Loves of a She-Devil Bachelor’S Diploma Thesis

Total Page:16

File Type:pdf, Size:1020Kb

Loves of a She-Devil Bachelor’S Diploma Thesis Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Lucie Pelčáková “I Don't Think You Are a Woman at All. I Think That What You Are Is a She-devil!" – Feminism in The Life and Loves of a She-devil Bachelor’s Diploma Thesis Supervisor: prof. Mgr. Milada Franková, CSc., M.A. 2019 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Author’s signature I would like to express my deepest appreciation to my supervisor prof. Mgr. Milada Franková CSc., M.A., for her patience, time and advice and feedback that she gave to me while working on this thesis. I would also like to thank my parents and brother for their support and love. Lastly, I am extremely grateful to my boyfriend who supported me and never failed to make me laugh. Table of Contents 1. Introduction _____________________________________________________ 1 2. Feminism _______________________________________________________ 4 2.1 Early and First Wave Feminism _________________________________________ 6 2.2 Second Wave Feminism ______________________________________________ 12 3. Fay Weldon – Life _______________________________________________ 18 3.1 Fay Weldon’s Works _________________________________________________ 25 4. Feminism in The Live and Loves of a She-devil_________________________ 27 4.1 Female Roles _______________________________________________________ 29 4.2 Male versus Female Characters ________________________________________ 35 4.3 Women’s Bodies ____________________________________________________ 40 4.4 Sisterhood _________________________________________________________ 46 4.5 Parenthood, Marriage and Religion _____________________________________ 49 5. Conclusion _______________________________________________________ 52 Works Cited ________________________________________________________ 54 6. Summary ________________________________________________________ 59 7. Resumé _________________________________________________________ 61 1. Introduction As the title of Chimamanda Ngozi Adichie’s essay, in which she talks about the importance of feminism, says: “we should all be feminists” (Adichie). No matter whether you are male, female or non-binary, all of us should support the feminist movement because we, as a society, have always benefited from the endeavors of feminists all around the globe. Feminism has come a long way since its beginning in the 19th century, and it has become a movement that stands for a lot more than just equality. Moreover, feminists are not only women who long for a change with a diminutive percentage of men being on their side, but rather a large variety of people – male, female and non-binary. At the same time, the negativity that surrounds feminism did not change. Hatred towards those who support the feminist movement is still present, even though there is more information, especially thanks to the internet, about what feminism really stands for. In the past, feminism was criticized as a movement that spreads hate towards men, sees men only as the predators, and want only women to be in power in all spheres of life. Sadly, these misconceptions about feminism still prevail. There is a notion that feminists still do not like men and think that they are even better than them. What is more, there are still people who claim that “all feminists are man-hating, sexually depraved, castrating, power-hungry, etc.” (hooks, Talking 136), however, these are, by the words of bell hooks, “prevailing stereotypes” (hooks, Talking 136). As a result, these negative assumptions make it hard for feminists to be taken seriously. In addition, many feminists are afraid to call themselves feminists publicly due to these assumptions. Without a doubt, feminism is still needed in our society. The purpose of this thesis is to provide a brief summary of the history of feminism and afterwards analyze Fay Weldon’s novel The Life and Loves of a She-devil from the feminist perspective. This thesis will present how Weldon uses feminism to demonstrate the sexist behavior towards 1 women. It will also show that although the novel was written during the Second Wave feminism, there are still many elements that have not changed even after thirty-six years since the novel was published. Fay Weldon was already an iconic feminist writer, who was not only known for her novels and other works, but also for her controversial opinions. In this particular novel, she discusses topics which were a center of a feminist debate during that time. Still, as it was already suggested, these topics are relevant even today. This whole work is comprised of various works that deal with feminism and feminist theory. It also consists of numerous interviews with Fay Weldon, which proved to be very beneficial. There were many works which proved to be helpful, nevertheless, Susan Alice Watkins’ Introducing Feminism was particularly beneficial for the historical background of feminism. Next to this, Finuala Dowling’s Fay Weldon’s Fiction and Naomi Wolf’s The Beauty Myth were some of the most crucial works used for analysis of the novel. This thesis is divided into two parts. The first part of this thesis provides a brief overview of the development of feminism mainly in Britain and the USA since its beginning in the 19th century, throughout both feminist waves, up to what today’s feminism consists of. This part also offers a brief overview of Fay Weldon’s life and the contents of her work. This part is essential for this work since it provides the necessary background to the feminist themes that are mentioned in the analyzed novel. The second part of the thesis consists of one chapter and five subchapters. This chapter introduces Fay Weldon’s novel The Life and Loves of a She-devil and gives a brief background to it. This chapter also mentions the influence of the novel. The five subchapters of this part focuse on different feminist themes that are included in the novel – from female roles to female bodies, as well as parenthood. Moreover, the provided study 2 of the novel will be examined from the point of feminism as we know it today, since it differs from feminism that was during the time the novel was published. The last chapter of the entire thesis is a conclusion. 3 2. Feminism Feminism has been in existence for a long time, however, there are still misconceptions about what feminism means and what it stands for. Hence, for the purpose of this thesis, it is needed to explain what feminism means. What is more, since this thesis is also focused on a study of a Fay Weldon’s novel from the feminist perspective, it needs to be said how the analysis will be done. Therefore, this chapter will cover the definition of feminism and the point of view from which the novel will be analyzed. As it is with other movements, there are many definitions of feminism and they range from easy to difficult level of understanding. Perhaps the simplest and at the same time most understandable definition of feminism comes from bell hooks, who is an American author, professor, social activist and feminist. In her book Feminism Is for Everybody, she states that “simply put, feminism is a movement to end sexism, sexist exploitation, and oppression” (hooks, Feminism 1). Thus, this definition clearly explains the aims of feminism, while being easy to understand. Yet, it could be debated that feminism is a movement that wants equality of sexes and this definition lacks the word equality as well as this aim entirely. While that is essentially true, bell hooks’ definition already explains that feminism is a fight for equality because without sexism, sexist exploitation and oppression, there will be equality between both sexes. In addition, there certainly remain many more definitions of feminism, however, it is not possible to mention them all. While some definitions are similar to the one by hooks, there are also definition that claim to explain what feminism mean, but in reality, they mention only a few goals of feminism. Nonetheless, these definitions are adopted by a smaller percentage of feminists. To illustrate, some feminists might be in support of women’s right, such as right to vote, and equality, but they do not agree with the current 4 development of women coming forward with their experiences of sexual harassment after a long period of time. For example, in the USA this is often an opinion of older republican women (“What group…”). Thus, while there are many definitions of feminism, only a few of them fully say and agree with what feminism stands for. Besides, it is indeed important to say, from which point of view the analysis of the novel will be written since there are differences between various decades of feminism. While Fay Weldon wrote this novel during the Second Wave feminism, the study will be given from the point of view of feminism as we know it today. This means, that while current feminism contains elements that were known during the Second Wave feminism, it also includes different new elements and beliefs that were either non-existent or unpopular during the Second Wave. Thus, there might be ideas which were criticized before but are approved today and vice versa. Nevertheless, this thesis does not follow any particular feminist theory since it tries to be as objective as possible. 5 2.1 Early and First Wave Feminism Certainly, there is no possibility of giving a full account of all the events that have happened since the beginning of feminism. Moreover, it is not possible to mark the exact year when the feminism started. Nevertheless, there is a possibility to approximately identify when the first feminist ideas began to emerge. This subchapter will cover the early history of feminist movement ending with the beginning of the Second Wave feminism. It is important to mention that even before the beginning of feminism and feminist ideas, there were many individual women who could be classified as the predecessors of feminists as we know it today.
Recommended publications
  • Feminist Presses and Publishing Politics in Twentieth-Century Britain
    MIXED MEDIA: FEMINIST PRESSES AND PUBLISHING POLITICS IN TWENTIETH-CENTURY BRITAIN SIMONE ELIZABETH MURRAY DOCTOR OF PHILOSOPHY UNIVERSITY COLLEGE LONDON 1999 The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author U,Ip 1 Still, Madam, the private printing press is an actual fact, and not beyond the reach of a moderate income. Typewriters and duplicators are actual facts and even cheaper. By using these cheap and so far unforbidden instruments you can at once rid yourself of the pressure of boards, policies and editors. They will speak your own mind, in your own words, at your own time, at your own length, at your own bidding. And that, we are agreed, is our definition of 'intellectual liberty'. - Virginia Woolf, Three Guineas (1938) 2 Image removed due to third party copyright ABSTRACT The high cultural profile of contemporary feminist publishing in Britain has previously met with a curiously evasive response from those spheres of academic discourse in which it might be expected to figure: women's studies, while asserting the innate politicality of all communication, has tended to overlook the subject of publishing in favour of less materialist cultural modes; while publishing studies has conventionally overlooked the significance of gender as a differential in analysing print media. Siting itself at this largely unexplored academic juncture, the thesis analyses the complex interaction of feminist politics and fiction publishing in twentieth-century Britain. Chapter 1 -" 'Books With Bite': Virago Press and the Politics of Feminist Conversion" - focuses on Britain's oldest extant women's publishing venture, Virago Press, and analyses the organisational structures and innovative marketing strategies which engineered the success of its reprint and original fiction lists.
    [Show full text]
  • A Socialist Feminist Perspective on Women’S Position in Marriage in Fay Weldon’S Remember Me
    A SOCIALIST FEMINIST PERSPECTIVE ON WOMEN’S POSITION IN MARRIAGE IN FAY WELDON’S REMEMBER ME AN UNDERGRADUATE THESIS Presented as a Partial Fulfillment of the Requirements for the Degree of Sarjana Sastra in English Letters By SRI NAVIRIKA DEWI Student Number: 984214067 ENGLISH LETTERS STUDY PROGRAME DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS SANATA DHARMA UNIVERSITY YOGYAKARTA 2007 i ii iii No man is an illand, intire of it selfe: every man Is a peace of Continent, a part of the maine: if a Clod be washed away by the sea, Europe is the lesse, As well as if a Promotoric were. As well as if Mannor Of your friends or of thine owne were: any mans death diminishes me, because I am involve in mankinde: And therefore never send to know for Whom the bell tolls; It tolls for thee. (John Donne) Emancipate yourself from mental slavery (Bob Marley) iv ACKNOWLEDGEMENTS In the name of God, Alhamdulillah finally I am able to finish this thesis. First of all I am grateful to Allah for His generosity. Thank you for giving me hopes when all other in the world fail. I realize that I am not alone in doing this thesis, so I would like to thank those who helped me. I would like to express my gratitude to my advisor Dra. Th. Enny Anggraini M. A and my co-advisor Drs. Hirmawan Wijanarka M. Hum., for being very patient and effective in helping me write my thesis. I do appreciate their assistance and patience. To Mama and Bapak I would like to expresses my deepest gratitude.
    [Show full text]
  • Spring 2013 | @Hoz Books
    HEAD OF ZEUS HEAD OF | S PRING 2013 PRING HEAD OF ZEUS HEAD OF ZEUS 45-47 Clerkenwell Green, London EC1R 0HT [email protected] | www.headofzeus.com | @HoZ_Books NEW TITLES +44 (0) 207 253 5557 JANUARY 2013 – JUNE 2013 ISBN 978-1-78185-379-5 HEAD OF ZEUS NEW TITLES JANUARY 2013 – JuNE 2013 NEW TITLES 2 3 HEAD OF ZEUS HEAD OF ZEUS / / NEW TITLES NEW TITLES JANUARY/ P.4-5 JANUARY/ P.6-7 JANUARY/ P.8-9 JANUARY/ P.10-11 JANUARY/ P.12-13 AL PRI / P.36-37 APRIL/ P.38-39 APRIL/ P.40-41 APRIL / P.42-43 APRIL / P.42-43 The Rook The Three Day Affair The Twyning Shooting Victoria Nicholas & Alexandra Long Live the King Breaking Point Last Snow Catherine the Great Peter the Great Daniel O’Malley Michael Kardos Terence Blacker Paul Thomas Murphy Robert K. Massie Fay Weldon C.J. Box Eric Van Lustbader Robert K. Massie Robert K. Massie HB £16.99/XTPB £12.99 HB £16.99/XTPB £12.99 HB £15.99/XTPB £12.99 HB £25.00 HB £25.00 HB £16.99/XTPB £12.99 HB £15.99/XTPB £12.99 HB £16.99/XTPB £12.99 TPB £16.99 TPB £18.99 JANUARY/ P.14-15 JANUARY/ P.14-15 JANUARY/ P.14-15 FEBRUARY/ P.14-15 MARCH / P.14-15 APRIL / P.42-43 APRIL / P.42-43 MAY/ P.44-45 MAY/ P.46-47 MAY/ P.48-49 A Cold Day For Murder A Fatal Thaw Dead in the Water A Cold-Blooded Business Play With Fire The Tigress of Forli Hadrian The Abomination The Detective’s Daughter What Comes Next Dana Stabenow Dana Stabenow Dana Stabenow Dana Stabenow Dana Stabenow Elizabeth Lev Anthony Everitt Johnathan Holt Lesley Thomson Jon Katzenbach B £6.99 B £6.99 B £6.99 B £6.99 B £6.99 HB £16.99/XTPB £12.99 TPB £16.99
    [Show full text]
  • The Transformation of Pride and Prejudice Into Film and Television Camila Rojas
    Florida State University Libraries Honors Theses The Division of Undergraduate Studies 2012 From Classic Novel to Popular Culture: The Transformation of Pride and Prejudice into Film and Television Camila Rojas Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] Abstract: (Pride & Prejudice, Literature, Film) This thesis deals with film adaptations of Pride and Prejudice by Jane Austen. This work examines how this particular novel has been translated into film and the issues that arise from changing media. This study focuses on five different films [Pride and Prejudice (1980), Pride and Prejudice (1995), Pride and Prejudice (2005), Bride and Prejudice (2004) and Bridget Jones’s Diary (2001)] and their relationship to the book and adaptation theory. To provide the reader with a greater understanding of adaptation theory, this thesis will include a section briefly outlining current adaptation studies followed by in-depth analyses of each film in comparison to the novel and theory. THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS & SCIENCES FROM CLASSIC NOVEL TO POPULAR CULTURE: THE TRANSFORMATION OF PRIDE AND PREJUDICE INTO FILM AND TELEVISION By CAMILA ROJAS A Thesis submitted to the Department of English in partial fulfillment of the requirements for graduation with Honors in the Major Degree Awarded: Spring, 2012 The members of the Defense Committee approve the thesis of Camila Rojas defended on April 18, 2012. ____________________________ Dr. Eric Walker Thesis Director ____________________________ Professor Barbara Hamby Committee Member ____________________________ Dr. Valliere Richard Auzenne Outside Committee Member Table of Contents Chapter I. Preface…………………………………………………………………………………..…1 II. Introduction………………………………………………………………………………..2 - Adaptation Theory - Pride and Prejudice: Novel III.
    [Show full text]
  • Introduction Introduction
    INTRODUCTION INTRODUCTION i. Life and Works of Fay Weldon Fay Birkinshaw Weldon, a English novelist, feminist, short story writer, dramatist, journalist and script-writer, was bom on 22 September 1931 in Alvechurch, Worcestershire, England. Her father, Frank Brinkinshaw, was a doctor and her mother, Margaret Joseph, was a writer of commercial fiction. Her maternal grandfather, Edgar Jepson, edited Vanity Fair and wrote popular romance adventure stories, and her brother, Selwyn, authored mystery thrillers and plays for screen, television and radio. As she was bom in a literary family, her literary ability is genetic. Her parents divorced in 1937 when she was just five. Then she moved to New Zealand with her mother, sister and grandmother; she was raised in all female household. She was educated at Girl’s High school, Christchurch and then attended South Hampstead High School. In 1952 she received her M.A. in Economics and Psychology from St. Andrew’s University in Scotland. Fay Weldon became unmarried mother in 1950. Then she married Ronald (Ron) Bateman, a headmaster who was 25 years older than her, but her marriage lasted only six months. To support her family, she worked as an advertising copywriter, a copywriter for the foreign office as well on the problem pages of the Daily Mirror and The Daily Mail. Then in 1962 she married Ronald Weldon, an antique dealer and a jazz musician and she had three more sons. In 1967, she published her first novel, The Fat Woman’s Joke. In her successful career as a writer, she has published lots of novels, collection of short stories, films for television, newspapers and magazine articles and become a well-known face and voice on the BBC.
    [Show full text]
  • British Feminism the Fat Woman's Joke by Fay Weldon Contents
    Unit 2 British Feminism The Fat Woman’s Joke by Fay Weldon Contents 2.0 Objectives 2.1 Introduction 1.1.1 Life and Work of Fay Weldon 2.2 Introduction to The Fat Woman’s Joke 2.2.1 Summary of The Fat Woman’s Joke : In Brief 2.2.2 Summary in Detail Check your progress 1 2.3 Characters in The Fat Woman’s Joke 2.3.1 Major Character 2.3.2 Minor Characters Check your progress 2 2.4 Themes Check your progress 3 2.5 Humour, Wit and Irony 2.6 Symbolism in The Fat Woman’s Joke 2.7 Answers to check your progress 2.8 Exercises 2.9 References 2.0 Objectives After studying this unit you will be – 1. introduced to the feminist literature 2. able to understand the life and work of Fay Weldon 3. able to analyse The Fat Woman’s Joke 4. introduced with the characters and themes in The Fat Woman’s Joke 1 2.1 Introduction In the previous unit, you have studied Brian Friel’s Irish play Dancing at Lughnasa . That play represents the modern Irish drama. Now in this unit, you are going to study one of the novels written by Fay Weldon, a British feminist novelist who is popular both in Britain as well as in America. Let us study now The Fat Woman’s Joke , a novel by Fay Weldon. 2.1.1 Life and Work of Fay Weldon Fay Weldon is a significant modern British novelist. She was born in Alvechurch, Worcestershire, England on 22 nd September 1993.
    [Show full text]
  • The Inventory of the Anita Brookner Collection #830
    The Inventory of the Anita Brookner Collection #830 Howard Gotlieb Archival Research Center BROOKNER, ANITA February 1985 I. MANUSCRIPTS and GALLEYS A. Book Reviews and Short Articles. (#1) Principally on artists or art, typescript, photocopy, or galleys, most with holo. corr. Published between 1972 and 1985 in various papers or periodicals, arranged by periodical in which published. Box 1 1. Art History, "David Makes a Speech," typescript 8 p. 2. Books and Bookmen, "The Complete Works of Jane Bowles," typescript 3p. 3. Burlington Magazine a. "The Dawn of Bohemianism," by George Levitine. i. Typescript 4p. ii. Typescript 4p., April 1979 b. "Ingres at the Petit Palais" Typescript 9 p. c. "Romanticism and Realism. The Mythology of Nineteenth Century Art," by Rosen and Zerner. 1985. Typescript photocopy, 8 p. d. "Thomas Couture and the Eclectic Vision," by Albert Boime. Typescript 7 p. e. Re. Prof. Colton's study of ·the iconography of Genius. Typescript, 4 p. 4. Harper's and Queen a. Re. Ann Schlee's novel, The Proprietor. Typescript, 3 p. b. Re. Penelope Gilliatt, the author. Photocopy typescript, 5 p. 5. London Review of Books a. "Passion," review of several books. Two copies; photocopy typescript, l0p. and galley. b. Re. Abel Gance's film,Napoleon. Typescript, 6p. 1 c. Re. Glyn Hughes's novel,Where ! Used to Play on the Green. Typescript, 3p. d. Re. The Golden Notebook Photocopy typescript, llp. e. Re. the history of fashion. Photocopy typescript, 13p. f. Re. recent books by women. Typescript, l0p. 6. The London Standard (#2) a. August, by Judith Rossner. Typescript, 2p.
    [Show full text]
  • MA Creative Writing Thank You for Your Enquiry. Please Find Below
    MA Creative Writing Thank you for your enquiry. Please find below some further course information. Please email your completed application form, two references, a personal statement and your portfolio to me in the admissions office, [email protected]. I am happy for your references to be sent through separately as I understand they sometimes take longer to access. The application form can also be found on our website by clicking the “Apply now button” on the Creative Writing page (http://www.chi.ac.uk/ma-creative- writing-0). If you are offered a place you will be required to attend the weekly (part-time) or twice-weekly (full-time) module sessions. The only part of the course that does not involve taught study and group work, is the final part – the Dissertation. (This MA does not offer a ‘distance learning’ mode of learning.) The course begins in early September 2017 and although there is no official deadline we would recommend that you apply as soon as possible to avoid disappointment as we do have a limit on the number of students we can offer places to. For entry to our course, you need to send in a portfolio of creative writing, in addition to holding a good degree in English or a related subject. The portfolio of creative writing is an important element of the application (both for arts graduates and for those from another discipline or without traditional qualifications) and should represent some of your best work to date. A strong portfolio could override the need for a 2:1 in English.
    [Show full text]
  • RUSHDIE, SALMAN. Salman Rushdie Papers, 1947-2012
    RUSHDIE, SALMAN. Salman Rushdie papers, 1947-2012 Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Descriptive Summary Creator: Rushdie, Salman. Title: Salman Rushdie papers, 1947-2012 Call Number: Manuscript Collection No. 1000 Extent: 105.5 linear feet (233 boxes), 7 oversized papers boxes and 5 oversized papers folders (OP), 3 extra oversized papers (XOP)and AV Masters: 4.5 linear ft. Abstract: Papers of British Indian writer Salman Rushdie, including writings, correspondence, photographs, audio-visual material, printed material, and his personal computers. Language: Materials primarily in English with some printed material, correspondence, and writings by others in additional languages, including French, German, Danish, Dutch, Persian, and Swedish Administrative Information Restrictions on Access Special restrictions apply: The following series are completely closed to researchers: Series 4: Correspondence Subseries 5.1: Financial files Subseries 5.4: Family papers Subseries 7.4: Family photographs Selected portions in the following series are closed to researchers: Series 1: Journals and appointment books Subseries 5.2: Legal files Subseries 5.3: Other personal papers Subseries 7.3: Slides and negatives Emory Libraries provides copies of its finding aids for use only in research and private study. Copies supplied may not be copied for others or otherwise distributed without prior consent of the holding repository. Salman Rushdie papers, 1947-2008 Manuscript Collection No. 1000 Series 13: Travel documents, correspondence, some notes relating to Rushdie's writings, health records, financial records, legal records, and phone lists are closed to researchers. Researchers must contact the Rose Library in advance for access to unprocessed born digital materials in this collection.
    [Show full text]
  • An Interview with Fay Weldon Downloaded from by Guest on 23 September 2021
    Wicked Women, Wicked Fictions, Wicked Laughter: An Interview with Fay Weldon Downloaded from https://academic.oup.com/cww/article/11/2/259/4080713 by guest on 23 September 2021 MARY EAGLETON July The title above sets the tone for Fay Weldon’s long and highly productive 1 1 The title refers, career. Her play, A Catching Complaint, appeared as ITV’s Play of the Week respectively, to one of on 5 September 1966. Over fifty years later, she is still writing.2 Her latest Weldon’s short story collections, Barreca’s essay novel, Death of a She Devil, a sequel to The Life and Loves of a She-Devil (1983), collection, and Hebert’s was published in 2017. Weldon’s website lists thirty-six novels and novellas, essay title. 2 For further information eight collections of short stories, eight works of non-fiction, three books for about the play, please see children, twenty-two plays, and fifty-one film and television credits.3 There <www.imdb.com/title/ are very few years since the start of her career when she has not published a tt0397956/>. 3 See < fayweldon.co.uk >. book. Sometimes it is two; in 1987 and 1989, it was three. Moreover, Weldon has always been active in the literary field more widely. She was a member of Contemporary Women’s Writing 11:2 July 2017. doi:10.1093/cwwrit/vpx012 259 © The Author 2017. Published by Oxford University Press; all rights reserved. For permissions, please e-mail: [email protected] the film and video panel of Greater London Arts in the 1970s, and of the Arts Council literary panel in the 1980s; she was Chair of the judging panel for the Booker Prize (1983) and on the jury of the Berlin International Film Festival (1996); she continues to be Honorary Patron of the Bridport Prize.
    [Show full text]
  • The Constructions of Fay Weldon, Woman of Letters
    University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School 3-28-2007 The onsC tructions of Fay Weldon, Woman of Letters Harriet Blymiller University of South Florida Follow this and additional works at: https://scholarcommons.usf.edu/etd Part of the American Studies Commons Scholar Commons Citation Blymiller, Harriet, "The onC structions of Fay Weldon, Woman of Letters" (2007). Graduate Theses and Dissertations. https://scholarcommons.usf.edu/etd/639 This Dissertation is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. The Constructions of Fay Weldon, Woman of Letters by Harriet Blymiller A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of English College of Arts and Sciences University of South Florida Major Professor: Elizabeth A. Hirsh, Ph.D. John H. Fleming, Ph.D. Marilyn Myerson, Ph.D. Pat Rogers, Ph.D. Date of Approval: March 28, 2007 Keywords: British literature, culture industry, Fay Weldon, feminism, mass culture © Copyright 2007, Harriet Blymiller Dedication To Leila Pearl “They cain’t take ‘at away from me.” And to Uncle Jerry, my ol’ Unca’ Pooge, from your professional student. “You’ll get it.” I wish I could have finished before you had to go. To Claire and Michael With all good hope for the future. Acknowledgments Thank you, committee members. Pat Rogers, for introducing me to Fay when I really needed her.
    [Show full text]
  • View the 2010 Programme (PDF)
    CONTENTS 4 Contact Details “The Listener has been LIFE 6 Sponsors and Grant Makers 7 Patrons, Festival Club Members proudly covering the arts and Friends 10 Celebrating 10 Festivals since C.K. Stead was still 17 International Biographies 27 New Zealand Biographies WELL 33 Booking Information in short sentences.“ 34 Festival Information A WORD FROM THE 35 Timetable 37 Booking Form ARTISTIC DIRECTOR 49 Wednesday 12 May 51 Thursday 13 May The Auckland Writers & Readers 55 Friday 14 May READ Festival was just a dream in April 1999. 59 Saturday 15 May A decade later, the Festival has a life of 64 Sunday 16 May its own, thanks to you – the audience, IT’S ABOUT 67 Workshops the readers, thinkers, writers and 67 Free Events curious of Auckland and beyond. The THE STORIES 70 Index festival has put over 160 international guests and more than 700 local writers WE HOPE WILL and speakers on stage in those ten years, making Auckland a more interesting LIVE ON place to live. The 2010 Festival focuses on lives – the well-lived, the well-read, The arts according to The Listener. the rich, the tragic, the ordinary and the THE STORIES extraordinary, the quiet and the chaotic, the writer’s life, a life ‘in’ books, life WHICH DESERVE in war and lives spent seeking peace, the life of the art world, life-changing A LIFE OF moments and decisions, the ordinary lives of extraordinary and memorable THEIR OWN characters, the life of our national sport, the life of the outsider, the rebel and, sometimes, people who’d rather not be noticed at all.
    [Show full text]