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												  British Isles – Castles, Countrysides and Capitals Scotland • England • Wales • Ireland12 DAY WORLD HOLIDAY British Isles – Castles, Countrysides and Capitals Scotland • England • Wales • Ireland September 10, 2020 Departure Date: British Isles – Castles, Countrysides and Capitals Discover the history and charms of the 12 Days • 15 Meals British Isles as you visit Scotland, England, Wales and Ireland. See historic royal castles, the beauty of England’s Lake District and Ireland’s countryside…you’ll experience it all on this journey through these four magnificent countries. TOUR HIGHLIGHTS 4 15 Meals (10 breakfasts and 5 dinners) 4 Airport transfers on tour dates when air is provided by Mayflower Cruises & Tours 4 Included visits to Edinburgh, Cardiff and Blarney Castles Experiene the beauty of the Cotswolds 4 Discover the capital cities of Edinburgh, Cardiff and Dublin on included guided tours DAY 1 – Depart the USA 4 Visit Gretna Green, ‘the marriage capital of the UK’ Depart the USA on your overnight flight to Edinburgh, Scotland, where 4 Relax aboard a scenic cruise on Lake Windermere in England’s centuries of history meet a vibrant, cosmopolitan city. famed Lake District 4 Tour the medieval town of York and visit the Minster 4 DAY 2 – Edinburgh, Scotland Tour the childhood home of William Shakespeare during the visit to Upon arrival, you’ll be met by a Mayflower representative and trans- Stratford-upon-Avon ferred to your hotel. The remainder of the day is at leisure to begin im- 4 Enjoy a scenic journey through the Cotswolds, one of England’s most mersing yourself in the Scottish culture. picturesque areas 4 Discover the ancient art of creating Waterford Crystal 4 DAY 3 – Edinburgh Kiss the Blarney Stone during the visit to Blarney Castle’s mysterious The day begins with an included tour of this capital city.
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												  The History of Dunedin Income Growth Investment TrustThe History of Dunedin Income Growth Investment Trust PLC The first investment trust launched in Scotland, 1873 – 2018 Dunedin Income Growth Trust Investment Income Dunedin Foreword 1873 – 2018 This booklet, written for us by John Newlands, It is a particular pleasure for me, as Chairman of DIGIT describes the history of Dunedin Income Growth and as former employee of Robert Fleming & Co to be Investment Trust PLC, from its formation in Dundee able to write a foreword to this history. It was Robert in February 1873 through to the present day. Fleming’s vision that established the trust. The history Launched as The Scottish American Investment Trust, of the trust and its role in making professional “DIGIT”, as the Company is often known, was the first investment accessible is as relevant today as it investment trust formed in Scotland and has been was in the 1870s when the original prospectus was operating continuously for the last 145 years. published. I hope you will find this story of Scottish enterprise, endeavour and vision, and of investment Notwithstanding the Company’s long life, and the way over the past 145 years interesting and informative. in which it has evolved over the decades, the same The Board of DIGIT today are delighted that the ethos of investing in a diversified portfolio of high trust’s history has been told as we approach the quality income-producing securities has prevailed 150th anniversary of the trust’s formation. since the first day. Today, while DIGIT invests predominantly in UK listed companies, we, its board and managers, maintain a keen global perspective, given that a significant proportion of the Company’s revenues are generated from outside of the UK and that many of the companies in which we invest have very little exposure to the domestic economy.
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												  'The Neo-Avant-Garde in Modern Scottish Art, And‘THE NEO-AVANT-GARDE IN MODERN SCOTTISH ART, AND WHY IT MATTERS.’ CRAIG RICHARDSON DOCTOR OF PHILOSOPHY (BY PUBLISHED WORK) THE SCHOOL OF FINE ART, THE GLASGOW SCHOOL OF ART 2017 1 ‘THE NEO-AVANT-GARDE IN MODERN SCOTTISH ART, AND WHY IT MATTERS.’ Abstract. The submitted publications are concerned with the historicisation of late-modern Scottish visual art. The underpinning research draws upon archives and site visits, the development of Scottish art chronologies in extant publications and exhibitions, and builds on research which bridges academic and professional fields, including Oliver 1979, Hartley 1989, Patrizio 1999, and Lowndes 2003. However, the methodology recognises the limits of available knowledge of this period in this national field. Some of the submitted publications are centred on major works and exhibitions excised from earlier work in Gage 1977, and Macmillan 1994. This new research is discussed in a new iteration, Scottish art since 1960, and in eight other publications. The primary objective is the critical recovery of little-known artworks which were formed in Scotland or by Scottish artists and which formed a significant period in Scottish art’s development, with legacies and implications for contemporary Scottish art and artists. This further serves as an analysis of critical practices and discourses in late-modern Scottish art and culture. The central contention is that a Scottish neo-avant-garde, particularly from the 1970s, is missing from the literature of post-war Scottish art. This was due to a lack of advocacy, which continues, and a dispersal of knowledge. Therefore, while the publications share with extant publications a consideration of important themes such as landscape, it reprioritises these through a problematisation of the art object.
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												  Written GuideThe tale of a tail A self-guided walk along Edinburgh’s Royal Mile ww.discoverin w gbrita in.o the stories of our rg lands discovered th cape rough w s alks 2 Contents Introduction 4 Route map 5 Practical information 6 Commentary 8 Credits © The Royal Geographical Society with the Institute of British Geographers, London, 2015 Discovering Britain is a project of the Royal Geographical Society (with IBG) The digital and print maps used for Discovering Britain are licensed to the RGS-IBG from Ordnance Survey Cover image: Detail from the Scottish Parliament Building © Rory Walsh RGS-IBG Discovering Britain 3 The tale of a tail Discover the stories along Edinburgh’s Royal Mile A 1647 map of The Royal Mile. Edinburgh Castle is on the left Courtesy of www.royal-mile.com Lined with cobbles and layered with history, Edinburgh’s ‘Royal Mile’ is one of Britain’s best-known streets. This famous stretch of Scotland’s capital also attracts visitors from around the world. This walk follows the Mile from historic Edinburgh Castle to the modern Scottish Parliament. The varied sights along the way reveal Edinburgh’s development from a dormant volcano into a modern city. Also uncover tales of kidnap and murder, a dramatic love story, and the dramatic deeds of kings, knights and spies. The walk was originally created in 2012. It was part of a series that explored how our towns and cities have been shaped for many centuries by some of the 206 participating nations in the 2012 Olympic and Paralympic Games.
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												  Sons of CrispinSons of Crispin Sons of Crispin: The St Crispin Lodges of Edinburgh and Scotland By Sandra M. Marwick Sons of Crispin: The St Crispin Lodges of Edinburgh and Scotland, by Sandra M. Marwick This book first published 2014 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2014 by Sandra M. Marwick All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-6361-0, ISBN (13): 978-1-4438-6361-2 TABLE OF CONTENTS List of Illustrations .................................................................................... vii Acknowledgements .................................................................................... ix Abbreviations .............................................................................................. x Chapter One ................................................................................................. 1 Introduction: Why Crispin? Chapter Two .............................................................................................. 17 St Crispin as Patron Saint Chapter Three ............................................................................................ 52 The Memorable Crispin Chapter Four .............................................................................................
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												  Scottish Art: Then and NowScottish Art: Then and Now by Clarisse Godard-Desmarest “Ages of Wonder: Scotland’s Art 1540 to Now”, an exhibition presented in Edinburgh by the Royal Scottish Academy of Painting, Sculpture and Architecture tells the story of collecting Scottish art. Mixing historic and contemporary works, it reveals the role played by the Academy in championing the cause of visual arts in Scotland. Reviewed: Tom Normand, ed., Ages of Wonder: Scotland’s Art 1540 to Now Collected by the Royal Scottish Academy of Art and Architecture, Edinburgh, The Royal Scottish Academy, 2017, 248 p. The Royal Scottish Academy (RSA) and the National Galleries of Scotland (NGS) have collaborated to present a survey of collecting by the academy since its formation in 1826 as the Scottish Academy of Painting, Sculpture and Architecture. Ages of Wonder: Scotland’s Art 1540 to Now (4 November 2017-7 January 2018) is curated by RSA President Arthur Watson, RSA Collections Curator Sandy Wood and Honorary Academician Tom Normand. It has spawned a catalogue as well as a volume of fourteen essays, both bearing the same title as the exhibition. The essay collection, edited by Tom Normand, includes chapters on the history of the RSA collections, the buildings on the Mound, artistic discourse in the nineteenth century, teaching at the academy, and Normand’s “James Guthrie and the Invention of the Modern Academy” (pp. 117–34), on the early, complex history of the RSA. Contributors include Duncan Macmillan, John Lowrey, William Brotherston, John Morrison, Helen Smailes, James Holloway, Joanna Soden, Alexander Moffat, Iain Gale, Sandy Wood, and Arthur Watson.
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												  Information Correct at Time of Issue SeeNAME LOCATION DESCRIPTION NOTES PLAN YOUR VISIT / BOOK Pre-booking required Craigmillar Castle Edinburgh Medieval castle Till 31st Oct: open daily, 10am to 4pm Book here Winter opening times to be confirmed. Pre-booking required. Some glasshouses closed. Royal Botanic Garden Edinburgh Edinburgh Gardens Book here Free admission Castle closed. Free entry to the grounds (open daily 08.00- Lauriston Castle Edinburgh 16th-century tower house Walk-in 19.00) and Mimi's Cafe on site. Royal Yacht Britannia Edinburgh Attraction - former royal yacht Pre-booking recommended. Book here Shop is open Tours have been put on hold for the time being due to Edinburgh Gin Distillery Edinburgh Gin distillery tours restrictions in force from 9th Oct, and can't be booked - until further notice. Wee Wonders Online Tasting available instead. Pre-booking recommended. Currently open Thu-Mon Georgian House Edinburgh New Town House Book here 1st - 29th Nov: open Sat-Sun, 10am-4pm 30th Nov- 28th Feb: closed Edinburgh Castle Edinburgh Main castle in Edinburgh Pre-booking required. Book here Real Mary King's Close Edinburgh Underground tour Pre-booking required. Book here Our Dynamic Earth Edinburgh Earth Science Centre Pre-booking required. Open weekends in October only. Book here Edinburgh Dungeon Edinburgh Underground attraction Pre-booking required. Book here Pre-booking recommended. The camera show is not Camera Obscura Edinburgh World of Illusions - rooftop view running at the moment - admission price 10% lower to Book here reflect this. Palace of Holyroodhouse Edinburgh Royal Palace Pre-booking recommended. Open Thu-Mon. Book here Pre-booking required. Whisky is not consumed within Scotch Whisky Experience Edinburgh Whisky tours the premises for now, instead it's given at the end of Book here the tours to take away.
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												  Histoire Des Collections Numismatiques Et Des Institutions Vouées À La NumismatiqueHISTOIRE DES COLLECTIONS NUMISMATIQUES ET DES INSTITUTIONS VOUÉES À LA NUMISMATIQUE Numismatic Collections in Scotland Scotland is fortunate in possessing two major cabinets of international signifi- cance. In addition over 120 other institutions, from large civic museums to smaller provincial ones, hold collections of coins and medals of varying size and impor- tance. 1 The two main collections, the Hunterian held at the University of Glasgow, and the national collection, housed at the National Museums of Scotland in Edinburgh, nicely complement each other. The former, based on the renowned late 18th centu- ry cabinet of Dr. William Hunter, contains an outstanding collection of Greek and Roman coins as well as important groups of Anglo-Saxon, medieval and later English, and Scottish issues along with a superb holding of medals. The National Museums of Scotland house the largest and most comprehensive group of Scottish coins and medals extant. Each collection now numbers approximately 70,000 speci- mens. The public numismatic collections from the rest of Scotland, though perhaps not so well known, are now recorded to some extent due to a National Audit of the coun- try’s cultural heritage held by museums and galleries carried out by the Scottish Museums Council in 2001 on behalf of the Scottish Government. 2 Coins and Medals was one of 20 collections types included in the questionnaire, asking for location, size and breakdown into badges, banknotes, coins, medals, tokens, and other. Over 12 million objects made up what was termed the Distributed National Collection, of which 3.3% consisted of approximately 68,000 coins and medals in the National Museums concentrated in Edinburgh and 345,000 in the non-nationals throughout the rest of the country.
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												  The Changing Face of the National Museum of Scotland Amy ClarkeGreat Narratives of the Past. Traditions and Revisions in National Museums Conference proceedings from EuNaMus, European National Museums: Identity Politics, the Uses of the Past and the European Citizen, Paris 29 June – 1 July & 25-26 November 2011. Dominique Poulot, Felicity Bodenstein & José María Lanzarote Guiral (eds) EuNaMus Report No 4. Published by Linköping University Electronic Press: http://www.ep.liu.se/ecp_home/index.en.aspx?issue=078 © The Author. From Royal to National: The Changing Face of the National Museum of Scotland Amy Clarke The University of Queensland Abstract Since devolution in 1997 Scotland has been a nation increasingly conscious of its national brand. The Scottish government has undertaken several international partnerships in the fields of culture, education and commerce, and through its rhetoric and policy the government appears to be encouraging a global perception of Scotland as a nation in the throes of a ‘New Enlightenment.’ The National Museum of Scotland (and former Royal Museum) has benefited from this alleged cultural renaissance, having reopened July 2011 following its second renovation in less than 15 years. Comprised of two separate buildings, the former Royal Museum (1854) and the Museum of Scotland (1998), the National Museum of Scotland’s most recent construction program restored and modernised the Royal Museum structure, which had originally been built as an Industrial Museum before receiving Royal status in 1904. Given the fact that the Royal Museum’s origins were in part a testament to Scotland’s position in the United Kingdom and British Empire, the current Museum’s new form communicates much about the evolution of Scotland’s national identity and its relationship with the world Scotland’s evolution from 19th century industrial powerhouse of the British Empire to the increasingly independent ‘Enlightened’ nation of today has been echoed by the ever-changing form of its national Museum.
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												  July 13/15-26, 2022July 13/15-26, 2022 Hosted by Rev. Eric Chaffin and Dr. Jerry Joplin Baptist Heritage Tour of Scotland and England Eric Chaffin is Associate Pas- Main Tour tor at Southcrest Baptist Church in Lubbock, Texas, Day 1: Friday, July 15, 2022: Flight to Edinburgh and is also a doctoral candi- We will set off on our overnight flights to Edinburgh. (IF) date at Midwestern Baptist Theological Seminary. His Day 2: Saturday, July 16, 2022: Edinburgh wife Kristi has spent her entire On arrival in Edinburgh, we will meet our tour director and adult life doing what she al- board our air-conditioned bus for the transfer to the hotel to ways wanted to: being a hair- meet up with the pre-tour travelers. We will begin with an ori- stylist. They are both de- entation tour of Edinburgh. At the top of the Royal Mile lies the scended from British Ancestry. magnificent Edinburgh Castle. Our tour of this imposing castle will include tiny St. Margaret’s Chapel, Edinburgh’s oldest Dr. Jerry Joplin and his building, which dates back to the 1100s. After checking in to wife Karla will have just our centrally located hotel, the afternoon will be at leisure. We celebrated 44 years of life will dine in our hotel this evening. (IF/D) together just prior to the tour. Jerry was a pastor for 25 years before being called to the ministry of Director of the Lubbock Area Baptist Association in 2014. Their family herit- age is Irish, German, and Scottish. IF = In-flight, B = Breakfast, L = Lunch, D = Dinner Optional Pre-Tour (additional $450) Day 3: Sunday, July 17, 2022: Edinburgh Pre-tour Day 1: Wednesday, July 13, 2022: Flight to This morning we will have the opportunity to attend church in Edinburgh We will set off to Edinburgh, Scotland.
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												  The Daniel Wilson ScrapbookThe Daniel Wilson Scrapbook Illustrations of Edinburgh and other material collected by Sir Daniel Wilson, some of which he used in his Memorials of Edinburgh in the olden time (Edin., 1847). The following list gives possible sources for the items; some prints were published individually as well as appearing as part of larger works. References are also given to their use in Memorials. Quick-links within this list: Box I Box II Box III Abbreviations and notes Arnot: Hugo Arnot, The History of Edinburgh (1788). Bann. Club: Bannatyne Club. Beattie, Caledonia illustrated: W. Beattie, Caledonia illustrated in a series of views [ca. 1840]. Beauties of Scotland: R. Forsyth, The Beauties of Scotland (1805-8). Billings: R.W. Billings, The Baronial and ecclesiastical Antiquities of Scotland (1845-52). Black (1843): Black’s Picturesque tourist of Scotland (1843). Black (1859): Black’s Picturesque tourist of Scotland (1859). Edinburgh and Mid-Lothian (1838). Drawings by W.B. Scott, engraved by R. Scott. Some of the engravings are dated 1839. Edinburgh delineated (1832). Engravings by W.H. Lizars, mostly after drawings by J. Ewbank. They are in two series, each containing 25 numbered prints. See also Picturesque Views. Geikie, Etchings: Walter Geikie, Etchings illustrative of Scottish character and scenery, new edn [1842?]. Gibson, Select Views: Patrick Gibson, Select Views in Edinburgh (1818). Grose, Antiquities: Francis Grose, The Antiquities of Scotland (1797). Hearne, Antiquities: T. Hearne, Antiquities of Great Britain illustrated in views of monasteries, castles and churches now existing (1807). Heriot’s Hospital: Historical and descriptive account of George Heriot’s Hospital. With engravings by J.
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												  Dimma Park, South QueensferryDevelopment Management Sub Committee Wednesday 16 December 2020 Application for Planning Permission 20/00802/FUL at Land 100 Metres South Of, Dimma Park, South Queensferry. Erect 72x dwellings with associated roads and parking spaces (as amended). Item number Report number Wards B01 - Almond Summary The site is allocated for housing in the Local Development Plan and the proposal is acceptable in principle. The proposal will have no impact upon the Forth Bridge World Heritage Site. Its approach to design, scale and density is compatible with the surrounding area. The development will provide a good level of amenity to future occupiers and will not adversely impact upon neighbouring amenity, or raise any road safety concerns. Links Policies and guidance for LDPP, LHOU10, LHOU02, LHOU03, LHOU04, this application LHOU06, LDEL01, LDES01, LDES03, LDES04, LDES05, LDES06, LDES07, LDES08, LDES11, LEN03, LEN09, LEN12, LEN16, LEN21, LEN22, NSG, NSGD02, Development Management Sub-Committee – 16 December 2020 Page 1 of 41 20/00802/FUL Report Application for Planning Permission 20/00802/FUL at Land 100 Metres South Of, Dimma Park, South Queensferry. Erect 72x dwellings with associated roads and parking spaces (as amended). Recommendations 1.1 It is recommended that this application be Granted subject to the details below. Background 2.1 Site description The site consists of 4.5 Hectares of greenfield land, currently used as grassland that falls within the eastern extent of allocated site HSG 33 South Scotstoun; allocated for housing numbers ranging from 312- 437 homes. Existing development currently under construction in HSG 33 bounds the application site to the west. Far west of the site is the B listed Scotstoun House modernist office and grounds (reference LB50165, listed 24/10/2005).