Yael Bartana

1970 Born in Kfar Yehezkel, Currently lives and works in Tel-Aviv and

Education 2000-01 Rijksakademie van Beeldende Kunsten, Amsterdam, NL 1999 MFA studies, School of Visual Arts, New York, USA 1992-96 BFA, The Bezalel Academy of Arts and Design, Jerusalem, IL

Prizes 2010 Winner of the Artes Mundi 4, Wales, UK Winner of the Principal Prize by the International Jury and the Prize of the Ecumenical Jury at the Oberhausen Short Film Festival, DE Winner of the 2010 Häagendaismo. Madrid, ES 2009 Winner of the 2009 Prix Dazibao, Montreal, CAN 2007 Winner of the Gottesdiener Foundation Israeli Art Prize 2006, IL 2006 Recipient of the 2006 Ministry of Science, Culture and Sport Prize, Israel, IL 2005 Dorothea von Stetten-Kunstpreis, Kunstmuseum Bonn, DE Prix de Rome, 2nd award winner, Rijksakademie, Amsterdam, NL 2003 Anselm Kiefer Prize, The Wolf Foundation, IL 1996 The Samuel Prize, for the video/sound installation ‘Ant-Bulb, Bezalel Academy of Art and Design, Jerusalem, IL

Residencies/Fellowships/Stipends 2009 Center for Curatorial Studies, Bard Collage, Annandale-on-Hudson, NY, USA 2007 Fonds BKVB, Amsterdam, NL 2006 Foksal Gallery Foundation, , PL 2005 Platform Garanti, Istanbul, TR 2003 Rooseum - Center for Contemporary Art, Malmo, SE 2002 Jerusalem Center for Visual Arts (JCVA), Jerusalem, IL 2001 NUFFIC, NL Rijksakademie van beeldende kunsten/Dutch Ministry of Education, Culture and Science, NL

2000 Stichting Schürmann-Krant, NL Stichting Trustfonds Rijksakademie, Amsterdam, NL

Solo Exhibitions 2011 …and will be stunned 54th Venice Biennial, Polish Pavilion Zacheta Gallery, Warsaw, Poland (forthcoming) Australian Center for Contemporary Art, Melbourne, AUS UAF/ ROOM gallery, University of California, Irvine, USA 2010 and Europe will be stunned, Moderna Museet, Malmö, SE “If you want, we’ll travel to the moon together”. “Mary Koszmary, Mur I Wieza”, Annet Gelink Gallery, Amsterdam, NL “If you want, we’ll travel to the moon together”. “Mary Koszmary, Mur I Wieza”, Sommer Contemporary Art, , IL 2009 Museum of Modern Art, “Mur I Wieza”, Warsaw, PL Contemporary Jewish Museum of San Francisco, “Mary Koszmary”, San Francisco, USA Jewish Museum, “Mary Koszmary”, New York, USA Auto Sueno y Materia, “The Kings of the Hill”, Centro de Arte Dos de Mayo, Madrid, ES 2008 P.S. 1,”Trembling Time, Kings of the Hill”, a.o, NY, USA “Summercamp, a Declaration”, Kerstin Engholm Galerie, Vienna, AU Foksal Gallery, Warsaw, PL Galleria Raffaella Cortese, Milan, IT Center for Contemporary Art, “Mary Koszmary” Tel Aviv, IL 2007 Annet Gelink Gallery, “Summer Camp”, Amsterdam, NL Ritual, “Wild Seeds”, The Power Plant, , CAN Yael Bartana, In the Army I was an outstanding soldier, “Wild seeds, Low relief II, Profile, Summer Camp.” March, Fondazione per l’arte contemporanea, Curated by Gabi Scardi, IT 2006 Kunstverein , “ When Adar Enters, Kings of the Hill, Trembling Time, a.o.” Hamburg, D Stedelijk van Abbemuseum, “Odds and Ends, You Could be Lucky, Ad de’lo Yoda, Kings of the Hill”, Eindhoven, NL Amateur Anthropologist Fridericianum, Kassel, DE Collective Gallery, “Sirens’ Song”, Edinburgh, UK 2005 Museum St.Gallen, “Wild Seeds”, St.Gallen, CH Annet Gelink Gallery, photographic works in projectspace The Bakery, Amsterdam NL 2004 Sommer Contemporary Art, “You Could Be Lucky”, Tel Aviv, IL

MIT, List Visual Arts Center, “When Adar Enters, Ad De’lo Yoda, Kings of the Hill” Cambridge, Massachusetts, US Prefix Institute of Contemporary Art, “Trembling Time”, Toronto, CA Büro Friedrich, “When Adar Enters, Blimp”, , D 2003 P.S.1 Contemporary Art Center, Kings of the Hill, New York Herzliya Museum for Contemporary Art, Blimp, Herzliya, IL Purim Spiel, Annet Gelink Gallery, Amsterdam, NL Kerstin Engholm Galerie, Kings of the Hill, Vienna, AU Herzliya Museum for Contemporary Art, Kings of the Hill, IL Galeria comercial, “Trembling Time, Kings of the Hill”, San Juan, PR 2002 Museum Beelden aan Zee, Trembling Time, Scheveningen, NL Variables X Y Z Digital Art Lab, “Profile, Tuning”, Holon, IL 2001 Caermersklooster, “Profile”, Gent, B

Group Exhibitions 2011 Aesthetic Journalism, Quad, Derby, UK Rabble-Rousing Going forward backwards in modern art, Gemeentemuseum Den Haag, Den Haag, NL Patria O Libertad!, Cobra Museum, Amstelveen, NL SALON POPULAIRE, Berlin, Germany L'énigme du portrait, MAC, Marseille, FR (forthcoming) Be My Guest: 10 Encounters with Aboriginal Art , Museum of contemporary aboriginal art, Utrecht, NL What if?, Hå gamle prestegard, Naerbø, N You Are All Individuals!, Castrum Peregrini, Amsterdam, NL Patria o Libertad!, Cobra Museum, Amstelveen, NL Two Works,Gallery Charim Unger / CUC, Berlin, DE Out of Place, curated by Noah Simblist, Lora Reynolds Gallery, Austin, USA Moving Worlds, Podbielski Contemporary, Berlin, DE The Right to Protest, Museum on the Seam, Jerusalem, IL Poland-Germany. 1000 years, Martin-Gropius-Bau Berlin, DE 2010 Overview Israeli Video 2000-2010, Haifa Museum of Art, IL 1st Ural Industrial Biennial, Yekaterinburg, RU Yesterday will be better – Taking Memory into the Future, Aargauer Kunsthaus, Aarau, CH The Yvonne Rainer Project, BFI Gallery, London UK Breaking News, Fondazione Fotografia, Cassa di Risparmio di Modena, IT 6th Bienal Media City , Seoul, KR

29th Bienal de São Paulo, “Mur I Wieza” and “Mary Koszmary”, São Paolo, BRA Les Promesses du Passé, curated by Joanna Mytkowska and Christine Macel, Centre Pompidou, Paris, FR Groupshow Art & Film, curated by Anna Jermolaewa, Engholm Galerie, Wien, A Monumentalisme,The Temporary Stedelijk at the Stedelijk Museum, “A Declaration”, Stedelijk Museum, Amsterdam, NL Che cosa sono le nuvole? Artworks from the Enea Righi Collection, “Mary Koszmary”, Museion, Bolzano, IT … on the eastern front, video art from central and eastern Europe 1989- 2009, “Mary Koszmary”, Ludwig Museum, Budapest, HU Trembling Time: Recent Video From Israel, “Trembling Time, Kings of the Hill, Mary Koszmary, a.o.”, Tate Modern, London, UK Early years, “Mur I Wieza”, Kunst-Werke, Berlin, DE Artes Mundi, “Mur I Wieza, Mary Koszmary, a Declaration”, , Wales, UK Building memory, four films about architecture, monuments and community, “Summer Camp”, Awodah, Vilnius – Tódz - Dortmund – Herzliya Der Offene Garten, Kunsthalle Lingen, Lingen, DE Homeless Home, Museum on the Seam, Jerusalem, IL 2009 Ecstatic Resistance, Grand Art, “Mary Koszmary,” Kansas City, US Niet normaal, difference on display. “Odds and Ends”, Beurs van Berlage. Amsterdam, NL Who is afraid of the artist? Palais des Arts de Dinard, Dinard, FR Arhitecture & Memory, British Film Institute, London, UK Earth: Art of a Changing World, “Kings of the Hill”, Royal Academy of Arts, London, UK Silent, “a Declaration”, “Trembling Time”, Hiroshima City Museum of Contemporary Art, Hiroshima, JPN The Symbolic Efficiency of the Frame, “Mary Koszmary”, International Contemporary Art Biannual, Tirana, Albania Acting Out: Social Experiments in Video, “Wild Seeds”, ICA, Boston, USA Hugging & Wrestling, “Trembling Time” Museum of Contemporary Art Cleveland, OH, US Pacific Meridian, “a Declaration” Vladivostok International Film Festival for Asian Pacific Countries, Vladivostok, RU

Stranded Positions, “A Declaration”, Ausstellungsraum Klingental, Basel, CH Transitland. Video art from Central and Eastern Europe 1989-2009, “Mary Koszmary”, organized by InterSpace, Sofia, transmediale, Berlin and Ludwig Museum, Budapest Monument to transformation, “Mary Koszmary” organized by transit, Prague Places To Be. New York – Shanghai – Tel Aviv – Texas – Zagreb, “The Missing negatives of the Sonnenfeld Collection”, Annet Gelink Gallery, Amsterdam, NL The 11th presentation of Le Mois de la Photo a Montréal 2009, “Summercamp”, CA, US Contour, 4th Biennial of Moving Image, “Mary Koszmary”, Mechelen, B As Is, Mostra di arte Contemporanea di Israele, “Trembling Time”, Roma, IT Troubles aux frontières, Galerie Marian Goodman, “a Declaration”, Paris, FR Pop Up! , Ludwig Forum, “Summer Camp”, Aachen,, D Auto. Dream and Matter, “Kings of the Hill”, LAboral Centro de Arte y Creacion Industrial, Gijon, S and Dos De Mayo Art Centre, Madrid, S Promised Land, “Trembling Time, When Adar Enters”, Gemak, Gemeente museum Den Haag, NL Anabasis. Rituals of Homecoming, “Mary Koszmary”, Book Art Museum, Lodz, PL 2008 Imaginary Coordinates, “Summer Camp”, Spertus Museum, Chicago, US Floating Architectures and Constant Centers: Some Projections, “Ad De’lo Yoda”, Martin Art Gallery, Muhlenberg College, PA, US C.H.O.S.E.N., “Mary Koszmary”, Wyspa Institute of Art, Gdansk, PL 'She doesn’t think so but she’s dressed for the h-bomb', “Trembling Time, Kings of the Hill, Wild Seeds, a.o.” Starr auditorium, Tate Modern, London, UK We never looked better, “The missing negatives of the Sonnenfeld collection”, Museum of the Jewish People, Tel Aviv, IL Video Exhibition, curated by Erzen Shkololli, Contemporary Art Institute EXIT, Peje Kosovo, The Hidden Trace – Jewish Paths through modernity, “Trembling Time”, “Low Relief II”, Felix-Nussbaum-Haus, Osnabruck, D World Tale: Mixed Narrations: A Video Parade from Different Points, “Mary Koszmary”, The Hacettepe University Art Museum, Ankara, TUR Artist-Citizen, 49th October Salon, “Summer Camp”, Belgrade, Yugoslavia Momentum, “a Declaration”, Samuel P.Harn Museum of Art,Florida, USA

The Art of the State,”a Declaration”, Joods Historisch Museum Amsterdam, NL H-BOX, “Mary Koszmary”, Tate Modern, London, UK “Like an Attali Report, but different", “Mary Koszmary”, Kadist Art Foundation, Paris Democracy in the Age of Branding, “Wild Seeds”, Sheila C. Johnson Design Center of Parsons The New School for Design in New York, US The Object Quality of the Problem: The Space of Israel/Palestine, Henry Moore Foundation, “Wild Seeds”, Leeds, UK Brave New Worlds. “Wild Seeds”, “a Declaration” Jumex Collection, MEX Territorial Phantom, “Mary Koszmary”, Montevideo, Amsterdam, NL The Greenroom: Reconsidering the Documentary an Contemporary Art. “Summer Camp”, CCS BARD Hessel Museum, NY, US Deceiving the Enemy, Arteria, “Wild Seeds”, Bogota, COL Time beyond Border, Van Leer Institute, “Mary Koszmary”, Jerusalem, ISR Personal Landscapes, Contemporary Art from Israel, “Kings of the Hill”, American University Museum, Washington DC, US Stutter and Twitch, “Trembling Time”, Justina M. Barnicke Gallery, Toronto, CA Les Inquiets, 5 artistes sous la pression de la guerre, “Low Relief”, Centre Pompidou, Paris, FR H BOX, “Mary Koszmary”, Centre Pompidou, Paris, F, Museo de Arte Contemporaneo de Castilla y Leon, Spain, Musee d’Art Moderne Grand-Duc Jean, Luxembourg and Tate London, UK Impakt EVENT, “a Declaration, Summer Camp, Mary Koszmary”, Utrecht, NL 2007 Imaginary Zone, “Siren’s Song”, ZKM Seoul Office. Seoul, ROK A Forest and a Tree, “Trembling Time”, Kunsthalle Energasse, Vienna, AUT Transforming Memory. The Politics of Images. “Trembling Time”, Art Gallery Nadezda Petrovic, Cacak, SRB Documenta 12, “Summer Camp”, Kassel, DE Brave New Worlds, “Wild Seeds, a Declaration”, Walker Art Centre, Minneapolis, US Wherever We Go: Art, Identity, Cultures in Transit, “a Declaration”, San Francisco Art Institute, San Francisco, USA Um Atlas de Acontecimentos/ An Atlas of Events, The State of the World, “Wild Seeds”, Fundacao Calouste Gulbenkian, Lisboa, PT Play Safe, Battlefields in the playground, “Wild Seeds”, Project Arts Centre, Dublin, GB Im Auge des Zyklons/In the eye of the storm, “Trembling Time”, Kunstmuseum St. Gallen, CH Regarding Fear and Hope, “Odds and Ends”, Monash University Museum of Art, Victoria, AU

Thermocline of Art-New Asian Waves (a ZKM 10th Anniversary Exhibition), “Sirens’ Song”, Museum of Contemporary Art, ZKM Karlsruhe, DE War and Cinema, “Wild Seeds”, Centre Pompidou, Paris, FR Dateline Israel: New Photography and Video Art, “Freedom Border “, “Trembling Time”, The Jewish Museum, NY, US 2006 Demolition, “Refusenik”, Engholm/Engelhorn gallery, Vienna, AUT 27th Bienal de São Paulo, “A Declaration”, “Wild Seeds, Low Relief II (4)”, São Paulo, BRA Records and Habits. The Time Machine / Images of Space, Tapies Foundation, “Low Relief II, Wild Seeds, Kings of the Hill” Barcelona, ES Israele, arte e vita, 1906-2006, “Trembling Time”, Milano, Palzzo Reale, IT Wherever We Go, Spazio Oberdan, “Wild Seeds”, Milan, IT 7th Werkleitz Biennial, “Wild Seeds”, Halle, DE INSIDE-OUT. Contemporary Artists from Israel, “Sirens’ Song”, Museo de arte contemporanea de Vigo, Vigo, ES Coding:Decoding, “Sirens’ Song”, Nikolaj, Copenhagen Contemporary Art Center, Denmark David Maljkovic, “Kings of the Hill” Gallery Nova, Zagreb, HR The Art of Living: Contemporary Works from the Israel Museum, “Trembling Time”, The Contemporary Jewish Museum, San Francisco USA Une Vision du Monde, Works from the Lemaitre-collection, La Maison Rouge, “Kings of the Hill”, Paris, FR 2005 9th Istanbul Biennial, Istanbul Biennial, “Wild Seeds”, Turkey Beograd Nekad I Sad, Galerija, “Trembling Time, You could be lucky”, Beograd, Belgrade, Serbia and Montenegro V Internationales Kunstfestival Magdeburg, Art Depot, “Sirens’ Song”, Magdeburg, DE Prix de Rome.NL, “Siren’s Song, Wild Seeds”, Stichting de Appel, Amsterdam NL a forest and a tree, “Trembling Time”, Yellow Bird Gallery, Newburgh, New York, USA Platform Garanti, Istanbul “Trembling Time”, Turkey The Hebrews - 100 years of culture in Israel, The Israel Museum and Martin Gropius Bau “Trembling Time, Low Relief II (4 channel)”, Berlin, D Reunion, ByArt Projects, “When Adar Enters, Ad De’lo Yoda”, Tel Aviv, IsraDorothea von Stetten Kunstpreis, Kunstmuseum BONN “Trembling Time, Low Relief II (1 channel), Freedom Border”, Bonn, Germany Irreducible, CCA Wattis Institute for Contemporary Arts “Kings of the Hill”, San Francisco, USA 2004 Onufri 2004 Prize: Chosen Places, National Gallery of Arts “Trembling Time”, Tirania, Albania

Time Zones: recent film and video, Tate Modern, “Kings of the Hill”, London, GB Time Depot. Petach Tikva Museum, “Low Relief II (4 channel)”, Petach Tikva, Israel Surfacing, Ludwig Museum Budapest, Museum of Contemporary Art, “When Adar Enters and Ad De’lo Yoda”, Budapest, Hungary Wherever I am, Modern Art Oxford, “Profile, Trembling Time, When Adar Enters, Ad de’lo Yoda and Blimp”, Oxford, GB Liverpool Biennial, Festival for Contemporary Art, “You Could Be Lucky” Liverpool, UK Busan Biennale, Point of Contact, Contemporary Art Exhibition, “When Adar Enters, Ad de’lo Yoda and Blimp “, Busan, Korea The 10 Commandments, Deutsches Hygiene-Museum, “Trembling Time”, Dresden, DE The Mediterraneans, Museum of Modern Art Rome, “Kings of the Hill”, Rome, IT Art Tower Mito, Contemporary Art Center, “Trembling Time”, Lonely Planet, Ibaraki, Japan De Appel Foundation, Quicksand, “Low Relief I”, Amsterdam, NL 2003 Witte De With, Territories, “Kings of the Hill”, Rotterdam, NL Neue Gesellschaft für Bildende Kunst, Wonderyears - New Reflections on Shoah and Nazism in Israel, “Trembling Time”, Berlin. D KW-Berlin, Territories, “,Kings of the Hill”, Berlin, D Vane, After-Life, “Trembling Time”, Newcastle upon Tyne, UK Overbeck-Gesellschaft, “Trembling Time”, Lübeck Kunstverein, Lübeck, D O.K Center for Contemporary Art, “Trembling Time”, The Promise, The Land Vienna, AU Sheffield Festival of Contemporary Art, “Trembling Time”, Sheffield, UK Kaap Helder, “Kings of the Hill”, Oude Rijkswerf Willemsoord (Kunst en Cultuur Noord- Holland), Den Helder, NL Galerie der Stadt Schwaz, “Trembling Time”, Schwaz /Tirol, AU Neue Galerie am Landesmuseum Joanneum, “Profile”, M_ARS-Art and War Graz, AU 2002 Musee d’Art Contemporain de Lyon, Rendez-Vous,”Trembling Time”, Lyon, FR Brugge Culture Capital of Europe, What? A tale in free images, “Trembling Time”, Brugge Galerie Hohenlohe & Kalb, Say Hello Wave Goodbye, “Profile”, Vienna, AU Manifesta 4, European Biennial of Contemporary Art, “Trembling Time”, Frankfurt am Main, D MIT List Visual Center, Tele-Journeys, “Profile, Trembling Time”, Cambridge, USA The 4th Gwangju Biennale, “Trembling Time, Disembodying the national army tune”, Gwangju, KR De Paviljoens, Non-linear Editing, “Trembling Time”, Almere, NL

2001 De Appel, In the Meantime, “Profile”, Amsterdam, NL Frankfurter Kunstverein, Neue Welt, “Profile”, Frankfurt am Main, D Kunsthuis SYB, '2e Sybren Hellinga Kunstprijs 2001', “Profile”, Beetsterzwaag, NL Rijksakademie van beeldende kunsten, 'Open Ateliers', “Trembling Time, Disembodying the national army tune, Tuning (variables XYZ)”, Amsterdam, 2000 PS1, Greater New York, “The Bathers”, New York, USA Rijksakademie van beeldende kunsten, Open Ateliers, “Haiku, Profile”, Amsterdam Reflex Ensemble in Musical Dialoges, Center for the Arts, Tel Aviv Borochov Gallery, Tel Aviv IL 1996 B.F.A project, Bezalel academy of arts and design, Jerusalem

Film/Video festivals 2010 Kasseler Documentar Film - Videofest Kassel, Mur I Weiza, D Steirischer Herbst Festival, Graz, Mary Koszmary, AT And the Moral of the Story is…Witte de With, Center for contemporary art, Rotterdam, NL 56th Internationale Kurzfilmtage Oberhausen, “Mur I Wieza”, D Dawn 2010, San Francisco, “Trembling Time”, USA 2009 Filmfest Hamburg, D 55th Internationale Kurzfilmtage Oberhausen, “Mary Koszmary”, D 2008 Festival Confronting Cultures, Israël op het podium, Amsterdam, NL 54th Internationale Kurzfilmtage Oberhausen, D 2008 37th International Film Festival Rotterdam, “Summercamp”, NL 2007 36th International Film Festival Rotterdam, “A Declaration”, NL Exposition insulaires, Soiree de projection video et lecture, A Declaration, Credac, Ivry- sur Seine, Paris, F 35e Festival International du Film de La Rochelle, Rochelle, FR 2006 52nd Internationale Kurzfilmtage Oberhausen, D 2004 Le Printemps de Septembre, Teletoulouse, Kings of the Hill, Toulouse, FR Transmediale 2004, internatiol media art festival, Berlin, D 33rd International Film Festival Rotterdam, NL 2003 Transmediale 2003, internation media art festival, Berlin, D Impakt Festival, Utrecht, NL Borderlines, Antwerpen, B La grande Halle de la Villete, "Nuit Blanche", Paris, F Kasseler Documentarfilm und Videofest, Kassel, D Theater Festival at the Singel, Antwerp, B Uitmarkt, Balie, Amsterdam, NL

Festival Bandits Images, Bourges, F NEMO festival, Paris, F Macau Art Festival, Macau, CN FACT, Liverpool, UK Vidéochroniques, Rennes, F 2002 Video Zone, The 1st biennale for video, Tel-Aviv, IL Nuits Blanche, Paris Videotage, Microwave International Media Art Festival, Hong Kong Cinematexas, International Short Film Festival, department of radio-tv-film, International Competition Program, Austin, Texas, USA VIPER Basel 2002, International Competition Film/Video Programme, Basel, CH ‘Cite des Ondes’, 5th International Manifestation of Video and Electronic Arts of Montreal, CA 48 International Short Film Festival Oberhausen, DE 4th International Festival of Film and New Media, ‘e-phos', Athens Media Forum 2002, XXIV Moscow International Film festival, RU 31st International Film Festival Rotterdam, NL

Publications 2010 Europe will be stunned, Moderna Museet exhibition catalogue, Malmö, SE Shockworkers of the Mobile Image, Catalogue of the 1st Ural Industrial Biennial Contemporary Art, Ekateringburg, 2010, pp. 103-105 2008 Short Memory, P.S.1. Exhibition Catalogue, New York, USA Scenes du Sud, Mediterranee, Orientale, exhibition catalogue, Carre d’Art – Musee d’art Contemporain de Nimes Imaginary Coordinates, Exhibition Catalogue, Spertus Museum, Chicago, USA, pp.35- 36 Maja Stankovic (ed.), Artist-Citizen, Exhibition catalogue, 49th October Salon, The Belgrade Cultural Centre, 2008, pp. 68-69. 2007 Documenta Kassel, Exhibition Catalogue, Kassel, DE, pp. 218 Brave New Worlds, exhibition catalogue, Walker Art Center Yael Bartana, In the army I was an outstanding soldier, March, fondazione per l’arte contemporanea, 2007 Regarding Fear and Hope, Exhibition Catalogue, Monash University of Art, 2007 Um Atlas de Acontecimentos/An Atlas of Events, Exhibiition-Catalogue The State of the world, Fundacao Calouste Gulbenkian, 2007

Yael Bartana, exhibition catalogue, Kunstverein Hamburg, Hamburg Dateline:Israel New photography and video art, Exhibition catalogue, Yale University Press in association with The Jewish Museum Im Auge des Zyklons/In the eye of the storm, Exhibition Catalogue Kunstmuseum St. Gallen, 2007 2006 Yael Bartana, exhibition catalogue, Van Abbemuseum, Eindhoven NL Wherever we go / Ovunque andiamo, Spazio Oberdan, Milano, 2006 2005 PRIX DE ROME.NL 2005, exhibition catalogue, Amsterdam Die Neuen Hebräer. 100 Jahre Kunst in Israel, exhibition catalogue, Martin Gropius Bau, Berlin, edited by Doreet LeVotte Harten and Yigal Zalmona Wherever I Am, Yael Bartana, Emily Jacir, Lee Miller, exhibition catalogue, Modern Art Oxford, Essays by Linda Grant and Galit Eilat, pp.9-27 2004 Time Zones: recent film and video, Exhibition Catalogue,Tate Modern Kav/Hameorer, magazine for literature and art magazine, Nr. 16-18, winter Tel-Aviv, pp.16-20 Die Zehn Gebote, Deutsche Hygienes Museum, Dresden, June 19 – December 5, 2004, p.115 Quicksand, exhibition catalogue, De Appel Foundation Amsterdam Lonely Planet, exhibition catalogue, Art Tower Mito, Ibaraki, Japan 2003 Esche, Charles, Cream 3 - Contemporary Art in Culture, Phaidon, New York pp.56-59 Territories, KW- Institute for Contemporary Art Belin, pp. Weibel, P., M_ARS, Kunst und Krieg, Neue Galerie Graz am Landesmuseum Joanneum, Hatje Cantz, Frankfurt Edlinger T., Stella Rollig and Roland Schöny, The Promise, The Land.Jewish-Israeli Artists in Relation to Politics and Society, O.K. Centrum fur Gegenwartkunst, Linz, 2002 Manifesta 4, Hatje Cantz Publishers, Frankfurt, pp.170-171

Articles/ Reviews 2011 Yael Bartana, “We will be strong in our Weakness” Berlinale Forum 2011 Kate Green, “Out of Place, Lora Reynolds Gallery Austin”, in: Art Lies, A Contemporary Art Journal, 2011 Issue 67 2010 Klat Magazine, no.4, autumn Spike Magazine, “Docufiction”, November Art Review, “Yael Bartana’s Polish Trilogy”, April, “Kijken, kwade nachtmerrie”, Rudi Fuchs in: De Groene Amsterdammer, 7 jan, p. 49 2009 “State of Metaphor”, Mazria Katz in: Aapmagazine, sep/okt p 111-115 “Oorlog en terreur…”, Evelien Baks in AD, 12 januari

“Rituelen tonen absurditeit van het dagelijks leven”, Hans den Hartog Jager in NRC Handelsblad. 16 januari “Hogere Macht”, Kim Bos in: Vrij Nederland, 10 januari, p. 79 2008 “Antisemiet of niet”, Rudie Kagie, in: Vrij Nederland, # 34, 23 August, p. 17 2007 “Top 5 Nederland”, Rutger Ponzen, in: De Volkskrant, 27 December, Kunstbijlage, p. 4 “Der finstre Himmel über der Wüste”, Ralff Hanselle, in: Monopol, # 12, December, p. 106-107 “Batana gebruikt Israëlische propagandaclichés voor Palestina” Rutger Pontzen in: de Volkskrant, 12 september “Snap judgements of Israel, more than words can say” In: New York Times, 14 April, Art Review 2006 Artforum, October 2006, p.278 “Community Service”. Frieze October 2006, pp.37-40 “Voorkeur beeldende kunst”, NRC Handelsblad, March 2 “Ruimte voor frisse politieke kunst en rustige observaties”, In: De Volkskrant, by Sacha Bronwasser, February 28, p.19 “Macho’s in four wheel drives”, In: NRC Handelsblad, by Janneke Wesseling, February 24 “En….profiel”, In: 8Weekly, Yael Bartana en Wilhelm Sasnal, schilderijen en films, by Freek Lomme, 20 maart 2006 2005 “Future Greats”, In: Art Review, december “Lonnie van Brummelen wint Prix de Rome”, in: de Volskrant, July 1 “Prix de Rome moet naar Bartana”, in: De Volkskrant, June 4 “De nieuwe Prix is voor Bartana”, in: Het Parool, June 11 2004 “London: Tate Modern. Time Zones: Recent Filma and Video”, In: Contemporary, Issue 70, pp.58-59 “Tussen massa en individu”, In: De Volkskrant, by Marina de Vries, October 7, Kunst Bijlage, pp.10-11 “Was Will Europa?”, In: Flash Art, July/September, Vol.XXXVII, pp.98-99 “What’s the difference’”, in: Frieze , Issue 84, May 2004, , pp.72-77 “The six wannabees as a soccer team”, in: Tubelight ,Issue 32, p.09 “Quicksand engulfs and disorients”, Amsterdam Weekly, May 5-11, 2004 Vrij Nederland, April 24, 2004 “Plaagstootjes van jonge curatoren”, De Volkskrant, April 8, 2004 Click opera, March 14th, 2004, www.livejournal.com Art Review, December/January 2004 “Yael Bartana”, p.102 2003 “Nähe und Distanz“, in: Profile, Nr 28, 7.7., p. 35 Richter, Dorothee, „Remapping the Region“, in: Die Springerin, Summer 03, p. 34-36

Flash Art, Januari/februari 2003, p. 62, 63 Holm, Peter, “Knapp fromulierte Kunstkonzepte“, in: Kieler Nachrichten, 22.1. “Junge Kunst transkulturell“, in: Lübecker Stadtzeitung, 21.1. “Heimat, von außen gesehen“, in: Lübecker Nachrichten, 18.1. Esche, Charles, Young, Lesley, “Yael Bartana“, 03 2002 “Manifesta 4“, in: Art Monthly, July/August “Künstler-Portraits – Yael Bartana“, in: Frankfurter Rundschau, 3.6. Bush, Kate, ‘Manifesta 4’, in: Art Forum Rosenberg, Angela ‘Spotlight—Manifesta 4’, in: Flash Art, in: Flash Art, issue 225, July/September van Voss, Sandra Heerma, ‘Sinaasappelbron aan de Main-oever’, in: NRC Handelsblad van Elsberg, Jacquine, ‘Bibberen, beven, rillen, en sidderen in trillende tijd’, in: Skrien Kuni, Verena, ‘Manifesta 4’, in: Frieze, issue 69, September, p.104 Bartana, Yael, Self portrait’, in:Tema Celeste, No. 91, ‘, May/June 2001 'Keelzangers en een dood paard in Open teliers', Hans den Hartog Jager, in: NRC Handelsblad 'Boodschappen in een trillingslaag', Esma Moukhtar in: de Volkskrant, NL Mar, Alex, 'In the MeanTime…', in: Metropolis M, NL, Special edition Summer 2001, p .48 van de Velde, Paola, „Marsmuziek en een leger van naalden. Amsterdamse Rijkakademie houdt Open Ateliers“, in: De Telegraaf 2001 van de Velde, Paola, 'Jennifer Tee serveert taart. Rijksakademiestudenten hebben overduidelijk lol in hun werk', in: De Telegraaf de Volkskrant, 'Geluid, veel geluid in Open Ateliers' Lamoree, Jhim, „Veel installaties en een enkel schilderij of beeld“, in: Het Parool de Vries, Marina, ‘Liever een camera dan verf en kwast’, in: Het Parool

Collections Museum of Modern Art, New York (USA) Centre Pompidou, Paris (F) Tate Modern, London (UK) Jewish Museum New York, New York (USA) The Israel Museum, Jerusalem (IL) Museum Boijmans Van Beuningen, Rotterdam (NL) Van Abbemuseum, Eindhoven (NL) Museum de Paviljoens, Almere (NL) Museum St. Gallen, St Gallen (CH) Kadist Art Foundation (F)

Haags Gemeente Museum, Den Haag (NL) Stedelijk Museum, Amsterdam (NL)