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Helen Garner's Monkey Grip and Its Feminist Contexts
CHAPTER 8 ‘Unmistakably a book by a feminist’: Helen Garner’s Monkey Grip and its feminist contexts Zora Simic Helen Garner has written a book called ‘Monkey Grip’, about a woman called Nora who falls in love, passionately and most unwisely with a junkie. Hardly a ‘liberated plot’. Yet this is unmistakably a book by a feminist. Sue King, Vashti, 1978 For Sue King, writing in Vashti, the journal of Melbourne Women’s Liberation, Helen Garner’s book Monkey Grip (1977)—like some other critics, she stopped short of calling it a novel—was clearly a feminist read. Nora, she observed, is ‘not overtly “political” in the sense of working for political change on the macro level, or even consistently working out the politics of everything that happens to her’. Nor can she, as a denizen of a ‘rather strange sub-culture’ be properly described as an ‘everywoman’. Yet for King, Nora was also ‘clearly recognisable as a woman whose central identity is her own’. ‘It’s just so nice’, she enthused, ‘to read a story where no one is married or wants to be; where people may on occasion be jealous or dependent, yet feel no entitlement to do so’. King devoured the book in 24 hours, but while her review came with a strong personal recommendation, she did wonder whether anyone beyond ‘an arty little sub group’ would relate to it. She concluded on a note of uncertainty: ‘is this something we have to pass through on the way to … ?’1 1 Sue King, ‘Monkey Grip’, Vashti, no. -
Single Motherhood As a Site for Feminist Reimagination in Helen Garner’S Monkey Grip and ‘Other People’S Children’
Single Motherhood as a Site for Feminist Reimagination in Helen Garner’s Monkey Grip and ‘Other People’s Children’ JANE SCERRI UNIVERSITY OF WESTERN SYDNEY Introduction: Helen Garner: Breaking Down Old Structures … Historically Australian single mothers were vilified as ‘fallen’ and considered a ‘polluting influence’ and ‘a danger to [their] child[ren]’ (Swain 10). Contemporarily, as Emily Wolfinger (2016) observes, the dominant critique of single mothers has shifted from concerns about their morality to their ability to provide economically for their children, suggesting that contemporary conservatism prioritises the financial over the social. Garner’s single mothers in Monkey Grip (1977) and ‘Other People’s Children’ (1980) existed in a socially experimental milieu; one that denounced historical vilification and preceded the contemporary negative rhetoric of neoliberalism which characterises single mothers as economically irresponsible, non-working and a burden on society. This milieu, viewed retrospectively, provides a fertile space in which to reimagine and reframe contemporary single motherhood, especially if contemporary single mothers are to be again judged according to outdated ‘good’ mother myths1 reinforced by economic neoliberalism. In this way, a re-examination of Garner’s depiction of single motherhood, with its focus on domestic spaces and female concerns might reorient modern single mothers to a second-wave feminist style presumption of their ‘natural’ equal rights as women and mothers; bearing in mind that economic constraints, a major factor when contending agency, vary across class and time. I argue that single mothers, by virtue of their decampment from the nuclear family, debunk the myth of the ‘good’ mother, either by not adopting, or by abandoning, their traditionally othered position within it, and therefore evade at least some of the mythologised discourse by controlling and managing their own space. -
Ms Helen Garner Helen Garner Is One of the Finest of Australian Writers
Ms Helen Garner Helen Garner is one of the finest of Australian writers. She has written highly personal novels, created from life with an attention to detail and imaginative richness; and she has written essays, journalism and other non-fictional work that explore the complexities of reportage. She came to the University in 1961 from schooling at The Hermitage, Geelong, and completed an honours degree in Arts. After overseas travel she worked as a school-teacher in several Melbourne high schools, where her engagement in radical politics and especially the women’s movement found expression in her teaching. Helen Garner came to prominence as a novelist with Monkey Grip (1977), which was the first novel of its kind about alternative and inner urban life in Australia. Using a deliberate roughness of surface and design, it is a complexly shadowed novel about love and drug addiction, the two represented as alternative obsessions. Her next work, Honour and Other People’s Children (1980), turned to the quiet minutiae of everyday life, and established her as a realist writer with formidable powers of observation. The musicality of her technique is evident in the stories collected in Postcards from Surfers (1985) and reached its apogee in The Children’s Bach (1984), a novella of remarkable economy and precision. Subsequent works included Cosmo Cosmolino (1992) and The Last Days of Chez Nous (1993). The strength of Garner’s dialogue is highlighted by her two filmscripts: one for Jane Campion’s Two Friends and the other for Gillian Armstrong’s The Last Days of Chez Nous. -
Considering the Gap Between Theory and Practice: Helen Garner and Things to Talk About Later
University of Wollongong Research Online University of Wollongong Thesis Collection 1954-2016 University of Wollongong Thesis Collections 2016 Considering the Gap Between Theory and Practice: Helen Garner and Things To Talk About Later Jane Helen Scerri University of Wollongong Follow this and additional works at: https://ro.uow.edu.au/theses University of Wollongong Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorise you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: This work is copyright. Apart from any use permitted under the Copyright Act 1968, no part of this work may be reproduced by any process, nor may any other exclusive right be exercised, without the permission of the author. Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. A court may impose penalties and award damages in relation to offences and infringements relating to copyright material. Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. Unless otherwise indicated, the views expressed in this thesis are those of the author and do not necessarily represent the views of the University of Wollongong. Recommended Citation Scerri, Jane Helen, Considering the Gap Between Theory and Practice: Helen Garner and Things To Talk About Later, Masters of Creative Writing - Research thesis, School of Arts, English and Media, University of Wollongong, 2016. -
Newton Faulkner „Write It on Your Skin“ (VÖ 6.7.2012)
Newton Faulkner „Write It On Your Skin“ (VÖ 6.7.2012) Der atemberaubend virtuose Umgang mit seinem Instrument und die Befähigung zum Schreiben fantastischer Hooklines – das sind die Markenzeichen des britischen Sängers, Songwriters, Musikers und Supersympathen Newton Faulkner. Anfang Juli 2012 erscheint mit „Write It On Your Skin“ das dritte Studioalbum des 27-jährigen, mit dem eine dreijährige Veröffentlichungspause zu Ende geht. Als erste Single wählte Faulkner die Pop-Hymne „Clouds“, die er zusammen mit seinem Bruder Toby und Sam Farrar (Phantom Planet) in einer Garage im sonnendurchfluteten Los Angeles schrieb. Die Wahl fiel u.a. gerade auf diesen Song, weil die gesamtinhaltliche Ausrichtung des Albums mit dem optimistischen Motto „I know things appear to be bad now but they will get better“ auf den Punkt bringt. Seine positive Lebenseinstellung ist dabei untrennbar mit den Wetterverhältnissen verknüpft: „Wenn es regnet, kann ich nicht ich selbst sein – aber wenn die Sonne scheint, dann bin ich in meinem Element. Ich und die Sonne gehören einfach zusammen. Das ist mir jetzt klar geworden.“ Da kommt die neue Single „Clouds“ gerade recht, um auch die letzten Wolken zu vertreiben… Die Zeit seit der Veröffentlichung seines letzten Albums „Rebuilt By Humans”, das Platz drei der britischen Charts erreichte, nutzte Newton für Konzertreisen um die ganze Welt und die Gründung einer Familie (sein Sohn Beau Henry Faulkner-Richards ist ein Jahr alt). In seiner Heimat gilt er als Wegbereiter einer neuen Generation von Singer-Songwritern wie Ed Sheeran, Ben Howard und Michael Kiwanuka, die sich zwar stilistisch z.T. erheblich von Faulkner unterscheiden, jedoch ganz klar seine „have-guitar-will-travel“-Attitüde verinnerlicht haben. -
Australian Cinema Umbrella Australian Cinema
20152017 UMBRELLAUMBRELLA CATALOGUECATALOGUE AUSTRALIAN CINEMA UMBRELLA AUSTRALIAN CINEMA DVD DVD DCP DVD BD THE ADVENTURES OF BARRY MCKENZIE ANGEL BABY AUTOLUMINESCENT Reviled by the critics! This year marks the 20th Anniversary of this Containing a selection of rare footage and moving interviews Adored by fair-dinkum Aussies! landmark Australian Drama. with Rowland S. Howard, Nick Cave, Wim Wenders, Mick Harvey, Lydia Lunch, Henry Rollins, Thurston Moore, In this fan-bloody-tastic classic, directed by Bruce Beresford Winner of 7 AFI Awards, including Best Film, Best Director, Best Actor and Best Actress. Bobby Gillespie, and Adalita, AUTOLUMINESCENT traces (his first feature) Australia’s favourite wild colonial boy, the life of Roland S. Howard, as words and images etch Barry McKenzie (Barry Crocker), journeys to the old country Written and directed by Michael Rymer (Hannibal) and light into what has always been ‘the mysterious dark’. accompanied by his Aunt Edna Everage (Barry Humphries) starring Jacqueline McKenzie (Romper Stomper), John to take a Captain Cook and further his cultural and intellectual Lynch (In the Name of the Father) and Colin Friels (Malcolm), “ IF YOU MAKE SOMETHING THAT IS SO MAGICAL, SO UNIQUE education. this multi-award winning drama tells a tragic tale of love YOU WILL PAY THE PRICE... IT’S THE DEVIL’S BARGAIN.” between two people with schizophrenia as they struggle with LYDIA LUNCH life without medication. “ HEARTBREAKINGLY GOOD AND FILLED WITH A DESPERATE INTENSITY.” JANET MASLIN, THE NEW YORK TIMES FOR ALL ENQUIRIES REGARDING UMBRELLA’S THEATRICAL CATALOGUE umbrellaent.films @Umbrella_Films PLEASE CONTACT ACHALA DATAR – [email protected] | 03 9020 5134 AUSTRALIAN CINEMA BP SUPER SHOW DVD LOUIS ARMSTRONG One of the greatest musical talents of all time, Louis ‘Satchmo’ Armstrong raised his trumpet and delivered a sensational concert for the BP Supershow, recorded at Australia’s Television City (GTV 9 Studios) in 1964. -
Southampton University's Finest Entertainment Publication 29Th September 2007
Southampton University's Finest Entertainment Publication 29th September 2007 We “Pull the Pin” on Stereophonics’ latest release 29th September 2007 A Word From Akon and Jackson? Helium voiced Rap superstar Akon has revealed that he is currently working with Michael Jackson, on a collaborative The Editor record. Hello and welcome to this year’s first However, Akon has kept the deatils close to his chest, issue of The Edge. Hope you all had refusing to disclose the specifics of the collaboration, a great summer and you’re all rested perhaps fearing the cold, swift sting of a slap round the face and ready for the crazy fun and games from the King of Pop’s signature gloved hand. However he of Freshers Week...not to mention the did say this; carnage, hangovers and flu... “He’s incredible. He’s a genius. Just to be in the same room Old readers of The Edge might notice (with him), I felt everything I wanted to accomplish in life something a bit different about the has been achieved. magazine, as we’re now colouring it in. We might have exploited this a “We’re about to shake the world up, man. You know how you be with somebody and you can’t even explain?”, he little in the first issue, so if the neon continued. glow of each page makes you want throw up in your frosties, let us know. “The way he thinks...some artists think regional, some think In fact if you have any comments or national, I was thinking international. -
The Text Publishing Company Frankfurt Rights Guide 2020
The Text Publishing Company Frankfurt Rights Guide 2020 SOCIAL MEDIA GUIDE: FACEBOOK 1 The Text Publishing Company Frankfurt Rights Guide 2020 Recent Acquisitions..........................................................................................................................4 Recent Publications..........................................................................................................................5 Fiction .........................................................................................................................................6—17 The Second Son by Loraine Peck........................................................................................................6 Two Steps Onward by Graeme Simsion and Anne Buist................................................................7 The Tulip Tree by Suzanne McCourt.................................................................................................8 Consolation by Garry Disher..............................................................................................................9 The Missing by Dirk Kurbjuweit, translated by Imogen Taylor..................................................10 The Burning Island by Jock Serong...................................................................................................11 Fog by Kaja Malanowska, translated by Bill Johnston.................................................................12 A Million Things by Emily Spurr......................................................................................................13 -
{PDF EPUB} the First Stone Some Questions of Sex and Power by Helen Garner Helen Garner’S the First Stone Is Outdated
Read Ebook {PDF EPUB} The First Stone Some Questions of Sex and Power by Helen Garner Helen Garner’s The First Stone is outdated. But her questions about sexual harassment aren’t. ‘Change is hard. We need warriors who will brook no self-doubt to get it done. But we also need our Garners, our worriers, unafraid to be accused of treachery to the cause.’ Photograph: James Broadway. ‘Change is hard. We need warriors who will brook no self-doubt to get it done. But we also need our Garners, our worriers, unafraid to be accused of treachery to the cause.’ Photograph: James Broadway. Last modified on Sun 11 Mar 2018 05.59 GMT. More than 20 years ago, Helen Garner wrote a book about sexual harassment at the University of Melbourne, the “Ormond College case” as it became known. To call The First Stone a controversial book is doing it an injustice. It was savage and whiny and journalistically flawed and it was, in Garner’s style, full of self-doubt. It tossed and turned about what was bubbling beneath this campus incident, what it had to say about women, men, sex and power. “The daily papers were awash with endless outrages against women, as if victimhood were the sum of our experience,” she wrote, long before social media gave us the power to ignore or shape the daily paper’s agenda, and long before “identity politics” became so fraught. Over the past few months, every woman and man I know, of all ages and backgrounds, have been talking about sexual harassment and what bubbles beneath it. -
NEWTON FAULKNER Album: „Write It on Your Skin” VÖ 6.7.2012
NEWTON FAULKNER Album: „Write It On Your Skin” VÖ 6.7.2012 Wenn es um das Thema Pionier- bzw. Innovationsgeist geht, ist Newton Faulker mit Sicherheit der richtige Ansprechpartner. Als man 2007 erstmals auf den damals 22-jährigen aufmerksam wurde, schwang sich der Gitarrist mit dem unfassbar flinken Fingern innerhalb kürzester Zeit zum „Prinz des perlenden Gitarrenpop“ auf. Gleich mit seinem Debütalbum „Hand Built By Robots” gelang dem aus Surrey stammenden Absolventen der „Guildford Academy of Contemporary Music“ ein Nummer- Eins-Album, das sich alleine in seiner britischen Heimat über eine Million Mal verkaufte. Die Singles „Dream Catch Me“ und „I Need Something“ bestimmten den Festivalsound der Jahre 2007 und 2008. Seine innovative Seite offenbarte Faulkner derweil mit seinen virtuosen Coverversionen des Massive Attack-Klassikers „Teardrop“ und des „Spongbob Schwammkopf“-Titelsongs. Kein Zweifel: dieser Mann wusste sein Publikum zu unterhalten - und zu fesseln. Newton Faulkner war der Mann für die guten Vibes, der Sommer-Barde mit jeder Menge Mitsing- Melodien im Gepäck. Was ihn aus heutiger Sicht immer noch zum Schmunzeln bringt, ist die Tatsache, dass er - trotzt seiner rostroten Dreadlocks - immer nur erkannt wird, wenn die Sonne scheint. „Wenn es regnet, dann kann es wohl nicht ich sein - aber wenn die Sonne scheint, dann bin ich es ganz bestimmt! Ich werde uneingeschränkt mit Sonnenschein assoziiert. Das wurde mir jetzt klar.” Für sein zweites Album musste Faulkner fast wieder bei null anfangen. Und das hatte einen durchaus handfesten Grund: gerade, als er sich an die Aufnahmen der Songs machen wollte, die er auf der Welttour im Anschluss an die Veröffentlichung von „Hand Built By Robots” geschrieben hatte, brach er sich beim Skifahren in Frankreich das Handgelenk (dabei fuhr er zum Zeitpunkt des Unfalls nicht einmal Ski, er rutschte aus, als er durch eine Türe ging - eine ebenso bittere wie absurde Randnotiz, die allerdings seinem Humor entspricht). -
Everyday Revolutions: Remaking Gender, Sexuality and Culture In
Everyday Revolutions Remaking Gender, Sexuality and Culture in 1970s Australia Everyday Revolutions Remaking Gender, Sexuality and Culture in 1970s Australia Edited by Michelle Arrow and Angela Woollacott Published by ANU Press The Australian National University Acton ACT 2601, Australia Email: [email protected] Available to download for free at press.anu.edu.au ISBN (print): 9781760462963 ISBN (online): 9781760462970 WorldCat (print): 1113935722 WorldCat (online): 1113935780 DOI: 10.22459/ER.2019 This title is published under a Creative Commons Attribution-NonCommercial- NoDerivatives 4.0 International (CC BY-NC-ND 4.0). The full licence terms are available at creativecommons.org/licenses/by-nc-nd/4.0/legalcode Cover design and layout by ANU Press This edition © 2019 ANU Press Contents Contributors . vii 1 . Revolutionising the everyday: The transformative impact of the sexual and feminist movements on Australian society and culture . 1 Michelle Arrow and Angela Woollacott Everyday gender revolutions: Workplaces, schools and households 2 . Of girls and spanners: Feminist politics, women’s bodies and the male trades . 23 Georgine Clarsen 3 . The discovery of sexism in schools: Everyday revolutions in the classroom . 37 Julie McLeod 4 . Making the political personal: Gender and sustainable lifestyles in 1970s Australia . 63 Carroll Pursell Feminism in art and culture 5 . How the personal became (and remains) political in the visual arts . 85 Catriona Moore and Catherine Speck 6 . Subversive stitches: Needlework as activism in Australian feminist art of the 1970s . .. 103 Elizabeth Emery 7 . Women into print: Feminist presses in Australia . 121 Trish Luker 8 . ‘Unmistakably a book by a feminist’: Helen Garner’s Monkey Grip and its feminist contexts . -
Issue 201.Pmd
email: [email protected] website: nightshift.oxfordmusic.net Free every month. NIGHTSHIFT Issue 202 May Oxford’s Music Magazine 2012 To infinity - and beyond! FIXERS FIXERSt-offt-off -- exclusiveexclusive interviewinterview insideinside PreparePrepare forfor liflif Also in this issue: OXFORD PUNT 2012 - four-page pull-out guide plus Introducing KILL MURRAY and all your local music news, reviews and previews. NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWNEWSS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshift.oxfordmusic.net WITTSTOCK FESTIVAL returns been recorded with A Silent Film’s this month. The annual three-day Rob Stevenson. Visit free festival takes place at the www.pledgemusic.com/projects/ Railway Inn in Culham over the richardwalters to buy his stuff weekend of 4th / 6th May. and help the album come to Ian Staples headlines the opening fruition. evening, joined by Domes of FRANK TURNER returns to Oxford in November as part of an 18- Silence, Junkie Brush, Class FIXERS, TROPHY WIFE AND date UK tour. Following on from his sold-out show at Wembley Arena Dismissed, Skelfie and Mark Allen SECRET RIVALS all play at this last month, the honorary Oxfordian folk-punk troubadour, who counts Barnes. Saturday and Sunday year’s Liverpool Sound City. The Dive Dive members Tarrant Anderson, Ben Lloyd and Nigel Powell in feature a full day and night of three-day music festival takes place his backing band, plays the O2 Academy on Monday 26th November. music. Reservoir Cats top the from Thursday 17th May to Tickets, priced £18, went on sale late April and are likely to sell out fast.