeutatizou in Contemporary New Media Caucus Annenian Art Business Meeting Angela Harutyunyan, University of Manchester Adam's Mark Hotel, Dallas Ballroom DI, 1st Floor Pushing Porno's Buttons: Spectator Pleasures in Hard·Core Narrative Pomography Society for the Shtdy of Early Modern Women Naima N. Lowe, Temple University Business Meeting Adam's Mark Hotel, Houston Ballroom A, 3rd Floor Readillg Video S6nke Hallmann, independent theoretician, Maastricht Video as Reading Karolin Meunier, Jan van Eyck Academie

New Perspectives on Eakins. Part II Adam's Mark Hotel. Dallas Ballroom C, 1st Floor Not Native American Art: Falsification and Misattribution in Chairs: Henry Adams. Case \Vestern Reserve University; Jennifer Native North American Art Doyle, University of California, Riverside Adam's Mark Hotel, Dallas Ballroorn 03, 1st Floor Chair: Janet Catherine Berlo, University of Rochester Color and Comers in Thomas Eakins's Professor Benjamin Howard Rand and Dan Flavin's Pink out ofa Corner-To Jasper Johns A "Pia ills" Ledger Book from the Collection of Miguel Covam,bias: Tiffany Johnson Bidler, University of Minnesota, Twin Cities Hidatsa or 2oth·Century Mexican? Janet Catherine Berlo, University of Rochester TIle Seine of Iflstmction: Pedagogy in the Water Works of TIlOmas Eakins Ceci n'est pas une pipe: TIle Mallipulation of Hopewell Effigy Images Allan Doyle, Princeton University for Pseudo-Scientific and Commercial Purposes Johanna Minich. Virginia Commonwealth University TIle Pulse of a Portrait: Models of Interiority in TIlOmas Eakills's Mrs. Mary Hallock Greenewalt 71ingit Daggers: Attributes of Alltheuticity Lynn \V. Saltonstall. Yale University Ashley Verplank, University of\Vashington Bobby's Pure Intention and tile Question oftlie Animal in Eaki11s Alltlienticity and Etltnicity: NOIl·Native Carvers of Northwest Coast Alan C. Braddock, Harvard University Totem Poles Aldana Jonaitis, University of Alaska "Mere TIlillkillg": TIle Riicial Mind in Thomas Eakins's Negro Boy Dancing (1878) Hopi Doll Look-Alikes: A Flourishillg Illdustry Sarah E. Blackwood, Northwestern University Zena Pearlstone, California State University, Fullerton Autonomic Horses and UlIGallny DOllbles: Mllybridge, Eakins, and Arl Criticism Toward a Digital Aesthetic, Part II Mary Peterson Zundo, University of Illinois, Urbana-Champaign Adam's Mark Hotel, Austin Ballroom I, 2nd Floor Chair: Steven Bleicher, Coastal Carolina University

Resisting Closure: Phenomenology as a Critical Practice in Art. Gary Keown, Southeastern Louisiana University Architecture, and Art Writing Matthew James Board, Casper College Adam's Mark Hotel, Lone Star Ballroom A4, 2nd Floor Chairs: Daniel Adler, University of Guelph; Jeannette Redensek, Maureen Nappi. Long Island University Josef and Allni Albers Foundation Patrick lichty, Columbia College, Chicago From tile SYllthesis of tIle Arts to tile 'l\ctivated Spectator" Paul Thirkell, University of West England Larry Busbea, University of Arizona Folds of tile Visible: Reading tile Intervals of tile Ultra-Semuolls Smface Ananda Shankar Chakrabarty, Ontario College of Art and Design

FEBRUARY 20-23 CAA2008 SS 2:30-5:00 pm Art after Democracy Adam's Mark Hotel, Dallas Ballroom DI, 1st Floor Art History Open Session Chairs: Charles Green, University of Melbourne; Anthony Gardner, 17th. and 18UI.Century European Art, Part II University of New South \Vales Adam's Mark Hotel, Dallas Ballroom B, 1St Floor Reinventing Democracy in Art Chair: Babette Bohn, Texas Christian University Charlotte Bydler, Sodertom University College POll5sin, Gombauld, and the Creation oj"Diana and Endymioll" Radical Democracy/Reactionary Politics: Subversive Art? Troy Thomas, Pennsylvania State University, Harrisburg Jennifer Friedlander, Pomona College "Give Mignard a Mason": TIle Roles oj Sculptors during the Public of Sensation-Public of Spectacle: Olajilr Eliasson and the Anciet! Regime Democratic Debate Anne Betty \Veinshenker, Montclair State University Noit Banai, THfts University and School of the Museum of Painting and Poetry in Arlemisia Gentileschi's Self Portraits Fine Arts, Boston Jesse Locker, Johns Hopkins University nle Interactive Work ofArt in tile Age ofAntidemocratic Participation Professional Women Artists ofthe Iberian Golden Age: What 'Vert Alison Pearlman, California State Polytechnic University, Pomona the Odds? Discussant: Anthony Gardner, University of New South \Vales Casey Gardonio-Foat, Institute of Fine Arts, New York University Reevaluating tile Late LieveJls Lloyd K. DeWitt, Philadelphia Museum of Art Food for Art, Part II Adam's Mark Hotel, San Antonio Ballroom B, 3rd Floor Chair: Mimi Hellman, Skidmore College TIle Contemporary Collaborator in an Interdisciplinary World, From Start to Finish: Clwllellges and Rewards of a Food-Based Part II Exhibition Adam's Mark Hotel, Dallas Ballroom D2, 1st Floor Sarah Tanguy, independent curator and critic, Washington, DC, Chairs: Brad Buckley, University of Sydney; John Conomos, and Art in Embassies Program University of Sydney The 1m/Materiality of the Everyday Collaboration, itlterdisciplhwrity, and the C01lcealment of Strategic Marilyn Waligore, University of Texas, Dallas Appropriation Sean Lowry, University of Newcastle Knife Mary Beth Heffernan, Occidental College Tile Collaborative Biennial: nvo Recent Andean Case Studies Bill Kelly, independent scholar, Los Angeles On the Front Bunler: Food as a Studio Discovery Process Mary Magsamen and Stephan Hillerbrand, Houston Reflections ou Differing Interdisciplinary aud Transdisciplillmy Projects alld Related Collaboration Methodologies Orphic Fodder: Studies in Edibility Bill Seaman, Rhode Island School of Design Mimi aka and Doug Fitch, New York Renegotiatiug Value through Collaboration, Commlmity, and Exchange Claire Schneider, Albright·Knox Art Gallery Historians of German and Central European Art and Architecture Art, Public Places, and Collaborative Spaces Feminism and Modemity in Central Europe Jolm Powers, independent scholar, Berlin Adam's Mark Hotel, Dallas Ballroom AI, 1st Floor Chair: AdrielUle Kochman, Indiana University Northwest Modersolm-Becker: TIle National, Regional, and tlte Modem New Perspectives on 20th-Century Italy, Part 11 Shulamith Behr, Courtauld Institute of Art Austin Ballroom 3, 2nd Floor, Adam's Mark Hotel Chair: Adrian R. Duran, Memphis College of Art Rediscovering Helene Flmke: TIle Invisible Foremother Julie M. Jolmson, University of Texas, San Antonio Terra Italia: TIle Peasant Subject as Site of National and Socialist Identities in Guttuso's Marsigliese contadina and De Sautis's Rethinking Virility and Domination in Gennau Vanguard Painting: Caccia tragica The Case of Marta Hegemmlll 1894-1970 Lara Pucci, University of Manchester Dorothy Rowe, University of Bristol Roma Anno Zero: Marcello Piacelltini and Architectural Continuity Prague Strategies: Toyen, Feminism, and the Czech AVant Garde in Post-\Vorld War II Rome Karla Huebner, University of Pittsburgh Susan E. Schafer, Instihtte of Fine Arts, New York University Geuder in tile GDR: Ursula MattlJeuer·NeusUidt's Conceptualization Cultural Encounters at tlie Venice BiemwJe in 1964 oftile Female Sublime Rebecca Zurier, University of Michigan Catherine J. Wilkins, Tulane University The Status of Objects in Italian Film and Art Angela Dalle Vacche, Georgia Instihtte of Technology Discussant: Emily Braun, Graduate Center, City University of New York

56 CAA2008 FEBRUARY 20-23 Art History Open Session Neuroscience and the History of Art, Part II Islamic Art, Part II Adam's Mark Hotel, Houston Ballroom B, 3rd Floor Adarn's Mark Hotel, Houston Ballroom C, 3rd Floor Chairs: Jolm Onians, University of East Anglia; Benjamin lima, Chair: Linda Komaroff, Los Angeles County Museum of Art Yale University Rendering tile Indian Ocean World: Reconsidering Animal Paintings The Attraction of Neuroart History: Getting at Mark Rotllko and under ]allallgir Bamett Newman Nancy UIU, State University of New York, Binghamton Oliver Elbs, independent scholar, Ttibingen

COflceptlmlizing tile Classical Sura: An Investigation of atl An­ A Neural Basis for tI" Origin of Art Historical Tenll Helen Coleman, University of East Anglia Tarek Kahlaoui, University of Pennsylvania "Le gOllst de lIostre natioH": A Neuroan-historical Enquiry into Italian Between Amulet cwd Devotion: Islamic Miniature Books in tile Lill}' and French 17th-Century Reflections on ArcilitectHre Library, Indimw University Carlos Pena Bujan, Universidad de Santiago de Compos tela Heather M. Coffey, Indiana University Implicit Memory in Modem Figurative An: the Case of Max Beckmann nle Constmction of Ceremonial Space in the Alhambra: TIle Case of Beatrice von Bonnann, University of Amsterdam tile Facade of Coma res iu the Cuarto Dorado Explorillg Spatial Aesthetics lVitltjMRI: A Pilot Project Olga Bush, independent scilOlar, Poughkeepsie Claire Bonney, Berne University of Applied Sciences Studying Islamic Art: Historically and Vimally Sara Sharaf, independent scholar, Cairo ARTspace Studio Art Open Session Association of Historians of 19th-Century Art Sculphtre Art and Science in the 19th Cenhtry, Part II Adam's Mark Hotel, Lone Star Ballroom C4, 2nd Floor Adam's Mark Hotel, Austin Ballroom 2, 2nd Floor Chair: Tanya Synar, Texas \Vomen's University Chair: Barbara Larson, University of\Vest Florida Cameron Schoepp, Texas Christian University Georges Seurat, Science, and the Limits of Perception alld Frances Bagley, independent artist, Dallas Representation Michelle Foa, Mount Holyoke College Tom Orr, independent artist, Dallas Vivisectiom: August Strindberg's Symbolism and tIle TIleol}' of Art Fortuit Alison Morehead, King's College, Cambridge Frantisek Kupka: Working on tile Crossroads of Sciellce and Art Isabelle \Vunsche, Jacobs University, Bremen Missillg Links: TIle Spritual Evolution of George Grey Banwrd's TIle Two Nahtres Brian Hack, Kingsborough Community College, City University of New York Depicting Nealldertal: Constant Roux's Man of La Chapelle-am.:­ Saints Maria Gindhart, Georgia State University

SoundArt Adam's Mark Hotel. Dallas Ballroom A3, 1st Floor Chair: Robert Lawrence, University of South Florida Like It Was a Movie: Public SOllud An as Physical Cinema Betsey Biggs, Princeton University Composing !Vitli Media: Evollltion of Sound Art alld Time- Based Forms Randall Packer, American University Sounds of Contexts Preston Poe, Salisbury University

Sound Discourse: Tile Problem of Critical Attitudes 011 the Aural Jeffrey Saletnik, University of Chicago Media Ecology Jeffrey TI10Inpson, Transart Institute linz

FEBRUARY 20-23 CAA2008 57