Atlanta Arts Alliance

Total Page:16

File Type:pdf, Size:1020Kb

Atlanta Arts Alliance THEAtlanta MONTHLY MAGAZINE OF THE ATLANTA MEMORIALArts ARTS CENTER MAY 1977 Symphony Summer YouCanTellAGoodOIBoy By What Keeps Him Company Used to be you could spot one a country mile away. Getting tougher all the time though. Because the good ol' boys ain't who they used to be. Exactly. Now you're just as likely to find 'em moving and shaking in the city as hunting and fishing in the country. They're run­ ning fast and working hard, trying to change the South. But still, beneath all that "WaffStreet" outside, you'll find a little Main Street inside. Maybe that's why this New South everybody's talking about is turning out to be the real South. Because a good ol' boy has the sense to keep what's good, change what's not and the wisdom to know the difference. You can even see it in his whiskey. Rebel Yell, made and sold only below the Mason-Dixon line. Rebel Yell's whisper of wheat im­ parts a smooth, luxurious flavor tailored especially for the good ol' boy in each of us. Keep company with the Host Bourbon of the South. Ask for Rebel Yell. And if you don't recognize any good ol' boys in the room, don't worry. They'll recognize you. Rebel Yell The Good Ol’Boys Bourbon. REBEL YELL DISTILLERY • LOUISVILLE. KENTUCKY • 90 PROOF • KENTUCKY STRAIGHT BOURBON WHISKEY j.p Allen FASHIONS FOR WOMEN 8 CHILDREN, Of Special Interest FURS. SHOES, COSMETICS 8 GIFTS • AT THE CENTER ATLANTA SYMPHONY ORCHESTRA Summer Season 'Seventy-Seven Includes Mostly Music and Pops The 1976-77 series of subscription concerts will come to a dramatic close on May 19, 20, and 21, at 8:30 p.m. in Symphony Hall when Robert Shaw conducts the Atlanta Symphony Orchestra, the ASO Chorus and soloists in Verdi’s Requiem Mass. The soloists will be Betty Jones, -r soprano; Elizabeth Mannion, mezzo- soprano; Gordon Greer, tenor; John Cheek, bass-baritone. Yet, the close of the 1976-77 subscription concert season only marks the beginning of the ever-popular and pleasurable summer series of concerts. There are two different series offered during the summer—Mostly Music at Symphony Hall, and the Pops concerts in Chastain Park. * For seven weeks concert-goers will enjoy the Atlanta Symphony Orchestra with guest artists such as Sarah Caldwell, conductor; Jacques D’Amboise, ballet * star; Garrick Ohlsson, pianist; Sergio "Since 1908, we've been making Mendes and Brasil ’77; Peter Nero, pianist; the women of Atlanta our busi­ and others. ness? View our collections of active, classic and pacesetting sportswear separates to coordi­ nate for your lifestyle. Visit any of our five stores. r DOWNTOWN, LENOX SQUARE, GREENBRIAR, NORTHLAKE & CUMBERLAND MALL Sarah Caldwell Garrick Ohlsson MUSE’S PROUDLY ANNOUNCES. THE RETURN TO ” ELEGANCE. ^VE THE WNG !N / . Illi______________ The Mostly Music format will allow the guest artists to talk to the audience in order Sears to give them added insights into the music and a special understanding of their performances. The Mostly Music series will present several different dimensions of music as it So many ways to is performed for dance, opera, humor, and for sheer listening pleasure. Shop at Sears Pianist, Garrick Ohlsson will be and SAVE! performing Liszt—“A Romantic Hero” on June 8 and 9, followed by the entertaining PDQ Bach on June 15 and 16. Sarah 8 BIG STORES IN ATLANTA Caldwell, the popular woman conductor, open every night and Sunday afternoons who sold-out three performances in Symphony Hall this past November, will 17 Appliance Catalog Stores return to present a program on opera. all around the Atlanta area 24 Hour Catalog Shopping by phone from home, call 892-4242 Surplus and Bargain Stores with closeouts from catalog and stores PLEASE SEE YOUR TELEPHONE DIRECTORY FOR MORE Jacques D'Amboise Leonard Pennario SPECIAL SERVICES INCLUDING Jacques D’Amboise, who was one of last summer’s most spectacular performers will SEARS CARPET CLEANING return to present an all new “Ballet call 351-4082 Encounter” on June 29 and 30. And while SEARS DRAIN & SEWER SERVICE featuring dance performers the Symphony will bring the most unusual dance call 892-6565 ■* company, Les Ballets Trockadero de Monte SEARS DRIVING SCHOOL Carlo, on July 6 and 7. As a travesty dance call 352-3400 company they are not only amusing, they are an adventure into ballet satire. Variety FLOWERS BY SEARS magazine praised them as “The hottest call 325-0337 (Atlanta) dance company in America,” and the or 422-0656 (Marietta) Washington Post headlined them as “The Troupe that Dances to a Different SEARS MEAT & FROZEN FOOD Drummer.” call 325-5359 July 13 and 14 will bring Ms. Clamma SEARS RENT-A-CAR Dale, the star of the acclaimed successful call 261-6700 (Buckhead) # national production of Porgy and Bess, to or 659-5010 (Downtown) Symphony Hall. The Mostly Music series will close on SEARS TERMITE & PEST CONTROL July 20 and 21 with pianist, Leonard call 351-4082 * Pennario, who after his performance with the orchestra this past spring brought Atlanta’s audiences to their feet, cheering and applauding for an “Encore.” r All Mostly Music concerts are held in Symphony Hall and they begin at 8:30 p.m. One, but not a lone The solitaire diamond stands alone, symbolizing the oneness of a love that will last a lifetime long for two people who will never be alone again. We have a very complete collection in many shapes, many sizes. Come in and look. Together. Something Beautiful for Everyone.SM Bailey Banks & Biddle World Renowned Jewelers Since 1832 181 Peachtree Street, N.E. • Atlanta Greenbriar Center • South DeKalb Mall Perimeter Mall • Northlake Mall Lenox Square Also Macon Mall • Macon ffli_________________ And Pops Imagine having a picnic in Chastain Park with such well-known musicians as Sergio Mendes and Brasil ’77, Ferrante and Teicher, Peter Nero, and Henry Mancini appearing with the Atlanta Symphony Orchestra to provide all your favorite music. Well, you needn't imagine, because that is exactly what the Atlanta Symphony’s Chastain “Pops” is all about. For seven Fridays throughout the months of June and July the Symphony will offer informal evening concerts in Chastain Park with a line-up of guest artists to please both the youngest and oldest music listeners. Sergio Mendes Peter Nero and Brasil '77 to come to our collections The guest artists who are scheduled to perform for the Pops concerts to date are of fashion for the the following: June 10—Sergio Mendes & Brasil ’77; June 17—Sarah Vaughan, an entire family, the home, outstanding performer who has been gifts and antiques too. praised by her peers as “The finest singer in the world”; June 24—Peter Nero Do stay for luncheon pianist; July 1—Henry Mancini, composer, conductor, and musician of or tea at our Bird Cage world-wide fame; July 8—to be announced; July 15—Michel Legrand, restaurant, open every one of the world’s great composer­ conductors, who has been responsible shopping day. Lord & Taylor, for the scores of “Ice Station Zebra,” “Wuthering Heights,” “How To Save a Phipps Plaza, Peachtree Marriage,” “The Umbrellas of Road between Wieuca Cherbourg,” etc. Other famous songs which he composed include “What Are and Lenox Roads. 266-0600 You Doing the Rest of Your Life?,” “Brian’s Song,” theme from Lady Sings the Monday through Blues, “Pieces of Dreams,” and two songs for which he won Oscars: “The Windmills Saturday 10:00 a.m. to of Your Mind” and “The Summer of’42” (“The Summer Knows”); July 22— 6:00 p.m., Monday and Ferrante and Teicher, pianists. Thursday evenings until (continued) nn 9:00 p.m.________________ Finally. High rise apartment living in Buckhead. At a price not everyone can afford. In today's world, you know you get what you pay for. At La Foret in Buckhead, you get a lot. Look inside. Over-sized rooms with elegant standard appointments. Baths in marble and plated gold. Kitchens in natural wood, with compactor, microwave oven and ceramic cooktop range. Downstairs a graceful lobby and a garden level with rooms equipped for exercise, cards, billiards, suanas and parties. Look outside. A sculptured swimming pool. Lighted tennis court. And 5‘/j acres of private woodlands, nature paths and flower gardens. It’s all tucked neatly into one of the finest residential neighborhoods in Atlanta. With a prestigious Buckhead address, total privacy and security. Our apartments rent for $450 to $1,350 a month. And once you’ve seen them, we think you'll agree the price is right. THE ALLIANCE THEATRE COMPANY DAVID BISHOP, Producing Director FRED CHAPPELL, Artistic Director presents Who’s Afraid of Virginia Woolf? by Edward Albee with DENNIS HOWARD JAMES NOBLE CAROL MORLEY JILL O’HARA Directed by CHARLES KERR Sets Designed by Lights Designed by PHILIPP JUNG MICHAEL STAUFFER Costumes Designed by Technical Director BARBARA HAUSE ERIK MAGNUSON Production Stage Manager Production Manager ALLEN WRIGHT BAXTER JOY The use of recording devices or cameras during the perrormance is strictly prohibited. Nathalie Dupree is cooking up something wonderful! A whole new season of cooking classes and demonstrations ... all in Rich’s Cooking School, Downtown. In the classes, you do the cooking. In the demonstrations, you watch and taste. Classes are available in basic and advanced levels. For prices, schedules and details, call 586-2525. WHO’S AFRAID OF VIRGINIA WOOLF? CAST (in order of appearance) Martha................................................................................................................. Carol Morley George................................................................................................................. James Noble Nick ...................................................................................................................Dennis Howard Honey.......................................................................................................................Jill O’Hara Act I Fun and Games Act II Walpurgisnacht Act III The Exorcism There will he two ten minute intermissions.
Recommended publications
  • NYSTA January-February 2013.Pmd
    1 VOICEPrints JOURNAL OF THE NEW YORK SINGING TEACHERS’ ASSOCIATION January-- February 2013 TABLE OF CONTENTS: FEATURED EVENT and COURSE............................................................................................................. .........Page 1 Message from President David Sabella-Mills....................................................................................................Page 2 Message from Editor Matthew Hoch.............................................................................................................. Page 2 NYSTA 2013 Calendar of Events................................................................................................................. .Page 3 FEATURE ARTICLE: Getting to Know Marni Nixon by NYSTA Member Sarah Adams Hoover, DMA..........Pages 4--5 FEATURE ARTICLE: VOCEVISTA: Using Visual Real-Time Feedback by NYSTA Member Deborah Popham, DMA............................................................................Pages 6--7 NYSTA New Member..................................................................................................................................... .Page 8 Dean Williamson Master Class: October 25, 2012............................................................................................Page 8 NYSTA Board of Directors ...............................................................................................................................Page 8 OREN LATHROP BROWN PROFESSIONAL DEVELOPMENT PROGRAM FEATURED EVENT: FEATURED COURSE: WINTER 2013 ONLINE
    [Show full text]
  • Nwsltr 23 4.Pdf
    -~-SPRING 2011 VOL. 23 i NO.4 A Newsletter for Supporters and Friends of the Symphony o t e 5 Andrew Rammon, principal cellist of the Williamsport Symphony While living in Los Angeles, Mr. Rammon appeared in Steven Orchestra, was born in Las Vegas, Nevada, and raised in a family of Spielberg's movie Amistad and in a music video by Puff Daddy. During American musicians in Germany. He began his formal studies at the the summer Mr. Rammon performs and teaches in Heidelberg, Frankfurt Musikhochschule while in high school, and continued at Germany as part of Pepperdine University's summer music program. Pepperdine University and The Cleveland Institute of Music. His Past performances as soloist with the WSO include Shostakovich Cello teachers include Ronald Leonard and Stephen Geber. Currently Concerto (2004), and Richard Strauss, Don Quixote (2008). Mr. Rammon is the cellist of the Grammy-nominated Eaken Piano Trio. Mr. Rammon teaches cello at Bucknell, Susquehanna and Mansfield The trio has performed extensively in the United States, Europe and Universities, and Lycoming College. In Williamsport he maintains a China. Their twelve commercial recordings have been heard on private studio of talented young cello students with whom he plays in National Public Radio's Performance Today and All Things Considered the biannual event called Cellobration. and have been broadcast on many local radio stations including WVIA. The trio's upcoming projects include the recording of a CD of arrangements and original music by Mike Garson, a featured soloist with the Williamsport Symphony Orchestra in 2009. Concen Sponsor LYCOMING COLLEGE Guest Artist Sponsor AITORNEYS FOR THE ARTS Williamsport Symphony Orchestra 1220 West Fourth Street,Third Floor 1 Williamsport, PA 17701-61021570.322.02271 www.williamsportsymphony.org CONDUCTOR'S CORNER cSa()eIhe dale Dear Friends, It is hard to believe that our final concert of c5afurday:June 11 the season is a month away! At the Symphony we are all having a fantastic time and the season finale is one not to be missed.
    [Show full text]
  • Faure Requiem Program V2
    FAURÉ REQUIEM Conceived and directed by Barbara Pickhardt, Artistic Director Produced by Barbara Scharf Schamest Premiered: June 13, 2021 Ars Choralis Barbara Pickhardt, artistic director REQUIEM, Op. 48 (1893) Gabriel Fauré (1845-1924) Introit Brussels Choral Society Eric Delson, conductor Kyrie Ars Choralis Chamber Orchestra Barbara Pickhardt, conductor Offertory Ars Choralis Chuck Snyder, baritone Eribeth Chamber Players Barbara Pickhardt, conductor Sanctus The Dessoff Choirs Malcolm J. Merriweather, conductor Pie Jesu (Remembrances) Magna Graecia Flute Choir Carlo Verio Sirignano, guest conductor Sebastiano Valentino, music director Agnus Dei Ars Choralis Magna Graecia Flute Choir Carlo Verio Sirignano, guest conductor Chamber Orchestra Barbara Pickhardt, conductor Libera Me Ars Choralis Harvey Boyer, tenor Douglas Kostner, organ Barbara Pickhardt, conductor Memorial Prayers Tatjana Myoko Evan Pritchard Rabbi Jonathan Kligler Elizabeth Lesser Pastor Sonja Tillberg Maclary In Paradisum Brussels Choral Society Eric Delson, conductor 1 Encore Performances Pie Jesu Ars Choralis Amy Martin, soprano Eribeth Chamber Playersr Barbara Pickhardt, conductor In Paradisum The Dessoff Choirs Malcolm J. Merriweather, conductor About This Virtual Concert By Barbara Pickhardt The Fauré Requiem Reimagined for a Pandemic This virtual performance of the Fauré Requiem grew out of the need to prepare a concert while maintaining social distancing. We would surely have preferred to blend our voices as we always have, in a live performance. But the pandemic opened the door to a new and different opportunity. As we saw the coronavirus wreak havoc around the world, it seemed natural to reach out to our friends in other locales and include them in this program. In our reimagined version of the Fauré Requiem, Ars Choralis is joined, from Belgium, by the Brussels Choral Society, the Magna Graecia Flute Choir of Calabria, Italy, the Dessoff Choirs from New York City, and, from New York, instrumentalists from the Albany area, New York City and the Hudson Valley.
    [Show full text]
  • Summary-Of-The-World-Peace-Choral
    In 2020, a global pandemic has brought an unprecedented impact to the world. In the face of the common challenges of mankind, peace and unity have become the common voice of the international community under the pandemic. In 2021 the World Peace Choral Festival celebrated its 11th anniversary Online. more than 340 choirs from 55 countries participated in the online events of the World Peace Choral Festival 2021! Our sincere thanks to all choirs and their members, the artistic committee, jurors, and staff members contributing to the festival! FACTS AND FIGURES The choirs participating in the 2021 World Peace Choral Festival came from Armenia, Argentina, Austria, Australia, Belgium, Brazil, Bulgaria, Canada, Czech Republic, Croatia, Chile, China(Mainland, Hong Kong, Taiwan, Macau), Denmark, Estonia, Egypt, Finland, France, Germany, Georgia, Greece, Hungary, Italy, Indonesia, Israel, India, Kenya, Kosovo, Lithuania, Latvia, Mauritius, Macedonia, Malta, Moldova, Mexico, Norway, Philippines, Poland, Portugal, Romania, Russia, Slovenia , Spain, Syria, Serbia, Sweden, South Africa, Switzerland, Spska, Turkey, Tanzania, Ukraine, Uganda, United States, United Kingdom and Vietnam. 2021 May 22th Grand opening ceremony of the 11th World Peace Choral Festival “Coming together to sing Singing for a better future” The 2021 11th World Peace Chorus Festival opened online on May 22th. The webcast of the concert attracted more than 10,000 people to watch it online. Our sincere thanks to all choirs and their members, the artistic committee, jurors, and staff
    [Show full text]
  • Arcada Theatre St
    Live in the United States LIBERA Arcada Theatre St. Charles, IL April 8Washington,TH 2015 at D.C. 7:30pm Joyful Joyful How Can I Keep From Singing Sanctus Salva Me Amazing Grace Morning Has Broken Voca Me Exultate The Prayer INTERVAL Always With You Song Of Life Orinoco Flow Wayfaring Stranger How Great Thou Art Wonderful World Going Home How Shall I Sing That Majesty April 8TH 2015 | The Arcada Theatre | 7:30 PM — PLEASE NOTE — Program subject to change. All forms of recording, video filming, photography, use of mobile phone cameras etc are strictly prohibited. There will be an opportunity to purchase CDs/DVDs during the interval and at the end of the concert. Copyright©Libera 2015. All rights reserved. LIBERA MARC ALVARES, SHAY BALSEKAR, CIARAN BRADBURY-HICKEY, MERLIN BROUWER, BENEDICT BYWATER, GABRIEL COLLINS, THOMAS DELGADO-LITTLE, ALEX GULA, ADAM IZGHOUTI, MATTHEW JANSEN, TIMOTHY LEE, ISAAC LONDON, MATTHEW MADINE, ALESSANDRO MACKINNON-BOTTI, JAMES MENEZES, MICHAEL MENEZES, ALEX MONTORO, CASSIUS O’CONNELL-WHITE, TAICHI SHINOKUBO, CAMDEN STEWART, ROCCO TESEI, MARK USTYNOVYCH-REPA, JOSEPH WALSHE, SAM WIGGIN, LUCAS WOOD Musical Director – Robert Prizeman Assistant musical directors – Sam Coates & Steven Geraghty Flute / Whistle – Percussion – Keyboard – Candice Hamel Jonathan Ormston Joshua Madine Steven Geraghty Sound mixing & production – Sam Coates Lighting – Luke Avery Stage management – Jonathan Barrington & Simon Lewis Stage direction – Steven Geraghty Tour coordination and chaperone – Barbara Geraghty & Eleanor Lewis Tour coordination
    [Show full text]
  • The International Implications of the Los Angeles Riots
    Denver Law Review Volume 70 Issue 2 Colloquy - Racism in the Wake of the Article 7 Los Angeles Riots January 2021 The International Implications of the Los Angeles Riots Henry J. Richardson III Follow this and additional works at: https://digitalcommons.du.edu/dlr Recommended Citation Henry J. Richardson, The International Implications of the Los Angeles Riots, 70 Denv. U. L. Rev. 213 (1993). This Article is brought to you for free and open access by the Denver Law Review at Digital Commons @ DU. It has been accepted for inclusion in Denver Law Review by an authorized editor of Digital Commons @ DU. For more information, please contact [email protected],[email protected]. THE INTERNATIONAL IMPLICATIONS OF THE Los ANGELES RIOTS HENRY J. RICHARDSON, III* I. INTRODUCTION By now much has been written, preached, propagandized, analyzed and moralized about the Los Angeles riots. We need not rehearse here either the facts of the trial and acquittal of the police officers who beat Rodney King, the subsequent fire and destruction or the resulting fed- eral and state trials of the officers and riot participants. This Article will discuss the international reactions to the acquittals and the riot while exploring several crucial issues with implications for United States pol- icy, international law and Afro-America in the world community. The Article will also explore comparative claims regarding causation for the riots and the responses of the Vatican and the southern tier of the world community to these claims. Some initial consideration will be given to recent United States. policy trends in order to place the international community's response to Los Angeles in context.
    [Show full text]
  • 1 Women Conductors: Credibility in a Male-Dominated Profession KAY LAWSON
    1 Women Conductors: Credibility in a Male-Dominated Profession KAY LAWSON At one time the mere suggestion that a woman is capable and more than qualified to lead an orchestra would have brought exclamations of disbelief, perhaps even chuckles muffled behind a discreet hand to the mouth. The nineteenth-century "beau ideal" of the conductor as the musical world's flamboyant, handsome cult hero continues to prevail even today in the minds of audiences, thus making it difficult for conductors not in that mold to gain prominence. Recent attention accorded women conductors might give the impression that they are a phenomenon of the twentieth century, but this is clearly not the case. Tracing the historical path of conducting to its source, we find that modem conducting may have had its beginnings in the convent of St. Vito, a nunnery renowned for its musical performances. Bottrigari, in his publication of 1594, Il Desiderio, described a performance given there: A long table has been prepared, at one end of which is a large clavicembalo, you would see them enter one by one, quietly bringing their instruments, either stringed or wind. They all enter quietly and approach the table without making the least noise and place themselves in the proper place, and some sit, who must do so in order to use their instruments, and others remain standing. Finally, the Maestra of the concert sits down at one end of the table; and with a long, slender and well-polished wand (which was placed there ready for her, because I saw it) and when all the other sisters are clearly ready, gives them without noise, several signs to begin, and then continues by beating the measure of time which they must obey in singing and playing.' Most historical references to the earliest examples of musical leadership in­ dicate that a group of performers was kept together by a leader who beat time by hand or by pounding with a stick.
    [Show full text]
  • Metamorphosis a Pedagocial Phenomenology of Music, Ethics and Philosophy
    METAMORPHOSIS A PEDAGOCIAL PHENOMENOLOGY OF MUSIC, ETHICS AND PHILOSOPHY by Catalin Ursu Masters in Music Composition, Conducting and Music Education, Bucharest Conservatory of Music, Romania, 1983 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY In the Faculty of Education © Catalin Ursu 2009 SIMON FRASER UNIVERSITY Fall, 2009 All rights reserved. However, in accordance with the Copyright Act of Canada, this work may be reproduced, without authorization, under the conditions for Fair Dealing. Therefore, limited reproduction of this work for the purposes of private study, research, criticism, review and news reporting is likely to be in accordance with the law, particularly if cited appropriately. Declaration of Partial Copyright Licence The author, whose copyright is declared on the title page of this work, has granted to Simon Fraser University the right to lend this thesis, project or extended essay to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. The author has further granted permission to Simon Fraser University to keep or make a digital copy for use in its circulating collection (currently available to the public at the “Institutional Repository” link of the SFU Library website <www.lib.sfu.ca> at: <http://ir.lib.sfu.ca/handle/1892/112>) and, without changing the content, to translate the thesis/project or extended essays, if technically possible, to any medium or format for the purpose of preservation of the digital work.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 111, 1991-1992
    Seiji Ozawa MUSIC DIRECTOR 1 One Hundred Eleventh Season LASSALE THE ART SEIKOOF »i, f P\ .0% £B HORN «*- Jewelers since 1819 Our 152 Hd year THE E.B. HORN COMPANY 429 WASHINGTON STREET, BOSTON, MA BUDGET TERMS ALL MAJOR CREDIT CARDS ACCEPTED AVAILABLE MAIL OR PHONE ORDERS (617) 542-3902 OPEN MON. AND THURS. 'TIL 7 tM* Seiji Ozawa, Music Director One Hundred and Eleventh Season, 1991-92 Trustees of the Boston Symphony Orchestra, Inc. Nelson J. Darling, Jr., Chairman Emeritus J. P. Barger, Chairman George H. Kidder, President Mrs. Lewis S. Dabney, Vice-Chairman Archie C. Epps, Vice-Chairman Mrs. John H. Fitzpatrick, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer David B. Arnold, Jr. Dean Freed Mrs. August R. Meyer Peter A. Brooke Avram J. Goldberg Molly Millman James F. Cleary Francis W. Hatch Mrs. Robert B. Newman John F. Cogan, Jr. Julian T. Houston Peter C. Read Julian Cohen Mrs. Bela T. Kalman Richard A. Smith William M. Crozier, Jr. Mrs. George I. Kaplan Ray Stata Deborah B. Davis Harvey Chet Krentzman Nicholas T. Zervas Nina L. Doggett R. Willis Leith, Jr. Trustees Emeriti Vernon R. Alden Mrs. Harris Fahnestock Mrs. George R. Rowland Philip K. Allen Mrs. John L. Grandin Mrs. George Lee Sargent Allen G. Barry E. Morton Jennings, Jr. Sidney Stoneman Leo L. Beranek Albert L. Nickerson John Hoyt Stookey Mrs. John M. Bradley Thomas D. Perry, Jr. John L. Thorndike Abram T. Collier Irving W. Rabb Other Officers of the Corporation John Ex Rodgers, Assistant Treasurer Michael G. McDonough, Assistant Treasurer Daniel R.
    [Show full text]
  • John La Montaine Collection
    JOHN LA MONTAINE COLLECTION RUTH T. WATANABE SPECIAL COLLECTIONS SIBLEY MUSIC LIBRARY EASTMAN SCHOOL OF MUSIC UNIVERSITY OF ROCHESTER Prepared by Gail E. Lowther Summer 2016 John La Montaine (at far right) presents John F. Kennedy with score to From Sea to Shining Sea, op. 30, which had been commissioned for Kennedy’s inauguration ceremony, with Jackie Kennedy and Howard Mitchell (National Symphony Orchestra conductor) (1961). Photograph from John La Montaine Collection, Box 16, Folder 9, Sleeve 1. John La Montaine and Howard Hanson during rehearsal with the Eastman Philharmonia in preparation for the performance of La Montaine’s Concerto for Piano and Orchestra, op. 9, at Carnegie Hall (November 1962). Photograph from ESPA 27-32 (8 x 10). 2 TABLE OF CONTENTS Description of Collection . 5 Description of Series . 6 INVENTORY Series 1: Manuscripts and sketches Sub-series A: Student works and sketches . 12 Sub-series B: Mature works . 13 Sub-series C: Works with no opus number . 43 Sub-series D: Sketches . 54 Series 2: Personal papers Sub-series A: Original writings . 58 Sub-series B: Notes on composition projects . 59 Sub-series C: Pedagogical material . 65 Sub-series D: Ephemera . 65 Series 3: Correspondence Sub-series A: Correspondence to/from John La Montaine . 69 Sub-series B: Correspondence to/from Paul Sifler . 88 Sub-series C: Other correspondents . 89 Series 4: Publicity and press materials Sub-series A: Biographical information . 91 Sub-series B: Resume and works lists . 91 Sub-series C: Programs, articles, and reviews . 92 Sub-series D: Additional publicity materials . 104 3 Series 5: Library Sub-series A: Published literature .
    [Show full text]
  • Othello and the Stranger in Shakespeare
    THEATRE & TALK AN ETF BAR FRINGE PRODUCTION “Black is Fair” Othello and the Stranger in Shakespeare Teacher`s Support Pack The English Theatre Frankfurt 2013 William Shakespeare, Othello The English Theatre Frankfurt 2013 Teacher`s Support Pack Table of Contents 1 Othello, the Moor of Venice: Introduction p. 3 2 Characters p. 5 3 Synopsis p. 5 3.1 Brief Version p. 5 3.2 Comprehensive Version p. 6 4 The Main Characters as Seen by Themselves and Others p. 11 4.1 Othello p. 11 4.2 Iago p. 16 4.3 Desdemona p. 21 5 Perceptions of Blackness & The Moor p. 25 5.1 A Selection of Quotes from the Play p. 25 5.2 Definition: The word "Moor" p. 26 5.3 Essay: The Black Other in Elizabethan Drama p. 28 6 The ETF 2013 production p. 33 6.1 Time p. 33 6.2 Setting p. 34 6.3 On Jealousy p. 36 6.4 Lingering Questions Today p. 38 A Note for the Teachers (Hinweise zu diesen Unterrichtsmaterialien) Sie können dieses Teacher`s Support Pack auf Anfrage auch als Word-Dokument bekommen, um einzelne Texte/Aufgaben vor Ausdruck zu bearbeiten. Das bietet Ihnen auch die Chance, das Paket in der von Ihnen gewünschten Fassung an Ihre SchülerInnen digital weiterzuleiten. Das Bild- und Informationsmaterial kann den SchülerInnen dabei helfen, sich einen Überblick über die relevanten thematischen Aspekte zu verschaffen und eigene Sichtweisen des Stücks zu entdecken. Bei allen Fragen bezüglich dieser Materialien oder Interesse an Begleitworkshops zu einem Aufführungsbesuch für Ihre Lerngruppe Gespräche mit Schauspielern nach der Vorstellung wenden Sie sich bitte per Email an uns: [email protected] Das Team von T.I.E.S (Theatre in Education Service) wünscht Ihnen viel Erfolg bei der Arbeit mit dem Teacher`s Support Pack.
    [Show full text]
  • Theatre Archive Project Archive
    University of Sheffield Library. Special Collections and Archives Ref: MS 349 Title: Theatre Archive Project: Archive Scope: A collection of interviews on CD-ROM with those visiting or working in the theatre between 1945 and 1968, created by the Theatre Archive Project (British Library and De Montfort University); also copies of some correspondence Dates: 1958-2008 Level: Fonds Extent: 3 boxes Name of creator: Theatre Archive Project Administrative / biographical history: Beginning in 2003, the Theatre Archive Project is a major reinvestigation of British theatre history between 1945 and 1968, from the perspectives of both the members of the audience and those working in the theatre at the time. It encompasses both the post-war theatre archives held by the British Library, and also their post-1968 scripts collection. In addition, many oral history interviews have been carried out with visitors and theatre practitioners. The Project began at the University of Sheffield and later transferred to De Montfort University. The archive at Sheffield contains 170 CD-ROMs of interviews with theatre workers and audience members, including Glenda Jackson, Brian Rix, Susan Engel and Michael Frayn. There is also a collection of copies of correspondence between Gyorgy Lengyel and Michel and Suria Saint Denis, and between Gyorgy Lengyel and Sir John Gielgud, dating from 1958 to 1999. Related collections: De Montfort University Library Source: Deposited by Theatre Archive Project staff, 2005-2009 System of arrangement: As received Subjects: Theatre Conditions of access: Available to all researchers, by appointment Restrictions: None Copyright: According to document Finding aids: Listed MS 349 THEATRE ARCHIVE PROJECT: ARCHIVE 349/1 Interviews on CD-ROM (Alphabetical listing) Interviewee Abstract Interviewer Date of Interview Disc no.
    [Show full text]