DOCSLIB.ORG

Bars Notices

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

BARS Issue No. 42 June 2012 ISSN 0964-2447 Editor: David Higgins School of English University of Leeds Leeds LS2 9JT [email protected] Reviews Editor: Susan Valladares Worcester College Walton Street IN THIS ISSUE: Oxford OX1 2HB [email protected] Editor's Column . 1 Notices . 1 BARS Events . 5 Conference Reports . 8 President: Nicola J. Watson Copley Award Reports . 11 English Department Early Career and Postgraduate Faculty of Arts Column . 14 The Open University Reviews . 15 Walton Hall Milton Keynes MK 7 6AA [email protected] Secretary: Kerri Andrews Faculty of Humanities and Social Sciences University of Strathclyde McCance Building 16 Richmond Street Glasgow G1 1XQ [email protected] Treasurer and Membership Secretary: Angela Wright School of English Literature, Language and Linguistics University of Sheffield Jessop West 1 Upper Hanover Street Sheffield S3 7RA [email protected] BARS MAILBASE Editor’s Column As a BARS member, you are entitled to receive messages from the electronic BARS mailbase. This advertises calls for papers, events, Welcome to the first issue of the Bulletin for resources and publications relevant to Romantic 2013, published slightly later than planned but studies. If you would like to join, or post a well before the biennial conference at the end of message on the mailbase, please contact Neil Studies July. The programme for Southampton looks Ramsey, the co-ordinator, by email great and (who knows) perhaps the weather will ([email protected]) with your full name hold... and email address. Information about the This number of the Bulletin contains a bumper mailbase, along with copies of archived Reviews section, testament not only to Susan messages, can be found on the mailbase website: Valladares‘s assiduousness, but also to the www.jiscmail.ac.uk/lists/bars.html enthusiasm of BARS members who carry out this important work. There are also reports by recent holders of the Stephen Copley Postgraduate Research Award, accounts of BARS MEMBERSHIP recent conferences at Leeds and Edge Hill, and some calls for papers. Of particular interest Members can ask for notices to be placed on the might be the call for the BARS Early Careers mailbase, on the website, and in the Bulletin. Romantic Romantic and Postgraduate Conference to be held in The annual subscription for BARS membership Grasmere next March. is £25 (waged) and £10 (unwaged/postgraduate). As always, please contact me if you have any Members receive copies of the BARS Bulletin material for inclusion in the Bulletin. I look and Review twice a year and can join the forward to catching up with many of you in electronic mailbase. Membership is necessary for attendance at BARS international for Southampton. conferences. For a membership form, please David Higgins contact the BARS administrator, Fern Merrills, Editor at: [email protected] BARS DAY CONFERENCES Notices BARS day conferences, in almost every case, are organised through the host institution. BARS assists by advertising conferences, advising on the format, and giving early warnings of any BARS WEBSITE likely clashes with other planned events in our Association files. Part of the point of BARS is to act as a www.bars.ac.uk supportive system nationally, and its involvement in planning would partly be to help Anyone wanting to place advertisements or with ensure that conferences are as evenly distributed other requests regarding the website should across regions as possible in the course of any contact our website editor, Matthew Sangster one year. BARS cannot underwrite day ([email protected]). conferences, but it can sometimes make a financial contribution of to help the organising department with costs. British 1 Individuals or groups who would like to run a 7. Name of supervisor/referee (with email day conference are invited to contact Dr Angela address) to whom application can be made for a Wright ([email protected]). In the supporting reference on your behalf. event of possible clashes, BARS will assist by Applications and questions should be directed liaising between conferences distributed across to the bursaries officer, Dr. Daniel Cook, the year, or across regions. BARS will actively Lecturer in English, University of Dundee solicit proposals. Proposals are also invited for ([email protected]). Reports by recent interdisciplinary conferences. bursary holders appear later in this number of the Bulletin. We are delighted to announce the recipients of the 2013 round of Stephen Copley Postgraduate STEPHEN COPLEY Research Awards: Stephanie Dumke (University of Durham) POSTGRADUATE RESEARCH Lucy Kellett (University of Oxford) AWARDS Christine Mangan (University College Dublin) Robin Mills (University of Cambridge) Postgraduates working in the area of Romantic Alys Mostyn (University of Leeds) studies are invited to apply for a Stephen Copley Bethan Roberts (University of Liverpool). Postgraduate Research Award. The BARS Executive Committee has established the awards in order to support postgraduate research. They are intended to help fund expenses incurred ROMANTICISM AND through travel to libraries and archives necessary to the student's research, up to a maximum of PHILOSOPHY £300. Application for the awards is competitive, and cannot be made retrospectively. Applicants Members of BARS who are also Facebook users must be members of BARS (to join please visit might be interested in the Facebook page our website). The names of recipients will be 'Romanticism and Philosophy'. This is a announced in the BARS Bulletin and Review, noticeboard for news and materials relating to and successful applicants will be asked to the fields of Romantic literature, philosophy and submit a short report to the BARS Executive intellectual history (and beyond), including Committee and to acknowledge BARS in their books, articles, reviews, clips, conferences, thesis and/or any publication arising from the seminars, exhibitions, job vacancies, research trip. Reports will also be published in studentships, funding grants, whims and oddities. the Bulletin. The page is updated daily (almost) and visitors Please send the following information in are free to post their own material. Feel free to support of your application: visit and 'like' for updates! 1. Your name and institutional affiliation. www.facebook.com/romanticismandphilosophy 2. The title and a short abstract or summary of your PhD project. 3. Details of the research to be undertaken for which you need support, and its relation to your PhD project. 4. Detailed costing of proposed research trip. 5. Details of current or recent funding (AHRC award, etc.). 6. Details of any other financial support for which you have applied/will apply in support of the trip. 2 CFP: GOTHIC STUDIES precisely does this affirmative attitude toward subjective and artistic regeneration square with Embodiments of Horror: William Blake’s Gothic Blake's tortured affect, especially when this Sensibility follows from a desire to transcend the physical Guest Editors: Dr. Christopher Bundock (Huron body, the very matrix of sensibility? If Blake College) and Elizabeth Effinger (Western) embodies horror, he is also horrified by the body's limitations. How, then, does art— Within the frame of the late eighteenth-century particularly Blake's own art—respond to this Gothic revival, this special issue of Gothic problem? How does he make new kinds of Studies explores the relationship between bodies to embody desires differently? English poet and engraver William Blake and We are particularly interested in papers that particularly disruptive affective intensities consider the impact this ―thrust[ing] aside‖ by expressed at the level of image, text, and critical and of the body has for Blake‘s thought and art. reception as well as their extension into What is the work of horror in Blake? What, if contemporary adaptations. While a critical body any, generative potential is there in the of work exists on the relationship between Blake restlessness of Blake‘s tortured, gothic bodies? and the Gothic broadly—and in spite of an What is the cost of Blake‘s investment in horror obvious fascination with a nexus of aesthetic as a privileged affect? Does Blake‘s appeal to categories such as the grotesque, perverse, and horror and the Gothic challenge or render macabre—Blake's focus on affects like physical counterfeit his humanism? How does Blake‘s disgust and horror, specifically, have garnered revisioning of the body as an intensive site of little sustained critical attention. This special horror invite new modes of thinking about the issue seeks to redress this gap by opening up a human? How do the horrors of Blake‘s material dialogue between Blake and his gothic bodies (dis)figure or embody the horrors of sensibility that centers on the affective, aesthetic, larger discursive bodies? and philosophical implications of a physical While this collection follows in the spirit of body and sensorium that turns against itself. recent critical projects such as Blake 2.0 Registering the contestation between (Palgrave 2012) and Blake, Modernity and introjection and expulsion, the abject – Popular Culture (Palgrave 2007) – important Kristeva‘s term for a ―massive and sudden studies that foreground the continuing relevance emergence of uncanniness, which […] now of Blake in contemporary culture – it also harries me as radically separate, loathsome‖ (2) distinguishes itself by interrogating the – is frequently figured in Blake as a monstrous particular affinities between Blake and the Polypus, organic life in its merely vegetative, embodied experiences of revulsion, abjection, abhorrent state. Other examples of Blake‘s and horror. Given this topic especially, Blake's ―body horror‖ appear in the body turned inside illustrations may well play a central role in some out, revealing organs ―Dim & glutinous as the contributions. And we do hope to be able to white Polypus,‖ an uncanny ―Fibrous reproduce a certain number of his visual Vegetation‖ that seems less like animating flesh artworks.
Recommended publications
  • Tennyson's Poems

    Tennyson's Poems

    Tennyson’s Poems New Textual Parallels R. H. WINNICK To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/944 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. TENNYSON’S POEMS: NEW TEXTUAL PARALLELS Tennyson’s Poems: New Textual Parallels R. H. Winnick https://www.openbookpublishers.com Copyright © 2019 by R. H. Winnick This work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the work; to adapt the work and to make commercial use of the work provided that attribution is made to the author (but not in any way which suggests that the author endorses you or your use of the work). Attribution should include the following information: R. H. Winnick, Tennyson’s Poems: New Textual Parallels. Cambridge, UK: Open Book Publishers, 2019. https://doi.org/10.11647/OBP.0161 In order to access detailed and updated information on the license, please visit https://www.openbookpublishers.com/product/944#copyright Further details about CC BY licenses are available at http://creativecommons.org/licenses/by/4.0/ Digital material and resources associated with this volume are available at https://www.openbookpublishers.com/product/944#resources Every effort has been made to identify and contact copyright holders and any omission or error will be corrected if notification is made to the publisher.
  • NASSRNEWSLETTER North American Society for the Study of Romanticism Fall 2012, Volume 21, No

    NASSRNEWSLETTER North American Society for the Study of Romanticism Fall 2012, Volume 21, No

    NASSRNEWSLETTER north american society for the study of romanticism Fall 2012, Volume 21, No. 2 Fall 2012, Volume Executive Committee: Angela Esterhammer (Toronto) Joel Faflak (Western Ontario) Tilottama Rajan (Western Ontario) James Allard (Brock) Secretary-Treasurer Joshua Lambier (Western Ontario) Newsletter Editor co-hosted by Boston University and the Ex Officio Future NASSR Conferences College of the Holy Cross. Frederick Burwick (UCLA) NASSR conferences are now planned Jonathan Mulrooney (Holy Cross) through to 2017! For more information, please visit the conference website: NASSR was founded in 1991 at A Supernumerary Conference (2013), The University of Western Ontario, "Romanticism and Knowledge," will be held www.bu.edu/nassr-2013/ London, Ontario, Canada in Munich, and will be hosted jointly between the Gesellschaft fur Englische There will be a Supernumerary Conference The NASSR Newsletter prints news items Romantik and NASSR. (2014), “Global Romanticisms,” to be held that will be of interest to the Romantic in Tokyo, Japan. studies community, such as members’ More information can be found on the recent book publications, calls for papers, conference website: The 22nd Annual NASSR Conference conference announcements, and website (2014), “Romantic Organizations,” will be and journal information. Please send www.englische-romantik.de/2.html held in Washington, D.C., and will be announcements to Josh Lambier, care sponsored by by American University, of James Allard at [email protected]. The 21st Annual NASSR Conference Georgetown University, George Mason The deadline for the next NASSR (2013), “Romantic Movements,” will be University, George Washington University, Newsletter is 15 April 2013. held in Boston, Massachusetts, and will be Johns Hopkins University, The Library of http://publish.uwo.ca/~nassr 1 Congress and Music Division, and the National Library of Switzerland to celebrate the tercentenary of Rousseau’s Medicine.
  • Front Matter

    Front Matter

    Cambridge University Press 978-0-521-13605-1 - The Cambridge Companion to British Romanticism Edited by Stuart Curran Frontmatter More information The Cambridge Companion to British Romanticism Second Edition This new edition of The Cambridge Companion to British Romanticism has been fully revised and updated and includes two wholly new essays, one on recent developments in the field and one on the rapidly expanding publishing industry of this period. It also features a comprehensive chronology and a fully up-to-date guide to further reading. For the past decade and more the Companion has been a much-admired and widely used account of the phenomenon of British Romanticism that has inspired students to look at Romantic literature from a variety of critical angles and approaches. In this new incarnation, the volume will continue to be a standard guide for students of Romantic literature and its contexts. stuart curran is Professor Emeritus of English at the University of Pennsylvania. A complete list of books in the series is at the back of this book © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-13605-1 - The Cambridge Companion to British Romanticism Edited by Stuart Curran Frontmatter More information THE CAMBRIDGE COMPANION TO BRITISH ROMANTICISM EDITED BY STUART CURRAN © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-13605-1 - The Cambridge Companion to British Romanticism Edited by Stuart Curran Frontmatter More information cambridge university press Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, São Paulo, Delhi, Dubai, Tokyo Cambridge University Press The Edinburgh Building, Cambridge cb2 8ru, UK Published in the United States of America by Cambridge University Press, New York www.cambridge.org Information on this title: www.cambridge.org/9780521136051 © Cambridge University Press 1993, 2010 This publication is in copyright.
  • American Literary Annuals and Gift Books, 1825-1865 Reel Listing

    American Literary Annuals and Gift Books, 1825-1865 Reel Listing

    American Literary Annuals and Gift Books, 1825-1865 Reel Listing Affection's Gift, or a Holiday Present. Affection's Gift, a Christmas, New Year, and New York, N.Y: J.C. Riker -- Franklin Hall. 1832 Birthday Present for 1854. (AAS, NYPL) For children. Largely a rearrangement Philadelphia, Pa: E.H. Butler, & Co. 1854 of material in "The Pearl" 1831. Another (AAS, CU, LC) 1854 also without imprint date rearrangement is "The Hawthorne, a Christmas and [c1853] (AAS, CU); First volume consists largely or New Year's present, 1845" (AAS, CU, LC). entirely of reprints from British authors. Second is Copyright: 1831; Contents: The Rustic Wreath/Mrs. much the same, but includes articles signed by J.Q. Hughs/13; The Mother/Joseph R. Chandler/23; The Adams, T.S. Arthur, the Rev. Henry Haverstick, J.R. Storm/Mrs. Hughs/34; The Souvenir/E.L./Author of Lowell, and W.L. Stone. Lowell's piece, "Truth," had "Young Americans"/53; Reville/E.W___m/68; The appeared as "Sub Pondere cresit" in Arcturus for May Mother's Joy/Mrs. Child/69; The Christmas 1842. Copyright: 1853; Printer: C. Sherman; Visit/Mrs. M. Hughs/70; The Little Contents: Lady Honoria/R. Bernall, Esq., M.P./13; Runaway/J.W.S./91; The Pilot's Where Is Miss Myrtle/Anonymous/29; Flodden Children/Anonymous/93; The Percevals/C.M.B./ Field/D.M. Moir, Esq./32; Too Handsome for Author of "Lights of Education"/110; The Pet Anything/E.L. Bulwer/Author of "Pelham"/35; How Lamb/Mrs. Hughs/122; The Shall I Woo Her?/Author of "Lillian"/44; Hoar- Banditti/Anonymous/149; Le Loup et frost/William Howitt/46; The L'Agneau/Author of "Lights of Education"/157; The Portrait/Anonymous/49; A Wood- Stepmother/Author of "Lights of Education"/168; Scene/Anonymous/52; Manuscript Found in a Child Left on the Sea Shore/Mr.
  • Victorian Poetry Blackwell Companions to Literature and Culture

    Victorian Poetry Blackwell Companions to Literature and Culture

    A COMPANION T O V ICTORIAN POETRY EDITED BY RICHARD CRONIN, ALISON CHAPMAN AND ANTONY H. HARRISON A Companion to Victorian Poetry Blackwell Companions to Literature and Culture This series offers comprehensive, newly written surveys of key periods and movements and certain major authors, in English literary culture and history. Extensive volumes provide new perspectives and positions on contexts and on canonical and post- canonical texts, orientating the beginning student in new fields of study and provid- ing the experienced undergraduate and new graduate with current and new directions, as pioneered and developed by leading scholars in the field. Published 1. A Companion to Romanticism Edited by Duncan Wu 2. A Companion to Victorian Literature and Culture Edited by Herbert F. Tucker 3. A Companion to Shakespeare Edited by David Scott Kastan 4. A Companion to the Gothic Edited by David Punter 5. A Feminist Companion to Shakespeare Edited by Dympna Callagban 6. A Companion to Chaucer Edited by Peter Brown 7. A Companion to Literature from Milton to Blake Edited by David Womersley 8. A Companion to English Renaissance Literature and Culture Edited by Michael Hattaway 9. A Companion to Milton Edited by Thomas N. Corns 10. A Companion to Twentieth-Century Poetry Edited by Neil Roberts 11. A Companion to Anglo-Saxon Literature and Culture Edited by Phillip Pulsiano and Elaine Trebarne 12. A Companion to Restoration Drama Edited by Susan J. Owen 13. A Companion to Early Modern Women’s Writing Edited by Anita Pacheco 14. A Companion to Renaissance Drama Edited by Arthur F. Kinney 15.
  • 1 the Minstrel Mode

    1 the Minstrel Mode

    Notes 1The Minstrel Mode 1. Maureen McLane has noted that ‘Wordsworthlauded thealmost mystical connection between the first bards and their audiences’ (‘Ballads’ 423) in his 1802 ‘Appendix on Poetic Diction’. In that appendix, part of Wordsworth’s project is to assert that this ‘almost mystical connection’ was producedby ‘language which, though unusual, was still the language of men’( LB 318).By insisting on the ancient and modern poets’ shared attachment to common language, Wordsworth here downplays the importance of the shift from oral to print culture by emphasizing the primacy of diction. If the reader accepts Wordsworth’s arguments, the fantasy of minstrelsy becomes unnecessary, as modern poets can recapture the connection between bard and audience throughdiction, thus rendering obsolete the need to imagine minstrels with live audiences. This explains why Wordsworth’s deep interest in a bardic tradition, which Richard Gravilhas documented thoroughlyin Wordsworth’s Bardic Vocation, does not lead Wordsworth to employ the conventions of minstrel writing. 2. In using and extending the metaphor of ‘two-faced’ writing, I have in mind Jerome McGann’s comments stemming from this same passage in Mill. McGann writes that ‘Romantic truth is inner vision, and Romantic knowl- edge is the unfolding of the truths of that inner vision’ (Byron and Romanticism 115). McGann goes on to point out that ‘[h]ypocrisy is the antithesis of sincerity’ and continues, One can be sincere and yet speak incompletely, or even falsely, but it appears a patent contradiction to think or imagine that one could be sincere and at the same time speak deliberate falsehoods or develop subtle equivocations.
  • Fiction in the Hampshire Chronicle 1772

    Fiction in the Hampshire Chronicle 1772

    1 Fiction in the Hampshire Chronicle, a provincial newspaper, from 1772 to 1829 ©Ruth Facer, published by Chawton House Library, 2010 Guide to reading this resource: The following is a list of all works of fiction appearing in the Hampshire Chronicle from 1772, when the newspaper was started, to 1829. Some works of non-fiction are also included in order to give a general impression of the wider reading of the period. A few indications as to historical background, taken from the newspaper text, are also included. Because names of authors are sometimes omitted, titles were inaccurate, editions are not indicated where relevant, and because books were often advertised before publication, making the date unreliable, I have referenced each work of fiction. Publication was in London unless otherwise indicated. Novels are highlighted in bold print and non-fiction titles, magazine titles and headings of articles in italics. Some advertisements and publishers’ statements to the public are given as examples. I have made a few comments, paraphrases, and elucidations in the text which I hope will be obvious to the reader. Repeat advertisements are not always included. Resources British Library catalogue website British Fiction 1800-1829 website COPAC website The English Novel 1770-1829, a bibliographical survey, Garside, Raven and Schowerling, 2,000 Brackets used for my references and for no trace [ ] Brackets used in the text ( ) Whole extracts from advertisements are indicated with inverted commas. 2 1772 The first printer and publisher of Hampshire Chronicle was J. Linden, Southampton. 24 August During the first few years of Hampshire Chronicle there was a sense of humour and fun in the newspaper.
  • Helen Maria Williams (1759-1827)

    Helen Maria Williams (1759-1827)

    The Undead Eighteenth Century 2010 EC-ASECS Presidential Address by Linda Troost As both EC-ASECS president and one of the troika organizing the conference, it seemed appropriate that my presidential address should unite my two jobs. A subject that connected things Pittsburgh with the eighteenth century would be ideal. Perhaps an analysis of the political policies of William Pitt the Elder, the source of this town‘s name? Steel manufacture in the eighteenth century? Canning? After all, Pittsburgh is the home of the H. J. Heinz Corporation. I could discourse eloquently on Nicolas Appert, who won the twelve thousand franc prize with his method to preserve food for military stores.1 Not only that, but I could bring along some of my home-grown tomatoes and discuss their role in eighteenth-century culture as I demonstrated Appert‘s method. Dr. Johnson may not have included tomato in his dictionary,2 but we know that they were definitely eaten by the ―metropolitan elite‖ in the second half of the eighteenth century.3 Jane Austen was eating them at the start of the nineteenth: ―Fanny & I regale on them every day,‖ she writes from Godmersham Park.4 But, novel as such a demonstration might be, the technical requirements proved daunting. So, what else in Pittsburgh would have an eighteenth-century tie-in? What else is Pittsburgh famous for, other than the steel industry, the utter collapse of the steel industry in the 1970s, and the city‘s subsequent return from the dead to become a symbol of economic recovery—the reason it was chosen as the host for 2009‘s G-20 Summit? Ah— that‘s it: ―return from the dead.‖ You can hardly go into a bookstore or through the menu on your cable television without stumbling on zombies and vampires.
  • Four Nations Fiction by Women, 1789–1830 ◆

    Four Nations Fiction by Women, 1789–1830 ◆

    R OMANTICT EXTUALITIES LITERATURE AND PRINT CULTURE, 1780–1840 • ISSN 1748-0116 ◆ ISSUE 22 ◆ SPRING 2017 ◆ SPECIAL ISSUE : FOUR NATIONS FICTION BY WOMEN, 1789–1830 ◆ www.romtext.org.uk ◆ CARDIFF UNIVERSITY PRESS ◆ Romantic Textualities: Literature and Print Culture, 1780–1840, 22 (Spring 2017) Available online at <www.romtext.org.uk/>; archive of record at <https://publications.cardiffuniversitypress.org/index.php/RomText>. Journal DOI: 10.18573/issn.1748-0116 ◆ Issue DOI: 10.18573/n.2017.10148 Romantic Textualities is an open access journal, which means that all content is available without charge to the user or his/her institution. You are allowed to read, download, copy, distribute, print, search or link to the full texts of the articles in this journal without asking prior permission from either the publisher or the author. Unless otherwise noted, the material contained in this journal is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 (cc by-nc-nd) Interna- tional License. See https://creativecommons.org/licenses/by-nc-nd/4.0/ for more information. Origi- nal copyright remains with the contributing author and a citation should be made when the article is quoted, used or referred to in another work. C b n d Romantic Textualities is an imprint of Cardiff University Press, an innovative open-access publisher of academic research, where ‘open-access’ means free for both readers and writers. Find out more about the press at cardiffuniversitypress.org. Editors: Anthony Mandal, Cardiff University Maximiliaan