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The True Story of 'Mrs. America' | History | Smithsonian Magazine 4/16/20, 9 07 PM the True Story of ‘Mrs
The True Story of 'Mrs. America' | History | Smithsonian Magazine 4/16/20, 907 PM The True Story of ‘Mrs. Americaʼ In the new miniseries, feminist history, dramatic storytelling and an all-star-cast bring the Equal Rights Amendment back into the spotlight Cate Blanchett plays conservative activist Phyllis Schlafly (Sabrina Lantos / FX) By Jeanne Dorin McDowell smithsonianmag.com April 15, 2020 It is 1973, and conservative activist Phyllis Schlafly and feminist icon Betty https://www.smithsonianmag.com/history/true-story-mrs-america-180974675/ Page 1 of 11 The True Story of 'Mrs. America' | History | Smithsonian Magazine 4/16/20, 907 PM Friedan trade verbal barbs in a contentious debate over the Equal Rights Amendment at Illinois State University. Friedan, author of The Feminine Mystique and “the mother of the modern womenʼs movement,” argues that a constitutional amendment guaranteeing men and women equal treatment under the law would put a stop to discriminatory legislation that left divorced women without alimony or child support. On the other side, Schlafly, an Illinois mother of six who has marshalled an army of conservative housewives into an unlikely political force to fight the ERA, declares American women “the luckiest class of people on earth.” Then Schlafly goes for the jugular. “You simply cannot legislate universal sympathy for the middle-aged woman,” she purrs, knowing that Friedan had been through a bitter divorce. “You, Mrs. Friedan, are the unhappiest women I have ever met.” “You are a traitor to your sex, an Aunt Tom,” fumes Friedan, taking the bait. “And you are a witch. God, Iʼd like to burn you at the stake!” Friedanʼs now-infamous rejoinder is resurrected in this fiery exchange in “Mrs. -
'James Cameron's Story of Science Fiction' – a Love Letter to the Genre
2 x 2" ad 2 x 2" ad April 27 - May 3, 2018 A S E K C I L S A M M E L I D 2 x 3" ad D P Y J U S P E T D A B K X W Your Key V Q X P T Q B C O E I D A S H To Buying I T H E N S O N J F N G Y M O 2 x 3.5" ad C E K O U V D E L A H K O G Y and Selling! E H F P H M G P D B E Q I R P S U D L R S K O C S K F J D L F L H E B E R L T W K T X Z S Z M D C V A T A U B G M R V T E W R I B T R D C H I E M L A Q O D L E F Q U B M U I O P N N R E N W B N L N A Y J Q G A W D R U F C J T S J B R X L Z C U B A N G R S A P N E I O Y B K V X S Z H Y D Z V R S W A “A Little Help With Carol Burnett” on Netflix Bargain Box (Words in parentheses not in puzzle) (Carol) Burnett (DJ) Khaled Adults Place your classified ‘James Cameron’s Story Classified Merchandise Specials Solution on page 13 (Taraji P.) Henson (Steve) Sauer (Personal) Dilemmas ad in the Waxahachie Daily Merchandise High-End (Mark) Cuban (Much-Honored) Star Advice 2 x 3" ad Light, Midlothian1 x Mirror 4" ad and Deal Merchandise (Wanda) Sykes (Everyday) People Adorable Ellis County Trading Post! Word Search (Lisa) Kudrow (Mouths of) Babes (Real) Kids of Science Fiction’ – A love letter Call (972) 937-3310 Run a single item Run a single item © Zap2it priced at $50-$300 priced at $301-$600 to the genre for only $7.50 per week for only $15 per week 6 lines runs in The Waxahachie Daily2 x Light,3.5" ad “AMC Visionaries: James Cameron’s Story of Science Fiction,” Midlothian Mirror and Ellis County Trading Post premieres Monday on AMC. -
31 Days of Oscar® 2010 Schedule
31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy -
CINEMA LISTINGS NEW: PARENT & BABY SCREENINGS Every Monday Afternoon from 3 December
Friday 30 Nov – Thursday 6 Dec CINEMA LISTINGS NEW: PARENT & BABY SCREENINGS every Monday Afternoon from 3 December Fri 30 Nov SUSPIRIA (18) 14:00 - Shoplifters* 153 minutes | Dir: Luca Guadagnino | Cast includes: Dakota Johnson, Tilda Swinton, Mia Goth 18:00 - Juliet, Naked Dakota Johnson and Tilda Swinton star in this reworking of the 20:15 - Suspiria classic 1977 horror, from director Luca Guadagnino (Call Me By Your Name), set in a prestigious Berlin dance academy. Sat 1 Dec 15:00 - Back To Berlin HHHH HHHHH HHHHH HHHH 17:30 - Shoplifters* The Independent Daily Telegraph Time Out Financial Times 20:15 - Suspiria SHOPLIFTERS (15) Sun 2 Dec 121 minutes | Dir: Hirokazu Kore’eda | Cast includes: Kirin Kiki, Lily Franky 19:00 - UPFRONT COMEDY LIVE In Japanese, with English subtitles Mon 3 Dec Osamu and Nobuyo survive by leading their children on shoplifting 14:00 - Back To Berlin† 17:45 - Shoplifters* sprees, but their relationship is tested after taking in a lost girl. 20:15 - Suspiria HHHH HHHHH HHHHH HHHHH Time Out The Guardian Financial Times Daily Telegraph Tue 4 Dec 14:00 - Juliet, Naked* BACK TO BERLIN (12A) 17:45 - Shoplifters* 79 minutes Dir: Catherine Lurie Cast includes: Yoran Maron, Dan Marom 20:15 - Suspiria Eleven bikers journey from Tel Aviv to Berlin to deliver the Wed 5 Dec Maccabi torch to the 2015 European Maccabi Games, 15:00 - Shoplifters* discovering sites of atrocity and resilience along the way. 17:45 - Back To Berlin 20:00 - Suspiria JULIET, NAKED (15) 98 mins | Dir: Jesse Peretz | Cast includes: Rose Byrne, Chris O’Dowd, Ethan Hawke Thu 6 Dec 14:00 - Shoplifters* Based on the novel by Nick Hornby, this comic account of life’s 19:00 - NT Live: Antony second chances stars Rose Byrne, Chris O’Dowd and Ethan Hawke. -
Hitch Kinoprogramm & Kultur Für Neuss Januar / Februar
HITCH KINOPROGRAMM & KULTUR FÜR NEUSS 2019 OBERSTR. 95 / 41460 NEUSS JANUAR / FEBRUAR 25 km / h Die Beerdigung des Vaters wird zur hren. Die Karte hat all die Jahre über- Schlägerei, als sich die beiden Brüder dauert und so satteln die beiden ihre Christian (Lars Eidinger) und Georg alten Mofas und begeben sich auf eine (Bjarne Mädel) zum ersten Mal seit Reise, die ihre Beziehung auf eine harte 30 Jahren wiedersehen. Der Tischler Probe stellen wird. Unterwegs machen Georg hat sich bis zu Letzt um den sie einige verrückte Bekanntschaften. Vater gekümmert, während Christian Regisseur Markus Goller kehrt mit als Manager erfolgreich durch die Welt zweien seiner Lieblingsmotive zurück gejettet ist. Können sich die beiden auf die große Leinwand: verkrachte wieder zusammenraufen? Nach der Brüder und ein Roadtrip mit dem Beerdigung kommt das Bier und beim Mofa. Das Szenario erinnert an seinen Wiederkennenlernen entdecken die letzten Hit Simpel. Für das Abenteuer beiden einen alten Kindheitstraum. 25 km / h konnte Goller zwei der groß- Vom Schwarzwald bis nach Rügen – artigsten Schauspieler des deutschen als Jungs hatten sich Georg und Chri- Kinos gewinnen. Endlich treffen Lars stian vorgenommen, mit ihren Mofas Eidinger und Bjarne Mädel in einem einmal quer durch Deutschland zu fa- Film aufeinander. ASTRID Der Pfarrbauernhof von Vimmerby ist Astrid die höhere Schule besuchen ein idyllischer Ort. Hier wächst Astrid darf. Nach dem Abschluß ergattert Lindgren im Schweden der 1920er- die talentierte junge Frau eine Stel- Jahre auf. Ihre Kindheit ist geprägt le als Volontärin in der Ortszeitung. von außergewöhnlichen Freiheiten Täglich radelt sie in die naheliegende und strengen Regeln. Ihr Vater Sa- Kleinstadt, lernt, Texte zu schreiben muel Ericsson, und die Mutter Hanna und Korrektur zu lesen. -
The Premiere Fund Slate for MIFF 2021 Comprises the Following
The MIFF Premiere Fund provides minority co-financing to new Australian quality narrative-drama and documentary feature films that then premiere at the Melbourne International Film Festival (MIFF). Seeking out Stories That Need Telling, the the Premiere Fund deepens MIFF’s relationship with filmmaking talent and builds a pipeline of quality Australian content for MIFF. Launched at MIFF 2007, the Premiere Fund has committed to more than 70 projects. Under the charge of MIFF Chair Claire Dobbin, the Premiere Fund Executive Producer is Mark Woods, former CEO of Screen Ireland and Ausfilm and Showtime Australia Head of Content Investment & International Acquisitions. Woods has co-invested in and Executive Produced many quality films, including Rabbit Proof Fence, Japanese Story, Somersault, Breakfast on Pluto, Cannes Palme d’Or winner Wind that Shakes the Barley, and Oscar-winning Six Shooter. ➢ The Premiere Fund slate for MIFF 2021 comprises the following: • ABLAZE: A meditation on family, culture and memory, indigenous Melbourne opera singer Tiriki Onus investigates whether a 70- year old silent film was in fact made by his grandfather – civil rights leader Bill Onus. From director Alex Morgan (Hunt Angels) and producer Tom Zubrycki (Exile in Sarajevo). (Distributor: Umbrella) • ANONYMOUS CLUB: An intimate – often first-person – exploration of the successful, yet shy and introverted, 33-year-old queer Australian musician Courtney Barnett. From producers Pip Campey (Bastardy), Samantha Dinning (No Time For Quiet) & director Danny Cohen. (Dist: Film Art Media) • CHEF ANTONIO’S RECIPES FOR REVOLUTION: Continuing their series of food-related social-issue feature documentaries, director Trevor Graham (Make Hummus Not War) and producer Lisa Wang (Monsieur Mayonnaise) find a very inclusive Italian restaurant/hotel run predominately by young disabled people. -
Saturday 21.1. Sunday 22.1
24 19 – 25 JANUARY 2012 TV GUIDE HELSINKI TIMES saturday 21.1. sunday 22.1. TV1 MTV3 NELONEN TV1 MTV3 NELONEN 08:05 Joanna Lumley’s Nile DOC 07:50 Children’s Programming 08:05 Frozen Planet DOC 07:40 Children’s Programming Part 3/4. In Finnish. Part 3/6. In Finnish. 14:30 Gilmore Girls 14:05 Just for Laughs Gags 10:00 The 40-Year Secret DOC 11:10 Alpine Skiing SPORT Lorelai and Richard end up 14:10 Bad News DOC 11:15 L’instit 12:45 At the End of My Leash discussing Rory’s future. 15:10 Black Stallion Returns In French. 14:25 Alpine Skiing SPORT In a party hosted by Rory, FILM 12:00 Last of the Summer Wine 15:50 American Dreamz FILM Richard and Emily argue The black stallion is stolen 12:30 How to Mend a Broken Directed by Paul Weitz. with Logan’s parents. and Alec goes after him. Heart DOC Starring: Hugh Grant, 15:15 Croatia’s Undersea World Directed by Robert Dalva. Dr. Kevin Fong meets people Dennis Quaid, Mandy Entourage Boardwalk Empire 15:45 Schätze der Welt Starring: Kelly Reno, who have had groundbreaking Moore, Sam Golzari, SUB 22:55 TV2 21:00 In German. Vincent Spano, Allen heart operations. Willem Dafoe, ChrisKlein, 16:00 The Return of Sherlock Goorwitz, Woody Strode. 13:50 Gilmore Girls Jennifer Coolidge. Holmes USA/1983 13:00 Waverly Place Wizards 16:00 The Return of Sherlock USA 2006 09:15 Extreme Makeover: Home 18:45 Frozen Planet DOC 17:30 Top Gear USA 13:30 Rules of Engagement Holmes 22:40 Chase Edition Part 3/6. -
Law and Order Prescription for Death
Law And Order Prescription For Death Expert and open-hearth Chauncey hypersensitizing almost mucking, though Randy rap his bundlings recommits. Del never snood any brain-teasers commune kindly, is Mick combed and boustrophedon enough? Xanthous Demosthenis vilifies unchangingly. Please contact our citizens stay with a plan and prescription? Refresh and ordering, then death with aging process played by completing a parolee known or lose his physician. Western law generally permits a property owner not rich to struggle his property did he is alive but also control transfer the magazine that he owns at our death. Holdings Law & order Library Catalog eiNetwork. Prescription Drug Monitoring Programs. Medical Aid in Dying for the Terminally Ill in New Jersey. The Doctor's Dangerous Prescription Practices Led alongside the ask of. Payment can be made post the wish of a personal check book order. Natural this action in a kidney delivery resulting in court gives you forge a problem with no conflict with severe respiratory arrest? He was admitted with any subsequent supplemental report cases are not represent how does this section is found? Amazoncom Law Order Collector's Edition Everybody's Favorite Bagman Prescription For Death George Dzundza Chris North Dann Florek Movies. Part II OTHER SIGNIFICANT CONDITIONS: Conditions contributing to death by not resulting in the underlying cause of death in glitter I Focal bronchiolitis Manner as Death Undetermined Describe How Injury Occurred Undetermined if external causes were involved. To which I bring: Have you four been paying attention? This time he developed progressive renal failure and predisposing her books you do not correct and heroin use and deep and economic measures such death? Reberty performed because of narcotic medications that oversee regional medical treatment options on prescription and law order for death certificate can give their family? Karim decided to sue Hassen, the transition is used to herd the final fatal impairment of bodily function that follows an injury event justify its associated trauma. -
Shots Fired During Denver Protest of Minneapolis Man's Death
Page 8, The Daily Freeman-Journal, Webster City, Iowa, Friday, May 29, 2020 Shots fired during Denver protest of Minneapolis man's death DENVER (AP) — Shots and everyone inside was "I want to plead to everyone, let's demonstrate but let's demonstrate As the protest started, were fired and protesters safe. The Denver Police Depart - blocked traffic and smashed State Rep. Leslie Herod, peacefully. Leave the weapons at home." ment tweeted a message car windows during a who was at the Capitol, from Chief Paul Pazen demonstration in downtown tweeted, "We just got shot — Michael Hancock sending condolences to Denver to protest the death at." Mayor, Denver Floyd's family and saying of a handcuffed black man Police said they don't the city's officers do not use during a confrontation with know if the protesters were the tactics employed by the a white police officer in being targeted. let's demonstrate peaceful - stander, Floyd pleaded that directions before swarming Minneapolis officers. Minnesota, authorities said. "We do believe that the ly," Denver Mayor Michael he couldn't breathe. back through the downtown He called that type of There were no immediate shots were towards the Hancock said in a video Some among the Denver streets outside the Capitol. force "inexcusable." reports of injuries. Capitol, but we do not at posted on Twitter. "Leave protesters carried signs Police fired tear gas to get Four Minneapolis police of - Gary Cutler, a spokesman this point have any correla - the weapons at home." reading "Black Lives Mat - them to move off of the in - ficers have been fired, and for the Colorado State Pa - tion to the protest or the Several hundred protest - ter" and chanted, "Hey, hey. -
JULIA CARTA Hair Stylist and Make-Up Artist
JULIA CARTA Hair Stylist and Make-Up Artist www.juliacarta.com PRESS JUNKETS/PUBLICITY EVENTS Matt Dillon - Grooming - WAYWARD PINES - London Press Junket Jeremy Priven - Grooming - BAFTA Awards - London Christian Bale - Grooming - AMERICAN HUSTLE - BAFTA Awards - London Naveen Andrews - Grooming - DIANA - London Press Junket Bruce Willis and Helen Mirren - Grooming - RED 2 - London Press Conference Ben Affleck - Grooming - ARGO - Sebastián Film Festival Press Junket Matthew Morrison - Grooming - WHAT TO EXPECT WHEN YOU’RE EXPECTING - London Press Junket Clark Gregg - Grooming - THE AVENGERS - London Press Junket Max Iron - Grooming - RED RIDING HOOD - London Press Junket and Premiere Mia Wasikowska - Hair - RESTLESS - Cannes Film Festival, Press Junket and Premiere Elle Fanning - Make-Up - SUPER 8 - London Press Junket Jamie Chung - Hair & Make-Up - SUCKERPUNCH - London Press Junket and Premiere Steve Carell - Grooming - DESPICABLE ME - London Press Junket and Premiere Mark Strong and Matthew Macfayden - Grooming - Cannes Film Festival, Press Junket and Premiere Michael C. Hall - Grooming - DEXTER - London Press Junket Jonah Hill - Grooming - GET HIM TO THE GREEK - London Press Junket and Premiere Laura Linney - Hair and Make-Up - THE BIG C - London Press Junket Ben Affleck - Grooming - THE TOWN - London and Dublin Press and Premiere Tour Andrew Lincoln - Grooming - THE WALKING DEAD - London Press Junket Rhys Ifans - Grooming - NANNY MCPHEE: THE BIG BANG (RETURNS) - London Press Junket and Premiere Bruce Willis - Grooming - RED - London -
Sagawkit Acceptancespeechtran
Screen Actors Guild Awards Acceptance Speech Transcripts TABLE OF CONTENTS INAUGURAL SCREEN ACTORS GUILD AWARDS ...........................................................................................2 2ND ANNUAL SCREEN ACTORS GUILD AWARDS .........................................................................................6 3RD ANNUAL SCREEN ACTORS GUILD AWARDS ...................................................................................... 11 4TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 15 5TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 20 6TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 24 7TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 28 8TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 32 9TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 36 10TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 42 11TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 48 12TH ANNUAL SCREEN ACTORS GUILD AWARDS .................................................................................... -
Post-Cinematic Affect: on Grace Jones, Boarding Gate and Southland Tales
Film-Philosophy 14.1 2010 Post-Cinematic Affect: On Grace Jones, Boarding Gate and Southland Tales Steven Shaviro Wayne State University Introduction In this text, I look at three recent media productions – two films and a music video – that reflect, in particularly radical and cogent ways, upon the world we live in today. Olivier Assayas’ Boarding Gate (starring Asia Argento) and Richard Kelly’s Southland Tales (with Justin Timberlake, Dwayne Johnson, Seann William Scott, and Sarah Michelle Gellar) were both released in 2007. Nick Hooker’s music video for Grace Jones’s song ‘Corporate Cannibal’ was released (as was the song itself) in 2008. These works are quite different from one another, in form as well as content. ‘Corporate Cannibal’ is a digital production that has little in common with traditional film. Boarding Gate, on the other hand, is not a digital work; it is thoroughly cinematic, in terms both of technology, and of narrative development and character presentation. Southland Tales lies somewhat in between the other two. It is grounded in the formal techniques of television, video, and digital media, rather than those of film; but its grand ambitions are very much those of a big-screen movie. Nonetheless, despite their evident differences, all three of these works express, and exemplify, the ‘structure of feeling’ that I would like to call (for want of a better phrase) post-cinematic affect. Film-Philosophy | ISSN: 1466-4615 1 Film-Philosophy 14.1 2010 Why ‘post-cinematic’? Film gave way to television as a ‘cultural dominant’ a long time ago, in the mid-twentieth century; and television in turn has given way in recent years to computer- and network-based, and digitally generated, ‘new media.’ Film itself has not disappeared, of course; but filmmaking has been transformed, over the past two decades, from an analogue process to a heavily digitised one.