Serge Abrahanovic G. A. Abramov
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Il Jazz Appreciation Month Di Aprile 2017
Gentili lettori, questa nostra introduzione, del Club per l’UNESCO di Livorno, è semplicemente per spiegarvi in poche parole il perché di tale piccolo quaderno scritto appositamente per il mese dedicato al Jazz, ovvero il Jazz Appreciation Month di Aprile 2017. Abbiamo cooperato alla pubblicazione di questo semplice libriccino sul Jazz unicamente perché innanzitutto è un genere che ha rapidamente conquistato tutto il mondo e tutti gli strati sociali, poi perché questo bel ritmo ha qualcosa di trascinante e di affascinante che smuove quell'elettricità che tutti abbiamo nella testa e nel cuore. Chi di noi non ha mai mosso un piede nel sentirla, questa musica galvanizzante? Inoltre Livorno, anche perché geograficamente vicinissima ad una base americana, da tempo ne è stata contagiata dato che proprio in America è nato, nei bui locali e nelle fumose sale della vecchia New York e altre città, questo modo di interpretare i sentimenti. Godetevi quindi questa breve lettura che speriamo, come Club per l’UNESCO di Livorno, vi piaccia. Un grazie a Andrea Pellegrini, all’architetto Chiara Carboni e alla Vice Presidente del Club Rossella Bruni Chelini. Margherita Mazzelli Presidente Club per l’UNESCO Livorno a Alberto Granucci 100 anni fa: il Jazz Cento anni fa una forma musicale nuova (un “suono nuovo” come fu definito da Louis Amstrong) che già da qualche anno aveva incominciato a pervadere i locali e le strade di alcune città del sud degli Stati Uniti fu per la prima volta “incisa” su un vinile. Da quel momento, da quel primo disco a 78 giri, il Jazz è divenuto la colonna sonora di un’epoca contrassegnata da grandi cambiamenti. -
Musica, Musica, Musica
William Ghizzoni MUSICA, MUSICA, MUSICA Di tutto un po’ … Mini-corso di Musicologia II edizione Aprile 2020 Sommario Premessa ............................................................................................... 7 Il mondo della musica: una possibile classificazione ........................... 11 AREA CLASSICA .................................................................................... 15 1. Musica sinfonica ...................................................................... 16 2. Musica cameristica .................................................................. 20 3. Musica lirica (Operistica) ......................................................... 22 4. Musica Sacra ............................................................................ 25 5. Altri generi ............................................................................... 29 AREA MUSICA LEGGERA ...................................................................... 33 6. Musica da ballo (e danza) ........................................................ 34 7. Operetta (e Romanza) ............................................................. 43 8. Il "Musical" .............................................................................. 45 9. La musica da film ..................................................................... 48 10. La musica "Pop" ................................................................... 51 11. Rhythm & Blues e Soul Music .............................................. 53 12. La musica Rock.................................................................... -
GéZa Von Bolvã¡Ry ̘͙” ˪…˶€ (Ìž'í'ˆìœ¼ë¡Œ)
Géza von Bolváry ì˜í ™” 명부 (작품으로) The Prisoners of Shanghai https://ko.listvote.com/lists/film/movies/the-prisoners-of-shanghai-19840598/actors The Way to the Light https://ko.listvote.com/lists/film/movies/the-way-to-the-light-55635624/actors The Royal Grenadiers https://ko.listvote.com/lists/film/movies/the-royal-grenadiers-56064216/actors The Princess of the Riviera https://ko.listvote.com/lists/film/movies/the-princess-of-the-riviera-28130371/actors Farewell Waltz https://ko.listvote.com/lists/film/movies/farewell-waltz-107210116/actors Die Fledermaus https://ko.listvote.com/lists/film/movies/die-fledermaus-1212466/actors Schwarzwaldmelodie https://ko.listvote.com/lists/film/movies/schwarzwaldmelodie-1238382/actors A Song Goes Round the World https://ko.listvote.com/lists/film/movies/a-song-goes-round-the-world-1304847/actors Once I Will Return https://ko.listvote.com/lists/film/movies/once-i-will-return-1308385/actors Flower of the Tisza https://ko.listvote.com/lists/film/movies/flower-of-the-tisza-1321620/actors Zauber der Bohème https://ko.listvote.com/lists/film/movies/zauber-der-boh%C3%A8me-148379/actors Yes, Yes, Love in Tyrol https://ko.listvote.com/lists/film/movies/yes%2C-yes%2C-love-in-tyrol-1544574/actors The Irresistible Man https://ko.listvote.com/lists/film/movies/the-irresistible-man-15805216/actors Premiere https://ko.listvote.com/lists/film/movies/premiere-1591914/actors Roses in Tyrol https://ko.listvote.com/lists/film/movies/roses-in-tyrol-1609985/actors Schrammeln https://ko.listvote.com/lists/film/movies/schrammeln-1643798/actors -
German Operetta on Broadway and in the West End, 1900–1940
Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 German Operetta on Broadway and in the West End, 1900–1940 Academic attention has focused on America’sinfluence on European stage works, and yet dozens of operettas from Austria and Germany were produced on Broadway and in the West End, and their impact on the musical life of the early twentieth century is undeniable. In this ground-breaking book, Derek B. Scott examines the cultural transfer of operetta from the German stage to Britain and the USA and offers a historical and critical survey of these operettas and their music. In the period 1900–1940, over sixty operettas were produced in the West End, and over seventy on Broadway. A study of these stage works is important for the light they shine on a variety of social topics of the period – from modernity and gender relations to new technology and new media – and these are investigated in the individual chapters. This book is also available as Open Access on Cambridge Core at doi.org/10.1017/9781108614306. derek b. scott is Professor of Critical Musicology at the University of Leeds. -
28Apr2004p2.Pdf
144 NAXOS CATALOGUE 2004 | ALPHORN – BAROQUE ○○○○ ■ COLLECTIONS INVITATION TO THE DANCE Adam: Giselle (Acts I & II) • Delibes: Lakmé (Airs de ✦ ✦ danse) • Gounod: Faust • Ponchielli: La Gioconda ALPHORN (Dance of the Hours) • Weber: Invitation to the Dance ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ Slovak RSO / Ondrej Lenárd . 8.550081 ■ ALPHORN CONCERTOS Daetwyler: Concerto for Alphorn and Orchestra • ■ RUSSIAN BALLET FAVOURITES Dialogue avec la nature for Alphorn, Piccolo and Glazunov: Raymonda (Grande valse–Pizzicato–Reprise Orchestra • Farkas: Concertino Rustico • L. Mozart: de la valse / Prélude et La Romanesca / Scène mimique / Sinfonia Pastorella Grand adagio / Grand pas espagnol) • Glière: The Red Jozsef Molnar, Alphorn / Capella Istropolitana / Slovak PO / Poppy (Coolies’ Dance / Phoenix–Adagio / Dance of the Urs Schneider . 8.555978 Chinese Women / Russian Sailors’ Dance) Khachaturian: Gayne (Sabre Dance) • Masquerade ✦ AMERICAN CLASSICS ✦ (Waltz) • Spartacus (Adagio of Spartacus and Phrygia) Prokofiev: Romeo and Juliet (Morning Dance / Masks / # DREAMER Dance of the Knights / Gavotte / Balcony Scene / A Portrait of Langston Hughes Romeo’s Variation / Love Dance / Act II Finale) Berger: Four Songs of Langston Hughes: Carolina Cabin Shostakovich: Age of Gold (Polka) •␣ Bonds: The Negro Speaks of Rivers • Three Dream Various artists . 8.554063 Portraits: Minstrel Man •␣ Burleigh: Lovely, Dark and Lonely One •␣ Davison: Fields of Wonder: In Time of ✦ ✦ Silver Rain •␣ Gordon: Genius Child: My People • BAROQUE Hughes: Evil • Madam and the Census Taker • My ■ BAROQUE FAVOURITES People • Negro • Sunday Morning Prophecy • Still Here J.S. Bach: ‘In dulci jubilo’, BWV 729 • ‘Nun komm, der •␣ Sylvester's Dying Bed • The Weary Blues •␣ Musto: Heiden Heiland’, BWV 659 • ‘O Haupt voll Blut und Shadow of the Blues: Island & Litany •␣ Owens: Heart on Wunden’ • Pastorale, BWV 590 • ‘Wachet auf’ (Cantata, the Wall: Heart •␣ Price: Song to the Dark Virgin BWV 140, No. -
Austria Kultur International Jahrbuch Der Österreichischen Auslandskultur 2018 Austria Kultur International Jahrbuch Der Österreichischen Auslandskultur 2018
Austria Kultur International Jahrbuch der Österreichischen Auslandskultur 2018 Austria Kultur International Jahrbuch der Österreichischen Auslandskultur 2018 Austria Kultur International Jahrbuch der Österreichischen Auslandskultur 2018 Marte.Marte Architekten, Schanerlochbrücke © Marc Lins Photography Inhalt Die Österreichische Auslandskultur 2018 9 Alexander Schallenberg, Bundesminister für Europa, Integration und Äußeres Vorwort 13 Teresa Indjein (BMEIA), Leiterin der Sektion für Kulturelle Auslandsbeziehungen SCHWERPUNKTJAHR ALBANIEN – GEMEINSAMES NEU ENTDECKEN Kulturjahr Österreich-Albanien: „Kultur beginnt im Herzen“ 19 Johann Sattler (BMEIA), Österreichischer Botschafter in Tirana, und Eljana Mankollari, Kulturreferentin (BMEIA), Österreichische Botschaft Tirana MIT GESCHICHTE DENKEN „Erinnerung ist eine Form der Begegnung“: Gedenkjahr 2018 29 Ulla Krauss-Nussbaumer (BMEIA), Leiterin der Abteilung für die Durch- führung kultureller und wissenschaftlicher Veranstaltungen im Ausland Grundlagen für ein freiwilliges Engagement: Gedenk-, Friedens- und 37 Sozialdienst im Ausland Wolfgang Gschliffner, Abteilung V/A/6, Gedenk- Friedens- oder Sozialdienst im Ausland, Bundesministerium für Arbeit, Soziales, Gesundheit und Konsumentenschutz „Sie ist verstorben“. Erfahrungen und Überlegungen aus dem Gedenkdienst 42 Christopher Rochow, Gedenkdiener am Leo Baeck Institut in New York (Verein Gedenkdienst) Ein ganzes halbes Jahr: Mein Auslandsdienst in Rom 45 Nina Perendi, Freiwillige Mitarbeiterin an der Fondazione Museo della Shoah in Rom ARBEITEN -
New York, 5 January 1946: in Ragged Clothes, but As Usual Wearing
New York, 5 January 1946: In ragged clothes, but as usual wearing elegant white gloves, Paul Abraham steps on Madison avenue, positions himself on a socket in the central reserve of the roadway and starts to direct an imaginary orchestra. This last 'performance' would take the most successful composer of the early 1930s to psychiatry. The game is over... On this homepage you will read everything about the triumphs and defeats of this creator of immortal tunes. The biographical homepage of the operetta composer PAUL ABRAHAM (1892-1960) His life - His tunes - His influence by Klaus Waller (Translation: Nardina Alongi) From Apatin to Budapest Paul Abraham was born as Ábrahám Pál on 2 November 1892 in the provincial town of Apatin (in modern Serbia), which at that time belonged to the Austro-Hungarian empire of the Habsburgian monarchy. We know close to nothing about his childhood. It seems certain that his mother, a piano teacher, introduced him to the world of music - as well his father, a businessman, had influenced him with his profession - for both his interests, for music and for financial business, he tried to unite when he was a young man, and this would make his life rather adventurous. After attending the Swabian village school of Apatin and his father's early death, Abraham came to Budapest when he was still a child. A music professor in Apatin had heard him playing piano when he was seven and recommended to his mother to move to Budapest, where he promoted Abraham further. Budapest was at that time a culturally vivid urban centre with a great deal of ethnic German population. -
Donne in Musica N:B Women in Jazz
FONDAZIONE ADKINS CHITI: DONNE IN MUSICA N:B WOMEN IN JAZZ These notes are based on the Foundation’s research materials for books and articles about jazzwomen worldwide. For simplicity we have divided these into six sections. The text is in WORD in order to facilitate transition into documents for www. In a separate file there are 1. General Introduction – Researching Women in Jazz 2. Brief History of Jazz – “blues women” – arrival in Europe 3. The Mediterranean: Women and Jazz in Italy and Turkey 4. Jazzwomen in Serbia, Germany and Great Britain 5. Final Reflections and suggestion for further reading 6. Bibliographies Also enclosed is a link to an American Website for Women in Jazz. Although not omni-comprehensive of the subject, this could be included in own website as further study material. Patricia Adkins Chiti1 1 Musician and musicologist, former Italian State Commissioner for Equal Opportunities, musicology and performing arts, consultant to universities and institutions. During UNESCO World Conference on Cultural Development Policies (Stockholm, 1998), she proposed clauses regarding women and children. In 1978, she created “Donne in Musica” and in 1996 the “Fondazione Adkins Chiti: Donne in Musica”, with a network of nearly 27 thousand women composers, musicians and musicologists in 113 countries and which commissions new works, promotes research and musical projects and maintains huge archives of women’s music. She has written books and over 500 articles on women in music. In 2004 the President of the Italian Republic honoured her with the title of “Cavaliere Ufficiale”. 1 General Introduction – Researching Women in Jazz “Only God can create a tree and only men can play jazz well” (George T. -
Henri BOURTAYRE
VINYL - 23 rue des Menus Plaisirs - 78690 Les Essarts-le-Roi ([email protected]) Vous connaissez au moins, chers lecteurs de Vinyl, Fleur de Paris et Che- valier du Ciel (par Mariano, pas par le chanteur helvético-belge). Il y en a eu bien d’autres. On va vous rafraîchir la mémoire. Et aussi vous narrer moult anecdotes. Car le bonhomme est intarissable. Pensez ! On n’a pas travaillé avec Ray Ventura, Raymond Legrand, Jacques Hélian, Tino Rossi, Maurice Chevalier, Luis Mariano et Robert Lamoureux sans avoir vécu quelques aventures pittoresques. Monsieur Henri Bourtayre – 92 ans et en pleine forme ! – nous reçoit à bras ouverts et son premier geste est d’aller nous chercher une bouteille de champagne (du meilleur : c’est bien d’être à Vinyl, hein ? - voir ci-dessous) Ce qui est également sympathique avec ce charmant monsieur, c’est qu’on est dispensé de poser les traditionnelles questions stupides : comment êtes-vous venu à la musique ? Comment trouvez-vous votre inspiration ? Quel est votre meilleur souvenir ? Car il raconte sans qu’on ait besoin de le solliciter et sa mémoire sur les noms, les lieux et les dates est très fidè- le. Et des souvenirs, il n’en a que des bons. Alors, on lui laisse la parole. Rencontre avec Henri BOURTAYRE 12 Ray Ventura, Raymond Legrand Quand Legrand avait un gala à Radio-Paris, il regar- dait le minutage pendant que l’orchestre jouait. Il J’ai commencé en 1937 chez Ray Ventura, mais s’apercevait qu’il allait être “trop court”. Il fallait comme éditeur. -
1 New York, 1946. Banished from Germany by the National Socialists
New York, 1946. Banished from Germany by the national socialists, Paul Abraham stands in an lively street and starts to conduct an imaginary orchestra.* This last “concert” by the former most successful operetta composer of the whole world, called the “operetta king of Berlin”, marks the bitter end of his fruitless attempts of making a living in the “New World”. A little bit later he was admitted to the biggest insane asylum of the whole world. *There are not any eyewitnesses of this incident, but it became an iconographic symbol of the tragic fate of Paul Abraham and his exiled contemporaries. 1 The biographical homepage of the operetta composer PAUL ABRAHAM (1892-1960) The tragic king of operetta by Klaus Waller (Translation: Nardina Alongi 2014, update Louis Breitsohl 2016) From Apatin to Budapest Paul Abraham was born as Ábrahám Pál on 2 November 1892 in the provincial town of Apatin (in modern Serbia), which at that time belonged to the Austro-Hungarian empire of the Habsburgian monarchy. We know close to nothing about his childhood. It seems certain that his mother, a piano teacher, introduced him to the world of music - as well his father as a businessman, had influenced him with his profession - for both his interests, for music and for financial business, he tried to unite when he was a young man. After attending the Swabian village school of Apatin and an economic school in the nearby Zombor, Abraham arrived in the early 1910s in Budapest, accompanied only by his mother, because of his father's early death and the induction of his brother, who died soon as well. -
KLEINKUNST 3798 Hans Albers / Marta Eggerth Mit Otto Dobrindt Orch
Ref.Nr. Musikername Zustand Musiktitel Land Best.Nr. Optisch / Akustisch Preis Erläuterungen KLEINKUNST 3798 Hans Albers / Marta Eggerth mit Otto Dobrindt Orch. D Odeon 11554 Parl 2- / 2 21.- Kind du brauchst nicht weinen F+ / Ich habe ein Herz, daß sich nach Liebe sehnt Wl+ 48102 Berlin, 21.11.1931, beide aus dem Film: "Der Draufgänger" 1808 Hans Albers mit mit dem Waldo Favre-Chor und dem F.F.B.-Orchester D Decca F 43496 3- / 3+ 9.- O SignorinaBerlin, -rina Leitung:-rina + / NorbertKleine weiße Schultze Möwe + 1952, kl. Rs, lscrs, leicht grau, spielt gut 3391 Hans Albers mit Orch. Ltg. Werner Eisbrenner D Odeon 26625 3 / 3+ 16.- La Paloma + / Beim ersten Mal + Berlin 19.12.1944 / 1.12.1944, NK 1031 Hans Albers mit Orchester Ltg. Otto Dobrindt / Orch. Ltg. Hans Otto Borgmann D Odeon 26878 3+ / 3++ 18.- Seemannschor (In Hamburg an der Elbe) + / Ganz dahinten wo der Leuchtturm steht + Berlin 26.8. / 7.12.1932 NK, lscrs Den „Leuchtturm“ gibt es sonst nur in Kopplung mit dem „Flieger“ zu entsprechenden Preisen . 2782 Hans Albers Orch. Walter Baumgartner und Geschwister Burgstaller D Decca F 49069 3+ / 3++ 16.- Nic ist braun wie eine Kaffeebohne + / Kleine Nordseeschwalbe + Oktober / Dezember 1950 3385 Hans Albers Waldo Favre Chor FFB. Orch. Ltg. Werner Eisbrenner D Decca F 43500 3- / 3+ 14.- La Paloma + / Auf der Reeperbahn Nachts um Halb Eins + 1953, sogenannte 3. Version, mini Rs. mehrere lscrs - spielt gut 1323 Gitta Alpar D Odeon 11642 3 / 3+ 5.- Was kann so schön sein wie deine Liebe ? + / Dort wo die Wälder grün + 1627 Gitta Alpar Orch. -
Cinema and the Swastika
Cinema and the Swastika October-2010 MAC/CIN Page-i 9780230_238572_01_prexxiv Also by Roel Vande Winkel NAZI NEWSREEL PROPAGANDA IN THE SECOND WORLD WAR Also by David Welch NAZI PROPAGANDA: The Powers and the Limitations PROPAGANDA AND THE GERMAN CINEMA 1933–45 THE THIRD REICH: Politics and Propaganda HITLER: Profile of a Dictator October-2010 MAC/CIN Page-ii 9780230_238572_01_prexxiv Cinema and the Swastika The International Expansion of Third Reich Cinema Edited by Roel Vande Winkel and David Welch October-2010 MAC/CIN Page-iii 9780230_238572_01_prexxiv © Editorial matter, selection, introduction and chapter 1 © Roel Vande Winkel and David Welch, 2007, 2011 All remaining chapters © their respective authors 2007, 2011 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No portion of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, Saffron House 6-10 Kirby Street, London EC1N 8TS. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The authors have asserted their rights to be identified as the authors of this work in accordance with the Copyright, Designs and Patents Act 1988. First published in hardback 2007 and this paperback edition 2011 by PALGRAVE MACMILLAN Palgrave Macmillan in the UK is an imprint of Macmillan Publishers Limited, registered in England, company number 785998, of Houndmills, Basingstoke, Hampshire RG21 6XS.