Handel 11 10 05.Indd

Total Page:16

File Type:pdf, Size:1020Kb

Handel 11 10 05.Indd HOPKINS CENTER presents Handel Society of Dartmouth College Dr. Robert Duff conductor Celebration for the Season with special guests Hanover Chamber Orchestra Daniel Weiser piano Charles Stanton baritone Erma Gattie Mellinger mezzo-soprano This performance is made possible in part by generous support from the Gordon Russell 1955 Fund; the Handel Society Foundation; and the Friends of the Handel Society Fund. Tuesday, November 29, 2005 • 7 pm Spaulding Auditorium • Dartmouth College PROGRAM Hodie Christus Natus Est Giovanni Gabrieli (c. 1554-1612) Resonet in Laudibus Orlande de Lassus (c. 1530-1594) Richte, mich Gott Felix Mendelssohn (1809-1847) Denn er hat seinen Engeln befohlen *** Venez, mes enfants Noël d’Alsace arr. Donald Patriquin (b. 1938) Silent Devotion and Response Ernest Bloch (1880-1959) from The Sacred Service Estampie Natalis Vaclav Nelhybel (1919-1996) Concertato Singers of the Handel Society of Dartmouth College Meg Williams soprano, Jocelyn Burke alto and Terrence Wilson tenor *** Go Where I Send Thee Spiritual arr. André Thomas (xxxx-xxxx) Alex Cook baritone • INTERMISSION • Fantasia on ‘Greensleeves’ Ralph Vaughan Williams (1872-1958) from Sir John in Love In Terra Pax Gerald Finzi (1901-1956) Erma Gattie Mellinger mezzo-soprano and Charles Stanton baritone A Spotless Rose Herbert Howells (1892-1983) Tyler Harwell baritone In the Bleak Midwinter Harold Darke (1888-1976) Rebecca Rotello soprano, Jeffrey Parsonnet tenor The Holly and the Ivy Traditional Carol arr. Eric Thiman (1901-1975) Fantasia on Christmas Carols Ralph Vaughan Williams Charles Stanton baritone PROGRAM NOTES This year’s Celebration for the Season by the Handel eight-part a capella chorus, both Richte, mich Gott Society presents seasonal music for chorus, orchestra and Denn er hat seinen Engeln befohlen are in a form and brass and continues our annual holiday tradi- that blends elements from polyphonic Lutheran tion. church music and German folk songs with the an- Hodie Christus Natus Est Giovanni Gabrieli tiphonal, responsorial style of earlier Italian liturgical Giovanni Gabrieli (c. 1555-1612) is best known for music. the compositions written during his time as organ- Silent Devotion and Response Ernest Bloch ist at St. Marks’s in Venice. From this period comes The Swiss-American composer Ernest Bloch is un- Hodie Christus Natus Est, a motet that typifies the doubtedly the greatest composer of Jewish concert style of composition popular in the late Renaissance music of the 20th century. Bloch’s extraordinary mu- and early Baroque eras called cori spezatti. In this sical training included studies with Émile Dalcroze, style of writing, various musical forces are set apart Ivan Knorr, Munich and Ludwig Thuille, and he en- from each other spatially and are set musically in al- joyed an association in Paris with Claude Debussy. teration. Silent Devotion and Response is excerpted from The The text of Gabrieli’s setting is taken from the anti- Sacred Service (Avodath Hakodesh) by Bloch, which phon for Vespers on the Feast of the Nativity of Our dates from 1930-33. The work is based on the Sab- Lord. In this setting, Gabrieli adds one additional line bath Morning Service for the Reform congregation, “…et in terra pax hominibus bonae voluntatis,” which and its text is taken from the American Union Prayer later becomes customary in many depictions of the Book for Jewish Worship. Christmas story including Handel’s Messiah. Estampie Natalis Vaclav Nelhybel Resonet in Laudibus Orlande de Lassus Internationally renowned composer Vaclav Nelhybel Resonet in Laudibus, another joyful Christmas motet, was born on September 24, 1919 in Polanka, Czecho- is based on the traditional melody Joseph lieber, Joseph slovakia. After studies in conducting and musicology, mein, hilf mir wiegen mein Kindelein. It first appeared Nelhybel was affiliated as composer and conductor in a manuscript at Leipzig University (dated c. 1500) with Swiss National Radio and later as the first mu- as part of a mystery play acted in church around the sical director of Radio Free Europe in Munich. In manger. This melody can be heard imitatively and 1957, Nelhybel immigrated to the United States and fragmented in all five voices in the first section of this became an American citizen in 1962. three-part motet. Estampie Natalis, written in 1976, is scored for mixed Richte, mich Gott Felix Mendelssohn chorus, soprano, alto and tenor soloists, piccolo, vio- Denn er hat seinen Engeln befohlen lin, cello and percussion. The most striking character- It may come as a surprise to music lovers acquainted istic of this setting is the manner in which the modal with Felix Mendelssohn primarily as an instrumen- chant-like melody interplays with the movement and tal composer that nearly a quarter of his work was pulsation of the accompanying instruments through choral music. While his instrumental compositions various rhythms and meters. The result of this treat- were (and still are) extraordinarily popular, Mendels- ment is a vigorous rhythm drive, which is typical of sohn’s contribution to the choral repertory is no less Nelhybel’s music in general. Though frequently dis- impressive. sonant in texture, Nelhybel’s music always gravitates Both of tonight’s psalm settings were composed in toward tonal centers, which makes it so appealing to 1944 for the Cathedral Choir of Berlin. Scored for performers and listeners alike. PROGRAM NOTES CONTINUED In Terra Pax Gerald Finzi chant-like melody harmonized in parallel thirds and Gerald Finzi was one of the great 19th century Eng- fourths. Darke’s well-regarded setting of Christina lish composers who shaped a remarkable renaissance Rossetti’s poem In the Bleak Midwinter was made fa- in English music that began toward the end of the mous by the Choir of King’s College, Cambridge. 19th century and included composers such as Finzi’s Fantasia on Ralph Vaughan Williams contemporaries Gustav Holst, Benjamin Britten and Christmas Carols Peter Warlock. We all love Christmas carols and welcome our an- In terra pax is probably Finzi’s best known work. This nual reacquaintance with them during the holiday work was composed from 1951-1954 and sets Rob- season. Ralph Vaughan Williams’ 1912 Fantasia on ert Bridges’ poem Noel: Christmas Eve, 1913. Within Christmas Carols welcomes back three English carols the poem, interpolations from the Christmas story which Vaughan Williams himself had collected: The according to St. Luke have been placed. The intro- Truth Sent From Above, Come All You Worthy Gentle- spective words of Bridge’s poem are assigned to the men and On Christmas Night, as well as fragments of baritone solo, while the soprano solo and chorus take carols such as The First Nowell. the part of the angels in the biblical text. The poem Vaughan Williams had a lifelong fascination with reminded Finzi greatly of a particular Christmas Eve English folk music. He began to collect, arrange and party he had attended as a young man living on Cho- publish English folk tunes as early as 1903, which sen Hill Farm in Gloucestershire. They had all come made him a pioneer in the field of ethnomusicology. out at midnight into the crisp, cold air, and had heard During his field studies, Vaughan Williams catalogued bells ringing across the countryside from all the vil- some 800 folk tunes, of which these four carols from lages. These bells became the wonderful “glory to Herefordshire and Sussex are representative. God in the highest” section of In terra pax. The Fantasia is a charming and moving short work Carol Settings that stitches together both familiar and new music, Our program this evening features four carols from capturing Christmas like few other works. From the England that are set by the contemporary Canadian opening solo for cello and the solo baritone telling composer Donald Patriquin, and English composers us of “the Truth sent from above” to the choir fad- Herbert Howells, Harold Darke and Eric Thiman. ing into the distance as it wishes us all a “Happy New A Spotless Rose, composed between 1918 and 1920, is Year,” the celebration of this season is celebrated and one of Howell’s best known works, with its sinuous honored. Dr. Robert Duff TEXTS AND TRANSLATIONS Hodie Christus Natus Est Giovanni Gabrieli Hodie Christus natus est; Today Christ is born; Hodie salvator apparuit; Today the Saviour has appeared; Hodie in terra canunt Angeli, Today the Angels sing, Laetantur Archangeli; The Archangels rejoice; Exultant justi, dicentes: Today the righeous rejoice, saying: Gloria in excelcis Deo, Glory to God in the highest Et in terra pax hominibus bonae voluntatis. And on earth peace to all of good will. TEXTS AND TRANSLATIONS CONTINUED Resonet in Laudibus Orlande de Lassus Resonet in laudibus Let Zion resound in praises Cum jucundis plausibus With the joyful acclaim Sion cum fidelibus: Of the faithful: Apparuit, genuit Maria. He whom Mary bore has appeared. Sunt impleta quae praedixit Gabriel. The prophecies of Gabriel are fulfilled. Eja! Virgo Deum genuit: O joy, O joy! The Virgin has given bith to God: Quod divina voluit clementia. That which divine mercy willed. Hodie apparuit in Israel, Today a king has appeared in Israel, Per Mariam Virginam est natus Rex. Born of the Virgin Mary. Magnum nomen Domini, Emmanuel, Great is the name of the Lord, Emmanuel, Quod annuntiatum est per Gabriel. Which was announced by Gabriel. Eja, eja! O joy, O joy! Richte, mich Gott Felix Mendelssohn Richte mich, Gott, und führe meine Do me justice, O God, and fight my fight Sache wider das Unheilige; Against a faithless people; Und errette mich vonden falschen From the deceitful and impious man Und bösen Leuten. Rescue me. Denn du bist der Gott, For you, O God, Du bist der Gott meiner Stärke, Are my strength. Warum verstößest du mich? Why do you keep me so far away? Warum lässest du mich so traurig gehn, Why must I go about in mourning, Wenn mein Feind mich drängt? With the enemy oppressing me? Sende dein Licht und deine Warheit; Send forth your light and your fidelity; Daß sie mich leiten They shall lead me on Zu deinem heiligen Berge And bring me to your holy mountain, Und zu deiner Wohnung.
Recommended publications
  • Finzi Bagatelles
    Gerald Finzi (1901-1956): Five Bagatelles for clarinet and piano, Opus 23 (1945) Prelude: Allegro deciso Romance: Andante tranquillo Carol: Andante semplice Forlana: Allegretto grazioso Fughetta: Allegro vivace Better known for his vocal music, Finzi also wrote well for the clarinet: these Five Bagatelles and his later Clarinet Concerto are frequently played. Born to a German/Italian Jewish family in London, the teenage Finzi was taught composition in Harrogate by Ernest Farrar, a pupil of Stanford, and by Edward Bairstow, Master of Music at York Minster. His subsequent friends and colleagues included Vaughan Williams, R.O.Morris, Holst, Bliss, Rubbra and Howard Ferguson; his music is firmly within this English tradition. He was attracted to the beauty of the English countryside and to the poetry of Traherne, Hardy and Christina Rosetti. The Five Bagatelles had a tortuous birth. In the summer of 1941, increasingly confident in his powers as a composer, Finzi completed three character pieces for clarinet and piano before being drafted into the Ministry of War Transport. He used “20-year-old bits and pieces”, which he had been working on since 1938. A fourth was added in January 1942 and the whole group performed at a wartime National Gallery lunchtime concert. Leslie Boosey wanted to publish the pieces separately, but in July 1945 Finzi persuaded him to publish them as a group, together with an additional fast finale. Somewhat to Finzi's chagrin, they became his most popular piece: ‘they are only trifles... not worth much, but got better notices than my decent stuff’. The first movement shows Bach's influence on Finzi and contains a slow central section with characteristically wistful falling minor 7ths.
    [Show full text]
  • The Perfect Fool (1923)
    The Perfect Fool (1923) Opera and Dramatic Oratorio on Lyrita An OPERA in ONE ACT For details visit https://www.wyastone.co.uk/all-labels/lyrita.html Libretto by the composer William Alwyn. Miss Julie SRCD 2218 Cast in order of appearance Granville Bantock. Omar Khayyám REAM 2128 The Wizard Richard Golding (bass) Lennox Berkeley. Nelson The Mother Pamela Bowden (contralto) SRCD 2392 Her son, The Fool speaking part Walter Plinge Geoffrey Bush. Lord Arthur Savile’s Crime REAM 1131 Three girls: Alison Hargan (soprano) Gordon Crosse. Purgatory SRCD 313 Barbara Platt (soprano) Lesley Rooke (soprano) Eugene Goossens. The Apocalypse SRCD 371 The Princess Margaret Neville (soprano) Michael Hurd. The Aspern Papers & The Night of the Wedding The Troubadour John Mitchinson (tenor) The Traveller David Read (bass) SRCD 2350 A Peasant speaking part Ronald Harvi Walter Leigh. Jolly Roger or The Admiral’s Daughter REAM 2116 Narrator George Hagan Elizabeth Maconchy. Héloïse and Abelard REAM 1138 BBC Northern Singers (chorus-master, Stephen Wilkinson) Thea Musgrave. Mary, Queen of Scots SRCD 2369 BBC Northern Symphony Orchestra (Leader, Reginald Stead) Conducted by Charles Groves Phyllis Tate. The Lodger REAM 2119 Produced by Lionel Salter Michael Tippett. The Midsummer Marriage SRCD 2217 A BBC studio recording, broadcast on 7 May 1967 Ralph Vaughan Williams. Sir John in Love REAM 2122 Cover image : English: Salamander- Bestiary, Royal MS 1200-1210 REAM 1143 2 REAM 1143 11 drowned in a surge of trombones. (Only an ex-addict of Wagner's operas could have 1 The WIZARD is performing a magic rite 0.21 written quite such a devastating parody as this.) The orchestration is brilliant throughout, 2 WIZARD ‘Spirit of the Earth’ 4.08 and in this performance Charles Groves manages to convey my father's sense of humour Dance of the Spirits of the Earth with complete understanding and infectious enjoyment.” 3 WIZARD.
    [Show full text]
  • Sir John in Love
    REAM.2122 MONO ADD RALPH VAUGHAN WILLIAMS Sir John in Love (1924-28) An Opera in Four Acts Libretto by the composer, based on Shakespeare’s (in order of appearance) Shallow, a country Justice Heddle Nash Sir Hugh Evans, a Welsh Parson Parry Jones Slender, a foolish young gentleman, Shallow’s cousin Gerald Davies Peter Simple, his servant Andrew Gold, Page, a citizen of Windsor Denis Dowling, Sir John Falstaff Roderick Jones Bardolph John Kentish Nym Sharpers attending on Falstaff Denis Catlin Pistol } Forbes Robinson Anne Page, Page’s daughter April Cantelo Mrs Page, Page’s wife Laelia Finneberg Mrs Ford, Ford’s wife Marion Lowe Sir John in Love Fenton, a young gentleman of the Court at Windsor James Johnston Dr. Caius, a French physician Francis Loring Rugby, his servant Ronald Lewis Mrs Quickly, his housekeeper Pamela Bowden The Host of the ‘Garter Inn’ Owen Brannigan Ford, a citizen of Windsor John Cameron The BBC wordmark and the BBC logo are trade marks of the British Broadcasting Corporation and are used under licence. BBC logo © BBC 1996 c © Of all the musical forms essayed by Ralph Vaughan Williams (1872-1958), his operas have received the least recognition or respect. His propensity to write without commissions and to encourage amateur or student groups to premiere his stage pieces 3 EVANS As we sat down in Papylon 4’36” has perhaps played a part in this neglect. Yet he was incontestably a man of the theatre. 4 HOST Peace, I say! 3’04” He produced an extensive, quasi-operatic score of incidental music for Aristophanes’ , for the Cambridge Greek Play production in 1909.
    [Show full text]
  • Music at Grace 2016-2017
    Music at Grace 2016-2017 WELCOME Dear Friends, We are delighted to welcome you to this season of Music at Grace! The coming year continues our tradition of offering glorious sacred choral music at the Sunday Eucharist, Evensong, Lessons and Carols, and in concert. In addition, we are thrilled to announce the debut of Collegium Ancora: Rhode Island’s Professional Chamber Choir, Ensemble-in-Residence at Grace Church. We also welcome the Brown University Chorus and Schola Cantorum of Boston to Grace on April 7 for a gala concert performance of Bach’s monumental St. Matthew Passion. And our Thursdays at Noon concert series resumes in September! This booklet outlines the musical offering for the coming season, particularly the 10 AM Holy Eucharist on Sunday mornings. Also included is an envelope for your support of Music at Grace. Whether you are a parishioner or a friend of music, we hope you will consider making a donation to support our musical presence in Downcity Providence, for the worship or concert setting. A return envelope is enclosed for your convenience, and names listed will be included in the programs for special services and concerts. We wish to remind parishioners of Grace church that any gift made to Music at Grace should be in addition to your regular Stewardship pledge which is so important to the church. We hope that you will walk through our historic doors on Westminster Street in downtown Providence for worship or concert, or both very soon! The Reverend Canon Jonathan Huyck+ Rector Vincent Edwards Director of Music MUSIC
    [Show full text]
  • The Merry Wives of Windsor
    Shakespeare The Merry Wives of Windsor SYNOPSIS The Merry Wives of Windsor Sir John Falstaff (who appears in Henry IV Parts One and Two) is staying in Windsor and is short of money. He decides to seduce the wives of two wealthy citizens. He sends Mistress Ford and Mistress Page identical love letters, but they discover what he is doing and decide to turn the tables. They arrange a secret rendezvous at Mistress Ford's house. The jealous Frank Ford has heard about Falstaff's plan and decides to test his wife's fidelity. Pretending to be Master Broom (or Brook in the quarto version), he pays Falstaff to seduce his wife on his behalf, twice almost catching them together, but Falstaff escapes, once by hiding in a laundry basket with the dirty washing and then being thrown into the river. Three men would like to marry the Pages' daughter Anne: the French physician Doctor Caius is her mother's choice, rwhile he father favours Slender, a relative of Justice Shallow. Anne herself is in love with Fenton. Mistress Quickly is being paid by all three to advance their cause. A duel between Caius and Parson Evans is avoided when the landlord of the Garter Inn plays a trick on them, and they in turn pay him back. Finally, in Windsor Great Park at night, Falstaff is set up for his final punishment, and one of Anne's suitors is successful. © 2012 Langenscheidt KG, Berlin und München Vervielfältigung zu Unterrichtszwecken gestattet. Seite 1 Shakespeare Media: DVD: The Merry Wives of Windsor (BBC TV Shakespeare 1982), dir.
    [Show full text]
  • Vaughan Williams (1872–1958) the Bach Choir Dona Nobis Pacem • Sancta Civitas the Bach Choir Has Long Been Established As One of the World’S Leading Choruses
    572424bk RVW US 12/2/10 11:55 Page 8 David Hill Renowned for his fine musicianship, David Hill is widely respected as both a choral and an orchestral conductor. He became The Bach Choir’s ninth Musical Director in 1998; he is also Chief Conductor of the BBC Singers, Associate Guest Conductor of the Bournemouth Symphony Orchestra, Chief Conductor of the Southern VAUGHAN Sinfonia and Music Director of the Leeds Philharmonic Society. Born in Carlisle and educated at Chetham’s School of Music, David Hill became a Fellow of the Royal College of Organists at the age of seventeen. WILLIAMS Having been Organ Scholar at St John’s College, Cambridge, he returned to hold the post of Director of Music from 2004 to 2007. His other appointments have included Master of the Music at Winchester Cathedral, Master of the Music at Westminster Cathedral and Dona nobis pacem Artistic Director of the Philharmonia Chorus. David Hill has a broad-ranging discography covering repertoire (Cantata) from Thomas Tallis to Judith Bingham. He has achieved Photo: Edward Webb prestigious Grammy and Gramophone Awards, and many of his discs have been recommended as Critics’ Sancta Civitas Choices. (Oratorio) Pier • Brook • Staples The Bach Choir Winchester Cathedral Choristers • Winchester College Quiristers Bournemouth Symphony Orchestra David Hill 8.572424 8 572424bk RVW US 12/2/10 11:55 Page 2 Ralph Vaughan Williams (1872–1958) The Bach Choir Dona nobis pacem • Sancta Civitas The Bach Choir has long been established as one of the world’s leading choruses. A succession of eminent musical directors, including Sir Charles Villiers Stanford, Dr Ralph Dona nobis pacem 33:29 Vaughan Williams, Sir David Willcocks and now David Hill, (A Cantata for Soprano and Baritone Soli, Chorus and Orchestra) has each ensured that the Choir performs to the highest 1 I.
    [Show full text]
  • Much to Look Forward To
    Journal of the No.18 June 2000 EDITOR Stephen Connock RVW (see address below) Society In this issue... Much to look forward to... Vaughan Williams and Bach The RVW Society is involved in a Members will also be delighted to learn number of important and exciting that Sir John in Love will be performed G R.V.W. & J.S.B. projects, some of which will come to in Newcastle City Hall by the Northern fruition quickly and others will take Sinfonia under Richard Hickox on by Michael Kennedy place in the 2002-2003 season. Of the September 29th 2000 as part of the Page 4 greatest interest to RVW Society preparation for the recording. There is members is the major Festival of such marvellous, heart warming music symphonies and choral works being in this opera that all members are urged G Lewis Foreman reviews VW planned under the title Toward the to get to Newcastle, somehow, for the conducting the St. Matthew Unknown Region. concert performance on 29th September. Passion. Page 7 Toward the Unknown Region Charterhouse Symposium G This Festival will be conducted by Following the success of the Conference VW and ‘the greatest of all Richard Hickox using his new orchestra Vaughan Williams in a New Century at composers’ the BBC National Orchestra of Wales. the British Library last November, Robin by Timothy Day Eight concerts are being planned for Wells of Charterhouse and Byron Adams Wales and there are likely to be four of the University of California have Page 10 concerts in London. The Festival begins jointly planned a superb series of at the end of 2002 and many rare choral lectures, concerts and other events at works will be programmed alongside all Charterhouse School from 23rd to 29th Postscripts on George the nine symphonies.
    [Show full text]
  • The Ivor Gurney Society Newsletter
    THE IVOR GURNEY SOCIETY NEWSLETTER NUMBER 59 February 2016 Spring Weekend 2016, 7-8 May 2016 Gurney and Blunden The Spring Weekend 2016 event features a talk and discussion led by the author, poet and WW1 expert John Greening, and by Margi Blunden. They will talk about Edmund Blunden (Margi’s father), who knew Gurney and was his first editor. John Greening recently produced a beautiful new edition of Blunden's Undertones of War for OUP. There will also be a display of Blunden items. Later there will be a recital by Midori Komachi (violin) and Simon Callaghan of British Music, to include Gurney and Vaughan Williams's 'The Lark Ascending'. Final programme to be confirmed, but may also include Holst and Delius. Saturday 7th May events will take place at St Andrew’s Church Centre, Station Road, Churchdown, Gloucester GL3 2JT. To book a place, please complete and return the enclosed form to Colin Brookes, Treasurer. Programme for 7 May: (11.00 am Doors open) 12.00 noon Annual General Meeting 12.30 pm Lunch 1.30 pm Talk and discussion led by John Greening and Margi Blunden 2.30 pm Break 3.00 pm Recital by Midori Konachi accompanied by Simon Callaghan Those attending should bring a packed lunch. Coffee, tea and soft drinks will be available. 8 May - Cranham: Poetry Walk (see p.2) Edmund Blunden ‘Remembering always my dear Cranham’ Sunday Morning Walk, May 8 Where Cooper’s stands by 2016 10.30am Cranham, ‘Remembering always my dear Where the hill gashes white Cranham’ is a phrase from a Shows golden in the sunshine, letter sent by Gurney to Herbert Our sunshine, God’s delight.
    [Show full text]
  • THE ENGLISH MUSICAL RENAISSANCE and ITS INFLUENCE on GERALD FINZI: an in DEPTH STUDY of TILL EARTH OUTWEARS, OP. 19A
    2 THE ENGLISH MUSICAL RENAISSANCE AND ITS INFLUENCE ON GERALD FINZI: AN IN DEPTH STUDY OF TILL EARTH OUTWEARS, OP. 19a A thesis submitted to the Miami University Honors Program in partial fulfillment of the requirements for University Honors with Distinction by Sean Patrick Lair, B.M., B.A. May 2009 Oxford, Ohio 3 ABSTRACT THE ENGLISH MUSICAL RENAISSANCE AND ITS INFLUENCE ON GERALD FINZI: AN IN DEPTH STUDY OF TILL EARTH OUTWEARS, OP. 19a By Sean Patrick Lair, B.M., B.A. Gerald Finzi (1901-1956) was an early Twentieth Century, British composer, whose talent is most notable in the realm of art song. Seeing as his works so perfectly suit my voice, I have decided to sing a song set of his on my senior recital, entitled Till Earth Outwears, Op. 19a. Through research, I wish to better inform my performance, and the future ones of others, by better acquainting myself with his life and compositional techniques, most assuredly shaped by what has always been a very distinct British aesthetic. His models and colleagues, including composers like Ralph Vaughan Williams, Roger Quilter, and John Ireland, reinvigorated the English musical culture and elevated the British standing on the world music scene at the end of the nineteenth century and beginning of the twentieth century. By studying this music in such minute detail, the proper method of performance can be decided and musical decisions will be better informed. Issues like breathing, phrasing, and tempo fluctuations or rubato can be addressed. I wish to expand the knowledge of the art song of Gerald Finzi, which, while not unknown, is markedly seldom performed.
    [Show full text]
  • Usc Thornton Concert Choir and Chamber Singers of Poets and Music: Celebrating the Bard
    UNIVERSITY OF SOUTHERN CALIFORNIA THORNTON SCHOOL OF MUSIC USC THORNTON CONCERT CHOIR AND CHAMBER SINGERS OF POETS AND MUSIC: CELEBRATING THE BARD FRIDAY | OCTOBER 21, 2016 | 8:00PM SUNDAY | OCTOBER 23, 2016 | 4:00PM Alfred Newman Recital Hall Center Theatre UNIVERSITY OF SOUTHERN CALIFORNIA CALIFORNIA CENTER FOR THE ARTS, ESCONDIDO CONCERT CHOIR CRISTIAN GRASES conductor KRISTEN SIMPSON assistant conductor SO-MANG JEAGAL accompanist CHAMBER SINGERS JO-MICHAEL SCHEIBE conductor ANDREW SCHULTZ assistant conductor HYE JUNG SHIN accompanist PROGRAM CONCERT CHOIR THOMAS MORLEY It was a Lover and His Lass GYÖRGY ORBÁN O Mistress Mine! Kristen Simpson, assistant conductor RALPH VAUGHAN WILLIAMS In Windsor Forest I. The Conspiracy IV. Wedding Chorus (See the Chariot at Hand) III. Falstaff and the Fairies Katie Nester, soloist JOHN RUTTER Blow, Blow, Thou Winter Wind STEPHEN STURK Three Shakespeare Songs I. It was a Lover and His Lass ROBERT APPLEBAUM Witches’ Blues GEORGE SHEARING Songs of Sonnets from Shakespeare III. It was a Lover and His Lass V. Who is Silvia? ***intermission*** CHAMBER SINGERS JOSU ELBERDIN Gaur Akelarre* MATTHEW HARRIS Shakespeare Songs “Blow, Blow Thou Winter Wind” “It Was a Lover and His Lass” Andrew Schultz, assistant conductor PETER BLOESCH You Spotted Snakes** Andrew Schultz, assistant conductor MATTHEW HARRIS Shakespeare Songs “Tell Me Where is Fancy Bred” “O Mistress Mine” “Take O Take Those Lips Away” NICK STRIMPLE Prelude and Fugue (The Bard’s Obsession)** BARLOW BRADFORD Keep Your Splendid, Silent Sun MICHAEL HENNAGIN Give Me The Splendid Silent Sun II. Sunrise DAVID CONTE Invocation and Dance II. Dance *United States Premiere **World Premiere PROGRAM NOTESTITLE THOMAS MORLEY (C.1557-1602) It was a Lover and His Lass Thomas Morley was one of the most significant composers and publishers of English music in the late 1500’s.
    [Show full text]
  • John Graham-Hall Tenor
    John Graham-Hall Tenor Recent and future engagements include Witch of Endor Saul (Glyndebourne Festival Opera and Théâtre du Châtelet)‚ Aron Moses und Aron (Opéra National de Paris and Teatro Real‚ Madrid)‚ Aschenbach Death in Venice (for which he won the Franco Abbiati prize for best male singer) and Grimes Peter Grimes (both La Scala‚ Milan)‚ Basilio‚ Valzacchi Der Rosenkavalier and Triquet Eugene Onegin (Metropolitan Opera)‚ Peter Grimes (title role) for Opéra de Nice and Säo Carlos; Ashenbach (ENO and on DVD)‚ Kedril From The House of The Dead (Royal Opera House‚ La Monnaie and Opéra de Lyon)‚ Mr Taupe Capriccio (Madrid)‚ Aufidio Lucio Silla‚ Il Carciere / Il Grande Inquisitore Il Prigioniero (La Monnaie and Oper Stuttgart)‚ Shuisky Boris Godunov (ROH‚ Paris‚ Toulouse‚ Oviedo and Pamplona)‚ Mayor Albert Herring (Toulouse)‚ Zivny Osud (Stuttgart and Opera North)‚ Captain James Nolan Dr Atomic (Strasbourg)‚ Kaufmann Jakob Lenz (Berlin Staatsoper‚ La Monnaie and Stuttgart)‚ Schoolmaster The Cunning Little Vixen (La Monnaie and Netherlands Opera)‚ Beadle Sweeney Todd (Châtelet)‚ Basilio (Metropolitan Opera‚ New York‚ La Monnaie‚ Glyndebourne and Aix en Provence)‚ Monostatos The Magic Flute (ENO and Northern Ireland Opera)‚ Tree Frog/Tea Pot/Arithmetic L’enfant et les Sortiléges (Opera North). Engagements postponed or cancelled due to Covid include Clock Keeper Violet (Music Theatre Wales & Aldeburgh Festival). John Graham-Hall studied at King’s College‚ Cambridge and the Royal College of Music. He sings regularly with all the major British
    [Show full text]
  • Vaughan Williams & Mendelssohn
    2019 APRIL VAUGHAN WILLIAMS & MENDELSSOHN APRIL 12 - 14, 2019 MASTERWORKS #7: “The art of music, above all arts, is the expression of the soul of the nation.” - Ralph Vaughan Williams, 1872 - 1958 In 1972, England Great Uncle Charles thinks it took rather longer.”vi His honored the composer father, Arthur, was an ordained vicar in the local church, Ralph (pronounced who died when Ralph was just 3 years old.vii Coping with Rafe) Vaughan Williams that tragedy, the family moved to his grandfather’s with a British stamp, house in Surrey, and it was there that Ralph began celebrating the 100th his violin and piano studies.viii Notwithstanding his anniversary of his birth. father’s profession, Ralph was a confirmed agnostic Vaughan Williams Stamp To those familiar with from childhood on, but religious and spiritual subjects England’s adoration inspired many of his works.ix Despite his upbringing, of this composer, the honor came as no surprise. Ralph never presumed he was entitled to the Alongside Henry Purcell, Vaughan Williams is advantages of his privileged life. At age 41 when considered among the greatest English composers World War I began, Vaughan Williams was exempt that ever lived.i Famous for his symphonies, operas, from military service. Nevertheless, Ralph enlisted chamber music and ballets, composed over a and served as a stretcher-bearer and medical orderly long career, the composer is also revered for his with an artillery unit, serving in France and Salonika choral compositions, one of which is featured on (Greece).x Prolonged exposure to gunfire during his this Masterworks performance.
    [Show full text]