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King and I Center for Performing Arts
Governors State University OPUS Open Portal to University Scholarship Center for Performing Arts Memorabilia Center for Performing Arts 5-9-1999 King and I Center for Performing Arts Follow this and additional works at: http://opus.govst.edu/cpa_memorabilia Recommended Citation Center for Performing Arts, "King and I" (1999). Center for Performing Arts Memorabilia. Book 158. http://opus.govst.edu/cpa_memorabilia/158 This Book is brought to you for free and open access by the Center for Performing Arts at OPUS Open Portal to University Scholarship. It has been accepted for inclusion in Center for Performing Arts Memorabilia by an authorized administrator of OPUS Open Portal to University Scholarship. For more information, please contact [email protected]. «Jpntftl fOR PEfifORHIHCite Governors State University Present Rodgers & Hammerstein's fChe S $• Limousine courtesy of-Worth Limousine - Worth, IL &• Brunch courtesy of- Holiday Inn - Matteson, IL Bracelet courtesy of Bess Friedheim Jewelry,0rland Park, IL MATTESON The STAR University Park, IL May 9th* 1999 Governors State University KKPERfORMIIWflRTS and ACE ROYAL PAINTS present A Big League Theatricals Production Rodgers and Hammerstein's THE KING and I Music by Book and lyrics by Richard Rodgers Oscar Hammerstein II Based upon the novel Anna and the King ofSiam by Margaret Landon Original Choreography by Jerome Robbins with Lego Louis Susannah Kenton and (In alphabetical order) Luis Avila, Amanda Cheng, Elizabeth Chiang, Korina Crvelin, Isabelle Decauwert, Alexandra Dimeco, Derek Dymek, -
Clark Spring Semester 2020 Homeschoole MT
Clark Spring Semester 2020 Homeschoole MT JENNA: In the early 1940s, Richard Rodgers and Oscar Hammerstein III’s ‘Oklahoma!,’ adapted from a play written by Claremore playwright Lynn Riggs, opened on Broadway. It was the first musical they wrote together.. KYLE: Each had already found success on Broadway: Rodgers, having written a series of popular musicals with lyricist Lorenz Hart, and Hammerstein, having written the monumental classic, ‘Show Boat.’ But together with ‘Oklahoma!', they would change musical theatre forever. “Oh! What a Beautiful Mornin’” There's a bright golden haze on the meadow There's a bright golden haze on the meadow The corn is as high as an elephant's eye And it looks like it's climbing clear up to the sky Oh, what a beautiful mornin' Oh, what a beautiful day I've got a beautiful feeling Everything's going my way All the cattle are standing like statues All the cattle are standing like statues They don't turn their heads as they see me ride by But a little brown maverick is winking her eye Oh, what a beautiful mornin' I've got a beautiful feeling Everything's going my way All the sounds of the earth are like music All the sounds of the earth are like music The breeze is so busy, it don't miss a tree And an old weeping willow is laughing at me Oh, what a beautiful mornin' Oh, what a beautiful day I've got a beautiful feeling Everything's going my way Oh, what a beautiful day ALEXA I: With its character-driven songs and innovative use of dance, ‘Oklahoma’ elevated how musicals were written. -
42Nd Street Center for Performing Arts
Governors State University OPUS Open Portal to University Scholarship Center for Performing Arts Memorabilia Center for Performing Arts 5-25-1996 42nd Street Center for Performing Arts Follow this and additional works at: http://opus.govst.edu/cpa_memorabilia Recommended Citation Center for Performing Arts, "42nd Street" (1996). Center for Performing Arts Memorabilia. Book 82. http://opus.govst.edu/cpa_memorabilia/82 This Book is brought to you for free and open access by the Center for Performing Arts at OPUS Open Portal to University Scholarship. It has been accepted for inclusion in Center for Performing Arts Memorabilia by an authorized administrator of OPUS Open Portal to University Scholarship. For more information, please contact [email protected]. 42ND STREET Saturday, May 25 IP Ml" :• i fi THE CENTER FOR ARTS AND TECHNOLOGY AT GOVERNORS STATE UNIVERSITY The Troika Organization, Music Theatre Associates, The A.C. Company, Inc., Nicholas Hovvey, Dallett Norris, Thomas J. Lydon, and Stephen B. Kane present Music by Lyrics by HARRY WARREN AL DUBIN Book by MICHAEL STEWART & MARK BRAMBLE Based on the novel by BRADFORD ROPES Original Direction and Dances by Originally Produced on Broadway by GOWER CHAMPION DAVID MERRICK Featuring ROBERT SHERIDAN REBECCA CHRISTINE KUPKA MICHELLE FELTEN MARC KESSLER KATHY HALENDA CHRISTOPHER DAUPHINEE NATALIE SLIPKO BRIANW.WEST SHAWN EMAMJOMEH MICHAEL SHILES Scenic Design by Costume Design by Lighting Design by JAMES KRONZER NANZI ADZIMA MARY JO DONDLINGER Sound Design by Hair and Makeup Design by Asst. Director/Choreographer KEVIN HIGLEY JOHN JACK CURTIN LeANNE SCHINDLER Orchestral & Vocal Arranger Musical Director & Conductor STEPHEN M. BISHOP HAMPTON F. KING, JR. -
Elite Music Productions This Music Guide Represents the Most Requested Songs at Weddings and Parties
Elite Music Productions This Music Guide represents the most requested songs at Weddings and Parties. Please circle songs you like and cross out the ones you don’t. You can also write-in additional requests on the back page! WEDDING SONGS ALL TIME PARTY FAVORITES CEREMONY MUSIC CELEBRATION THE TWIST HERE COMES THE BRIDE WE’RE HAVIN’ A PARTY SHOUT GOOD FEELIN’ HOLIDAY THE WEDDING MARCH IN THE MOOD YMCA FATHER OF THE BRIDE OLD TIME ROCK N ROLL BACK IN TIME INTRODUCTION MUSIC IT TAKES TWO STAYIN ALIVE ST. ELMOS FIRE, A NIGHT TO REMEMBER, RUNAROUND SUE MEN IN BLACK WHAT I LIKE ABOUT YOU RAPPERS DELIGHT GET READY FOR THIS, HERE COMES THE BRIDE BROWN EYED GIRL MAMBO #5 (DISCO VERSION), ROCKY THEME, LOVE & GETTIN’ JIGGY WITH IT LIVIN, LA VIDA LOCA MARRIAGE, JEFFERSONS THEME, BANG BANG EVERYBODY DANCE NOW WE LIKE TO PARTY OH WHAT A NIGHT HOT IN HERE BRIDE WITH FATHER DADDY’S LITTLE GIRL, I LOVED HER FIRST, DADDY’S HANDS, FATHER’S EYES, BUTTERFLY GROUP DANCES KISSES, HAVE I TOLD YOU LATELY, HERO, I’LL ALWAYS LOVE YOU, IF I COULD WRITE A SONG, CHICKEN DANCE ALLEY CAT CONGA LINE ELECTRIC SLIDE MORE, ONE IN A MILLION, THROUGH THE HANDS UP HOKEY POKEY YEARS, TIME IN A BOTTLE, UNFORGETTABLE, NEW YORK NEW YORK WALTZ WIND BENEATH MY WINGS, YOU LIGHT UP MY TANGO YMCA LIFE, YOU’RE THE INSPIRATION LINDY MAMBO #5BAD GROOM WITH MOTHER CUPID SHUFFLE STROLL YOU RAISE ME UP, TIMES OF MY LIFE, SPECIAL DOLLAR WINE DANCE MACERENA ANGEL, HOLDING BACK THE YEARS, YOU AND CHA CHA SLIDE COTTON EYED JOE ME AGAINST THE WORLD, CLOSE TO YOU, MR. -
Classical Voice Grade 3
Classical Voice Grade 3 Length of examination: 20 minutes Examination Fee: Please consult our website for the schedule of fees: www.conservatorycanada.ca Corequisite: There is no written examination corequisite for the completion of Grade 3. Note: The Grade 3 examination is designed for younger singers. It is recommended that mature beginners enter the examination program at the Grade 4 level. REQUIREMENTS & MARKING Requirements Total Marks List A 15 Repertoire List B 15 4 pieces of contrasting styles List B or C 15 Own Choice Piece 12 Technique Listed exercises 15 Sight Reading Rhythm (3) Singing (7) 10 Aural Tests Clap Back (3) Triads (2) Scales (2) Chord Tones (3) 10 Background Information 8 Total Possible Marks 100 *One bonus mark will be awarded for including a repertoire piece by a Canadian composer CONSERVATORY CANADA ™ GRADE 3 AUGUST 2018 1 REPERTOIRE ● Candidates must be prepared to sing four pieces varying in key, tempo, mood, and subject, with at least three different composers being represented to receive full marks: ● One List A piece ● One List B piece ● One List B o r List C piece ● One Own Choice piece: ● This piece may be chosen from the repertoire list (Classical or Contemporary Idioms) or may be a free choice (not chosen from the repertoire list). ● Free choice pieces do not require approval. ● Must be at or above the Grade 3 level (can be more than one level above). ● This piece must be suitable for the candidate’s voice and age. ● Vocal duets are acceptable, provided the candidate’s part is equivalent in difficulty to Grade 3, and a second vocalist covers the second part. -
South West Regional Event List
South West Regional Festival Event Section Room Event Type School Name Event Title Senior Virtual Solo E Senior SW Solo A Senior Virtual Solo E Musical - Solo Musical HILLSBOROUGH HIGH SCHOOL Here I Am - Dirty Rotten Scoundrels Senior SW Solo A Senior Virtual Solo E Musical - Solo Musical Academy of the Holy Names What Only Love Can See-Caplin Senior SW Solo A Senior Virtual Solo E Musical - Solo Musical Academy of the Holy Names Watch What Happens-Newsies Senior SW Solo A Senior Virtual Solo E Musical - Solo Musical Academy of the Holy Names Dear Friend-She Loves Me Senior SW Solo A Senior Virtual Solo E Musical - Solo Musical Academy of the Holy Names The Writing on the Wall-Mystery of Edwin Drood Senior SW Solo A Senior Virtual Solo E Musical - Solo Musical Academy of the Holy Names Nothing-A Chorus Line Senior SW Solo A Senior Virtual Solo E Musical - Solo Musical SUNLAKE HIGH SCHOOL In Short- Edges Senior SW Solo A Senior Virtual Solo E Musical - Solo Musical SUNLAKE HIGH SCHOOL Screw Loose- Cry Baby Senior SW Solo A Senior Virtual Solo E Musical - Solo Musical NEWSOME HIGH SCHOOL 096623 The Beauty Is from The Light in the Piazza by Adam Guettel and Craig Lucas Senior SW Solo A Senior Virtual Solo E Musical - Solo Musical DAYSPRING ACADEMY Someone To Watch Over Me - Crazy For You Senior SW Solo A Senior Virtual Solo E Musical - Solo Musical NEWSOME HIGH SCHOOL 096623 Getting There from In Transit by Kristen Anderson-Lopez, James-Allen Ford, Russ Kaplan and Sara Wordsworth Senior SW Solo A Senior Virtual Solo E Musical - Solo Musical SUNLAKE HIGH SCHOOL Orphan at 33- Twisted- THE UNTOLD STORY OF A ROYAL VIZIER Senior SW Solo A Senior Virtual Solo E Musical - Solo Musical ST. -
The State of Things to Come
26 TEE$IAOE The state of things to come A word frequently associated with Rodgers and Hammerstein productions is 'Iavish, but for director Thom Southerland, his adaption of the film State Fair is based on telling the story in an intimate fringe setting. Jo Caird finds out more fter the exLrav aganza that telling a story with an accompani- was The King and I at the ment behind them." Royal Albert Hall, you'd Southerlandcontrasts his approach be forgiven for thinking to that championedby the director of of Rodgers and Hammerstein shows the recent Royal Albert Hall produc- as purely big budget affairs. But tion of The King and I. director Thom Southerlandwould "Jeremy Samswrote in the pro- disagree. Following small-scale gramme notesall abouthow people productions of HMS Pinafore, Annie love Rodgers and Hammerstein Get Your Gun and The Mikado, he becauseof the spectacle,the gran- has chosenEarl's Court'stiny deur of the music and huge lavish cos- Finborough Theatre as the venuefor tumes and I couldn't disagree more," the European premiere of State Fair, he says."People love the music and one of Rodgers and Hammerstein's Iovethe story and want to seeit in a least known works. fresh way." The musical is unusual for its time becauseit began life not as a stage showbut in the guise of a very successful1945 movie musical,which was then remade in 1962.It was only in the early nineties when amateur groups in the United States began petitioning the Rodgers and Ham- merstein estate for the releaseof further material that the film was adaptedfor the stage. -
Download (4MB)
https://theses.gla.ac.uk/ Theses Digitisation: https://www.gla.ac.uk/myglasgow/research/enlighten/theses/digitisation/ This is a digitised version of the original print thesis. Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten: Theses https://theses.gla.ac.uk/ [email protected] 6iThe Adaptation of Literature to the Musical Stage: The Best of the Golden Age” b y Lee Ann Bratten M. Phil, by Research University of Glasgow Department of English Literature Supervisor: Mr. AE Yearling Ju ly 1997 ProQuest Number: 10646793 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uesL ProQuest 10646793 Published by ProQuest LLO (2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLO. -
Mixed Folios
mixed folios 447 The Anthology Series – 581 Folk 489 Piano Chord Gold Editions 473 40 Sheet Music Songbooks 757 Ashley Publications Bestsellers 514 Piano Play-Along Series 510 Audition Song Series 444 Freddie the Frog 660 Pop/Rock 540 Beginning Piano Series 544 Gold Series 501 Pro Vocal® Series 448 The Best Ever Series 474 Grammy Awards 490 Reader’s Digest Piano 756 Big Band/Swing Songbooks 446 Recorder Fun! 453 The Big Books of Music 475 Great Songs Series 698 Rhythm & Blues/Soul 526 Blues 445 Halloween 491 Rock Band Camp 528 Blues Play-Along 446 Harmonica Fun! 701 Sacred, Christian & 385 Broadway Mixed Folios 547 I Can Play That! Inspirational 380 Broadway Vocal 586 International/ 534 Schirmer Performance Selections Multicultural Editions 383 Broadway Vocal Scores 477 It’s Easy to Play 569 Score & Sound Masterworks 457 Budget Books 598 Jazz 744 Seasons of Praise 569 CD Sheet Music 609 Jazz Piano Solos Series ® 745 Singalong & Novelty 460 Cheat Sheets 613 Jazz Play-Along Series 513 Sing in the Barbershop 432 Children’s Publications 623 Jewish Quartet 478 The Joy of Series 703 Christian Musician ® 512 Sing with the Choir 530 Classical Collections 521 Keyboard Play-Along Series 352 Songwriter Collections 548 Classical Play-Along 432 Kidsongs Sing-Alongs 746 Standards 541 Classics to Moderns 639 Latin 492 10 For $10 Sheet Music 542 Concert Performer 482 Legendary Series 493 The Ultimate Series 570 Country 483 The Library of… 495 The Ultimate Song 577 Country Music Pages Hall of Fame 643 Love & Wedding 496 Value Songbooks 579 Cowboy Songs -
June 17 – Jan 18 How to Book the Plays
June 17 – Jan 18 How to book The plays Online Select your own seat online nationaltheatre.org.uk By phone 020 7452 3000 Mon – Sat: 9.30am – 8pm In person South Bank, London, SE1 9PX Mon – Sat: 9.30am – 11pm Other ways Friday Rush to get tickets £20 tickets are released online every Friday at 1pm Saint George and Network Pinocchio for the following week’s performances. the Dragon 4 Nov – 24 Mar 1 Dec – 7 Apr Day Tickets 4 Oct – 2 Dec £18 / £15 tickets available in person on the day of the performance. No booking fee online or in person. A £2.50 fee per transaction for phone bookings. If you choose to have your tickets sent by post, a £1 fee applies per transaction. Postage costs may vary for group and overseas bookings. Access symbols used in this brochure CAP Captioned AD Audio-Described TT Touch Tour Relaxed Performance Beginning Follies Jane Eyre 5 Oct – 14 Nov 22 Aug – 3 Jan 26 Sep – 21 Oct TRAVELEX £15 TICKETS The National Theatre Partner for Innovation Partner for Learning Sponsored by in partnership with Partner for Connectivity Outdoor Media Partner Official Airline Official Hotel Partner Oslo Common The Majority 5 – 23 Sep 30 May – 5 Aug 11 – 28 Aug Workshops Partner The National Theatre’s Supporter for new writing Pouring Partner International Hotel Partner Image Partner for Lighting and Energy Sponsor of NT Live in the UK TBC Angels in America Mosquitoes Amadeus Playing until 19 Aug 18 July – 28 Sep Playing from 11 Jan 2 3 OCTOBER Wed 4 7.30 Thu 5 7.30 Fri 6 7.30 A folk tale for an Sat 7 7.30 Saint George and Mon 9 7.30 uneasy nation. -
Carmel Quinn I Enjoy Being a Girl Mp3, Flac, Wma
Carmel Quinn I Enjoy Being A Girl mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Pop Album: I Enjoy Being A Girl Country: US Released: 1962 Style: Vocal MP3 version RAR size: 1383 mb FLAC version RAR size: 1984 mb WMA version RAR size: 1725 mb Rating: 4.6 Votes: 297 Other Formats: MP2 AUD AU FLAC DTS AC3 AAC Tracklist Hide Credits I Enjoy Being A Girl A1 2:25 Written-By – Hammerstein, Rogers* The Last Time I Saw Paris A2 2:50 Written-By – Kern*, Hammerstein* People Will Say We Are In Love A3 2:43 Written-By – Hammerstein, Rogers* Some Enchanted Evening A4 2:48 Written-By – Hammerstein, Rogers* I'm In Love With A Wonderful Guy A5 2:20 Written-By – Hammerstein, Rogers* We Kiss In A Shadow A6 2:47 Written-By – Hammerstein, Rogers* Whistle A Happy Tune B1 2:35 Written-By – Hammerstein, Rogers* It Might As Well Be Spring B2 3:17 Written-By – Hammerstein, Rogers* Hello Young Lovers B3 2:33 Written-By – Hammerstein, Rogers* If I Loved You B4 2:01 Written-By – Hammerstein, Rogers* Climb Every Mountain B5 2:17 Written-By – Hammerstein, Rogers* I'm Gonna Wash That Man Right Out Of My Hair B6 2:10 Written-By – Hammerstein, Rogers* Credits Arranged By, Orchestrated By, Directed By – Frank Barber Producer – Bill Fuller Notes Recorded In London (England) Songs Of Rodgers, Hammerstein, Kern Other versions Category Artist Title (Format) Label Category Country Year RLP-649, RLP Carmel I Enjoy Being A Girl RLP-649, RLP Reo, Reo Canada 1962 649 Quinn (LP, Album) 649 Related Music albums to I Enjoy Being A Girl by Carmel Quinn Kenny Rogers - The Kenny Rogers -
Kentucky State Fair Announces Texas Roadhouse Concert Series Lineup 23 Bands Over 11 Nights, All Included with Fair Admission
FOR IMMEDIATE RELEASE Contact: Ian Cox 502-367-5186 [email protected] Kentucky State Fair Announces Texas Roadhouse Concert Series Lineup 23 bands over 11 nights, all included with fair admission. LOUISVILLE, Ky. (May 26, 2021) — The Kentucky State Fair announced the lineup of the Texas Roadhouse Concert Series at a press conference today. Performances range from rock, indie, country, Christian, and R&B. All performances are taking place adjacent to the Pavilion and Kentucky Kingdom. Concerts are included with fair admission. “We’re excited to welcome everyone to the Kentucky State Fair and Texas Roadhouse Concert series this August. We’ve got a great lineup with old friends like the Oak Ridge Boys and up-and-coming artists like Jameson Rodgers and White Reaper. Additionally, we have seven artists that are from Kentucky, which shows the incredible talent we have here in the Commonwealth. This year’s concert series will offer something for everyone and be the perfect celebration after a year without many of our traditional concerts and events,” said David S. Beck, President and CEO of Kentucky Venues. Held August 19-29 during the Kentucky State Fair, the Texas Roadhouse Concert Series features a wide range of musical artists with a different concert every night. All concerts are free with paid gate admission. “The lineup for this year's Kentucky State Fair Concert Series features something for everybody," says Texas Roadhouse spokesperson Travis Doster, "We look forward to being part of this event that brings people together to create memories and fun like we do in our restaurants.” The Texas Roadhouse Concert Series lineup is: Thursday, August 19 Josh Turner with special guest Alex Miller Friday, August 20 Ginuwine with special guest Color Me Badd Saturday, August 21 Colt Ford with special guest Elvie Shane Sunday, August 22 The Oak Ridge Boys with special guest T.