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A Thesis Submitted for the Degree of PhD at the University of Warwick Permanent WRAP URL: http://wrap.warwick.ac.uk/150023 Copyright and reuse: This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. For more information, please contact the WRAP Team at: [email protected] warwick.ac.uk/lib-publications ‘AN ENDLESS VARIETY OF FORMS AND PROPORTIONS’: INDIAN INFLUENCE ON BRITISH GARDENS AND GARDEN BUILDINGS, c.1760-c.1865 Two Volumes: Volume I Text Diane Evelyn Trenchard James A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy University of Warwick, Department of History of Art September, 2019 Table of Contents Acknowledgements ………………………………………………………………. iv Abstract …………………………………………………………………………… vi Abbreviations ……………………………………………………………………. viii . Glossary of Indian Terms ……………………………………………………....... ix List of Illustrations ……………………………………………………………... xvii Introduction ……………………………………………………………………….. 1 1. Chapter 1: Country Estates and the Politics of the Nabob ………................ 30 Case Study 1: The Indian and British Mansions and Experimental Gardens of Warren Hastings, Governor-General of Bengal …………………………………… 48 Case Study 2: Innovations and improvements established by Sir Hector Munro, Royal, Bengal, and Madras Armies, on the Novar Estate, Inverness, Scotland …… 74 Case Study 3: Sir William Paxton’s Garden Houses in Calcutta, and his Pleasure Garden at Middleton Hall, Llanarthne, South Wales ……………………………… 91 2. Chapter 2: The Indian Experience: Engagement with Indian Art and Religion ……………………………………………………………………….. 117 Case Study 4: A Fairy Palace in Devon: Redcliffe Towers built by Colonel Robert Smith, Bengal Engineers ……………………………………………………..…. -
Ainsley Mcintosh, Ed., Marmion: a Tale of Flodden Field, Edinburgh: Edinburgh UP, 2018, the Edinburgh Edition of Walter Scott’S Poetry
The Wenshan Review of Literature and Culture．Vol 13.2．June 2020．209-212. DOI: 10.30395/WSR.202006_13(2).0009 Ainsley McIntosh, ed., Marmion: A Tale of Flodden Field, Edinburgh: Edinburgh UP, 2018, The Edinburgh Edition of Walter Scott’s Poetry. Pp. 486. £90. ISBN 9781474425193. Kang-yen Chiu Walter Scott’s Marmion: A Tale of Flodden Field was published in February 1808 when the poet was thirty-seven years old. The first edition of 2,000 copies sold out in less than two months, and with a third edition by the end of May, a total of 8,000 copies were sold in a little over three months. Marmion remained a best-seller throughout the nineteenth century. The Brontë sisters were admirers of the poem and it is mentioned in Charlotte Brontë’s Jane Eyre (1847). Marmion, a historical romance having the Battle of Flodden in 1513 as its focus, along with The Lay of the Last Minstrel (1805) and The Lady of the Lake (1810), has been regarded as the best of Scott’s poetry. These three works were translated into Chinese between the 1980s and 1990s, and they remain the only poems by Scott that have Chinese translations.1 In marked contrast to his novels, with the earliest Chinese translation of the Waverley Novels (Ivanhoe), by Lin Shu ( , 1852-1924), appearing in 1905, the Chinese have been introduced to Scott’s poetry only relatively recently, and it is probably the case that most Chinese speaking readers today are unaware of the fact that Scott began his literary career as a poet, and that writing poetry was an activity that spanned his whole career. -
Leonard Bernstein's MASS
27 Season 2014-2015 Thursday, April 30, at 8:00 Friday, May 1, at 8:00 The Philadelphia Orchestra Saturday, May 2, at 8:00 Sunday, May 3, at 2:00 Leonard Bernstein’s MASS: A Theatre Piece for Singers, Players, and Dancers* Conducted by Yannick Nézet-Séguin Texts from the liturgy of the Roman Mass Additional texts by Stephen Schwartz and Leonard Bernstein For a list of performing and creative artists please turn to page 30. *First complete Philadelphia Orchestra performances This program runs approximately 1 hour, 50 minutes, and will be performed without an intermission. These performances are made possible in part by the generous support of the William Penn Foundation and the Andrew W. Mellon Foundation. Additional support has been provided by the Presser Foundation. 28 I. Devotions before Mass 1. Antiphon: Kyrie eleison 2. Hymn and Psalm: “A Simple Song” 3. Responsory: Alleluia II. First Introit (Rondo) 1. Prefatory Prayers 2. Thrice-Triple Canon: Dominus vobiscum III. Second Introit 1. In nomine Patris 2. Prayer for the Congregation (Chorale: “Almighty Father”) 3. Epiphany IV. Confession 1. Confiteor 2. Trope: “I Don’t Know” 3. Trope: “Easy” V. Meditation No. 1 VI. Gloria 1. Gloria tibi 2. Gloria in excelsis 3. Trope: “Half of the People” 4. Trope: “Thank You” VII. Mediation No. 2 VIII. Epistle: “The Word of the Lord” IX. Gospel-Sermon: “God Said” X. Credo 1. Credo in unum Deum 2. Trope: “Non Credo” 3. Trope: “Hurry” 4. Trope: “World without End” 5. Trope: “I Believe in God” XI. Meditation No. 3 (De profundis, part 1) XII. -
Strong Start for Lady 'Gades
BAKERSFIELD COLLEGE Vol. 83 · No. 13 www.therip.com Wednesday, November 16, 2011 Strong start Teaching students for Lady 'Gades to be By Esteban Ramirez a 28-point and 13- rebound per Reporter formance against LATTC, gave her thoughts on how the team The Bakersfield College wom played. en's basketball team started off "We did really good against leaders its season with a win at College Allan Hancock and it was a good of the Sequoias and then two team effort, but I think we had By Keith Kaczmarek more victories at the Crossover a test against LATTC because Reporter Tournament at BC on Nov. 10- they were more athletic, and we 11. were tired from last night;' Mo- Becky Bell, the creator According to BC rales said. "That game and founder of Step Up!, a women's basketball showed us we college leadership program, coach Paula Dahl, Basketball's needed to work came to Bakersfield College to preview the program for there wasn't a Hot Start on our defense champion and and running BC's athletic program and usually four Nov.8 BC 73, Sequoias 64 our offense the Student Government As teams com- Nov. 10 BC 1 01 , Hancock 5 0 better." sociation. pete, but due Nov. 11 BC 76, LATIC 69 She added The program is focused on to a schedul- that everyone "people who step up;' a tag ing problem more feeds off each oth line for intervention in prob lems that affect students. teams showed up. er and when someone BC beat Allan Hancock 101- does something good, everyone "No matter the group, by 50 and Los Angeles Trade-Tech tries to do the same. -
Biographical Appendix
Biographical Appendix The following women are mentioned in the text and notes. Abney- Hastings, Flora. 1854–1887. Daughter of 1st Baron Donington and Edith Rawdon- Hastings, Countess of Loudon. Married Henry FitzAlan Howard, 15th Duke of Norfolk, 1877. Acheson, Theodosia. 1882–1977. Daughter of 4th Earl of Gosford and Louisa Montagu (daughter of 7th Duke of Manchester and Luise von Alten). Married Hon. Alexander Cadogan, son of 5th Earl of Cadogan, 1912. Her scrapbook of country house visits is in the British Library, Add. 75295. Alten, Luise von. 1832–1911. Daughter of Karl von Alten. Married William Montagu, 7th Duke of Manchester, 1852. Secondly, married Spencer Cavendish, 8th Duke of Devonshire, 1892. Grandmother of Alexandra, Mary, and Theodosia Acheson. Annesley, Katherine. c. 1700–1736. Daughter of 3rd Earl of Anglesey and Catherine Darnley (illegitimate daughter of James II and Catherine Sedley, Countess of Dorchester). Married William Phipps, 1718. Apsley, Isabella. Daughter of Sir Allen Apsley. Married Sir William Wentworth in the late seventeenth century. Arbuthnot, Caroline. b. c. 1802. Daughter of Rt. Hon. Charles Arbuthnot. Stepdaughter of Harriet Fane. She did not marry. Arbuthnot, Marcia. 1804–1878. Daughter of Rt. Hon. Charles Arbuthnot. Stepdaughter of Harriet Fane. Married William Cholmondeley, 3rd Marquess of Cholmondeley, 1825. Aston, Barbara. 1744–1786. Daughter and co- heir of 5th Lord Faston of Forfar. Married Hon. Henry Clifford, son of 3rd Baron Clifford of Chudleigh, 1762. Bannister, Henrietta. d. 1796. Daughter of John Bannister. She married Rev. Hon. Brownlow North, son of 1st Earl of Guilford, 1771. Bassett, Anne. Daughter of Sir John Bassett and Honor Grenville. -
One Word More on Scott's Anonymity Thomas R
Studies in Scottish Literature Volume 14 | Issue 1 Article 12 1979 One Word More on Scott's Anonymity Thomas R. Dale Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the English Language and Literature Commons Recommended Citation Dale, Thomas R. (1979) "One Word More on Scott's Anonymity," Studies in Scottish Literature: Vol. 14: Iss. 1. Available at: https://scholarcommons.sc.edu/ssl/vol14/iss1/12 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. Thomas R. Dale One Word More on Scott's Anonymity Mr. Seamus Cooney in his "Scott's Anonymity--Its Motives and Consequences" (BBL, 10 (1973), pp. 207-219) presents a compre- hensive survey of the various motives or implied by Scott for maintaining the anonymity of the Wavepley Novels from 1814 to 1827. Besides the many motives suggested in Scott's prefaces--some obviously playfully, others with some appearance of sincerity--Mr. Cooney points out another more po tent motive, probably only partly realized by Scott himself. This is the psychological need for anonymity in the writing process itself. Scott, it appears, adopted a number of narra tive personae different from his "real" self and felt that with disclosure of his authorship his novel-writing would corne to an end. (Why this did not apply to the poems is not mentioned.) The intention of this note is to corroborate but modify Mr. -
Recorded Jazz in the 20Th Century
Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana -
Prestige Label Discography
Discography of the Prestige Labels Robert S. Weinstock started the New Jazz label in 1949 in New York City. The Prestige label was started shortly afterwards. Originaly the labels were located at 446 West 50th Street, in 1950 the company was moved to 782 Eighth Avenue. Prestige made a couple more moves in New York City but by 1958 it was located at its more familiar address of 203 South Washington Avenue in Bergenfield, New Jersey. Prestige recorded jazz, folk and rhythm and blues. The New Jazz label issued jazz and was used for a few 10 inch album releases in 1954 and then again for as series of 12 inch albums starting in 1958 and continuing until 1964. The artists on New Jazz were interchangeable with those on the Prestige label and after 1964 the New Jazz label name was dropped. Early on, Weinstock used various New York City recording studios including Nola and Beltone, but he soon started using the Rudy van Gelder studio in Hackensack New Jersey almost exclusively. Rudy van Gelder moved his studio to Englewood Cliffs New Jersey in 1959, which was close to the Prestige office in Bergenfield. Producers for the label, in addition to Weinstock, were Chris Albertson, Ozzie Cadena, Esmond Edwards, Ira Gitler, Cal Lampley Bob Porter and Don Schlitten. Rudy van Gelder engineered most of the Prestige recordings of the 1950’s and 60’s. The line-up of jazz artists on Prestige was impressive, including Gene Ammons, John Coltrane, Miles Davis, Eric Dolphy, Booker Ervin, Art Farmer, Red Garland, Wardell Gray, Richard “Groove” Holmes, Milt Jackson and the Modern Jazz Quartet, “Brother” Jack McDuff, Jackie McLean, Thelonious Monk, Don Patterson, Sonny Rollins, Shirley Scott, Sonny Stitt and Mal Waldron. -
A Comparative Analysis of the Medieval Element in the Prose of Sir Walter Scott and John Henry Newman
Loyola University Chicago Loyola eCommons Master's Theses Theses and Dissertations 1949 A Comparative Analysis of the Medieval Element in the Prose of Sir Walter Scott and John Henry Newman Margaret B. Kearney Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_theses Part of the English Language and Literature Commons Recommended Citation Kearney, Margaret B., "A Comparative Analysis of the Medieval Element in the Prose of Sir Walter Scott and John Henry Newman" (1949). Master's Theses. 767. https://ecommons.luc.edu/luc_theses/767 This Thesis is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Master's Theses by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1949 Margaret B. Kearney JIIIj. A COMPARATIVE ANALYSIS OF THE MBDIEV AI.. ElEMENT IN THE PROSE OF SIR WALTER SCOTT AND JOHN REh'RY NEWMAN By Margaret B. Kearney A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIHEMENTS FOR THE DEGREE OF MASTER OF ARTS Il~ LOYOLA UNIVERSITY February J949 TABIE OF CONTENTS CHAPTER PAGE I Introduotion • • • • • • • • • • • • • • • • • • • 1 Presentation of the problem - Definition of Medievalimn - Reaotion against Classioism - Soott a pure romantioist rather than a striot medievalist - ~ew.man a late echo of the period. II The Medievalism of Soott and Ne~n As a Natural Outgrowth of Their Environmental and Literary Ute • • • • • • • • • • • • • . • • • • • • • . • 16 Scott: AIloe stry - home and family - Border in fluence - early reading habits - diversified education - value derived - influenoe of eighteenth-oentury novelists - as oompared with Ne'Wll18.n: Home and family - early reading habi ts Oxford eduoation - influenoe of Oriel Masters - stu~ of early Fathers - Mediterranean voyage - Oxford Movement - R a spiritual awakening of spiritual wants" - personal conclusions. -
Freestyle Rap Practices in Experimental Creative Writing and Composition Pedagogy
Illinois State University ISU ReD: Research and eData Theses and Dissertations 3-2-2017 On My Grind: Freestyle Rap Practices in Experimental Creative Writing and Composition Pedagogy Evan Nave Illinois State University, [email protected] Follow this and additional works at: https://ir.library.illinoisstate.edu/etd Part of the African American Studies Commons, Creative Writing Commons, Curriculum and Instruction Commons, and the Educational Methods Commons Recommended Citation Nave, Evan, "On My Grind: Freestyle Rap Practices in Experimental Creative Writing and Composition Pedagogy" (2017). Theses and Dissertations. 697. https://ir.library.illinoisstate.edu/etd/697 This Dissertation is brought to you for free and open access by ISU ReD: Research and eData. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. ON MY GRIND: FREESTYLE RAP PRACTICES IN EXPERIMENTAL CREATIVE WRITING AND COMPOSITION PEDAGOGY Evan Nave 312 Pages My work is always necessarily two-headed. Double-voiced. Call-and-response at once. Paranoid self-talk as dichotomous monologue to move the crowd. Part of this has to do with the deep cuts and scratches in my mind. Recorded and remixed across DNA double helixes. Structurally split. Generationally divided. A style and family history built on breaking down. Evidence of how ill I am. And then there’s the matter of skin. The material concerns of cultural cross-fertilization. Itching to plant seeds where the grass is always greener. Color collaborations and appropriations. Writing white/out with black art ink. Distinctions dangerously hidden behind backbeats or shamelessly displayed front and center for familiar-feeling consumption. -
Sir Walter Scott - Poems
Classic Poetry Series Sir Walter Scott - poems - Publication Date: 2004 Publisher: Poemhunter.com - The World's Poetry Archive Sir Walter Scott(1771-1832) Walter Scott, born in College Wynd, Edinburgh, was the son of a lawyer. Educated first at Edinburgh High School and then University he was apprenticed to his father and called to the bar in 1792. An avid reader of poetry, history, drama and romances, the young Scott read widely in Italian, Spanish, Latin and German. In his twenties he was influenced particularly by the German Romantics and his first published works were translations of G.A. Bürger and Goethe. These were followed by the collections of border ballads and the narrative poems, written between 1805 and 1815, that first made him famous. By by this time he had also married Margaret Charlotte Charpenter, of a French Royalist family, and became sheriff-deputy of Selkirkshire, in 1797 and 1799 respectively. In 1809 Scott became partners with John Ballanytne in a book-selling business and also, as an ardent political conservative, helped to found the Tory 'Quarterly Review'. In 1811 he built a residence at Abbotsford on the Tweed. By 1815, beginning to feel eclipsed as a poet by Byron, he turned to the novel form for which he is now chiefly famous. A vast number of these were published, anonymously, over approximately the next fifteen years. In 1820 Scott was made a baronet and seven years later, in 1827, he first gave his name to his works. However, in 1826 the book-selling business became involved in the bankruptcy of another company, leaving Scott with debts of approximately £114,000. -
Medical Advance and Female Fame: Inoculation and Its After-Effects Isobel Grundy
Document generated on 10/02/2021 5:32 p.m. Lumen Selected Proceedings from the Canadian Society for Eighteenth-Century Studies Travaux choisis de la Société canadienne d'étude du dix-huitième siècle Medical Advance and Female Fame: Inoculation and its After-Effects Isobel Grundy Volume 13, 1994 URI: https://id.erudit.org/iderudit/1012519ar DOI: https://doi.org/10.7202/1012519ar See table of contents Publisher(s) Canadian Society for Eighteenth-Century Studies / Société canadienne d'étude du dix-huitième siècle ISSN 1209-3696 (print) 1927-8284 (digital) Explore this journal Cite this article Grundy, I. (1994). Medical Advance and Female Fame: Inoculation and its After-Effects. Lumen, 13, 13–42. https://doi.org/10.7202/1012519ar All Rights Reserved © Canadian Society for Eighteenth-Century Studies / Société This document is protected by copyright law. Use of the services of Érudit canadienne d'étude du dix-huitième siècle, 1994 (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ 2. Medical Advance and Female Fame: Inoculation and its After-Effects I intend here to examine the multiple significances whereby history is constructed.1 Argument, however, will be repeatedly hijacked by narra• tive — by, that is, a loosely linked series of epic tales which might be horribly called The Matter of Smallpox/ in whose finale the human race defeats the variola virus.