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New Original Works Festival 2009 Program Two
NEW ORIGINAL WORKS FESTIVAL 2009 PROGRAM TWO July 30 – August 1, 2009 8:30pm presented by REDCAT Roy and Edna Disney/CalArts Theater California Institute of the Arts NOW FESTIVAL 2009: PROGRAM TWO NEW ORIGINAL WORKS FESTIVAL 2009 UPCOMING PERFORMANCES August 6 – August 8 : Program Three 1 CAROLE KIM W/ OGURI, ALEX CLINE AND DAN CLUCAS: N Zackary Drucker / Mariana Marroquin / Wu Ingrid Tsang: PIG direction and video installation: Carole Kim Meg Wolfe: Watch Her (Not Know It Now) dance: Oguri Lauren Weedman: Off percussion: Alex Cline winds: Dan Clucas live-feed video: Adam Levine and Moses Hacmon lighting design: Chris Kuhl I. Reflect --he vanishes Into the skin of water... ...And leaves me with my arms full of nothing But water and the memory of an image? ...The one I loved should be let live. He should live on after me, blameless.’ [Tales from Ovid, Hughes] II. Hall of Mirrors The black mirror is a surface, but this surface is also a depth. This specular catastrophe, prefigured by the myth of Narcissus, is inseparable from a process that renders the gaze opaque. [The Claude Glass: Use and Meaning of the Black Mirror in Western Art, Arnaud Maillet] III. Syphon IV. Shade This mirror creates, as it were, a hole in the wall, a door into the realm of the dead. But it also constitutes an epiphany, since the divinity is seen in all its glory and clarity. [Maillet] Improvising … hinges on one’s ability to synchronize intention and action and to maintain a keen awareness of, sensitivity to, and connection with the evolving group dynamics and experiences. -
Gillan, Ian, Band: Live at the Rainbow 1977 (DVD) Page 1 of 2
Sea of Tranquility - Gillan, Ian, Band: Live at the Rainbow 1977 (DVD) Page 1 of 2 Gillan, Ian, Band: Live at the Rainbow 1977 (DVD) The Ian Gillan DVD's keep coming, this one being a 34 minute concert clip from a 1977 appearance at the Rainbow, featuring the Ian Gillan Band. These days many people tend to forget this early band of Gillan's, most remember the harder rocking Gillan that toured extensively and released a handful of powerful albums in the late 70's and early 80's. The IGB were more of a mix of jazz fusion and rock, as opposed to the heavy rock sounds of Gillan, clearly heard on this five song set featuring guitarist Ray Fenwick, keyboard player Colin Towns, bassist John Gustafson, and drummer Mark Nauseef. It's a shame that not more of the band's original material is presented here, as they had a unique sound which paired stunning jazzy arrangements with Gillan's vocal shrieks, which can be heard in full force on "Clear Air Turbulence" and "Money Lender". However, this fusion based sound does not work well at all on Deep Purple classics like "Child In Time", "Smoke on the Water" , and "Woman From Tokyo", especially with Fenwick, who is a fine guitar player in his own right but not very adept at playing songs with heavy riffs. It would have been nice to see and hear him on some other IGB original material rather than the Purple songs, but perhaps this was the only footage that survived from this show. -
Drums • Bobby Bradford - Trumpet • James Newton - Flute • David Murray - Tenor Sax • Roberto Miranda - Bass
1975 May 17 - Stanley Crouch Black Music Infinity Outdoors, afternoon, color snapshots. • Stanley Crouch - drums • Bobby Bradford - trumpet • James Newton - flute • David Murray - tenor sax • Roberto Miranda - bass June or July - John Carter Ensemble at Rudolph's Fine Arts Center (owner Rudolph Porter)Rudolph's Fine Art Center, 3320 West 50th Street (50th at Crenshaw) • John Carter — soprano sax & clarinet • Stanley Carter — bass • William Jeffrey — drums 1976 June 1 - John Fahey at The Lighthouse December 15 - WARNE MARSH PHOTO Shoot in his studio (a detached garage converted to a music studio) 1490 N. Mar Vista, Pasadena CA afternoon December 23 - Dexter Gordon at The Lighthouse 1976 June 21 – John Carter Ensemble at the Speakeasy, Santa Monica Blvd (just west of LaCienega) (first jazz photos with my new Fujica ST701 SLR camera) • John Carter — clarinet & soprano sax • Roberto Miranda — bass • Stanley Carter — bass • William Jeffrey — drums • Melba Joyce — vocals (Bobby Bradford's first wife) June 26 - Art Ensemble of Chicago Studio Z, on Slauson in South Central L.A. (in those days we called the area Watts) 2nd-floor artists studio. AEC + John Carter, clarinet sat in (I recorded this on cassette) Rassul Siddik, trumpet June 24 - AEC played 3 nights June 24-26 artist David Hammond's Studio Z shots of visitors (didn't play) Bobby Bradford, Tylon Barea (drummer, graphic artist), Rudolph Porter July 2 - Frank Lowe Quartet Century City Playhouse. • Frank Lowe — tenor sax • Butch Morris - drums; bass? • James Newton — cornet, violin; • Tylon Barea -- flute, sitting in (guest) July 7 - John Lee Hooker Calif State University Fullerton • w/Ron Thompson, guitar August 7 - James Newton Quartet w/guest John Carter Century City Playhouse September 5 - opening show at The Little Big Horn, 34 N. -
Keeping the Tradition Y B 2 7- in MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar
June 2011 | No. 110 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Dee Dee Bridgewater RIAM ANG1 01 Keeping The Tradition Y B 2 7- IN MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar It’s always a fascinating process choosing coverage each month. We’d like to think that in a highly partisan modern world, we actually live up to the credo: “We New York@Night Report, You Decide”. No segment of jazz or improvised music or avant garde or 4 whatever you call it is overlooked, since only as a full quilt can we keep out the cold of commercialism. Interview: Cooper-Moore Sometimes it is more difficult, especially during the bleak winter months, to 6 by Kurt Gottschalk put together a good mixture of feature subjects but we quickly forget about that when June rolls around. It’s an embarrassment of riches, really, this first month of Artist Feature: Orrin Evans summer. Just like everyone pulls out shorts and skirts and sandals and flipflops, 7 by Terrell Holmes the city unleashes concert after concert, festival after festival. This month we have the Vision Fest; a mini-iteration of the Festival of New Trumpet Music (FONT); the On The Cover: Dee Dee Bridgewater inaugural Blue Note Jazz Festival taking place at the titular club as well as other 9 by Marcia Hillman city venues; the always-overwhelming Undead Jazz Festival, this year expanded to four days, two boroughs and ten venues and the 4th annual Red Hook Jazz Encore: Lest We Forget: Festival in sight of the Statue of Liberty. -
Catalogo Nov2003.Pdf
Via Savona 12, 20144 Milano - tel/fax 02.89401623 - e-mail: [email protected] CATALOGO - POP / ROCK > A-G < novembre 2003 AUTORE/GRUPPO TITOLO ANNO CASA DISCOGRAFICA CODICE STAMPA N/U/O PREZZO A-HA Hunting high and low 1986 REPRISE 9204830 Tedesca LP-U MIX 5,5 ABBA Greatest hits vol.2 1979 ATLANTIC 16009 Americana LP-U 8 ABBA Arrival 1976 POLYDOR 2310483 Olandese LP-U 10,5 ADAM AND THE ANTS Prince charming 1981 CBS 85268 Italiana LP-U 5,5 ADAM AND THE ANTS Strip 1983 CBS 25705 Italiana LP-U 5,5 AEROSMITH Rocks 1976 CBS 32360 Olandese LP-U 6 AFRIKA BAMBAATAA AND FAMILY Decade of darkness 1991 D.F.C. 57705 Italiana LP-U 5,5 ALABAMA Just us 1987 RCA 86495 Italiana LP-U 5,5 ALARM Eye of the hurricane 1987 I.R.S. 42061 Canadese LP-U 5,5 ALBION BAND Rise up like the sun 1978 ATTIC 1047 Canadese LP-U 15,5 ALBION BAND Under the rose 1984 SPINDRIFT 110 Inglese LP-U 5,5 ALIEN SEX FIEND R.i.p. 1984 ANAGRAM 18 Francese LP-U MIX 8 ALLEN DAEVID Now is the happiest time.... 1977 AFFINITY 3 Inglese LP-U 13 ALLMAN BROTHERS BAND Wipe the check the oil .... 1976 CAPRICORN 2637103 Americana DBL LP-U 31 ALPHA BAND Spark in the dark 1977 ARISTA 4145 Americana LP-U 10,5 ALVIN DAVE Romeo’s escape 1986 EPIC 40921 Canadese LP-U 8 AMEN CORNER Greatest hits 1978 IMMEDIATE(LINEA TRE) 33059 Italiana LP-U 5,5 AMERICA Homecoming 1972 WARNER 46180 Francese LP-U 10,5 AMERICA History greatest hits 1975 WARNER BROS 56169 Italiana LP-U 5,5 AMERICA The very best 1991 FIVE RECORDS 30002 Italiana LP-U 5,5 AMERICA Hliday 1974 WARNER BROS. -
N E W S R E L E A
N E W S R E L E A S E Contacts: Michael Hogue 215.545.5451 x26 [email protected] FOR IMMEDIATE RELEASE DATE: February 17, 2017 The Chamber Orchestra of Philadelphia (COP) announces its 2017/2018 Season, Improvisionaries. All concerts to feature elements of improvisation from the Baroque era to the present 2017/2018 Season to include 6 series programs at the Perelman Theater, part of the Kimmel Center of the Performing Arts and 3 intersect series events in venues throughout the city COP announces partnerships with the Annenberg Center for the Performing Arts, the Primavera Fund, the Philadelphia Clef Club of Jazz, and Astral Artists COP to start its first-ever joint composer-residency in partnership with American Composers Forum, Philadelphia Chapter made possible through a generous matching grant by the Steven R. Gerber Trust A founding resident company of The Kimmel Center for the Performing Arts, The Chamber Orchestra of Philadelphia (COP) announces its 2017-2018 Season. From September 2017 through May 2018, the Chamber Orchestra will perform six programs as part of its subscription series. All six concert pairs will be performed in the Kimmel Center’s intimate Perelman Theater. Building upon our 52-year history of world-class artistry, vibrant programming and innovative engagement, the 2017/18 season will represent an exciting, watershed moment for The Chamber Orchestra of Philadelphia, featuring both an expansion of current programs and an introduction of new long-term initiatives. 17/18 marks an important year for Jazz in Philadelphia, it represents a multitude of significant anniversaries of Jazz legends with deep connections to the City, including Butch Ballard (100th), Dizzy Gillespie (100th), Gerry Mulligan (90th), Percy Heath (90th), Archie Shepp (80th), Bootsie Barnes (80th); and John Coltrane, who lived in Philadelphia from 1952-58. -
Catalyst Vol. 1 User's Guide
Catalyst Volume 1 – Creativity Xplosion! USER’S GUIDE – M3 Produced by Eric J. Sawyer and Stephen Kay Executive Producer/Editor: Stephen Kay Revision Date – 12-Apr-2009 © 2009 by Karma Lab LLC - All Rights Reserved This document is protected by United States copyright and other intellectual property laws and may not be reproduced, rewritten, distributed, re-disseminated, transmitted, displayed, published or broadcast, directly or indirectly, in any medium without the prior written permission of Karma Lab. www.karma-lab.com Introduction About The XY Pad Thank you for purchasing Catalyst Volume 1! This collection of high quality, In nearly all of the combis in this set, the XY Pad has been set up to mix the new and original Combis for the Korg M3 Music Workstation represents four Modules, in a somewhat standardized fashion. Down will fade-out (mute) hundreds and hundreds of hours of effort, and contains a wide variety of the Drums, up will fade-out (mute) the Bass, and left/right will fade-out the styles, ranging from a mixture of dance categories to jazz to rock to ambient other two parts. There are a few exceptions to this, so consult the XY Pad notes pads and special FX. Each Combi within this collection uses all four available in each Combi description. KARMA Modules and all eight Scenes for maximum sonic possibilities, and to demonstrate the power and potential of multiple GE’s. Enjoy! About Triggering - Eric J. Sawyer and Stephen Kay Some of the Modules in these combis have been set so that you can retrigger How To Load them while the groove is playing, perhaps while the drums maintain their groove. -
JELLY ROLL MORTON's
1 The TENORSAX of WARDELL GRAY Solographers: Jan Evensmo & James Accardi Last update: June 8, 2014 2 Born: Oklahoma City, Oklahoma, Feb. 13, 1921 Died: Las Vegas, Nevada, May 25, 1955 Introduction: Wardell Gray was the natural candidate to transfer Lester Young’s tenorsax playing to the bebop era. His elegant artistry lasted only a few years, but he was one of the greatest! History: First musical studies on clarinet in Detroit where he attended Cass Tech. First engagements with Jimmy Raschel and Benny Carew. Joined Earl Hines in 1943 and stayed over two years with the band before settling on the West Coast. Came into prominence through his performances and recordings with the concert promoter Gene Norman and his playing in jam sessions with Dexter Gordon.; his famous recording with Gordon, “The Chase” (1947), resulted from these sessions as did an opportunity to record with Charlie Parker (1947). As a member of Benny Goodman’s small group WG was an important figure in Goodman’s first experiments with bop (1948). He moved to New York with Goodman and in 1948 worked at the Royal Roost, first with Count Basie, then with the resident band led by Tadd Dameron; he made recordings with both leaders. After playing with Goodman’s bigband (1948-49) and recording in Basie’s small group (1950-51), WG returned to freelance work on the West Coast and Las Vegas. He took part in many recorded jam sessions and also recorded with Louie Bellson in 1952-53). The circumstances around his untimely death (1955) is unclear (ref. -
User Manual Synclavier V
USER MANUAL ARTURIA – Synclavier V – USER MANUAL 1 Direction Frédéric Brun Kevin Molcard Development Cameron Jones (lead) Valentin Lepetit Baptiste Le Goff (project manager) Samuel Limier Stefano D’Angelo Germain Marzin Baptiste Aubry Mathieu Nocenti Corentin Comte Pierre Pfister Pierre-Lin Laneyrie Benjamin Renard Design Glen Darcey Sebastien Rochard Shaun Ellwood Greg Vezon Morgan Perrier Sound Design Drew Anderson Victor Morello Jean-Baptiste Arthus Dave Polich Wally Badarou Stéphane Schott Jean-Michel Blanchet Paul Shilling Marion Demeulemeester Edware Ten Eyck Richard Devine Nori Ubukata Thomas Koot Manual Kevin E. Maloney Jason Valax Corentin Comte ARTURIA – Synclavier V – USER MANUAL 2 Special Thanks Brandon Amison Steve Lipson Matt Bassett Terence Marsden François Best Bruce Mariage Alejandro Cajica Sergio Martinez Chuck Capsis Shaba Martinez Dwight Davies Jay Marvalous Kosh Dukai Miguel Moreno Ben Eggehorn Ken Flux Pierce Simon Franglen Fernando Manuel Rodrigues Boele Gerkes Daniel Saban Jeff Haler Carlos Tejeda Neil Hester James Wadell Chris Jasper Chad Wagner Laurent Lemaire Chuck Zwick © ARTURIA S.A. – 1999-2016 – All rights reserved. 11 Chemin de la Dhuy 38240 Meylan FRANCE http://www.arturia.com ARTURIA – Synclavier V – USER MANUAL 3 Table of contents 1 INTRODUCTION ........................................................................................... 11 1.1 What is Synclavier V? ................................................................................................... 11 1.2 1.2 History of the Original Instrument -
Newspaper $D.Bu — — 6
ApriL Newspaper $d.bU — — 6 Geffen Recordspromotion executive Marko THE DIVINE ONE JANE SAYS.. .GET Babineau has moved over to be general manager for the DIES Sarah Vaughan, one LOST: The former manager DGC label. In turn, Babineau an- of the greatest jazz singers of all of Jane's Addiction, Gary Kur- his promotional time, died of lung cancer last first, is suing the band. He nounced DGC team: Leavitt as Tuesday at the age of 66. "The claims that they fired him in Steve CHR Divine One," as she was aptly violation of a three-year con- promotion director, Hugh Surratt nicknamed, began her career in tract that does not expire until as AOR promotion director, and 1942, after winning an amateur August, 1991. Kurfirst alleges Mark Kates as alternative promo- contest at New York's Apollo at the time of the filing date tion director. DGC has also an- Theatre. For nearly 50 years, (January 25), lead singer Perry nounced thirteen regional her remarkable instrument Farrell was enrolled in a Bever- promotion managers: Mark which, amazingly, seemed to ly Hills drug rehab center, and Burger / Dallas, Lorren Cor- improve with age—has been lead guitarist Dave Navaro was nelius / St. Louis, Jim Gallis / heard on thousands of record- in a methadone program. He Midwest, Ed Green /Philadel- ings and in thousands of con- feels that the band members' phia, Angela Jones / Nashville, cert halls and jazz clubs. With alleged drug problems resulted Alek Maye/Cleveland, Sue O’- Billie Holiday and Ella in clouded judgement, result- Connell/New England, Zak Phil- Fitzgerald, she represented one ing in his dismissal. -
UC Berkeley Electronic Theses and Dissertations
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Facing Jazz, Facing Trauma: Modern Trauma and the Jazz Archive Permalink https://escholarship.org/uc/item/79v6m6c0 Author Singleton, Tyfahra Danielle Publication Date 2011 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Facing Jazz, Facing Trauma: Modern Trauma and the Jazz Archive By Tyfahra Danielle Singleton A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Comparative Literature and the Designated Emphasis in Film Studies in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Judith Butler, Chair Professor Chana Kronfeld Professor Linda Williams Fall 2011 Facing Jazz, Facing Trauma: Modern Trauma and the Jazz Archive Copyright © 2011 by Tyfahra Danielle Singleton Abstract Facing Jazz, Facing Trauma: Modern Trauma and the Jazz Archive by Tyfahra Danielle Singleton Doctor of Philosophy in Comparative Literature University of California, Berkeley Professor Judith Butler, Chair ―Facing Jazz, Facing Trauma‖ posits American jazz music as a historical archive of an American history of trauma. By reading texts by Gayl Jones, Ralph Ellison, Franz Kafka; music and performances by Louis Armstrong and Billie Holiday; the life, art and films of Josephine Baker, and the film The Jazz Singer (1927), my goal is to give African American experiences of trauma a place within American trauma studies and to offer jazz as an extensive archive of testimony for witnessing and for study. Initially, I explore the pivotal historical moment where trauma and jazz converge on a groundbreaking scale, when Billie Holiday sings ―Strange Fruit‖ in 1939. -
Bootsy's Rubber Band Can't Stay Away Mp3, Flac, Wma
Bootsy's Rubber Band Can't Stay Away mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Can't Stay Away Country: US Released: 1977 Style: P.Funk MP3 version RAR size: 1332 mb FLAC version RAR size: 1130 mb WMA version RAR size: 1400 mb Rating: 4.5 Votes: 660 Other Formats: MP2 DMF AHX AAC FLAC RA MP1 Tracklist Hide Credits Can't Stay Away A 3:58 Written-By – George Clinton, William Collins* Another Point Of View B 5:34 Written-By – P. Collins*, G. Clinton*, W. Collins* Companies, etc. Phonographic Copyright (p) – Warner Bros. Records Inc. Published By – Rubber Band Music, Inc. Credits Producer – George Clinton, William Collins* Notes Side A: From the Warner Bros. Album BS 2972 Ahh... The Name Is Bootsy, Baby Side B: From the Warner Bros. Album BS 2920 Stretchin' Out In Bootsy's Rubber Band Barcode and Other Identifiers Rights Society: BMI Matrix / Runout (Label A): (UMI 1016) VIS Matrix / Runout (Label B): (TMI 1003) VIS Other versions Category Artist Title (Format) Label Category Country Year Bootsy's Rubber Can't Stay Away (7", Warner Bros. WBS 8403 WBS 8403 US 1977 Band Single, Mono, Promo) Records Related Music albums to Can't Stay Away by Bootsy's Rubber Band 1. Bootsy's Rubber Band - Ahh...The Name Is Bootsy, Baby! 2. George Clinton - 6 Degrees Of P-Funk: The Best Of George Clinton And His Funk Family 3. Bootsy Collins - Do The Freak 4. Bootsy Collins - Play With Bootsy 5. Bootsy's Rubber Band - Disciples Of Funk/Jungle Bass 6.