Appendices 07–08
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PORTRAITURE and the PRIZE ART an Education Kit for K–6 Creative Arts with KLA Links GALLERY and 7–12 Visual Arts NSW
PORTRAITURE AND THE PRIZE ART An education kit for K–6 Creative Arts with KLA links GALLERY and 7–12 Visual Arts NSW ARCHIBALD.PRIZE.2010 ART GALLERY OF NEW SOUTH WALES Toured by Museums & Galleries New South Wales www.thearchibaldprize.com.au PORTRAITURE AND THE PRIZE Contents General: the Archibald Prize and portraiture Who was JF Archibald? The Archibald Prize 1 A chronology of events Controversy and debate Portraiture as a genre: an overview Portraiture and the Prize: a selection of quotes List of winners since 1921 Syllabus connections: the Archibald Prize and portraiture Suggested case studies Years 7–12 Conceptual framework: the art world web Years 7–12 Framing the Archibald: questions for discussion Years 7–12 2 Portraiture: general strategies Years K–6 Vocabulary: portraiture Artists: portraiture References Syllabus connections: 2010 Archibald Prize Framing the Archibald: K–6 and 7–12 discussion questions and activities Analysing the winner K–6: Visual Arts and links with key learning areas 3 Years 7–12: The frames Focus works: K–6: Visual Arts and links with key learning areas 7–12: Issues for discussion 2010 Archibald Prize: selected artists Education kit outline This education kit has been prepared by the Public Programs Department of the Art Gallery of New South Wales in conjunction with Museums & Galleries New South Wales, to accompany the annual Archibald Prize exhibition. It has been designed to assist primary and secondary students and teachers in their enjoyment and understanding of the Archibald exhibition and the issues surrounding it, at the Art Gallery of NSW or throughout the 2010 Archibald Prize Regional Tour. -
Nama IKMB Nama Pemilik Alamat Perusahaan Kelurahan Lama Kecamatan Skala Usaha Jenis Industri Komoditi Total Tenaga Kerja Pemasar
Total Skala Jenis Nama IKMB Nama Pemilik Alamat Perusahaan Kelurahan Lama Kecamatan Komoditi Tenaga Pemasaran Usaha Industri Kerja BATIK TULIS RUSMANTO Bambang Rusmanto Bandengan Rt.01/05 Bandengan Pekalongan Utara Kecil Batik Batik tulis 6 Pekalongan BATIK "WIDIA AYU" Ny Nurul Arifa Bandengan Rt.04/05 Bandengan Pekalongan Utara Kecil Batik 69 Pekalongan BATIK TULIS RASPARI Raspari Bandengan Rt.03/05 Bandengan Pekalongan Utara Kecil Batik Batik tulis 4 Pekalongan BATIK WASIATUN Wasiatun Jl. Selat Karimata Rt.01 Rw.05 Bandengan Pekalongan Utara Kecil Batik Kain batik sutra cap dan tulis Pekalongan BATIK HAMZAH A Hamzah Banyurip Ageng Rt.02/06 Banyurip Ageng Pekalongan Selatan Kecil Batik Kain batik 9 ABDUL KALIM Abdul Kalim Banyuurip Ageng Banyurip Ageng Pekalongan Selatan Kecil Batik 35 Pekalongan BATIK KHOLIQ Abdul Kholiq Banyurip Ageng RT.03/03 Banyurip Ageng Pekalongan Selatan Kecil Batik Kain batik 4 Surabaya BATIK CAP NUR HUDA Agus Ilyas Banyurip Ageng Rt. 4/2 No.5 Banyurip Ageng Pekalongan Selatan Kecil Batik Kain batik 5 Pekalongan KRIWILAN AGUS NAENI Agus Naeni Banyurip Ageng RT.05/01 Banyurip Ageng Pekalongan Selatan Kecil Batik Kain batik 3 Pekalongan BATIK CAP "AHMAD JAMIK" Ahmad Jamik Banyurip Ageng RT.01 RW.05 Banyurip Ageng Pekalongan Selatan Kecil Batik 14 Solo AHMAD MASRUR Ahmad Masrur Banyuurip Ageng Banyurip Ageng Pekalongan Selatan Kecil Batik 24 Pekalongan BATIK CAP CHUSAINI Chusaini Banyurip Ageng Rt. 5/3 Banyurip Ageng Pekalongan Selatan Kecil Batik Kain batik 6 Pekalongan BATIK CAP FACHRUDIN Fachrudin Banyurip Ageng Rt. 5/3 Banyurip Ageng Pekalongan Selatan Kecil Batik Kain batik 7 Yogya BATIK CAP GHOZALI Ghozali Banyurip Ageng Rt. -
Appendices 2011–12
Art GAllery of New South wAleS appendices 2011–12 Sponsorship 73 Philanthropy and bequests received 73 Art prizes, grants and scholarships 75 Gallery publications for sale 75 Visitor numbers 76 Exhibitions listing 77 Aged and disability access programs and services 78 Aboriginal and Torres Strait Islander programs and services 79 Multicultural policies and services plan 80 Electronic service delivery 81 Overseas travel 82 Collection – purchases 83 Collection – gifts 85 Collection – loans 88 Staff, volunteers and interns 94 Staff publications, presentations and related activities 96 Customer service delivery 101 Compliance reporting 101 Image details and credits 102 masterpieces from the Musée Grants received SPONSORSHIP National Picasso, Paris During 2011–12 the following funding was received: UBS Contemporary galleries program partner entity Project $ amount VisAsia Council of the Art Sponsors Gallery of New South Wales Nelson Meers foundation Barry Pearce curator emeritus project 75,000 as at 30 June 2012 Asian exhibition program partner CAf America Conservation work The flood in 44,292 the Darling 1890 by wC Piguenit ANZ Principal sponsor: Archibald, Japan foundation Contemporary Asia 2,273 wynne and Sulman Prizes 2012 President’s Council TOTAL 121,565 Avant Card Support sponsor: general Members of the President’s Council as at 30 June 2012 Bank of America Merill Lynch Conservation support for The flood Steven lowy AM, Westfield PHILANTHROPY AC; Kenneth r reed; Charles in the Darling 1890 by wC Piguenit Holdings, President & Denyse -
Art Gallery of New South Wales Annual Report 2012 – 13
ART GALLERY OF NEW SOUTH WALES ANNUAL REPORT 2012 – 13 1 CONTENTS 4 Vision and strategic direction 2010 – 15 5 President’s foreword 9 Director’s statement 13 At a glance 15 Access 15 Exhibitions and audience programs 19 Future exhibitions 21 Publishing 23 Engaging 23 Digital engagement 23 Community 30 Education 35 Outreach Regional NSW 40 Stewarding 40 Building and environmental management 42 Corporate Governance 58 Collecting 58 Major collection acquisitions 67 Other collection activity 70 Appendices 123 General Access Information 131 Financial statements 2 ART GALLERY OF NSW ANNUAL REPORT 12-13 The Hon George Souris MP Minister for Tourism, Major Events, Hospitality and Racing, and Minister for the Arts Parliament House Macquarie Street SYDNEY NSW 2000 Dear Minister It is our pleasure to forward to you for presentation to the NSW Parliament the annual report for the Art Gallery of NSW for the year ended 30 June 2013. This report has been prepared in accordance with the provisions of the Annual Report (Statutory Bodies) Act 1984 and the Annual Reports (Statutory Bodies) Regulations 2010. Yours sincerely Steven Lowy Michael Brand President Director Art Gallery of NSW Trust 21 October 2013 3 VISION AND STRATEGIC DIRECTION 2010 – 2015 Vision The Gallery is dedicated to serving the widest possible audience, both nationally and internationally, as a centre of excellence for the collection, preservation, documentation, . interpretation and display of Australian and international art. The Gallery is also dedicated to providing a forum for scholarship, art education and the exchange of ideas. Strategic Directions Access To continue to improve access to our collection, resources and expertise through exhibitions, publishing, programs, new technologies and partnerships. -
Daftar 34 Provinsi Beserta Ibukota Di Indonesia
SEKRETARIAT UTAMA LEMHANNAS RI BIRO KERJASAMA DAFTAR 34 PROVINSI BESERTA IBUKOTA DI INDONESIA I. PULAU SUMATERA 1. Nanggroe Aceh Darussalam : Banda Aceh 2. Sumatera Utara : Medan 3. Sumatera Selatan : Palembang 4. Sumatera Barat : Padang 5. Bengkulu : Bengkulu 6. Riau : Pekanbaru 7. Kepulauan Riau : Tanjung Pinang 8. Jambi : Jambi 9. Lampung : Bandar Lampung 10. Bangka Belitung : Pangkal Pinang II. PULAU KALIMANTAN 1. Kalimantan Barat : Pontianak 2. Kalimantan Timur : Samarinda 3. Kalimantan Selatan : Banjarmasin 4. Kalimantan Tengah : Palangkaraya 5. Kalimantan Utara : Tanjung Selor (Belum pernah melkskan MoU) III. PULAU JAWA 1. Banten : Serang 2. DKI Jakarta : Jakarta 3. Jawa Barat : Bandung 4. Jawa Tengah : Semarang 5. DI Yogyakarta : Yogyakarta 6. Jawa timur : Surabaya IV. PULAU NUSA TENGGARA & BALI 1. Bali : Denpasar 2. Nusa Tenggara Timur : Kupang 3. Nusa Tenggara Barat : Mataram V. PULAU SULAWESI 1. Gorontalo : Gorontalo 2. Sulawesi Barat : Mamuju 3. Sulawesi Tengah : Palu 4. Sulawesi Utara : Manado 5. Sulawesi Tenggara : Kendari 6. Sulawesi Selatan : Makassar VI. PULAU MALUKU & PAPUA 1. Maluku Utara : Ternate 2. Maluku : Ambon 3. Papua Barat : Manokwari 4. Papua ( Daerah Khusus ) : Jayapura *) Provinsi Terbaru Prov. Teluk Cendrawasih (Seruai) *) Provinsi Papua Barat (Sorong) 2 DAFTAR MoU DI LEMHANNAS RI Pemerintah/Non Pemerintah, BUMN/Swasta, Parpol, Ormas & Universitas *) PROVINSI 1. Gub. Aceh-10/5 16-11-2009 2. Prov. Sumatera Barat-11/5 08-12-2009 Prov. Sumbar-116/12 16-12-2015 3. Prov. Kep Riau-12/5 21-12-2009 Kep. Riau-112/5 16-12-2015 4. Gub. Kep Bangka Belitung-13/5 18-11-2009 5. Gub. Sumatera Selatan-14 /5 16-11-2009 Gub. -
Gestural Abstraction in Australian Art 1947 – 1963: Repositioning the Work of Albert Tucker
Gestural Abstraction in Australian Art 1947 – 1963: Repositioning the Work of Albert Tucker Volume One Carol Ann Gilchrist A thesis submitted for the degree of Doctor of Philosophy Department of Art History School of Humanities Faculty of Arts University of Adelaide South Australia October 2015 Thesis Declaration I certify that this work contains no material which has been accepted for the award of any other degree or diploma in my name, in any university or other tertiary institution and, to the best of my knowledge and belief, contains no material previously published or written by another person, except where due reference has been made in the text. In addition, I certify that no part of this work will, in the future, be used for any other degree or diploma in any university or other tertiary institution without the prior approval of the University of Adelaide and where applicable, any partner institution responsible for the joint-award of this degree. I give consent to this copy of my thesis, when deposited in the University Library, being made available for loan and photocopying, subject to the provisions of the Copyright Act 1968. I also give permission for the digital version of my thesis to be made available on the web, via the University‟s digital research repository, the Library Search and also through web search engines, unless permission has been granted by the University to restrict access for a period of time. __________________________ __________________________ Abstract Gestural abstraction in the work of Australian painters was little understood and often ignored or misconstrued in the local Australian context during the tendency‟s international high point from 1947-1963. -
List of Works
4 JANUARY – 22 MARCH 2020 Margaret's Gift acknowledges and celebrates the generous legacy of Margaret Olley AC (1923-2011). Olley was a preeminent artist who had more than 90 solo exhibitions during her lifetime. Using funds from her own exhibition sales Olley would purchase fellow artists works, which she would then in turn donate to numerous galleries. She was also an entrepreneur who invested wisely in residential properties, that in turn brought in a steady income. This put her in a unique position in which she could, not only focus on her own artistic practice but she had the time and means to paint, travel, acquire and donate. The working relationships and life-long friendships she developed with gallery curators, directors and fellow artists are testament to her unwavering support of art and culture within this country. Throughout her lifetime, Olley continued to donate and provide funds to various institutions. This approach enabled institutions to acquire significant works of art. Many of these works are now considered collection highlights, spanning national, state, regional and university art collections. The Margaret Olley Art Trust was established in 1990. This legacy continues today, with the ongoing support of the trustees of the Margaret Olley Art Trust, through both donation of work or funds allocated to a specific project. This exhibition is the second in a series of three that has the generous support of the Margaret Olley Art Trust. Curated by Renée Porter, the exhibition presents over 60 works from collections in Queensland, New South Wales and the ACT and include works by European masters, Australian artists and ceramics from Papua New Guinea which were her earliest known gifts. -
The Journal of the Asian Arts Society of Australia
VOLUME 19 VOLUME NO. 1 MARCH 2010 THE JOURNAL OF THE ASIAN ARTS SOCIETY OF AUSTRALIA TAASA Review CONTENTS Volume 19 No.1 March 2010 3 EDITORIAL TAASA REVIEW THE ASIAN ARTS SOCIETY OF AUSTRALIA INC. Josefa Green Abn 64093697537 • Vol. 19 No. 1, March 2010 ISSN 1037.6674 4 SERVING THE RESISTANCE: LACQUER PAINTING IN VIETNAM DURING THE FIRST INDOCHINA WAR Registered by Australia Post. Publication No. NBQ 4134 Phoebe Scott editoriAL • email: [email protected] 7 AN AFTERNOON IN AHMEDABAD: IN CONVERSATION WITH EMBROIDERY MASTER ASIF SHAIKH General editor, Josefa Green Carole Douglas PUBLICATIONS COMMITTEE Josefa Green (convenor) • Tina burge 9 WHEN THE SUN IS IN LINE WITH THE WATER BOTTLE Melanie Eastburn • Sandra Forbes • Ann MacArthur Ann Proctor Jim Masselos • Ann Proctor • Susan Scollay Sabrina Snow • Christina Sumner 12 AN AUSTRALASIAN CERAMICS MUSEUM IN FUPING, CHINA DESIGN/LAYOUT Janet Mansfield Ingo Voss, VossDesign PRINTING 14 ARTIST PROFILE: WON-SEOK Kim’S AUSTRALIAN BUNCHEONG WARE John Fisher Printing Min-Jung Kim Published by The Asian Arts Society of Australia Inc. 16 THE NAT YUEN COLLECTION OF CHINESE ANTIQUITIES AT THE UNIVERSITY OF QUEENSLAND PO Box 996 Potts Point NSW 2011 www.taasa.org.au Gordon Craig Enquiries: [email protected] 18 MOVING THE PAST TO THE PRESENT: A SIEM REAP-ANGKOR KHMER RESIDENCE TAASA Review is published quarterly and is distributed to members of The Asian Arts Society of Australia Inc. TAASA Review welcomes Darryl Collins submissions of articles, notes and reviews on Asian visual and performing arts. All articles are refereed. Additional copies and 21 IN THE PUBLIC DOMAIN: JAPANESE TREASURES AT THE NATIONAL LIBRARY OF AUSTRALIA subscription to TAASA Review are available on request. -
At the Western Front 1918 - 2018
SALIENT CONTEMPORARY ARTISTS AT THE WESTERN FRONT 1918 - 2018 100 years on Polygon Wood 2 SALIENT CONTEMPORARY ARTISTS AT THE WESTERN FRONT New England Regional Art Museum (NERAM), Armidale 23 March – 3 June 2018 www.neram.com.au Bathurst Regional Art Gallery 10 August – 7 October 2018 www.bathurstart.com.au Anzac Memorial, Sydney October 2018 – 17 February 2019 www.anzacmemorial.nsw.gov.au Bank Art Museum Moree 5 March – 29 April 2019 DEIRDRE BEAN www.bamm.org.au HARRIE FASHER PAUL FERMAN Muswellbrook Regional Arts Centre MICHELLE HISCOCK 11 May – 30 June 2019 ROSS LAURIE www.muswellbrookartscentre.com.au STEVE LOPES EUAN MACLEOD Tweed Regional Gallery 21 November 2019 – 16 February 2020 IAN MARR artgallery.tweed.nsw.gov.au IDRIS MURPHY AMANDA PENROSE HART LUKE SCIBERRAS Opposite page: (Front row, left to right) Wendy Sharpe, Harrie Fasher, Euan Macleod, Steve Lopes, Amanda Penrose Hart George Coates, Australian official war artist’s 1916-18, 1920, oil on canvas (Middle row, left to right) Ian Marr, Deirdre Bean, Ross Laurie, Michelle Hiscock, Luke Sciberras Australian War Memorial collection WENDY SHARPE (Back row, left to right) Paul Ferman, Idris Murphy 4 Salient 5 Crosses sitting on a pillbox, Polygon Wood Pillbox, Polygon Wood 6 Salient 7 The Hon. Don Harwin Minister for the Arts, NSW Parliament Standing on top of the hill outside the village of Mont St Quentin, which Australian troops took in a decisive battle, it is impossible not to be captivated From a population of fewer than 5 million, almost 417,000 Australian men by the beauty of the landscape, but also haunted by the suffering of those enlisted to fight in the Great War, with 60,000 killed and 156,000 wounded, who experienced this bloody turning point in the war. -
Thesis Title
Creating a Scene: The Role of Artists’ Groups in the Development of Brisbane’s Art World 1940-1970 Judith Rhylle Hamilton Bachelor of Arts (Hons) University of Queensland Bachelor of Education (Arts and Crafts) Melbourne State College A thesis submitted for the degree of Doctor of Philosophy at The University of Queensland in 2014 School of English, Media Studies and Art History ii Abstract This study offers an analysis of Brisbane‘s art world through the lens of artists‘ groups operating in the city between 1940 and 1970. It argues that in the absence of more extensive or well-developed art institutions, artists‘ groups played a crucial role in the growth of Brisbane‘s art world. Rather than focusing on an examination of ideas about art or assuming the inherently ‗philistine‘ and ‗provincial‘ nature of Brisbane‘s art world, the thesis examines the nature of the city‘s main art institutions, including facilities for art education, the art market, conservation and collection of art, and writing about art. Compared to the larger Australian cities, these dimensions of the art world remained relatively underdeveloped in Brisbane, and it is in this context that groups such as the Royal Queensland Art Society, the Half Dozen Group of Artists, the Younger Artists‘ Group, Miya Studios, St Mary‘s Studio, and the Contemporary Art Society Queensland Branch provided critical forms of institutional support for artists. Brisbane‘s art world began to take shape in 1887 when the Queensland Art Society was founded, and in 1940, as the Royal Queensland Art Society, it was still providing guidance for a small art world struggling to define itself within the wider network of Australian art. -
Reducing Emissions from Deforestation and Forest Degradation (REDD+), Transnational Conservation and Access to Land in Jambi, Indonesia
A Service of Leibniz-Informationszentrum econstor Wirtschaft Leibniz Information Centre Make Your Publications Visible. zbw for Economics Hein, Jonas Working Paper Reducing Emissions from Deforestation and Forest Degradation (REDD+), Transnational Conservation and Access to Land in Jambi, Indonesia EFForTS Discussion Paper Series, No. 2 Provided in Cooperation with: Collaborative Research Centre 990: Ecological and Socioeconomic Functions of Tropical Lowland Rainforest Transformation Systems (Sumatra, Indonesia), University of Goettingen Suggested Citation: Hein, Jonas (2013) : Reducing Emissions from Deforestation and Forest Degradation (REDD+), Transnational Conservation and Access to Land in Jambi, Indonesia, EFForTS Discussion Paper Series, No. 2, GOEDOC, Dokumenten- und Publikationsserver der Georg-August-Universität, Göttingen, http://nbn-resolving.de/urn:nbn:de:gbv:7-webdoc-3904-5 This Version is available at: http://hdl.handle.net/10419/117314 Standard-Nutzungsbedingungen: Terms of use: Die Dokumente auf EconStor dürfen zu eigenen wissenschaftlichen Documents in EconStor may be saved and copied for your Zwecken und zum Privatgebrauch gespeichert und kopiert werden. personal and scholarly purposes. Sie dürfen die Dokumente nicht für öffentliche oder kommerzielle You are not to copy documents for public or commercial Zwecke vervielfältigen, öffentlich ausstellen, öffentlich zugänglich purposes, to exhibit the documents publicly, to make them machen, vertreiben oder anderweitig nutzen. publicly available on the internet, or to distribute or otherwise use the documents in public. Sofern die Verfasser die Dokumente unter Open-Content-Lizenzen (insbesondere CC-Lizenzen) zur Verfügung gestellt haben sollten, If the documents have been made available under an Open gelten abweichend von diesen Nutzungsbedingungen die in der dort Content Licence (especially Creative Commons Licences), you genannten Lizenz gewährten Nutzungsrechte. -
European Influences in the Fine Arts: Melbourne 1940-1960
INTERSECTING CULTURES European Influences in the Fine Arts: Melbourne 1940-1960 Sheridan Palmer Bull Submitted in total fulfilment of the requirements of the degree ofDoctor ofPhilosophy December 2004 School of Art History, Cinema, Classics and Archaeology and The Australian Centre The University ofMelbourne Produced on acid-free paper. Abstract The development of modern European scholarship and art, more marked.in Austria and Germany, had produced by the early part of the twentieth century challenging innovations in art and the principles of art historical scholarship. Art history, in its quest to explicate the connections between art and mind, time and place, became a discipline that combined or connected various fields of enquiry to other historical moments. Hitler's accession to power in 1933 resulted in a major diaspora of Europeans, mostly German Jews, and one of the most critical dispersions of intellectuals ever recorded. Their relocation to many western countries, including Australia, resulted in major intellectual and cultural developments within those societies. By investigating selected case studies, this research illuminates the important contributions made by these individuals to the academic and cultural studies in Melbourne. Dr Ursula Hoff, a German art scholar, exiled from Hamburg, arrived in Melbourne via London in December 1939. After a brief period as a secretary at the Women's College at the University of Melbourne, she became the first qualified art historian to work within an Australian state gallery as well as one of the foundation lecturers at the School of Fine Arts at the University of Melbourne. While her legacy at the National Gallery of Victoria rests mostly on an internationally recognised Department of Prints and Drawings, her concern and dedication extended to the Gallery as a whole.