Art Gallery of NSW Appendices 07–08

Sponsorship and philanthropy 70 Art prizes and scholarships 71 AGNSW publications for sale 71 Visitor numbers 72 Exhibitions listing 73 Aged and disability access programs and services 74 Aboriginal and Torres Strait Islander programs and services 75 Ethnic affairs priorities statement 76 Overseas travel 77

Collection – purchases 78 Collection – gifts 81 Collection – loans 85

Staff, volunteers and interns listings 91 Staff publications, presentations and related activities 94 Customer complaints 98 Electronic service delivery 99 Compliance reporting 100

ART GALLERY OF NSW APPENDICES 07–08 69 SPONSORSHIP AND AO & Frank O’Keefe; Michael Aussie Home Loans; Bruce Fink, almost $1.1 million, which has been Gleeson-White AO; David Gonski Bickham Court Group; Michael received; and the Gallery has been PHILANTHROPY AC; Mollie Gowing; Shosuke Ihlein, Brambles; Danny Goldberg, notified by the Estate of the late Idemitsu; James Leslie AC MC; Dakota Corporation; Giam Margaret Mary Jones, but Frank Lowy AC; John Morschel; Swiegers, Deloitte Touche distribution of the bequest has not Sponsors Rupert Murdoch AC; Kenneth Myer Tohmatsu; Chum Darvall, Deutsche yet been finalised. The Estate of the at 30 June 2008 AC DSC; J Hepburn Myrtle CBE; Bank AG; Glenn Poswell, Ellerston late Yvonne Diana Buchanan May Avant Card: Support sponsor: Margaret Olley AC; Max Sandow Capital Limited; James Millar, Ernst last year bequeathed a property in general AM; John Schaeffer AO; Julie & Young; David Kirk, Fairfax; Bruce Rose Bay to the Gallery, with the Schaeffer; Goldie and Edward K Cutler, Freehills; Clark Perkins, condition that should it be sold, City of Sydney: Support sponsor: Sternberg AM; Fred Street AM; Goldman Sachs JBWere; proceeds are to go to the AGNSW Archibald 08, Sidney Nolan Diana Walder OAM; Neville Wran Emmanuel Pohl, Hyperion Asset Foundation and a $10 000 annual retrospective AC QC; and John Yu AC. Management; David Gonski AC, art prize is to be established. The Clayton Utz: disability access Investec; Peter Ivany AM, Ivany property was sold and the funds of programs partner Investment Group; Stephen $4 million were transferred to the Delta Electricity: Support sponsor: Centenary Fund O’Connor, JCDecaux Australia; AGNSW Foundation this year. Sidney Nolan retrospective, Harold Patrons of the Centenary Fund as at Damian Roche, J.P. Morgan; Chris Cazneaux 30 June 2008: Jordan AO, KPMG; Gary Reidy, Grants Ernst & Young: Principal sponsor: Claire Armstrong; Alex & Vera Korn/Ferry; John C Conde AO, Sidney Nolan retrospective Boyarsky; Jillian Broadbent AO & MBF Australia; Scott Walters, During the year the following grants Mercer Wealth Solutions; Bill were received: Host: Support sponsor: general Olev Rahn; Joanna Capon OAM; Judy Cassab AO CBE; David & Wavish, Myer; Paul O’Sullivan, Gordon Darling Foundation – JCDecaux: Media sponsor: The arts Michelle Coe; Kenneth Coles AM & Optus; Tony Harrington, travelling expenses for the head of Islam, Sidney Nolan retrospective Rowena Danziger AM; Jenny PricewaterhouseCoopers; Geoff curator, Asian Art, to visit Indonesia Johnson Pilton Walker: Exhibition Ferguson; David Gonski AC & Orli Dixon, Qantas Airways; Paul Fegan, to scope collection loans for an design partner: The arts of Islam Wargon; In memory of Aida Gordon; St.George Bank; Justin Miller, Sotheby’s; Luca Belgiorno-Nettis, exhibition of Southeast Asian art: JPMorgan: Principal sponsor: Yvonne & Christopher Gorman; Alex Transfield Holdings; Philip $7000 Brett Whiteley Studio Holland; Peter & Sharon Ivany; Nettie & Peter Joseph OAM; Anne Coleman, UBS AG Australia; Department of Foreign Affairs and Macquarie Capital: Principal Landa; Michelle & John Landerer Ilana Atlas, Westpac Banking Trade – visit to Australia of Jens sponsor: Australian Collection CBE AM; Geoffrey & Deborah Levy; Corporation; and Bruce McComish. Hoffman to attend the Biennale of Focus Room Elizabeth Longes; David Lowy; John Sydney under the International Myer: Principal sponsor: Archibald, & Jane Morschel; Roslyn Packer Cultural Visits Program: $20 000 Wynne and Sulman Prizes AO; Bridget Pirrie & Stephen Grant; VisAsia Council Department of Immigration and National Australia Bank: Principal Steven & Lisa Pongrass; John L Members of the VisAsia Business Citizenship – The arts of Islam sponsor: The arts of Islam Sharpe; Brian Sherman AM; Dr Council as at 30 June 2008: Gene Sherman; Geoffrey Susskind; schools project in New South Wales: Porter’s Original Paints: Official John Yu AC, Chairman. Michael & Eleonora Triguboff; $10 000 paint supplier Mark Warren, Australia Post; Bill Malcolm & Lucy Turnbull; and Phillip US Embassy – August Sander President’s Council of the Art Ferris AC, CHAMP Private Equity; Wolanski AM. exhibition: $4576 Gallery of NSW: Major exhibitions Philip Cox AO, Cox Richardson; program partner Penny Bingham-Hall, Leighton Holdings; Nick Curtis, Lynas Qantas Airways: Principal sponsor: Masterpiece Fund Corporation; Matthew Banks, Yiribana Aboriginal and Torres Strait Patrons of the Masterpiece Fund as Macquarie Bank; Seng-Huang Lee, Islander Gallery, Official airline: at 30 June 2008: Mulpha Australia; Stephen Knight, The arts of Islam, Sidney Nolan Geoff & Vicki Ainsworth; Antoinette NSW TCorp; Warwick Johnson, retrospective Albert; Neil & Diane Balnaves; Optimal Fund Management; Sofitel Sydney Wentworth: Richard A Blair; Jillian Broadbent Terry Fern, Petsec Energy; Robyn Support sponsor: Archibald, Wynne AO; The Clitheroe Foundation; Norton & Stephen MacMahon, The and Sulman Prizes, Sidney Nolan Rowena Danziger AM & Ken Coles George Institute; John Saunders, retrospective AM; Brian & Philippa France; Chris The Linden Group; Jeffrey Riegel, The Sydney Morning Herald: Media & Judy Fullerton; The Greatorex The University of Sydney; David sponsor: Sidney Nolan retrospective Foundation; Fraser & Victoria Goodman, University of Hopkins; Wal & Denise King; Mark & Technology Sydney; Michael UBS: Contemporary galleries Louise Nelson; Guy Paynter; Sternberg, Valiant Hire; William program partner Playoust Family Foundation; Susan Clark; and Michael Hawker. VisAsia Council: Asian exhibition & Garry Rothwell; John Schaeffer program sponsor AO; Max & Nola Tegel; Peter Weiss Westfield: Principal sponsor: AM & Doris Weiss; Ray Wilson OAM Bequests & the late James Agapitos OAM. The arts of Islam The following bequests were received and/or notified during the financial year: Life Governors President’s Council Susan Chandler’s bequest is Members of the President’s Council The Gallery has acknowledged the estimated at $1.6 million and is as at 30 June 2008: significant support of the following intended to support the Australian individuals by appointing them as Steven Lowy, President. Collection Focus Room; Thelma Life Governors: Peter Young, ABN AMRO; David Jean Hill bequeathed artworks Franco Belgiorno-Nettis AC CBE; Baffsky AO, Accor Asia Pacific; which will be assessed as potential Joseph Brender AO; Jillian Roger Allen, Allen & Buckeridge; acquisitions for the permanent Broadbent AO; Ken Cowley AO; The Hon Warwick Smith, ANZ collections; the Florence May James Fairfax AO; James Gleeson Banking Group; John Symond AM, Crosby bequest left the Gallery

70 ART GALLERY OF NSW APPENDICES 07–08 ART PRIZES AND Scholarships AGNSW • Man Ray, Annear, pb $30 SCHOLARSHIPS PUBLICATIONS • Margaret Olley, revised edition, THE BASIL AND MURIEL HOOPER Pearce, hb $60 SCHOLARSHIP FOR SALE • Nineteenth century Australian Art prizes These scholarships, valued at watercolours drawings & pastels, $4000 each, are available each The Archibald, Wynne and Sulman • Adam Cullen: let’s get lost, Kolenberg, hb $45 year to fine art students attending Prize competitions, sponsored by Tunnicliffe, pb $30 • One sun one moon: Aboriginal recognised schools in New South Myer, were held in February 2008. art in Australia, Perkins, pb $120 Wales to assist with the costs of • Adventures with form in space: In 2007–08, the winner’s prize fees, materials and general living the fourth Balnaves Foundation • Orientalism: Delacroix to Klee, money was generously increased: expenses. One scholarship was Sculpture Prize, Tunnicliffe, pb $35 Benjamin (ed), pb $45 Archibald from $35 000 to $50 000; awarded to Alexandra Byrne. • An incomplete world: works from • Photography collection, Annear, Wynne from $15 000 to $25 000; the UBS Art Collection, Tunnicliffe, pb $45 and Sulman from $10 000 to THE ELIOTH GRUNER PRIZE pb $45 $20 000. A total of 1973 entries • Poetic Mandarin, Liu, pb $20 The 2007 prize of $1000 for the best were received, 100 of which were • Anne Landa Award 2006, landscape in oil by an art student • Pre-Raphaelites and Olympians, selected for display. The Dobell Tunnicliffe, pb $25 was awarded to Catherine Moore. Beresford, pb $20 Prize for Drawing, sponsored by the • Archibald 05, pb $16 • Rayner Hoff: this vital flesh, Sir William Dobell Art Foundation, THE ROBERT LE GAY BRERETON • Archibald 06, pb $16 Edwards, pb $30.80 was held in September 2007. Of MEMORIAL PRIZE the 515 entries received, 45 were • Archibald 07, pb $16 • Robert Klippel, Edwards, pb $50 This prize, which aims to promote selected for display. • Archibald 08, pb $16 • Sidney Nolan, Pearce, hb $80, and encourage the art of draughts- pb $50 • Asian collections, Menzies, pb $45 ARCHIBALD PRIZE manship, is available each year to art students. The 2007 prize of • Self portrait: Renaissance to The prize of $50 000 for portraiture • Australian drawings, Kolenberg, $800 was awarded to Nicole Kelly. contemporary, Bond, pb $45 was awarded to artist Del Kathryn pb $40 • Still life, Tunnicliffe, pb $25 Barton for her work You are what DYASON BEQUEST • Belle Ile: Monet, Russell and is most beautiful about me, a self Matisse in Brittany, Prunster, hb $25 • Tradition today: Indigenous art in portrait with Kell and Arella. The Administered under the terms of the Australia, Perkins, pb $40 will of the late Miss Anthea Dyason, • Bertram Mackennal, Edwards, Archibald Prize: People’s Choice pb $80 • Translucent world: Chinese jade competition, which asks the viewing the bequest provides grants of $5000 from the Forbidden City, Liu, • Brett Whiteley: studio, Pellow, public to vote for their favourite to Australian art students who have pb $45 already won travelling scholarships, pb $45 entry, was won by artist Vincent • True stories: artists of the East Fantauzzo for his work Heath. to enable them to better study • Caravaggio: darkness and light, architecture, sculpture or painting in Kimberley, DVD $30 Fantauzzo received $2500 and a Capon, pb $40 countries other than Australia and $1000 Myer gift card, as did the • What colour is that?, Keeler-Milne, New Zealand. An award of $5000 • Celestial silks: Chinese religious pb $18.95 Gallery patron whose vote for the was made to collaborative artists and court textiles, Rutherford & winning entry was drawn from a • What number is that?, Keeler- Wendy Wilkins and Wesley Hill. Menzies, pb $35 barrel containing all votes cast for Milne, pb $18.95 • Charles Conder, Galbally, pb $45 the winning artist. BRETT WHITELEY TRAVELLING • Contemporary: Art Gallery of New Bold denotes new titles in 2007–08 ART SCHOLARSHIP WYNNE PRIZE South Wales contemporary This scholarship was established The prize of $25 000 for an collection, Tunnicliffe, hb $45 to provide young artists with an Australian landscape or figure opportunity to travel to Europe and • Crossing country: the alchemy of sculpture was awarded to artist further their artistic interests. The western Arnhem Land art, Perkins, Joanne Currie Nalingu for her scholarship includes a financial pb $50 work The river is calm. award and access to the Art Gallery’s • Crossing country: the alchemy of SIR JOHN SULMAN PRIZE Paris Studio for a period of three western Arnhem Land art, DVD, months. It is a memorial to the late $30 The prize of $20 000 judged by Brett Whiteley, who in his youth was artist Robert Owen was awarded to • Dancing to the flute, Menzies, encouraged in his artistic endeavours pb $44 artist Rodney Pople for his work by winning a similar scholarship. Stage fright. Special thanks are given to Beryl • Dobell Drawing Prize, 2nd edition, Whiteley, the artist’s mother, for Kolenberg, pb $22 DOBELL PRIZE FOR DRAWING providing the generous donation • Giacometti: sculptures, prints and The $20 000 prize, judged by Colin to fund the scholarship. The 2007 drawings, Capon, pb $45 Lanceley, was awarded to artist Ana scholarship of $25 000 was • Gifted: Mollie Gowing Collection, Pollak for her work Mullet Creek. awarded to artist Nathan Hawkes. Perkins, pb $12 ANNE LANDA AWARD STUDIOS IN PARIS • Goddess: divine energy, Menzies, pb $50 This award has been established in The Gallery allocated tenancy to two honour of Anne Landa, a trustee of art studios, the Moya Dyring Studio • Harold Cazneaux: artist in the Art Gallery of NSW, who died in and the Dr Denise Hickey Memorial photography, Bullock, pb $45 2002. The award is made through a Studio, which it leases at the Cité • Jan Senbergs: complete screen biennial series of exhibitions for Internationale des Art in Paris. prints 1960–1980, Kolenberg, moving image and new media work, The studios were occupied during pb $25 each offering an acquisitive award of the year by Peter Wegner, Elizabeth $25 000. The exhibition is by Gower, Michael Bell, Wendy Sharpe, • Jeffrey Smart, Capon & Pearce, invitation only and is not open to Stephen Cramb, Maria Fraser, pb $45, hb $66 applications. The next exhibition will Madeline Donovan, Petrina Hicks, • Let’s face it: history of the open in May 2009. Craig Waddell and Lisa Coleman. Archibald Prize, Ross, pb $50

ART GALLERY OF NSW APPENDICES 07–08 71 VISITOR NUMBERS

Monthly visitors

Total visitors Domain BW Studio Touring Average daily Month 2003–04 2004–05 2005–06 2006–07 2007–08 2007–08 2007–08 2007–08 Domain 07–08 July 85 229 115 194 95 690 113 979 121 745 113 292 945 7 508 3655 August 87 094 102 579 112 172 115 769 98 682 93 680 1 017 3 985 3022 September 93 306 100 238 91 764 93 398 85 902 79 741 985 5 176 2658 October 97 974 111 954 97 960 96 840 70 786 67 760 850 2 176 2186 November 88 898 93 854 130 102 82 506 81 415 77 338 907 3 170 2578 December 129 554 144 923 189 628 84 514 86 642 68 873 503 17 266 2222 January 177 706 123 277 231 202 105 646 121 333 102 213 729 18 391 3297 February 145 421 96 651 126 184 88 781 114 862 94 097 1 012 19 753 3245 March 131 793 101 521 145 393 166 828 165 731 148 789 1 190 15 752 4800 April 183 494 88 190 196 936 126 471 146 874 128 846 215 17 813 4295 May 181 84 151 085 157 541 94 058 113 014 91 170 907 20 937 2941 June 111 066 121 988 116 295 131 623 147 264 83 596 794 62 874 2787 YTD TOTAL 1 512 819 1 351 454 1 690 867 1 300 413 1 354 250 1 149 395 10 054 194 801

Paid exhibition program Australian art museum benchmarks

Exhibition Months Visitors The Council of Australian Art Museum In a year which included Directors (CAAMD) * declared the extraordinary instances of The arts of Islam July–Sept 69 630 2007–08 financial year one of the philanthropy and benefits, the Translucent world Aug– Nov 13 080 most successful ever for Australia’s biggest single gift to a gallery ten leading state and national was the John Kaldor Collection Sidney Nolan Nov–Feb 64 776 museums. This is the first year that gift to the Art Gallery of NSW. Archibald, Wynne & Sulman prizes March–May 151 900 CAAMD has benchmarked their art Taisho- chic May–June 13 285 museums’ combined achievements; something the directors plan to TOTAL 312 671 continue in the future.

Annual visitor numbers 1999 to 2008 KPI for 2007–08 Combined AGNSW Total visitations: 6.6 million 1.35 million Annual total visitor numbers 1999 to 2008 Total attendance at exhibitions toured by the museums 1.3 million 196 097

1.7 Total attendance at exhibitions held at major galleries (paid entry only) 3 million 312 671 1.6 Most popular paid exhibitions: 1.5 million Andy Warhol, QLD 232,389 1.4 Turner to Monet, VIC 180,173 Archibald Prize 08, NSW 151,900 1.3 Total value of acquisitions 1.2 added to collections $64 million $14.1 million 1.1 1 9 0 4 5 2 7 6 8 3 0 9 0 0 0 0 0 0 0 0

07 – – – – – – – – – 1 million * CAAMD06 is the– – peak body for the Australia, Art Gallery of Western 0 8 9 3 4 1 6 5 7 – 2

08 0 9 9 0 0 0 0 0 0 state and07 national0 art galleries and Australia, Queensland Art Gallery, 0.9 7

0 0

comprises the National– Gallery of Museum of Contemporary Art,

0.8 6

Australia, National0 Portrait Gallery, Tasmanian Museum and Art Gallery National Gallery of Victoria, Art and Museum, and Art Gallery of the Gallery of NSW, Art Gallery of South Northern Territory.

72 ART GALLERY OF NSW APPENDICES 07–08 EXHIBITIONS LISTING

AGNSW AGNSW Dates Department Exhibition Ticketed Tour Catalogue 03.07.07–02.12.07 Australian: Indigenous One sun one moon • 07.07.07–14.10.07 Western Pop prints 16.07.07–27.09.07 Library Australian bookbinders 28.07.07–14.10.07 Western Photography The surreal aesthetic 28.07.07–14.10.07 Western: Works on Paper Modern British watercolours and drawings 16.08.07–14.10.07 Western: Contemporary Claire Healy & Sean Cordeiro: the paper trail • 17.08.07–04.11.07 Australian Bertram Mackennal: the fifth Balnaves Foundation Sculpture Project • • 24.08.07–04.11.07 Australian Dobell Prize for Drawing 2007 29.08.07–11.11.07 Asian Translucent world: Chinese jade from the Forbidden City •• 01.09.07–28.10.07 Australian: Indigenous Boomalli: 20 years on • 03.10.07–07.12.07 Library Peter Lyssiotis: ‘Outside of a dog …’ a survey exhibition – 25 years of book arts 09.10.07–28.10.07 Public Programs Operation art 2007 25.10.07–09.12.07 Western: Contemporary Gary Carsley: scenic root 02.11.07–03.02.08 Australian Sidney Nolan retrospective ••• 02.11.07–03.02.08 Australian Indigenous connections: Nolan’s ‘Rite of spring’ – photographs by Axel Poignant • • 17.11.07–03.02.08 Western: Contemporary Extraordinary images of ordinary people: the photographs of August Sander 22.11.07–25.11.07 Western: Contemporary Jon Rose: sphere of influence – an interactive ball game • 24.11.07–09.03.08 Western: Photography Yasumasa Morimura: seasons of passion/a requiem: Mishima 29.11.07–10.02.08 Asian Mountains and streams: Chinese paintings from the National Gallery of Victoria Collection 07.12.07–20.01.08 Australian: Indigenous Kitty Kantilla 13.12.07–24.03.08 Western: Contemporary Scott Redford: blood disco • 20.12.07–16.11.08 Australian: Indigenous Living black 02.02.08–30.03.08 Public Programs Artexpress 08 09.02.08–25.05.08 Australian Charles Bayliss: landscape photographer 13.02.08–07.03.08 Library The artist in the director: the art of directors of the Art Gallery of New South Wales 22.02.08–04.05.08 Asian Intimate encounters: Indian paintings from Australian collections 22.02.08–27.04.08 Australian: Indigenous Michael Riley: sights unseen 08.03.08–18.05.08 Australian Archibald, Wynne and Sulman Prizes 2008 ••• 12.03.08–30.05.08 Library Searching for Asphodels: artists in the Mediterranean 22.03.08–09.04.08 Western: Contemporary A focus on contemporary 05.04.08–25.05.08 Australian Jan Senbergs: from screenprinter to painter • 10.04.08–27.07.08 Western: Contemporary Bill Viola: the Tristan project 15.05.08–27.07.08 Western: Contemporary Adam Cullen: let’s get lost • - 22.05.08–03.08.08 Asian Taisho chic: Japanese modernity, nostalgia and deco •• 29.05.08–31.08.08 Australian Judy Cassab: landscapes from the collection 05.06.08–10.08.08 Western: Contemporary Harold Cazneaux: artist in photography • 18.06.08–07.09.08 Western: Contemporary Biennale of Sydney 2008: revolutions – forms that turn 18.06.08–03.10.08 Library Australian bookbinders exhibition

Touring exhibitions

Dates Venue Location Exhibition Attendance 18.05.07–01.07.07 Myer Sydney, NSW Archibald Prize 07 816 08.07.07–12.08.07 # Manning Regional Art Gallery North Coast, NSW Archibald Prize 07 8 330 16.08.07–23.09.07 # Grafton Regional Gallery Grafton, NSW Archibald Prize 07 7 353 28.09.07–03.11.07 # Bega Regional Art Gallery Bega, NSW Archibald Prize 07 2 553 09.11.07–16.12.07 # Orange Regional Art Gallery Orange, NSW Archibald Prize 07 3 694 30.11.07–24.02.08 National Gallery of Victoria Melbourne, VIC Bertram Mackennal: the fifth Balnaves Foundation Sculpture Project 45 990 21.12.07–31.01.08 # Broken Hill Regional Art Gallery Broken Hill, NSW Archibald Prize 07 2 422 22.02.08–18.05.08 National Gallery of Victoria Melbourne, Vic Sidney Nolan retrospective 59 417 31.05.08–29.06.08 # Bendigo Art Gallery Bendigo, Vic Archibald Prize 08 40 577 06.06.08–30.06.08 * Queensland Art Gallery Brisbane, Qld Sidney Nolan retrospective 23 649 16.06.08–30.06.08 * State Library of Queensland Brisbane, Qld Indigenous connections: photographs by Axel Poignant 1 296 # Tour organised in association with Museums & Galleries NSW. * Exhibitions continued until 28 September 2008.

ART GALLERY OF NSW APPENDICES 07–08 73 AGED AND Visitors who are deaf and Children with an Employment practices DISABILITY ACCESS hearing impaired intellectual disability The Gallery is committed to equal opportunity principles for The Gallery engages sign language The Gallery’s Da Vinci Program is an PROGRAMS AND recruitment and general interpreters for the regular advertised initiative involving a specially employment practice. Of staff SERVICES guided tours and in association with designed program for students with working at the Gallery, 2% have a Deaf Awareness Week. mild to moderate intellectual disability and 0.4% require some disabilities. This program provides The Gallery is committed to Groups of visitors who are deaf and form of adjustment to the students with the opportunity to providing people with disabilities who make bookings are provided workplace. excellent access to services, the with sign language interpreters free experience art through stimulating building, information and of charge. and fun-filled workshops which opportunities. include discussion, role-play and the The TTY number, (02) 9225 1711, use of sensory materials. In 2006–07 the Gallery entered into is listed in the Telstra TTY directory. a three-year partnership with The Gallery provides free monthly Clayton Utz to present a series of Auslan guided tours. The Gallery General access programs specifically for conducts Signing Art, Auslan- visitors with disabilities. This Communications interpreted free performances which partnership is designed to allow The Gallery’s official website incorporate mime, puppetry and people with disabilities to enjoy (www.artgallery.nsw.gov.au) can improvisation to create vibrant and cultural experiences at the Gallery display large-print screen versions diverse educational entertainment. specifically through ‘touch’ and of all information. During the year, four of the Art After ‘sensory’ tours. Hours 6.30pm celebrity talks were The website incorporates Highlighted below are initiatives supported with Auslan interpreters. myVirtualGallery, which enables the undertaken by the Gallery. public to create their own online The Domain Theatre is equipped exhibition using works from the with audio-induction loop facilities Gallery’s collections. This website for all lectures and films. Visitors with a physical provides people with limited mobility disability An FM microphone system for the opportunity to have an hearing aid users is available on interactive arts experience. There are four dedicated disabled request for guided tours. parking spaces available at the front Staff training of the Gallery and two at the rear. Information and awareness sessions Special arrangements are also Visitors who are visually are held for staff and volunteer made for bus parking. Access to impaired guides, with particular reference to the spaces at the rear of the Gallery servicing visitors with special needs. is via the service road on the The In Touch at the Gallery program Some volunteer guides and staff southern side of the building. From provides people who are visually have undertaken introductory the rear of the Gallery, access to all impaired the opportunity to explore courses in sign language. exhibitions, displays, and public and works through touch. Specially A designated education officer administrative areas is by way of trained volunteer guides help visitors manages the Gallery’s accessible ramps and lifts and is signposted. experience the tactile qualities of marble, bronze and stone and arts programs and facilities for A wheelchair-accessible bus (route discover the stories and ideas people with disabilities. 441) runs from the Queen Victoria surrounding these unique objects. Helpers Building to the Gallery. Telephone The touch tour program will include 13 15 00 or visit www.131500.info General entry to the Gallery is free a component of audio description, for timetable details. to all visitors. However, where entry to be used in conjunction with fees are charged for major The Domain Theatre and Centenary existing tours and to complement temporary exhibitions, helpers Auditorium have access space selected temporary exhibitions. accompanying visitors with designed for wheelchair users. These tours can include art-making disabilities are admitted free of The Gallery provides wheelchairs, workshops to expand the charge. which are available from Security. experience of enjoying art. The Gallery has developed a sensory Information and publicity All exhibition spaces are accessible trolley, which includes tactile The free regular publications by lift. materials and props that Exhibitions and Events are available Toilets for visitors with disabilities are complement the In Touch tours of at the ground-floor information located throughout the building on the Gallery. desk. These booklets contain the upper level, level 1 and level 3. The main visitors elevator, servicing information for visitors with special lower level 1, the ground floor and needs. Currently, Exhibitions and the upper level, has voice Events are mailed to over 4000 notification of floor and access interested individuals and information, as well as Braille floor organisations. buttons. Free brochures on the accessible arts programs are also available at the information desk.

74 ART GALLERY OF NSW APPENDICES 07–08 ABORIGINAL AND Michael Riley: sights unseen Resources Throughout the year, guided tours (22 February – 27 April 2008): this were conducted for Aboriginal Last year the Gallery launched the TORRES STRAIT exhibition revealed the prolific people to assist in strengthening Manioo workshop. ‘Manioo’ is an talents of a quiet observer whose their appreciation of Aboriginal art ISLANDER Eora word meaning ‘to pick up photomedia – including black-and- and artists. PROGRAMS AND anything’. This free workshop has white portraiture, video, digital been designed by the Gallery Several years ago, as part of SERVICES media and film – continues to have specifically to support and Collection Character Tours, the a profound effect on Australia’s encourage underachieving gifted character of Ngununy, the cheeky contemporary representation and The Gallery organises many K–6 students in an effort to meet fruit bat, was created to take visitors comprehension of Indigenous activities which are designed to their intellectual, artistic, social and on a lively tour of Aboriginal art, Australia. In conjunction with the introduce Aboriginal and Torres emotional needs using the Gallery’s creating a greater understanding of exhibition, the Gallery screened Strait Islander visitors and others to permanent collection as a key key artworks from the collection. a series of films dedicated to the history and culture of Indigenous resource within this ‘special Unfortunately, due to lack of Aboriginal trackers and their peoples of Australia, including environment’. The workshop is sponsorship funding for family relationship to early settlers and temporary exhibitions, public designed for disadvantaged children programs, the character tours felt pioneers in Australia. This series program events and the permanent from differing backgrounds, with a the pinch and have been pared was called Trackers, and films collection on view in the Yiribana focus on Indigenous children. back until a new funding source can included The proposition (directed Gallery, the largest display focused Indigenous artists who have works be made available. However, by John Hillcoat, 2006), The tracker on Aboriginal art in the Southern in the Gallery’s permanent collection Ngununy was revised and refreshed (directed by Rolf de Heer, 2002), Hemisphere. talked to students about their work for NAIDOC Week in July 2008. Wind (directed by Ivan Sen, 1999) and assisted them with art making. This year the Gallery mounted a and One night the moon (directed Strengthening our archive of significant number of exhibitions by Rachel Perkins, 2001). Children’s Art Trails are an innovative Indigenous art, the Aboriginal and which celebrated the work and and interactive education resource, Torres Strait Islander Art Department influence of Aboriginal and Torres combining looking at and continued to film interviews with Strait Islander artists in Australia. Selected highlights of interpreting specific artworks with Indigenous artists, as well as Boomalli (1 September – staff and public activities drawing and writing activities. This collect documentary materials on 28 October 2007): to celebrate year an art trail was designed in Indigenous art. the 20th anniversary of the The year 2008 has been particularly conjunction with the Living black And, finally, the Aboriginal Collection establishment of Boomalli Aboriginal significant for the profile of exhibition. Benefactors Group continued to Aboriginal culture. On 13 February Artists Co-operative, this exhibition A major Aboriginal art publication, raise funds specifically for the brought together works from the 2008, Gallery staff attended a live acquisition of Indigenous art. screening of the National Apology to One sun one moon, was launched Gallery’s collection by founding in July 2007. More information members of the co-operative. the Stolen Generations, held in the Centenary Auditorium. about this wonderful book can be One sun one moon (3 July – found in the ‘Publications’ section 2 December 2007): this exhibition On 3 April 2008, the Aboriginal flag of this report. was raised in front of the Gallery. celebrated a complex and intriguing Three Indigenous teacher–lecturers heritage, and one which is It is now permanently flown in that prominent position. successfully completed the biannual continually responsive to historical Gallery Educators Course, joining change and social circumstance. Aboriginal and Torres Strait Islanders the Gallery’s Education team and Kitty Kantilla (7 December 2007 – represent 1.7% of the Gallery’s adding an important dimension to 20 January 2008): this major workforce, which is just under the education program delivery related retrospective from the National NSW government’s Two Ways to the Yiribana Gallery and Gallery of Victoria paid tribute to the Together public sector employment Aboriginal and Torres Strait Islander renowned Tiwi artist Kitty Kantilla target of 2%. art. (Kutuwalumi Purawarrumpatu) and One of the most remarkable events Throughout the year, the volunteer highlighted her extraordinary artistic to have happened recently at the guides received ongoing training vision, from works on paper and Gallery took place on Saturday, that specifically focused on the canvas to bark paintings and 14 June 2008, in association with Aboriginal and Torres Strait Islander sculptures. Reconciliation Week and Living art collection. This important training Living black (20 December 2007 – black. The Aboriginal dance troupe goes beyond the artwork in the 16 November 2008): taking its title the Chooky Dancers (Indigenous Gallery, introducing guides to the from the award-winning book of the men from Elcho Island in the many social and political issues same name by the late artist, Northern Territory) gave two surrounding the production of playwright, poet and curator Kevin performances of a collection of their Indigenous art in Australia. The Gilbert, this exhibition explored the dances, including a world-famous training aims to continue the different experiences of ‘living black’ version of ‘Zorba the Greek’. development of the volunteer in contemporary Australia and Sixteen hundred people crowded guides, ensuring they are up to date featured new major acquisitions. into the central court to watch the with the dynamic nature of The Gallery conducted daily guided Chooky Dancers, and film of the Indigenous art and culture. tours in conjunction with the Living event has been made available via the Gallery website and YouTube. One-hour educational tours of the black exhibition. Yiribana Gallery designed for kindergarten to secondary school children, for tertiary students and for special needs groups are conducted regularly.

ART GALLERY OF NSW APPENDICES 07–08 75 ETHNIC AFFAIRS Translucent world: Chinese jade education kits included Adventures As at 30 June 2008, the Gallery had from the Forbidden City in Asia and the new language staff officially designated as able to PRIORITIES (29 August – 11 November 2007) worksheet series Art speaks: offer assistance in Hindi, Cantonese, STATEMENT was a unique presentation of Japanese and Art speaks: Italian. Polish, German, Italian, Mandarin, Chinese jade from the outstanding The rapidly expanding collection of Spanish and Indonesian. An annual collection of the Palace Museum, online education kits has enabled calendar of significant religious and The Gallery is committed to the Beijing. The exhibition included wider access to a culturally diverse holy days was circulated to all principles of multiculturalism, as more than 180 works representing range of educational resources. supervisors to enable scheduling of outlined in section 3 of the all periods of Chinese jade carving, There are now 34 online education employees’ commitments to meet Community Relations Commission from Neolithic times to the Qing kits freely available for download their religious obligations. and Principles of Multiculturalism dynasty. The key object was a from the Gallery’s website at Act 2000. marvellous carved jade mountain, www.artgallery.nsw.gov.au/ed/ The NSW government has identified more than one metre high, depicting resources/ed_kits Ethnic affairs priority the nine elders of Huichang, four key objectives for respectful • Children’s Art Trails: this innovative goals for 2008–09 commissioned by the Emperor intercultural community relations: development in interactive The Gallery’s 2008–09 program of Qianlong in 1787. leadership, community harmony, education for children combines major exhibitions and associated access and equity, and economic Intimate encounters: Indian looking at and interpreting specific educational programs will continue and cultural opportunities. paintings from Australian collections artworks with drawing and writing to reflect and promote cultural In working to achieve these (22 February – 4 May 2008) was activities. Current art trails for diversity and harmony. drawn from collections throughout objectives, the Gallery presents children include The arts of Islam, • The lost Buddhas features superb Australia, both public and private. exhibitions, public and education Goddess: divine energy, Giacometti stone sculptures, some dating to The exhibition of approximately 70 programs, and other initiatives and Pissarro. the 6th century. The discovery of objects surveyed the major schools developed during the year which are • Film: special film series were these Buddhist figures at the site of of Indian painting, highlighting the listed in the outcomes below. devised and presented in a long-destroyed temple in China is rich interactions that inspired each association with major exhibitions, considered an archaeological find tradition. including Translucent world: Chinese on par with the First Emperor’s Ethnic affairs priority Taishô chic: Japanese modernity, jade from the Forbidden City and terracotta soldiers. Lost for over outcomes 2007–08 nostalgia and deco Intimate encounters: Indian 800 years and on display for the (22 May – 3 August 2008) captured paintings from Australian collections. first time outside of China, the the balance between modernity and Particularly popular was the film sculptures will be on view only at EXHIBITIONS nostalgia, the clash and the series The Iranian new wave, which the Gallery. embrace. The exhibition featured The following exhibitions included in screened in conjunction with The • Monet and the Impressionists paintings, prints, textiles and the 2007–08 exhibitions program arts of Islam exhibition. includes 29 works by Claude decorative arts from the period, reflected and promoted cultural Monet, alongside masterpieces by ranging from prints of coolly diversity. Cézanne, Degas, Pissarro, Renoir, sophisticated young women, to PROMOTION AND RESOURCES The arts of Islam: treasures from Sisley and other artists. The Gallery bold kimonos with abstract patterns Selected exhibitions and special the Nasser D Khalili collection will be the only Australian venue that reinterpreted traditional motifs, events were advertised in various (22 June – 27 September 2007) for this extraordinary exhibition of to sleek glassware that represented multicultural publications, including was a major exhibition consisting impressionist paintings from the the latest in art deco chic. Indian Link and Oziran. The Gallery of more than 350 rare and beautiful Museum of Fine Arts, Boston. regularly advertises on SBS in pieces of Islamic art from the Khalili • Genji: the world of the Shining various languages, including EDUCATIONAL AND Prince celebrates the 1000th Collection, including illuminated Mandarin, French, Arabic, Hindi, ENTERTAINING PUBLIC anniversary in 2008 of Japan’s manuscripts and Qur’ans, colourful Punjabi and Vietnamese. ceramics and enamelled objects. PROGRAMS oldest novel, the Tale of Genji. This This significant exhibition, the finest The ongoing presentation of a The Gallery continues to provide exhibition will feature approximately display of the arts of the Islamic dynamic and culturally varied series management services support 70 works displaying the imaginative world ever seen in Australia, offered of public and education programs to VisAsia, which promotes and power of Japanese artists in a rare opportunity to experience reflects the Gallery’s commitment to cultivates a better understanding adapting and translating this the rich and diverse artistic making the collection and temporary and enjoyment of Asian arts and timeless and popular tale. culture. achievements of the 7th to the exhibitions readily accessible to the The Gallery will present public and early 20th centuries. public. The Gallery’s guide maps were education programs supporting The photographs of August Sander • Art After Hours: special programs updated during the year and are both exhibitions and associated available in Japanese, Mandarin (17 November 2007 – 3 February held every Wednesday night include events in 2008–09, including the and Korean, Italian, French, Spanish 2008) featured 158 photographs performances, talks, films and lecture series Arts of Asia: literature and German. This year the Gallery documenting Sander’s interest in music, with many of these events and legend 2, Monet’s world and released an Arabic guide map in typologies and his aim to produce highlighting and exploring cultural Decoding the Baroque I as conjunction with The arts of Islam a definitive ‘atlas’ of the German diversity. individual lunchtime and evening exhibition, which attracted a lot of people. The exhibition was shown • Arts of Asia: this lunchtime lecture lectures. Art adventure tours will first-time visitors to the Gallery. only in Sydney. series invited leading curators and be conducted in conjunction with various exhibitions focusing on Ishiuchi Miyako: mother’s scholars to explore the inspiration and influence of the word in the arts people and their cultural beliefs. (24 May – 5 August 2007) GALLERY EMPLOYEES of China and Japan. The Gallery will continue to present showcased photographs by noted This year, 27% of the Gallery’s a culturally diverse range of films. artist Ishiuchi Miyako, reconstructing • Decoding the Baroque: this sold- employees indentified as coming The Gallery will also continue to the show she presented at the out lecture series continued to from non-English-speaking encourage staff to participate in the Japan Pavilion at the Venice explore the development of Western backgrounds, which exceeds the Community Language Allowance Biennale in 2005. One of the culture through the examination of NSW government target of 20%. Scheme and to extend the range Biennale’s highlights, it contained works by artists such as Bernini, A number of employees who speak of languages currently represented. a series of moving photos of the Caravaggio and Velazquez. community languages assist other artist’s deceased mother’s personal • Education kits and language staff and visitors, earning a belongings. worksheets: this year the printed Community Language Allowance.

76 ART GALLERY OF NSW APPENDICES 07–08 OVERSEAS Jackie Menzies, head curator, Anne Flanagan, general manager, Asian Art Exhibitions and Building TRAVEL Kuala Lumpur, Singapore and Europe, 15–28 April 2008 Indonesia, 27 October to 24 Present paper at the International Donna Brett, project officer, November 2007 Exhibition Conference in Bonn. Curatorial Services Research an exhibition of early Terence Maloon, senior curator, Europe, 27 July and 3–4 September Javanese Buddhist and Hindu art; Special Exhibitions 2007 investigate venues for future Europe and UK, 24 April to 29 May Meetings to discuss exhibition loans Australian art. and 18–28 June 2008 and collections management. Judy Annear, senior curator, Research, identify and negotiate Sun Yu, conservator, Asian Art Photography loans for Paths to abstraction and China, 6–16 August 2007 Korea, 28 October to 7 November conduct a tour for AGS. Condition report on works from the 2007 Richard Beresford, senior curator, Translucent world exhibition on Courier Sander work. European Art return to the Palace Museum. Jacqueline Strecker, curator, UK and The Netherlands, 4–23 May Brian Ladd, head, Public Programs Special Exhibitions 2008 Europe, 18–24 August 2007 Germany, 2–24 November 2007 Courier return of painting by Sir Invited to speak at ICOM General Research and develop an exhibition John Everett Millais and continue Conference. research on collection. on the art of the Weimar Republic. Natasha Bullock, curator, Jacqueline Strecker, curator, Charlotte Cox, registrar, Exhibitions Contemporary Art Special Exhibitions USA, 7–16 November 2007 UK and Europe, 19 August to USA, 25 May to 13 June 2008 Attend Australasian Registrars 14 September 2007 Research and develop an exhibition Symposium in Chicago. Courier return of Untitled (old on the art of the Weimar Republic. woman in bed) and undertake Richard Beresford, senior curator, Denise Faulkner, book buyer, exhibition research. European Art Gallery Shop UK, 10 November to 3 December Terence Maloon, senior curator, USA, 28 May to 4 June 2008 Special Exhibitions 2007 Attend Book Expo America and visit USA and Europe, 1 September to Inspect and, if satisfactory, courier key museum stores in Los Angeles. 9 November 2007 proposed acquisition to Sydney; Belinda Hanrahan, director, Research for Abstraction and continue research on collection and Marketing Claude Monet exhibitions. research catalogue entries for UK, Europe and USA, 20 June to 8 proposed Devotion exhibition. Kristel Smits, conservator, Paintings July 2008 UK, 11–22 September 2007 Karen Hancock, graphic designer Attend marketing conference in Courier two Millais paintings to Hong Kong and China, 15–24 Venice and meet with heads of TATE, London and courier to November 2007 marketing in major galleries. Sydney of works by Nolan for Supervise printing of Brett Whiteley: Chaya Chandrasekhar, curator, exhibition. studio handbook. South and Southeast Asian Art Liu Yang, curator, Chinese Art Sun Yu, conservator, Asian Art India, 29 June to 25 July 2008 Honolulu, 13–19 September 2007 China, 16–29 November 2007 Develop and research three Present research paper at Condition report on works from the exhibitions for the AGNSW. international symposium on 19th- Translucent world exhibition on and 20th-century Chinese painting return to the Palace Museum. and calligraphy. Charlotte Cox, registrar, Exhibitions Tristan Sharp, senior coordinator, USA, 6–13 February 200 Education Programs Courier return of August Sander USA and Europe, 16 September to exhibition to the J Paul Getty 2 October and 8–15 October 2007 Museum in Los Angeles. Research leading art museum and school partnerships. Peter Raissis, curator, European Charlotte Cox, registrar, Exhibitions Prints, Drawings and Watercolours Abu Dhabi, 2–7 October 2007 Europe, 11–28 February 2008 Courier works from The arts of Islam Courier Vlaminck’s The red roofs to exhibition. Palais de Luxembourg, Paris and undertake research for two Alan Lloyd, head, Conservation exhibitions. Abu Dhabi, 7–14 October 2007 Courier works from The arts of Islam Stewart Laidler, senior conservator, exhibition. Paintings Charlotte Davy, senior registrar, Italy, 19–29 February 2008 Exhibitions Courier Francis Bacon’s Study for Abu Dhabi, 8–14 October 2007 self-portrait to Palazzo Reale and Courier for works from The arts of Skira Editore. Islam exhibition. Anthony Bond, head curator, Khanh Trinh, curator, Japanese Art International Art Japan, 25 October to 7 November Europe, 27 February to 20 March 2007 2008 Research exhibitions on Japanese Research and development of two contemporary art (2009), Lovers major exhibitions for 2011 and (2009) and Garden paintings (2010). beyond.

ART GALLERY OF NSW APPENDICES 07–08 77 COLLECTION – Martin Lewis (Australia, 2007, digital print lightbox; Come Wingu Tingima (Australia, b1930s), 1881–1962), Street booth in Tokyo, and sniff 2007, digital print lightbox; Minyma Tjuta Tjukurpa 2007, PURCHASES New Years Eve (1927), drypoint, Help help help help 2007, digital synthetic polymer paint on canvas. printed in black ink on cream wove print lightbox. Purchased with funds Purchased 2007 paper. Purchased with funds provided by Warawara Department Dates of works given in brackets are SUB TOTAL 27 WORKS estimates. Titles in brackets are provided by the Australian Prints, of Indigenous Studies, Macquarie descriptions rather than titles Drawings and Watercolours University 2008 assigned by artists. Benefactors Fund 2007 Lorraine Connelly-Northey TOTAL AUSTRALIAN ART Kevin Lincoln (Australia, b1941), (Australia, b1962), 4 woven string DEPARTMENT 50 WORKS 1 drawing and 1 watercolour: Still bags: Narrbong (string bag) 2008, Australian art life with box 1989, watercolour, rusted mesh fencing wire; Narrbong charcoal, pastel on white Johannot (string bag) 2007, rusted chicken- Asian art coupe tie wire; Narrbong (string David Aspden (Australia, paper; House by a canal 5 2006, bag) 2007, rusted exhaust pipe and 1935–2005), 1 painting and 8 watercolour on paper. Kathleen fencing wire; Narrbong (string bag) AUSTRALIA drawings: Loneliness of the long Buchanan May Bequest Fund 2008 2008, rusted chimney flue and Greg Leong (Australia; Hong Kong, distance painter (1986), oil on Sidney Nolan (Australia; United fencing wire. Purchased with funds b1946), Opera frock for a giant canvas; Brazil revisited (late 1990s), Kingdom, 1917–92), Hare in trap provided by the Women’s Art Group Chinese Australian warrior diva synthetic polymer paint on white 1946, Ripolin enamel on hardboard. 2008 2003, various brocades and fabrics, wove paper; Black light no 5 (1976), Purchased with funds provided by heat transfer prints. Roger Pietri synthetic polymer paint on ivory the Nelson Meers Foundation, the Destiny Deacon (Australia, b1957), Fund 2008 wove paper; Breakaway no 2 1976, Margaret Hannah Olley Art Trust Michael Riley (Australia, synthetic polymer paint wash, black and the Art Gallery of New South 1960–2004), I don’t wanna be a SUB TOTAL 1 WORK ink on paper; Silent music II 1976, Wales Foundation 2007 bludger 1999, colour DVD, sound, synthetic polymer paint on white 30 minutes. Purchased with funds Rodney Pople (Australia, b1952), CHINA wove paper; Blues in three provided by the Aboriginal North south runway, Sydney airport Collection Benefactors Group 2008 movements 1976, synthetic polymer 2008, oil on linen. D G Wilson Ram-shaped candle holder Western paint on white wove paper; Red Bequest Fund 2008 Jack Maranbuma (Australia, born Jin dynasty 265–316 CE, celadon violet (1976), synthetic polymer c1932), Hollow log bone coffin, stoneware. Edward and Goldie Tom Roberts (Australia, 1856–1931), paint on white wove paper; Drawing natural pigments on bark. Sternberg Chinese Art Purchase Fog, Thames embankment 1884, (yellow and orange) (1976), Purchased with funds provided by Fund 2007 oil on paperboard. Purchased with synthetic polymer paint on white Warawara Department of funds provided by the Gleeson Miao people, 4 pieces of jewellery, 5 wove paper; untitled (muted Indigenous Studies, Macquarie O’Keefe Foundation 2008 textiles and 2 tools for batik making: landscape) (c1972), synthetic University 2007 Dragon ball necklace 1900s, silver; polymer paint on white wove paper. Clan Rodda (Australia, b1935), Doreen Reid Nakamarra (Australia, Embossed headdress comb 1900s, Patrick White Bequest Fund 2008 2 drawings: Dancer 2005, pencil on born c1955), Untitled 2007, off-white cartridge paper; Male silver; Large silver dress fastener Judy Cassab (Australia, b1920), synthetic polymer paint on canvas. dancer 2005, pencil on white laid hook with ornamentation 1900s, Anandamai Ghat 2002, pencil, Purchased with funds donated in silver; Layered rounds of necklace paper. Thea Proctor Memorial Fund memory of James Agapitos OAM watercolour on paper. Purchased 1900s, silver; Dark blue and purple 2008 2007 with funds provided by the embroidered baby carrier complete John Peter Russell (Australia, Australian Prints, Drawings and Eubena Nampitjin (Australia, born with original long straps 1900s, silk 1858–1930), Study for ‘Lot’s wife’ Watercolours Benefactors Fund c1925), Kinyu 2007, synthetic embroidery on cotton; Baby carrier 1886, pencil, white chalk highlights 2007 polymer paint on canvas. Purchased embroidered with orange butterfly on laid paper on thin card. eX de Medici (Australia, b1949), with funds provided by the Patricia design 1900s, silk embroidery on Purchased with funds provided by United spectres #3 2007, hard- Bernard Bequest Fund and the Don cotton; Yellow embroidered cape the Gil & Shay Docking Drawing Mitchell Bequest Fund 2007 ground etching, black ink on six 1900s, silk embroidery on cotton; Fund 2007 sheets of white wove paper. Makinti Napanangka (Australia, Red diamond checks belt 1900s, Purchased with funds provided by Wendy Sharpe (Australia, b1960), born c1930), Untitled 2007, synthetic silk embroidery; Shaman or leader’s the Art Gallery Society of New Red dress 2007, charcoal, pastel polymer paint on canvas. Purchased robe with blue and white designs South Wales Contempo Group on paper. Purchased with funds with funds donated in memory of 1900s, silk embroidered on cotton; 2007 provided by the Gil & Shay Docking James Agapitos OAM 2007 Pen for batik designs 1900s, wood, Drawing Fund 2007 Petr Herel (Australia, b1943), Jean Marie Orsto (Australia, b1962), metal; Pen for batik designs 1900s, Tardieu, the truth about monsters SUB TOTAL 23 WORKS Miyinga jilamara 2008, diptych: wood, metal. Roger Pietri Fund (letter to a visionary engraver) natural ochres on canvas. 2008 Purchased with funds provided by (2007), bound artist’s book: 19 HUANG Yi (China, 1744–1801), Aboriginal and Torres the Aboriginal Collection leaves; 1 etching and aquatint, Embarking on the journey, hanging black and sepia ink; 13 leaves Benefactors Group 2008 Strait Islander art scroll, ink on paper. Edward and containing letterpress text; 2 leaves Paddy Japaljarri Sims (Australia, Goldie Sternberg Chinese Art containing letterpress etching born c1917), Yanjirlpirri Jukurrpa Tony Albert (Australia, b1981), Purchase Fund 2008 reproduction. Thea Proctor (Star Dreaming) 1961, 2007, Headhunter 2007, synthetic polymer Memorial Fund 2008 synthetic polymer paint on canvas. SUB TOTAL 13 WORKS paint and vintage Aboriginal Martin Lewis (Australia, Purchased with funds provided by ephemera. Purchased with funds the Aboriginal Collection 1881–1962), Milsons Point and provided by the Aboriginal INDONESIA Circular Quay c1900, pencil on Benefactors Group 2008 Collection Benefactors Group 2007 Java, Cloth with Islamic inscriptions paper, from a sketchbook. Christian Bumbarra Thompson 1900s, blue ground cotton batik. Purchased with funds provided by England Banggala (Australia, born (Australia, b1978), 10 untitled Purchased with funds provided by the Gil & Shay Docking Drawing c1925–2001), untitled (triangular photographic prints from the series the VisAsia Dinner Fund to Fund, Judy Cassab, Sue Hewitt, pandanus skirt) 1988, natural Emotional striptease 2003, Pegasus John Keightley, Lesley O’Shea and pigments on bark. Purchased 2007 digital print, 12 all of the same commemorate The arts of Islam Joe Penn, Alan and Jancis Rees, Kresna Cameron (Australia, name. D G Wilson Bequest Fund exhibition 2008 and Joy West 2007 b1982), 3 photographs: No I never 2008 SUB TOTAL 1 WORK

78 ART GALLERY OF NSW APPENDICES 07–08 JAPAN suspended from lowest parasol Modern and Gail Hastings (Australia, b1965), So Male and female Shintô deities (chattra) of the six surmounting the contemporary art she said 2007, enamel on plywood, 900s–1000s, Heian period drum, an additional cylindrical acrylic on linen and canvas, framed 794–1185, cypress wood with bronze container containing relics watercolour and pencil on paper. traces of polychromy. Asian (one crystal drop, two gold rings, a Brook Andrew (Australia, b1970), Contemporary Collection Collection Benefactors Fund 2008 gold stupa and a finely wrought gilt Ngajuu Ngaay Nginduugirr (I see Benefactors 2007 six-petal flower). Purchased 2007 you) 1998, diptych: neon and Male and female Shintô deities Anton Henning (Germany, b1964), transparency face mounted on 1100s, Heian period 794–1185, Shahzia Sikander (Pakistan; United Portrait no 236 2007, oil on canvas cypress wood with traces of States of America, b1969), The acrylic. Contemporary Collection with lightframe. Purchased with polychromy. D G Wilson Bequest Fabric Workshop and Museum Benefactors 2007 with the funds provided by Geoff and Vicki assistance of Anonymous, Mark Fund 2008 (United States of America, est. Ainsworth and the Mervyn Horton Baxter, Luca & Anita Belgiorno- 1977), The illustrated page (edition Bequest Fund 2008 Iwasa Matabei School, Tale of Nettis, Peter Braithwaite, Kemsley #2) 2005–07, gouache, gold leaf, Genji mid 1600s, Edo (Tokugawa) Brennan & Stephen Buzacott, Roger Hilton (England, 1911–75), silkscreen. Purchased with funds period 1615–1868, pair of six-fold Andrew Cameron, Trevor & Carole Figure 1970, charcoal. Purchased provided by the VisAsia Dinner Fund screens, ink and colour on paper. Chappell, Jen Dowling & James Hill, under the terms of the Florence to commemorate The arts of Islam Purchased with the assistance of Rob Gould, Stephen Grant & Turner Blake Bequest 2007 the Diana Dorothea Bennett Fund exhibition and the Asian Collection Bridget Pirrie, Ginny Green, David David Hockney (England, b1937), 2007 Benefactors Fund 2008 Kent, Robyn Norton & Stephen A closer winter tunnel, Feb–Mar Utagawa KUNISADA (Japan, SUB TOTAL 2 WORKS MacMahon, Nicola Pain & Michael 2006, oil on canvas, 6 panels. 1786–1864), Chapter 3 Shell of the Harris, Lisa Paulsen, Sue Salmon, Purchased with funds provided by locust from the series Romantic Penelope Seidler, Bernard Shafer, Geoff and Vicki Ainsworth, the THAILAND reminiscences of Genji 1857–61, John Sharpe, Vivienne Sharpe, Florence and William Crosby Edo (Tokugawa) period 1615–1868, Northern Thailand, Black water Stephen Solomons, Miriam & Les Bequest and the Art Gallery of New ôban diptych, colour woodcut. bottle 1900s, earthenware. Roger Stein, Rachel Verghis, Michael South Wales Foundation 2007 Yasuko Myer Bequest Fund 2007 Pietri Fund 2008 Whitworth & Candice Bruce, Ruark Lewis (Australia, b1960), Corinne & John Young Utagawa KUNISADA (Japan, SUB TOTAL 1 WORK Paul Carter (Australia, b1951), Raft 1786–1864), Andô/Utagawa John Beard (Wales; Australia, 1995, stenciled hexaglot text in HIROSHIGE (Japan, 1797–1858), b1943), Janet Laurence 2007, oil pencil graphite on chalk gesso ‘Yuki no niwa’ (Garden scene in VIETNAM and wax on linen. Purchased 2007 ground inscribed on rafters with snow) from the series ‘Azuma Genji’ Yao people, 2 textiles: Woman’s Ian Burn (Australia; United States of underframes (28 sets, each 120cm 1854, Edo (Tokugawa) period embroidered cross stitch garment America, 1939–93), ‘Artists think …’ square), silk drapes and audio 1615–1868, triptych, colour with leaf pattern 1900s, cotton, no 1 1993, oil, card, wood (three soundtrack (42 minutes). Rudy woodblock print. Yasuko Myer beads; Embroidered Yao magician’s parts). Rudy Komon Memorial Fund Komon Memorial Fund 2008 Bequest Fund 2007 robe with numerous symbols 2007 Nigel Milsom (Australia, b1975), 2 SUB TOTAL 5 WORKS 1900s, silk embroidered on cotton. Adam Cullen (Australia, b1965), paintings: untitled (the incident) Roger Pietri Fund 2008 Comedic relief 2000, synthetic 2007–08, oil on linen; untitled (the KOREA SUB TOTAL 2 WORKS polymer paint on canvas. incident) 2007–08, oil on linen. Seven star spirits (ch’ilseungtaeng) Contemporary Collection Contemporary Collection Benefactors 2008 with the generous Benefactors 2008 1931, hanging scroll, ink and VIETNAM/LAOS assistance of Richard & Chrissie mineral colour on cloth. Purchased Giorgio Morandi (Italy, 1890–1964), Border of Vietnam and Laos, Co’tu Banks, Peter Braithwaite & Gary with the assistance of the Asian Still life 1947, oil on canvas. area, Metal beaded woven textile Linnane, Stephen Buzacott & Collection Benefactors Fund 2008 Purchased with funds provided by 1900s, metal. Roger Pietri Fund Kemsley Brennan, Andrew Rob and Jenny Ferguson and the SUB TOTAL 1 WORK 2008 Cameron, Joseph Catanzariti, Trevor Margaret Hannah Olley Art Trust Chappell, Fran Clark, Peter English, SUB TOTAL 1 WORK 2007 INDIA Robert Gould, Ginny Green, Julian & Stephanie Grose, James Hill & Jen Bruce Nauman (United States of North India, probably Uttar Pradesh, TOTAL ASIAN ART DEPARTMENT Dowling, Davina Jackson & Chris America, b1941), 2 DVDs: Revolving Folio from a dispersed series of the 29 WORKS Johnson, Vasili Kaliman, Stephen upside down 1969, black and white ‘Bhagavata Purana’ c1520–30, McMahon & Robyn Norton, Jan single-channel video, sound, 61 opaque watercolour on paper. Minchin, Morna Seres & Ian Hill, minutes; Lip sync 1969, black and Purchased 2007 European art pre-1900 Vivienne Sharpe & Tim McCormick, white single-channel video, sound, Rajasthan, The levels of hell early Lucy Turnbull, Rachel Verghis, Ray 57 minutes. Mervyn Horton Bequest 1800s, concertina album, gouache Wilson Fund 2007 on paper; 62 folios comprising 58 Jacques Blanchard (France, Neil Emmerson (Australia, b1956), Rolf Nesch (Germany, 1893–1975), full-page illustrations in red, blue, 1600–38), Mars and the vestal wood nymph triptych (the heart is a green, yellow, black and white plus virgin, oil on canvas. Purchased with Elbchaussee 1931, drypoint. lonely hunter) 3 2006, colour 4 fly leaves, Prakrit in black funds resulting from a gift by James Purchased 2007 screenprint on Dutch etching paper. Devanagari script; bound in beige Fairfax AO and with the support of Scott Redford (Australia, b1962), 4 Contemporary Collection canvas cover with scalloped flap the Art Gallery Society of NSW photographs from the series Urinals: Benefactors 2008 and tie. Purchased 2008 2007 Surfers Paradise, Broadbeach, Valie Export (United States of SUB TOTAL 2 WORKS Rodolphe Bresdin (France, Fortitude Valley 2000–01, 2000–01: America, b1940), Touch cinema 1822–85), The flight into Egypt Urinal Broadbeach A 2000–01, type 1969, black and white single- 1855, lithograph. Purchased 2008 C photograph; Urinal Broadbeach B PAKISTAN channel video, sound, 1:08 minutes. 2000–01, type C photograph; Urinal Jean-François Millet (France, Swat Valley, ancient Gandhara, Mervyn Horton Bequest Fund 2007 Fortitude Valley A 2000–01, type C 1814–75), The gleaners 1855–56, Reliquary stupa 1–200s, Kushan Antony Gormley (England, b1950), photograph; Urinal Fortitude Valley period c50 – early 400s, crystal, etching. Parramore Purchase Fund Haft 2007, mild steel blocks. Art D 2000–01, type C photograph. in 3 sections, with square gold 2007 Gallery of NSW Foundation Contemporary Collection parapet and 8 gold and pearl chains SUB TOTAL 3 WORKS Purchase 2008 Benefactors 2007

ART GALLERY OF NSW APPENDICES 07–08 79 Julie Rrap (Australia, b1950), Body 2003, printed 2008, type C Tim Silver (Australia, b1974), double 2007, DVD, silicon rubber photograph; From the inside #10 untitled (tuvaluan triptych) 2007, and electronic components. 2003, printed 2008, type C 3 type C photographs, unique Contemporary Collection photograph; From the inside #11 prints. Purchased with funds Benefactors and Rudy Komon 2003, printed 2008, type C provided by the Photography Memorial Fund 2007 photograph; From the inside 2003, Collection Benefactors Program Doris Salcedo (Colombia, b1958), colour video, sound, 12 hours. 2008 Untitled 2007, wood, concrete, Mervyn Horton Bequest Fund 2008 Glenn Sloggett (Australia, b1964), metal and fabric. Purchased 2007 Merilyn Fairskye (Australia, b1950), Roadworker blues from the series Carolee Schneemann (United Aqua/Bay #1 from the series Aqua Decrepit 2006, printed 2007, type C States of America, b1939), Meat 2007, pigment print. Purchased with photograph. Purchased with funds joy 1964, single-channel video funds provided by the Photography provided by King St Gallery, Jane of 16mm colour film, sound, Collection Benefactors Program Whiston and the Photography 6 minutes. Mervyn Horton Bequest 2007 Collection Benefactors Program 2008 Fund 2007 Simryn Gill (Singapore; Malaysia; William Sharp (United States of Australia, b1959), Run 2006, printed Glenn Sloggett (Australia, b1964), America, b1936), Joseph Beuys 2008, 6 gelatin silver photographs Dolphin from the series Decrepit (Germany, 1921–86), Joseph Beuys’ and 3 type C photographs. 2005, printed 2007, type C public dialogue 1974, black and Purchased with funds provided photograph. Purchased with funds white single-channel video, sound, by the Mordant family and the provided by Sandra Ferman and the 2 hours and 15 minutes. Mervyn Photography Collection Benefactors Photography Collection Benefactors Horton Bequest Fund 2007 Program 2008 Program 2008 KOGANEZAWA Takehito (Japan; Ken Gonzales-Day (United States Darren Sylvester (Australia, b1974), Germany, b1974), Untitled 2007, of America, b1964), At daylight the All you need to know you knew neon, chair. Gift of Geoff and Vicki miserable man got carried to an oak 2007, lightjet print. Purchased with Ainsworth 2007 from the series Hang trees 2002, funds provided by Bronwyn Doutreband, Egil Paulsen, Russell SUB TOTAL 27 WORKS printed 2007, Chromogenic photograph. Gift of Geoff and Vicki Skelton & Virginia Trioli, Sullivan & Ainsworth 2008 Strumpf and the Photography Photography Collection Benefactors Program Rebecca Ann Hobbs (Australia, 2008 b1976), High from the series Up SUB TOTAL 26 WORKS Jane Burton (Australia, b1966), with the fall, down on the diagonal Wormwood #3 from the series 2006, printed 2008, lightjet print. Wormwood 2006–07, type C Purchased with funds provided by TOTAL WESTERN ART photograph. Purchased with funds the Photography Collection DEPARTMENT 56 WORKS provided by John Armati, Robert & Benefactors Program 2008 Vassily Skinner, and Suzanne Rebecca Ann Hobbs (Australia, TOTAL ALL DEPARTMENTS Steigrad 2008 b1976), Slip ‘n slide from the series 135 WORKS PURCHASED Jane Burton (Australia, b1966), Up with the fall, down on the Wormwood #10 from the series diagonal 2007, printed 2008, lightjet Wormwood 2006–07, type C print. Purchased with funds photograph. Purchased with funds provided by Cameron Williams 2008 provided by John Armati, Rex Irwin Sharon Lockhart (United States of Art Dealer, Tara Mackay, and America, b1964), Untitled 2007, Andrew Rothery 2008 Chromogenic photograph. Gift of Olive Cotton (Australia, Geoff and Vicki Ainsworth 2008 1911–2003), Gwynneth Stone Paul Ogier (New Zealand; Australia, 1942, gelatin silver photograph, b1974), Hauptbahnhof, Berlin 2007, vintage. Purchased with funds archival pigment ink on cotton rag provided by the Photography paper. Purchased with funds Collection Benefactors Program provided by the Photography 2007 Collection Benefactors Program Shannon Ebner (United States of 2008 America, b1971), Sculptures Catherine Opie (United States of involuntaires 2006, printed 2008, America, b1961), Justin Bond 1993, type C photograph. Gift of Geoff Chromogenic photograph. Gift of and Vicki Ainsworth 2008 Geoff and Vicki Ainsworth 2008 Maria Elvira Escallón (England; Franz Roh (Germany, 1890–1965), Colombia, b1954), 7 photographs Untitled c1930, gelatin silver and 1 DVD from the series From the photograph, vintage. Purchased inside 2003, printed 2008: From the with funds provided by the inside #1 2003, printed 2008, type Photography Collection Benefactors C photograph; From the inside #2 2003, printed 2008, type C Program 2007 photograph; From the inside #3 Allan Sekula (United States of 2003, printed 2008, type C America, b1951), Mother and photograph; From the inside #6 premature baby, Kassel 2006–07, 2003, printed 2008, type C type C photograph. Gift of Geoff photograph; From the inside #7 and Vicki Ainsworth 2008

80 ART GALLERY OF NSW APPENDICES 07–08 COLLECTION – 1999, ink, wash on ivory wove children play c1967–69, pen, brush, THE WILLIAM FLETCHER GIFTS paper; untitled (Northern Territory black and dark blue ink on ivory FOUNDATION series) 1991, synthetic polymer wove paper; Andalusian night William Fletcher (Australia, paint on ivory wove paper; untitled c1967–69, pen and black ink, wash 1924–83), 1 painting and 1 drawing: Australian art (Northern Territory series) (1991), on ivory wove paper; Alhambra Olearia (c1969), oil on hardboard; synthetic polymer paint on ivory c1967–69, pen and black ink, wash Lambertia (in dappled sunlight) wove paper; Coast II 1978, on ivory wove paper; Alhambra 1974, gouache on paper KAREN ASPDEN synthetic polymer paint, collage on c1967–69, pen, brush and black ink white paper; Coast III 1978, on ivory wove paper; Alhambra David Aspden (Australia, synthetic polymer paint, collage on c1967–69, pen, brush and black JOHN KEIGHTLEY 1935–2005), 37 drawings: untitled white paper; Untitled (1979), ink, ink, wash on ivory wove paper; (tree bark) (1997), synthetic polymer Lyndon Dadswell (Australia, wash on white wove paper; untitled Alhambra c1967–69, pen, brush paint on ivory wove paper; untitled 1908–86), Figure studies 1960, pen, (Balmain) (1984), synthetic polymer and black ink on ivory wove paper; 1981, brush and black ink, synthetic blue, black and brown ink and wash paint, collage on white wove paper; Alhambra c1967–69, pen, brush polymer paint wash on ivory wove on lined exercise book page Untitled (1984), synthetic polymer and black ink on ivory wove paper; paper; untitled (some black) (1978), paint, collage on white wove paper Alhambra c1967–69, pencil, pen, synthetic polymer paint on ivory David Aspden (Australia, brush and black ink on ivory wove RICHARD KING wove paper; Castle Hill No II 1976, paper; untitled c1967–69, pen, synthetic polymer paint on paper; 1935–2005), 6 prints: Tantara 1976, Charles Conder (Australia; linocut, brown ink on ivory wove brush and black ink on ivory wove England, 1868–1909), 4 prints: La untitled (1982), charcoal on ivory paper; The peasants city c1967–69, wove paper; untitled (New Britain paper; Channels no 1 (1978), colour fille aux yeaux d’or (1899), transfer screenprint on Japanese paper; brush and black ink on ivory wove lithograph, black ink on Japanese brown series) (1980–81), synthetic paper; Night sea – Almayate Bajo Channels no 2 (1978), colour paper; La peau de chagrin (c1903), polymer paint on paper; Ali’s bar c1967–69, pen, brush and black ink screenprint on Japanese paper; transfer lithograph, sanguine ink on (New York) (1980), synthetic on ivory wove paper; Almayate Bajo Channels no 3 (1978), colour ivory laid paper; A pastoral fantasy polymer paint on ivory wove paper; night c1967–69, pen, brush and screenprint on Japanese paper; from Carnival set (1904, printed untitled (1984), synthetic polymer black ink, wash on ivory wove Cross current 1976, colour linocut, 1906), transfer lithograph, sanguine paint and collage on ivory wove paper; Witches’ tale – Alhambra blue ink on ivory wove paper; Sub ink on ivory laid paper; The maypole paper; Ramingining 1991, synthetic c1967–69, pen, brush and black ink aqua (1976), colour woodcut, dark (c1905), lithograph, black ink on polymer paint on cream wove on ivory wove paper; Almayate Bajo blue ink on cream wove paper ivory laid paper paper; Waterscape 2005, synthetic c1967–69, pen, brush and black ink polymer paint on white wove David Aspden (Australia, on ivory wove paper; Donkey man – Adrian Feint (Australia, watercolour paper; Central desert 1935–2005), 4 paintings: Brown flag Sayalonga c1967–69, pen and 1894–1971), 12 prints from a landscape 1995, synthetic polymer jazz 1968, synthetic polymer paint black ink on ivory wove paper; portfolio of 12 prints (1922–c1925, paint on white wove paper; Tree on canvas; Black music 2003, oil on Witches’ tales Guadix 1 c1967–69, printed 1982): The balcony (1922, totem no 1 1998, synthetic polymer canvas; Reef 1984, oil on canvas; pen, brush and black ink on ivory printed 1982), etching, brown ink on paint, wash on white wove paper; Mountain scenery (1973), synthetic wove paper; Man on a donkey cream Arches paper; The three Tree totem no 3 1998, synthetic polymer paint on canvas c1967–69, pen and black ink on pines (1925, printed 1982), etching, polymer paint, wash on white wove David Aspden (Australia, ivory wove paper; Portrait of the brown/black ink on ivory Arches paper; Tree totem no 2 1998, 1935–2005), 2 watercolours: fisherman of Almayate Bajofrom paper; La surprise (1923, printed synthetic polymer paint, wash on untitled (Woolloomooloo) (1978–79), c1967–69, pen, brush and black ink 1982), etching, brown ink on cream white wove paper; Grey day at watercolour, ink wash on ivory wove on ivory wove paper; Witches’ tale, Arches paper; The south wind Sanctuary Point 1998, synthetic watercolour paper; untitled Guadix 2 c1967–69, pen, brush and (1923, printed 1982), etching, black polymer paint on white wove paper; (Woolloomooloo) (1979), black ink on ivory wove paper; ink on ivory Arches paper; Egypt 2005, synthetic polymer paint watercolour, ink wash on ivory wove Cómpeta c1967–69, pen, brush Rendezvous (1923, printed 1982), on white wove paper; Meditations watercolour paper and black ink on ivory wove paper; etching, brown ink on cream Arches on landscape no 3 1998, synthetic Cycle c1967–69, pen and black ink paper; The bathers (1922, printed polymer paint on white wove paper; on ivory wove paper; Portrait – 1982), etching, black ink on ivory Leaf fall at Sanctuary Point no 2 BEQUEST OF EVELYN EDITH CARR Velez de Malaga c1967–69, pen, Arches paper; Milsons Point (1924, 1998, synthetic polymer paint, wash Ellis Rowan (Australia, 1848–1922), brush and black ink on ivory wove printed 1982), etching, brown/black on white wove paper; untitled untitled (flannel flowers) 1879, paper; Goat herd – Almayate Bajo ink on ivory Arches paper; The (Garden series) 2005, synthetic watercolour, gouache on paper c1967–69, pen, brush and black ink sonnet (1922, printed 1982), polymer paint, wash on white wove on ivory wove paper; Harvest – road etching, brown ink on cream Arches paper; Egypt II 2005, gouache on to Granada c1967–69, pen, brush paper; The scarf dance (1924, JUDY CASSAB white wove paper; untitled and black ink on ivory wove paper; printed 1982), etching, black ink on (Japanese) 1998, gouache on ivory Judy Cassab (Australia, b1920), Rainbow harvest c1967–69, pen, ivory wove paper; Basket willows card; Market 3 (Papua New Guinea) Madras, India 2002, pencil, brush and black ink on ivory wove (1922, printed 1982), etching, black (1981), ink, wash on ivory wove watercolour on white wove paper paper; Blind man – Competa 1969, ink on ivory wove paper; The paper; untitled (Papua New Guinea) pencil, pen, brush and black ink, dancer (c1925, printed 1982), (1981), pencil, watercolour, wash on gouache on ivory wove paper; etching, black ink on ivory wove NEILTON CLARKE ivory wove paper; Baai village 3 Gypsy dancer c1967–69, pen and paper; The collector (1925, printed (1981), synthetic polymer paint on Neilton Clarke (Japan; Australia, black ink on ivory wove paper; 1982), etching, black ink on ivory white wove paper; untitled (Northern b1958), Jumping Jack 1986, colour Gipsy dancers c1967–69, pen, Arches paper Territory) (1982), synthetic polymer screenprint on cream wove paper brush and black ink on ivory wove Conrad Martens (Australia, paint, wash on ivory wove paper; paper; Rider, Competa c1967–69, 1801–78), Study of a tree fern (mid untitled (Duk Duk) 1981, ink on pen and black ink on ivory wove 1850s, printed 1920), etching, black white wove paper; Baai village 4 KEVIN CONNOR paper; crucifixion 1969, pen, brush ink on white wove paper (1981), synthetic polymer paint, Kevin Connor (Australia, b1932), and black ink on ivory wove paper wash on white wove paper; untitled 31 drawings from the portfolio Ralph Trafford Walker (Australia, (Papua New Guinea) (1981), Andalusian drawings, c1967–69: 1912–2003), 2 watercolours and 3 gouache, wash on white wove Sand mirror of the moon and the THE SIR WILLIAM DOBELL ART drawings: five female nudes 1974, paper; Ritual dance (1981), house at Almayate Bajo c1967–69, FOUNDATION pencil, watercolour on white wove synthetic polymer paint, ink wash pen, brush and black ink on ivory Ana Pollak (Australia), Mullet Creek paper; mother and child, two nudes on white wove paper; Night heron wove paper; Dawn before the 2007, graphite on rice paper in background 1974, pencil,

ART GALLERY OF NSW APPENDICES 07–08 81 watercolour on white wove paper; white Velin Arches paper; The little Timothy Ralph (Australia, b1959), colour screenprint on ivory wove two female nudes 1971, pen and boat 1983, transfer lithograph, black Goodbye Chiko 1989, drypoint, paper; Bronte 1975, colour black ink, wash on ivory wove ink on ivory laid paper; untitled (The black ink on ivory wove paper screenprint on ivory wove paper paper; two female nudes 1973, pen Derwent, Hobart) 1983, transfer and black ink, wash on ivory laid lithograph, black ink on ivory wove paper; two nudes – woman and girl paper; untitled (The Derwent, GEORGE SOUTTER AND JOHN YU MEREDITH STOKES 1974, pen and black ink, wash on Hobart) 1984, transfer lithograph, attrib. Ailsa Lee Brown (Australia, Nora Heysen (Australia, ivory wove paper black ink on white Velin Arches 1898–1943), untitled (cranes by 1911–2003), Portrait of Evie Stokes paper; untitled (The Derwent, harbour) (c1937), wood engraving, 1935, brown conté on ivory wove Hobart) (1984), transfer lithograph, black ink on cream Japanese paper paper PETER KINGSTON black ink on white Velin Arches Noel Counihan (Australia, Peter Kingston (Australia, b1943), paper, hand-coloured in 1913–86), Mexican girl 1970, BARBARA TUCKER Australia -v- England chess set watercolour; Untitled 1983, transfer linocut, black ink on white Japanese 1976–78, reworked 1981, 1985, Albert Tucker (Australia, 1914–99), lithograph, black ink on white wove paper 2008, carved Oregon wood, paper; untitled (The Derwent, Gift bearers 1955, oil on hardboard Gladys Gibbons (Australia, enamel, perspex lid Hobart) 1983, transfer lithograph, 1903–69), Daisies (c1933), linocut, black ink on white Velouwe paper; black ink on ivory Japanese paper ANNE WIENHOLT Untitled 1983, transfer lithograph, LUCY LOANE black ink on white Velouwe paper; Weaver Hawkins (United Kingdom; Godfrey Miller (Australia, Yvonne Boag (Scotland; Australia, untitled (Sunset, The Derwent, Australia, 1893–1977), 1 print and 1 1893–1964), 2 drawings: Nude b1954), Urban landscape II (2000), Hobart) (1984), transfer lithograph, watercolour: Maltese cart (1930), study, pencil on ivory machine-wove colour sugarlift and open bite black ink on white Velouwe paper; colour woodcut on ivory paper; Nude study, pencil on ivory etching on white Somerset paper untitled (The Derwent, Hobart) (Japanese?) paper; Untitled 1940, machine-wove paper 1983, transfer lithograph, black ink pencil, watercolour on white wove paper JULIET LOCKHART IN MEMORY on ivory Velin Arches paper; untitled STAFF OF THE ART GALLERY OF JOHN LOCKHART AO QC (The Derwent, towards the Tasman Frank Hinder (Australia, 1906–92), OF NSW Bridge, Hobart) 1984, transfer Enid at mealtime 1937, black conté Hector Gilliland (Australia, Michael Kempson (Australia, lithograph, black ink on white Velin on ivory paper 1911–2002), Gravel works, Arches paper; untitled (The b1961), Regret 2002, colour attrib. Adelaide Ironside (Australia, Richmond NSW (1937), pencil, Derwent, Hobart) 1984, transfer etching, aquatint, open bite, deep 1831–67), untitled (figure with sheaf watercolour on ivory wove paper lithograph, black ink on white Velin etch on cream Arches paper of wheat – Ruth?) (c1853), Arches paper; untitled (The watercolour on ivory wove paper on Derwent, Hobart) (1984), transfer JENNY POLLACK card SUB TOTAL 184 WORKS lithograph, black ink, hand-coloured David Barker (Australia, with watercolour on white Velin Bea Maddock (Australia, b1934), 1888–1946), 8 prints: Jerusalem Arches paper; untitled (The Male I (1967), woodcut, black ink (c1920), etching, black ink with Aboriginal and Torres Derwent, Hobart) (1983, printed on ivory Japanese paper plate tone on cream laid paper; Strait Islander art later), transfer lithograph, black ink untitled (kookaburra), etching, Eileen Mayo (Australia; New on white Johannot paper; Boat in brown/black ink on thick ivory wove Zealand; United Kingdom, the bay (1982, printed later), transfer paper; untitled (sailing ships and 1906–94), 2 prints: Mantis (c1968), CHRISTOPHER HODGES AND lithograph, black ink on cream wove seagull), drypoint, black ink with colour linocut, collotype; Mantis in HELEN EAGER paper; untitled (Tasmania) 1987, plate tone on thick white wove the sun (c1968), colour linocut, Casey Kemarre (Australia), Head transfer lithograph, black ink on paper; The fig tree (c1920), etching, collograph on white paper on c1990, synthetic polymer paint on Velin Arches paper; untitled (third black ink with plate tone on thick, cardboard wood version of Veteran tree) (c1988), dark cream wove paper; The mill, Adelaide Perry (Australia, transfer lithograph, black ink on Queenie Kemarre (Australia, born Sussex (c1929), etching, foul bite, 1881–1973), The Bridge, October ivory Velin Arches paper; untitled c1920), 2 paintings: Bird c1990, black ink on ivory wove paper; 1929 (1930), linocut, black ink on (Balls Head, Sydney) 1987, transfer synthetic polymer paint on wood; untitled (trams in street) (c1929), thin cream paper on cardboard lithograph, black ink on white Velin Figure c1990, synthetic polymer drypoint, black ink on ivory wove Arches paper; Rainforest (1988), Algirdas Simkunas (Latvia; paint on wood paper; (Martin Place) (c1929), transfer lithograph, black ink on Australia, 1927–72), 2 drawings: Janice Kngwarreye (Australia, born pencil, drypoint, black ink on cream ivory Velin Arches paper; Untitled (Figure on horse), charcoal on ivory c1958), 2 paintings: untitled (first wove paper; Bridge Street (1930), (c1986), lithographic crayon on wove paper; (Cubist figure), man) 1989, natural pigments on drypoint, black ink on ivory wove transfer paper charcoal on ivory wove paper wood; Untitled c1990, synthetic paper Peter Upward (Australia, 1932–83), polymer paint on wood 8 prints from the Sandura suite JAN RISKE Lucky Kngwarreye (Australia, born GARRY PURSELL 1974–75: Sadewa’s servants are c1952), 2 paintings: Untitled c1992, Dick Watkins (Australia, b1937), Jan Riske (Australia, b1932), 12 frightened by the presence of evil synthetic polymer paint on wood; October 1967, diptych: synthetic drawings: Untitled 1990, pen and spirits 1974, colour screenprint on Dog c1990, synthetic polymer paint polymer paint on canvas black ink on white wove paper, 12 ivory wove paper; Garuda bird on wood all of the same name 1974, colour screenprint on ivory Ruby Kngwarreye (Australia, wove paper; Jungle near the b1968), Lizard c1990, synthetic ALAN AND JANCIS REES Elephant Caves 1974, colour HANS AND PAMELA SCHUTTLER polymer paint on wood Lloyd Rees (Australia, 1895–1988), screenprint on ivory wove paper; 21 prints and 1 drawing: The distant Chris Denton (Australia, b1950), Gamelan orchestra 1974, colour Mary Morton Kemarre (Australia, Derwent II 1983, transfer lithograph, Beyond the hyperdrome 4 1992, screenprint on ivory wove paper; born c1925), Torso 1992, synthetic black ink on ivory wove paper; photo-etching, aquatint, dark green/ Monkey savouring the moment polymer paint on wood Sunrise at Sandy Bay 1985, transfer black ink on white wove paper before eating the louse found on the Billy Morton Petyarre (Australia, colour lithograph, black, blue and Euan Heng (Scotland; Australia, Barong 1974, colour screenprint on born c1930), 2 paintings: Dog yellow ink on ivory Velin Arches b1945), Ne’erday 1991, linocut, ivory wove paper; My old black billy c1990, synthetic polymer paint on paper; Sunrise at Sandy Bay 1985, black ink and hand-coloured with 1974, colour screenprint on ivory wood; Man figure c1990, synthetic transfer lithograph, black ink on watercolour on white wove paper wove paper; Lah deed dah 1974, polymer paint on wood

82 ART GALLERY OF NSW APPENDICES 07–08 Louie Pwerle (Australia, born MS NANCY LEE INDIA calligraphy design mid 1900s, c1938), Kangaroo 1989, synthetic LIANG Dingfen (China, ZENOBIA BOYCE cotton, dyes; Batik cloth with polymer paint on wood traditional Jambi stamped floral 1859–1919), Poem in running Krishnaji Howlaji Ara (India, design early 1900s, cotton, dyes; Wally Pwerle (Australia, born script, ink on paper 1914–85), untitled (still life) c1945, Batik early 1900s, cotton; Batik c1962), Female figure c1990, Duanfang (China, 1861–1911), 2 gouache on paper synthetic polymer paint on wood early 1900s, cotton rubbings: Ink rubbing taken from a Shiavax Chavda (India, 1914–90), Unknown (Australia), Small figure Western Han dynasty (206–25 BCE) 1 drawing and 1 painting: Manipuri Java, 3 ceramics and 4 textiles: 1989, synthetic polymer paint on tile with an inscription 1909, ink on drummer 1963, ink and pencil on Large kendi, terracotta with silver wood paper and silk; Ink rubbing of the paper; Dancer 1961, acrylic on alloy spout and later wooden inscription cast on the lid of a ‘gui’ stopper; Kendi, terracotta with silver Unknown (Australia), Eagle c1990, canvas vessel of the late Western Zhou alloy spout; Kendi, terracotta with synthetic polymer paint on wood Sayed Haider Raza (India, b1922), dynasty (c1000s–771 BCE), ink on surface polished by burnishing; untitled (village landscape) 1948, Unknown (Australia), Echidna c1990, paper and silk Batik – selimat or breast wrapper, synthetic polymer paint on wood watercolour on paper TANG Hengwen (China, late cotton; Batik – kain panjang, cotton Unknown (Australia), Untitled 1800s–early 1900s), Ouyang Xiu’s with traditional repeat geometric c1990, wood ‘On the clique’ in regular script, ink DR AND MRS D HODGKINSON pattern; Batik – kain panjang, Unknown (Australia), Bird 1988, on silk North India, Dagger (khanjar) cotton; Batik – selimat (scarf) or synthetic polymer paint on wood DUAN Xu (China, 1864–1936), Mughal c1526–c1857, steel with breast wrapper, cotton Poem in running script, ink on silk bone handle, pigment, blue scabbard Java or Bali, Block-printed textile – kain panjang c1975–2000, cotton MARGARET TUCKSON SHANG Yanliu (China, 1875–1963), Huang Junbi (China; Taiwan, Java, probably Pekalongan, Batik – Rosella Namok (Australia, b1979), J A AND H D SPERLING 1899–1991), Fan with ‘Comment on kain panjang (long cloth), cotton That day 1999, synthetic polymer painting’ in running script 1941, Double-handled punch-dagger Liem Wat Beng workshop paint on canvas 1942, ink and colour on paper (‘katar’) with cover, metal with gilt pattern on handle (Indonesia), Batik – kain panjang YU Youren (China, 1878–1964), mid 1900s, cotton SUB TOTAL 19 WORKS Poem in cursive script, ink on paper SUB TOTAL 6 WORKS Pekalongan, Java, Batik altar cloth c1930, tulis design on cotton FROM THE COLLECTION OF THE TOTAL AUSTRALIAN ART Toraja, Sulawesi, Toraja banner early DEPARTMENT 203 WORKS LATE AUDREY QUIGLEY, A GIFT INDONESIA FROM HER LOVING HUSBAND 1900s, machine-woven cotton and PETER COURT AND FAMILY IN BARRY QUIGLEY colourful design with tie-dying plangi MEMORY OF DEE COURT technique Asian art Water pipe c1900, brass with East Timor, Granary door c1940s, cotton tassel carved wood SUB TOTAL 29 WORKS CHINA JUDITH AND KEN RUTHERFORD RENA BRIAND THOMAS MURRAY 5 textiles: Double-sided cheat’s IRAN Export ware, Dish with two birds, handkerchief, calligraphy on silk; Kalimantan, Bead panel, glass blue and white porcelain Cheat’s handkerchief, calligraphy on beads on cloth MIRANDA WORSLEY silk; Cheat’s handkerchief, calligraphy Persia, Jug c1150–1200, on cotton; Cheat’s handkerchief, earthenware decorated in black slip MRS H DRESDNER JOHN YU AND GEORGE SOUTTER calligraphy on paper; Cheat’s under turquoise glaze Bi disc decorated with dragons handkerchief, calligraphy on paper 5 textiles: Batik with rusak design Qing dynasty 1644–1911, jade c1900s, cotton, dyes; Batik with rusak design c1900s, cotton, SUB TOTAL 1 WORK THE STORCH FAMILY IN LOVING dyes; Batik – kain panjang, cotton MEMORY OF FREDDIE STORCH MARY AND HENRY FUNG decorated with rasak pattern; 3 sculptures and 1 ceramic: Armchair with stone panel set on Batik – kain panjang c1940s, IRAQ Rectangular bead ornamented splat early 1900s, wood (huali), stone machine-woven cotton; Batik MAREA GAZZARD with dragon motif Han dynasty hanging, cotton Abbasid lustreware bowl 900s, 206 BCE – 220 CE, yellowish jade BEQUEST OF FREDDIE STORCH Aceh, Batik head cloth with stylised earthenware painted in lustre on an altered to brown in some areas; 1 ceramic and 1 sculpture: Covered Islamic calligraphy design early opaque white glaze Tongue amulet of a cicada Han bowl with plum blossom and magpie 1900s, cotton, dyes dynasty 206 BCE – 220 CE, design Guangxu 1875–1908, Qing Cirebon, 3 textiles: Batik man’s greyish-white jade with stains of SUB TOTAL 1 WORK dynasty 1644–1911, porcelain with head piece or Kepala mid 1900s, red pigment; A pair of ornaments yellow, blue, black enamel decoration machine-woven cotton; Batik – kain 1800s, Qing dynasty 1644–1911, Hebei Province, Bodhisattva Tang panjang mid 1900s, machine-woven light green jadeite; A pair of bowls JAPAN dynasty 618–907, white marble, cotton, synthetic dyes; Batik – kain with floral design 1920s, Republic REV JOHN ADAMS standing on a black base panjang 1950s–70s, machine- 1912–49, porcelain with underglaze woven cotton, synthetic dyes Shrine procession of the Tôshôgû blue decoration JOHN YU AND GEORGE SOUTTER Eliza van Zuylen workshop post 1850, Edo (Tokugawa) period 1615–1868, Meiji period Changsha ware, 2 ceramics: Kendi (Indonesia, est. 1925, closed 1975), DR SINCLAIR GILLIES 1868–1912, illustrated book with straight spout Tang dynasty Batik – kain panjang, cotton Oriental cup early 1800s, porcelain 618–907, earthenware decorated in Oey Kek Hwa II (Indonesia), Eliza Export ware, 2 ceramics: Teapot yellow glaze; Kendi Tang dynasty van Zuylen workshop (Indonesia, ANONYMOUS GIFT 1700s, stoneware with gilt and 618–907, stoneware with yue-like estab. 1925, closed 1975), Batik – Tosa School, Quails and pampas enamel decoration; Jug with raised glaze decorated with brown splashes kain panjang 1960, cotton grass 1700s, Edo (Tokugawa) floral and butterfly pattern 1700s, Jambi, Sumatra, 4 textiles: Batik period 1615–1868, single six-fold porcelain SUB TOTAL 27 WORKS coffin cover with stylised Islamic screen, ink and colour on gold ground

ART GALLERY OF NSW APPENDICES 07–08 83 REV MUNEHARU KUROZUMI weave using Memling gul pattern; sick 1831, engraving; Comfort the GEORGE SOUTTER AND JOHN YU YAGI Issô (Japan, 1894–1973), Hat with long tail, embroidered silk; afflicted 1831, engraving; Go to the Keith Vaughan (England, 1912–77), Flower vase, stoneware with dark Woman’s coat or japon 1900–25, house of mourning 1831, engraving; Boy by a dingy 1949, colour green glaze cotton with elaborate traditional Comfort the fatherless and widow lithograph embroidered design; Man’s silk ikat 1831, engraving; Deliver the captive coat c1900s, silk ikat with cotton 1831, engraving; Instruct the STEPHEN MENZIES lining; Wall hanging, silk thread ignorant 1831, engraving; Clothe SUB TOTAL 11 WORKS Utagawa Kunisada (Japan, embroidery on cotton with niche the naked 1831, engraving; Go 1786–1864), Chapter 2 Hahakigi and plain white cotton ground; to the house of mourning 1831, from the series Romantic Wall hanging c1900s, old silk ikat engraving; Comfort the fatherless Photography reminiscences of Genji 1857, panel mounted on a plain silk red and widow 1831, engraving; woodblock print ground base cloth; Tent pole bag, Deliver the captive 1831, engraving BONITA ELY embroidered silk on wool or silk backing Bonita Ely (Australia, b1946), set JEAN FRANCES MICHAELIDES SUB TOTAL 15 WORKS of 85 unique jet prints in 9 groups Satsuma ware, Hodota (Japan, from the series The Murray’s edge est. 1887), Plate with design of JOHN YU AND GEORGE SOUTTER Modern and 2007–8, 2007–08: 1. Murray three women playing musical IN MEMORY OF DEE COURT headwaters 2008, 14 unique inkjet instruments early 1900s, Yellow ground woman’s coat contemporary prints; 2. Near Corryong 2007, earthenware, gilding, enamel c1900s, embroidered yellow silk 8 unique inkjet prints; 3. Barmah with woven tasselled edging, cotton ANONYMOUS GIFT 2007, 9 unique inkjet prints; 4. Lake KLAUS NAUMANN lining Boga 2008, 5 unique inkjet prints; Adam Cullen (Australia, b1965), 5. Near the Murrumbidgee Murray Sumiyoshi Gukei (Japan, John Travers 2003, synthetic junction 2007–08, 12 unique inkjet 1631–1705), Chapter Usugumo SUB TOTAL 16 WORKS polymer paint on canvas from the Tale of Genji with prints; 6. Robinvale, Euston accompanying poem late 1600s, 2007–08, 4 unique inkjet prints; 7. Edo (Tokugawa) period 1615–1868, VIETNAM ESTATE OF STEPHEN BIRCH Bottle Bend near Mildura 2008, 2 album leaves, mounted in a RENA BRIAND Stephen Birch (Australia, 11 unique inkjet prints; 8. Near frame, illustration: ink, colour and Swan Reach, South Australia 2007, 1 piece of metalwork and 1 1961–2007), 1 installation and gold on silk, calligraphy: ink on 12 unique inkjet prints; 9. The lacquerware: Cham bell, bronze; 1 sculpture: Civic minded 1999, decorated pape Murray’s estuary: Lake Alexandrina, Lacquer tray, wood, mother of pearl polyurethane, fiberglass, leather, rubber, acrylic and oil; Untitled Lake Albert, the Coorong 2007, inlays 10 unique inkjet prints JOHN YU AND GEORGE SOUTTER 2005, polyurethane, fibreglass, acrylic and oil AKIYAMA Iwao (Japan, b1921), On FROM THE COLLECTION OF THE the evil soldiers – the graphic table RICHARD WOLDENDORP LATE AUDREY QUIGLEY, A GIFT of fighting December 1966, paper JANET BURCHILL AND JENNIFER FROM HER LOVING HUSBAND Richard Woldendorp (Netherlands; collage, gouache and carbon ink McCAMLEY BARRY QUIGLEY Australia, b1927), 4833 Seawater SAITÔ Kiyoshi (Japan, 1907–97), Janet Burchill (Australia, b1955), leaching into Lake Macleod, north of Cylindrical betel nut container Signal (A) 1962, woodblock print, Jennifer McCamley (Australia, Carnarvon, Western Australia 2006, c1900, mother of pearl inlay into colour on paper b1957), Temptation to exist (untitled) inkjet print Chinese hardwood, with metal rims Rôsen (active 1900s), Daruma 1986, 6 type C photographs on aluminium 1924, Taishô period 1912–26, SUB TOTAL 10 WORKS hanging scroll; ink on paper SUB TOTAL 3 WORKS Yamawaki Kôhô (Japan, active DENISE GREEN TOTAL WESTERN ART 1900s), Daruma and calligraphy TOTAL ASIAN ART DEPARTMENT Denise Green (Australia; United DEPARTMENT 36 WORKS 1900–50, hanging scroll; ink and 93 WORKS States of America, b1946), Curfew colour on paper 1976, black ink on paper TOTAL ALL DEPARTMENTS 332 SUB TOTAL 10 WORKS European art pre-1900 WORKS GIFTED MIKE PARR Mike Parr (Australia, b1945), UZBEKISTAN BEQUEST OF MISS DOROTHY 1 sculpture, 1 DVD and 2 TOTAL WORKS PURCHASED SCHARF JOHN YU AND GEORGE SOUTTER photographs from the mixed-media AND GIFTED IN 2007–08: 467 15 textiles: Trapping, cotton or wool John Constable (England, installation AMERIKA the ice is tapestry weave on lined cotton 1776–1837), Stoke-by-Nayland melting … 2006: AMERIKA, bride support; Pouch, silk embroidered Church c1814, pencil dress vitrine 2006, truncated wedge on cotton support, metal threads; Thomas Gainsborough (England, vitrine containing gold leaf casting of Pouch, silk embroidered on cotton 1727–88), Trees by a pool early the artist’s left arm and bride dress; support, couched metal threads; 1750s, pencil AMERIKA, performance for as long Pouch, silk embroidered on silk as possible, 9–12 May 2006 2006, support; Pouch, silk embroidered videostream, 74 hours; Best man on cotton, mirrors; Pouch, silk GEORGE SOUTTER AND JOHN YU 2006, type C photograph; Primitive embroidered on cotton; Ikat wall Frederick Christian Lewis gifts 2006, type C photograph hanging c1900s, old silk ikat panel (England, 1779–1856), after John Flaxman (England, 1755–1826), mounted on a plain silk red ground ROBBIE AND MARY RUDKIN base cloth; Pair of tasselled animal 8 prints and 5 duplicate prints from trappings early 1900s, embroidered Acts of mercy 1831: Instruct the Denise Green (Australia; United silk, tarnished metal threads, 3 ignorant 1831, engraving; Feed the States of America, b1946), tiered tassels; Pair of animal hungry 1831, engraving; Clothe the Tulipidendron #1 1977, oil on canvas trappings early 1900s, silk tapestry naked 1831, engraving; Visit the

84 ART GALLERY OF NSW APPENDICES 07–08 COLLECTION – MICHAEL RILEY FOUNDATION *BRUCE AND JOY REID QUEENSLAND UNIVERSITY OF Michael Riley, Tracey 1985, hand- FOUNDATION TECHNOLOGY ART MUSEUM, LOANS QLD coloured gelatin silver photograph Karel Dujardin, A fresh morning 1657, oil on canvas Breaking new ground: Brisbane *Renewed loans women artists of the mid-twentieth PRIVATE COLLECTION century Daniel Boyd, Sir no beard 2007, oil *POWERHOUSE MUSEUM, 27.07.07 to 30.09.07 Works lent to the Gallery on canvas SYDNEY William Dobell, Margaret Olley The Gallery received a long-term Sidney Nolan, Woman in lagoon Jingdezhen ware, Armorial plate 1948, oil on hardboard loan of two major works by Bertram 1957, polyvinyl acetate on bearing the arms of Booth impaling Margaret Olley, Portrait in the Mackennal from Tate Britain. Irvine of Drum c1723, porcelain mirror 1948, oil on cardboard Mackennal’s Earth and the elements hardboard with ‘rouge de fer’ enamel, gilt 1907 and life-size marble Diana Altar vase (‘zun’) 1796–1820, wounded 1907–08 were purchased JOHN OLSEN BALLARAT FINE ART GALLERY, from Mackennal for the British porcelain, monochrome blue enamel VIC nation in the early 20th century and John Olsen, Loopy rivers, Cape glaze will become permanent features of York 2007, oil on canvas Eye to I: the self in recent art Neolithic jar, 3000 BCE–1700 BCE, our Gallery’s colonial display courts. 01.08.07 to 28.10.07 earthenware decorated in iron-rich Mutlu Çerkez, Untitled: 18 April A work by the young Sydney-based TATE BRITAIN pigments of red-brown and black 2013 2002, oil on canvas; Untitled: Indigenous artist Daniel Boyd, Bertram Mackennal, Diana YOSHINORI, Pair of stirrups, 19 April 2013 2002, oil on canvas; Sir no beard 2007, has been wounded 1907, marble; The Earth iron with gold and silver inlay Untitled: 21 April 2013 2002, oil on offered to the Gallery on long-term and the elements 1907, marble on canvas loan from a private collector. Boyd Seto ware tea caddy 18th century, onyx base will be the subject of a Sunday arts stoneware documentary for ABC Television in Seto ware tea caddy 18th century, HAWKESBURY REGIONAL the coming year. LAURENCE FULLER stoneware GALLERY, NSW BloodLines: art and the horse Colin McDonald has continued to Lucian Freud, Reclining figure Seto ware tea caddy 18th century, 02.08.07 to 14.10.07 provide the Gallery with a rotating 1994, etching stoneware loan of different Japanese swords, Harold Cazneaux, Black horses Cup, Tang dynasty, earthenware which have a permanent display 1920–30, bromoil photograph; cabinet in the Japanese galleries. TRUSTEES OF THE MINNAMURRA with sancai (three-colour) glaze Untitled (dray horses in lane) c1908, This is one of the only permanent FOUNDATION gelatin silver photograph displays of such unique pieces in Maxime Maufra, Le Port de Ken Whisson, Australian light 1984, an Australian Gallery. Sauzon, Belle-lle-en-Mer 1905, oil coloured crayons on canvas Works lent by the Gallery Ethel Spowers, The plough 1929, JOY FLEISCHMANN Significant loans from the Gallery’s wood engraving, black ink on thin permanent collections were made ivory laid tissue paper Arthur Fleischmann, Bali woman *ANONYMOUS this year to the National Portrait with scarf (1940s), terracotta; David Moore, Fairground horses Circle of Raphael, A Franciscan Gallery, Penrith Regional Gallery, Masked dancer (c1939), terracotta saint, tempera on poplar panel c1953, printed 1997, gelatin silver the National Gallery of Australia photograph 1997 Sebastiono Ricci, The rest on the and Queensland Art Gallery, each COLIN MCDONALD flight into Egypt c1710-11, oil on staging major exhibitions on Sword: echizen kanenaka katana canvas Australian artists John Brack, NATIONAL PORTRAIT GALLERY, OLD PARLIAMENT HOUSE, ACT (plus koshirae) 1681; Sword: kashu Pierre Paul Prud’hon, Portrait Peter Upward, Richard Larter and iehira wakizashi (plus koshirae) of a woman, oil on canvas Kenneth Macqueen, respectively. John Brack portraits 1661; Sword: hojoji masatsugu Two touring exhibitions, Cuisine and 24.08.07 to 18.11.07 Arie de Vois, Portrait of a young wakizashi 1716; Sword: kaimihara country, commissioned by Orange man, oil on copper John Brack, Barry Humphries in masaoku katana 1532; Sword: Regional Gallery, and Harbourlife: the character of Mrs Everage 1969, monju naginata-naoshi (plus Louis Léopold Boilly, Portrait Sydney Harbour form the 1940s to oil on canvas; Portrait of Fred koshirae) 1624; Sword: chu mihara of a man, oil on canvas recent times, organised by Manly Williams 1979–80, oil on canvas; tachi 1394; Sword: tachi-goshirae Head and arms (Barbara Blackman) 1868–1912; Sword furniture: Regional Art Gallery and Museum, 1954, black conté on ivory wove shibuichi o-kozuka; Sword guard: *PRIVATE COLLECTION, SYDNEY borrowed extensively from the Gallery’s 20th-century Australian paper sentoku tomoyoshi (Mito school); Michael Riley, Untitled 2000, art collections, requiring significant Sword guard: iron sendai (dragons); printed later, pigment print Sword furniture: iron shigeharu rehanging of the modern courts NEWCASTLE REGION ART Oskar Kokoschka, Landscape (fuchi-gashira); Sword furniture: and providing an opportunity GALLERY, NSW shakudo menuki (shishi) mid–late at Ullapool 1945, oil on canvas for the public to discover seldom- Lucian Freud: about men Edo (Yanagawa); Sword furniture: Jean Bellette, Greek girl 1975–76, seen works from this collection. Newcastle Region Art Gallery, NSW shibuichi kozuka (cormorant); Sword oil on canvas Three iconic paintings from the 25.08.07 to 14.10.07 furniture: sentoku (waves); Sword Ben Nicholson, Wharfedale 1972, 19th-century courts – Arthur Bendigo Art Gallery, VIC furniture: shakudo kogai (saddle); Streeton’s Fire’s on, W C Piguenit’s 20.10.07 to 18.11.07 Sword furniture: iron fuchi-gashira pencil and brown wash; Wharfedale The flood in the Darling 1890 (herons) no 2 1972, pencil and blue wash Lucian Freud, Self portrait: 1895 and Eugene von Guérard’s reflection 1996, etching on Milford Sound, New Zealand Somerset textured white paper; *PRIVATE COLLECTION, SOUTH S MENZIES 1877–79 – were lent to the Man posing 1985, etching on AUSTRALIA Nakajima Shunkô, Beauties of National Gallery of Australia for Somerset Satin white paper; Man modern day 1895, 12 woodblock Horace Trenerry, Pines, Aldinga the exhibition Turner to Monet: resting 1988, etching on Somerset prints bound in a concertina album c1945, oil on board the triumph of landscape. Satin white paper

ART GALLERY OF NSW APPENDICES 07–08 85 THE DRILL HALL GALLERY, Herbert McClintock, Seated CASTLEMAINE ART GALLERY AND Edward Burra, Holy Week: Seville AUSTRALIAN NATIONAL worker 1957, pen and black ink, HISTORICAL MUSEUM, VIC 1937, watercolour over pencil and UNIVERSITY, ACT watercolour on light grey laid paper Centenary celebration: first black chalk Creative fellows Michiel Dolk, Woolloomooloo Australian exhibition of women’s Merlyn Evans, The trial 1949, The Drill Hall Gallery, Australian mural project. Documentation of work 1907 tempera on duck; Stone axe found National University community art project 1982, 21.10.07 to 09.12.07 in Scotland 1933, chalk (conté) 09.08.07 to 16.09.07 8 Cibachrome photographs; Eirene Mort, Tablecloth with Spencer Gore, The Icknield Way Sidney Nolan, Desert storm 1966, Woolloomooloo mural project. waratah design c1910, hand- 1912, oil on canvas synthetic polymer paint on hardboard Documentation of community art stencilled and embroidered organdy project 1982, Cibachrome Tristram Hillier, Careening 1939, Elizabeth Söderberg, Tankard with photograph oil on canvas; Criquetot – l’Esneval MUSEUM OF CONTEMPORARY frilled lizard, insect and gumleaf 1945, oil on canvas Merilyn Fairskye, Woolloomooloo ART, NSW design c1906–c1908, beaten mural project. Documentation Ivon Hitchens, Evening pool 1947, Julie Rrap copper with chased and repoussé oil on canvas of community art project 1982, decoration; Candlestick with dolphin 30.08.07 to 28.01.08 Augustus John, Reverie c1914, 8 Cibachrome photographs design c1910, brass with repoussé Julie Rrap, Hairline crack 1992, oil on wood panel Merilyn Fairskye, Michiel Dolk, and chased decoration Perspex and hair Woolloomooloo mural project. Edith Cusack, Aline (1890s), pastel David Jones, Self-portrait 1928, Documentation of community art on linen oil on canvas CAMPBELLTOWN ARTS CENTRE, project 1982 Constance Roth, Apples 1890, Henry Moore, Sculptural ideas, NSW oil on cedar panel hollow form 1938, pencil, pen and News from islands red and black ink, red and grey wash NATIONAL GALLERY OF Susan Gether, Wall panel with 01.09.07 to 28.10.07 AUSTRALIA, ACT swan and landscape design c1908, Paul Nash, Mimosa wood 1926, oil Simryn Gill, Wonderlust 1996–98, Black robe, white mist: art of the handwoven wool on canvas; Sunflower and sun Lee Weng Choy’s shoes balanced Japanese Buddhist nun Rengetsu 1942, oil on canvas on a pair of coconuts 08.09.07 to 27.01.08 Ben Nicholson, Still life (Alice - QUEENSLAND ART GALLERY, QLD Otagaki RENGETSU, Calligraphy: through the looking glass) 1946, oil Kenneth Macqueen retrospective CITY MUSEUM AT OLD (poem) 19th century, hanging scroll, and pencil on canvas 01.11.07 to 05.05.08 TREASURY, VIC ink on paper; Teabowl 19th century, Samuel Peploe, Melon c1906, oil Kenneth Macqueen, The boat Melbourne bohemia: inside stoneware with underglaze blue and on canvas; Still life: apples and jar builders c1948, pencil, watercolour; Melbourne artists’ studios black pigment on white slip 1912–16?, oil on canvas Sandhill and sea (c1945), pencil, 05.09.07 to 25.11.07 Glyn Philpot, The draughtsman watercolour on white watercolour NATIONAL GALLERY OF VICTORIA, 1923, oil on canvas, mounted on A D Colquhoun, Amalie S paper; Twin hills 1935, pencil, VIC hardboard Colquhoun 1948, oil on canvas watercolour on white watercolour Norman Carter, The private view Gordon Bennett, a survey paper; Cultivation paddocks on William Roberts, The interval (c1905), oil on canvas Ian Potter Centre: NGV Australia, VIC Mt Emlyn (c1953), pencil, before round ten 1919–20, oil on 24.08.07 to 03.01.08 watercolour; Mt Domville (1945), canvas; Study for ‘The Prodigal sets out’ 1926–27, watercolour, pencil MANLY REGIONAL ART GALLERY Queensland Art Gallery, QLD pencil, watercolour AND MUSEUM, NSW 10.05.08 to 03.08.08 William Scott, Frying pan and eggs 1949, oil on canvas Artists as social commentators and Art Gallery of Western Australia, WA WHITNEY MUSEUM OF AMERICAN activists 1946–2006 20.12.08 to 22.03.09 ART, USA Walter Richard Sickert, Sketch for ‘The raising of Lazarus’ 1929–32, oil Manly Regional Art Gallery and Gordon Bennett, Myth of the Lawrence Weiner: AS FAR on canvas Museum, NSW Western man (white man’s burden) AS THE EYE CAN SEE 06.09.07 to 28.10.07 1992, synthetic polymer paint on Whitney Museum of American Art, Sir Stanley Spencer, Christ in Hawkesbury Regional Gallery, NSW canvas USA Cookham 1951–52, oil on canvas; 08.02.08 to 30.03.08 15.11.07 to 10.02.08 Cookham Lock 1935, oil on canvas; The scrapheap 1944, oil on canvas; Weaver Hawkins, Atomic power TATE BRITAIN, UK Museum of Contemporary Art, 1947, oil on hardboard Los Angeles, USA Wheatfield at Starlings 1947, oil on Millais canvas Grace Cossington Smith, Signing Tate Britain, UK 13.04.08 to 14.07.08 Graham Sutherland, Devastation: 1945, oil on paperboard 26.09.07 to 13.01.08 K21 Kunstsammlung Nordrhein- Westfalen, Germany burnt out offices 1941, watercolour, Roy Dalgarno, Young miner and Van Gogh Museum, Amsterdam, 27.09.08 to 04.01.09 black, white and yellow chalks, over the old workings 1984, synthetic Netherlands pencil polymer paint on canvas 15.02.08 to 18.05.08 Lawrence Weiner, (THIS AND John Tunnard, Abstract 1944, Graeme Inson, Roderick Shaw Sir John Everett Millais, The THAT) PUT (HERE AND THERE) watercolour and gouache 1956, oil on hardboard captive 1882, oil on canvas OUT OF SIGHT OF POLARIS 1990, synthetic polymer paint Percy Wyndham Lewis, Figure Herbert McClintock, composition (man and woman with Dawnbreakers 1939, oil on canvas LEWERS BEQUEST AND two bulldogs) 1912–13, pen and on hardboard; Street scene 1944, NATIONAL GALLERY OF VICTORIA, PENRITH REGIONAL ART ink, watercolour, gouache oil on paperboard GALLERY, NSW VIC Hal Missingham, The barn, Essex Frozen gestures: the art and Modern Britain 1900–1960 (1935), oil on canvas on hardboard philosophy of Peter Upward NGV: International, VIC THE DRILL HALL GALLERY, Roderick Shaw, Cable layers 1946, 20.10.07 to 02.12.07 15.11.07 to 24.02.08 AUSTRALIAN NATIONAL UNIVERSITY, ACT oil on plywood Peter Upward, Surry Hills green Leonard Appelbee, Herrings 1946, Roy Dalgarno, Miner drilling 1945, 1960, oil, synthetic polymer paint oil on paper over cheesecloth on Smile of the Buddha: image of pen and ink on blue paper; The on hardboard; (Abstract) 1960, panel enlightenment ‘Mae West’ c1948, pen and ink, oil on hardboard; New reality 1961, John Bratby, Interior with fireplace 02.11.07 to 17.12.07 wash; Steel worker c1948, pen and synthetic polymer paint on and window at Greenwich 1957, oil Unknown, Seated Buddha 18th ink, wash hardboard on board century, gilt bronze

86 ART GALLERY OF NSW APPENDICES 07–08 MUSEUM OF CONTEMPORARY John Firth-Smith, Seaway 1988, oil figure) (gouaches), wash; (Untitled – Eugene von Guérard, Milford ART, NSW on linen abstract study), blue ballpoint pen Sound, New Zealand 1877–79, Shahzia Sikander Peter Kingston, Morning star 2002, on cream wove paper; (Untitled – oil on canvas 27.11.07 to 17.02.08 hand-coloured sugarlift aquatint, abstract study), blue ballpoint pen Claude Monet, Port-Goulphar, on cream wove paper; Love song Unknown, Portrait of Khuda-Banda black ink and gouache on white Belle-Île 1887, oil on canvas BFK Rives paper; Friday night at (1952), oil on hardboard; Nude Khan, son of Amir-ul-umara 1931, oil on canvas on wood; Arthur Streeton, Fire’s on 1891, c1720–50, watercolour on paper Kookaburra’s 2003, colour linocut oil on canvas printed in blue and black inks, Village scene, Mount Hagen (1953), Unknown, Portrait of a nobleman hand-coloured in yellow and white oil on hardboard; The night of the W C Piguenit, The flood in the 1720–50, opaque watercolour with gouache on cream laid tissue pigs 1970, oil on hardboard Darling 1890 (1895), oil on canvas gold on paper Margaret Preston, Manly Harbour Eric Wilson, The artist and William Dobell, c1937, carbon pencil Bhupat Das, Ibrahim Adham beach 1943, oil on canvas MUSEE DU LUXEMBOURG, PARIS, ministered by angels c1760, FRANCE opaque watercolour with gold on Donald Friend, A view of the PERTH INSTITUTE OF paper harbour (1981), pen and black and Vlaminck. Un instinct fauve red ink, watercolour, gouache, CONTEMPORARY ARTS, WA 20.02.08 to 20.07.08 Unknown, Todi Ragini late 18th pastel on buff wove paper Gail Hastings sculptural situations Maurice de Vlaminck, The red century, opaque watercolour with 07.02.08 to 30.03.08 gold on paper Brett Whiteley, Big orange (sunset) roofs (landscape) c1912–c1914, 1974, oil and collage on wood Gail Hastings, So she said 2007, oil on canvas Unknown, Portrait of a Mughal enamel on plywood, acrylic on linen courtier c1770, opaque watercolour and canvas, framed watercolour on paper NATIONAL MUSEUM OF and pencil on paper HAZELHURST REGIONAL Unknown, Kabir tending his loom AUSTRALIA, ACT GALLERY AND ARTS CENTRE, c1740, opaque watercolour on Emily Kame Kngwarreye NSW NEWCASTLE REGION ART paper Lines in the sand: Botany Bay National Museum of Art, Osaka, GALLERY, NSW Unknown, Figure of a woman late Japan stories from 1770 Whiteley’s gardens 28.03.08 to 11.05.08 18th century, opaque watercolour 26.02.08 to 13.04.08 16.02.08 to 04.05.08 with gold on paper National Art Centre, Tokyo, Japan Gordon Bennett, Metaphysical Brett Whiteley, Garden in Rome landscape II 1990, oil on canvas Unknown, Study for a portrait of a 30.05.08 to 28.07.08 1982, etching, aquatint, sugarlift, nobleman c1800, ink on paper National Museum of Australia, ACT chine colle on ivory wove paper; Unknown, Girl with flowers 22.08.08 to 12.10.08 Lindfield gardens II 1984, pen and MUSWELLBROOK ART CENTRE, c1720–50, opaque watercolour on Emily Kam Ngwarray, Untitled brown ink on cream wove paper; NSW paper (Alhalkere) 1992, synthetic polymer Garden in Sanur, Bali (1980), colour James Clifford: a retrospective Unknown, A rajah of Jodhpur in paint on canvas (not displayed at screenprint on white wove paper 28.03.08 to 18.05.08 ceremonial procession c1820, NMA); Untitled (Awelye) 1994, James Clifford, Untitled 1981, opaque watercolour with gold on triptych: synthetic polymer paint on PALAZZO REALE, MILAN, ITALY synthetic polymer paint on canvas; paper laminated to canvas paper Francis Bacon Hawkwind c1975, oil on hardboard; Louie Pwerle, Kangaroo 1989, 04.03.08 to 24.08.08 Adventures of the mind 1986, MANLY REGIONAL ART GALLERY synthetic polymer paint on wood Francis Bacon, Study for self- synthetic polymer paint on canvas AND MUSEUM, NSW portrait 1976, oil and pastel on Harbourlife: Sydney Harbour from SOUTH AUSTRALIAN MUSEUM, canvas THE IAN POTTER MUSEUM OF the 1940s to recent times SA ART, VIC Manly Regional Art Gallery and A travelling exhibition on frogs in MUSEUM OF CONTEMPORARY Vivienne Shark Lewitt survey show Museum, NSW Australia, mixing cultural and ART, NSW 03.05.08 to 20.07.08 30.11.07 to 13.01.08 zoological knowledge Fiona Hall: force field Vivienne Shark LeWitt, The omen, Macquarie University Art Gallery, 03.12.07 to 10.02.08 City Gallery Wellington, NZ ‘That wascally wabbit’ 1987, oil on NSW Yanggarriny Wunungmurra, 28.06.08 to 19.10.08 linen 23.01.08 to 08.03.08 Barama and Lany’tjung: Yirritja Christchurch Art Gallery, NZ 04.12.08 to 01.03.09 Kevin Connor, Night road to the creation story c1966, natural Museum of Contemporary Art, NSW DUNEDIN PUBLIC ART GALLERY, Harbour Bridge 1987, oil pigments on bark 06.03.08 to 01.06.08 NZ Sali Herman, Sydney 1942 1981, Fiona Hall, Cash crop 1998, 80 The colour of every day: the NEWCASTLE REGION ART oil on canvas carved soap, painted bank notes in European watercolours of Frances GALLERY, NSW Fred Leist, Falling tide (1940s), oil a vitrine; Untitled 1984, gelatin silver Hodgkins on canvas on paperboard Tracing the meridian: the drawings photograph, toned 28.04.08 to 08.03.09 John Olsen, Entrance to the of William Dobell 15.12.07 to 10.02.08 Frances Hodgkins, The window seaport of desire 1964, synthetic NATIONAL GALLERY OF seat 1907, watercolour polymer paint on canvas William Dobell, Study for AUSTRALIA, ACT ‘Emergency loading at night’ c1944, John Passmore, Miller’s Point, The triumph of landscape: pen and black ink, white gouache; BIENNALE OF SYDNEY LTD, NSW morning (1952), oil on hardboard; If Turner to Monet Study of a barrowman c1943, white you don’t believe me, ask the old 14.03.08 to 09.06.08 Revolutions – forms that turn: 2008 bloke (1953), oil on hardboard gouache on black paper; (Soldier’s Biennale of Sydney uniform study) (London genre), J M W Turner, High force, fall of the Lloyd Rees, The blue bay pencil, pen and ink; (Head of an old Tees, Yorkshire 1816, watercolour Museum of Contemporary Art, NSW c1938–45, oil on canvas; The woman with earring) (gouaches), and scraping out Cockatoo Island, NSW harbour from McMahon’s Point gouache; (Horse in landscape) Samuel Palmer, Landscape with 18.06.08 to 07.09.08 1950, oil on canvas (gouaches), gouache on dark brown watermill c1855, watercolour and László Moholy-Nagy, An outline of Roland Wakelin, The bridge 1958, paper; (Landscape) (gouaches), bodycolour with gum, with scraping the universe 1930, gelatin silver oil on hardboard wash, gouache; (Landscape with out over black chalk underdrawing photograph, vintage

ART GALLERY OF NSW APPENDICES 07–08 87 Valie Export, Touch cinema 1969, c1900, earthenware, polychrome; Wedgwood, Flower bowl, Salviati and Co, Standing bowl black and white single-channel Faenza style dish c1900, stoneware, smearglaze c1850–70, blown glass, enamelled, video, sound, 1:08 minutes earthenware, polychrome; Deep Pilkington Tile and Pottery gilt Bruce Nauman, Revolving upside dish (bowl) c1900, earthenware, Company, Vase – Royal Lancastrian Salviati and Co, Standing bowl down 1969, black and white single- polychrome; Deruta dish c1900, ware c1915, earthenware, lustre c1850, blown glass, gilt enamel earthenware, polychrome, lustre; channel video, sound, 61 minutes; Minton, Duplessis ware 1869, Salviati and Co, Goblet c1850, red Lip sync 1969, black and white Faenza dish c1900, earthenware, polychrome; Faenza dish c1900, porcelain (bone china), painted, gilt and clear glass, blown, tinted, gilt, single-channel video, sound, 57 enamelled minutes earthenware, polychrome; Round Minton, Duplessis ware 1869, dish c1900, earthenware, porcelain (bone china), painted, gilt Unknown, Cover for missing ‘Blue- polychrome; Dish c1900, Minton, after Charles Toft, Candle green jar with figure decoration’ AUSTRALIAN NATIONAL MARITIME earthenware, polychrome, lustre; holder in Henri deux ware style c1851–99, blown glass, gilded and enamelled MUSEUM, NSW Gubbio dish c1900, earthenware 1872, cream coloured earthenware with enamel and lustre; Round Salviati and Co, Small dish late Trash or treasure: souvenirs Richard Joyce, Pilkington Tile Cafaggiolo dish c1900, 19th century, toroiseshell ‘marbled’ of travel and Pottery Company, Vase, Royal 25.06.08 to 30.06.09 earthenware, enamel; Faenza dish glass c1900, earthenware, enamel; Iznik Lancastrian ware c1914, Unknown, Vase c1851–99, blown Unknown, Model of the temple at dish c1900, earthenware, earthenware, lustre glass, enamel Bodhgaya 10th century–11th polychrome; Imitation Turkish dish Wedgwood, Urn c1795, black century, chlorite c1900, earthenware, polychrome, stoneware (basaltes), jasper Unknown, Standing bowl c1850, Kalighat school, The god glazing; Gubbio dish c1900, decoration blown glass, gilt, enamel Narrayon, as an incarnation of a fish earthenware, polychrome, copper Bernard Moore, Jar with cover, Unknown, Wine glass c1851–99, late 19th century, watercolour with lustre; Faenza dish c1900, flambé style c1900, earthenware, blown glass silver paint earthenware, polychrome; Faenza flambé glaze; Jardinière c1900, Unknown, Vase 19th century, dish c1900, earthenware, Unknown, Jagannatha, Subhadra earthenware, flambé glaze blown soda glass and Balabhadra late 20th century, polychrome; Faenza dish c1900, Wedgwood, Ewer c1795, black Unknown, Vase with four handles pigment on ‘pati’ cloth earthenware, polychrome; Gubbio dish c1900, earthenware, stoneware (basaltes) with jasper 19th century, blown glass polychrome, lustre; Round dish decoration Unknown, Wine glass with cover NATIONAL GALLERY OF VICTORIA, c1900, earthenware, polychrome, Villeroy and Boch, Vase c1878, 19th century, blown glass VIC lustre, gold; Urbino platter c1900, stoneware Unknown, Wine glass cover 19th Art deco 1910–1939 earthenware, polychrome; Urbino Spode Pottery and Porcelain century, blown glass NGV: International, VIC dish c1900, earthenware, Factory, Vase c1820, porcelain with Unknown, Vase 1851–99, blown 27.06.08 to 05.10.08 polychrome; Urbino dish c1900, transfer decoration (underglaze), earthenware, polychrome; glass Charles Meere, Australian beach glaze Urbino platter c1900, earthenware, Unknown, Wine glass 19th century, pattern 1940, oil on canvas polychrome; Urbino platter c1900, Spode Pottery and Porcelain blown glass earthenware, moulded form, Factory, Vase c1820, porcelain with underglaze transfer, glaze Unknown, Pourer 19th century, HEIDE MUSEUM OF MODERN ART polychrome; Urbino platter c1900, blown glass OF AUSTRALIA, VIC earthenware, polychrome; Elizabeth Söderberg, Copper bowl Marmora dish c1900, earthenware, 1909, copper Unknown, Vase 1851–99, blown Albert Tucker landscapes glass polychrome; Marmora dish c1900, 28.06.08 to 22.02.09 Clement Massier, Vase c1900, Unknown, Ornate wine glass earthenware, polychrome; Deep earthenware, lustre glazes Albert Tucker, Trees I 1964, oil, dish, Turkish style c1900, 1851–99, blown glass sandpaper on hardboard Carl Lüsberg, Vase 1903, porcelain earthenware, polychrome; Castel Unknown, Bowl with three handles with underglaze paint, glazed Durante dish c1900, earthenware, c1850, blown glass polychrome; Large punchbowl on Royal Copenhagen, Vase with four *AUSTRALIAN NATIONAL Stevens and Williams, Jug c1870, pedestal c1900, earthenware, handles c1900, porcelain with MARITIME MUSEUM, NSW blown glass polychrome; Large jug/ewer c1900, underglaze paint, glaze 01.09.07 to 01.09.12 Rene Lalique, Vase with bird earthenware, polychrome; Urn Julius Guldfrandsen, Royal decoration c1910, moulded glass, After John Flaxman, Lord Nelson, c1900, earthenware, polychrome, Copenhagen, Vase (decorated with hand-tinting; Vase c1910, moulded pressed metal medallion lustre; Ewer c1900, earthenware, a lake scene) 1902, porcelain with glass, satin finish with polished glazing, polychrome, lustre; Ewer underglaze paint, glaze c1900, earthenware, polychrome; decoration; Decanter with a stopper POWERHOUSE MUSEUM, Tazza c1900, earthenware, enamel, Konigliche Porzellan Manufactur, c1900, moulded glass; Perfume SYDNEY, NSW lustre; Iznik style jug c1900, Berlin, Schinkel vase 1850, decanter c1910, moulded glass, 01.02.08 to 01.02.18 earthenware, glazing, polychrome; porcelain satin finish, traces of hand-tinting Léonard Morel-Ladeiul, The Milton Turkish style jug c1900, earthenware, Angelica Kauffmann, Tray – Stevens and Williams, Flask, two shield 1865, electroplated silver; polychrome; Urn c1900, Nymphen Schmücken Pan c1870, handles c1900, stencil etched glass, The Bunyan shield 1865, earthenware, polychrome, lustre; porcelain with polychrome, gilded gilded electroplated silver Vase with two handles c1900, Konigliche Porzellan Manufactur, Thomas Webb & Sons, Flask earthenware, painted, glazed; Ulisse Cantagalli, Berlin, Schinkel vase 1850, c1880, blown glass, engraved Vase with two handles c1900, porcelain Hispano–Moresque dish c1900, earthenware, polychrome, glaze Thomas Webb & Sons, Vase – earthenware, polychrome, lustre; Unknown, Tazza 19th century, cameo cut decoration 1850–1910, Hispano–Moresque charger c1900, Walter Crane, C E Cundell, blown glass cased glass, cameo cut earthenware, polychrome, lustre; Pilkington Tile and Pottery Company, Lancastrian ware wall Unknown, Ewer 19th century, clear Stevens and Williams, Vase – Hispano–Moresque dish c1900, brownish, blown glass cameo cut 1899, glass, cameo cut earthenware, polychrome, lustre; plaque c1907, lancastrian ware, Castel Durante dish c1900, copper lustre Unknown, Wine glass 19th century, Stevens and Williams, Loving cup earthenware, enamel; Romagna Wedgwood, Ewer c1790, black clear brownish, blown glass c1900, glass, stencil etched dish c1900, earthenware, stoneware (basaltes), moulded Unknown, Jug 19th century, soda Thomas Webb & Sons, Flask polychrome; Faenza style dish decoration glass, blown c1880, blown glass

88 ART GALLERY OF NSW APPENDICES 07–08 Baccarat Glasshouse, Glass 1862, George Lawrence, River suburb Lloyd Rees, Dusk at North Ryde Criss Canning, Waratah in a green engraved glass 1948, oil on cardboard 1948, oil on canvas jug (1999), oil on canvas Pownall and Pilsbury, Frank Jeffrey Smart, Alma Mahler feeding Webb, The Carrington jug c1880, *GOVERNMENT HOUSE, HISTORIC the birds (1968), oil on canvas *LEGISLATIVE COUNCIL, NSW engraved glass HOUSES TRUST OF NSW Tony Tuckson, Interior with figures PARLIAMENT HOUSE Unknown, Tazza c1850, blown Will Ashton, Building the bridge (1954), oil on canvas George Bell, Lady in black (c1923), glass 1932, oil on canvas Fred Williams, Lal-Lal Falls 1976, oil on canvas Thomas Woodall, Thomas Webb Rupert Bunny, Flowers oil on canvas François Bossuet, La Place de la & Sons, The Aurora vase c1880, c1927–c1930, oil on canvas constitution 1880, oil on paper over cameo cut glass masonite Douglas Dundas, The towers of *LOWY INSTITUTE Unknown, Saucer 1850–99, clear San Gimignano, oil on canvas J Browne, Landscape with view of Lance Solomon, Country lane glass, enamel Salisbury Cathedral 18th century, oil Adrian Feint, (Flowers) 1949, oil on 1947, oil on canvas on hardboard Unknown, Saucer 1850–99, clear canvas on canvas Dora Meeson, Thames at Chelsea glass, enamel Nora Heysen, Petunias 1930, oil on Elioth Gruner, New England (1921), Reach, oil on canvas Unknown, Tazza 1850–99, glass, oil on canvas canvas Michael Kmit, Woman and girl enamel James R Jackson, The timber Hans Heysen, A bowl of roses 1957, oil on hardboard Unknown, Dessert bowl 1850–99, 1924, oil on canvas schooner, oil on canvas; The old clear glass, enamel Charles Lloyd Jones, Afternoon road, South Coast, oil on canvas Robert Johnson, Macleay River light 1941, oil on canvas on Thomas Webb & Sons, Vase – bird James Kerr-Lawson, Refugees (1958), oil on canvas; Out west, oil paperboard design c1880, engraved glass on canvas returning to Cambrai under Wedgwood, Jug with a monogram Max Ragless, Second valley 1954, protection of an Australian trooper, Clifton Pugh, Acacia and bush oil on canvas oil on canvas c1800, cream coloured earthenware 1957, oil on hardboard; The eagle Douglas Pratt, The old toll house, George W Lambert, The three Derby, Vase 1810–15, porcelain and the baobab trees 1957, oil on Rushcutters Bay 1959, oil on kimonos (1905), oil on canvas with glaze, gilt hardboard canvas John Longstaff, Sir George Reid, Derby, Sucrier 1785, porcelain with Tom Roberts, Harrow Hill Albert Rydge, Morning in Neutral oil on canvas glaze, decorated blue, gilded c1910–c1912, oil on canvas on Bay 1955, oil on hardboard Unknown, Tea bowl and saucer plywood William Marlow, San Giorgio Maggiore, oil on canvas, relined; c1785, porcelain with glaze, Albert Sherman, Gordonias (1945), Eugene Claux, Street scene, oil on The Rialto Bridge, Venice, oil on decorated blue, gilded oil on canvas canvas canvas Unknown, Tazza 1850–99, blown Sali Herman, Lane at the Cross glass 1946, oil on canvas on plywood John Masquerier, Warren Hastings *PREMIER’S OFFICE, GOVERNOR (1732–1818) 1810, oil on canvas Unknown, Jug mid 19th century, MACQUARIE TOWER Howard Ashton, Jamieson Valley porcelain 1931, oil on canvas Gion Pentelei Molnar, Pears, oil on Paul Partos, Untitled (black-grey) canvas Michael Cardew, Teapot 1969, 1990, oil on canvas John Brack, In the corner 1973, oil glazed stoneware on canvas Tom Roberts, Sir Henry Parkes, c1894, oil on canvas John Chappell, Tea bowl 1931–64, Russell Drysdale, Rocky landscape *CHIEF JUSTICE SPIGELMAN, stoneware (early 1960s), oil on canvas Arthur Streeton, Beneath the SUPREME COURT OF NSW peaks, Grampians 1921, oil on Sidney Nolan, Ant hills, Australia canvas Justin O’Brien, Little boy in 1950, synthetic polymer paint on costume (1957), oil on hardboard Furnishing loans hardboard Dorothy Thornhill, Morning at Jean Appleton, Landscape Cremorne 1939, oil on canvas Jeffrey Smart, Parkland 1950, oil (c1955), oil on hardboard; Bush *INDUSTRIAL RELATIONS on canvas Dora Toovey, How does your landscape with rocks (1952), oil on COMMISSION garden grow (1939), oil on canvas hardboard Kevin Connor, Man on stairs 1963, on paperboard Sir Arnesby Brown, August oil on hardboard Will Ashton, Pont Philippe IV, Paris, morning 1920, oil on canvas Charles Wheeler, The Upper oil on canvas Will Ashton, Kosciusko, oil on Murray, oil on plywood Frederick McCubbin, Landscape canvas Robert Campbell, Avenue du 1914, oil on canvas Maine, Paris c1930, oil on canvas Lawrence Daws, Poinciana tree I Roland Wakelin, Richmond 1991, oil on hardboard *OFFICE OF THE SPEAKER, NSW Douglas Dundas, Chianti country landscape, Tasmania 1944, oil on PARLIAMENT HOUSE (1929), oil on canvas Will Ashton, The Cornish coast paperboard 1932, oil on canvas Arthur Boyd, Landscape at George Lawrence, Autumn Marion Borgelt, Fire, wind and Murrumbeena c1968, oil on canvas morning, Hyde Park 1948, oil on Charles Bryant, Quayside, St Ives, water 1989, triptych, oil on canvas Sir William Dargie, La Perouse paperboard Cornwall, oil on canvas on 1947, oil on canvas Michael Shannon, Autumn paperboard; Low tide, St Ives, Seymour Lucas, The Gordon Riots, landscape, Heathcote no 1 1985, oil oil on canvas H A Hanke, Low tide, Balmoral 1780 1879, oil on canvas on canvas 1947, oil on canvas Sidney Nolan, Ned Kelly at the river Charles Bush, Landscape near Sydney Ball, Sabbath night 1982, Tarquinia, Italy 1952, oil on hardboard oil, collage on paper bank 1964, oil on hardboard; Policeman floating in the river 1964, Alun Leach-Jones, Monsoon *ROYAL ALEXANDRA HOSPITAL oil on hardboard; Kelly and 1979, synthetic polymer paint on FOR CHILDREN, WESTMEAD *OFFICE OF THE HON NICK policeman 1964, oil on hardboard canvas Sam Byrne, Mt Robe, highest peak, GREINER Justin O’Brien, Supper at Emmaus, Paquita Sabrafen, Australian Barrier Range, oil on hardboard Kenneth Green, Fallen tree 1968, oil on hardboard wildflowers 1990, oil on canvas Lawrence Daws, Summer oil on hardboard Desiderius Orban, Village church in Jan Senbergs, Structure with black landscape 1994, oil on canvas H Enslin Du Plessis, Snow in Hungary (c1925–c1926), oil on peaks 1973, oil, screenprint on Sam Fullbrook, Ford on the Highgate, oil on canvas canvas on paperboard on plywood canvas Condamine with Jacaranda (c1985),

ART GALLERY OF NSW APPENDICES 07–08 89 oil on canvas Sydney Long, Reflections, Clifford Hall, Maida Vale in snow Guy Grey-Smith, Gascoyne River McDonald River c1931, oil on canvas c1947, oil on hardboard country 1958, oil on hardboard Tom Roberts, On the Timbarra – Sali Herman, Sleeping cat 1983, Sidney Nolan, Broome sunset WA Reek’s and Allen’s sluicing claim oil on canvas 1985, synthetic polymer paint on (c1894), oil on canvas on hardboard Jack Carington Smith, Regatta, hardboard Roland Wakelin, The bridge 1958, Sandy Bay 1949, oil on canvas oil on hardboard Newell Wyeth, Commodore *OFFICE OF THE SHADOW Pro Hart, At the trots 1977, oil on Hornblower 1944, oil on board MINISTER FOR THE ARTS, NEW hardboard Terrick Williams, The Rialto, Venice SOUTH WALES PARLIAMENT Dora Meeson, Ville Franche-Sur- c1926, oil on canvas mounted on HOUSE Mer 1927, oil on linen hardboard Elioth Gruner, Bondi Beach Will Ashton, Old buildings, Sospel, (c1912), oil on cardboard *VAUCLUSE HOUSE, HISTORIC France, oil on canvas on paperboard Margaret Preston, Rose and HOUSES TRUST OF NEW SOUTH Margaret Olley, Still life with leaves banksia 1936, oil on canvas WALES (c1960), oil on hardboard Giovanni Brilli after Carlo Dolci, *OFFICE OF THE SPEAKER, NEW Virgin and Child, oil *PREMIER’S OFFICE, NSW SOUTH WALES PARLIAMENT Costa Conti after Andrea del Sarto, PARLIAMENT HOUSE HOUSE The Annunciation, oil; La Madonna Frank Andrew, All night joint 1946, Justin O’Brien, (Still life with fruit, delle Arpie, oil oil on hardboard flowers, ewers and statue), oil on Unknown after Giovanni Biliverti, Arthur Boyd, Cattle on hillside, paper on hardboard Angel refusing the gift of Tobias, oil Shoalhaven c1975, oil on canvas Arnold Shore, Still life 1940, oil on Unknown after Raphael, Madonna John Brack, Battle of the Etruscans canvas di San Sisto, oil 1975, oil on canvas Charles Meere, Brickworks at Milton Budge, Three and a half Bexhill, Lismore 1958, oil on canvas *ELIZABETH BAY HOUSE, 1994, synthetic polymer paint on on plywood HISTORIC HOUSES TRUST OF canvas Percy Lindsay, Late afternoon, NEW SOUTH WALES Rita Kunintji, Special law and autumn c1937, oil on canvas on Charles Coleman, St Peters at ceremony ground, synthetic hardboard sunset from the Doria Pamphili polymer paint on canvas Jean Appleton, Bush things (1951), Gardens, Rome c1865, oil on Marilyn McGrath, Palea 1975, oil on paper on paperboard canvas bronze Unknown after Raphael, Madonna Sidney Nolan, Broome – *OFFICE OF THE PRESIDENT OF della Sedia, oil Continental Hotel 1949, synthetic THE LEGISLATIVE COUNCIL, NSW polymer paint and red ochre oil PARLIAMENT HOUSE *OFFICE OF THE DIRECTOR paint on hardboard; Wounded Kelly James R Jackson, Little boats, GENERAL OF CABINET, NEW 1969, synthetic polymer paint on Middle Harbour (1946), oil on SOUTH WALES PARLIAMENT hardboard canvas on paperboard HOUSE Max Ragless, Dust, Birdsville Rhys Williams, Ripples in the bay John Brack, Out 1979, oil on canvas (1959), oil on hardboard 1948, oil on canvas on plywood Jeffrey Smart, The stilt race (1960), Fred Williams, Landscape 1969, oil Muir Auld, Winter morning 1935, oil on plywood on canvas oil on canvas on paperboard Bryan Westwood, South of Alice Springs after good rains 1992, oil Lance Solomon, Summer (1948), OFFICE OF THE HON BOB CARR oil on canvas on hardboard on canvas John Coburn, Litany 1958, oil on James Cook, Hikers 1957, oil on John Eldershaw, Tilba Tilba (NSW) hardboard (c1938), oil on canvas canvas William Salmon, The golden Lance Solomon, Winter shadows Charinga 1971, synthetic polymer 1953, oil on canvas on hardboard *OFFICE OF THE LEADER OF THE paint on canvas; Six frames 1975, OPPOSITION, NEW SOUTH synthetic polymer paint on canvas Max Ragless, Hobart waterfront (1950), oil on canvas WALES PARLIAMENT HOUSE Margaret Woodward, Oranges on Tom Roberts, Trawool landscape table 1982, oil on canvas on 1928, oil on canvas on cardboard hardboard *LEGISLATIVE COUNCIL, NSW Seymour Lucas, The King’s rival Roy de Maistre, Magnolias in red PARLIAMENT HOUSE 1901, oil on canvas vase, oil on hardboard Hans Heysen, Delphiniums and Sidney Nolan, Painted lady (red- lilies 1924, oil on canvas *OFFICE OF THE DEPUTY necked Avocet) 1948, synthetic PREMIER, NEW SOUTH WALES polymer paint on hardboard *SBS TELEVISION PARLIAMENT HOUSE Peter Schipperheyn, Maschera Arthur Boyd, Midday, the Wimmera *OFFICE OF THE HON IAN Maschio 1991, carrara marble; 1948–49, oil on canvas on plywood MACDONALD, GOVERNOR Maschera Femina 1991, carrara James R Jackson, Summer day, MACQUARIE TOWER marble Mona Vale (1937), oil on canvas on John Baird, Farm at North Ryde paperboard (1954), oil on canvas on paperboard

90 ART GALLERY OF NSW APPENDICES 07–08 STAFF, Curator, Contemporary Art Coordinator, Aboriginal Programs Image librarians Natasha Bullock BA (Hons), Jonathan Jones BA (Fine Arts) Dot Kolentsis Dip Visual Arts, Grad VOLUNTEERS Postgrad Dip (Art Curatorship & Dip Visual Arts AND INTERNS Museum Management), MA Meredith Robinson BA (on leave) Head librarian Assistant curator Susan Schmocker BA, Dip Lib Naomi Flatt BA Coordinator, Brett Whiteley Studio Staff Senior librarian/technical services Coordinator, Contemporary Alec George Dip Ed as at 30 June 2008 Kay Truelove BA, Dip Lib Collection Benefactor and Aboriginal Administrative assistant, Brett Librarians Collection Benefactor Whiteley Studio Richard Goodwin Director Bambi Blumberg B Econ, Dip Ed, Zoe Cooper Cert Teach English Robyn Louey BL Arch, Grad Dip IM Edmund Capon AM, OBE, (Lib) (on leave) Senior curator, Photography M Phil John Tse Manager, AV Services Judy Annear BA Executive personal assistant Valerie Tring Laurence Hall BA (Com) Assistant curator to the director Library technician Coordinators, AV Services Elizabeth Maloney BFA, Grad Dip Lisa Franey BA (Hons) Vivian Huang B App Sc, LIM Assoc Brian Blackwell Mus Studies Curator, Special Exhibitions Dip Arts Simon Branthwaite Terence Maloon BA (Hons), Archivists Coordinator, Film Program Dip Art & Design Head curator, Asian Art Eniko Hidas BA (Fine Arts), BVA, Robert Herbert OAM, BA (Hons), Jackie Menzies Dip Lib Tech MA Benefaction manager Steven Miller BA (Hons), B Theol, Head, Conservation Jane Wynter BA, LLB Curator, Chinese Art Grad Dip IM (Arch) (on leave) Alan Lloyd Yang Liu BA, MA, PhD Development coordinators Senior conservators, Paintings Curator, Japanese Art Lesley Anderson Head, Public Programs Paula Dredge B App Sc (Cons), Khanh Trinh Pompili BA, MA, PhD Fiona Barbouttis BA, Dip Ed Brian Ladd Dip Fine Art, Dip Ed BA (Fine Arts) Curator, South and Southeast Asian Senior coordinator, Public Programs Stewart Laidler Dip Cons Art and Art After Hours Senior conservator, Works on Paper Head, Business Development Chaya Chandrasekhar BA, MA, Sheona White BA, Postgrad Profl Carolyn Murphy BA, Grad Dip Leith Brooke BA (Communications) PhD Art Studies & Visual Arts (Museum Studies), B App Sc Business Development executive Senior coordinator, Asian Programs Public Programs coordinator (Cons), MA (Writing) Penny Cooper BA (Art History) Ann MacArthur BA (East Asian Jethro Lyne BA (Hons), MA Conservator, Works on Paper Studies), M Intl Mgmt Art After Hours assistant Analeise Treacy BA (Hons), MA Assistant director, Curatorial Services Assistant registrar (curatorial), Asian Ashlie Pellow (Cons Fine Art) Art Head curator, Western Art Senior conservator, Objects Curator, Twentieth Century Natalie Seiz BA (Hons), M Art Admin Senior coordinator, Education Programs Donna Hinton MA Applied Science International Art (Cons), Dip Museum Tech Tristan Sharp BA MA (Arts Admin), Anthony Bond B Ed (Hons) Head curator, Australian Art Dip Art Ed (Secondary) Conservator, Objects Registrar, Collections System Barry Pearce Dip Art Ed Manager, Information Kerry Head Integration Senior curator, Australian Art Jonathan Cooper Dip Art Ed Assistant conservator, Objects Jesmond Calleja BA Deborah Edwards BA (Hons), Kristel Smits B App Sc (Cons), M Phil Information assistant Coordinators, Study Room MA (Fine Arts) Olivia Prunster Matt Cox BA (Indonesian Studies), Assistant curators, Australian Art Senior conservator, Frames MA (Art History and Theory) Helen Campbell BA (Hons), Grad Administrative assistant Malgorzata (Margaret) Sawicki Deborah Jones BA Grad Dip Dip (Museum Studies) Naomi Morris BA (Cons), MA Applied Science (Museum Studies) (on leave) Caroline Geraghty Museum educator, Contemporary (Materials Conservation) Project officer, Curatorial Services Anne Gerard Art Conservator Donna Brett BA (Visual Arts), MA Denise Mimmocchi BA (Hons), MA George Alexander BA (Hons) (Art History & Theory) Lisa Charleston (Art History and Theory) Coordinator, K–6 Schools and Natalie Wilson BA (Visual Arts), MA Conservators, Frames Rights & Image sales coordinator Family Programs (Art History & Theory) David Butler Michelle Andringa BA (Art History), Victoria Collings MA, BA (Hons), Barbara (Basia) Dabrowa MA (Cons) MA (Fine Arts) Assistant registrar (curatorial), PGCE, Nat Dip Australian Art Senior conservator, Asian Art Museum educator Emma Collerton BA (Visual Arts), Sun Yu BA (Art History) Senior curator, European Art, M Mus Studies Danielle Gullotta Conservator, Asian Art pre-1900 Coordinator, Gifted and Talented Senior curator, Australian Prints, Yang Yan Dong Richard Beresford BA (Hons), Drawings and Watercolours Programs MBA, PhD Hendrik Kolenberg Sherryl Ryan M Ed (Gifted & Talented), PGD, FA, B Ed Senior registrar, Collections Curator, European Prints, Drawings Curator, Australian Prints and Watercolours Coordinator, Access Programs Emma Smith BA, Grad Dip Anne Ryan BA (Hons), M Art Admin Decorative Arts Peter Raissis BA (Hons) (on leave) Amanda Peacock BA Dip Ed Senior curator, Contemporary Art Coordinator, Secondary and Asian Assistant registrars Clare Germaine BA, MA (Arts Wayne Tunnicliffe BA (Hons), MA, Senior curator, Aboriginal and Torres Education Programs M Art Admin Leeanne Carr B Ed V Arts Admin) (on leave) Strait Islander Art Amanda Green BA, Dip (Prehistoric Assistant registrar (curatorial), Hetti Perkins BA Clerical manager and Historical Archaeology), Grad Western Art Curator, Aboriginal and Torres Strait Liliana Torresan Dip (Museum Studies) Judy Peacock BA, Grad Dip App Islander Art Bookings officers Paul Solly Sc, M Art Admin Cara Pinchbeck BA (Visual Arts), Sienna Brown Nick Strike BA (Visual Arts) MA (Visual Arts) (on leave) Petra Pattinson Brent Willison BA (Visual Arts)

ART GALLERY OF NSW APPENDICES 07–08 91 Senior photographer Installation officers Administration services supervisor Deputy, Gallery Services Jenni Carter Mary-Anne Cornford Louise Fischer BA, MA Benjamin Goodwin Photographers Brett Cuthbertson Administrative support officer Team leaders, Gallery Services Diana Panuccio (on leave) John Freckleton Deborah Spek Rosh Dhillion Carley Wright Alyosha Pearce Kuldeep Duhan Peter Tsangarides Photographers, Digitisation Manager, Retail and Publishing Janak Kadian BA Chilin Gieng (on leave) Richard Harling BA (Hons) Sheila Weir Felicity Jenkins Stores officer Book buyer Gallery officers Miriam Stirling Steve Peters JP Denise Faulkner BA (Fine Arts) Rita Abrahim Freddi Alam Shop supervisor & merchandising Ian Bolt coordinator Deputy director Senior display technician, Carpentry Arthur Boucas Dip Int Design, Dip Rebecca Allport Anne Flanagan Bill Viola Alan Boyd Ed, Dip Ed Vis Arts Display technicians, Carpentry Wholesale stock & sales officers Kevin Callope Senior manager, Exhibitions Gary Bennett Maryanne Marsh Anthony Caracoglia Erica Drew BA (Hons) Luke James Cassandra Willis Murray Castles Exhibitions assistants Ram Mudaliar Stock & sales officers Ana Crespi Edwina Brennan Senior display technician, Painting Carlotta Arias Ann Dickson Diarne Wiercinski BA (Fine Arts) Michael Brown Lynne Barwick BA (Visual Arts), Romeo Domingo Thomas Fielding Exhibitions project officer, Display technicians, Painting MA (Writing) Terry Forde Installation Daniel Green Julie Fraser David Grech Stefanie Tarvey Alan Hopkinson Daniel McCready Brian Hope-Johnstone Stores officer Senior registrar, Exhibitions Peter Karamanis Bevynn Wilkerson Charlotte Davy BA (Art History), Assistant director, Finance & John Kavallaris Adv Dip (Fashion Design) Resources Juan Lira Registrar, Exhibitions Rosemary Senn B Comm, FCPA, Venue manager Ramon Lozada Charlotte Cox BA, Grad Dip MAICD Dip Caroline Harvey Moses Maina (Works of Art) Project officer Stuart Matheson Jamil Mati Assistant registrar, Exhibitions Jackie Bullions Director, Marketing B Comm BA (Hons) MA Elizabeth McCarthy MA App Sci Belinda Hanrahan Patrick McBride (Cons), BFA (Honours) Fine Arts Managers, Media Relations Kevin Nguyen Financial controller Ray Nguyen Ticketing supervisors Susanne Briggs Assoc Dip B Surangani Kulasinghe B Bus, Studies, Dip Counselling Gregory Petterson Chris Aronsten FCMA, CPA, AIB, IMS Dip Claire Martin BA (Hons), Dip Dominque Pirrie Carmel Crisp Accounts payable supervisor Marketing Peter Rawlins Ticketing officer Debasish Ray Graeme Callaghan Manager, Marketing Prue Watson Sharat Sharma Accounts payable clerk Kylie Wingrave BA (Vis Arts), B Lisa Siale Maria Montenegro Comm Suzanne Slavec Print production manager/Studio Tourism & Marketing coordinator Joan Standfield coordinator Molly Waugh BA (Communications) Patricia Teece Cara Hickman B Sc (Arch) Management accountant Bernadine Fong B Bus (Banking & Mary Thom Senior graphic designers Finance) Weekend coordinator Steve Triantos Mark Boxshall BA (Visual Arts) Mark Turner Accounting clerks Sally Bates Analiese Cairis Russell Ward Viva Chelvadurai Information desk supervisor Gisela Weber Graphic designer Rita Briguglio Jeanette Klease Karen Hancock Paul Woolcock Receptionist Lorraine Xuereb Multimedia designer Michelle Berriman BA (Hons), Dip Jo Hein Manager, Information & Technology Maurice Cirnigliaro M Bus HE (on leave) (Information Technology) Information officers Manager, Building Services Manager, Network Operations Minette Brewin Phil Johnstone Theo Papalimperis Anna Davis Kate Dorrough Manager, Engineering Services Help desk officers Ray Cunico Adv Dip Mech Tracey Keogh Adam Dunn Olivia Prunster Engineering Roseann Phillips Maintenance officer Head, Security and Gallery Services Rob Schumacher Manager, Human Resources Anthony Morris Plant fitter/Operator Jenny Capdor Security officers Julio Angulo Manager, Safety and Workforce David Anderson Trade assistant Planning Emilio Cruz Lindsay Drummond Donna Grubb Glenn Gavin Coordinators, Human Resources Telly Linakis Senior lighting technician Shirley Dunshea B Bus (HRM) Milorad Linjanovic Simm Steel Kimberley Milicevic (on leave) Valita Manu David Paine JP Bob Partridge Senior installation technician Manager, Administration & Strategy Hudson Qureshi Nikolaus Rieth Trish Kernahan Bryan Reynolds

92 ART GALLERY OF NSW APPENDICES 07–08 Volunteers Annette Carlisle; Mary Casey; Faith Weberbauer; Maggie Weiley; Peter Charity; June Chatfield; Maria Whawell; Annie Wicks; Clarice Cicutto; Jill Clapin; Annie S Clarke; Wilkins; Joanne Wilson; Jennifer VOLUNTEER GUIDES Lea-Ann Clarke; Anne Cole; Wood; Jill Wunderlich; Lisa Xu Pat Kreuiter, Guides Coordinator Gabrielle Cousins; Patricia Anne 2008 Curtis; Beverley Darby; Ann Dawson; Francine De Valence; Gail VOLUNTEERS – CONTEMPO Dale Amir; Jan Angus; Margaret Dendle; Lynette Dening-Franklin; COMMITTEE Anthony; June Armitage; Phillippa Charlotte Denison; Ann Dodd; Mark Andrews, president Baird; Pamela Barr; Robyn Bathurst; Margaret Doherty; Elizabeth Lynn McColl, senior vice president Annabel Baxter; Janet Bell; Carolyn Donnelly; Ruth Dornan; Jutta Dubiel; Renee Siros, vice president Bethwaite; Dale Bird; Jenny Birt; Judith Duff; Peter Eames; Caroline Kirby Weston, secretary/treasurer Rosalie Blackshaw; Vicki Brown; Eburn; Pam Ellis; Judy Embrey; Julie Flowers, volunteers coordinator Cathy Cameron; Lisa Campbell; Daile Falconer; Ingrid Farago; Eva Norma Castaldi; Licia Cattani; Members: James Edmondson; Feher; Yvonne Fell; Coralie Fergus; Valerie Chidgey; Bella Church; Susie Simone Esamie; Melanie Goldwater; Carol Forsythe; Val Freeman; Kitty Clark; Anne Cohen; Ann Cole; Liz Martin Katzler; Chelli Kover; Emily Gassner; Yvette Geczy; Patricia Crenigan; Sally Cullen; Adrienne Lees; Valerie Marteau; Alison Governor; Leonie Grattan; Lyn Gray; McDonald; Lynleigh McPherson; Dan; Lorraine Davids; Jackie De Sandy Green; Sheba Greenberg; Diana; Mary De Mestre; Ro Michael O’Neill; Yaeli Ohana; Alicia Beverley Griffiths; Kirsten Gross; Poppett; Kate Steel; Jacqui Tosi Dermody; Sue Dominguez; Jill Aiko Hagiwara; Ben Hall; Simone Dunlop; Patricia Elliott; Diane Hancock; Susan Hand; Averil Everett; Louise Fennel; Gwen Hargreaves; Jocelyn Harris; Eva Internships Ferguson; Betty Floyd; Judy Friend; Havas; Trish Hay; Frances Hellier; Pam Fuller; Caroline Furniss; Ann Henderson; Mary Hillier; Gallery internships took place Jennifer Gardiner; Mary-Lou Gilbert; Margaret Hunt; Madeline Hunter; across a range departments, Deirdre Greatorex; Anna-Maryke Pamela Hyles; Teresa Jakubowski; including Education and Public Grey; Joan Grimes; Alison Gross; Marie James; Patricia James; Programs, Curatorial, Exhibitions, Callie Guinness; Jennifer Harrison; Heather Jelfs; Jennifer Jenkins; Library and Archives, Registration, Annie Herron; Shirley Hillman; Helen Felicita Jennings; Patricia G Conservation and Marketing. Holmes; Roslyn Hunyor; Marie Johnson; Karen Johnston; Margaret Eighteen internship placements for Huxtable; Margot Johnston; Diane J Johnston; Nita Jones; Sandra undergraduate and post-graduate Kempson; Jill Kloster; Kay Knight; Jones; Noel Jordan; Donna Kelly; students from Australia and Dorothea Labone; Sharon Lain; Meri Sue Kemp; Vere Kenny; Ursula overseas took place in 2007–08, Lane; Jenny Latham; Shirley Knight; Anneke Kunz; Egmont from faculties such as Museum Lilienthal; Sue Lowes; Fiona Loxton; Lademann; Triny Lademann; Roslyn Studies, Arts Administration, Art Angela Luessi; Susan Ma; Wendy Luger; Kristine J MacKenzie; Lesley History and Theory, Visual Arts Matthews; Romola McConnachie; Mackintosh; Suzanne Maddison; Education and Conservation Juliet McConochie; Frances Sue Mandelberg; Trish Mappin; Management. Participating Australian McNally; Cherry McWilliam; Serene Patrick Marco; Margaret Marshall; institutions included the College Miles; Lesley Millar; Norma Milne; Barbara Martin; Jan McClelland; of Fine Arts, University of New Gwyneth Morgan; Janet Morse; Les Raymond J McDonald; Robin South Wales, University of Sydney, Moseley; Maureen Murphy; Diana McIntyre; Margaret McLellan; University of Western Sydney, Northedge; Virginia Osborne; Marlene McPherson; Heather Mead; University of Technology Sydney, Dianne Ottley; Mandy Palmer; Mary Meppem; Sheila Milroy; Susan University of Newcastle, Australian Wendy Payne; Philippa Penman; Mitchell; Barry Molloy; Denise Catholic University and Academy of Carolyn Penn; Keith Potten; Caroline Morris; Hilary Moxon; Gael Murphy; Performing Arts WA. Participating Presland; Dilys Renham; Pamela Sandra Myers; Peter Nicholls; Kate international universities included Rex; Margaret Rich; Pam Rogers; Noble; Marilla North; Brian Nugent; the British School of Athens Alison Ross; Christine Petra O’Neill; Lyn Oliver; Elizabeth (Greece), University of Bochum Rustamzadeh; Louise Samer; Ruth Oomens; Ruth Osen; Diana Page; (Ruhr, Germany) and Northumbria Sams; Pauline Sayle; Lilli Scott; Susan Pajor; Rebecca Pearson; University (UK). Beverley Shea; Patricia Smith; Hetti Penn; Maryann Phillips; Dian Beatrice Sochan; Denyse Spice; Pitson; Michael Poole; Penny Fiona Still; Caroline Storch; Dorinda Porter; Judy Preshaw; Cynthia Sullivan; Jennifer Sutton; Susan Pretty; Marie Puntigam; Hanne Swan; Jill Thompson; Prue Todd; Raad; Margaret Radford; Patricia Lee Tredinnick; Jan Tydd; Patricia Reed; Joan Roberts; Astrid Wilson; Mary Woodburne; Brenda Robinson; Stana Rogac; Charles Woods; Linda Zurnamer Rushton; Kim Sandford; Annette Searle; Cassie Sheehan; Margaret Sheppard; Irene Shillington; Penny VOLUNTEERS – TASK FORCE Shore; Dana Skakavac; Ann Smith; Pearl Adiseshan; Betty Allerton; Joyce Smith; Shirley Smyth; Lesley Robin Amm; Greta Archbold; Sommerville; Merrilyn Sowell; Judith Meredith Aveling; Julia Baldo; Stefanek; May Steilberg; Peter Alexandra Ballard; Linda Barnes; Strand; Marsha Swenson; Margaret Julia Bate; Diana Berlyn; Wendy Swinton; Joan Tasker; Irene Thom; Beverly; Anne Blomfield; Georgie Sue Thomas; Fay Thurlow; Susan Blythe; Joyce Botta; Pamela Bough; Tompkins; Judith Twist; Mary Unwin; W S Bough OAM; Shirley Brettle; Ursulal Ure; Jill Vaughan; Valerie Valda R Brook; John Buchanan; Vogt; Julie Wallace; Cilla Warre; Gail Petah Burns; Wendy Canning; Watt; Carolyn Webb; Rita

ART GALLERY OF NSW APPENDICES 07–08 93 STAFF 3 Feb 2008; J Paul Getty Museum, 20 and 21 Aug 2007 scholarship for arts professionals, Los Angeles, 6 May – 14 Sept 2008 Lecture: ‘Venice and Documenta’, Berlin, Aug 2007 PUBLICATIONS, Curator: Ghosts in the machine: CoFA, 14 Aug 2007 Research: PhD candidate, Neues PRESENTATIONS anonymous photographs, 10 Apr – Lecture: ‘European summer’, Sehen: uncanny vision and the AND RELATED 16 July 2008 Newcastle University, 1 Aug 2007 astigmatic view in German Curator (with Karen-Anne Coleman): Lecture: ‘Heaven and Earth: Anselm photography, Art History and ACTIVITIES Yasumasa MORIMURA seasons Kiefer’, Wollongong City Gallery, Theory, USyd of passion/a requiem: Mishima, 25 July 2007 Unless otherwise stated, all lectures 24 Nov 2007 – 25 Mar 2008 Lecture: ‘Site specificity: grounding Natasha Bullock (Curator, and presentations were held at the Launch: Comedies & proverbs: art in the local’, AAANZ Art and the Contemporary Art) AGNSW. Vivienne Shark LeWitt, Ian Potter Real conference, and chair, opening Curator and commissioning editor: Abbreviations: Museum of Art, UMelb, 6 May 2008 session, 13–14 July 2007 Claire Healy & Sean Cordeiro: the AAANZ: Art Association of Australia Launch: Gavin Hipkins: billboards, Judge: Jenny Birt Award for paper trail, 16 Aug – 14 Oct 2007 and New Zealand Hazelhurst Regional Art Gallery, Drawing and Painting, CoFA, Curator and commissioning editor: AAH: Art After Hours Gymea, 9 Feb 2008 28 Apr 2008 Gary Carsley: scenic root, 25 Oct – AGNSW: Art Gallery of NSW Board member: Artspace/visual Judge and launch: Gold Coast Art 9 Dec 2007 AGS: Art Gallery Society of NSW art centre, Sydney Prize, 1 Dec 2007 Curator and commissioning editor: BoS: Biennale of Sydney Committee member: Photography Launch: Layers marks tracks, Scott Redford: blood disco, 13 Dec CoFA: College of Fine Arts, UNSW Collection Benefactors, AGNSW Orange Regional Gallery, 11 Apr 2007 – 24 Mar 2008 MCA: Museum of Contemporary Art 2008 Curator and editor: Bill Viola: the NAS: National Art School Richard Beresford (Senior curator, Launch: Denise Green, Liverpool Tristan project, 10 Apr – 27 July NGA: National Gallery of Art European Art pre-1900) Street Gallery, 3 Apr 2008 2008 NGV: National Gallery of Victoria Lecture: ‘Changes of appearance Launch: Larter family values, Casula Curator and commissioning editor: QAG: Queensland Art Gallery of paintings’, USyd, Aug 2007 Power House, 11 Aug 2007 Harold Cazneaux: artist in SCA: Sydney College of the Arts, Lecture: ‘Questioning the frame’, Forum participant: Danks Street photography, 5 June – 10 Aug 2008 USyd USyd, Aug 2007 Depot, 10 Oct 2007 Curator: Jacky Redgate, Eva UMelb: University of Melbourne Discussant: SBS Insight program, Schlegel, Rosslynd Piggott and UNSW: University of New South Anthony Bond (Head curator, 3 June 2008 Christine Cornish, PDP gallery, Wales International Art) Speaker: Forum, Sherman Galleries, 19 Oct 2007 – 24 Mar 2008 USyd: University of Sydney Curator: Sphere of influence, Jon with Michael Landy, 21 July 2007 Essay: ‘Into the light: the origins of UTS: University of Technology, Rose and Hollis Taylor, Nov 2007 Chair: Biennales in Dialogue Forum, the Sydney Camera Circle’ in Curator: Bill Viola, Love death: the Australia Council and BoS, AGNSW, Natasha Bullock (ed), Harold Sydney Tristan project, Apr 2008 10 July 2008 Cazneaux: artist in photography, UWS: University of Western Sydney Co-author: ‘Phantom clubs’ in Nina Chair: exhibitions and selection AGNSW, Sydney 2008, pp 33–40 VG: Volunteer guides Fischer and Maroan el Sani, Blind sub-committees, BoS Essay: ‘Love and mud’ in Reuben Spots jpr/ringier, SMBA Stedelijk Member: Power Foundation Keehan (ed), Column 1, Artspace, George Alexander (Coordinator, Amsterdam 2007, pp 169–86 Council, USyd Sydney 2008, pp 130–31 Contemporary Programs) Article: ‘Why art matters’, Art Member: Executive, AAANZ Artist entry: ‘Damien Hirst’ in Mami Principal writer: Anselm Kiefer, Influence e-magazine, no 1, Assessor: Australian Research Kataoka (ed), Art is for the spirit: education kit Feb 2008 Council Grants in the category of works from The UBS Art Collection, Principal writer: Adam Cullen, Article: ‘Mike Parr: a personal view Fine Arts Mori Art Museum, Tokyo 2008 education kit …’, Art World, no 3, June/July Artist entry: ‘Out from the depths’ Article: ‘Cue the sun’ (Peter Hill/Gail 2008, pp 84–85 Donna Brett (Coordinator, in Natasha Bullock (ed), Harold Hastings), ArtAsiaPacific, no 54, Article: ‘Monumenta: Kiefer at Curatorial Project and Research) Cazneaux: artist in photography, July/Aug 2007 Grand Palais Paris’, Craft Arts Article: ‘Neues sehen in Berlin’, AGNSW, Sydney 2008, p 44 Article: ‘Text messages’ (Zina International, no 71, 2007, p 92 Kultur, Goethe Institut, Sydney Introduction: Gary Carsley: scenic Kaye/Stills), ArtAsiaPacific, no 56, Article: ‘A summer in Europe’, Art & 2008, p 22 root, AAH, 31 Oct 2007 Nov/Dec 2007 Australia, vol 45, no 2, summer Lecture: ‘Collection provenance and Article: ‘Text appeal’ (Maria 2007, p 193 looting issues’, Museum Studies, Jesmond Calleja (Senior registrar, Cruz/Adam Cullen), ArtAsiaPacific, Lecture: AGNSW collection, St USyd, Aug 2007 Collections Systems Integration) no 58, May/June 2008 Josephs College, 30 May 2008 Tutor: Modern Art and Film, Art Book review: Vitalizing memory by Review: ‘Howard Arkley’, Lecture: AGNSW collection, CoFA, History & Film Studies, USyd, 2008 the American Association of ArtAsiaPacific, no 53, May/June 2007 6 May 2008 Conference manager: Art & the Museums, Journal of the Australian Book review: Brought to light II: Lecture: AGNSW collection, SCA, Real: Documentary, Ethnography, Registrars Committee, vol 55, contemporary Australian art 30 Apr 2008 Enactment, AAANZ NSW, July 2007 Dec 2007, p 41 1966–2006 by Lynne Seear and Lecture: Forum on art and Symposium coordinator: Biennales Paper: ‘Heading in the right Julie Ewington (eds), ArtAsiaPacific, censorship, MCA, 12 June 2008 in Dialogue Forum, Australia Council direction: documenting our cultural no 55, Sept/Oct 2007 Lecture: ‘Relevance of wood firing and BoS, AGNSW, 9 and 10 July heritage globally’, 21st General Australian desk editor: today’, Sturt wood fired conference, 2008 Conference of the International ArtAsiaPacific (Hong Kong/New 18 Apr 2008 Member/Treasurer: AAANZ (Art Council of Museums: Museums and York) Lecture: ‘This summer in Europe’, Historians Association) Universal Heritagel, CIDOC – Book launch: John Conomos, Western Plains Cultural Centre, Committee member: Museums International Committee for Mutant media, Gleebooks, Dubbo, 21 Sept 2007 Australia, Art, craft and design SIG Documentation: Managing the 1 Apr 2008 Lecture: ‘Conservation and Committee member: SafARI Global Diversity of Cultural Bloomsday reading: Liverpool interpretation’, USyd, 13 Sept 2007 Member: Dictionary of Australian Information, Vienna, Austria, Library, 16 June 2007 Lecture: ‘Freud: about men’, Artists Online, chief investigator 20–24 Aug 2007 Newcastle Region Gallery, 11 Sept (partner) 2007; editorial working Judy Annear (Senior curator, 2007 group, 2005–07 Leeanne Carr (Coordinator, Photography) Lecture: ‘Why art matters’, Dunedin Treasurer: AICA Australia, Secondary School and Asian Curator (with Virginia Heckert): The University, NZ, 7 Sept 2007 Association International Critique Education Programs) photographs of August Sander from Lecture: ‘Biennales’, NAS postgrad d’Art Lectures and workshop: ‘Guiding the J Paul Getty Museum, Los seminar, 5 Sept 2007 Scholarship: Goethe Institute for children’, Wollongong City Angeles, AGNSW, 17 Nov 2007 – Lecture: ‘Performing bodies’, CoFA, Australia, German language Gallery, new guide intake,

94 ART GALLERY OF NSW APPENDICES 07–08 19 Mar 2008 Lecture: ‘Loans and touring Alec George (Coordinator, Brett AGNSW representative: Australian Lecture: Japanese Language exhibitions’, USyd, May 2008 Whiteley Studio) National Heads of Education and Teachers Conference (introducing Lecture: ‘Couriers: the management Talk: ‘Whiteley’s Garden’, Newcastle Public Programs Forum the Art speaks Japanese education of objects in transit’, full-day Region Art Gallery, 26 Feb 2008 kit), 4 Apr 2008 workshop, Auckland Art Gallery, NZ, Essay and publication coordination: Yang Liu (Curator, Chinese Art) Sept 2007 Brett Whiteley Studio, AGNSW, Curator: Mountains and streams: Dr Chaya Chandrasekhar (Curator, Conference convenor: Sharing Sydney 2007 Chinese paintings from the National South and Southeast Asian Art) Collections: The Ins and Outs of Gallery of Victoria Collection, Curator: Intimate encounters: Indian Loans, Australasian Registrar’s Hendrik Kolenberg (Senior curator, 29 Nov 2007 – 10 Feb 2008 paintings from Australian collections, Committee annual conference, Australian Prints, Drawings and Curator: Translucent world: Chinese 22 Feb – 4 May 2008 Sydney, Mar 2008 Watercolours) jade from the Forbidden City, Paper: ‘The sword and the lotus: Paper: ‘Negotiating and managing Curator: Jan Senbergs: from 29 Aug – 11 Nov 2007 interpreting the role of weapons and couriers’, Sharing Collections: The screenprinter to painter, 5 Apr – Author (with Edmund Capon): plants in Buddhist art’, 32nd Ins and Outs of Loans, Australasian 25 May 2008 Translucent world: Chinese jade Congress of the International Registrar’s Committee annual Curator: Dobell Prize for Drawing, from the Forbidden City, AGNSW, August 2007 Sydney 2007 Committee of the History of Art, conference, Sydney, Mar 2008 Author: ‘Bernard Visser, figuur en Author: ‘Reciprocity: a social UMelb, 17 Jan 2008 President: Australasian Registrars materie schilder’ in Bernard Visser, historical perspective of Qing Committee Victoria Collings (Coordinator, K–6 grondtoon Weert, TGV 2007 (Dutch Mandarin’s calligraphy’ in Harold and English text) Mok and Chen Yafei (eds), School and Family Programs) Deborah Edwards (Senior curator, Author: Jan Senbergs: complete Proceeding of the International Book review: The manual of Australian Art) museum learning by Barry Lord (ed), screenprints 1960–88, AGNSW, Conference on Couplets of the Curator: Bertram Mackennal: the Sydney 2008 Qing Dynasty, Chinese University Altamira Press, 2007, Museums fifth Balnaves Foundation Sculpture Australia Magazine, vol 16, no 3, Essay: ‘Anton Holzner’ in Three of Hong Kong, 2008, pp 97–128 Project, AGNSW, 17 Aug – 4 Nov Australian artists – Holzner, Dyer, Article: ‘Predator and prey in Feb 2008, p 26 2007; NGV, 30 Nov 2007 – 24 Feb Judge: Dymocks Golden Paw Chen (series of international art translucent stone’, Orientations 2008 exchange), Guangzhou, Guangdong (HK), vol 39, no 1, Jan/Feb 2008, Award 2007, National Parks and Author: Bertram Mackennal, Wildlife, Sept 2007 Museum of Art 2008 pp 76–80 AGNSW, Sydney 2007 Launch: Sydney printmakers, Taylor Article: ‘Popular beliefs in Chinese FloortTalk: AAH (on ARTEXPRESS), Author: ‘Bertram Mackennal, 6 Feb 2008 Galleries, Sydney, 17 Aug 2007 jade carving’, TAASA Review, vol Australia’s most successful Launch: Sydney printmakers, 16, no 3, Sept 2007, pp 22–24 sculptor’, World of Antiques and curated by Anne Ryan, S H Ervin Article: ‘Translucent world: Jonathan Cooper (Manager, Art, July 2007 Gallery, 18 Aug 2007 representations of nature in Chinese Information) Author: ‘Robert Klippel’ in Robert Launch: Tony Ameniero, Marianne jade’, Arts of Asia (HK), vol 37, Lecture: ‘Unwrapping the world and Andrew Klippel, NGV, Melb Newman Gallery, Sydney, no 6, 2007, pp 1–14 of art’, Seniors Network, Gosford, 2008 31 Aug 2007 Article: ‘Nature in the world of the June 2008 Author: ‘Barbara Tribe’ (introduction) Launch: Anton Holzner, Long jade (Part I)’, Art & Collection Paper: ‘Making the most of your in Works from the studio of Barbara Gallery, Salamanca Place, Hobart, (Taipei), no 180, Sept 2007, digital assets and virtual tour online Tribe, Bonhams, London, May 2008 13 Nov 2007 pp 75–80 – a museum case study’, 4th Author: ‘Ralph Balson: a new realm Launch: Kevin Lincoln, Liverpool Article: ‘Nature in the world of the Annual Web Content Management of visual experience’ in Ralph Street Gallery, Sydney, 31 Jan 2008 jade (Part II)’, Art & Collection for Government Conference, Balson 1941, Ivan Dougherty Judge: Margaret Flockton botanical (Taipei), no 181, Oct 2007, Canberra, Sept 2007 Gallery, Sydney 2008 illustration award, Botanical pp 76–81 Paper: ‘Meeting user expectations: Gardens, 10 Mar 2008 Lecture: ‘Chinese jade’, CoFA, web usability and functionality’, Lecture: ‘Curating in the 21st century’, Loretto College, Kirribili, 11 Sept 2007 Understanding Web Capabilities Brian Ladd (Head, Public Paper: ‘In pursuit of the picturesque and Limitations Conference, 18 Sept 2007 Lecture: ‘Bertram Mackennal’, NGV, Programs) quality: jade carving in Qianlong’s Sydney, May 2008 Paper: ‘The artist as educator, era’, Nature through jade, 1 Sept Paper: ‘Future trends in the internet 30 Nov 2007 Launch: Mosman Annual Art Prize, examining innovative artists-in- 2007 and their impact on museums’, residence programs at Art Gallery Paper: ‘Webs of obligation: the Collections Australia Network Mosman Art Gallery, 27 July 2007 Keynote address: ‘The artist in NSW’, International Commission social dimension of calligraphy seminar: Collections and the Web: on Museums conference, Vienna, art in late imperial China’, When public spaces’, Sculpture by the Audiences, Content and 22 Aug 2007 Art Met History: A Symposium Sea, artist and public symposium, Technologies, Parramatta, May Chair: ‘Partnerships and on the Richard Fabian Collection, 1 Nov 2007 2008 collaborations’ session at Sites of Honolulu Academy of Arts, Judge: Mosman Annual Art Prize, Communication 3: Art Museums 14 Sept 2007 Mosman Art Gallery, 18 July 2007 Barbara Dabrowa (Conservator, Symposium, NGV, 8 Sept 2007 Paper: ‘Gu Kaizhi’s Vimalakirti and Judge: Sculpture by the Sea annual Frames) Chair: ‘Public art in Sydney’, panel two popular Buddhist and Daoist Lecture: ‘Pink lady’, conservation exhibition, Sydney, 30 Oct 2007 discussion at Sculpture by the Sea iconographic formulae of the procedures, Queens Club, Sydney, Judge: City of Sydney annual art conference, 1 Nov 2007 southern and northern dynasties’, Mar 2008 competition, 11 June 2008 Judge: Operation Art, Penrith Ancient Chinese Figure Painting Articles: ‘History of Archibald Judge: Paris Studio Scholarships, Regional Art Gallery, July 2007 from the Liaoning Museum and Prize’, Parts 1 and 2 (in Polish), 15 May 2008 Director: Brett Whiteley Foundation, the Shanghai Museum, Shanghai ‘Archibald, Wynne and Sulman Host: Ellen Goldberg Meadmore Sydney Museum, 13 Mar 2008 2008’ (in English), Puls Polonii, Foundation, New York, 13 Nov Member: Editorial Advisory Panel, online magazine 2007 Art & Australia, Sydney Jethro Lyne (Coordinator, Public Member: USyd Fine Arts Alumni Art Advisor: William Fletcher Programs) Charlotte Davy (Senior registrar, Committee Foundation, Sydney Lecture: ‘Chartres Cathedral’, Exhibitions) Member: Dictionary of Australian Member: Curatorial Panel for University Art Gallery, USyd, Article: ‘Braving the unknown: Artists Online, editorial section Headland Sculpture Park, Sydney 16 Sept 2007 couriering in the Middle East’, Member: Art Association of Australia Member: Steering Committee for Lecture: ‘The silver age of ARC Journal, vol 56, June 2008, Member: Sculpture by the Sea Sites of Communication: Art Russian art’, AGS, 28 Oct 2007 pp 18–20 working group Museums Symposia Lecture: ‘Gary Deirmendjian –

ART GALLERY OF NSW APPENDICES 07–08 95 a life’, presentation and panel Barry Pearce (Head curator, Essay: ‘Richard Bell’ in Culture Peter Raissis (Curator, European discussion, Sculpture by the Sea Australian Art) warriors: National Indigenous Art Prints, Drawings and Watercolours) conference, Curator: Sidney Nolan retrospective, Triennial, NGA, Canberra 2007 Curator: Modern British 1 Nov 2007 AGNSW, 2 Nov 2007 – 3 Feb 2008; Essay: ‘John Mawurndjul’, Culture watercolours and drawings, Launch: Jaroslav Prochazka, NGV, 22 Feb – 18 May 2008; QAG, warriors: National Indigenous Art 28 July – 14 Oct 2007 Headland Park, Middle Head, 6 June – 28 Sept 2008 Triennial, NGA, Canberra 2007 Curator: Käthe Kollwitz and 18 Oct 2007 Author: Sidney Nolan, AGNSW, Floor guide: Australian Indigenous contemporaries, Mar–June 2007 Launch: Layers, Flinders Street Sydney 2007 Art Commission, Musée du quai Lecture and tutorial: ‘Techniques Project Space, Paddington, Author: Margaret Olley, Philip Branly, Paris, Australian Council for and function of old master 19 Oct 2007 Bacon Gallery, Brisbane 2007 the Arts and Harold Mitchell drawings’, Art History Honours Lecturer: Department of Art History, Lectures and talks relating to Sidney Foundation, 2008 students, USyd, 9 Aug 2007 NAS, til June 2008 Nolan retrospective: VG lecture, Essay: ‘Water Dreaming’ in Course: Royal Collection Studies, Research: doctoral research, NGV, 19 Feb 2008; NGV staff Australian Greats, Random House Windsor, UK, 2–11 Sept 2007 French medieval sculpture, USyd, guided tour, 20 Feb 2008; ‘In Australia, 2008 Interview: ‘Drawings from the Hinton ongoing conversation: Frances Lindsay and Book launch: Beyond sacred: Collection at NERAM’, Armidale Barry Pearce’, NGV, 23 Feb 2008; Express, Jan 2008 recent paintings from Australia’s lecture for The Australia Club, Elizabeth Maloney (Assistant remote Aboriginal communities, Melbourne, 28 Feb 2008; media Anne Ryan (Curator, Australian curator, Photography) June 2008 tour, QAG, 5 June 2008; QAG Prints) Curator: Surreal aesthetic, Launch: Lines in the sand: Botany Foundation address, 6 June 2008; Curator: Judy Cassab, landscape 28 July – 14 Oct 2007 Bay stories from 1770, Hazlehurst ‘In conversation: Frances Lindsay watercolours from the collection, Curator: Charles Bayliss: Regional Gallery and Art Centre, and Barry Pearce’, QAG, 7 June 29 May – 31 Aug 2008 landscape photographer, Focus Mar 2008 Room, 9 Feb – 25 May 2008 2008 Curator: Australian etchings and Lecture: ‘Tom Roberts: Fog, Launch: Walungurru Community engravings 1880s to 1930s from the Pool, Walungurru, Northern Territory, Terence Maloon (Curator, Special Thames embankment’, VG, 23 June Gallery’s collection, 5 May – 22 July 2008 Feb 2008 2007 Exhibitions) Book launch: Macquarie PEN Member: Société Paul Cézanne Advisor: forthcoming opera based Author: Australian etchings and on Sidney Nolan’s life, to be written Anthology of Aboriginal literature, engravings 1880s to 1930s from Member: Alliance Française of Macquarie University City Campus, Sydney (vice president) by librettist Jason Prague the Gallery’s collection, AGNSW, Advisor: forthcoming feature film on May 2008 Sydney 2007 Brett Whiteley, produced by Prima Launch: James Agapitos OAM Article: ‘The weekly bus–rail ticket: Jackie Menzies (Head curator, Productions, Sydney Memorial Fund acquisitions, Dec Noel McKenna’, Artworld, June/July Asian Art) Advisor: New England Regional Art 2007 2008, pp 166–67 Article: ‘A pre-Mughal Krishna Museum, Armidale Panel discussion: Michael Riley: Article: ‘Preview – Australian folio’, TAASA Review, vol 16, no 4, Advisor: S H Ervin Gallery, Sydney sights unseen, Museum of etchings and engravings 1880s to Dec 2007, p 15 Advisor: Lismore Regional Gallery Brisbane, July 2007 1930s from the Gallery’s collection’ Lecture: ‘Japanese shows’, Opened: Sidney Nolan Discussion (with Apolline Kohen): Imprint, vol 42, no 2, winter 2007, Asialink’s Japan Forum, AGNSW, retrospective, QAG, 5 June 2008 Culture warriors: National pp 4–5 15 June 2008 Judge: Gosford Art Prize, Aug 2007 Indigenous Art Triennial, NGA, Catalogue essay: ‘Andrew Antoniou’ Launch: Gallery 4A, Sydney, Judge: Portia Geach Memorial Canberra, Feb 2008 in Andrew Antoniou, a rolling 31 Aug 2007 Award, Sept 2007 Delegate: 2020 Summit, Parliament narrative, Wollongong City Art Honorary associate: School of Judge: Paris Studio Scholarships, House, Canberra, Apr 2008 Gallery, 2008 Languages and Cultures, USyd, NAS, Oct 2007 Interview: Michael Riley: sights Launch: G W Bot, paddock glyphs, 2008 Judge: Inaugural NSW Parliament Australian Galleries Works on Paper, Director: VisAsia (Australian unseen, documentary, Message Plein Air Painting Prize, May 2008 Stick, ABC Television, Sydney Sydney, 17 Apr 2008 Institute of Asian Culture and Launch: Polarities in print (Sydney Visual Arts) Interview: Songlines to the Seine, Hetti Perkins (Curator, Aboriginal documentary, SBSi and Arte, Print Circle exhibition), Mosman Member: Morrissey Bequest and Torres Strait Islander Art) Art Gallery, 1 June 2007 Committee, USyd France Curator: One sun, one moon: Interview: Indigenous Art Centre Curatorial advisor, committee Member: Vice-Chancellor’s Aboriginal art in Australia, 3 July – member: NSW Parliament Plein Advisory Committee for the Operations Resource (IACOR) 2 Dec 2007 project Air Painting Prize 2008 Nicholson Museum, USyd Curator: Boomalli: 20 years on, Member: Dictionary of Australian Director: Arts Law Centre of Award: Medal of the Order of Project Gallery, 1 Sept – 28 Oct Artists Online, chief investigator, Australia Board, Sydney Australia, for ‘the study, 2007 2005–present; editorial committee, Member: Artists in the Black preservation and promotion of Curator: Living black, 20 Dec 2007–present reference group, Arts Law Centre Asian art in Australia, particularly 2007 – 16 Nov 2008 of Australia, Sydney through curatorial roles at the Comrade: Revolutions – forms that Malgorzata Sawicki (Senior Member: Public Art Advisory Panel, AGNSW’, 2008 turn, BoS, assistance to Michael conservator, Frames) Rakowitz City of Sydney Article: ‘From Lady in black to Art Denise Mimmocchi (Assistant Author: One sun, one moon: Forum member: Sustainable Sydney students: the story behind changing curator, Australian Art) Aboriginal art in Australia, AGNSW, 2030, City of Sydney a frame’, AICCM Bulletin, vol 30, Curator: From subject to object, Sydney 2007 Member: Australian International 2007, pp 44–50 New England Regional Art Essay: ‘Ningura Napurrula’ in Anne Cultural Committee, Department of Article: ‘Practical implications of Museum, Armidale, 27 June – & Gordon Samstag, Wonderful Foreign Affairs and Trade, Canberra research into non-traditional in-gilding 21 Sept 2008 World, Museum of Art, Adelaide Member: Papunya Tula Reference techniques: losses compensation in 2007 Group, Maritime and Movable conservation of gilded objects’, Carolyn Murphy Essay: ‘Bush mechanics’ in Heritage Section, Heritage Division, AICCM Bulletin, vol 30, 2007, Article: ‘Framing works on paper for ‘Comrades’, Revolutions – forms Department of the Environment, pp 63–69 the exhibition Modern British that turn, BoS 2008 Water, Heritage and the Arts, Research: doctoral research, UWS – Watercolours and Drawings at the Essay: ‘Something borrowed, Canberra ‘Research into non-traditional gilding Art Gallery of NSW’, AICCM something new’ in Australian graffiti: Trustee: Charlie Perkins Children’s techniques as a substitute for National Newsletter, no 104, Sept Christian Thompson, Gallery Trust traditional matte water-gilding’, 2007, pp 14–16 Gabrielle Pizzi, Melbourne 2008 Director: Michael Riley Foundation finalising

96 ART GALLERY OF NSW APPENDICES 07–08 Susan Schmocker (Head librarian) Lecture: ‘Practice and process: Valerie Tring (Librarian) Curator (with Liz Jeneid): Searching ARTEXPRESS 08’, Newcastle Curator: The artist in the director: for Asphodels: artists in the Region Art Gallery, May 2008 the art of directors of the Art Gallery Mediterranean, AGNSW Research Lecture: ‘The value of the Gallery as of NSW, Art Gallery of NSW Library and Archive, 12 Mar – an education resource’, UTS, Research Library and Archive, 30 May 2008 Kuring-Gai Campus, May 2008 13 Feb – 7 Mar 2008 Curator: Australian bookbinders, Lecture: ‘Visual arts education now’, AGNSW Research Library and Dulwich Visual Art and Design High Khanh Trinh Pompili Archive, 18 June – 3 Oct 2008 School awards ceremony, Dec 2007 Curator: Taishô chic – Japanese Lecture: ‘Role and function of the Paper: ‘Sustainability within the arts: modernity, nostalgia and deco, Gallery’s research library and developing tomorrow’s audiences 22 May – 3 Aug 2008 archive’, Information Management and artists’, Sydney Arts Paper: ‘Capturing nature’s inner students, Charles Sturt University, Management Group, Opera Centre, truth: the “true-view” concept in 19 Sept 2007 Sydney, May 2008 China, Korea and Japan’, CIHA Lecture: ‘Fund-raising for the Paper: ‘The artist’s role in conference, Melbourne, Jan 2008 Library’, members of Art Libraries education’, Art as an Industry Society, 15 Nov 2007 Symposium, Arts North West, Wayne Tunnicliffe (Curator, Lecture: ‘A delicate balance: access Qurindi, May 2008 Contemporary Australian Art) and security at the research library Launch: Artside-In Moree Student Co-curator and managing editor: and archive’, members of Art Exhibition, Moree Plains Gallery, An incomplete world, AGNSW, Libraries Society, Sydney, Nov 2007 19 May – 29 July 2007; NGV, 19 Apr 2008 Launch: Visual Art Exhibition, 28 Sept 2007 – 6 Jan 2008 Talk: ‘Management of special North Sydney Girls High School, Co-curator: An incomplete world, collections in an art library’, UTS, Aug 2007 AGNSW, 19 May – 29 July 2007; 11 Oct 2007 Launch: Art Show, Knox Grammar NGV, 28 Sept 2007 – 6 Jan 2008 Talk: Introduction to ‘Online School, Aug 2007 Co-curator: contemporary resources at the research library and Launch: Senior Art Exhibition, collection, 9 Aug 2007 – 24 Mar archive’, Master of Art Kuring-Gai Creative Arts High 2008 Administration students, CoFA, School, Aug 2007 Co-curator: contemporary 9 Apr 2008 Judge: The Emanuel Archies, The collection: History and memory, Treasurer: ARLIS/ANZ NSW Emanuel School Archibald Prize, 10 May – 26 Oct 2008 Chapter, 1993–present Apr 2008 Curator and editor: Adam Cullen: Member: Dictionary of Australian let’s get lost, 15 May – 27 July 2008 Judge: A central vision: student Artists Online advisory committee, Entries: ‘Yasumasa Morimura’, award and exhibition, Gosford Jan 2004 – June 2008 ‘Andreas Gursky’, ‘Walter Regional Art Gallery, Dec 2007 Niedermayr’ and ‘Thomas Struth’ Scholarship: International Research Natalie Seiz (Assistant registrar in Mami Kataoka (ed), Art is for the into Innovative Gallery Programs for (curatorial), Asian Art) spirit: works from The UBS Art Youth and Teens, AGS Travelling Guest editor (with Leong Chan): Collection, Mori Art Museum, Tokyo Scholarship, Oct 2007 TAASA Review, vol 17, no 1, 2008 Member: Visual Arts Reference Mar 2008 Launch speech: Planet Craft Gallery, Committee, Museum and Galleries Article: ‘Traveller’s choice: Asia Art Nov 2007 NSW, Sydney Archive, Hong Kong’, TAASA Advisor: Capp St residency, Wattis Member: Sydney Arts Management Review, vol 16, no 3, Sept 2007, Institute, San Francisco, Feb 2008 p 21 Group Committee, Sydney Arts Article: ‘Mapping Taiwan: activism Management Advisory Group, Sheona White (Senior coordinator, in the work of Wu Mali’, TAASA Sydney Public Programs) Review, vol 17, no 1, Mar 2008, Lecture: Development and pp 14–15 Emma Smith (Senior registrar, Marketing Forum conference, Seminar paper: ‘Making a space Collections) 16 May 2008 of one’s own: the Taiwan Women’s Paper: ‘I’ll show you mine if you Judge: Paris Studio Scholarships Art Association and its impact on show me yours: dealing with 2009 contemporary Taiwan’, international outward loans’, Sharing London–Taiwan Seminar Program, Collections: The Ins and Outs of Natalie Wilson (Assistant curator, London School of Economics, Asia Loans, Australasian Registrar’s Australian Art) Research Centre, London, 6 Mar Committee annual conference, Curator: Indigenous connections: 2008 Sydney, Mar 2008 Sidney Nolan’s ‘Rite of spring’ – Management Committee member: photographs by Axel Poignant, The Asian Arts Society of Australia Dr Jacqueline Strecker (Curator, Australian Collection Focus Room, Research: PhD candidate, Special Exhibitions) AGNSW, 2 Nov 2007 – 3 Feb 2008; ‘Contemporary women artists in Article: ‘Two pair’, Portrait 27, State Library of Queensland, Taiwan’, School of Art History and National Portrait Gallery, Canberra, 16 June – 31 Aug 2008 Theory, USyd autumn 2008, pp 10–13 Author: Indigenous connections, Article: ‘The Mad Square’, Kultur, online exhibition catalogue, Tristan Sharp (Senior coordinator, Goethe-Institut Australia, no 16, Australian Collection Focus Room, Education Programs) Apr 2008, p 11 AGNSW, Sydney 2007 Author: Foreword, Cambridge Catalogue essay: ‘German Member: Oceanic Art Society, Senior Visual Arts Stage 6, expressionism 1913–1930’ in Sydney Cambridge University Press, German expressionist prints, Rex Melbourne 2008 Irwin Art Dealer, Sydney, June 2008 Article: ‘Artside-In Moree’, Artreach, Launch: German expressionist The Regional Arts NSW Magazine, prints 1898–1930, Rex Irwin Art spring 2007, pp 14–15 Dealer, Sydney, June 2008

ART GALLERY OF NSW APPENDICES 07–08 97 CUSTOMER Chalk on outside of heritage Food services COMPLAINTS building The majority of visitor concerns are As part of the Biennale of Sydney about the timeliness of service, or In accordance with our Pledge of exhibition, one artwork was chalked belief that prices are too high. Fast Service, visitors are invited to leave drawings on the front of our service is sometimes difficult to praise, complaints and suggestions heritage building. This particular achieve during the Gallery’s busiest in the Gallery’s visitor comments temporary contemporary work was months, even with additional staff book. During 2007–08, there were not popular with some of our engaged for peak periods – 446 comments recorded (109 visitors. However, the Gallery especially during the Archibald Prize compliments, 206 complaints and ensured that the chalk material used exhibition, when more than 262 000 131 suggestions). The comments in the work would not cause any visitors came to the Gallery in March book is regularly reviewed by the damage to the sandstone prior to and April 2008. In response to Gallery’s senior management for permitting the work to be included demand, the Gallery placed appropriate response and further in the exhibition, and it was promptly additional tables to temporarily action, if appropriate. The majority removed following the end of the expand the café area during this of praise comments are thanks for exhibition. peak period; arranged for the the wonderful volunteer guide Signage – too small; badly placed caterer to operate duel cashiers; services, which are provided free and introduced partial table every day to highlight works from The placement of labels and the services, whereby customers the Gallery’s collections, as well as size and font of text are considered ordered at the counter and were the major temporary exhibitions. for each new major exhibition. given a table number to which their Also popular and well appreciated However, the low lighting often order was delivered. are the various public programs on required for the conservation of offer, again many for free, especially artworks on display, especially for These complaints and the ones on weekends and during school works on paper, makes reading relating to prices are forwarded to holidays. labels more difficult for some our contract caterers to assist them people. The Gallery produces a in planning future staff requirements The major areas of complaint reflect and to consider their pricing points. the high-volume activity of the free printed exhibition guide, which Gallery’s business and heritage includes details of all works in each Lack of adequate disabled building. And, while all complaints of the major temporary exhibitions. access and seating are considered critically, the very Inadequate cloaking facilities This area of concern also includes small volume of complaints in The Gallery has limited cloaking complaints about lack of adequate relation to the total number of facilities and an ever-increasing pram access at the front of the visitors – over one million annually – visitor population. At the present heritage building, as well as seating reflects the generally high rating of time, we cannot accommodate throughout the building. The Gallery visitor enjoyment. the cloaking of heavy winter coats. continues to explore better ways General areas of visitor concerns Unfortunately, because we have for disabled and pram entry into during 2007–08 include: a single front door, permanently the building and has developed expanding the cloaking facilities building plans for a second entrance would require conversion of our on the northern side of the building. heritage front foyer. However, Unfortunately, lack of the significant during major exhibitions for which capital funding required for we anticipate high attendance, we implementation means that this installed temporary cloaking facilities issue remains problematic. that expanded into the heritage Transferring the entry by school vestibule area. These additional groups to the back of the building facilities were available for the via the new education entrance Sidney Nolan retrospective has provided some relief to the exhibition (our major 2007–08 congestion at the front door. summer show) and for the popular annual Archibald Prize.

98 ART GALLERY OF NSW APPENDICES 07–08 ELECTRONIC Website upgrade • The website for The arts of Islam exhibition (www.artsofislam.com.au) The process of upgrading the main SERVICE DELIVERY was launched in late June 2007 and website to the next-generation features images of the exhibition, content management system, which was on view through to Our main website and its many MySource Matrix, continues. The September 2007. It also has subsites continue to grow in basic design has been created, the interactive educational content on sophistication and richness of site structure has been determined the history of Islam and Islamic art. content, resulting in more people and more than 95% of the new This website was visited 17 161 from throughout New South Wales, content has been edited or times during 2007–08. across Australia and around the rewritten. To reduce the amount of world accessing information and manual labour required to build the • A new website for the Sidney interacting with the Gallery. new site, a software tool that Nolan retrospective exhibition automatically copies across the (www.sidneynolan.com.au) was structure and text content of launched in November 2007, Overall visitation selected portions of the existing site complete with videos of the artist at The total number of actual visits for has been created. work, commentary by the curator the year (to all Gallery websites) was and an introduction by the director. 1 799 248 (over 454 000 more than It was visited 20 016 times during in 2006–07), an average of 4929 myVirtualGallery 2007–08. visits per day, peaking at 7984 per This interactive educational tool • Inside ARTEXPRESS 08 day in March 2008. allows anyone to create their own (www.insideartexpress.com.au), virtual exhibitions using artworks celebrating 25 years of from the Gallery’s permanent ARTEXPRESS at the Gallery, was The Gallery’s main website collections. The tool continues to launched in February 2008. In accounted for three-quarters of the grow in popularity and usage. There addition to the usual features (such overall visitation, followed by the are now 2475 people who have as an interactive virtual walkthrough, Archibald Prize (10%), the Brett registered as exhibition creators downloadable process diaries and Whiteley Studio (4%) and the other and there are 1352 exhibitions (504 connections with the Gallery’s five websites (between 1% and 3% newly created during 2007–08). collection for six works), the site each, a total of 11%). ‘Exhibitions’ Over half of the 151 525 page- also includes 14 complete videos was the most visited section of the views in 2007–08 were from from the exhibition, viewable online. website (26%), followed by ‘Press people logging in to edit their own The site and its predecessor, Inside office’ (17%), ‘About us’ (11%), exhibitions. In 2008, during the ARTEXPRESS 07, were visited ‘Events’ (10%) and ‘Education’ (8%). first seminar, myVirtualGallery was 56 871 times during 2007–08. used as an assessment tool for the University of Newcastle. E-commerce Social media A total of 1141 transactions In April 2008, the Gallery created a (representing a turnover of more New website content presence, in two different forms, on than $78 000) have been made Apart from regular updates to the the popular social networking site with the Gallery’s online shop, an principal website (particularly in the Facebook. The Gallery’s own page increase of approximately $30 000 ‘Events’, ‘Exhibitions’ and ‘Press is located at www.facebook.com/ from 2006–07. Exhibition tickets office’ sections), the following home.php#/pages/Sydney-Australia/ represented approximately 9% of significant developments have Art-Gallery-of-New-South-Wales/ the overall orders and 4% of the occurred: 25274327104. Members of the turnover. • Videos of key events, mostly public can register as ‘fans’ and Art After Hours celebrity talks and receive automatic notification of Messaging via the performances, have been posted to updates, including news, events and videos. websites a new ‘videos and podcasts’ area of the main site, as well as the Art The Gallery also participates, with The ‘contact us’ form on the After Hours site. Selected videos 15 other art institutions (including main website was used for 523 have also been posted on YouTube. the Tate Museum), in ArtShare: messages from the general public. apps.facebook.com/artshare. Over one-third of all messages were • New ‘encapsulated mini-websites’ for curators and 19% were general have been created for the enquiries. The Research Library exhibitions Bertram Mackennal and enquiry form was used for 227 The photographs of August Sander, messages, 45% for ‘general as well as the contemporary interest’, 31% for ‘professional collection reinstallation. These are research’ and the rest by students. located within the ‘Exhibitions’ The ‘frequently asked questions’ section of the main website, but form for submitting new questions also have their own internal was used for 88 messages, while navigation menus. The Bertram the website feedback form was Mackennal mini-website has its own used for for 66 messages. URL (www.mackennal.com.au).

ART GALLERY OF NSW APPENDICES 07–08 99 COMPLIANCE Summary of land Freedom of information We endeavour to make the collection and associated information REPORTING holdings procedures as accessible as possible to the The following is a listing of land Application for access to Gallery general public and we welcome owned by the Art Gallery of NSW documents under the Freedom of public interest and participation in Major assets as at 30 June 2008: Information Act 1989 should be Gallery activities. The Gallery’s major assets are its accompanied by a $30 application Art Gallery of NSW Documents held by the Gallery: artwork collections, valued at Address: Art Gallery Road, fee and directed in writing to: Art Gallery of New South Wales $795 million (as at 30 June 2008), The Domain, Sydney NSW 2000 Human Resources Manager Act 1980; accounts manual; and the perimeter land and building (FOI Coordinator) administrative policies and in the Domain, valued at $160.6 Art Gallery of NSW procedures; agendas and minute of million (as at 30 June 2008). Land disposal Art Gallery Road The Domain, Sydney NSW 2000 meetings; collection management The Gallery did not acquire or policy and procedures; annual dispose of any land in 2007–08. Engagement and use reports; EEO annual report; film and Freedom of information – photography policy; strategic plan of consultants Production costs 2008 statement of affairs 2003–2008; financial reports; and There were three consultancies in human resources policies and 2007–08, costing a total of annual report The following Statement of Affairs procedures. is presented in accordance with $33 075. All of the consultancies The total external costs incurred in the Freedom on Information Act Documents available for purchase: were each paid less than $30 000. the production of the 2008 annual 1989, section 14 (1) (b) and (3). The Gallery publishes a range of Two were engaged for security report are approximately $23 000 The Gallery’s statement is correct catalogues and art books (see reviews and the other was in the (this includes text editor, prepress, as at 30 June 2008. The Gallery appendix – AGNSW publications management services category. printing and copyright fees). (FOI Agency no 376) received three for sale). Publications prices are The report, in hard copy, is (3) formal requests for information, regularly reviewed by the Gallery provided free to key stakeholders all classified as ‘other’, under the Shop. Selected items are available Credit card usage and other interested parties. Act during 2007–08. All requests from our website The director certifies that credit It is also available in the were completed. No requests were (www.artgallery.nsw.gov.au/shop). card usage in the Gallery has been ‘About us’ section of our website carried over from the previous The Gallery publishes regular conducted in accordance with (www.artgallery.nsw.gov.au/aboutus) financial year. exhibitions and events bulletins. relevant Premier’s Memorandums and NSW Treasury Directions. The Gallery regularly receives The following table shows details representations from the public of freedom of information (FOI) concerning its operations. requests received by the Gallery: Major capital works 2007–08 2006–07 Costs 2007–08 Completion Overrun Capital works project $’000 date $ FOI requests Personal Other Total Personal Other Total Artworks purchased 12 390 ongoing nil New applications 0 3 3 0 2 2 Building works 2373 ongoing nil Completed 033 022 Plant & equipment replacement 446 ongoing nil Total processed 0 0 3 0 2 2 Total 15 209 Unfinished (carried forward) – Nil 0 0 0 0 0 0 Payment performance Results of FOI request Granted in full 0 1 1 0 2 2 Aged creditor analysis at the end of each quarter 2007–08 Completed 0 3 3 0 2 2 Current Less than Less than Less than More than Request details – Nil (ie within 30 days 60 days 90 days 90 days Fees of requests Quarter due date) overdue overdue overdue overdue processed ended $ $ $$ $ Fees received 0 $90 $90 0 $30 $30 Sept 2007 164 482 – – – – Type of discounts Dec 2007 431 151 102 158 109 162 3 890 – allowed – Nil Mar 2008 384 958 17 225 5 464 – – Days to process June 2008 384 958 42 165 3 107 7 734 – 0–21 days 0 2 2 0 2 2 22–35 days 0 1 1 0 0 0 Accounts paid on time each quarter 2007–08 Processing time Total accounts paid on time Total paid 0–10 hours 0 3 3 0 2 2 Target Actual Amount Amount Review of appeals – Nil Quarter % % $ $ Sept 2007 90.00 99.92 7 912 979 7 919 172 Basis of internal review grounds on which requested Dec 2007 90.00 97.00 7 036 957 7 254 503 access reviewed – Nil Mar 2008 90.00 99.54 6 030 243 6 058 357 June 2008 90.00 99.29 7 820 762 7 876 383 Total 90.00 98.94 28 800 941 29 108 415

100 ART GALLERY OF NSW APPENDICES 07–08