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James Douglas Jr
M EDICAL M ILESTONES $5 Quebec HeritageVOL 3, NO. 10 JULY-AUGUST 2006 News James Douglas Jr. Anatomy of an eclectic mind Immortal Melody A tribute to Dr. James Robert Adams Beating the Barriers Canadian cardiology pioneer Maude Abbott Quebec CONTENT HeritageNews EDITOR CHARLES BURY PRODUCTION & DESIGN DAN PINESE Pesident’s Message 3 Leaving Bedlam Rod MacLeod PUBLISHER Letters 4 THE QUEBEC ANGLOPHONE HERITAGE NETWORK TimeLines 5 400-257 QUEEN STREET Here’s to history’s schoolmarms Dan Pinese SHERBROOKE (LENNOXVILLE) Memory lapses Dan Pinese QUEBEC Celtic cross on Grosse-Ile Marianna O’Gallagher J1M 1K7 Ste. Agathe, Sarnac Lake rekindle tradition Joseph Graham PHONE 1-877-964-0409 Anatomy of an Eclectic Mind 10 (819) 564-9595 The life and times of James Douglas Jr. Patrick Donovan FAX Dr. E.D. Worthington 14 564-6872 An early Quebec anaesthetist Charles Bury CORRESPONDENCE Immortal Melody 16 [email protected] James Robert Adams, music and medicine Joseph Graham WEBSITE Beating the Barriers 19 WWW.QAHN.ORG The legacy of Maude Abbott Dan Pinese The Unsung Genius 20 Reginald Fessenden Terry Skeats PRESIDENT St. Columban 24 RODERICK MACLEOD An Irish settlement remembered at last Sandra Stock EXECUTIVE DIRECTOR Return to Hear 26 DWANE WILKIN Reading oral history Dan Pinese HERITAGE PORTAL COORDINATOR MATHEW FARFAN Book Reviews 27 OFFICE MANAGER The Scots of Montreal KATHY TEASDALE America Steppin out Quebec Heritage Magazine is Photo Essay 29 produced on a bi-monthly basis by the Old-fashioned day Jacqueline Hyman Quebec Anglophone Heritage Network (QAHN) with the support of The Department of Canadian Heritage and HindSight 30 Quebec’s Ministere de la Culture et A Progress of Germs Dwane Wilkin des Communications. -
Leeds Piano Festival 2019
LEEDS PIANO FESTIVAL 2019 2018 Competition Winner Eric Lu joins world-renowned artists Steven Osborne and Barry Douglas for annual celebration of piano in Leeds and London 28 March – 7 April 2019 Leeds College of Music, Leeds | LSO St Luke’s, London Eric Lu © Simon Wilkinson; Barry Douglas © Benjamin Ealovega; Steven Osborne © Benjamin Ealovega Extensive learning and engagement activities take piano out of the concert hall and into communities Outstanding young scholars from Lang Lang International Music Foundation also perform “Artistry of that kind is rare in pianists of any age; to find it in a 20-year-old is simply astounding.” The Daily Telegraph Following his win at the Leeds International Piano Competition in September 2018, 21-year-old pianist Eric Lu returns to ‘The Leeds’ for Leeds Piano Festival, with recitals in Leeds and London. World-renowned pianists Steven Osborne and Barry Douglas also perform recitals, with Osborne leading a masterclass with Young Scholars from the Lang Lang International Music Foundation, building on the ongoing relationship between the Foundation and The Leeds. The Festival continues the much-enriched programme of events that surrounded the 2018 Competition, allowing audiences to engage with the piano and The Leeds beyond the triennial Competition. As part of The Leeds’ commitment to developing new and exciting ways of bringing the piano to as wide an audience as possible, the Festival – successfully inaugurated in 2018 – will again comprise many learning and engagement activities, including the return of the ‘Discover the Piano: Piano Fantasia’ on 28 March - The Leeds’ biggest primary school event to date, reaching more than 1,000 schoolchildren. -
Marie Collier: a Life
Marie Collier: a life Kim Kemmis A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Department of History The University of Sydney 2018 Figure 1. Publicity photo: the housewife diva, 3 July 1965 (Alamy) i Abstract The Australian soprano Marie Collier (1927-1971) is generally remembered for two things: for her performance of the title role in Puccini’s Tosca, especially when she replaced the controversial singer Maria Callas at late notice in 1965; and her tragic death in a fall from a window at the age of forty-four. The focus on Tosca, and the mythology that has grown around the manner of her death, have obscured Collier’s considerable achievements. She sang traditional repertoire with great success in the major opera houses of Europe, North and South America and Australia, and became celebrated for her pioneering performances of twentieth-century works now regularly performed alongside the traditional canon. Collier’s experiences reveal much about post-World War II Australian identity and cultural values, about the ways in which the making of opera changed throughout the world in the 1950s and 1960s, and how women negotiated their changing status and prospects through that period. She exercised her profession in an era when the opera industry became globalised, creating and controlling an image of herself as the ‘housewife-diva’, maintaining her identity as an Australian artist on the international scene, and developing a successful career at the highest level of her artform while creating a fulfilling home life. This study considers the circumstances and mythology of Marie Collier’s death, but more importantly shows her as a woman of the mid-twentieth century navigating the professional and personal spheres to achieve her vision of a life that included art, work and family. -
Philippe Bianconi Pianist
nn Arbor 'ummerinter '>oc lstii)aV THE UNIVERSITY MUSICAL SOCIETY OF THE UNIVERSITY OF MICHIGAN presents Philippe Bianconi Pianist Tuesday Evening, July 2, 1985, at 8:00 Rackham Auditorium Ann Arbor, Michigan PROGRAM Sonata in C major (Hob. XVI/50) ..................................... Haydn Allegro Adagio Allegro molto Fantasias, Op. 116 ................................................. Brahms Capriccio in D minor Intermezzo in E minor Intermezzo in A minor Intermezzo in E major Capriccio in G minor Capriccio in D minor Intermezzo in E major INTERMISSION Miroirs ............................................................ Ravel Noctuelles Oiseaux tristes Une Barque sur 1 'ocean Alborada del gracioso La Vallee des cloches Sonata No. 3 in A minor, Op. 28 .................................. Prokofiev About the Artist French pianist Philippe Bianconi recently captured the silver medal at the Seventh Van Cliburn International Piano Competition held in Fort Worth, Texas, from May 18 through June 2. Born in Nice 25 years ago, Mr. Bianconi has given recitals in Paris, where he currently lives, in Nuremberg, and in Rotterdam. He has per formed as soloist with orchestras in Nice and Monte Carlo The Monte Carlo Orchestra, the Montpellier Orchestra, and the Lille Or chestra, under the direction of Lawrence Foster, Claude Bardon, and Jean Claude Casadesus. As a recording artist, he has per formed Schubert's "Winterreise" with baritone Hermann Prey. A product of the. Nice Conservatory, Philippe Bianconi has studied with Mme Delbert-Fevrier, Gabriel Tacchino, and Gaby Casadesus. In 1977 he won first prize in the International Competition of Young Musicians in Belgrade, was a finalist in the 1979 International Competition of Music in Munich, and in 1981 captured first prize in the Robert Casadesus International Piano Competition. -
Edition 3 | 2019-2020
2 FRESNO PHILHARMONIC FRESNO PHILHARMONIC 5 FRESNO PHILHARMONIC 9 10 FRESNO PHILHARMONIC 12 FRESNO PHILHARMONIC WHAT’S INSIDE FROM THE PRESIDENT & CEO | II FROM THE PODIUM | III MUSIC DIRECTOR BIOGRAPHY | IV DIRECTOR EMERITUS LARRY HAGOPIAN | V JANUARY 19, 2020 | VII GUEST ARTIST BIOGRAPHIES | VIII FEBRUARY 16, 2020 | XV GUEST ARTIST BIOGRAPHY | XVI FRESNO PHILHARMONIC ORCHESTRA | XXV ADMINISTRATIVE STAFF | XXVI BOARD OF DIRECTORS | XXVI CONTRIBUTORS TO THE FRESNO PHILHARMONIC ASSOCIATION | XXVIII ADVERTISING Onstage Publications 937-424-0529 | 866-503-1966 e-mail: [email protected] www.onstagepublications.com This program is published in association with Onstage Publications, 1612 Prosser Avenue, Kettering, OH 45409. This program may not be reproduced in whole or in part without written permission from the publisher. JBI Publishing is a division of Onstage Publications, Inc. Contents © 2020. All rights reserved. Printed in the U.S.A. FROM THE PRESIDENT & CEO Dear Friends, Thank you for attending the Fresno Philharmonic! We are so pleased to have you with us to share in the unique experience of live orchestral music. Our hope is that you come away from the Fresno Philharmonic with a deeper sense of connection to music and the artists who write and perform it. The Fresno Philharmonic’s 2019-20 season is all about making connections through music. By exploring works from the theater, opera and movies, as well as the concert hall, we’ll attempt to redefine what an orchestra concert can be. This seems only appropriate given that 2020 marks the world-wide celebration of Beethoven’s 250th anniversary. More than any other composer, Beethoven redefined classical music in ways that still reverberate today. -
Ambassador Auditorium Collection ARS.0043
http://oac.cdlib.org/findaid/ark:/13030/kt3q2nf194 No online items Guide to the Ambassador Auditorium Collection ARS.0043 Finding aid prepared by Frank Ferko and Anna Hunt Graves This collection has been processed under the auspices of the Council on Library and Information Resources with generous financial support from the Andrew W. Mellon Foundation. Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] 2011 Guide to the Ambassador Auditorium ARS.0043 1 Collection ARS.0043 Title: Ambassador Auditorium Collection Identifier/Call Number: ARS.0043 Repository: Archive of Recorded Sound, Stanford University Libraries Stanford, California 94305-3076 Physical Description: 636containers of various sizes with multiple types of print materials, photographic materials, audio and video materials, realia, posters and original art work (682.05 linear feet). Date (inclusive): 1974-1995 Abstract: The Ambassador Auditorium Collection contains the files of the various organizational departments of the Ambassador Auditorium as well as audio and video recordings. The materials cover the entire time period of April 1974 through May 1995 when the Ambassador Auditorium was fully operational as an internationally recognized concert venue. The materials in this collection cover all aspects of concert production and presentation, including documentation of the concert artists and repertoire as well as many business documents, advertising, promotion and marketing files, correspondence, inter-office memos and negotiations with booking agents. The materials are widely varied and include concert program booklets, audio and video recordings, concert season planning materials, artist publicity materials, individual event files, posters, photographs, scrapbooks and original artwork used for publicity. -
Deconstructing Sodom and Gomorrah: a Historical Analysis Of
Deconstructing Sodom and Gomorrah: A Historical Analysis of the Mythology of Black Homophobia A dissertation presented to the faculty of the College of Arts and Sciences of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Lance E. Poston December 2018 © 2018 Lance E. Poston. All Rights Reserved. 2 This dissertation titled Deconstructing Sodom and Gomorrah: A Historical Analysis of the Mythology of Black Homophobia by LANCE E. POSTON has been approved for the Department of History and the College of Arts and Sciences by Katherine Jellison Professor of History Joseph Shields Interim Dean, College of Arts and Sciences 3 ABSTRACT POSTON, LANCE E., PH.D., December 2018, History Deconstructing Sodom and Gomorrah: A Historical Analysis of the Mythology of Black Homophobia Director of Dissertation: Katherine Jellison This dissertation challenges the widespread myth that black Americans make up the most homophobic communities in the United States. After outlining the myth and illustrating that many Americans of all backgrounds had subscribed to this belief by the early 1990s, the project challenges the narrative of black homophobia by highlighting black urban neighborhoods in the first half of the twentieth century that permitted and even occasionally celebrated open displays of queerness. By the 1960s, however, the black communities that had hosted overt queerness were no longer recognizable, as the public balls, private parties, and other spaces where same-sex contacts took place were driven underground. This shift resulted from the rise of the black Civil Rights Movement, whose middle-class leadership – often comprised of ministers from the black church – rigorously promoted the respectability of the race. -
09 July 2019
09 July 2019 12:01 AM Ralph Vaughan Williams (1872-1958) The Wasps - Aristophanic suite (from incidental music) (1909) BBC Philharmonic, Yan Pascal Tortelier (conductor) GBBBC 12:10 AM Wolfgang Amadeus Mozart (1756-1791) Rondo in A minor K.511 for piano Jean Muller (piano) LUERSL 12:21 AM Johannes Brahms (1833-1897) Fest- und Gedenkspruche for 8 voices (2 choirs), Op.109 Danish National Radio Choir, Stefan Parkman (conductor) DKDR 12:31 AM Miguel Yuste (1870-1947) Estudio melodico for clarinet and piano, Op 33 Cristo Barrios (clarinet), Lila Gailing (piano) GBBBC 12:38 AM Joseph Haydn (1732-1809) Overture, L' Isola disabitata Norwegian Radio Orchestra, Rolf Gupta (conductor) NONRK 12:46 AM Georg Philipp Telemann (1681-1767) Trio No 7 (Essercizii Musici) Camerata Koln, Michael Schneider (recorder), Rainer Zipperling (viola da gamba), Ghislaine Wauters (viola da gamba), Yasunori Imamura (theorbo), Sabine Bauer (organ) DEWDR 12:54 AM Joseph Martin Kraus (1756-1792) 7 Divertissements for Moliere's comedy 'Amphitryon' (VB.27) L'Arte del mondo, Werner Ehrhardt (conductor) DEWDR 01:20 AM Karol Szymanowski (1882-1937) Variations on a Polish Folk theme in B minor (Op.10) Jerzy Godziszewski (piano) PLPR 01:41 AM Vladimir Peskin (1906-1988) Trumpet Concerto No 1 in C minor Giuliano Sommerhalder (trumpet), Roberto Arosio (piano) GBBBC 02:01 AM Johann Sebastian Bach (1685-1750) Komm, Jesu, komm, BWV 229, motet Estonian Philhamonric Chamber Choir, Ene Salumae (organ), Kaspars Putnins (conductor) EEERR 02:09 AM Arvo Part (b.1935) Summa Estonian Philharmonic -
MIDWESTERN STATE UNIVERSITY the UPDATE Vol
MIDWESTERN STATE UNIVERSITY THE UPDATE Vol. 41 No. 8 October 22, 2012 THIS WEEK’S EVENTS Friday October 26 Athletics… Monday October 22 Men’s Tennis at Tyler JC Invitational Tyler, Texas Athletics… Women’s Golf at Oklahoma Intercollegiate Lawton, Okla. Association for Disability Awareness… Disability Awareness Fair 10 a.m.-2 p.m. CSC Prof Edwards Discussions in Political Science Series… U.S. Congressman Mac Thornberry 1 p.m. Akin Auditorium Athletics… Women’s Soccer at Abilene Christian 4 p.m. Abilene, Texas Tuesday October 23 Juanita Harvey Art Gallery… Athletics… Opening Receptions: Women’s Golf at Oklahoma Intercollegiate Lawton, Okla. Kappa Pi and Lawrence McFarland 6 p.m. Harvey Art Gallery MSU Testing Center… Athletics… Bone Marrow Fall Drive 10 a.m.-2 p.m. CSC Arrowhead Volleyball at Texas Woman’s 7 p.m. Denton, Texas Lounge Athletics… Offi ce of Administration & Institutional Effectiveness… Men’s Soccer at Incarnate Word 7:30 p.m. San Antonio Imagine Graduation 11 a.m. – 6 p.m. CSC Comanche Suites Saturday October 27 Disability Support Services… Athletics… Association for Disability Awareness meeting 3 p.m. CSC Cheyenne Men’s Tennis at Tyler JC Invitational Tyler, Texas Department of Music… MISA and Baptist Student Ministry… Fall Choir Concert 7:30 p.m. Akin Auditorium Culture Shock: Indian Festival of Dance and Halloween Party 12-3 p.m. Sunwatcher Plaza Athletics… Volleyball at Eastern New Mexico 8 p.m. Portales, N.M. Athletics… Football vs. Eastern New Mexico 7 p.m. Memorial Stadium Wednesday October 24 Athletics… Offi ce of Administration & Institutional Effectiveness… Volleyball at Texas A&M-Commerce 7 p.m. -
Adams Other Mary on Stage
Boosey & Hawkes Music Publishers Limited February 2015 2015/1 Adams Other Mary on stage Included in this issue: “John Adams received a rapturous response for the world premiere staging MacMillan Concertos including new at ENO of his Passion oratorio, The Gospel According to the Other Mary. work for Colin Currie Bursting with fury, compassion and inspiration, this elemental score seems to carry the composer to a whole new level of expression.” So wrote The Independent of the work’s first full staging by Peter Sellars, in a production shared between English National Opera, Theater Bonn and Royal Swedish Opera. Joana Carniero Little summoned a vivid range of sonorities from Interview with the newly the orchestra, with fervent vocal portrayals signed US composer from Patricia Bardon as Mary, Meredith The final book by the late Bob Gilmore, Arwady as Martha and Russell Thomas Claude Vivier: A Composer’s Life, breaks as Lazarus. new ground as the first in-depth study of the composer (University of Rochester “…the music sweeps all before it. The distance that Press 978-1-58046-485-7). With Adams has travelled from his minimalist beginnings unrestricted access to Vivier’s archives, to this rich tapestry of a score is remarkable. Some of the passages for orchestra alone, such as the author drew upon interviews with the Lazarus’s death, ride on waves of emotion; and Canadian-born composer’s family, friends Adams has mastered the ability to keep the and colleagues to build a picture of a complex audience gripped over hour-long arcs of intensity… Photo: ENO/Richard Hubert Smith soul, while revealing the personal quest for Is it opera or oratorio? It hardly matters. -
Ingressive Phonation in Contemporary Vocal Music, Works by Helmut Lachenmann, Georges Aperghis, Michael Baldwin, and Nicholas
© 2012 Amanda DeBoer Bartlett All Rights Reserved iii ABSTRACT Jane Schoonmaker Rodgers, Advisor The use of ingressive phonation (inward singing) in contemporary vocal music is becoming more frequent, yet there is limited research on the physiological demands, risks, and pedagogical requirements of the various ingressive phonation techniques. This paper will discuss ingressive phonation as it is used in contemporary vocal music. The research investigates the ways in which ingressive phonation differs acoustically, physiologically, and aesthetically from typical (egressive) phonation, and explores why and how composers and performers use the various ingressive vocal techniques. Using non-invasive methods, such as electroglottograph waveforms, aerodynamic (pressure, flow, flow resistance) measures, and acoustic analyses of recorded singing, specific data about ingressive phonation were obtained, and various categories of vocal techniques were distinguished. Results are presented for basic vocal exercises and tasks, as well as for specific excerpts from the repertoire, including temA by Helmut Lachenmann and Ursularia by Nicholas DeMaison. The findings of this study were applied to a discussion surrounding pedagogical and aesthetic applications of ingressive phonation in contemporary art music intended for concert performance. Topics of this discussion include physical differences in the production and performance of ingressive phonation, descriptive information regarding the various techniques, as well as notational and practical recommendations for composers. iv This document is dedicated to: my husband, Tom Bartlett my parents, John and Gail DeBoer and my siblings, Mike, Matt, and Leslie DeBoer Thank you for helping me laugh through the process – at times ingressively – and for supporting me endlessly. v ACKNOWLEDGEMENTS I have endless gratitude for my advisor and committee chair, Dr. -
British Piano Concertos DDD the RNCM Symphony Orchestra Is One of Several Major Ensembles at the Royal Northern College of Music in Manchester
557291 bk PitfieldUS 12/08/2005 04:32pm Page 8 8.557291 RNCM Symphony Orchestra British Piano Concertos DDD The RNCM Symphony Orchestra is one of several major ensembles at the Royal Northern College of Music in Manchester. All the ensembles perform regularly in public concerts in the College as well as externally around Britain and abroad. The Symphony Orchestra has worked with many guest conductors including Martyn Brabbins, Sir Edward Downes, Mark Elder, Cristian Mandeal, Vassily Sinaisky, Gerard Schwarz and Yan Pascal Tortelier. Thomas The orchestra also supports the College’s critically acclaimed opera productions, most recently Rossini’s La Cenerentola, Stravinsky’s The Rake’s Progress and Tchaikovsky’s Queen of Spades. Overseas tours have PITFIELD included concerts at the Al Bustan Festival in Beirut and a residency at the annual Cantiere Internazionale d’arte di Montepulciano, Italy between 1992 and 2003. The RNCM Symphony Orchestra’s commercial recordings include Piano Concertos Nos. 1 and 2 contributions to Classico’s The British Symphonic Collection Series. Anthony Goldstone, Piano • Peter Donohoe, Piano Royal Northern College of Music Orchestra Andrew Penny Andrew Penny Andrew Penny was born in Hull and entered the Royal Manchester College of Music in 1971 to study the clarinet with Sidney Fell. As a postgraduate he was the first holder of the Rothschild Scholarship in Conducting at the Royal Northern College of Music, studying with Sir Charles Groves and Timothy Reynish, subsequently receiving the Ricordi Prize. He gained invaluable experience with the Opera Unit during this time and was associated with many of the operas presented by the College in its early years both in Manchester and Sadlers Wells Theatre.