Saturday 21 November 2015 Camerata Philharmonic Chorus

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2 Leeds International Concert Season 2015/16 Welcome to 18/11/2015 08:57 LICS Programme 21.10.15.indd 3 Leeds Philharmonic Chorus Philharmonic Leeds Catherine Wyn-Rogers Catherine Manchester Grant LlewellynGrant Rebecca Evans Stephan Loges Stephan Camerata John Daszak mezzo soprano mezzo conductor soprano

Catherine Tackley Catherine by given be will talk Tonight’s pre-concert 9.40pm approximately at ends Tonight’s concert Requiem Mozart Interval minutes of twenty 40 No Symphony Mozart Deus te, Splendente Mozart 18/11/2015 08:57

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4 Leeds International Concert Season 2015/16 sis. tutor et Servator Tuisque pupilis Tu pusillis, doctor vis! fortis et numen, sis gratumque lumen, Tu viris sit. fructifera florens ventis, pressa non virulentis Quae immunis sit! virtuti, fida ut juventuti, Da nos. adjuta pugnamus; atque stamus, Arena nos: infestant postes, tartarei hostes Feri En! spes. te, opitulante certa, est pugnanti es; omnipotens solus Qui precantes, Exaudi vox: una est canentis iam devote plebis nox; est tristis discussa brightness Te, Splendente Deus

their Saviour and protector. and Saviour their followers to Thy and young to the an instructor Thou Be force. strong and power a welcome a light, to mankind Thou Be winds. destructive by unassailed productive, be and flourish they May unharmed! and virtue to their faithful to be young to the Grant us. aid help and Thou do battle; do and arena in the We stand us; molest hell, of gates the enemies, savage Lo! in battle. one for hope sure is aid there Thine with omnipotent, alone art who Thou prayers, our Thou Hear faithfully; singing people, Thy of voice one is there now is dispelled; darkness all grim in appearest Thou when O God, 1756 – 1791 – 1756 Mozart Amadeus Wolfgang

Splendente Te, Deus © 2015 Simon Lindley Simon © 2015 version for organ solo. organ for version a produced Best, WT organist, concert celebrated later, the duet and, organ an as piece the Wesley arranged Samuel versions. English free Pilgrimage Thamos from Motets two other the te Splendente and brought name, his bears still that publisher music of founder the Novello, Vincent organist -based unknown. is text of the origin The early/mid January. in Epiphanytide 6) or for (August Transfiguration of the Feast appropriate for the especially Motet is The solo singers. the interludes involving episodic rondo-type with theme of motto akind work as the throughout recur that bars opening the from evident exultation and of praise mood dramatic highly and rapturous exultant, to exaudi) the precantes precantes, (Exaudi prayers” our –“Hear supplication prayerful from range the moods Overall, solo voices. four between shared figuration duo scored deftly with interspersed is theme main chorus’s The 1779. and 1776 Thamos that thought generally It is imprint. Press University Oxford on the available subsequently been work has The Music. of Church School Royal the by Music Society Church of the behalf 1991 on in publication its since particularly of popularity, degree greatest the to enjoy, continues far and by TeSplendente enjoyed, has Egypt of King to music Thamos, incidental successful very not his from choruses magnificent three adapted Mozart original. oratorio or operatic earlier an from composer its by devised words Te, to Latin adaptation an Deus) is Motet No 1(Splendente Mozart’s Haydn’s curae, vanae et Insanae Like travels to Europe in 1829 with, at first, Latin texts and later later and texts Latin at first, 1829 with, in to Europe travels Mozart Mozart famous his after to England back was probably composed between between composed probably was , of which , of which 18/11/2015 08:57 LICS Programme 21.10.15.indd 5 very last cadence. last very the to maintained is section final pathos-laden, and chromatic, of the eloquence sustained The feature. afurther 3/4 is implied groupings 6/8and its marked the between shifting occasionally syncopation rhythmic and of accent, strength The development. a lengthy with – employed again is form sonata and classical, characteristically than is more prophetic romanticism of key sub-mediant flattened of the use molto. The Allegro initial symphony’s the from it were, as over, continued being by effect in increased arestlessness produces intensity its slow movement, of the tonality major the Despite coda on the greatly-developed opening material. abrief concludes with movement the and recapitulation, the in occurs sub-motif fanfare of the Much use minor. of Fsharp key distant the in theme theinitial movement’s – presents material subject first the only involving development –asection of the beginning the bold rhetoric: and changes key startling are There strings. and woodwind between shared subject, second antiphonal and chromatic to the leads fanfare tutti against an almost continuo set octaves in violins the by theme initial sighing of its means by molto unfolds, Allegro opening The finale. the into continued characteristic a material, in episodic sonorities specific afforded are clarinets the which work in of the –sections movements third and second the in diminished is role oboes of the The drums. and trumpets normal the with dispenses instrumentation The the three, Of its the most personal. that the is it 40th own. may be said specialof Each characteristics very has ofsymphonies Mozart’s three final winds preface the completion of this motto and an arpeggiated arpeggiated an and motto completion the of this preface winds -like accompaniment for lower strings. The The strings. for lower accompaniment -like Intensity alla breve alla 1756 – 1791 – 1756 Mozart Amadeus Wolfgang – two beats to the bar, bar, to the beats –two more lyrical second rhetorical, the first the – finale boldly the of subjects main two Allegro assai (Finale) assai Allegro Trio) and (Menuetto Allegretto Andante molto Allegro 1788 K550 Symphony No Gminor, 40 in © 2015 Simon Lindley Simon © 2015 texture. and of harmony changes subtle by enhanced line taut melodic and chromatics descending home – its key the in is recapitulation the in subject second superb of the appearance The development. daring extraordinarily of the start at the than so more –nowhere achieved dramatically are changes key the and chromatic, are Both moresecond lyrical. the boldly rhetorical, first the – finale of the subjects main two the between evident again is Contrast its rather care-worn and dolorous air and subdued conclusion. subdued and dolorous and air care-worn rather its with minuet expansive to the relief in is lilt rustic, almost gentle, The symphony. of the texture expressive darker otherwise an in brightness tonal real only the provides key major tonic whose trio, exquisite the with contrasts minuet strident of the tension bustling The

evident between the Contrast again is Contrast

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6 Leeds International Concert Season 2015/16 Introit for the responsible was Mozart that agree of experts majority The aresult. as income of loss apossible incomplete with score an to avoid submitting seeking naturally widow his death, time of Mozart’s the at unfinished left was the Requiem own’) his as hands by other works off habit of passing the in composer, more minor even an and nobleman, ’minor as Robertson Alec by (described von Walsegg Franz Count by Commissioned Süssmayer. Xavier Franz by Requiem the content to give quite been have own to our previous Generations complete score. the to genius’s failure ailing to the itself attaches interest Considerable Pro Defunctis. theof Missa settings 18th century tragically weeks ofmonths his certainly and –is the greatest life short of all deserveswhich to be betterMozart’sknown, Requiem Although precededMichael earlierof asetting years by twenty Haydn’s 2015 Fields Flanders In mirum the that Michael Haydn had earlier used a plainsong tone at this point; point; tone at this aplainsong used earlier had Haydn Michael that Tonus peregrinus. plainchant the is Te hymnus decet Requiem the in Introit of the outset at the theme sustained sublime, –the derivations such other contain Handel’s from Messiah stripes” tuis Requiem Mozart’s in ground common fugal Hostias. and Christe Jesu Domine, beginning Offertory, of the text the comprising movements two for the and respectively), subject matter and the main them of the Chorus “And with His His “And with Chorus of the them main the and matter subject Dies irae Dies stanzas the with (beginning Irae Sequence Dies and Kyrie and , Rex tremendae Rex of FL Gassman, while that of the Introit’s Psalm-verse Introit’s Psalm-verse of the that while Gassman, of FL in their entirety, for the first five movements of movements five first for the entirety, their in with its steady, relentless march of time also occurs occurs also of time march steady, its relentless with

majestatis, in the form completed for Mozart’s widow widow completed form for Mozart’s the in . Mozart’s own movements elsewhere elsewhere movements own . Mozart’s Sublime

Recordare 1756 – 1791 – 1756 Mozart Amadeus Wolfgang Kyrie/Cum sanctis sanctis Kyrie/Cum the with Confutatis maledictis Confutatis and It is interesting There is some some is There , Tuba Tuba

The The Maker. its to meet preparing humanity of mood the expressed more suitably the basset-horns) tones of the mellifluous hauntingly the by provided that (especially colouring unusual this –felt that depressed certainly and indeed ill 1791 very –by Mozart that suggested has Robertson for horns. –and excepted bassoons and basset-horns instruments, for woodwind material the of lack of the virtue by distinctive highly is scoring orchestral The and the chant in an antiphonal manner. harmony between –alternated Victoria and of Anerio those especially Requiem whose period polyphonic of the composers the with technique of compositional terms in alink provided is means such by pulsating strings. quietly by accompanied being tenor trombone obbligato and solo quartet –the irae Dies succeeds for Tuba which mirum radically est tremor Quantus at trembling illustrative the notable being –especially parts vocal and instrumental both in includes tension much and style animated in is these of first the movements; six into Sequence lengthy the divides Mozart – for mercy prayer opening the later) sets (used again fugue stupendous Introit of the words opening of the arepeat by followed verse, second the forchoir full the to leads itself which fluent accompaniment richly against Te a hymnus decet Psalm-verse the intones soloist soprano The strings. of the syncopation more animated the against woodwind and Kyrie eleison. Kyrie Introit unfolds adagio unfolds and piano and – composed the last in with the sustained lines of voices of voices lines sustained the with futurus . The mood changes changes mood . The

settings – – settings 18/11/2015 08:57 . A . A LICS Programme 21.10.15.indd 7 pathos and spirituality. key of B flat, rather than in the D major which followed Sanctus. followed majorthe which D in than rather of Bflat, key the in more suitable altogether sounds Osanna concluding the context venit qui Hostias in earlier present lilt serene gently The motif. main the more of developing far made have he would that certain be it must Mozart’s, is material melodic the if movement; Osanna perfunctory Arather here. part timpani striking the Dominus sanctus, sanctus, –Sanctus, Cherubim of the hymn of Isaiah’s start at the presented are Splendid sonorities concludes. structure two-part this which with fugue of the reprise the with contrast in obscurum ( outer into darkness faithful of the falling threatened of the portrayal vivid later only revealing Christe ( portion’smovements two that of each –after twice Offertory the in appears olim Abrahae Quam fugal and energetic The illa. dies Lacrimosa words the with –beginning hymn great of this movement final to the lead directly which bars closing at noticeable the especially is this chromaticism; much including altos, and sopranos of the supplications litany-like the with accompaniment bustling their and basses and of effects choral massive the contrasts Confutatis of melody treasure-store arich accorded are voices individual four the which awork in in solo writing the of all powerful most the among Recordare exquisite to the leads turn in This close. at the pietatis fons me, Salva prayerful quietly to the place rhetoric giving opening of the grandeur the tutti, orchestral the from accompaniment apowerful against lines choral sustained long, majestatis at tremendae Rex text splendour of the The 1791 K626 Requiem, and Hostias and The music here vies with Recordare with vies here music The – this latter section being assigned to the four soloists. In this this In soloists. four to the assigned being section latter –this ). ). Hostias ); the former begins in simple harmonic style style simple harmonic in begins former ); the is of much simpler style, providing a startling astartling providing style, of simpler much is Ne absorbeat eas Tartarus, ne cadant cadant ne Tartarus, eas absorbeat Ne Energetic Benedictus at Benedictus again achieved is quartet – the effect of which is is of which effect –the quartet in terms of its depth of of depth of its terms in

Notice Notice Sabaoth. Deus Domine, Jesu Jesu Domine, is captured by by captured is ends this this ends . from the orchestral tutti accompaniment a powerful choral against lines sustained majestatis © 2015 Simon Lindley Simon © 2015 chord, without either major or minor third. or major minor either without chord, ‘open’ final the is here textures musical of many interesting most Kyrie. of the litany melismatic to the had they than text to adeclamatory set being by more emphatic seem rhythms robust the es pius quia in aeternum: tuis sanctis –Cum Dead for the Mass the Kyrie of music the the repeats Süssmayer , while at Te movement hymnus first decet the in used of Dei Agnus setting urgent An text at text The splendour of the of splendour The is captured is by long, fugue to the closing words of this part of of part of this words closing to the fugue Rex tremendae Rex includes a reprise of the plainchant plainchant of the areprise includes Amongst the the Amongst

. Here Here .

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8 Leeds International Concert Season 2015/16 Salva me, fons pietatis. pietatis. fons me, Salva gratis, salvas salvandos Qui majestatis, tremendae Rex Chorus majestatis tremendae Rex iii) securus? sit justus Cum vix rogaturus, patronum Quem miser, sum, Quid dicturus? tunc Nil inultum remanebit. apparebit: latet Quidquid cum sedebit, ergo Judex judicetur mundus Unde In totum continetur, quo proferetur, Liber scriptus responsura. Judicanti creatura, Cum resurget natura, et stupebit Mors thronum. ante omnes Coget regionum, sepulchra Per Tuba sonum spargens mirum ii) Tuba mirum discussurus! stricte Cuncta venturus, est Judex Quando futurus, est tremor Quantus cum Sibylla. Teste David in favilla, saeclum Solvet illa dies irae, Dies Chorus irae Dies i) Sequence Introit &Kyrie Kyrie eleison. eleison. Kyrie eleison, Christe eleison, Kyrie (Fugue): veniet. caro teomnis ad meam; orationem Exaudi votum in Jerusalem reddetur tibi et in Sion, Te Deus, hymnus, decet eis luceat perpetua lux et Domine; eis, dona aeternam Requiem Quartet with trombone obbligato trombone with Quartet Chorus and Quartet Chorus and Quartet O Fount of Pity. O Fount of me, save redeemed, the saves freely who majesty, dreadful King of safe? shall be righteous the scarcely when me, for shall to plead Iask Whom say? wretch, shall I, What shall unavenged. nothing remain manifest, made shall be hidden is whatever seat his takes Judge the when so And judged. shall be world the which for everything contains which forth brought be will book A written Judge. to the to answer again rises creation when amazed shall nature and stand Death throne. the all before gather will land, every of tombs the through sound awondrous scattering trumpet, The then! everything out thresh will who shall Judge come the when be will there aterror great How Sibyl. the with prophesied David as in ashes, world the dissolve day will that wrath, day of The Lord, have mercy. Lord, have mercy, Christ, have mercy, Lord, shall allcome. flesh to Thee myprayer; Hear in Jerusalem. to Thee paid avow shalland be in Sion Thee becometh OGod, A hymn, them. light shine upon mayand perpetual OLord them, grant rest Eternal

Juste Judex ultionis, ultionis, Judex Juste Tantus cassus. sit non labor passus; crucem Redemisti lassus; sedisti, me, Quaerens die, illa perdas me Ne viae, tuae sum causa Quod pie, Jesu Recordare, Quartet pie Jesu iv) Recordare, v) Confutatis maledictis Chorus maledictis v) Confutatis dextra. in parte Statuens sequestra, me Et ab hoedis praesta, locum oves Inter igne. cremer perenni Ne benigne, fac bonus, tu, Sed sunt dignae, non meae Preces dedisti. spem Mihi quoque exaudisti, Et latronem absolvisti, Mariam Qui Deus. parce, Supplicanti meus; vultus rubet Culpa reus, tanquam Ingemisco rationis. diem Ante remissionis fac Donum ne cadant in obscurum: in obscurum: cadant ne Tartarus, eas absorbeat ne leonis, ore de eas libera lacu: profundo de et inferni poenis de defunctorum animas omnium fidelium libera gloriae, Rex Christe, Jesu Domine, Chorus Christe Jesu Domine, i) Offertory Amen. requiem. eis Dona Domine: Jesu Pie Deus: parce, ergo, Huic reus. homo Judicandus favilla, ex resurget Qua illa, dies Lacrymosa Chorus Lacrymosa vi) finis. mei curam Gere cinis, quasi contritum Cor acclinis, et supplex Oro cum benedictis. me Voca addictis, acribus Flammis maledictis Confutatis 18/11/2015 08:57 Just Judge of vengeance, vengeance, of Judge Just in vain. have been pains great such not let Cross: the endured having me, redeem didst Thou weary, down sit didst Thou me, Seeking day. that on me destroy not do journey; Thy for reason the Iwas that Jesus, merciful Recall,

placing me on Thy right hand. right Thy on me placing goats, the from me separate and sheep, the among aplace Give me fire. in everlasting Iburn lest mercy, show one, Ogood Thou, but worthy, not are prayers My hope. me given also hast thief the of prayer the hear and Magdalen Mary absolve didst who Thou OGod. suppliant, the spare guilt; with blushes my face guilty, one as I groan reckoning. day of the before redemption of gift the me give

and they may not fall into fall darkness: may not they and up, them swallow may not hell that lion, the of mouth the from them deliver pit; deep the from and hell of pains the from departed faithful all of the souls the deliver Glory, King of Christ, Jesus O Lord, Amen. rest. Give them Jesus: Lord merciful OGod, one, this spare Therefore judged. to be man, guilty the ashes the from again shall rise which on weeping, of day one is That care. into myending Thy Thou take ashes; as contrite as a heart I pray, suppliant kneeling, and blessed. the with me call flames, to keen consigned and confounded are wicked the When Dona eis requiem. Amen. Amen. requiem. eis Dona Domine: Jesu Pie Deus: parce, ergo, Huic reus. homo Judicandus favilla, ex resurget Qua illa, dies Lacrymosa Chorus Lacrymosa vi) finis. mei curam Gere cinis, quasi contritum Cor acclinis, et supplex Oro cum benedictis. me Voca addictis, acribus Flammis maledictis Confutatis Chorus maledictis v) Confutatis dextra. in parte Statuens sequestra, me Et ab hoedis praesta, locum oves Inter igne. cremer perenni Ne benigne, fac bonus, tu, Sed sunt dignae, non meae Preces dedisti. spem Mihi quoque exaudisti, Et latronem absolvisti, Mariam Qui Deus. parce, Supplicanti meus; vultus rubet Culpa reus, tanquam Ingemisco rationis. diem Ante remissionis fac Donum ultionis, Judex Juste Tantus cassus. sit non labor passus; crucem Redemisti lassus; sedisti, me, Quaerens die, illa perdas me Ne viae, tuae sum causa Quod pie, Jesu Recordare, Quartet pie Jesu iv) Recordare, ne cadant in obscurum: in obscurum: cadant ne Tartarus, eas absorbeat ne leonis, ore de eas libera lacu: profundo de et inferni poenis de defunctorum animas omnium fidelium libera gloriae, Rex Christe, Jesu Domine, Chorus Christe Jesu Domine, i) Offertory LICS Programme 21.10.15.indd 9 Give them rest. Amen. rest. Give them Jesus: Lord merciful OGod, one, this spare Therefore judged. to be man, guilty the ashes the from again shall rise which on weeping, of day one is That care. into my ending Thy Thou take ashes; as contrite as a heart I pray, suppliant kneeling, and blessed. the with me call flames, to keen consigned and confounded are wicked the When hand. right Thy on me placing goats, the from me separate and sheep, the among aplace Give me fire. in everlasting Iburn lest mercy, show one, Ogood Thou, but worthy, not are prayers My hope. me given also hast thief the of prayer the hear and Magdalen Mary absolve didst who Thou OGod. suppliant, the spare guilt; with blushes my face guilty, one as I groan reckoning. day of the before redemption of gift the me give vengeance, of Judge Just in vain. have been pains great such not let Cross: the endured having me, redeem didst Thou weary, down sit didst Thou me, Seeking day. that on me destroy not do journey; Thy for reason the Iwas that Jesus, merciful Recall, and they may not fall into fall darkness: may not they and up, them swallow may not hell that lion, the of mouth the from them deliver pit; deep the from and hell of pains the from departed faithful all of the souls the deliver Glory, King of Christ, Jesus O Lord, Osanna in excelsis! in excelsis! Osanna Domini. in nomine qui venit Benedictus Osanna in excelsis! in excelsis! Osanna tua. gloria terra et sunt coeli Pleni Sabaoth. Deus Dominus sanctus, sanctus, Sanctus, Agnus Dei & Communio & Dei Agnus Benedictus Sanctus ejus. semini et promisisti olimQuam Abrahae (Fugue): vitam. ad transire morte de Domine, Fac eas, facimus. memoriam hodie quarum animabus pro illis, tu suscipe offerimus; laudis Domine, tibi, preces et Hostias Chorus Hostias ii) ejus. semini et promisisti olimQuam Abrahae (Fugue): sanctam; in lucem eas repraesentet Michael sanctus signifer Sed Quartet quia pius es. quia pius es. in tuis aeternum: cum sanctis (Fugue) eis luceat perpetua lux et Domine; eis, dona aeternam Requiem quia pius in es. tuis aeternum: sanctis cum Domine, eis luceat aeterna Lux Quartet sempiternam. requiem eis dona mundi, mundi, qui tollis peccata Dei, Agnus requiem. eis dona mundi: qui tollis peccata Dei, Agnus Chorus

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Chorus Hosanna in the highest! in the Hosanna Lord. the of name in the cometh that he is Blessed Hosanna in the highest! in the Hosanna glory. Thy full of are earth and Heaven Sabaoth. of God Lord Holy, holy, holy, and his seed. his and to Abraham old of promise didst Thou which to life, death from to pass OLord, them, Grant today. commemorate we whom souls those of behalf on them receive Thou do praise: of prayers and sacrifices Lord, O Thee, unto We offer seed. his and to Abraham old of promise didst thou Which light; holy into the them bring standard-bearer holy the may Michael But for Thou art merciful. art Thou for ever: for saints Thy with them light shine upon mayand perpetual 0Lord; them, grant rest Eternal merciful. art Thou for ever: for saints Thy with O Lord them, light shine on everlasting Let rest. eternal them grant world, the of sins the away takest that God of O Lamb rest. them grant world, the of sins the away takest that God, of O Lamb 18/11/2015 08:57

9 www.leedsconcertseason.com LICS Programme 21.10.15.indd 10 10 Leeds International Concert Season 2015/16 Cathedral Choir Cathedral Bradford with Orchestra Chamber Union European Friday 15 April 2016, 7.30pm Trio Piano Smetana Friday 11 March 2016, 7.30pm Piano Lenehan John Clarinet JohnsonEmma Friday 29 January 2016, 7.30pm Cathedral Beautiful 28th Chamber Season in Bradford’s *Tickets: £16 –£14 University Hall, Concert Clothworkers’ Centenary Leeds College ofMusic. College Leeds Office, Box the at person or in oron 0113 3434 lcm.ac.uk 222 at Booking: 2016, 3.30pm 31st January folksongs. Northumbrian Butterworth Travel of Songs Williams Vaughan include to recital song English Concert Cake and Coffee piano Middleton Joseph baritone Allen Thomas Sir of Music College Leeds The Venue, FREE EVENT 2015, 1.05pm December 16th Loewe. and Liszt by songs include to Programme Concert Lunchtime Circle Song Music of Academy Royal of Music College Leeds The Venue, 0113 2584 343 oron concerts.leeds.ac.uk at Booking: 6.30pm at beginning talk, pre-concert by a preceded be will concert This 2015, 7.30pm December 2nd Awards Ferrier Kathleen the with association In Joseph Middleton soprano Alder Louise contemporaries and friends his period, middle The Series Song Strauss Richard The Times The UK.’ the of in art-song festivals far-reaching exuberant and most ‘...one of the

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LICS Programme 21.10.15.indd 11 (The Magic Flute), Flute), Magic (The Opera National of English companies opera at the appeared has Llewellyn conductor, Grant opera accomplished An . of Orchestra National BBC the with America South and Patagonia tours and Orchestra Philharmonia the with he appears season This others. amongst Orchestra, National Scottish Royal and Orchestra Philharmonic Royal Música, da Casa do Porto Sinfónica Orquestra Sinfonia, Northern Philharmonic, Helsinki Symphony Orchestra, BBC the include engagements guest Recent of Wales. Orchestra National BBC the Conductor Guest with Associate and Symphony Orchestra Stavanger Conductor Guest of the Principal Philharmonic, Flanders Royal Conductor of the Principal include orchestras European with held he has positions Other Korea. to South atour includes which de Symphonique Bretagne, Orchestre of the Music Director as season inaugural upon his embark Llewellyn saw 2015 September and classical periods. Baroque of of music the interpreter aformidable areputation as gained Llewellyn orchestra, period leading America’s Society, Haydn and Handel Toronto. of the and Music Director St Louis As Philadelphia, Montreal, Milwaukee, Houston, , of Atlanta, symphonies the notably most America, North in orchestras many conducted has Pops’. Llewellyn ‘Boston the Grant in and Series Subscription Boston the Festival, Tanglewood at the concerts he conducted 1990s early the in Symphony Orchestra Boston Conductor of the Assistant As Previn. and Masur Ozawa, Bernstein, with worked 1985 in he where in Music Center Tanglewood to the Fellowship won aConducting Tenby, in Born Llewellyn Wales, South music authority easy of all in and periods. energy styles and charisma, de Bretagne France, in Llewellyn Grant renowned exceptional is for his Music Director Symphony of the North Carolina Orchestre and Symphonique Grant Llewellyn Grant Symphony for BIS for Symphony Carolina North the with Yevgeny both Sudbin, No 2with Medtner and No 4 Rachmaninov concerti piano and soloist, as Marsalis Branford Spectrum American include recordings Recent Louis. of Saint Theatre Opera the with of Handel’s the Lionheart Richard premiere US the conducted he season last Symphony and Carolina North the with Figaro of Marriage of Mozart’s production asemi-staged include projects opera Recent competitions. singing world’sone of the prestigious most the of World, Singer Cardiff the BBC of final the conducted and USA of and Aeneas Dido aproduction in Shi-Zheng Chen director Chinese acclaimed with collaborated . He has Arianna Handel’s from Radamisto ranged has repertoire (Manon) North Opera four children. their and Charlotte wife his with Cardiff in lives Llewellyn Grant Festival. Musiksommer MDR the and at Konzerthaus Berlin the David’sSt Hall, Cardiff in performances including of Wales, Youth National the Orchestra with tour scale alarge included Symphony. also 2013 Carolina North the with events specialist of and Wales Orchestra National BBC with Music’ the ‘Feel as such projects outreach and education leads regularly Llewellyn music, with people young about engaging passionate and committed Deeply category. Classical’ ‘Traditional Billboard the one in number reached which Bailey Zuill Symphony with of Britten’s Cello release the saw 2013 Symphony Orchestra. BBC the with works orchestral Liebermann’s and on the Albany on the and and the Opera Theatre of Saint Louis, where his his where Louis, of Saint Theatre Opera the and label a recording of Lowell of Lowell arecording label at Spoleto Festival, Festival, Spoleto at , a disc featuring featuring , adisc to Alexander Goehr’s

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11 www.leedsconcertseason.com LICS Programme 21.10.15.indd 12 12 Leeds International Concert Season 2015/16 Der Rosenkavalier.Der Mimi Mimi included have house the roles in her Garden, at Covent guest A regular Pappano. with Cecilia Santa Accademia the and Elder with Orchestra Hallé the Gardiner, with Symphony Orchestra London the Blomstedt, and Gewandhausorchester Leipzig the with Almaviva Contessa Opera, National English at of the Rodelinda production new a role in title the included have calendar her in highlights Recent Schicchi Gianni Nella include engagements operatic forthcoming Evans’ Rebecca Turandot Liu Almaviva, Contessa Mimi, included have roles there her Opera, Screw Xerxes Romilda and Opera Netherlands for the Ilia Berlin; Staatsoper, Deutsche at the Despina Ilia Ariodante Ginevra sung she has Munich Staatsoper, Bayerische the At Trulove Trulove Anne Zerlina, and of Chicago Opera Lyric for the Fe; Pamina at Santa Susanna Opera; Metropolitan for the Zerlina and Susanna sung has she where America in career operatic amajor established also She has Cymru, Ty Hapus and Music in Hospitals Cymru/Wales. Ty Hospitals Music in and Hapus Cymru, Shelter them among charities, of several patron is Evans Rebecca A Proms. BBC at the guest aregular she is and Festivals Ravinia and Tanglewood Edinburgh, Salzburg, at the appeared She has Francisco Opera. Award winning artist, she has recorded prolifically. recorded she has artist, winning Award Grammy Le nozze di Figaro nozze Le Susanna and Idomeneo for the . A favourite at the Welsh National Welsh National at the Afavourite Opera. National English for the La Bohème La The Rake’sThe Progress Hänsel und Gretel Hänsel Gretel and Ilia , Pamina, at Covent Garden and concert appearances appearances concert and Garden at Covent di Figaro nozze Le , Angelica in Handel’s in Orlando , Angelica Despina and Zauberflöte Die , Pamina The Turn The the of Governess and , Ginevra and Adina L’Elisir d’Amore Adina and Highlights Evans Rebecca and her first Marschallin Marschallin first her and . Elsewhere she has sung sung she has . Elsewhere . for the San San for the Così fan tutte. tutte. fan Così , Grimes Grimes of Peter production Festival Aldeburgh the in Sedley Mrs sang and McCreesh Paul by conducted Verbier for the Festival di Figaro nozze Le Melisande Cesare, Siegfried, and Rheingold Das Erda Götterdämmerung, Norn First included have roles where Garden, Covent House, Opera Royal the with relationship aclose had She has Messiah. and St John Passion of the productions and Handmaid’s Tale,The Lucretia Deborah of Rape The Warner’s Gioconda, La Peace, Butterfly, and War Madama in appeared she has Opera National English For the Peter Grimes. Sedley Mrs as Scala debut her made Teatro for and the alla Marriage, Midsummer The Sosostris as of Chicago Opera Lyric at the appeared Zubin Mehta, with Florence and Valencia in Waltraute and Erda sang Catherine Hyperion. for Edition Johnson’s Complete Schubert Graham and Davis, Colin Sir and Peter Grimes for DG, Pinnock Gerontius Samson include recordings numerous Her Zubin Mehta. and Gardner Edward Norrington, Roger Sir Mackerras, Charles Sir Rozhdestvensky, Gennady Davis, Colin Sir Davis, Andrew Sir Haitink, Bernard Slatkin, Leonard with concert in performed She has Proms. BBC at the also and festivals, Aldeburgh and Edinburgh Choirs, Three the with appears Catherine Forlano. Diane with now works and Keeler Ellis with studies her She continued award. Butt Clara Dame the including prizes several gaining and St Clair Meriel with studying of Music, College Royal at the Scholar aFoundation was Wyn-Rogers Catherine Genevieve Marriage, Midsummer The Sosostris that was staged on the beach. on the staged was that Cornelia Cornelia von Nürnberg, Meistersinger Die Magdalene with Vernon Handley for EMI, Mozart’s Vespers Mozart’s for EMI, Vernon Handley with and Auntie Peter Grimes. Auntie and The Dream The of Christophers, Harry with with the London Symphony Orchestra Orchestra Symphony London the with She sang her first Marcellina in Marcellina first her She sang Wyn-Rogers Catherine Pelleas et et Pelleas with Trevor Trevor with Giulio Giulio 18/11/2015 08:57 LICS Programme 21.10.15.indd 13 under Simone Young. Simone under Mathis der Maler staged Hindemith’s rarely of production anew in von Brandenburg Albrecht and Ono, Kazushi de Lyon under at Opéra also and Wigglesworth Mark under at ENO Macbeth Mtsensk of Lady in Sergei include appearances platform opera the On Stephen Cleobury. under Cambridge Chapel, College King’s Te Berlioz’ at includes Deum season 2015/16 concert John Daszak’s Tosca including adiscography has conductors and esteemed many with Verdi’sSymphony No 9and daRequiem Messa Janác Symphony No 8and A popular concert performer a with repertoire from ranging Mahler’s (Der fliegende Holländer), (Mahagonny), Kabanova), (Khovanshchina), Alwa Faust), (Doktor Alwa Mephistopheles Vere, &Aron), (Moses Captain Aron include career recent Daszak’s of John highlights other repertoire, extensive an Boasting Peréz. Aschenbach Major Major Zwerg Der Kitezh), of Zemlinsky’s City the Invisible of Legend (The Kuter’na Vere Budd), (Billy role Grishka debuts:Captain important Rheingold) (Das Loge as Festspiele debut Bayreuther house 2015 at the his made John Daszak career, opera international esteemed an Now enjoying d’Arte Lirica. Accademia Italy’s of Music and College Northern Royal Manchester’s Drama, Music and Steva Steva as Opera National debut at English operatic his made John Daszak tenor British power, dramatic and range versatility, for his Admired Chandos Records Chandos for ˚fa) a f u˚ n e J ( (Wozzeck), under Kirill Petrenko and recent seasons have seen several several seen have seasons recent and Petrenko Kirill under and Peter Grimes and at the Teatro Real, Madrid under Alejo Alejo in Venice)(Death under Madrid Teatro at the Real, (Rape of Lucretia of (Rape Chorus (Elektra), Male Aegisth after graduating from London’s Guildhall School of of London’sSchool from graduating Guildhall after and Messiaen’s and d’Assise St François Siegfried in his first Ring Cylce, and Gustav von von and Gustav Cylce, Ring first his in Siegfried and Andrei Khovansky (Khovanshchina). Khovansky Andrei and ˇ . ek’s ek’s . Further appearances include Jimmy Jimmy include appearances . Further Glagolitic Mass Glagolitic Daszak John (Lulu), at Semperoper Dresden through Beethoven’s , he has collaborated collaborated , he has

Prince Golitsin (Katya (Katya , Boris , Tambour- , ), Erik Erik ),

Luxembourg. Luxembourg. and Reims Limoges, of Caen, houses opera the between co-production Rake’s The Trulove Father and Progress tour, on aEuropean Gardiner John Eliot Sir and Choir Monteverdi The (Christus) Passion Matthew St Bach with Touring Opera, English with et Mélisande Golaud include Pélleas beyond and season this Plans world. the throughout recitals given He has Competition. Song International Hall Wigmore of the winner early an was Stephan Dresden, in Born Berlin and the Guildhall School of Music and Drama in London. in Drama of Music and School Guildhall the and Berlin Kunste, der Hochschule at the studying before Kreuzchor Dresden the Freischütz Mahagonny of Fall and the City of Rise The Bill Capriccio, Dream Bohème Candide Zauberflöte, Tannhäuser Wolfram included roles have Opera Concert. English The with Leipzig in B Minor in Mass Bach and Jurowski Vladimir and Orchestra National Russian with Oratorio the Christmas Orchestra; Gewandhaus Leipzig the with Passion John St Padmore; Mark by directed OAE with (Christus) Passion St Matthew sang He recently orchestras. modern and period many in for DG). (alsorecorded McCreesh Paul and Consort Gabrieli the with Passions the and Gardiner Eliot with Cantatas Bach sung has Stephan Festival. Lieder Oxford the for of recitals aseries and Hall to Wigmore areturn include Recitals with Trevor Pinnock and has since sung it with it with sung since has and Trevor Pinnock with Passion Matthew St , Moritz in Mernier Frühlings Erwachen Frühlings Mernier in , Moritz Roméo et Juliette et Roméo Mercutio , , Macmillan Parthenogenesis and Argenio in Handel Imeneo Handel in Argenio and La mère coupable mère La Milhaud in Begearss Highlights He made his Proms debut 2002 in Proms He his made A Midsummer Night’s Night’s AMidsummer Demitrius , , Count Figaro, Schaunard La Loges Stephan , also on a European tour in a a in tour on aEuropean , also . Stephan was a member of of amember was . Stephan and in concert Count Count concert in and Die Die Papageno and , Maximillian , Maximillian Der Der , Ottokar

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13 www.leedsconcertseason.com LICS Programme 21.10.15.indd 14 14 Leeds International Concert Season 2015/16 Do you love singing For more information visit Road Ring Inner the over footbridge the Well, across Joseph's at George's St Free for parking is rehearsals currently available near Infirmary) General Leeds to (adjacent LS1 3BR Leeds Street, George Great ST GEORGE’S CHURCH at evening 7pm. Thursday every held rehearsals, of at our us one meet come and Chorus, the joining in you interested If are 1 1 1 1 1 Would you like achance to

Sing on tours? Sing European repertoire? avaried from works choral large-scale Perform training? and development Receive musical Season? Concert International Leeds of the part as Perform and orchestras? professionalSing with conductors

www.leedsphil.org/join ?

ST ANNE’S CATHEDRAL, LEEDS CATHEDRAL, ANNE’S ST 2016, 8pm February 20 Saturday or from members of the choir of the members from or £15,Tickets: door the on available for Suite Third Solo Cello Britten (aka Vespers) Vigil 37 Op All-Night Rachmaninov Hallé the with Cellist Principal Trygstad Nicholas conductor Wilberforce Richard Vigil All-Night Rachmaninov (Vespers)

NICHOLAS TRYGSTADNICHOLAS RICHARD WILBERFORCE 18/11/2015 08:57 1 1 1 1 For more information visit Road Ring Inner the over footbridge the Well, across Joseph's at George's St Free for parking is rehearsals currently available near Infirmary) General Leeds to (adjacent LS1 3BR Leeds Street, George Great ST GEORGE’S CHURCH at evening 7pm. Thursday every held rehearsals, of at our us one meet come and Chorus, the joining in you interested If are 1 Would you like achance to Do you love singing

Sing on tours? Sing European repertoire? avaried from works choral large-scale Perform Receive musical development and training? and development Receive musical Concert Season? Concert International Leeds of the part as Perform and orchestras? professionalSing with conductors

www.leedsphil.org/join ?

or from members of the choir of the members from or £15,Tickets: door the on available for Suite Third Solo Cello Britten (aka Vespers) Vigil 37 Op All-Night Rachmaninov Hallé the with Cellist Principal Trygstad Nicholas conductor Wilberforce Richard Vigil All-Night Rachmaninov LEEDS CATHEDRAL, ANNE’S ST 2016, 8pm February 20 Saturday (Vespers)

NICHOLAS TRYGSTADNICHOLAS RICHARD WILBERFORCE LICS Programme 21.10.15.indd 15 thus continuing the tradition of leadership by the most eminent eminent most the by of leadership tradition the continuing thus 2005, in Music Director its became Hill David when delighted was chorus The Hickox. Richard and Groves Charles Sir Mackerras, Charles Sir Sargent, Malcolm Sir Bairstow, Edward Sir Stanford, Charles Sir included have directors musical past Distinguished Ripon. at Legend Golden The of Sullivan’s performance rare a in it participated August this and Florilegium, with style baroque Messiah it performed of December Britten’sIn War Requiem. performance acclaimed amuch to present Philharmonic Belfast and Orchestra Ulster the with collaborated Phil the November Last Dortmund. and Vienna Prague, including Europe, Northern throughout cities many in taken have tours biennial its and Hall, Bridgewater Manchester’s as such venues concert UK major other in performed has Chorus the appearances, Town Hall to addition its In Camerata. Manchester and Hallé the Philharmonic, BBC the including orchestras, world-class with performs regularly Society Philharmonic of Leeds 1870, Chorus in the Established in the Park. Opera Leeds supporting in Chorus Festival Leeds with alternated and December each organised Concerts Mayor’s Carol Lord city’s the with involved integrally also is Chorus The decades. four past the over extending connection close very and of ahappy part as Season Concert International promoted Leeds by concerts evening Saturday in year each appearances regular include presentations These for enterprise well as excellence. –striving as programming oftenrepertoire and extensive is withcombines moretraditional modern concertsperform Leeds Town in Hall other Leeds and venues. Its concert members who regularly over 125 singing has Chorus Leeds Philharmonic 506467 No Charity Registered Chorus Philharmonic Leeds World-class in the the in

Manchester CamerataManchester the Hallé Philharmonic, and BBC the including orchestras, world-class regularly with performs

and Twitter –@leedsphiland onFollow Facebook us at www.facebook.com/LeedsPhil at website www.leedsphil.org the Visit FM. on Classic more recently 3and Radio on BBC broadcast been have concerts Chorus’ of the Many – www.leedsphil.org/merchandise. Messiah (Chandos), Walton’s Gloria of Stanford’s Mater Stabat and CDs recorded has Chorus The leadership. dynamic his under season third for the programme exciting an enjoying is Chorus the and Master Chorus appointed was Wilberforce Richard of 2013, Summer day. conductors of the the In choral British (CMI Records), links to which can be found on the Phil website website Phil found on the be can to which (CMI Records), links Philharmonic Society Society Philharmonic ...the Chorus of Leeds Leeds of ...the Chorus and and (Naxos) and Handel’s Handel’s and (Naxos) Feast Belshazzar’s for further information. further for

Te Deum 18/11/2015 08:57

15 www.leedsconcertseason.com LICS Programme 21.10.15.indd 16 16 Leeds International Concert Season 2015/16 Archivist: Irving Margaret O’Dea Rosemary Timmis Harriet Houkes Karin Librarians: Officers: Other Shirley Roger Hunt Paul Bayley Carolle CIO Trustees: Income Generation: Tours: Music Programme: Marketing: Membership: Manager: Concerts Treasurer: Secretary: Trustees: Lindley Simon Dr OBE Hunt Donald Dr Vice Presidents: Honorary FSA Roscoe Ingrid Dr West for Lord-Lieutenant Her Majesty’s Bullimore Clare Horsey Alan Wilberforce Richard Director Music Hill David Dr President: Val Middleton Janet Jurica Janet Andrew Straton Philip Ratcliffe Philip David Lunn and Lunn David Penny Dean Penny Jill Foalks Accompanist Deputy Accompanist Deputy Simon Lindley Simon David Jackson David David Lunn David Chorus Master Chorus

[email protected] you. with this explore to pleased very be will who Manager Sponsorship Chorus’ the contact please Phil, the sponsor to like would too you If It Design Trust Brotherton Charles Sponsors: Silver Legacy Brodwell, John late The Foundation Bramall &Terry Liz Trust Charitable Hargreaves Kenneth The Legacy Wilson, Elizabeth Clarice late The UBS Gold Sponsor: Sponsors: Friends of the Phil Rosemary Shrager Rosemary Patricia, Countess of Harewood; Life-long Patrons: O’Dea Rosemary Secretary: Mr & Mrs RMorrish &Mrs Mr PMeaden &Mrs Mr PMaude Mr KMalham Miss SGLindley Dr JRJurica Miss SHellewell &Mrs Mr JEGreenwood Miss JDix &Mrs Mr JClark Mrs ABerry Mrs CBayly Mrs GBatcup Dr JMBarrie Miss MArnold Mr HAllen Mr [email protected] at O’Dea Rosemary contact please Phil, the of aFriend becoming in interested are you If for LPC. enthusiasm via importantly, most and fees subscription organisation, events feedback, sponsorship, activities, fundraising work, volunteer through of ways: avariety in provided is Support Phil of the activities the and music choral in interest an with for everyone designed is scheme membership Our of LPC. purposes charitable the to support and music of choral appreciation and interest keen a who people share together to bring ago years many established the Phil was of Friends The concerts. its who people enjoy many the and LPC between link avital provide Friends and integrity artistic highest of the concerts choral promoting and making to dedicated charity aregistered is Chorus The activities. LPC’s support actively or company, group can you family, individual, an as Chorus, Philharmonic of Leeds aFriend becoming By

Mrs GPTownsley Mrs JThrossell Mr BCTempest Mrs JMTaylor Mrs ASuddaby Miss TDStraton Mr RSpurdens Mr MSprittles Miss RShirley Mr ASharman Mrs SScott Mrs EMScott Miss Rose A-M Mrs ABRichards Mrs JQueen Mrs in particular. 18/11/2015 08:57 LICS Programme 21.10.15.indd 17 * Denotes 25 years’ service years’ 25 * Denotes Jo Sims Jo Suzy Rounce Hannah Roberts Prinn Ann Moran Georgina Middleton* Valerie Maude* Cindy Lees Ruth Lee Laura Lynn Kibble Jaques Gemma Jackson Lucy Janet Jackson Ibanez Jenny Houkes Karin Hogg Katherine Hicks Catherine Susan Green Dean Penny Cruickshank Catherine Collin Gwen Coles Riley Clarke Jo-Anne Clark Janet Clark* Margaret Cawthorne Amy Elizabeth Beattie Barry Emma Katy Barrow Barber Lucy Madeleine Andrews Sopranos Chorus The Lynda Kitching Julia Johnson Gill Jewell Hazel Jackson Irving* Margaret Higgins Anna Herbert Rowena Dionne Heaven Grant* Christine Gilliam* Ann Lian French Franks Liz Fox* Lynne Forward Harriet Jill Foalks* Celia Eastham* Devall Barbie Cowling Pip Cole Rosemary Clark* Pam Chemo Rita Brabazon Olivia Berndt Anja Suzy Beck Baxter Julia Allen Judith Jan Alexander Altos Isabelle Wynne Isabelle Wright Robyn Wiggins Christine Rachael Thorp Tate*Christine Swan Gillian Spiegel Anna Daniel Wilcock Matthew Stockwell Matthew Skelton Robertshaw David Ratcliffe* Philip Jack Parkes* Mak Eric Lunn* David Eric Lewis* Rudi Leavor Hunt Paul Hayward Charles Graeme Gooday Gibson Andrew Figures David Donegan Stephen Gerard Aylward Tenors Irene Truman Timmis Harriet Tharratt Penny Starmer* Christine Shirley Isobel Sharpe* Sylvia Amy Sattin Ruijsenaars Christie Maureen Ross Linda Rosen* Powrie Benita O’Dea Rosemary Fiona Livermore Lewis Ann Ledgard* Frances Kox Laura Andrew Straton* Staveley Richard Geoff Queen Daniel Potts Page Mark Dick Pledge Robin Owen-Morley Johnston David Jackson David Hope David Harrison Peter Bill Fisher Ian Donley John Davies* Davies Arthur Cook David Basses 18/11/2015 08:57

17 www.leedsconcertseason.com LICS Programme 21.10.15.indd 18 18 Leeds International Concert Season 2015/16 Manchester, curating programmes for audiences across the region. the for across audiences programmes curating Manchester, of city the in embedded be will artists orchestra’s exceptional The ambitions. its to help it achieve opportunities bringing itwhat does, developing and challenging territory, musical uncharted into orchestra lead the will artists extraordinary and diverse with Working partner. lead as Gábor with model partnership artistic anew established have will 2019. orchestra 2018, until the By signed is and Music Director as season fifth his in is Takács-Nagy Gábor musician Hungarian great The artists Exceptional 1 1 1 2018 by Ambitions does. organisation of the what impact real the demonstrates which research, by backed is and programme, youth Camerata’s and wellbeing, and health schools, including areas, specialist three covers work This inclusion. social and loneliness, population, ageing the as such priorities national tackles community the work in pioneering Its Order. New like bands to iconic Argerich Martha as such legends classical –from artists diverse with collaborates and to nightclubs, halls concert grand from of venues, sorts all in appears orchestra The music. to the closer even participants and audiences to bring ways for new looking always is Camerata do. Manchester can orchestra an what to redefine ways innovative in music uses world and the in musicians home finest is to some of the orchestra the 1972, in (Musika Magazine) orchestras’ ‘one is of Europe’s chamber best Camerata Manchester Camerata Manchester

www.manchestercamerata.co.uk

Work with 90,000 people of all ages in the community, the in ages 90,000Work of people all with artists world’s 20 of the with exceptional most Collaborate to 500,000 people Perform including 3,000 people living with dementia with living people 3,000 including and a registered charity (No 503675). charity Founded aregistered and

Instagram: Instagram: YouTube: Facebook: Twitter: www.manchestercamerata.co.uk/newsletter-signup enewsletter: up to the Sign us with Connect www.manchestercamerata.co.uk/supportus journey. its support and to join individuals and organisations new invites and Nero, Caffè and FC City Manchester brands global including supporters, and partners of generous anumber has orchestra The Council. City Manchester and Authorities Manchester of Greater Association the England, Council Arts are Camerata of Manchester supporters Principal supporters Our research. in –aworld first dementia with for living people experiences embodied ‘in-the-moment’ atool to measure to design aims studentship PhD aCamerata University, Lancaster and Manchester of University The with partnership in years, three next the Over it. behind research the is so and growing work is wellbeing and health Its skills. life atool for learning as music –it’smusic about using not about learning is community the work Camerata’s in Manchester research first World Barclays and one of the UK’s most inspirational philanthropists. inspirational most UK’s one of and the Barclays at Officer Operating Group Chief CBE, Moulds Jonathan by orchestra to the on loan kindly violin, a1752 Guadagnini plays 2014. Adi in Leader appointed was Brett Adi violinist talented exceptionally The Recordings: @MancCamerata www..com/manccamerata www.facebook.com/manchestercamerata www.instagram.com/manchestercamerata www.manchestercamerata.co.uk/shop

18/11/2015 08:57 LICS Programme 21.10.15.indd 19 Sarah Whewell Sarah Flutes Burndrett David Daniel Storer Double basses BillsHeather Harriot Esther Morris Graham Grunthal Barbara Cellos Mitchell Alex Nick Howson Rachel Jones Stephen Kay Violas Wu Qian Anthony Banks Thompson Rebecca Bass Gemma Caroline Pether Violins Second Attree Rosemary Liz Rossi Sophie Mather Whittingham Sarah Paula Smart Brett Adi First Violins Orchestra The Simon Lindley Simon Organ Fulton Janet Timpani Broomhead Richard trombone Bass Price David Timothy Chatterton Trombones Helen Quayle Neil Fulton Trumpets Harris Johnny Jonathan Barrett Horns Faulkner Sarah Wood Anthea Bassoons Lynne Racz Daniel Bayley Clarinets Benfield David Rachael Clegg Oboes from you! from We would like to hear 1 1 would... If you Camerata Manchester Soloists Guest Society) Choral & Choir Philharmonic (Yorkshire YorkshireVoices Featuring... 1 1 Beethoven’s ‘Missa Solemnis’ Beethoven’s‘Missa

works ever written, ever works choral greatest the of one sing voices, 200 over of achoir like with sing to symphony orchestra... afull with performing of thrill the experience Yorkshire, in magnificent concert halls most the of one in perform www.yorksphilchoir.co.uk Yorkshire Philharmonic Choir and the Harrogate Choral Society Choral Harrogate the and Choir Philharmonic Yorkshire Telephone

To express your interest – contact us now on: now us –contact interest your To express on on

An invitation toAn come and sing Saturday 11th June 2016, 7pm A Musical Partnership between the between Partnership A Musical

01423 530764 01423 or 890095 01924 at at

Leeds TownLeeds Hall

or www.harrogatechoral.org.uk or 1 1 1 1 1 you to: ask will we involved be to wish Secondly: Leeds. , Lane, Street Church, St Andrew’s at February 20th 2016, on in Leeds session’ ‘taster Firstly: involved?: become you can How

involved. being of costs all cover to £50 pay to need You will June 2016. 11th Saturday Town on Hall in Leeds performance and rehearsal dress the Attend 2016. May 21st on in Leeds choir full the with rehearsal day awhole Attend Spring 2016. (Tuesday)during Wakefield or (Wednesday) Harrogate either in rehearsals 10 to Come session). (at taster the test musical Take ashort join the choirs for their their for choirs the join if after the taster you you taster the after if

18/11/2015 08:57

19 www.leedsconcertseason.com Wednesday 25 November 2015 Wednesday 2 December 2015 The Venue, 1.05pm-1.55pm The Venue, 1.05pm-1.55pm Peter Moore Adam Newman trombone viola Leeds Jonathan Ware Alexander Karpeyev International piano piano Peaslee Arrows of Time Webern Two Pieces Brahms Four Serious Songs Brahms Viola Sonata Op 120, No 1 Concert Casterede Sonatina Alexander Krein Three Ornaments Jongen Aria and Polonaise Hindemith Viola Sonata Season The youngest ever winner of BBC Young Adam Newman graduated with first class Musician in 2008, trombonist Peter Moore honours from the Royal Academy of Music 2015/16 studied with Philip Goodwin at Chetham’s where he studied with Philip Dukes and School of Music, and with Ian Bousfield. György Pauk. Alexander Karpeyev has been In 2014 he was appointed co-principal a major prize-winner in international piano Forthcoming trombone of the London Symphony competitions. Orchestra. Admission free concerts Admission free

Saturday 5 December 2015 Saturday 28 November 2015 Leeds Town Hall, 7.30pm Leeds Town Hall, 7.30pm Orchestra of Opera Prague Symphony North Orchestra Richard Farnes Pietari Inkinen conductor conductor Concerto for Orchestra Chloë Hanslip Lutosławski violin Mahler Symphony No 1 Tickets: £33.50 – £12.50 (discounts available) Smetana Má Vlast: Šárka Beethoven Violin Concerto Sibelius Symphony No 1 Tickets: £33.50 – £12.50 (discounts available)

Please don’t forget to turn off your Visit www.leodis.net/discovery for an online , with extensive sections on both mobile phone. Leeds Town Hall and classical music in Leeds. reserves the right to change programmes, orchestras and artists without notice. Food and drink is not permitted within the concert- hall, nor may any cameras or recording equipment be brought into the auditorium. It is illegal to record any part of a performance unless prior arrangements have been made with the concert promoter.

LICS Programme 21.10.15.indd 20 18/11/2015 08:57