Sri Chaitanya Bhagavat Adi Lila Chapter One I Worship Their

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Sri Chaitanya Bhagavat Adi Lila Chapter One I Worship Their Sri Chaitanya Bhagavat Adi Lila Chapter One I worship their Lordships Sri Caitanya Mahaprabhu and Sri Nityananda Prabhu, whose long arms extend down to their knees, whose beautiful complexions are the radiant yellow of molten gold and whose elongated eyes are like red lotuses. They are the topmost of the brahmanas, the guardians of religious principles for this age, the munificent benefactors of all living entities, and the most compassionate incarnations of Godhead. They initiated the congregational chanting of the names of Lord Krsna. O Lord! You are the eternal truth - past, present, and future - and You appeared as the son of Sri Jagannatha Misra. I offer my repeated obeisances unto You along with Your inseparable servitors, Your unalloyed devotees, Your sons (referring to His renounced Gosvami disciples, or the devotional process of chanting the holy name of Lord Krishna), and Your relatives (Bhudevi as Sri Vishnu Priya, Sridevi as Sri Laksmi Priya, and Lila, Nila or Durga as Navadvipa Dhama). According to devotional tastes there are the two Gadadharas, Damodara, Narahari, Ramananda, Jagadananda etc. One is Sri Gadadhara Pandita - the expansion of Srimati Radharani and Sri Gadadhara Bhatta from South India who is Rangadevi. I worship the two brothers, Sri Caitanya Mahaprabhu and Sri Nityananda Prabhu, who are the embodiment of magnanimity. By Their inconceivable potency They are the transcendental, eternal supreme controllers of all. Now They have descended to the material world. All glories to Sri Gaurasundara, the supremely powerful Lord of pure transcendence. He has an aura of molten gold, with lotus petal eyes, and His long graceful arms extend to His knees. While He sings the glories of the Lord, He dances in various pleasing postures, His heart inundated by the ecstatic emotions of devotional mellows. All glories, all glories to the moonlike Sri Krishna Caitanya. He is the fully independent Supreme Person, always engaged in transcendental pastimes. He is the Lord of the universe, the supreme controller of all controllers, and the personification of transcendence. All glories, all glories to the devotees of Sri Gauracandra. All glories, all glories to the ecstatic dancing of the Lord's intimate associates. In the beginning I offer my humble obeisances to the feet of the loving, confidential devotees of Lord Sri Caitanya. I then offer my obeisances to the Supreme Personality of Godhead, Sri Krishna Caitanya. He incarnated in Navadvipa, and He is known as Visvambhara. That same Supreme Personality of Godhead has declared in the Vedas and Bhagavat, "Worship of My devotees is superior to worship of Me." Lord Krishna said to Uddhava, "O Uddhava, serving My devotees is many times better than worshiping Me." (SB 11:19:21). Therefore, I offer my worshipful prayers unto the devotees of the Lord before I begin to write this book. By this act may my present endeavor be successful. I offer my respectful obeisances to my worshipable Lord and spiritual master, Sri Nityananda Raya, by whose mercy the transcendental pastimes of Lord Sri Caitanya become spontaneously manifest. With a thousand tongues we should incessantly glorify the Supreme Lord Balarama, because His thousand mouths as Ananta Sesa constantly glorify Lord Krishna. Just as priceless gems are kept in secure custody, so also the invaluable jewel of knowledge about Krsna's pastimes is kept safely in the mouth of Anantadeva. Therefore the tongue which initially glorifies Balarama will automatically be qualified to vibrate the transcendental pastime of Sri Caitanya. The Supreme Lord Haladhara holds His thousand hoods like snakes. He is a gigantic figure and the source of all inspiration. As Nityananda He is fully transcendental and eternally existent, intoxicated by the nectar of Sri Caitanya. Whoever sings or hears about Nityananda's supramundane character is offered the supreme shelter of Lord Caitanya. Mahesa and his consort Parvatidevi take great pleasure in eulogizing the object of their love - Sankarsana, Nityananda Prabhu. In the midst of a million fresh young maidens, the pure devotee, Sri Siva, and his consort pour out nectarean devotional hymns to Lord Sankarsana. All this is revealed in the Fifth Canto of the Srimad Bhagavatam. Balarama is worshiped by the entire Vaisnava world with songs of praise. Balarama danced with His gopis in Vrndavana, and their rasa dance is the pinnacle of sublimity. The Puranas describe that Balarama performed His rasa dance during the two months of spring, Madhava and Madhu. The Srimad Bhagavatam verses narrating this subject were spoken by Sukadeva Gosvami to Maharaja Pariksit. Balarama spent the moonlit nights of the months of Vaisaka and Caitra with the cowherd damsels in the supramundane abode of Vrndavana. The place was set aglow with the rays of the moon. The lotus and kadamba flowers bloomed freely under the influence of the moon's rays, and a soft breeze circulated their scent. In the groves on the bank of the Jamuna, Balarama danced with the gopis, increasing their conjugal mood. The Supreme Lord Balarama, like a exquisite gem decorated by the cluster of gopis, performed His pleasurable pastimes. He behaved like Indra's elephant Airavata - the controller of many she-elephants. The Gandharvas observed the rasa dance and offered their prayers. The sound of kettle drums rose from the heavens, the demigods joyously showered flowers upon Them, and the Gandharvas and sages worshiped the Supreme Lord Balarama with verses praising His activities. The sages unequivocally denounce association with women, yet they sung hymns in praise of Balarama's rasa dance with His cowherd damsels. The demigods attended Balarama's rasa dance to shower flower petals. They knew that there was no difference between Lord Krsna and Lord Balarama, Haladhara. The transcendental qualities of Balarama are obscure in the four Vedas, but the Puranas describe them boldly. What power do I have to describe them? Out of ignorance, some people disregard the Puranas and reject Balarama's rasa dance as inauthentic. The two brothers, Lord Krsna and Balarama, performed the rasa dance with the gopis in the same place in Vrndavana. On the radiant full moon night of holi, at the end of sivaratri vrata, Lord Krsna and Lord Balarama, accompanied by Their cowherd boy friends, enjoyed Themselves in the midst of the beautiful maidens of Vrndavana. They were both pleasingly decorated with the finest jewelry, sandalwood pulp, wildflower garlands and exquisite clothes. The fortunate gopis sang sweetly, their hearts enraptured by love for Krishna and Balarama. Evening had not set in; the moon and the stars appeared. The fragrance of Arabian jasmine intoxicated the bumblebees, and a light breeze carried the aromas of white lilies and lotus flowers. Considering that very moment to be appropriate, Krsna and Balarama began Their pleasurable dalliances. They sang together for the pleasure of all living entities, Their voices rising and falling melodiously. If a person, after reading Srimad Bhagavatam, is not affectionately inclined towards Lord Balarama, then he is rejected by the Supreme Lord Vishnu and His devotees. In the words of Srimad Bhagavatam, a non-believer is a yavana (a barbarian). He is destined to suffer in hell, birth after birth. There are others who, like eunuchs, make emotional gesticulations, challenging, "Which scripture describes the rasa dance of Balarama?" Who is so sinful that even after reading the scriptures, he can not accept the truth, but misinterprets the real meaning and gives his own distorted understanding? Lord Balarama is the abode of Lord Caitanya's deep affection. Offense at Balarama's lotus feet destroys all possibilities for salvation. In His incarnation as Laksmana the younger brother of Lord Ramacandra, Balarama enacted the role of the Lord's servitor. Yet in His manifestation as the Supreme Lord, Balarama serves Himself in every respect - as a friend and a brother, by fanning Him, putting Him to sleep, glorifying Him with Vedic invocations and expanding Himself as His house, umbrella, attire, jewelry and seat. "O Lord ! Your direct, partial expansion, Ananta Sesa, is the source of all the various ingredients for Your service in the transcendental realm of Vaikuntha. Ananta Sesa is famous because He is manifest as Your residence, bed, throne, shoes, clothes, jewelry, etc. When shall I see you with Laksmidevi seated on the throne of Ananta Sesa? Ananta Sesa's partial expansion is the mighty Sri Garuda whose satisfaction is derived from acting as the Lord's carrier in every pastime. Ananta's devotees include Brahma, Siva, the four Kumaras, Srila Vyasadeva, Sukadeva Gosvami, Narada Muni and others. His glorious qualities are unlimited and are not fully understood by anyone. He is the original personality, the greatest mystic, the Supreme Lord, and the greatest devotee of the Vaisnavas. Thus far you have heard about the wonderful services performed by Ananta Sesa; now hear about His great opulence. He is enthroned in the lower planetary system of patala as his own source and repose. He is worshiped by all as His thousand mouths continually taste the full nectar of love of Godhead. In the court of Brahma, Narada Muni plays on his vina, and with well-composed verses he sings the wonderful glories of Ananta. Is it humanly possible to know the supramundane nature of Anantadeva? Just by His glance, He sets in motion the three modes of material nature which are the cause of this world's creation, maintenance, and annihilation. Although He is one, He supports the entire variegated material cosmic manifestation Himself (within the pores of His person). He is beginningless and eternal. Other then Lord Sankarsana, who can offer shelter to persons devoid of all material aspirations? He is the support on which the material world manifests and acts. That Supreme Lord, the cause of all causes, has appeared in His sublime spiritual form.
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