Marx and Freud
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Aesthetic Dimension
THE AESTHETII DlmEDSIOD TOWARD A CRITIQUE OF MARXIST AESTHETICS HERBERT MARC USE Beacon Press Boston In a situation where the miserable reality can be changed only through radical political praxis, the concem with aesthetics demands justification. It would be senseless to deny the element of despair inherent in this concern: the retreat into a world of fictionwhere existing conditions are changed· and overcome only in the realm of the imagination. However, this purely ideological conception of art is being questioned with increasing intensity. It seems that art as art expresses a truth, an ex perience, a necessity which, although not in the domain of radical praxis, are nevertheless essential components of revolution. With this insight, the basic conception of Marxist aesthetics, that is its treatment of art as ideology, and the emphasis on the class character of art, become again the topic of critical reexamination.1 This discussion is directed to the following theses of Marxist aesthetics: 1. There is a definite connection between art and the material base, between art and the totality of the relations of production. With the change in production relations, art itself is trans formed as part of the superstructure, although, like other ideologies, it can lag behind or anticipate social change. 1 2. There is a definite connection between art and social class. The only authentic, true, pro gressive art is the art of an ascending class. It expresses the consciousness of this class. 3. Consequently, the political and the aes thetic, the revolutionary content and the artistic quality tend to coincide. 4. The writer has an obligation to articulate and express the interests and needs of the ascending class. -
Critical Theory of Herbert Marcuse: an Inquiry Into the Possibility of Human Happiness
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1986 Critical theory of Herbert Marcuse: An inquiry into the possibility of human happiness Michael W. Dahlem The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Dahlem, Michael W., "Critical theory of Herbert Marcuse: An inquiry into the possibility of human happiness" (1986). Graduate Student Theses, Dissertations, & Professional Papers. 5620. https://scholarworks.umt.edu/etd/5620 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. COPYRIGHT ACT OF 1976 This is an unpublished manuscript in which copyright sub s is t s, Any further reprinting of its contents must be approved BY THE AUTHOR, Mansfield Library U n iv e rs ity o f Montana Date :_____1. 9 g jS.__ THE CRITICAL THEORY OF HERBERT MARCUSE: AN INQUIRY INTO THE POSSIBILITY OF HUMAN HAPPINESS By Michael W. Dahlem B.A. Iowa State University, 1975 Presented in partial fulfillment of the requirements for the degree of Master of Arts University of Montana 1986 Approved by Chairman, Board of Examiners Date UMI Number: EP41084 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. -
Habermas: Testing the Political Estelle Ferrarese
Habermas: Testing the Political Estelle Ferrarese To cite this version: Estelle Ferrarese. Habermas: Testing the Political. Thesis Eleven, SAGE Publications, 2015. halshs- 01251486 HAL Id: halshs-01251486 https://halshs.archives-ouvertes.fr/halshs-01251486 Submitted on 16 Jan 2017 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Page Proof Instructions and Queries Journal Title: THE Article Number: 602176 No. Query Please confirm that all author information, including names, affiliations, sequence, and contact details, is correct. Please review the entire document for typographical errors, mathematical errors, and any other necessary corrections; check headings, tables, and figures. Please ensure that you have obtained and enclosed all necessary permissions for the reproduction of artistic works, (e.g. illustrations, photographs, charts, maps, other visual material, etc.) not owned by yourself. Please refer to your publishing agreement for further information. Please note that this proof represents your final opportunity to review your article prior -
Marx and Industrial Age Aesthetics of Alienation
CULTURA CULTURA INTERNATIONAL JOURNAL OF PHILOSOPHY OF CULTURE CULTURA AND AXIOLOGY Founded in 2004, Cultura. International Journal of Philosophy of 2016 Culture and Axiology is a semiannual peer-reviewed journal devo- 1 2016 Vol XIII No 1 ted to philosophy of culture and the study of value. It aims to pro- mote the exploration of different values and cultural phenomena in regional and international contexts. The editorial board encourages the submission of manuscripts based on original research that are judged to make a novel and important contribution to understan- ding the values and cultural phenomena in the contempo rary world. CULTURE AND AXIOLOGY CULTURE INTERNATIONAL JOURNAL OF PHILOSOPHY INTERNATIONAL ISBN 978-3-631-67935-7 www.peterlang.com CULTURA 2016_267935_VOL_13_No1_GR_A5Br.indd 1 13.06.16 KW 24 17:43 CULTURA CULTURA INTERNATIONAL JOURNAL OF PHILOSOPHY OF CULTURE CULTURA AND AXIOLOGY Founded in 2004, Cultura. International Journal of Philosophy of 2016 Culture and Axiology is a semiannual peer-reviewed journal devo- 1 2016 Vol XIII No 1 ted to philosophy of culture and the study of value. It aims to pro- mote the exploration of different values and cultural phenomena in regional and international contexts. The editorial board encourages the submission of manuscripts based on original research that are judged to make a novel and important contribution to understan- ding the values and cultural phenomena in the contempo rary world. CULTURE AND AXIOLOGY CULTURE INTERNATIONAL JOURNAL OF PHILOSOPHY INTERNATIONAL www.peterlang.com CULTURA 2016_267935_VOL_13_No1_GR_A5Br.indd 1 13.06.16 KW 24 17:43 CULTURA INTERNATIONAL JOURNAL OF PHILOSOPHY OF CULTURE AND AXIOLOGY Cultura. -
Habermas, Peukert, Hoehn: Towards a Political Ecclesiology of Communicative Praxis
HABERMAS, PEUKERT, HOEHN: TOWARDS A POLITICAL ECCLESIOLOGY OF COMMUNICATIVE PRAXIS The first real task of the presentation was to place the subject of the paper in the context of the conference theme of "The Linguistic Turn." An investigation of Ha- bermas' idea of communicative action, in particular through an examination of its appropriation in a theological context by Helmut Peukert and Hans-Joachim Hoehn, would show how something as apparently abstract and theoretical as a linguistic turn could have significant practical consequences for the life of the church. Further, al- though Juergen Habermas is himself not noticeably favorable towards religion, it is possible through the mediation of Peukert and Hoehn to establish a relationship be- tween church and communicative action distinguished by three "moments," a mo- ment of need, a moment of critique, and a moment of solidarity. Habermas' interest in critical philosophy and social science as ways of eman- cipating human beings from positivism and so-called "value-free" science led di- rectly to his personal "linguistic turn." Habermas found that in all language that is not deliberately distorted there is an implied intention to achieve consensus. Language operates with implicit validity claims to comprehensibility, truth, truth- fulness and lightness. Differences between speakers can be arbitrated through the attempt to "discursively redeem" these validity claims in argumentation, pursued in a genuinely open atmosphere oriented to achieving understanding "purely by the force of the better argument.'' In his more recent work Habermas has developed his theory of communicative action into a kind of comprehensive moral vision, in which the exercise of undis- torted communication is the best protection of the human community from the un- checked instrumentalism of technology on the one hand, and the "strategic" manipulation of individuals and communities on the other. -
The Great Refusal: Herbert Marcuse and Contemporary Social Movements
Excerpt • Temple University Press 1 Bouazizi’s Refusal and Ours Critical Reflections on the Great Refusal and Contemporary Social Movements Peter N. Funke, Andrew T. Lamas, and Todd Wolfson The Dignity Revolution: A Spark of Refusal n December 17, 2010, in a small rural town in Tunisia, an interaction that happens a thousand times a day in our world—the encounter Obetween repression’s disrespect and humanity’s dignity—became a flashpoint, igniting a global wave of resistance. On this particular day, a police officer confiscated the produce of twenty-six-year-old street vendor Mohamed Bouazizi and allegedly spit in his face and hit him. Humiliated and in search of self-respect, Bouazizi attempted to report the incident to the municipal government; however, he was refused an audience. Soon there- after, Bouazizi doused himself in flammable liquid and set himself on fire. Within hours of his self-immolation, protests started in Bouazizi’s home- town of Sidi Bouzid and then steadily expanded across Tunisia. The protests gave way to labor strikes and, for a few weeks, Tunisians were unified in their demand for significant governmental reforms. During this heightened period of unrest, police and the military responded by violently clamping down on the protests, which led to multiple injuries and deaths. And as is often the case, state violence intensified the situation, resulting in mounting pressure on the government. The protests reached their apex on January 14, 2011, and Tunisian president Ben Ali fled the country, ending his twenty- three years of rule; however, the demonstrations continued until free elec- tions were declared in March 2011. -
219 Toward Rediscovering Sartre Thomas R. Flynn Sartre and Marxist
Toward Rediscovering Sartre Thomas R. Flynn Sartre and Marxist Existentialism, Chicago: University of Chicago Press, 1984 Thomas Flynn reopens worked-over ground when he takes up the question of Sartre's relation to Marxism. However, the path he chooses into this ground-the notion of collective responsibility-is novel and serves well the project of bringing out the key issues involved in any assessment of the relation of Sartre's existentialism to his "Marxism," and, additionally, manages to offer a certain interpretation of Sartre's project as a whole. Flynn divides his presentation into three parts. The first part examines the key existentialist notions of freedom and responsibility as developed in Being and Nothingness (BN). The development of Sartre's social theory from transitional works such as Anti-Semite and Jew and certain essays from Situations V through the Critique of Dialectical Reason (CDR) is laid out in part two, in which Flynn also pieces together what he believes to be a coherent of collective In the theory responsibility. ' third part, he judges Sartre's social theory to be " 'Marxist' existentialist," and expresses several reservations about its success. In building his case for the primacy of Sartre's existentialism, Flynn argues for a compatibility between the basic categories of BN and CDR. The central category of the latter work, praxis, is found by Flynn to assume the former work's key notions of individuality, freedom, and responsibility. He goes on to argue that in Sartre's social theory there is "a non-negotiable primacy of individual praxis" (93). This primacy is traced out in both the social ontology and epistemology of the social theory enabling the latter to be characterized as "dialectical nominal- 219 220 ism." Ontologically, social phenomena, such as groups, are not entities, but consist of "relations" among individuals. -
Praxis of the Soviet Avant-Garde Leah Hasdan
PRAXIS OF THE SOVIET AVANT-GARDE LEAH HASDAN n the Dialectic of Enlightenment, Max Horkheimer and Teodor Adorno discuss διανοια Ihow the culture industry is backed by a noncommittal vagueness of ideology, which, in turn, infuences the production of art. Horkheimer and Adorno argue that, like the culture industry1, art is bound to its struggle with tradition and is unable to transcend a new reality—or give way to a new cultural identity. Te authors look towards autonomous art, recognized in the presentation of the avant-garde, to transcend the milieu of the culture industry. Yet, as they argue, “the claims of art are always also ideology”2—this holds especially true for avant-garde art. Even in the midst of society’s attempting to sever itself from tradition (in hopes of striving for a new identity), avant-garde art does not transcend reality, for it is nonetheless backed by the instrumentalization of ideology and places the artist’s identity into crisis. Art is understood as the presentation of truth claims that reveal the current condition of the social order. Horkheimer and Adorno argue that art is able to transcend reality when it breaks from its tradition or its style; however, style is shaped by tradition, 1 “Te culture industry has abolished the rubbish of former times by imposing its own perfection, by prohibiting and domesticating dilettantism, while itself incessantly commiting the blunders without which the elevated style cannot be conceived” Adorno, Teodor W, Max Horkheimer, and Gunzelin Schmid Noerr. 2009. Dialectic Of Enlightenment. 1st ed. Stanford, Calif: Stanford Univ. -
State Terrorism and Political Identity in Indonesia
State Terrorism and Political Identity in Indonesia Approximately one million innocent Indonesians were killed by their fellow nationals, neighbours and kin at the height of an anti-communist campaign in the mid-1960s. This book investigates the profound political consequences of these mass killings in Indonesia upon public life in the subsequent decades, highlighting the historical speci®cities of the violence and compar- able incidents of identity politics in more recent times. Weaving a balance of theory with an empirically based analysis, the book examines how the spectre of communism and the trauma experienced in the latter half of the 1960s remain critical in understanding the dynamics of terror, coercion and consent today. Heryanto challenges the general belief that the periodic anti-communist witch-hunts of recent Indonesian history are largely a political tool used by a powerful military elite and authoritarian government. The book investigates what drove otherwise apolitical subjects to be complicit in the engul®ng cycles of witch-hunts. It argues that elements of what began as an anti-communist campaign took on a life of their own, increasingly operating independently of the violence and individual subjects who appeared to be manipulating the campaigns in the 1980s and 1990s. Despite the profound importance of the 1965±6 events it remains one of the most dicult and sensitive topics for public discussion in Indonesia today. State Terrorism and Political Identity in Indonesia is one of the ®rst books to fully discuss the problematic representation and impacts of a crucial moment of Indonesia's history that until recently has been largely unspoken. -
BIBLIOGRAPHY Aidit, D.N., 1963, Tentang Marxisme, Akademi Ilmu Sosial Aliarcham, Jakarta. Avineri, Sholmo. 1968. the Social
BIBLIOGRAPHY Aidit, D.N., 1963, Tentang Marxisme, Akademi Ilmu Sosial Aliarcham, Jakarta. Avineri, Sholmo. 1968. The Social and Political Thought of Karl Marx. Cambridge University Press. Bordwell;David and Thompson, Kristin. 1990. Movie Art (An Introduction) Third Edition. United States of America: Mc Graw- Hill, Inc. Dahrendorf, Ralf. 1959. Class and Class Conflict in Industrial Society. Stanford: Stanford University Press. Douglas, John S and Glen, P Hamden. 1996. The Art of Technique (An Aesthetic, Approach to Movie and Video Production). Boston: Alynn and Bacon. Encyclopedia of nations. 2010. Italy poverty and wealth http://www.nationsencyclopedia.com/economies/Europe/Italy-POVERTY-AND- WEALTH.html, December 22 2010, 22:10 p.m. ___________________. 2010. Italy- science and technology. http://www.nationsencyclopedia.com/Europe/Italy-SCIENCE-AND- TECHNOLOGY.html, December 22 2010, 21:10 p.m. Everyculture. 2010. Italians http://www.everyculture.com/Europe/Italians.html, December 22 2010, 21:15 p.m. fact-index. 2010. Politics in Italy. http://www.fact-index.com/p/po/politics_of_italy.html, December 22 2010, 21:30 p.m. Forgacs, David. 1987. Marxist Literary Thesis in Jefferson Ann, and David Robey (Eds). Modern Literary: A Comparison Introduction. London; B.T. Bals Ford. Fromm, Erich.2001. Konsep Manusia Menurut (Marx’s Concept of Man Translated by Agung Prihantoro). Yogyakarta: Pustaka Pelajar Offset. Italian culture. 2010. Best Italian footballer ever. http://italian-culture-blog.blogspot.com/, December 22 2010, 21:29 p.m. Italian language. 2010. Italian culture. http://www.italianlanguageguide.com/italian/culture/, December 22 2010, 21:22 p.m. Just landed. 2010. Religion in Italy: A Christian religion. -
From Critical Theory to Cultural Studies: UCSD Ethnic Studies 257B Winter 2010 Aesthetics in Social Theory Professor Roshanak Kheshti SSB 253 Tuesdays 12:30-3:20
From Critical Theory to Cultural Studies: UCSD Ethnic Studies 257B Winter 2010 aesthetics in social theory Professor Roshanak Kheshti SSB 253 Tuesdays 12:30-3:20 Description: While Marx famously rejected religion (“religion is the opiate of the people”1) the Marxist tradition identifies aesthetics with emancipatory potential. 20th & 21st century scholars writing in this tradition have produced various and competing studies of art and aesthetics, most notably those scholars affiliated with the Frankfurt School for Social Research and those within the vast field of cultural studies. While the notion of aesthetics has long been an object of philosophical concern, the Marxist aesthetic tradition generally identifies aesthetics and aesthetic practice with the potential to actualize social transformation. This course examines key texts with the aim of exploring the disparate critiques and valorizations of aesthetics within this tradition with a particular emphasis on the affective, emancipatory and ephemeral qualities that have drawn scholars and social movements to these forms and practices. Coursework: Presentations: Each student is responsible for presenting and facilitating discussion during one class meeting. Presentations should facilitate discussion and offer interpretations of the text(s), preferably bringing ideas into conversation across class meetings. In keeping with the course theme on aesthetics, students should incorporate aesthetic objects (videos, music, sculpture, fashion, dance, etc.) into their presentation. Objects might reflect, complicate, interpret or interrogate the ideas raised in the reading ideally putting the object into conversation with the reading. Response Papers: Each student will produce one response paper for each class meeting synthesizing the readings, bringing them into conversation with each other and/or with the student’s own work. -
The Paradox of Positivism
Dylan Riley The Paradox of Positivism The essays in The Politics of Method in the Human Sciences contribute to a historical and comparative sociology of social science by systematically com- paring the rises, falls, and absences of ‘‘methodological positivism’’ across the human sciences. Although all of the essays are of extremely high quality, three contributions develop the argument most fully: George Steinmetz’s introduction and William H. Sewell Jr.’s and Steinmetz’s contributions to the volume. My remarks focus on these three pieces, drawing on the other contributions to illustrate aspects of the argument or to suggest tensions that need exploration. What Is Positivism? What are the authors trying to explain? The term positivism has at least three meanings. It can be a commitment to social evolution in the sense of Auguste Comte and Emile Durkheim. It can refer to an articulated philosophical tra- dition: logical positivism. Or it can refer to a set of scientific research prac- tices: methodological positivism. It is the last meaning that is most relevant for Steinmetz (2005c: 109). Methodological positivism refers to a concept of knowledge, a concept of social reality, and a concept of science. First, it is an epistemology that identifies scientific knowledge with covering laws—that is, statements of the type ‘‘if A occurs, then B will follow.’’ Second, it is an ontology that equates existence with objects that are observable. Third, it is associated with a self- understanding of scientific activity in which social science is independent