2019 04-19 PAC Packet-Web.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

2019 04-19 PAC Packet-Web.Pdf PUBLIC ARTS COMMISSION REGULAR MEETING April 19, 2019 AGENDA I. CALL TO ORDER: 8:00 AM, Siskiyou Room, 51 Winburn Way II. APPROVAL OF MINUTES A. Public Arts Commission regular meeting of March 15, 2018 III. PUBLIC FORUM Business from the audience not included on the agenda. IV. NEW PROJECTS PROPOSAL . Terry Doyle - Chiyemi Bronze Lantern Lithia Park V. PROJECT UPDATES . Andy Stallman – MAP Project update VI. COUNCIL LIAISON REPORT – Councilor Jensen VII. PAC WORKPLAN . Sandy Friend work plan update VIII. DISCUSSION . Velocity Lighting – In October it was decided that we would revisit this topic in 6 months. IX. ADJOURNMENT Calendar next meeting – May 17th In compliance with the Americans with Disabilities Act, if you need special assistance to participate in this meeting, please contact the Community Development office at 541-488-5305 (TTY phone is 1-800-735-2900). Notification 48 hours prior to the meeting will enable the City to make reasonable arrangements to ensure accessibility to the meeting (28 CFR 35.102-35.104 ADA Title 1). B ASHLAND PUBLIC ARTS COMMISSION REGULAR MEETING MINUTES - DRAFT March 15, 2019 CALL TO ORDER: Chair Friend called the meeting to order at 8:01 a.m. in the Siskiyou Room, 51 Winburn Way. Commissioners Present: Staff Present: Sandra Friend Fotini Kaufman, Associate Planner Richard Newman Aaron Anderson, Assistant Planner Jeff Phillips Andy Stallman Absent Members: APRC Liaison: Stanley Smith Joel Heller Allison Renwick Thomas Fuhrmark Council Liaison: Stephen Jensen Chair Friend/Newman m/s to add A. Public Meeting Law to the agenda under DISCUSSION. Voice Vote: ALL AYES. Motion passed. APPROVAL OF MINUTES A. Public Arts Commission regular meeting of February 15, 2019. Chair Friend proposed changes to the minutes regarding present tense: “Would serve” – Has agreed to serve “Who served” – who serves Was - “Is a non-profit” The Request for Qualification was – is almost complete Commissioners Newman/Stallman m/s to approve the minutes of February 15, 2019. Voice Vote: ALL AYES. Motion passed. PUBLIC FORUM William Theodore Hanning/Explained he had formed an LLC with Porter Ford and Megan Mercer to work on a mural behind Key Bank in Will Dodge Way. He described their vision and how they planned to collaborate with the City and local artists. He went on to explain the location and concept of the mural and answered questions. INTRODUCTIONS Assistant Planner Aaron Anderson introduced himself and provided his background as the incoming Staff Liaison for the Public Arts Commission. PROJECT UPDATES Public Works Superintendent Mike Morrison - Velocity Repair Mr. Morrison explained the repair cost estimate from the Artist’s team was expensive. The Public Works Department decided to do the repairs internally. Staff would do most of the repair work required and hire a welder. The project Ashland Public Arts Commission March 15, 2019 Page 1 of 2 would take several weeks and depend on the weather. He described the repair work and confirmed the finish was not damaged. It was difficult to determine the actual damage point in the sculpture. Cameras were installed and would be active once the repair was complete. They were discussing signage for the cameras. Staff would retain the excess aluminum tubing and remove two LED lights for the repair. At the City’s request, the artist built the sculpture to withstand 250 pounds. Apparently, there were multiple people hanging from the piece when it bent exceeding the 250-pound threshold. If similar damage occurred in the future, staff would consider reinforcing the sculpture to withstand 1,000 pounds. Commissioner Stallman – MAP Project update Commissioner Stallman and Parks Commissioner Joel Heller visited the Railroad Park and discussed the location of the plaques in the park. Commissioner Stallman would attend the Parks Commission Meeting April 25, 2019 regarding the project. The subcommittee would meet March 21, 2019 to finalize the request for qualification (RFQ) and review the proposal for the plaque and sculpture in Railroad Park. The plaques would be circular. Once the overall project was approved by the Parks Commission, they would send out separate RFQs for the plaques and the sculpture. Captions would be finalized at the meeting March 21, 2019. The medallion shaped plaques were chosen because they were considered aesthetically pleasing. COUNCIL LIAISON Councilor Jensen provided a Council report on commissioner terms, the upcoming budget process and the Ashland Canal Project. The City Hall relocation/repair was on hold. PAC WORK PLAN The RFQ Template would be ready for review in May. Commissioner Fuhrmark was reconsidering the “What is Public Art?” presentation and looking into using imagery from around the world. Requests for presentations were already coming in from various organizations in the community. The presentation could be completed by the end of the year. DISCUSSION Public Meeting Law Chair Friend attended a meeting on the role of Commissioners and Chairs. She distributed a copy of the presentation and with Associate Planner Fotini Kaufman, reviewed it with the Commission. ADJOURNMENT Meeting adjourned at 9:09 a.m. ANNOUNCEMENTS & INFORMATIONAL ITEMS: Next meeting: April 19, 2019, at 8:00 a.m. Submitted by, Fotini Kaufman Associate Planner Ashland Public Arts Commission March 15, 2019 Page 2 of 2 Proposal for Japanese Lantern Memorial* - 4/29/18 Goal: commission, oversee and dedicate a 7ǀUǀor stone** lantern in the Lithia Park Japanese garden. Exact location and general design to be subject to Ashland Parks & Recreation approval. Artistic design and creation of the lantern to be done by Wataru Sugiyama, long-time local artist, SOU graduate. There are several traditional forms for the Japanese lantern, made both of stone and bronze. Generally the lanterns are placed along paths, next to water and near buildings. Sonnenberg Garden, NY Chiyemi Kasuga-doro Examples of bronze lanterns from Japan - Nara, Kyoto and Kamakura Design to be traditional. Japanese lanterns are an element of Japanese gardens along with bridges, paths, trees & plants, water, stone basins, tea houses, etc. Kasuga Grand Temple - Nara, Japan - Memorial to Fujiwara family Wataru Sugiyama 1. Graduate of SOU 2. Friend of Chiyemi for nearly 30 years. 3. Successful sculptor and artist in the Rogue Valley for many years. 4. Works are on display in many galleries. Also behind the public library, previously on Guanajuato Way. 5. Subject of OPB’s Oregon Art Beat in 2019. Wataru pouring bronze rhinoceros head Professional references (local): Jack Langford Kevin Christman, 541-890-1034 Russell Beebe, 541-535-6822 The artist and finished rhino Jack Langford Graduate of Medford High School 1975 Graduate University of Southern Maine - BFA Sculpture 1988 Professional sculptor since 1980 Started first foundry in Haifa, Israel Professional sculptor since 198- and operated foundries in Haifa, Porter, Maine and now Ashland/Talent Oregon for 29 years. Cast the “We Are Here” statue near the plaza. Studio & foundry address: 4850 S. Pacific Highway Phoenix, OR 541-292-1790 Lloyd Haines provided the site, Jack Langford (L) did the bronze casting and Jesse Biesanz built the stone base Japanese Garden Proposed Lantern Approximately 225 feet from the west edge of Japanese Garden Taken from edge of Japanese Garden Across from tennis courts This is the design we selected. It is the more traditional kasuga-doro tower form. Made of bronze and mounted on a cement base, slightly larger than the 27” wide base. The lantern will be firmly anchored to the base and grillwork will cover the 3 openings. Base is 10 sided, the firebox or hibukuro is 6 sided. Tule Lake - 1945 Preliminary discussion of application to Public Art Commission Ɣ Statement of project intent (project and desired intent) Ɣ Scaled drawings including base and color Ɣ Map of location and photos of proposed site Ɣ Professional resume of artist including 3 references Ɣ Digital images of completed public artwork by artist including media, size, title, location, date of completion Ɣ Approximate project schedule Notes Ɣ If upkeep/maintenance is anticipated by APRD, I will be happy to endow a fund to do so. Ɣ Approval of the design and location is requested from APRD before we start casting. Ɣ Anticipated completion is less than 1 year. Ɣ The lantern will be mounted on a solid stone or poured concrete base. *Chiyemi Katsuyoshi Doyle lived in Ashland for 28 years, married 48 years, worked at SOU in International Programs. Born in Tule Lake Japanese Internment camp June 19, 1945, she passed March 6, 2018 at University of California San Francisco Medical Center. **Bronze lantern, not stone. Contact info: Terry Doyle ([email protected]) - 462 Allison St. - 541-890-2924 Dedicatory plaque (suggested): although it is not necessary to this project, I would like to include a plaque mounted to the base concerning the Americans of Japanese ancestry during WWII who were placed in “internment camps”. During WWII 116,000 Americans of Japanese ancestry were involuntarily moved from the west coast of the United States to one of ten internment camps located in the most desolate parts of California, Wyoming, Utah, Arkansas, Idaho, Arizona and Colorado. One suitcase per person was allowed. Most other property was lost along with their civil liberties. They stayed in these camps until after WWII was over, returning after 3 years in camp. Japanese Americans and legal immigrants were born, lived as best they could and died in these camps. Never again..
Recommended publications
  • Fact Sheet a Look Inside the Portland Japanese Garden
    Fact Sheet A look inside the Portland Japanese Garden Address: Hours: Key Personnel: 611 SW Kingston Ave Summer Public Hours (March 13 - Sept. 30): Stephen Bloom, Chief Executive Officer Portland, Oregon 97208 ● Monday: Noon - 7 p.m. Sadafumi Uchiyama, Garden Curator ● Tuesday - Sunday: 10 a.m. - 7 p.m. Diane Durston, Arlene Schnitzer Curator of Culture, Art & Education Website: japanesegarden.org Cynthia Johnson Haruyama, Deputy Director Phone: 503.223.1321 Winter Public Hours (Oct. 1 - March 12) Cathy Rudd, Board of Trustees President Email: [email protected] ● Monday: Noon - 4 p.m. Dorie Vollum, Board of Trustees President-Elect and Cultural ● Tuesday - Sunday: 10 a.m. - 4 p.m. Crossing Campaign Co-Chair Quick Facts: Pricing: ● Year Established: 1963 Adults: $14.95 ● Total Annual Attendance: 356,000 in 2016 (up 20% from 2015) Seniors (65+): $12.95 ● Total Acreage: 8 public gardens spread over 12 acres College Students (with ID): $11.95 ● Total Volunteer Hours: 7,226 in 2016 Youth (6 - 17): $10.45 ● Total Members: 11,000 Children 5 and under: free ● Total Staff: 83 regular employees, including eight full-time gardeners ● Total Operating Budget: $9.5 million Photos, Videos & Logos: ● Click here for Photos of the Garden in every season ● Click here for Photos of Cultural Programming & Art Exhibitions ● Click here for Videos & B-roll ● Click here for Logos Media Inquiries: Erica Heartquist | [email protected] | 503.542.9339 Page 1 of 3 About the Portland Japanese Garden For more than 50 years, the Portland Japanese Garden has been a haven of serenity and tranquility, nestled in the scenic West Hills of Portland, OR.
    [Show full text]
  • Mizumoto Japanese Stroll Garden October, Open Daily 10 A.M.- 6 P.M
    Hours Welcome to the April-September, open daily 10 a.m.- 7 p.m. IZUMOTO Mizumoto Japanese Stroll Garden October, open daily 10 a.m.- 6 p.m. M AN Admission Fees JAP ESE Adults: $3 Free admission, with member ID, ROLL GARDEN Children under 12: Free to members of Friends of the ST Garden or American Horticultural eene/Close Nathanael Gr Memorial Pa Koi fish food available: $1 Society reciprocal gardens. in ic Ave., Springfi eld, Miss rk 2400 S. Scen ouri 65807 Rentals & Tours The Mizumoto Japanese Stroll Garden and the * Stepping stones make it essential to look down and see adjacent Japanese Garden Pavilion are available for The Zig-Zag Bridge slows you down to where you are placing your feet. This act of slowing down rentals and weddings. Call 417-891-1515 or visit help create a meditative state. allows for a greater opportunity for contemplation. ParkBoard.org/Botanical/Rentals. Guided group tours and field trips may be scheduled through the Botanical Center or call 417-891-1515. Park Rules • Pets are permitted on a leash. • No swimming, wading, boating or fishing. • No harvesting of flowers, fruit, or plants. The Moon Bridge is curved to reflect the roundness of • No hammocks or attaching anything to trees. the rising moon. Japan is known as the Land of the Rising The Gazebo’s open-air design makes it • Weddings, special events and any activity including Sun. The moon is an important part of Japanese culture, ideal for meditation, tea ceremonies or 30 or more people requires a rental.
    [Show full text]
  • Japanese Gardens at American World’S Fairs, 1876–1940 Anthony Alofsin: Frank Lloyd Wright and the Aesthetics of Japan
    A Publication of the Foundation for Landscape Studies A Journal of Place Volume ıv | Number ı | Fall 2008 Essays: The Long Life of the Japanese Garden 2 Paula Deitz: Plum Blossoms: The Third Friend of Winter Natsumi Nonaka: The Japanese Garden: The Art of Setting Stones Marc Peter Keane: Listening to Stones Elizabeth Barlow Rogers: Tea and Sympathy: A Zen Approach to Landscape Gardening Kendall H. Brown: Fair Japan: Japanese Gardens at American World’s Fairs, 1876–1940 Anthony Alofsin: Frank Lloyd Wright and the Aesthetics of Japan Book Reviews 18 Joseph Disponzio: The Sun King’s Garden: Louis XIV, André Le Nôtre and the Creation of the Garden of Versailles By Ian Thompson Elizabeth Barlow Rogers: Gardens: An Essay on the Human Condition By Robert Pogue Harrison Calendar 22 Tour 23 Contributors 23 Letter from the Editor times. Still observed is a Marc Peter Keane explains Japanese garden also became of interior and exterior. The deep-seated cultural tradi- how the Sakuteiki’s prescrip- an instrument of propagan- preeminent Wright scholar tion of plum-blossom view- tions regarding the setting of da in the hands of the coun- Anthony Alofsin maintains ing, which takes place at stones, together with the try’s imperial rulers at a in his essay that Wright was his issue of During the Heian period winter’s end. Paula Deitz Zen approach to garden succession of nineteenth- inspired as much by gardens Site/Lines focuses (794–1185), still inspired by writes about this third friend design absorbed during his and twentieth-century as by architecture during his on the aesthetics Chinese models, gardens of winter in her narrative of long residency in Japan, world’s fairs.
    [Show full text]
  • Japonisme in Britain - a Source of Inspiration: J
    Japonisme in Britain - A Source of Inspiration: J. McN. Whistler, Mortimer Menpes, George Henry, E.A. Hornel and nineteenth century Japan. Thesis Submitted for the Degree of Doctor of Philosophy in the Department of History of Art, University of Glasgow. By Ayako Ono vol. 1. © Ayako Ono 2001 ProQuest Number: 13818783 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 13818783 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 4 8 1 0 6 - 1346 GLASGOW UNIVERSITY LIBRARY 122%'Cop7 I Abstract Japan held a profound fascination for Western artists in the latter half of the nineteenth century. The influence of Japanese art is a phenomenon that is now called Japonisme , and it spread widely throughout Western art. It is quite hard to make a clear definition of Japonisme because of the breadth of the phenomenon, but it could be generally agreed that it is an attempt to understand and adapt the essential qualities of Japanese art. This thesis explores Japanese influences on British Art and will focus on four artists working in Britain: the American James McNeill Whistler (1834-1903), the Australian Mortimer Menpes (1855-1938), and two artists from the group known as the Glasgow Boys, George Henry (1858-1934) and Edward Atkinson Hornel (1864-1933).
    [Show full text]
  • Japanese Garden
    満開 IN BLOOM A PUBLICATION FROM WATERFRONT BOTANICAL GARDENS SPRING 2021 A LETTER FROM OUR 理事長からの PRESIDENT メッセージ An opportunity was afforded to WBG and this region Japanese Gardens were often built with tall walls or when the stars aligned exactly two years ago! We found hedges so that when you entered the garden you were out we were receiving a donation of 24 bonsai trees, the whisked away into a place of peace and tranquility, away Graeser family stepped up with a $500,000 match grant from the worries of the world. A peaceful, meditative to get the Japanese Garden going, and internationally garden space can teach us much about ourselves and renowned traditional Japanese landscape designer, our world. Shiro Nakane, visited Louisville and agreed to design a two-acre, authentic Japanese Garden for us. With the building of this authentic Japanese Garden we will learn many 花鳥風月 From the beginning, this project has been about people, new things, both during the process “Kachou Fuugetsu” serendipity, our community, and unexpected alignments. and after it is completed. We will –Japanese Proverb Mr. Nakane first visited in September 2019, three weeks enjoy peaceful, quiet times in the before the opening of the Waterfront Botanical Gardens. garden, social times, moments of Literally translates to Flower, Bird, Wind, Moon. He could sense the excitement for what was happening learning and inspiration, and moments Meaning experience on this 23-acre site in Louisville, KY. He made his of deep emotion as we witness the the beauties of nature, commitment on the spot. impact of this beautiful place on our and in doing so, learn children and grandchildren who visit about yourself.
    [Show full text]
  • Faith and Power in Japanese Buddhist Art, 1600-2005
    japanese art | religions graham FAITH AND POWER IN JAPANESE BUDDHIST ART, 1600–2005 Faith and Power in Japanese Buddhist Art explores the transformation of Buddhism from the premodern to the contemporary era in Japan and the central role its visual culture has played in this transformation. The chapters elucidate the thread of change over time in the practice of Bud- dhism as revealed in sites of devotion and in imagery representing the FAITH AND POWER religion’s most popular deities and religious practices. It also introduces the work of modern and contemporary artists who are not generally as- sociated with institutional Buddhism but whose faith inspires their art. IN JAPANESE BUDDHIST ART The author makes a persuasive argument that the neglect of these ma- terials by scholars results from erroneous presumptions about the aes- thetic superiority of early Japanese Buddhist artifacts and an asserted 160 0 – 20 05 decline in the institutional power of the religion after the sixteenth century. She demonstrates that recent works constitute a significant contribution to the history of Japanese art and architecture, providing evidence of Buddhism’s persistent and compelling presence at all levels of Japanese society. The book is divided into two chronological sections. The first explores Buddhism in an earlier period of Japanese art (1600–1868), emphasiz- ing the production of Buddhist temples and imagery within the larger political, social, and economic concerns of the time. The second section addresses Buddhism’s visual culture in modern Japan (1868–2005), specifically the relationship between Buddhist institutions prior to World War II and the increasingly militaristic national government that had initially persecuted them.
    [Show full text]
  • Plants of the Seattle Japanese Garden 2020
    PLANTS OF THE SEATTLE JAPANESE GARDEN 2020 Acknowledgments The SJG Plant Committee would like to thank our Seattle Parks and Recreation (SPR) gardeners and the Niwashi volunteers for their dedication to this garden. Senior gardener Peter Putnicki displays exceptional leadership and vision, and is fully engaged in garden maintenance as well as in shaping the garden’s evolution. Gardeners Miriam Preus, Andrea Gillespie and Peter worked throughout the winter and spring to ensure that the garden would be ready when the Covid19 restrictions permitted it to re-open. Like all gardens, the Seattle Japanese Garden is a challenging work in progress, as plants continue to grow and age and need extensive maintenance, or removal & replacement. This past winter, Pete introduced several new plants to the garden – Hydrangea macrophylla ‘Wedding Gown’, Osmanthus fragrans, and Cercidiphyllum japonicum ‘Morioka Weeping’. The Plant Committee is grateful to our gardeners for continuing to provide us with critical information about changes to the plant collection. The Plant Committee (Hiroko Aikawa, Maggie Carr, Sue Clark, Kathy Lantz, chair, Corinne Kennedy, Aleksandra Monk and Shizue Prochaska) revised and updated the Plant Booklet. This year we welcome four new members to the committee – Eleanore Baxendale, Joanie Clarke, Patti Brawer and Pamela Miller. Aleksandra Monk continues to be the chief photographer of the plants in the garden and posts information about plants in bloom and seasons of interest to the SJG Community Blog and related SJG Bloom Blog. Corinne Kennedy is a frequent contributor to the SJG website and published 2 articles in the summer Washington Park Arboretum Bulletin highlighting the Japanese Garden – Designed in the Stroll-Garden Style and Hidden Treasure of the Japanese Garden.
    [Show full text]
  • Analysis on Four Types of Japanese Garden Built in Korea During Japanese Occupation
    International Journal of Advanced Culture Technology Vol.8 No.1 89-97 (2020) DOI https://doi.org/10.17703/IJACT.2020.8.1.89 IJACT 20-3-11 Analysis on Four types of Japanese garden Built in Korea during Japanese Occupation Kwang-pyo Hong*, Hyuk-jae LEE** *Dongguk University-Gyeongju, Department of Landscape Architecture [email protected] **The Korean Institute of Garden Design [email protected] Abstract There are remains of Japanese gardens in Korea which were built during Japanese occupation in 1910 -1945. However, systematic database has not been established for location, quantity, nor types of remaining gardens. This study is aimed at defining current status of Japanese gardens built in Korea. By categorizing types of remaining these Japanese gardens, we also aimed to build a systematic data base for Japanese gardens in Korea. This study was co-conducted by researchers from Korea and Japan. The team identified 17 Japanese gardens remaining in South Korea and categorized them into 4 groups; 1) Japanese garden built by Japanese in modern Japanese house in South Korea, 2) Japanese garden built by Korean in traditional Korean garden and 3) Garden built by Japanese in temples in Korea. (at request by Koreans). This categorization reveals information about the inflow of Japanese gardening culture into Korea and deserves to be an important part of modern gardening History. And the rest are 4) Japanese gardens built at Korean residence, but with much damage and alternation. In this paper, we present the findings to serve as preliminary data for defining Korean traditional gardens and for utilizing Japanese gardens in Korea as historical and cultural infrastructure.
    [Show full text]
  • The History of the Perception of Japanese Gardens: Analysis of How Their Authenticity Was Defined Through Discourse
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE The History of the Perception of Japanese Gardens: Analysis of how their Authenticity was defined through Discourse Miyuki KATAHIRA Introduction The phenomenon involving by Adachi Museum of Art Garden in Yasugi, Shimane prefecture, has an observable relevance to the issue discussed in this essay (see Figure 1 : Adachi Museum of Art Garden). The popularity of Adachi Museum of Art Garden suddenly, or so it seemed, increased since 2003 both internationally anddomestically. Such popularity and interest were stimulated by the factthat Adachi Museum of Art Garden was chosen as “Japan’s Top Garden” by The Journal of Japanese Gardening published in the US1). (Figure 2 : The Shiosai Project of The Journal of Japanese Gardening) Since this journal chose Adachi Museum of Art Garden as “Japan’s Top *本学国際教養学部 Key words: Japanese gardens, Muromachi period, Josiah Conder, Shigemori Mirei ――111 国際文化論集 №43 Figure 1 : Adachi Museum of Art Garden (Photo by Katahira) Figure 2 : The Shiosai Project of The Journal of Japanese Gardening ――112 The History of the Perception of Japanese Gardens Garden” based on survey of 389 gardens in Japan, various tours have been of- fered by tourism industry and the number of international anddomestic visi- tors to the gardenhas increased to a great extent. Adachi Museum of Art ef- fectively advertized the factthatthe gardenhad received top ranking, and since then, a Museum on Yasugi-bushi, the folk song of the local area, and an inn withhot spring bathing facilities have been built nextto Adachi Museum.
    [Show full text]
  • Thirteenth-Century Japanese Zen Buddhist Landscapes
    This is an extract from: Landscape Design and the Experience of Motion edited by Michel Conan Published by Dumbarton Oaks Research Library and Collection Washington, D.C. as volume 24 in the series Dumbarton Oaks Colloquium on the History of Landscape Architecture © 2003 Dumbarton Oaks Trustees for Harvard University Washington, D.C. Printed in the United States of America www.doaks.org/etexts.html Mountain, Temple, and the Design of Movement: Thirteenth-Century Japanese Zen Buddhist Landscapes Norris Brock Johnson The archaic temple landscapes of Japan remain a deeply affecting interrelationship of reli- gion and nature—religion and nature often meet, embrace, in the garden. In particular, consider the design of several Rinzai Zen Buddhist temple garden landscapes: Zuisen-ji (Temple of the Abundant Flowing Spring) in Kamakura and Saiho--ji (Temple of the West- ern Fragrance) in Kyo-to-. The design and layout of each temple garden landscape are asso- ciated with Muso- Kokushi (1275–1357), a still-venerated Rinzai Zen Buddhist priest (Fig. 1).1 Muso- considered the movements of people as a vital aspect of the design and layout of each temple complex. Conventionally, the movements of people within garden landscapes by design are relatively horizontal movements. For Muso- though, mountains were a vital aspect of a religious landscape. As such, the ascent of and descent from a mountain continue as necessary to the experience of the religious landscapes associated with Muso- Kokushi. By design, the inclined, often nearly vertical movements of people still are required to experience Zuisen-ji and Saiho--ji in their entirety. Temple of the Abundant Flowing Spring The Temple of the Abundant Flowing Spring (Zuisen-ji), with Muso- Kokushi as the initial abbot, was constructed from 1327 to 1332 as the family temple of the Kamakura 1 Muso- Soseki was honored three times as a kokushi (national teacher), receiving the title from Emperors Go-Daigo (1318–1339), Kogen (1313–1364), and Komyo (1321–1380).
    [Show full text]
  • Integrating Architecture and the Created Landscape in Japanese Gardens
    International Journal of Arts & Sciences, CD-ROM. ISSN: 1944-6934 :: 07(05):597–604 (2014) INTEGRATING ARCHITECTURE AND THE CREATED LANDSCAPE IN JAPANESE GARDENS Beata Makowska Krakow University of Technology, Poland Japanese gardens consist of a symbiosis of geometric and natural elements. A perfection of planned architectural forms and a discrete, created “natural feature” complete one another. These gardens are supposed to look more natural, to imitate the processes that take part in nature, yet they create a new, second nature. Thanks to a rich, hidden symbolism they unite two human desires: to follow the rules of nature and to become immortal (a man looking for transcendent nature through the landscape he himself created). There are many types of Japanese gardens that used to change and evolve with the rich history of Japan, however they always express the designed logic of the genius loci of the landscape and of the changing seasons. They allow concentrating on sensations and aesthetic experiences and symbolizes a traditional relation between the man and nature. They integrate architecture and a manufactured landscape, so that the buildings become an integral part of it. Japanese garden is placed on the crossroads of nature and culture, it is a bridge between us and nature, a connection between our roots and the future. Examining the essence of Japanese gardens can be important in the search for contemporary, original types of gardens. Understanding the rules of creating the space of the gardens and their relation to architecture, understanding the Japanese sense of beauty, can influence the artistic quality of contemporary gardens.
    [Show full text]
  • The Japanese Garden at Cheekwood Japanese Garden
    BEYOND TIME & PLACE A Teacher’s Guide to the Tour IN THIS GUIDE: Preparing For Your Visit Curriculum Connections Exhibition Introduction Hands-On Fun! Vocabulary The Cheekwood Japanese Garden provides students the opportunity to experience Japanese culture as they learn about the diversity and customs of another country. This Resources tour will inspire students to look at the world around them with a unique, new perspective. Please use this guide to prepare for your visit. PREPARING FOR YOUR VISIT The Beyond Time and Place: Japanese Garden Educator Guide was prepared with the classroom teacher in mind. We hope you will find this packet helpful as you prepare your students for their visit to Cheekwood and also when you return to the classroom. Garden Etiquette—very similar to indoor museum etiquette Visitors are asked to stay on the paths for the protection of the plant collections and for their own safety. Please do not touch or pick the plants unless invited to do so by the Garden Guides. Speak in a normal ‘inside’ voice. Please do not disturb oth- er guests in the garden by yelling or shouting to others. Many varieties of wildlife and insects make their homes at Cheekwood. Please do not disturb these valuable members of our ecosystem. Stay with your group. Cheekwood is very large, and it is easy to get distracted. We do not want anyone to get separated from their group. A pineapple designates topics for discussion and pre/post-visit classroom activities. GARDEN INTRODUCTION Beyond Time and Place: The Japanese Garden Tour Japanese Gardens Japanese Gardens are designed to show us some of the finest features of the natural world.
    [Show full text]