Classic Maya Place Name Database Project, Mesoamerica
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With the Protection of the Gods: an Interpretation of the Protector Figure in Classic Maya Iconography
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2012 With The Protection Of The Gods: An Interpretation Of The Protector Figure In Classic Maya Iconography Tiffany M. Lindley University of Central Florida Part of the Anthropology Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Lindley, Tiffany M., "With The Protection Of The Gods: An Interpretation Of The Protector Figure In Classic Maya Iconography" (2012). Electronic Theses and Dissertations, 2004-2019. 2148. https://stars.library.ucf.edu/etd/2148 WITH THE PROTECTION OF THE GODS: AN INTERPRETATION OF THE PROTECTOR FIGURE IN CLASSIC MAYA ICONOGRAPHY by TIFFANY M. LINDLEY B.A. University of Alabama, 2009 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Anthropology in the College of Sciences at the University of Central Florida Orlando, Florida Spring Term 2012 © 2012 Tiffany M. Lindley ii ABSTRACT Iconography encapsulates the cultural knowledge of a civilization. The ancient Maya of Mesoamerica utilized iconography to express ideological beliefs, as well as political events and histories. An ideology heavily based on the presence of an Otherworld is visible in elaborate Maya iconography. Motifs and themes can be manipulated to convey different meanings based on context. -
CATALOG Mayan Stelaes
CATALOG Mayan Stelaes Palos Mayan Collection 1 Table of Contents Aguateca 4 Ceibal 13 Dos Pilas 20 El Baúl 23 Itsimite 27 Ixlu 29 Ixtutz 31 Jimbal 33 Kaminaljuyu 35 La Amelia 37 Piedras Negras 39 Polol 41 Quirigia 43 Tikal 45 Yaxha 56 Mayan Fragments 58 Rubbings 62 Small Sculptures 65 2 About Palos Mayan Collection The Palos Mayan Collection includes 90 reproductions of pre-Columbian stone carvings originally created by the Mayan and Pipil people traced back to 879 A.D. The Palos Mayan Collection sculptures are created by master sculptor Manuel Palos from scholar Joan W. Patten’s casts and rubbings of the original artifacts in Guatemala. Patten received official permission from the Guatemalan government to create casts and rubbings of original Mayan carvings and bequeathed her replicas to collaborator Manuel Palos. Some of the originals stelae were later stolen or destroyed, leaving Patten’s castings and rubbings as their only remaining record. These fine art-quality Maya Stelae reproductions are available for purchase by museums, universities, and private collectors through Palos Studio. You are invited to book a virtual tour or an in- person tour through [email protected] 3 Aguateca Aguateca is in the southwestern part of the Department of the Peten, Guatemala, about 15 kilometers south of the village of Sayaxche, on a ridge on the western side of Late Petexbatun. AGUATECA STELA 1 (50”x85”) A.D. 741 - Late Classic Presumed to be a ruler of Aguatecas, his head is turned in an expression of innate authority, personifying the rank implied by the symbols adorning his costume. -
The Terminal Classic Period at Ceibal and in the Maya Lowlands
THE TERMINAL CLASSIC PERIOD AT CEIBAL AND IN THE MAYA LOWLANDS Takeshi Inomata and Daniela Triadan University of Arizona Ceibal is well known for the pioneering investigations conducted by Harvard University in the 1960s (Sabloff 1975; Smith 1982; Tourtellot 1988; Willey 1990). Since then, Ceibal has been considered to be a key site in the study of the Classic Maya collapse (Sabloff 1973a, 1973b; Sabloff and Willey 1967). The results of this project led scholars to hypothesize the following: 1) Ceibal survived substantially longer than other centers through the period of the Maya collapse; and 2) the new styles of monuments and new types of ceramics resulted from foreign invasions, which contributed to the Maya collapse. In 2005 we decided to revisit this important site to re-examine these questions in the light of recent developments in Maya archaeology and epigraphy. The results of the new research help us to shape a more refined understanding of the political process during the Terminal Classic period. The important points that we would like to emphasize in this paper are: 1) Ceibal did not simply survive through this turbulent period, but it also experienced political disruptions like many other centers; 2) this period of political disruptions was followed by a revival of Ceibal; and 3) our data support the more recent view that there were no foreign invasions; instead the residents of Ceibal were reorganizing and expanding their inter-regional networks of interaction. Ceibal is located on the Pasión River, and a comparison with the nearby Petexbatun centers, including Dos Pilas and Aguateca, is suggestive. -
Installments 1-10
ThePARIJournal A quarterly publication of the Pre-Columbian Art Research Institute Volume XIII, No. IV, Summer 2013 The Further Adventures of Merle1 MERLE GREENE ROBERTSON In This Issue: The Further Adventures of Merle by Merle Greene Robertson PAGES 1-7 • A Late Preclassic Distance Number by Mario Giron-Ábrego PAGES 8-12 Joel Skidmore Editor [email protected] Marc Zender Associate Editor [email protected] Figure 1. On the Usumacinta River on the way to Yaxchilan, 1965. The PARI Journal 202 Edgewood Avenue “No! You can’t go into the unknown wilds birds, all letting each other know where San Francisco, CA 94117 of Alaska!” That statement from my moth- they are. Evening comes early—dark by 415-664-8889 [email protected] er nearly 70 years ago is what changed my four o’clock. Colors are lost in pools of life forever. I went to Mexico instead, at darkness. Now the owls are out lording it Electronic version that time almost as unknown to us in the over the night, lucky when you see one. available at: U.S. as Alaska. And then later came the But we didn’t wait for nightfall to www.mesoweb.com/ pari/journal/1304 jungle, the jungle of the unknown that I pitch our camp. Champas made for our loved, no trails, just follow the gorgeous cooking, champas for my helpers, and a guacamayos in their brilliant red, yellow, ISSN 1531-5398 and blue plumage, who let you know where they are before you see them, by 1 Editor’s note: This memoir—left untitled by their constant mocking “clop, clop, clop.” the author—was completed in 2010, in Merle’s 97th Mahogany trees so tall you wonder if, year. -
The Carved Wood Lintels of Tikal
TIKAL REPORT NO. 6 THE CARVED WOODEN LINTELS OF TIKAL William R. Coe and Edwin M. Shook Appendix by Linton Satterthwaite This content downloaded from 129.252.86.83 on Wed, 19 Sep 2018 04:29:22 UTC All use subject to https://about.jstor.org/terms CONTENTS Page INTRODUCTION 21 BASIC CONCLUSIONS 22 SURVIVING EVIDENCE OF CARVED LINTELS AT SITE 22 Temple 1. Temple II. Temple III. Temple IV. Structure 10 22 TERMINOLOGY AND FACTORS IN RECONSTRUCTION OF MISSING LINTELS- • • 23 CRITICAL REVIEW OF PRIOR ASSIGNMENTS OF LINTELS 25 1. Maudslay's Assignments and Observations 25 2. Maler's Assignments and Observations 26 3. Spinden's Assignments and Observations 27 4. Morley's Assignments and Observations 28 5. Beyer's Assignments and Observations 28 ASSIGNMENTS ON THE BASIS OF RECENT WORK 29 1. Matching of Lintel Fragments 29 2. Problem of Outer Doorways 30 3. Problem of Lintel Orientation 31 4. Associations of Beams no Longer in Position 31 5. Final Assignments 32 A. Temple I 32 B. Temple II 34 C. Temple III 36 D. Temple IV 37 E. Structure 10 (Structure 5D-52) 40 F. Summary 42 MISCELLANEOUS DATA 42 1. Observations on Beam Cutting, Carving, and Installation 42 2. The Question of Resetting of Lintels 45 3. Lintel Beam Butts and Carbon-14 Samples 45 APPENDIX-INSCRIPTIONS AND OTHER DATING CONTROLS . 47 INTRODUCTORY REMARKS 47 17 This content downloaded from 129.252.86.83 on Wed, 19 Sep 2018 04:29:22 UTC All use subject to https://about.jstor.org/terms Page Changed Long Count Positions 47 Improved Corpu's of Illustrations ... -
Tikal One Day Tour
GLOBAL TRAVEL PARTNER NETWORK TIKAL ONE DAY TOUR Today you will go back more than 2,000 years in time when you visit the Tikal National Park. At 05:00 a.m., you will be picked up at a Hotel in Guatemala City for transfer to the airport to board the flight to Flores, Petén (An additional charge of US$55.00 per person will have to be paid at the airline counter upon check-in for Fuel Tax and US$6.00 for Local Airport Tax). On arrival, our representative will take you to the Mayan City of Tikal which is located in the center of the National Park that bears its name, and has an extension of 222 square miles. Tikal was inhabited from 600 BC., till 869 AD. Its highlight was between 690 till 850 AD., a time period known by archaeologists as the Late Classic. Visit the Twin-Pyramid Complexes “Q” and “R”, Lost World Complex where the Great Pyramid and Temple 5C-49 are the most important. Also, visit Temple III and the Palace of the Windows, the Great Plaza, squared off with the pyramids of the Grand Jaguar and the Masks, the Palace of the Nobles, and Pyramid IV. This one is the highest of the Mayan pyramids, from its top a complete view of Tikal and its surrounding jungle can be enjoyed. In the afternoon transfer to Santa Elena’s Airport to board the flight to Guatemala City. On arrival, our representative will transfer you to a Hotel in Guatemala City for overnight accommodations. -
Who Were the Maya? by Robert Sharer
Who Were the Maya? BY ROBERT SHARER he ancient maya created one of the Belize, Honduras, and El Salvador until the Spanish Conquest. world’s most brilliant and successful The brutal subjugation of the Maya people by the Spanish ca. 1470 CE civilizations. But 500 years ago, after the extinguished a series of independent Maya states with roots The Kaqchikel Maya establish a new Spaniards “discovered” the Maya, many as far back as 1000 BCE. Over the following 2,500 years scores highland kingdom with a capital at Iximche. could not believe that Native Americans of Maya polities rose and fell, some larger and more powerful had developed cities, writing, art, and than others. Most of these kingdoms existed for hundreds of ca. 1185–1204 CE otherT hallmarks of civilization. Consequently, 16th century years; a few endured for a thousand years or more. K’atun 8 Ajaw Europeans readily accepted the myth that the Maya and other To understand and follow this long development, Maya Founding of the city of Mayapan. indigenous civilizations were transplanted to the Americas by civilization is divided into three periods: the Preclassic, the “lost” Old World migrations before 1492. Of course archaeol- Classic, and the Postclassic. The Preclassic includes the ori- ogy has found no evidence to suggest that Old World intru- gins and apogee of the first Maya kingdoms from about 1000 sions brought civilization to the Maya or to any other Pre- BCE to 250 CE. The Early Preclassic (ca. 2000–1000 BCE) Columbian society. In fact, the evidence clearly shows that pre-dates the rise of the first kingdoms, so the span that civilization evolved in the Americas due to the efforts of the began by ca. -
Ritual Responses to Drought: an Examination of Ritual Expressions in Classic Maya Written Sources
Human Ecology (2018) 46:759–781 https://doi.org/10.1007/s10745-018-0019-6 Ritual responses to drought: An examination of ritual expressions in Classic Maya written sources Eva Jobbová1 & Christophe Helmke2 & Andrew Bevan1 Published online: 14 September 2018 # The Author(s) 2018 Abstract Planting and rain-beckoning rituals are an extremely common way in which past and present human communities have confronted the risk of drought across a range of environments worldwide. In tropical environments, such ceremonies are particularly salient despite widespread assumptions that water supplies are unproblematic in such regions. We demonstrate for the first time that two common but previously under-appreciated Maya rituals are likely planting and rain-beckoning rituals preferentially performed at certain times of the year in close step with the rainy season and the Maya agricultural cycle. We also argue for considerable historical continuity between these Classic Maya ceremonies and later Maya community rituals still performed in times of uncertain weather conditions up to the present day across Guatemala, Belize, and eastern Mexico. During the Terminal Classic period (AD 800-900), the changing role played by ancient Maya drought-related rituals fits into a wider rhetorical shift observed in Maya texts away from the more characteristic focus on royal births, enthronements, marriages, and wars towards greater emphasis on the correct perpetuation of key ceremonies, and we argue that such changes are consistent with palaeoclimatic evidence for a period of diminished precipitation and recurrent drought. Keywords Epigraphy . Agriculture . Precipitation . Ritual . Maya . Belize . Guatemala . Eastern Mexico Introduction This narrative and rhetorical shift in the last century or so of the Classic period is not only interesting in its own right, but The Maya are one of the best-known civilisations of also implies a growing disjunction between what was actually Mesoamerica, noted for their art, architecture, astronomy, taking place and what the texts relate. -
High-Precision Radiocarbon Dating of Political Collapse and Dynastic Origins at the Maya Site of Ceibal, Guatemala
High-precision radiocarbon dating of political collapse and dynastic origins at the Maya site of Ceibal, Guatemala Takeshi Inomata (猪俣 健)a,1, Daniela Triadana, Jessica MacLellana, Melissa Burhama, Kazuo Aoyama (青山 和夫)b, Juan Manuel Palomoa, Hitoshi Yonenobu (米延 仁志)c, Flory Pinzónd, and Hiroo Nasu (那須 浩郎)e aSchool of Anthropology, University of Arizona, Tucson, AZ 85721-0030; bFaculty of Humanities, Ibaraki University, Mito, 310-8512, Japan; cGraduate School of Education, Naruto University of Education, Naruto, 772-8502, Japan; dCeibal-Petexbatun Archaeological Project, Guatemala City, 01005, Guatemala; and eSchool of Advanced Sciences, Graduate University for Advanced Studies, Hayama, 240-0193, Japan Edited by Jeremy A. Sabloff, Santa Fe Institute, Santa Fe, NM, and approved December 19, 2016 (received for review October 30, 2016) The lowland Maya site of Ceibal, Guatemala, had a long history of resolution chronology may reveal a sequence of rapid transformations occupation, spanning from the Middle Preclassic period through that are comprised within what appears to be a slow, gradual transi- the Terminal Classic (1000 BC to AD 950). The Ceibal-Petexbatun tion. Such a detailed understanding can provide critical insights into Archaeological Project has been conducting archaeological inves- the nature of the social changes. Our intensive archaeological inves- tigations at this site since 2005 and has obtained 154 radiocarbon tigations at the center of Ceibal, Guatemala, have produced 154 ra- dates, which represent the largest collection of radiocarbon assays diocarbon dates, which represent the largest set of radiocarbon assays from a single Maya site. The Bayesian analysis of these dates, ever collected at a Maya site. -
Variety and Transformation in the Cosmic Monster Theme at Quirigua, Guatemala
Variety and Transformation in the Cosmic Monster Theme at Quirigua, Guatemala ANDREA STONE UNIVERSITY OF WISCONSIN - MILWAUKEE hree zoomorphs from Quirigua, Monuments 2 Nearly universal traits are the dottted waterscroll joint (Zoomorph B), 15 (Zoomorph 0), and 16 marker, heavy eyelids with ornate lashes, and an associ T (Zoomorph P), I offer an unusually insightful ation with the sign T510, Venus in this context, which glimpse into the use of abstraction and metaphor in Maya usually appears on the head but can also be disposed art. Although these three sandstone sculptures have their elsewhere on the body as seen in Structure 22, Copan own particular style and iconographic configuration, (fig. 16a). The Cosmic Monster frequently has the cloven nevertheless, they depict the same theme, a fact noted hooves of a deer, a trait only found on Monument 15 at as early as Spinden's A Study a/Maya Art (1913). Schol Quirigua. ars have variously dubbed this theme "the cosmic motif' Another nearly consistent feature of the Cosmic Mon (Proskouriakoff 1960:455), the "Celestial Monster" ster is a net placed on the head. In vertical models the (Schele 1976), the "Bicephalic Monster" (Baudez and net can be seen on Piedras Negras Stelae 6, II, and 14, Riese 1982), the "Two-headed Dragon" (Spinden 1913), the east chamber of House E from Palenque' (fig. 16b), and "ltzam Na" (Thompson 1970a), among others. The and Structure 22 Copan (fig. 16a). At Copan the net name "Cosmic Monster Theme" will be adopted in this appears on one zoomorphic Cosmic Monster, Altar GI paper. -
The Glyph for Antler in the Mayan Script
f No. 11, 2004 WAYEB NOTES ISSN 1379-8286 THE GLYPH FOR ANTLER IN THE MAYAN SCRIPT Luís Lopes1 and Albert Davletshin2 1 email: [email protected] 2 Institute for Oriental and Classical Studies, Russian State University for the Humanities, Moscow email: [email protected] The glyph numbered 291 in Sir John Eric Thompson’s catalogue (1962), T291, depicts a ‘deer antler’. In the Classic Period inscriptions the sign in question is quite frequently found in the name phrases of powerful humans, deities and supernatural creatures. Some examples are given below: ’a?-[ku?]-lu-mu-chi ’a?-[ku?]-lu-ANTLER-b’a – the name of a deity recorded on La Mar Stela 1, A11 (Fig.1), and on the Sotheby’s Panel, I2 (Fig. 2); ANTLER-chi-CHAN – the name of the so-called ‘Deer-Snake’ on codex style ceramics (Fig. 3); YAX-ANTLER-JOL – the name of the 4th king of Yaxchilan (Fig. 4); ANTLER-CHAN-na-’a-ku – the name of a captive from Hiix-Witz recorded at Yaxchilan (Fig. 5); ANTLER--INVERTED-VASE - title of the Yaxchilan king Ya’xuun-B'ahlam IV, also applied to earlier Yaxchilan kings and possibly recorded on the San Diego Cliff carving (Figs. 6, 7, 9, 10 and 11); T4--ANTLER--INVERTED-EARTH, T4--’a--ANTLER--INVERTED-EARTH – a title of th the 26 king of Tikal (Jasaw-Chan-K'awiil’s title) on Tikal Stela 5 (Fig. 8), and bones and jade vessel from Tikal Burial 116 (MT38A, 38C, 38D, 50, and MT56).1 In this note we present iconographic and phonetic evidence that points towards a reading of XUKUB' "horn, deer antler" for this glyph. -
The Dynastic Sequence of Dos Pilas, Guatemala
PRE-COLUMBIAN ART RESEARCH INSTITUTE MONOGRAPH 1 The Dynastic Sequence of Dos Pilas, Guatemala Stephen D. Houston Peter Mathews Pre-Columbian Art Research Institute San Francisco, California April 1985 The Dynastic Sequence Of Dos Pilas, Guatemala STEPHEN D. HOUSTON, Yale University and PETER MATHEWS, Peabody Museum, Harvard University o the west of Lake Petexbatun, Peten, Guatemala, lies a region in which no fewer than five sites occur within an area of 45 square kilometers (Figure I). T The largest of these sites, and the one with the greatest number of known ~onuments, is Dos Pilas (Figure 2). This paper reconstructs the dynastic sequence of Dos Pilas, documenting five rulers, and traces the historical connections between Dos Pilas, neighboring centers near Lake Petexbatun, and relevant sites along the Pasion River and in northeastern Peten. I The Emblem Glyph of Dos Pilas and environs was first detected by Heinrich Berlin (1960:26-27), who called it the "Laguna Petexbatun" Emblem Glyph and who noted its resemblance to the Emblem Glyph of Tikal. Berlin nonetheless believed that the Copyright © 1985 by The Pre-Columbian Art Research Institute All rights reserved. No part of this publication may be repro duced in any form or by any means, without written permission of the copyright owner. Lithographed and printed by Herald Printers, Inc., Monterey, Fig. I Map showing the location ofDos Pitas and neighboring sites. (Map by Peter California. Mathews.) 2 3 63 2526 57 60[D] 58 ~59 ~ 90 5., 5 !~~1 6·, 1 CJ 1 ~ 7" o 234 154 26 27 25 TEST PIT" 28 ~~2~ 4~~~~·~7'45"W@ at Plaza) MN 100 50 m !! rrn 31 [==J LOOTER'S PIT lLJj 33 32 ~ § SOH Fig.