PRICE, 25 CENTS. S3.50 WORTH OF MUSIC IN THIS NUMBE Yearly Subscription, Including Valuable Premium, Sl.50. See Pages 448 and 452. }~-=V::...:=ol=.V=. jJ +. No. 12. ~ ~1-======1..:...... --- ... +- ---t======--==-==vv
_ /. _READING -,- _l _ ~usrc. /
l'AGE I'AGE EDITOHL\L.-Pianos am! Pianists-Music, "Goldbeck's Harmony"...... 45B Cosmopolitan...... 448 MUSICAL AND 1\liSCIU.. LANEOUS-Guido "Sounds from Paradise" (Reverie) Charles of Arezzo (illul'trated)-Schubert (with Auchester...... 455 portrait)-Iniluence of Free Institutions upon Art-..Eolian l\Iusic 1 concluded) "l\Iardi Gras Quickstep," W. H. G1·eene..... 459 Violins-their J>rices-1'ired Instruments "Shooting l\Ieteor" galop (duet) Jean Paul. 462 -1\Iusic in St. Louis-An Overtme by Three Composers-Animals and 1\lusic "Chickadee" (Song) E. Jl. Krmger...... 470 Correspondence-Who are they?-An· swers to Correspondents-Questions l'er· "IIal'k! Hark! the J .. ark" (Serenade) Schn· tinent and Impertinent-Gounod's "He bert...... 474 demption"-Comical Chords-Major and . 1\Iinor-Smith and Jones-1'he Degenerate "Through the Leaves" (Serenade) Sclm· Age (poetry) ...... 44i to !88 bert...... 476 KUNKEL'S MUSICAL REVIEW, OCTOBER, 1882. '~IORIBR" BEHNING
SOHMER & CO., J'Y.i:ANUFAO'I~URERS::o
GRAND, ~ijUAR~ ~ UPRIGHT PIAN~-F~RT~~. .Wil~ Improve~ Palen\ Agraffe Allac~menl an~ Name Boar~. Received Fir~t Medal of lUcrit and Diploma of Honol" at Cen tennal Exhibition and at Grand Exhibition, 1\lontreal, 1881. OFFICE AND . WAREROOMS, . Nos. 149-155 East Fourteenth'St., NE\V YORK. 14th Street and oth Avenue and 129 East 12£itb Street. t. F. DLSHAUSEN &~~" Agents for St. Louis, Ko" No. 1~ South Fourth St. FACTORY, N. E. Cor. 124th St. and 1st Ave., NEW YORK.
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1\Ianufacturers and Importers of l\Iusical l\Ierchandise. Band InstrumeRts, Fine Vio· lins and String;s a Specialty. A Complete Ass0rtment of the J!'inest Instruments in the World at the Lowest Poss11Jle Prices. ST. LOUIS. JULIUS BAUER & 00., 182-184 Wabash Ave., between Monroe and Anams St~.. CHICAGO, ILL. KUNKEL'S MUSICAL REVIEW, OCTOBER, 1882. 445 1VL1:.TSIC EOOX:S FUBLIS:S:ED BY - OLIVER DITSON & Co., :BOSTON., J:Mt:..A..SS. SINGJNG-CLASS BOOKS, THE HERALD OF PRAISE. NEVT OFEE..A..S. FOR 1882-t8E3. It is the work of L. 0. EMERSON. of whose previous books of NOW READY. sacred music about half a million copies have been sold. Ditson & Co. are obliged to vary the arrangement of this Judging by previous experience, as many as a hundred thou MADAME FAVART; AIDA, $2.00; CARMEN, $2.00; 1\IIGNON kind of !woks, because the structure of choirs and the methods sand persons are to use this, the last and best church music $3.00; INFANTA'S DOLLS, (T... es Poupees de Vlnfante); of singing masters are constantly changing. The four books book. Specimen copies mailed for $1.00, here described have been most 1·arefully put together, and MEPHISTOFELE,(Boito)$2.00; OLIVETTE, 50c; f~f~;:_ent a great deal of practical, instructive and musical MASCOT, 50c; LES MOUSQUETAIRES, THE IDEAL $1.00; PATIENCE,$1.00; BILLEE Is a companion book to the HERALD OF Pn.AISE, and is TAYLOR. 50c; PIRATES intended for Singing Classes only, with no referenc.e to choir singing. The contents are similar to those of the excellent OF PENZANCE, $1.00; THE CHORAL CHOIR HERALD, but matters are condensed, and whatever is not per BOCCACOIO, $2.00; BELLS Is a full-sized Choir and Convention Book, by W. 0. Perkins, fectly appr·opriate for Singing Classes, is left out. OF CORNEVILLE, $1.50; FIELD Specimen copies mailed for 75 cents . .Mus. Doc. (which means ''Musical Doctor.") 'l.'his good eom O:H' HONOR, (Le Pre aux Olercs.) $2.00; po ser and teacher needs no title, but a college was pleased to gire it to him, and as may ue seen that in his visits to com FATINITZA, $2.00; SORCERER, $1.00; LITTLE munit es wh ch are, musically, out of sorts, his "doct-r-ine" SCHOOL AND SUNDAY-SCHOOL BOOKS, 1882·3. DUI\:E, $1.00; 'l.'WO CADIS, $2.00; PINAFORE, 50c., will be "sound" and trustworthy. Ditson & Co. do not wish to interfere with the large demand ALL WITH FULL LIBRETTO, FOR PERFORMANCE It is a common mistake to SU]J})OSe that church choirs need for their latest School Song Books. They are already largt>ly only sacred music for practice. In the first place, exclusive used, but there should be time for the hundreds of thousa11ds SENT POST-PAID, ON RECEIPT OF PRICF practice of c horal music is very tiresome if not injurious. In who have not been so fortunate as to sing from them, to pur the second place, the study of good voice exercises,part songs chase and have the benefit of their use. and glees, is well calculated to develop taste, to train vo1ces ANTHEM BOOKS. and ears to fine t>xpression, and thus to prepare one to bring (50 cts.) By L. 0. Emerson. ANTHEM HARP. ($1.25.) W. 0. PerldnR, out the tl'Ue beauty of such mus1c as is needed in church. S 0 N G BELLS. - Has proved itself a most EMERSON'S BOOK OF AN'l'HEMS. ($1.25.) ~'he CHORAL CHOIR is half secular, half sacred. The first charming collection of genial Songs, and has thousands of AMERICAN AN'l'HEM· BOOK. ($1.25.) Johnsora, Tenney l50 page" have a llnely-gr11ded singing-school course, which, friends. There is no mistake about this being a good common and Abbey. for the Jirst few ]Ht~es, of course, is not of much use in a choir school song book. o order a few dozen. GEM GLEANER. ($1.00.) J. M. Chadwick. rehearsal. After th1s, however, for more tha" a hundred pages, PERKINS' AN'l'HEM BOOK. ($150.) we have wl1at is equivalent to a good, easy glee boo]{, the con At this season choirs are much in need of new anthems. tents of wh1ch are new and fresh, and combine entertainment ·WELCOME CHORUS, In the above five books will be found all that possibly can be with instruction. 'l.'he last half of the CIIOH.AT, CHOIR is ($1.00.) By M. S. 'l'ilden. Has achieved one of the best of needed, and of the very best quality. more especially devoted to church musk. '!'here is a good reputations as a mnsical text book for High Schools, which Excellent Anthems and easy Choruses will also be found in variety of tune in L. l\1., C. 1\I., S. l\L, ;md the other lamiliar term may include all higher schools for either sex. Emerson's new H~RALD OJ<' PRAISE (l 00); in J. P. Cobb's metres, and aftet· these a large and excellent assortment of FES'.rlVAL CHORUS BOOK, ($1.25); in Zerrahn's INDEX ($l.001; authors and sentences. 'l'he CHORAL CROll{ is perfectly 'l'he PEEJ:tLEFi ·, described i.n another column, also the in Tourjee's CHORUS CHOIH ($1.50); in Perkins' TEl\IPLE fitted for use in singing classes. The price is $1.00 with' the IDEAL, in this column, 11re very good High School nooks. ($1.00); and in Emerson's VOICE OF WORSHIP ($1.00). usual reduction for quantities. UGHT AND UFE (3fi cts), by R.l\f.l\fciN'l'O H. RANNEH. OE' VIO'l'OH.Y (35 cts), by Abbey & 1\funger. , ALBUM OF SONG $2. bds,; $2.50
RE-OPENING OF --T::S:E-- PETERS' MUSIC sTORE HAINES 307 NORTH FIFTH ST., ST. LOUIS, MO. (EST _A.:SLIS:::S::ED ~8:29.) UPRIGHT PIANO-FORTE We Have Opened MUSIC we have unusual -at- facilities for supply BOXEsmg the nEST Goods RANKS AHEAD OF ALL OTHERS. 307 N. Fifth St., AT ({ ~~:h;rl~~~E~~ll~i~: ST. LOUIS, MO., PETERS'~~RJe~i~1a~~ep only After several months' M1JSIC , preparation, and are " Haines makes a magnificent Upright." now prepared to :fill STORE, Mus1cal Inatruments, -CAMPANINI. orders for anything in the 307 And will supply you North with a '• The tone of the Haines Upright is simply lovely." . MUSIC LINE 5th -EMMA THURSBY. Street, PIANO, ORGAN, AT THE S'l'. LOtrlS. GUITAR, FLUTE, " They a1·e delightjul to sing by." -AL WINA VALLERIA. Lowest Ea,stnn Prices. CHASE PIANOS, Ditson's and Peters' Editions. VIOLIN, Particular attention paid to filling orders I or any other Musical Instrument of "I do not see in what respect they can be excelled." for 'l'eachers, Convents, Seminaries, Etc. And FIRST QUALITY, cheaper than you can where selections are left to us, we will guar- get the same grade of Instruments else- -OLE BULL. antee satisfaction. where. '' In all my experience 1 ha1'e yet to find a piano that suit.s me Acting as Wholesale Agents for such houses as OLIVER DITSON & CO., of Boston; SCHIRMER, of New York; NOVELLO, of London, and PETERS, of Leipsig, we are better." pre !Jared to fnrnish Music and Books at the Lowest Price of these houses. We make a -BRIGNOLI. Specialty of the CHASE PIANO (the Cheapest, First-Class Instrument in the MRrket.) DITSON and NOVELLO'S Cheap Choruses, Church Music, Operas, Etc.; PETER'S Leipsig Edition of Cheap Classics, Bay State Organs ($65 to $200); Genuine Martin '' In every 1·esp£:ct the Haines Upright Piano answe1·s the de Guitars, Etc. mands of the most exacting artist." J. L. PETERS, -ETELKA GERSTER. 307 North ~.,ifth Street, St. Louis, Mo. Western Agency for· "W" AREROOJ.Y.1: S,. DITSON'S, SCHIRMER'S, NOVELLO'S, AND PETERS' EDITIONS. -'i"'P,..rties writing will please say where they saw this advertisement, 97 FIFTH AVENUE, NEW YORK. 446 KUNKEL'S MUSICAL REVIEW, OCTOBER, 1882.
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GUIDO OF AREZZO. St. John was then the patron of singers. and a But Guido did more than this. We have already hymn in his honor, supposed to have been written by spoken of the intricacies of the musical notation nE great and rapid development of music, both Paul Diaconus toward the close of the eighth cen then in use. 'rhe neumce or musica:t signs, some as a science and as an art, which recent centu- tury, was believed to be a prophylactic and remedy forty in number, consisted of commas, dots, cir ries have witnessed, in fact, our entire system against hoarseness, and as such was very popular cles, angles, etc., which were combined in many Tof modern music, is largely due to Guido Areti- with the vocalists of the day. The air to which the ways, and were probably, in their origin, only elocu nus or Guido of Arezzo, whose pictnre appear~ upon verses were sun~ is said by Forkel f:Hist. Mus.) to tionary signs. In the words of another: "The this page. And yet, Guido never laid claim to being .have been of Greek ·origin and to have been used by neumre did, indeed, show at a glance the general con anything more than a teacher of what we should now Horace, 65 B. U .. for his second ode to Cresar Angus formation of the melody they were s~:~pposed to call the rudiments of music. 'l'hose rudiments were tus. Guido's genius soon discovered that the first illustrate, but entirely failed to warn the singer then, however, so involved in technical difficulties, syllable of each line was wng in regular order to each whether the interval by which he was expected to the musical notation of the neun~re was so difficult to succeeding note of the hexachord. 'l'he seventh ascend or descend, was a tone or a semitone, or even . read. that it was then reckoned that ten years of study note, called si from the initial of the last line " .Sancte a second, third, fourth or fifth. Hence, their warmest were required to make a ready reader of the simple Johannes," was a later addition. '!'he hymn, with supporters were constrained to admit, that, though chants which constituted the music of the times. the tune, in modern notes, was as follows: invaluable as a species of memoria technica, and well Guido Aretinus, or of Arezzo, as his name fitted to recall a given melody to a singer indicates (our readers will remember that who had already heard it, they could never family names were not then in use) was a -hqwever carefully they might be drawn native of Arezzo, a little town of the pro enable him to sing a new or unknown mel vince of Umbria, in Italy, and was born about ody at sight." the year A. D., 1000. He took monastic Hucbald, a Flemish monk, had already orders and became an inmate of the monas made use of a couple of lines above or tel'y of Pomposa, in Ferrara, and, while below which the ne1tmre were written, to there, established a school for the training indicate a little more clearly their real pitch. of singers for the church. Guido, who must Guido added two more lines, making- a four have been a Yankee, born before his tim-e; line staff. Of this staff, the top line was set about simplifying methods of tefl,ching black, the second red, the thinl black, and music and succeeded so well, that uuder his the fourth yellow or green 'fhe red line instruction and with hi"s system, students fixed the tone F., the yellow, the tone C. accomplished in a couple of years what hall From this originated our bass or F. clef and before consumed nearly one-half of their our treble or C. clef. Guido made use both life-time. 'l'he fame of this school soon of the lines and spaces and gave each note sprrad to Rome, and thither Guido was sum a definite and unmistakable pitch; he dis moned by Pope .Tohn XlX, to introduce his carded the neumre ·and usetl, instead, the system into the Pupal music schools (oriO'i syllables Ut, Re, Mi, Pa, Sol, La, which later nally establish1Jd by St. Gregory the Gre~tt, gave way to notes that indicated definite A. D., 590). Pope John himself became Juration as well as definite pitch. one of his pupils. 'l'he malarial climate of A statue of this great man, the work of Rome soon compelled Guido to again ret ire the celebrated sculptor Salvini, was unveiled to the more ~tlubrious elimate of Pomposa, in his native town on the 11th ultimo, with and to his monastery, where, with renewed great pomp and splendor. Arezzo, for the energy, he further perfected his system. He time being, almost forgot Petrarch, who became a prolific writer upon music, the was also bom there, to do honor to the Ben most important of his works be,ng his "Mi edictine monk, whose marble counterfeit crologus de dis ciplina artis musicre, '' which stands in its main street, upright, with his had great intluence in shaping the sub5e right hand resting upon a choir book. A quent course of music. "congress" to discuss the question of music, in the Catholic church, was called at the We have spol,en of the intricacy of the same time and place and was numerou ~ ly musical sdenee then extant. lt w·ould take attended by Catholic ecclesiastics from far more space than we can here devote to it to and near. 'l'he "congress" was opened by explain the system of tetrachords which, a cantata, in honor of Guido, written by borrowed from the Greek tonal system, was Mercuri for this special occasion, aud then in use; suffice it to sp.y that the sys capitally executed by a grand chorus of tem, b~sides .being clumsy and intricate, men, won1en, and children_ and an orch<'~ was so unnatural that, had it continued tra of two· hundred pieces, corllpos~u of in vognc, it is safe to say none of the Sr)me of the best execHtants in Jtalv. At masterpieces of modern music would ever 1he town theatre ( Teett1'o Petm1'co) Boito 's have seen the day, for, the Greeks, who have Mefistofele was played with great success, never been surpassed in other arts, hampered by tirst-class talent, while :tn exposition as they were by a false tonal system, never produced anything worthy of the name of and fair furnished amusement, if not in- what we call mu ·c. 'l'hat a simple monk of GUIDO ARETINUS. struction, to those who could not be inter the middle ages should have,against the spirit ested by less material attractions. of the time, cut loose from a system made venerable by age and rooted by 1\ 1\ -J In the far West, what may be centuries of practice,seen1salmost t~.·~-~-~~- --~~- -_d'~ ~--t=_j j j-~- ~ -~-~I~~~. ~~~~--~ _ I ~ ter~ed ~~ roligious tr~eler is incredible. 'l'he fact, however, ~':t: r:;.; ~ ~ .. • -::;- il ; 3• il+ r:;.; r:;.; • -;, • .. occasionally met with- the peram- remains that Guido invented the _4======- =-==--======---=====--=='===--== ==--===--== ===--ll_ bt1lating parsori or the migrato1·y hexachord or scale .of six notes, UT que _ ant I a _ .. xis, RE _ so _ na _ re fi _ bris, MI _ ra gc • sto ·rum missionary. '·Where are you corresponding in all respects to going?" said a young gentleman the. first six notes of. our present 1\ 1 ~ /\1 I . I I to an elderly one in a white cravat, 1 1 maJ or scale and Jackwg only the ~~~-•-•--=i:_j~~ --•-ll -~- ~- fl1-=:j ··- ~--•1- •-~- ~-·-1 · 6J- J_J __,_ -~ whom he overtook a few miles seventh (B or si) and the repetition ~=-· ---=--"'=.~ ~•• ='t::===m ;;:z--= GJ:f ===-•-E~-- F~ ii-~-±J - from Little Rock. ''I am going of the first to complete the present ---==--===-~ ==--= -==--==-==E==-=E======E==-~--F - -~3=- - to heaven, my son. I have been (o~tave) scale .. 'l'hi~ invention of FA-mu-li tu _ o-rum, SOL _ ve pol -lu - ti, LA-bi ·i rc _ a _ tum, San_ etc Jo-hannes. on my way for eighteen years." Gutdo not only s1 mphfied the learn- "Well, good-bye, old fellow I If i!1g of musi?, but al~o made it possible fo; geniuses It is also to be noticed that the name .of the first\ you have been traveling towards heaven for· eig~ hke Palestnl)a to giVe adequate expressiOn to the note of the scale was later, for the salte of ease in teen years and got no nearer than Arkansas, I will musical thoughts tb.at have made them famous. 1 vocalization, changed to do. . take another route." I ( 448 KUNKEL'S MUSICAL REVIEW, OCTOBER, 1882.
If we look at the nationality of the early teachers pianos, these artists descend to the level of the man Kunkel's Musical Review. of the art, we also find that they belonged to different who walks the streets with an advertising sign upon nations. The 'Keltic monk, Hucbald; the Italian his patient back. KUNKEL BROTHERS, PUBLISHERS, Guido, of Arezzo; the German, Franco of Cologne; If art in general, and music in particular, are to be 311 SOUTH FIFTH STREET, ST. LOUIS. the Frenchman, Jean de Muris; all have very respect- regarded as luxuries to be enjoyed by an ideal aristoc able, if not equal, claims to our admiration and grat racy alone, then it may be well to fence them up with itude as pioneers in the art of harmony. impassable walls of forms. But if art in general, and I. D. FOULON, A.M., LL.B., · EDITOR. In the more purely 'secular branch of music, the music in particular, have a gospel of beauty and jongleurs, t1·ouveres, or troubadours, of France, come goodness to " preach to every creature," if the mis SUBSCRIPTION. first to the front, but from Italy comes the first opera. sion of music be like One Year (with premium), $~ ~~ Then follows an era of great activity and transcend- Six Months (with premium), "The mission of genius on earth, to uplift, Four Months (without premium), 50 ent ability among the Gallo-Belgians, illustrated by Purify and confit•m by its own gracious gitt, Single Copy, 25 the names of Dufay, Josquin des Pres, Willaert and 'l'he world, in deslJite of the world's dull endeavor For premiums offered, see page 452. This includes postage on Goudimel. Afterwards Italy again looms up and later To degrade, and drag down, and oppoae it forever," pape1·, to all points except St. Louis. St. Louis subscribers must Germany, beginning with Bach, produces a dynasty then is it the duty of those who truly desire to see it add at the 1·ate of 25 cents per year to their subscriptions when they of tone kings who, though dead, still live. And yet, accomplish its mission, to give it the freest range and wish to receive the REVIEW by mail. :Z'his is due to the peculiarity at this day, if we except Wagner, whose proper place of the postal laws, which prevent monthly publications' being sent at the widest scope possible. In that view, the piano in the hierarchy of musicians will be fully decided second-class rates in the place where they are published. makers, who have made it possible, by the liberal ex only by generations to come, Germany is to-day with penditure of their means, for the American public to out a really great composer. Whose turn next? France hear artists and compositions, which they otherwise MUSIC, COSMOPOLITAN. points to her Gounod, her Saint Saens, and a score of could never have listened to, deserve well at the hands others, scarce,ly less celebrated, and claims that even 'r is so easy and cheap a way of obtaining notor of the people and of intelligent critics as true and now she holds the scepter; Italy has still her Verdi, iety, if not fame and power, to flatter national practical friends of music, and are entitled to all the and now comes forward with her Boito, and speaks pride and prejudices, that it is not to be wondered consideration they receive from the artists whose sal l of the great activity of her younger composers to show at that writers upon the history of music, who,after all, aries they pay or guarantee. Nor, be it said paren that if the ''music of the future" is not hers, hers is are but human, should attempt to give to the lands ·Of thetically, will any one, not actuated by petty malice, the future of music; the Germans will not believe their birth, credit for originating and possessing all begrudge them the reward, if any there be, which that the scepter can depart from among them and that is valuable fn "the divine art of song." 'l'he Ger they derive from the advertisement of their wares; look anxiously but confidently to see the new race of man. in involved and labored sentences, proves to his for what they make, others do not lose. 'rhe people, tone-poets who shall rival Bach, and Handel, and satisfaction that to the Ge1·man element the world is in whose musical tastes have been educated by musical Haydn, and Mozart, and BQethoven; Russia wakes debted for all that is grand in the tone-art; the Italian performances made possible by the expenditure of A up with a growl, and asks that her Glinkas, and Ru laughs a merry langh at this and sneeringly grants to and B's money, and who, as a result, afterwards want binsteins, and Tscha'ikovskis, be not forgotten; Eng the Teuton the skill of the musical mathematician. a piano, may, it is true, purchase one of A and B's land hopes not to be last in the race, and even we but denies to him the divine ajJlatus which fills with make, but they may also buy one of quite another have begun to think that the time may not be far melody only those artists )Vho have been born beneath manufacture; and such cases, we opine, will at least distant when we shall contribute to the music art of the sunny skies of his own native land, while the offset in number those in which the advertisement the world not only famous executants but famous Frenchman gives his moustache an extra twirl, as he will have deprived another maker of a sale. Besides, compositions. flings a sarcastic criticism at either, in his heart of if it be legitimate to advertise (and no one questions Our nation, being made up of so many heterogeneous hearts believing that Gallia is still and ever will be this, we think), there seems to be no fairer method of elements, has probably fewer peculiarities, in other the home of what the old Provenc;als called "le gai advertising than the exhibition and practical test of words, fewer national characteristics or a less distinct sabe1·. '' the goods themselves. national life than any other, and hence a distinctly We, upon the hither side of the "great pond," or at But we are perhaps told that the idea is not to American art of music should not be expected among least those of, us wh~ are sufficiently emancipated deprive the many of the ennobling influences of us. But, for not being distinctly American, need. it be from the bondage of traditions and national anteced art, but purely to save art from the contaminating inferior? Are not the conditions of our social life the ents, can not but see, and seeing rejoice, that music is influences of the "almighty dollar," and that since most favorable to the free and greatest development not the birthright of any nation or race, but a devel it is admitted that the best artists can not be ex of the individual; and when the great .musician arises opment of a gift, natural to the whole of mankind, in pected to appear at their own risk, the proper thing among us, will not his work be only the greater for which the civilized nations of the world are co- to do would be to get governmental subsidies for being the expression of his broad humanity? We workers rather than rivals, and in no sense enemies. first-class opera houses, etc., as they do in Europe. think Ro, though perhaps "the wish is father to the Tha.t national characteristics will appear in music is That means, that an artist degrades himself by asking thougl;lt." At any rate, if we remember that music as undeniable as that one composer's style will be value for his service-s, in a business transaction, but is is not the special birthright of any race, that being different from that of another. Surroundings, cus elevated by becoming a pensioner upon the bounty of innate in all people, so it may be developed by all; toms, blood, politics and religion act and re-act upon the public. Our tastes may be plebeian, but we con we can have faith in our own musical future. In each other and produce the emotions that are event fess that, as for us, we much prefer the independence such matters, to believe is almost to have. ually voiced forth by the musician, who thus becomes of a business transaction to the servile .request for the often unconscious interpreter not only of his inner patronage of a. cause, however worthy, and that we self, but also of those national characteristics which hope the profits of the piano trade will be so large, have become a part of that very selfhood. PIANOS AND PIANISTS. that more and better concert troupes will be guaran But, however varied the expressions of music, how teed their salaries and sent out by the leading piano ever distinctly marked by national peculiarities ot· E all remember the story of the physician makers, for they will be missionaries of art its well as idiosyncrasies, facts show not only that it has as its whose admiration for his craft was such, that advertisements for the wares of their backers. basis an universal gift of mankind, but also, that the Whe preferred to die secundum artem to getting principal nations or races which make up the world well by methods at variance with the established of modern civilization have all contributed their quota canons of practice of his profession. Some of his ~ the language of the auctioneer: "'l'hird and to the sum of our present science and art of music. descendants have undoubtedly become musicians and last call!" 'fhe subscription price of KuNKEL'S A very rapid glance at the history of music can not critics, and would prefer to see music perish rather 1 MUSICAL REVIEW on and after N OYembcr 10th, but substantiate that statement. than thrive through means which they consider not will be Two DOLLARS a year. We have added ten By common consent, the Christian church is cred sufficiently removed from the gross and contaminat days to the time we originally announced as the ited with being the mother of our modern music. It ing contact of business considerations. The special limit during which we would receive subscriptions was the Christian faith which gave inspiration if not targets of these immaculate artistic souls are the at the old rate, because we are a little late in making life to the art of song in Europe. Now, of what na piano manufacturers, who pay artists for playing our appearance this month, and we wish to give fair tionality was the Christian church? That force which their instruments, and the pianistsl who, for a money warning to all. Unexpired subscriptions may be set in motion the whole of our present tone-thought consideration, debase their art in playing one instru renewed at the old rate up to and including the above was entirely outside of national origins or race in ment rather than another. 'l1o hear them, one would date. Now hurry np those friends who have been fluences; indeed, as the revelation of the fatherhood think that when Rive-King plays the Decker, when about to subscribe for the last two or three months, of God and brotherhood of man it was one which was Carreno plays the Weber, when Joseffy chooses the and remember no subscriptions are entered until the destined largely to obliterate all distinctions of race Chickering or the Steinway, when Maas selects the cash is received. Our next volume will be an irnpl'Ove or nationality. Miller, Satter the Emerson, and others still other ment on all its predece sors, :ktJNKEL~S MUSlCAL REVIEW, OCTOBER, 1882. 449
I SCHUBERT. Though Schubert's instrumental compositions are, vated by such masters as Schumann, Franz, and many of them, excellent, and more than one, master Rubinstein. "Le musicien le plus po p, tique" (the most poetical pieces (for instance the C major symphony, whose With the exception of the time which he spent in of musicians), as Liszt called him, was the son of a excellences were first made known to the world by the family of Prince Esterhazy, Schubert's life was poor school-master, and was born at Vienna on the the critical pen of Robert Schumann several years one of struggle against poverty and privations. last day of January, 1797, and, although he died after ~chubert's death.) Schubert's chief fame rests More than once, we are told, he had not the means before he had completed his thirty-fifth year, he left upon his songs. Of these, there is now but one to buy the paper upon which to write his immortal to posterity some six hundred songEl, besides fifteen opinion in the musical art-world. In the words of compositions. He died as he had lived, poor, despond ~ operas and symphonies, piano compositions, etc., Dr. F. L. Ritter (History of Music): "Though many ent and almost friendless, in the great city which sufficient to make the total number of his works not Lieder were composed long before his, he first suc now prides itself of having been his birth-place. far from one thousand. ceeded in raising the German L'bed to its present sig Schubert's dying request that he be buried near Schubert was a genius, who owed little of what he nificance among the different modern forms of vocal Beethoven, the special object of his love and admir was to any one but himself. His earliest instruction music. With one stroke he reproduced the lyrical ation, was obeyed, and he sleeps by the side of that in music was obtained from his father and an elder emotional mood of the respective poems which he other great man, "rich in what he gave, richer in brother. He was endowed with a fine voice and this treated and intensified, by appropriate melody, what he promised." secured his admission, at the age of eleven, to the rhythm, and harmouy, the sentiment ~he poet had Elsewhere in this numbet·, our readers will find Oontict- Schule (a species of free school), at No. 45 laid down in his verses. Without once neglecting reproduced the serenade alluded to above, the one Piaristen Gasse, Josephstadt, Vienna, and made him a what is due to the general form of a beautiful cantil composed in the Biei'8ack tavern, and another sere member of the choir of the Hof-Kapelle. Here Salieri, ena, he closely followed, by means of a naturally nade, different in character, though no less beautiful; the well-known composer, was one of his teachers, and beautiful declamation, all those delicate details of but as it is a posthumous work, it is less widely such was his progress that at the age of fourteen he had light and shade which it is within the power of the known than the former, especially in this country. already composed a large number of musical works poet to describe. The composet·, by means of pure The latter, commonly called the Shakespere serenade of greater or less merit. In 1813 be lost his place at musical tone, based upon an appropriately charac was composed to words that occur in Act II, Scene the school and in the choir, on account of the change teristic harmony and rhythm, was thus able to raise III, of "Cymbeline." The first stanza, however, is in his voice, and returned to his parents, be all that comes from Shakespere. Some Ger coming a sort of assistant to his father. In man writer added the other two stanzas, which this position he remained until a young noble we have freely translated or rather imitated, man, Franz von Schober, who had become an for the benefit of our readers. ardent admirer of Schubert's songs, persuaded the young composer to become practically a member of his mother's household. His songs Influence of Free Institutions Upon Art. had attracted the notice and secured the admir ation of Vogl, a celebrated opera singer, who HE mooted question. Are free insti was much sought aiter by the Viennese aristoc . tutions likely to produce good art and racy for their drawing-room concerts, and the love of it? it is not necessary to go through this intelligent admirer and disinter far into. 'fhe argument a pt·iori is about ested friend, his songs were given a favorable T of equal weight in either scale. 'l'he arts are introduction and an adequate interpretation found to be about as likely to prevail, accord in the most refined and intellectual circles ing to an eminent critic, and grow great under of the artistic capital of the German races. one form of government as under another. It 'l'o old Vogl is doubtless due what little rec is easy to show that courts and hierarchies must ognition Schubert received from his contem be, from the nature of things, the most munifi poraries. cent patrons of art. It is as easy to show that 'l'wo of his best known songs, "The Erl the energetic people nursed in democracy King" and "'fhe Serenade," were composed must be, from the nature of things, the most before he was seventeen. "The Erl-King" earnest workers in art. And the argument with its beautiful and weird music so befitting from history is not more conclusive. Political the weird words of Goethe, and its masterly institutions of all kinds have been proved com accompaniment, was composed in less than an patible with ·the absence of aU art. It is hour and sung by himself immediately upon impossible to show that there publicanism, its completion to an audience composed of his monarchism, or oligarchism of any nation has fellow-pupils at the Oonvict-&hule and the had a direct and overmastering influence over music master, Rucziszka. The latter was the arts. Great art grew up with the rule of astounded and embraced the young genius in priest and total degradation of people in the pr·esence of the entire school. 'fhe "Sere Egypt. Great art blossomed from the root of nade" is another example of the rapidity with a most turbulent and reckless democracy in which ~chubert composed, if such rapid work Athens. Great art, under an elective sover can properly be called composition, for com eignty in Venice, was joined to popular free position implies labor, while Schubert's pro dom, extended commerce, and military and ductions seem to have been the spontaneous naval powers. Great art existed everywhere outpouring of musical genius. He was, one throughout Western Europe in the eighteenth Sunday afternoon with a lot of companions as century, living and growing ~reater under the poor and as jolly as he, seated at a table in a shadow of almost every political institution; common beer ceJlar in Vienna, known by the crumbling, feudalism, new built king by abso euphonious name of Biersack, idly turning over, lutism, lingering power of nobles, growing between drinks and in the midst of talk and power of sovereigns, self-establishing power laughter, the leaves of a book of poems which of communities, large aggrandizing power of one of his friends had brought with him. All the Papacy. On the ot11er hand, art was a at once he looked up and said: "I have, in my stranger, an exotic in aristocratic, military, head, a pretty melody for these lines, if I could law-giving Rome, in republican Switzerland, only get a piece of ruled paper." A bill of among patriarchal Scottish clans, and no form fare was taken, staves were drawn upon it, and FRAN:Z SCHUBERT. of government kept out the spread of the Re there, upon a not over-clean table, in a cloud naissance coming from Italy, or could save art of vilest tobacco-smoke, and in the midst of the the emotional expression of the poet to a still higher from the decadence which followed. discordant and confused noises of a crowded beer degree of effectiveness and meaning." It seems that there is nothing in forms of govern house, he noted down the delicate, tender and poetic Schubert's Lieder may be classed under three differ ment alone to lead us to conclude, in any given case, air which we all know. ent heads: 1st-'fhe simple Lied, in which the same that art will or will not flourish. The fate of the At the age of nineteen, Schubert was employed by melody is made to do service for each succeeding arts is in other thing8 than these-is in the freedom of Prince Esterhazy as teacher of music for his family. stanza, as, for instance, in his setting of Grethe's thought, accessibility to ideas, willingness to trust to and was treated by him, not as an underling, but as a ;'Haideroslein;" 2d-the dtwch-componirt or through ideas, gravity, chastity, patience of a people. Most friend. . 'fhe prince had a beautiful daughter, the composed, as the Germans call them, in which the foolish, then, and inconsequent is the reiterated asser countess Caroline, with whom Schubert fell deeply in entire poem is set to music, which varies with the tion that republicanism will have an unhealthy in love. 'fhe social distance which separated them was varying sentiment of the words as in the "Serenade'' fluence upon the fine arts, and equally unwise the not one which even the genius of a Sehubert could or the ''Linden Tree, and, 3d, the declamatory lyric, assertion that free institutions secure the greatness of bridge over. 'J.1he innocent girl did not suspect the of which "'fhe 'l'own'' and the "Erl-King" are tine the arts. We have no cause to be doubtful of our passion that was consuming her young music master's examples, in which the vocal part becomes a sort of power to make our lives beautiful with art. But we soul, and he was too conscious of his social inferi passionate recitative, subject at least as much to the have work to do, and had tendencies to escape or ority and too mindful of his duties toward his patron laws of declamation as to those of music, yet bloom resist, if we would have it so.-American A1·t Joumal. and friend, her father, to divulge his feelings. Once, ing out into a perfect melody at the high tide of the once only, he almost avowed his love: "Why have lyrical feeling in the "vords. Grethe, Heine and For many years, Moses, a negro, was servant at the you not dedicated anything to me?" blandly asked Ruckert furnished the .words which inspired Schu University of Alabama, and waited on students very Caroline Esterhazy. "Why should I? Everything bert's genius to its highest flights. faithfully; but he was a most notorious hypocrite. I have written belongs to you!" replied the artist Schubert was not consciously an innovator, and it He was, on that account, commonly called "preach" lover, in a tone of deep emotion. He seemed to have never entered his head to be a reformer or pose as ·among the boys. One day he was passing a crowd of been frightened at his own audacity, and a delicate one, yet his compositions broke over and broke students, when one of them, out of mischief, called to sense of propriety seems to have led him to grad down more than one of the recognized canons of him and said: "1 say, Preach, what are you going ually break off his connection with the house of song-writing and opened a new field of composi to do when Satan gets you?" 4 ·Wait on students," Ester hazy. tion in that direction, which has since been culti- was the ready reply. · 450 lttJNKEL'S MtJSlCAL RE"VIEW, OCTOBE:tt, 1882.
lEOLIAN MUSIC. 'l.'he oriental Molian contl'ivances which have just been are occasionally pure and musically effective sounds di scern noticed are, as the reader will have observed, of two classes, ible in this chaos of wild music. ( Contmue£l.) viz., stringed instruments and wind ins truments; or in other Again, the noise of the wind blowing through a bed of reeds, words, the sound is produced either by the vibration of one ot· ot· through the branches of trees, is not unfrequently very more strings, or it is produced. by the vibration of the air in a. soothing, and intermixed with Jlute-like and fasciuating tones. 01UENTI\.L MULlAN MUSIC. tube resembling a Ilute or a trumpet. Some oriental nations, Perhaps it originally suggested the construction of the most We anive now at c )rtain remarkable human contrivances however, constl'Uct also Molian Instt·mnents of percussion, of primitive .-'Eolian musical instrument. If this conjecture is invented for the pnt·pose of a ding natnt·c to produce .!Eolian which some notice requires to be taken here. well-founded, the mysterious sounds of the 1.Yild Huntsman, music. 'l'hese e•mtt·tvances are of an ingenious and manifolcl The South Kensington Museum possesses a Japanese instru so famous in Teutonic mythology, might not improperly be kind, especiall y in Asia. In fact, they nre so numerous that ment of percussion, whiclt contains twelve leaves of white regarded as the earliest Molian mu~;ic of nature. only a short s m·vey of them can be give., in the present dis metal, gilL. The frame in which these leaves or thin plates l.,erhavs some ingenious adept in acoustics will one day cn-sion.· are suspended is of copper, and is. ornamented with silken separate all the musically effective sounds adverted to from Let us turn iit·st to the Malay Peninsula, where the natives tassels. When the im;trument is exposed to the· wind, the the chaos which encumbers them, and will construct a room construct a cnt·i ous instrument called bulu-pm·indu (i.e." the leaves arc caused to tOllCh each other, whereby silvery and for them at a distance from the dwelling-house, in a garden or languishing bamboo") or buln-r·ibut (i. e. "the bamuoo of the remarkably pure sounds arc produced, continually chan).[ing park, wllere they may be listened to without one's run.niug the stonn" ). This instrument consists of a bamboo cane, from in the degree of loudness according to the greater or lebs risk of catching a eold. thit·ty to fot·ty feet in length, which is perforated with holes fo'rce of the percusswn. If the tones of the bulu-parindu are so organ-like as they and is stuck in the ground to be exposed to the wind. 1\fr. Small bells which sound when they are exposed to the wind, are smd to be, we might take a hint from the .Malayans . in the Logan, who, during a joumey in the interior of the Malay at·e commonly suspended from the roofs or projections of the construction of this music-room, and combine the 1Eolian Peninsula, was much surprised uy the sounds of the bulu Buddhist temples in Burmah, Nepaul, China, and other Asiatic organ with the .£Eoli an harp. However, some instruments of parindu, ha..; given the following account of it, wh ch i-s in countries. These bells are provided with clappers, which tcr percussion ought likewise to be made use of to complete this serted in J. Crawfnrd's "Descriptive Dictionary of the Indian minat ... in a thin plate shaped somewhat like the ace of hearts. orchestra of nature. 'l'he purity and sustained sound peculiar I slands and Adjacent C
- KUNKEL'S :Mt:TSICAL REVIEW, OCTOB:FjR, 1882. 451 .. .
VIOLINS- T HEIR PRICES-TIRED INSTRU MENTS. are exquisite. I suppose he could get $4,000 or ANIMALS AND MUSIC. $5,000 for that violin at any time. It is almost impos sible to appreciate the value of such an instrument. OUIS BLUMENBERG, the violoncello virtu NIMALS of all kinds are more or less susceptible to the oso, has been spending his between-seasons He has a collection of fifteen bows that would bring strains of music, but especially is this the case with here at his home. When the Sun correspond from $1,500 to $2,000. No instruments could be better sheep; J?erhaps not the anim,als that we see in Lon ent dropped in he was contemplating his in cared for than those of his collection; but, strange as don, wh1ch are driven well-nigh mad with the hooting L it may seem, there are persons with a mania for col i and yelling of drovers and cattle-market officials, but strnment with a dissatisfied air. ''l'he amber varnish the con tin ·ntal sheep, and those that graze on our own hills on the violoncello shone with its wonted mellow lus lecting instruments who don't know how to take care and dales, have a keen sense of pleasant sounds. Born bet, in tre, its long neck was fir·mly erect, its carved head of them when they get them. I knew a Baltimore his" LettE:rs on Haydn and Mozart," fully bears out the truth collector who had violins all over his house, often in of the musical organization of the sheep. He writes : thrown back in true Stradivarius pose, and the ''In my eal'ly youth I went with some other young people, strings, as they were fretted by the virtuoso's fingers, places where they were liable to be broken at any equally devoid of care, one day during the extreme heats of emitted sonorous notes. time. I was up stairs in hi~ house once, and was summers to seek for coolness andiJfresh air on one of the lofty going to sit down on a bed when he shouted to me to mountains wh ·ch surl'ound the Lago Maggiore, in Lombardy. "What's the matter?" was asked. Having t·eached bydayb1 eak the middle of the ascent, we stop " l can' t tell, exactly,'' was the reply. "It is tired look out-that a violin was in there. Sure enough a ped to contemplate theBorromean Isles, which were displayed anrl needs a rest. If L lay it aside for a week or so, it violin was stuck under the bed-clothes, because he under our feet in the mJddle of the lake, when we were sur was too careless to get a bag for it. I once . came rounded by a large flock of sheep, which were leaving the fold will re~ain its perfection of tone, without anything to go to the1r pasture. One of our party, who was no bad per else bemg done to it. It is a hard thing to explain, across a fine 'cello in a town of Central New York, former on the 1tute, and who always carried his instrument and it is a fact familiar to every artist. lf you use owned by a man who can't play it, doesn't take along with him, took it out of his pocket. an in ~ trumcnt too much it loses its tone-not enough, proper care of it, and yet won't sell it. If it were "'I am going,' said he,' to tul'n Corydon; let us see whether not for such men, artists would not have to make such Virgil's sheep will recognize their J)astor.' perhaps, for the average auditor to perceive, but the "He began to play. 'l'he sheep and ~oat s . that 'Yere fol artist knows it." sacrifices to get instruments with which they can lowing one another toward the mountam with then· heads "Maybe the trouble is then with the artist himself realize their conceptions. Of course they must have hanging down, raised them at the ill'st sound of the 1lute; and fine instruments. Nothing less will content them, all wiLh a general and hasty movement turned to the side from losing the precision of his touch fr·om over-practice," whence the agreeable noise proceeded. Gl'adually they 1iock said the caller. · · even though audiences should be just as well satisfied ed around the musician, and listened with noiseless attention. "1'hat is the explanation whieh most naturally to hear any well-made instrument as the divine voice He ceased playing, still the sheep did not stir. The shephel'd of a Stradivarius. ''-Balto. Oo1'1'espondence N. Y. Sun. with his staff obliged those nearest him to move on. They occurs to one, but it is not good. The trvuble is obeyed; but no sooner did the 1iutist begin to play than with the instrument. Every artist meets with it, and his innocent auditors again retumed to lum. The shepberd, has to keep more than one in use. Wilhelmj has to AN OV ERTUR E BY THRE E COMPOSERS. out of patience, pelted them with clods of earth, but Ifot oue would move. 'l'he 1iutist played with additional skill, the l
NEW MUSIC. H. B. Roney, East Saginaw, Mich. A. SHATTINGER, St. Louis, Mo. Among the latest of our issues we wish to call the special C. T. SISSON, Waco, Texas. attention of our readers to the pieces mentioned below. We M. STEINERT, New Haven, Conn. will send any of these compositions to those of our subscribers l\1. STEINERT & SONS, Providence, R.I. SHERMAN, CLAY & Co., San Francisco, CaL who may wish to examine them, with the understanding that SPALDING, ALG!l:R & OSBORN, Troy, N. Y. they may be returned in good order, if they are not suited to OTTO SUTRO, Baltimore, l\'Id. V. WALTER, Alton, Ill. their tae.te or purpose. The names of the authors are a suffi A. WALDTEUFFL, San Jose, CAL. cient guarantee of the merit of the compositions, and it is a J. P. WEISS, Detroit, Mich. fact now so well known that the house of Kunkel Brothers is E. WITZMANN & CO , l\iemphis, Tenn. not only fastidious in the selection of the pieces it publishes, but also issues the most carefully edited, lingered, phrased, and revised publications ever seen in America, that fLu:ther PREMIUMS TO KUNKEL'S MUSICAL REVIEW. notice of this fact is unnecessary. Every yearly subscriber to KUNKEL'S MUSICAL REVIEW will, OUR MUSIC. PIANO SOLOS. upon sending ten cents additional to pr~pay postage, receive as a premium either l{unkel's Parlor Album No.1 and Chopin's Best Thoughts selected, revised, and carefully Kunkel Bros.' Album of Music, or Kunkel's Parlor Album No.2 ''SOUNDS FROM PARADISE" (reverie), Charles Au lingered (foreign fingering) by Charles and Jacob Kunkel: and l{unkel Bros.' Album of Music (for contents see below). cheste1·.-1'bis beautiful composition is opus 30 only Thine Image, Romanza...... ]I'. Chopin $ 75 Parties preferring both J>arlor Albums, will receive same as of this talented composer. It is to be regretted that l<'irst Love ...... ]!~. Chopin 60 premium upon payment of 50 cents additional. this gifted writer has not given to the world a larger Will 0' The Wisp (Caprice-Etude) ...... F. Chopil& 75 Subscribers for six months may choose either of these books. Consolation ...... F. Chopin 50 KUNKEL'S PARLOR ALBUM No. 1.-128 Pages; $20 worth of Music. number of his tone-poems. How Auches ter heard Spring Waltz...... ••...... F. Chopin 35 the sounds from Paradise we do not know-perhaps Summer Waltz ...... •...... •.... . F. Chopin 35 CONTENTS-VOCAL. Autumn Waltz ...... •...... F. Chopin 50 I Love But Thee (English and German words) ...... Robyn. through some mediumistic power-but if he has The Parting (duet; English and Italian words) .... '1'ambu1·ello. truly transcribed them, then e:ph·its do not all play Awakening of Spring, (Polka-Caprice) ... . J. J. Vcellmecke 60 Angelic Chimes Ueverie ...... J. J. Vcellmecke 50 Bliss All Raptures Past Excelling (vocal waltz) ...... Robyn. the accordeon, and Wagner's music is not the music Valse Caprice (Summer Sky) ...... •.. . J. J. Vcellmecke 60 Leave l\f.e ~ ot Lonely ... ·...... Tambm:ello. of that land of the future. Sadia ::lchottische ...... Lysandra Clemmons 35 The Weddmg Day (Engllsh and German words) ...... B~dez. Beads of Champagne (Polka Caprice) ...... Ernest Schuetz 60 Angels' Visits ...... Melnotte. Satellite (Polka de Concert) .•.....•....••••• J. C. Alden, Jr. 1 00 The Stolen Kiss (English and German words) ...... Epstein. "MARDI GRAS QUICKSTEP," W. H. G1·eene.-'l'his iS Tales from the Vienna Woods Waltz, written for and dedi- The Penitent's Prayer ...... Kunkel. the composition which we present this month to our cated toR. Joseffy, Strauss, (GTande PaTaphTase de 'l.'he Brightest Eyes ...... StigelU. younger read<'rs . Its "ga-y and festive" char·ncter well Conce1·t) ...•.....• ...... •..•..•.. .. Julie Rive-King 1 50 Why Are Roses Red? (Eng., Italian, and Ger. words) . . Melnotte. fits its name. J_,istenjng to it. one can easily imagine Dreaming b~ the Brook (Morceau de ConceTt), R. Goldbeck 1 00 INSTUUMENTAL. En Avant (Galop) ...... R. Goldbeck 50 the procee:sion of merry-makers passing before him Norma (operatic fantasia, with lesson) ...... •..•...... Paul. La Varsovienne ...... R. Goldbeck M 11 Trovatore (operatic fantasia, with lesson) ...... Paul. in their varied and groteFque costumes , headed by the The Military (March) ...... •...... R. Goldbeck 50 William Tell (operatic fantasia, with lesson) ...... Paul. band, whose performers have here been displaced by Murmuring Waves (Reverie) ...... •..•.•.••. . R. Goldbeck 50 Martha ( oper~tic fanta~ia) ... : ...... , ..... : .. . Pq,ul. the deft fingers of the players. Spa.msh Students (Capric~) ...... R. GoldbP~k 50 Bubblmg Sprmg_ (caprJCe, w1th le~son) ...... Rwe-!"mg· Sprmg Dawn (Polka Capnce) ..•...... E. S c haejfeT- Kle~n 60 Gem of Columb1a (grand galop, w1th lesson) ...... Stebe1·t. WoodbirdPolka ...... E. Schaejfe1··Ktein 60 Skylark Polka (with lesson) ...... •...... Dreyer. ''SHOOTING METEOR." galop(duet).Jean Paul.-We Memory's Dream (Fantasia) ...... J. R. Ahalt 60 Shower of Itubies (tone poem, with lesson) ...... Prosinge1·. have here a gulop, brilliant, dashy, effective, and yet Titania (Caprice-Valse) ...... William MeTkel 75 Maiden's Longing (reverie, with lesson) ...... Goldbeck. of Qnly moderate difficulty. This composition hag •.rwilight Musings (Reverie and Waltz) ...... E. F. Johnson 50 Love's Devotion (romanza, with lesson) ...... •. Goldbeck. Gavotte, in A minor, as performed by Julie Rive-King at The l<' irst Ride (galop) ...... S~dus. appenred during the last year upon over one hundred her ('Oncerts ...... •...... F. BTa?ldeis 75 Cuckoo and the Cr1cket (rondo) ...... •...... Stdus. and fifty progmmmes of college and seminary con Stella (Valse de Concert), (Edition de Salon) .•.•• G. SatteT 1 00 Waco Waltz ...... Sisson. certs and exhibitions , and its publication in the Valse Caprice (Grand Valse de Concert) ...... A St1·elezki 1 50 The Jolly Blacksmiths (caprice, with lesson) ...... Paul. Gavotte (in G major)...... •...... •... A. StTelezki 60 REVIEW will doubtless increase its well-deserved Berceuse (Cradle Song) ...... A. St1·elezki 40 KUNKEL'S PARLOR ALBUM No. 2.- 128 Pages; $20 worth of Music popularity. Flash and Crash (Grand Galop) ...... •...... s. P. Snow 1 00 CONTENTS-VOCAL. Vita (Valse Caprice) ...... ••..••... . D1·. E. VoeTsteT 50 Thou'rt Like Unto a Flower ...... Rubinstein. "CHICKADEE" (song), fact Because I Do (Ballad) ...... ·..•...... •.. . Molloy. E. R. Krceger.-The BOOKS. that we publish this composition in the same number I Dinna Ken the Reason Why ...... Foulon. Goldbeck's Harmony, elegantly bound...... $1 50 Heart Tried and True ...... ••...... Kunkel. with Schubert's two great serenades. shows what we Goldbeck's Musical Science Primer...... 50 Come Again, Days of Bliss ...... Schleiffa?·th. think of its excellence, both from a melodic and har The best text-books upon their respective subjects. One Little l\ioment More, Maud (Ballad) ...... Estabrook. monic stand-point. Mr. Kreeger is a new and young Uow, Slumber, Love (Barcarole) ...... RembieUuski. KUNKEL'S ROYAL EDITION Life's Lights and Shadows ...... Robyn. composer, but a talented one, from whom we expect When Through Life (Duet or Solo) Concert Waltz.Schonacker. still greater things. Of Standard Piano Composition with revisions, explanatory text, ossias, and careful fingering (foreign fingering) by Dr. INSTUUMENTAL. '''fiiROUGII TilE LEAVES" and "HARl
Taken in connection with the KEY OF 0 WITH PARTIAL MODULATION TO G (UPON ORGAN POINT) preceding chord, b (*) is still the AND D MINOR. leading tone; considered as con nected ·with the succeeding chord, it ceases to be the leading tone, and becomes the 2d tone of the scale of A minor. Ex. 455. § 261. A key may be rapidly established through the chord of the Do minant 7th, which contains both leading and snbleading tones, and modu lation accomplished with equal rapidity in the same manner.
The 'fhird in this example is dou bled with advantage, contributing to fluency of progression.
So the relative minor in a similar way: 0 TO D MINOR.
Ex. 456.
§ 262. In the following example the key of G is barely touched by a ehord which admits of instant return to the original key. In this case the leading tone (b) suffices to establish the key, because f, The chord * at Ex. 452 may be re the subleader, is also common to D minor. garded as a modification of the chord of the Subdominant fa c in the first inversion. Lours KCEIILER, the dis tinguished composer and critic, de nominates chords of this character " Grenzaccorde ", meaning chords situated on the limit, or dividing line, of two different keys, in this case C and G.
HARMONY. 209 HARMONY. 211
(Ex. 456, No.2, continued.)
In this example the key of F is Ex. lightly touched, followed by im 453. mediate return to C.
0 ~'0 E MINOR AND RETURN.
FROM C TO G BY WAY OF E MINOR.
§ 263. Examples like the following are essentially instrumental. Some .Ex. 454-. of the intervals are too difficult for the voicf.'S. Instrumental composers fre quently eommit the error of demanding well nigh impossible things of voices. Voices. It is incumbent upon writers to confine license of interval to instrumental writing.
Piano.
The intervals marked, would be difficult for voices.
4 and 5 parts. Un_prepai·ed anticipation.
14 212 GOLDBECK'~ 214 GOLDBECK'S
C TO F THROUGH D MINOR. A minor. E major:
Ex. 458. Voices. ~~: c~~:;~=61 --f2------~ L= =--- ~- ~ --===. ==-==r--=t::_-=.._ .:._ __ ==--======~-- -= ==--=a -
Ex. ~::= 459. NOTE.-The student ahould transpose the preceding examples into other keys. Piano. Secondary Relationship in the Third. § 265. Primary relationship in the 3d between chords or keys is based upon the common possession of two tones, as inC major and A orE minor. The augmented 4th in Ex. 459 would be difficult vocally. Secondary relationship in the 3d exists between chords or keys having one tone in common. Organ Point. Secondary Relationship in the Third.
Ex. 460. ~~: ~c!~::lm~fi~~
§ 266. The cross-relation existing between C and A major makes these chords more difficult of treatment. Passages like the following are often. The origin of the chord at star (*) is the chord of the 7th in its first in met with. They are not particularly elegant. version with modifications. 1st Inv. Modified. ---1-- ?:::) - -~---Jc __-~---~~----_j ____ j_ -J~ - 61--?2=- -~--=-~== ~== Ex. ~==;;=--~--~a~--7::)----c;;-- -- -r-- ::-1 lj-:-~- 461. Ex. ==~==--=-o-==l!~~== 470. _J __-- J_ ~d _-- 1 ~i E\2: at Ex. 460 should· therefore be d~, but would then be too difficult .--r= -r-- -=~---72- -==t==- vocally. From f to e\2: is easy. ·-==------== ------==--==--=--.t:===------=
HARMONY. 213 HARMONY. 215
A minor to F. A minor, D minor and C. s 267. Better is the following, because the dissonance of the chord of the· 7th covers the effect of the cross-relation.
Ex. Ex. 462. 463.
§ 268. In the following example the cross-relation is sufficiently avoided A minor to G. through interposition of figured Bass.
v ~== 'l1le figured Bass at Ex. Ex. · --=~- -r•---4--~~ . -..p- 472 suggested the greater Ex. 472. I 1 1 1 1, 1 1 animation of Soprano and 464. J -cJ__ -:;=~-j~61 ~ -.~- Tenor, for the sake of sym- ~----- . - "-- -61--L metry. ~--t-~, -~--- - r--t_i_ § 269. As there is no way of avoiding the cross-relation in plain pro A minor to E. I. II. III. gressions of keys, ·such as C and A major, whose succession is legitimized through their actual relationship, the cross-relation must be admitted, temp ered, as far as may be, by dissonance, or covering of the cross-relation. Cross-relation at the ex- Cross-relation in the mid- Tempered by the dissonance Ex. tremities rather ha~·sh. dle part (covered) better. of the chords of Dom. 7th. 465.
A minor to F.
=ii ~- -~- ~=-= -$=·- Ex. · = -·-~ - • 466. ==i=~= ~:::·=-=~- •~ +=-.= --:::--=~ ~=!~ C~~~==--=- -=---t- r . § 264. The chord of the Dominant of A minor (e g~ b) makes the mo dulation toE major obvious, the chord of the 'fonic of A minor (ace) then assuming the character of Subdominant toE major. REVERIE. Charles Au9hester Op. 30. Moderato.
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'-1' ,... \ ~ '-1 ~ I lAo liT ... ~ ~ F "7' • - v I lt r I -< p - - ff ~•T ••• I .,. - L< ...... - .... - ...... ,...... t' I k ...... -" ~ - -- - - ... I' , - .. ., .. , .., ,, -j. 1- :-J ,_ · ~ ~ ·~ t .I.. ..,. L 1- 1- 1- f- ·'-1- 1- e1.. t:- t;; ., -- _...,., ... - .... ~ ...... '-1 .,.. ... ,... ,.. ,..• -,. • 1.1 ... ,.. .. ,r: ... ,..r:.. ... I vI• " It ~ p :F, lllilltl...... •t ...... I .••• 11 ...... - • • ~- t I 1'1 • - .... '"' .... . ~ ... -" " ~- v , , , , .. -""" , 3 4 1 1 4 4 1 4 ,. -~ _,. 3 2~ ~ ~'- · , , -r-- ~ liJ" 1 t -t; -~:: •3t1. ~- tf t .. ,;;:-,.. .. -~ -~ ~ .. '-1 .. •. II " ... r: ~ · '-1 ., . "' "1 "1 .... ~ -,.1, I" ... 14 1-" v VIT I, L- ...... ; l'l'P8: I • I,. .. ~-'"""· ... , ...... - ...... rJ -_;,j- -~~" I .. ,, - "' ..IIi. r ...... 11• • 1.- ""Ia Vr7 _, - ..."""" v , ~- -- > :::> :::::> -I- 1 2 ~i .. Repeat Trio to Fine, then repeat from :S: to Trio. PRT!W-0. Repeat Trio to Fine, then repeat from :S: to Trio. Poem by H. R. Dorr. Music by E. R. Kroeger. Schnee liegt auf der gan • zen Erd: Moderato J. 88 ~~ .------r I - ·r--- -1 ... lflf ·~ r•- ~ . I Jllll 1·1 - .v I\ I IJ ... -~ 11 I'll - I _I .. 1"1' _j_ '!!'!._ - I l • ~ - - '.J .&J r - - - r -' . All the earth is wrapp'd .in snow, 5 2 ~ - ~ - ~ 2 ~ ,.. .,. ..._ -- - ""~ ...... ,• ..,~ I'll ...... 4 • .. 41 h- 4 .. 4 .... , ...... II' - - .. .. . 't.) - ..:::::: 11~ ~ .. 'i ~ ?.:- 11 .. i i-J i -.r- ~ r¥ 1 . ------·---===== - p ~· 3 ... 4 ~ _..J . I I • ,... ,... --- ...... /II .... . - • • ·- -- 2 -- --6- + + t "J .. Ue • ber Ber • ge Eis. wind fahrt, Durch die Tha .ler un • ver. wehrt Sausst ______· der ' Sturm. - Je ·- des Bach.lein stil • le schweigt, ·Nicht. ihr Sau .. seln uns er • reicht, ,· rh- ~ ...---- b r•.~. :;a , ... 11 F ~ : I ) j I ) I pJ I ~ .pj j I i J I&) i3 ~ J blast All the mOuntain brooks are still, Not · a rip. ple from the hill, d~- - r- , .- ~ - ...... ·I ~J, I_~ - . ,.. 4 .. n• ...... ;~ , :q;• •. - ...... 1--' ~""~- ..... i· i "i It ... i· q i ...- !-- !,....-- - 't - ~ I < p . "' I , ..... I _L .. ••'1'1' ; • .. ~ ...... ,__.• -• =i ~ ... + ·-if Copyright_ Kunal Bros 1882 Hin zumBawn wo Ae.pfel hing'. ----- ....---:::::-- Da ein lus:tker Bursebe ist, Der den. So1nmer nicht ver.misst Und mir zu. ruft spat und frUh: : , ____...... ---- j~ ~~~ l' ~ I ~ ~ • « ·. ---- . ...._ --- ,Ja.. 'Ill: . .,. '1! ~f. l I r\ H I 'IC J - I' ll I L, _ J ...... rT L' I 1/ ""' ~ - -~" ... .. " -~ "1 ~"J/1 .. - ~.____ ""' "" .. ~.. :tJ - • r r r r I There's a hap. py fel.low t.het-e~ For the cold he does not care, And he al.ways oalls to ULe; - ~ ,..._, d~~. ... :X."" - ... Alii. II;...... ~ ,:"- . I ...... "- ...... --.t" ...... -~-~-- ...... tJ -= ... i ~..; .-4 -- - . .. - ll.. 1 #J -i- f+# f 1~ 14~ ~r 1 4-J ... i - • ... - • ) ll t I I ---2-· -.:iii v...... ·- ~~::u~~ ...... • U.f/f - I"':- - .. H - - .. -- - n_ - Tl. - ~ I I Tfo 1- 1- .... .!: f_ I_ 4 • 1~ .-# ~ r ·:= i p i - ...... spat und frlib: ''Chick. • a- • dee!" rit: Lu .. stig lin. mer iot der Klei. ne Farb, rotl1~blau,gelb hat er kei • ne, Denn sein wann~r _----=-===:.::. -~jf ~ · - - t·all.. ------.. - . -- - - ~I ) ) ) ) ~+- ~~ ---~=-= lt(i, , __EQgr } · I ~__, I ~ • t.) ~ - ~ ;;r, He's a Iner .. I'Y lit .. tie fel.low, Nei. ther r·ed nor blue nor yel. low, For he wears a ~ ~ -· - · r• a ~ ~ ~ .... ~-=i= ~-=- rw: J d .._}_ -.. 4 I ... 111 r- !.A -.,;r - ... • 4 .. • ' • .1== 4., _, - -ik q 12 -3 --- Jl-.1 -1 --~ i i j < p • J 1 2 .i +- . ·:a,... .., + • ...... - ...... -~ =~ -- _...[_____ .. . -. - - .. - - - """" - L -f -I ...... I · Mir das Herz ,·or Freu,.. de · springt, Wenn . er ru. fet spat und frlih. Ruft mir zu: heart re _ joice,______When he calls the live .long day, Calls to me: ''Chick. a dee!'' ''Chick .. a • dee!'' W~nn er ru • fet spat und frlih: rit 1":\ - .. ~'_it_ 1":\ ~t= _ - · ) I ) ~ I p 1 f:j lz-11 ;. .,j - __../ Q ~~ ~ r J n ~ ,,~ "Chick .. a .. dee!'' When he calls the live long day ____ , Chick • • a ..; dee!" a tempo. 1":'. f':\. rA.~- 1'\ r•._ ... -~ _____, ·...... ·~ - --...-- ,,"' • ...... • ""I ... 3.; -::, .. ~ - .. !e.J ~-~ 3~~ -t .. I . ;;,. i -s~ 2., ...... , '11~ 2 < f . l l -r -- I l I l ,.."' ~-+ - II ll "Jli' ., ~ ~·"' • ._..... 6 - ··-·-·----:- ~#-! · I:Oillll" ...... ------~o:- · - -""" f ~r """' r . r p Von dero trock'. nen .8au. me, sieb,' 'Chick. a. d~e! Cl1kk.. a .. dee! '' J)annsprin~t t'.r \'On. I) Chick.a. deer' ·Then he hops frorn • Zweig zu A~t, Un .. auf.· hor. lich, oh • n.e Rast, Mir zu .. ru • fend spat und friih: . ~~ l l - ---· - 1 1 __,jft_f'l' .... 1'1. .... 1\. -~- ----1 --_]}-- I - - ---.-----:~-- _._ _ • _.l " ·-#· --- I • :J II!" .... I I~ - -}------v • -r- eJ-- r I - - .r r r r I r r' - "---- hough to twig, Tap. ping on each ti - ny spi'tg'· Call.ing hap. py - ly to me:.. ___ ~ .,.._ ,...... ~- -· ·--- -·-- _L_. fA..~ - 4 ""' '- h_. _II_. ... ~ ..... !'!- II;, ... -- ... ~~~ • It ...... • • 1\..l:V----·h • • .. ... w ., , ~=~ ... .. , • ..• ,1.1··- ....- -j .. .. -- n• .. tJ • -1- ...... - - - - - .. -#- - < f r- -- f ------• - - .. . ~E$ :- - --+--- • • ·------.. - ---- • • - -• .... -• -- 4 :; "J 4 #i~ ''Chick. a .. de~" Lu • stig im • nter bt . der Klei • ne Fc1rb, roth, blau, gelb a d lib o· d~ ~ i. v · M= • - ~ -- ~~~~~~-=~~~ ' ~-~ = -_ -y=- -- -~ ·· ) I ~ . .____./ ru-wF ''Chick • - a .. dee!·· He's a met'. ry lit: .. tle fel . low, Nei. ther l'ed nor t;' \ ~~ .- --1-- I{ I""' ..., ~ ...... ':: f"j "' .. . .. • .. ... I ... • . - - - ~~ - lt) 3~ 2-J ... 11 •• -1· .. ., i i· ... I , I 1 1 r ...... "' r .... :.,. ..., ~ ..., ...... ~ • ...... - ,... ~- .. .61" - --··..... - - r r r -. L..... -I hat er kei • ne, Er der lust' .. ge Win .. ter .. vo • gel · ·Chick. • a • dee. ~~ J L 'i' b l ~ "' _A l' ----- ..... "' 1"1' .... lilt. I - -""' •• J - 1"1' 1"1' •• ll'" - ·~ " .... • • • _.l - ., .L .111/Y I'll •• ·- ..__,..... - •• -.) - -- r r r ------==- - - • -· ~ blue nor yel. low, He's the cheer. y bit·d of win. ter, Chick. - a - dee. ~~ - - f':'. I{ "' . .. .. - ~ ... ,~----.. .. Ill'\ I :. •• " "": -' - - • ...... "' ...... -...... • • ~~- • • - Jl'-' ~ - -i~ - - - '"if" - - ~ l. I L 1\ ~ .--.__ ~ '1- n 1: :::1 1'1 .. II . u.-t"' .,., .. •• ...,._ ". ~ ... ' LILJ.._. ~IY: ..__.~--'""' 14 .. 4- .. <~• I ... 1""..,...... - - - -._) - - [J. 2 •• -...._ 1. -l - -• -..- -''-"! r' .. •..._,.... . ~ P. cres.~-- -- = ~ 2 f. ~.,...,. ~ 2 •• -•- ::r-1 4 t...... ~l ~ loA : !..a !.1ft =~ .. • 41"" .. '1_1"': ._...... • ...... -: - -~ -··~'-J·I"' _U - ' I I I .....- ..- y .. _. • PtHl,..• - • •• "•./ • * JW. - ·~ - * ~ • 3 al • les das nicht weckt, so wer • de durch den Ton______der Min.ne zart- lich 2 Wenn schon die lie. be ~an. ze Nacht der Si.@r .. ne lich. tes Hee.r., ______hoch ii. her dir iln 1 Horch,horcb, die Lerch' im A. ther. blau, und Pho. bus ne.u er. wsckL ______,tranktsei .ne .Ro. sss rise ______, 1-lis steeds to wa • t:e:r slept______,_Like wake.ful sen • tries tone. ______Coax thN, at last, for Pea. • a auf. ge .. nec~t! dann er.wachs.~"~'9; . scb..9n ______, 0 dann er. wachst du schon. Wie* __ ~ Wech .. sel wacht, so hof.fen sie nocluueb.r. ______, so hof- .fen sie noch-mehr, d. ass 1 mit dem Tbau, der Blumen. kel. che deckt______, der Blu .. men • kel .. che deckt, Der -- -~~c:-_f_ &TitJ 4!1 Jl rZ) ~ ~ I Q ~ ' §iflj I at those springs, On cha .lie'd flow i-s that lies~ _____ .. ___ . On cha ... lic'd flow~sthat lies. And post, . Oer theetheirwat.ch b&l\'e kept..----~---.1 watch have kept1 ,.rhey ttake, To rise, my queen, my own ______! queen, my own! My • .... Copyright Kunkel Bros. J882. sie dich ans :trens. ter trieb, das weiss sie, drum steli auf, undha be dei. nen dein Au • gen. stern sie griisst. Er. wach! .. Sie war • tel) drauf, we:ii du .Jioch gar so gel "! blu • me Knos • pe schleusstdie gold • nen Aug • lain auf, mit al lem,was da -...... :.,.. If ing ma .. ry.. .buds be. gin To ope their gold. en eyes; With ev' ry thing that ed bright.er orbs to greet, Thy love • lY, star • like .eyes; .They'rewait. ing still, a. has waked thee oft be. fore Jlrom dreams of Pa • ra. dise, To L.ove's true heav'n;Oh San • ger lieb; rei • zend bist; rei • zend ist; "·PM. · .' Pi4. ,Pia. PM , stell. auf,1W. ______sse Maid, steli auf,... ------· stell aut;------du sse Maid1 ·steli sii sse Maid, steli auf,. ..______steli auf, ______stiH: auf, ______du sti • sse · Maid, steH sii • sse· Maid, steli auf;______stell auf, ______steli 'auf, ______du sti • · sse Maid, steli . -:-;=:: -::- aecres. ----- • a • rise, ______rise,______, y a • rise, ______a • rise,------My on • a. rise ------..,---· a • rise ------In all ~ allf, ______Ped. _ steli auf, ______:._ su • sse Maid,• steli auf! auf, ------steli auf, ------su sse Maid, r:;tdl auf! auf,------steH a¢",--'------du sii • sse Maid, steli auf! ~ . _...... ----.._ ~ rtse,____. --4=______Jy I ?i a 1y sweeEIT( ~a ·.I rtse.r. I., rise,______:.__ My on • ly love · a. rise! rise,______In all thy beau • ty rise! • ~. (STANDCHEN.) F. Schubert. .2 Hort die Nach • ti.p. len sehla. gen1 aeh! sie fie • hen dich, Lei • se· fle • hen mei ... . ne Lie· • der dureh die Naeht zu dir, ...... 1 I J t. I ... IJI -I I !Rl[' 11t" '' ... M .. V I I ~· 1\ I - I ""'_I - lll"' - ~J. .,; · ...._.- I ~ I 1 Thro' the leaves . the DightWin&tnOT. ing, Mur. • mur low~· and sweet,-- 2 Moonllghi.on · the earth is sleep. in~, Winds are r~st.ling low, ~~ f) 4 ------. ~ 4 3 2 3 ~~ l, ..,. ~ .,. ..,.. •+1.. ~ ~4· ,. h...... 4,.,~J,. •• ~~ ... _..1 IL · ~ ~ ... ~ ~ ... . , . I e.f- - -~~~· ~ p .•• I • ,_ ··~ . ~· :• r. -.,\,. .X -• ... ~~ ~ j:.. ~ :;;~ 1- "'(§- ..· ~- ·t~_,...... -- lW. 2.Mit der To. .ne sus. senKla . gen ne . hen sie fur mioh. . J. In denstil ... • len Rain her.nie - der9 Lieb. chen,komm zu mir. . d, I - • I I I - I ..... e J "I I ·-I l ,.... J ...- I - I - , - . • I ~ r I ~ 1. To thy chain • ber win.; dow ro • --ring, Loft bathled my feet. 2.Wherethe dark. li~ streams are creep • ing, Dear. est let us so! ...... --...... f-(#-.-----=---- -4,.. ,.. 4.. -!#- 3- · ~ It~ .. ~· .1. - e.f .... -,... J!' .,... -oPll.. I . """' """'!'::...... ~ =-- ...... - - - - ~- ~~ "' ?): <'-opyrigbt- Kunkel Bros.l882 · Sis ver. st~hD ·des Bu. sens Seh - nen, kenne~ Lie ·• bes. ftiisstemd schlan • ke Wip..fel rau - schen in desMon . des l I l. -, -y . ~ .l- ... -I , ... -~ 1.1' ... IL . I. - ,.., - .... :.y - I - • cy -- td 7 r r - Si.lent pray'rs of bliss.ful feel • ing Link us,thougb a. All the stars keep watch in hea ... ven, While ~ I ~ ~ .... J.:J ... . - ---- Ill" ...... """ --· I F' J tJ ---· !....-/ ~ "' -< ~ - ..... ~ {,... ,. ... --- WI .. IT ...... ..J~ J..J .l... _. P64. * s~, kennen Lie bes. ~hm.erz, RUh.renmit den -Sil • ber UJ·. • nen Licht, . iri ddMon -• des Licll.t, Des Ver.ra • the:rs feindlich Lau ·• schen, I I I T T I -..,.. ""' I!" I •• I'll ~ .. I ..re .!"'[ -· I M/1_ I • IJ I _I - .- ... e rJ T ·y~ . .P , f ..... # part, -~~Lin tiS, theugh a • part, On tlie breath of mu • sic ~teal • ing thee, While I sing to Utee; And the night for love was giv • en, ;..-:--::---- , ____ 1:11' -·,•. f .. 2r ~r. ;-- ~ . I. .. ~ .- .., - r • ~- ..1 ---· I .. I IfF ·- l ...;;, - ... -- &.1 ~I ~ ~ - ~ ~ .... •.,.. • • ....r. ~--TJO - """'- . Ill" . 6"~ .. ,_ .:.1 I' .... - -- / ~ ·~ ...... =~ ...... 1!:=~ "'!: JW.~--- · :~r...... -...... -~...... ,.. Je . des wei • che Herz, . JW• ...,..je. des wei . che Herz. riirm.~, Hot tte, nic~ flirch. te, l:lol • cle ilieht. I 1~ d · l ...... -z-...- ...... ' -- 1 I -, Ill" • ...... J ~ ,...~. I. ""''1 IK.I IJ -· 1.. 1 • T · 'L V ;I I ... r..,; ~ T -- . _,. I To thy dream - ing To thy dream • ing heart. Dearest, come to Dearest, come 1e me. ; 3 ~ ~, - ----...... _ I It.' ar·l' :~ • ·It ... - t1 _,,... _.... . :""Le I ...Ill" - ·-..... r ..... -· -) -·- v ... ., ._ ..,II ·-=...... Ia ~· Ia "" II" • - .., •· Ill" - -- . ~J.r - 4~ :~ ·, .. " ..... f_ ~ • Jllllll"-- ..... _11111_111"- lW. '-- PI~ 5 3 1W--, ------ Lass auch dir die Brust be. we _ gen, 'Lieb. chen,ho. re mich! Be - bend harr1 ich ~ 1he heart for P«J. P~ * Ped. PIHI. JComm, be. gl:Uc.ke mich! ·Komlll, bt\gliic • ke ~ . ~ Bid it, love, be still. Bid it,love, b~ Pet~.'.rntcll ______Ped. _ gliic. • ke d l I if - _I I. I I , • •• - l ...... I . . X L l ...... '1 ·- - -· ·-- it.) I I -· r- --r I~t still ______Bid it, love, be still 3 d l ;--- 1 1,. . . I ...... - r •• JV Ll' ...... -- - ·- I..., f.:-.... r;.,.• .J;- ~- 'ltd ·. ~l; • < Ff.J ---- ~ - .~ f'- ~ ~ ~ .- ...... Iii: •.,...... IlL ...... , !I .. . II- .. ..• .• .. .• .. • •II"" ,... ..II"' .. ---:;;,;;·· ... - .. II"" II"" I"" I"" ~ I n.• • "1------.,_. If - - .- t' -- - • • - ·• - - - - - ~ - ~ ~ :~ w =~ --~ ,.,.,~,. ~ __...... t - . ,~ p:r:- Ped. , p'J'r 3 ·- Ped. · P.d. l 3 4 3 4 dl 4 L ~r--= ~ 1 ~ -3 . . .c:o • - II,.~ ...... -..___-- . •- -. ~-. -• -. --;"" ~~~ ~~ ~ ~- -":"....__., ":' ~11 '! . ~~. 1-:r-· ~r- . ·___./ ====---- dim. ~ ~ I l ~ 1£ .,.. ., . ,....., ••, II ,... .., .. ., ...... I"" .. ..• .. .. """ .., • · .. I n.' ~ ...... , IlL IlL IlL r • ..._. t' If .. • -- .,., i.a i.a .. • Ia - --- -.. .. - -.. ... -- '- --- ... ------~-· 11111111111111 ~ ~- t,...... ~ t i~ t u t \.:,) -~ Ped. ~.,.,.. Ped. Ped. - * KUNKEL'S MUSICAL REVIEW, OCTOBER, 1882. 4 79 ...... U..GU ST STENGLER (Sol o.. Clarionetist) ·· teaches··- the A modern method of the clarionet, and may also be engaged for private concerts, etc. Address orders in care of J{unkel Brothers, 311 S. 5th St. JAMES HOGAN PRINTING CO. ) ARTISTIC ( METRONOMES FOR THE MILL ON Kunkel's Pocket Metronome is the best, cheapest and most accurate Metronome made. It b no larger than a lady's watch, . jrinting ~ ~it~ogra:p~ing and can easily be carried in the vest pocket. Price, $2.00. Sent by mail, post paid, on receipt of price. MAKE A SPEOIALTY OF FINE WORK. Address, KUNKEL BROTHERS, 311 S. Fifth Street, St. Louis, Mo. CORRESPONDENCE. 413 & 41 5 N . ----Third Street, ST. LOU IS. BOSTON. BOSTON, Sept. 17, 18!:!2. Plenty of prospects, lmt no concerts. As the miners say, there are "good indications." It s probable that this season I~IR'TT ruax:TUII ~Os will be the most important one that Boston has ever seen. If the quantity of discord which precedes it is any indication, it FINE, MEDIUM AND COMMON will be enormous. Before every great musical season there is an amount of wrangling, just as there is an amount of tuning up in an orchestra before a concert. 210 & 212 NORTH THIRD STREET. ST . LOUIS , MO . The chief rowE', as usual, center round the doings of the ·wwaa·a•w•·•, Boston Symphony Orchestra. 'l'his time, however, it has noth ing to do wiLh the musicians or the director; it is connected For Ladies Ger tlemen. Lowest Prices! Relia bleWor k! ~ ewest Styles! Largest Stock! with the sale of tickets. After assuring the public that as far and Nos. 609, 611 & 613 N. Fourth St., as possible, speculating should be checked, and that the" 1lrst come, first served" principle should be adopted, the persons who Open Day and Night all the Year. eT_ LO'U~S. came to the box omce thirtieth or furtieth in the line, found almost all the desirable seats sold. It seems that n ume• ous seats ST. LOUIS SCHOOL OF ORATORY, had been reserved for friends, musicians and the press. Of course 1\'fr. Hif(ginson had a right to do this,as he annuall) sinks 210 North Third Street. I. N. Beers, Principal. $10,000 on the orchestra in an effort to educate tile musical Voices trained for the STAGE, DRAMATIC READING or PUB population of Boston. But this was a slight consolation to LIC SPEAKING. For Circular, address JACOBSOHN'S VIOLIN ~CHOOL, those who had sat up before the box otnce for a whole night, C INCI NNA'rl, OHIO. suffiering great tribulations; for when they had waited there .J. W. JOHNSON, Business Director. many hours, a stern policeman ordered them to " move on." HEREBY NOTIFY THE PUBLIC that I shall establish in The movement was taken con dol01·e. 'I his opens up a fine I this city, a ' question of law fot· concert goers to study. How long may a man legally remain standing before a ticket otllce? Will some .~I "V'iol..i:n. Schoo1, musical Coke or Blackstone respond? The disappointed ones 3 P OPULAR OPERETTAS, combined with Piano, Theory, Ensemble and Orchestra have adopted the English remedy, anti have "written to the Olasses, to be opened October 16. Information can be ob papers." I imagine that this tempest will not shake tht; calm " L AILA," "GENEVIEVE,.,- ta_ined at the office of the piano deale's, Messrs. D. H. Bald of the protectorate of the Boston Symphony Orchestra. That wm & Co., No. 158 vVest l!..,ourth St., Cincinnati, Ohio. organization is used to hot water, and is callous to anything and "THE FAIRY GROTTO," under 500° Fahrenheit. '!'he concerts will be good, and the BY G. W. STRATTON. S. E . JACOBSOHN, ho.lders of seats will be happy, and the malcontents will be Prof. College of Music. forgotten. It is the way of the world. _ 0 VER 40,000 COPIES of the three operettas have Cincmnati, 0., September, 10, 1882. '!'here is another newsp: per war being waged over a musical already been sold. 'l'ILe~ are suitable for exhibitions _ matter. Shall the Music Hall organ be sold? The directors of Schools, Academies, Singing Classes, and Sunday say "Yes," and some of the old musical amateurs an~ workers, Schools. Sketch and programmes, giving full par- - BOSTON CONSERVATORY headed by Mr. E'. H. Underwood, say "No." Two years ago I - ticulars, sent free on application. Specimen copy of called attention to the fact (in the Sco1·e), that the organ was either (words and music in full) sent on receipt of 40 - in bad condition, and was besides, a badly balanced concern. - eents by publishers, G. w. STR .~TTON & CO., M ETHOD FOR P IANO As was the case with Cassandra, my remarks were unheeded, 21 HANOVER ST., BOSTON, :MASS. A~ taught a~ the Boston Cons~rv:atory of :\lusic, Julius although I repeated them at intervals. Now the case is altered, Etchberg, Dtrector. Its supenonty consists in its ~en the old instrument takes up a great deal of room, and since er~l arrangement and 1ts plan of progressive exermses. the hall is reseated, it does not hold quite as large an audience, Pnce, $2.50 and the stage is not large enough for the orchestra, and-there SONGS OF ENGLAND. A companion to "Oluster of are numerous reasons why the organ should go. . It is true English Songs," which has had an unprecedented sale. now, even more than it was when I first reviewed the matter, ' JlJS T PU B L I SH E D. T~yo hund~·ed and fifty-six p ·ges sent post-paid, on re- that the organ is bad. 1' eglect and carelessness have made it -THE- Ceipt of pnce, Boards, $2.00 worse. The mechanism is always out of order at one point or EI<;JHBERG'S VIOLIN METHOD. Used in Mr. Julius another. The pipes speak so slowly that the organist always Etehberg's classes at the Boston Conservatory and by is obliged to keep WP.ll ahead of the orchestra or chorus to all the leading Violin 'l'eachers, price, ' $2.00 balance matter.; . The pitch is never to be relied on, and SONG-w-AVE while there is a profusion of solo stops there is a lack of the PLANTATION SONGS AND JUBILEE HYMNS. By true mellow, diapason which is the essence of a dignified Designed for Schools, Teachers' Institutes, Musical Conven Sam Lucas, James Bland, C. A. White, Dan. Lewis Harry organ. Nevertheless, much of this can be overcome without ventions, and the Home Circle, by H. S. Perkins, Chicago, Bloodgood-all favorites. Price, Paper, $1.00. Boards, $1.25 removinl(the instrument. The case is beautiful, and is the author of "Song Echo," "Head-Light,'' "Graded Readers," DUETT GEMS. The popular works of Blake Lange Von finest object in Music Jlall. Tnere are also some stovs in the etc.; H. J. Danforth, New 'York; and E. V. Degraff Supt. of S~ppe, Budik, Sodermann-Sponholtz, and' others, for swell and choir organ which are unexcelled in beauty, and Schools, Paterson, N. J., and Institute Instructor, author of plano forte, ------$2.00 much of the pedal, and some of the great organ could be re ''Song Budget," ''School Room Chorus," etc., etc. GUITAR GEMS. A choice collection of the most popu- tained. vVhat would seem to be necessary, is the removal of Price, Postpaid, 75 cents. lar Vocal and Instru~ental Music, arranged for Guitar, the raspy and asthmatic high-pressure stops, and the substitu tion of something mellower and richer, and the addition of an by W. L. Hayden. Pnce, - - - - $1.50 D. APPLETON & COMPANY, OLD-TIME FAVORITES, A collection of old and entire new mechanism throughout. This woula, I think, cost fam_iliar tunes and t,nelodies, from countries, for Piano or less than the purchase of a new organ, and would save the fine case, and also the sentimental memories clusterin~ around New York. Boston. Chicago, San Francisco. cabtnet organ. Pl'lce, Boards, $1.25. Cloth, $1.50 the old instrumem. In the great memorial history of Boston, MODEL CLASS BO~I{. By H. S. Perkins, for element- in the chapter devoted to music, J\'lr. John L. Dwight speaks ary classes., conventiOns, choirs, musical institutes con- thus of the organ: 1 28'a. cert use, and the social circle. Price, ' 75 "'!'here was still wanting, to complete the Music Hall, es pecially for oratorios, that' temple within ~emple,' the great WHITE, SMlTH & CO., Bost on and ()hicago. organ. For this, too, we are mdebted to the indefatigable eotern R l oundry. energ_1· and zeal of Dr. Upham. It was years in vrocess of by * construction, and then ke(Jt back the dangers of transpor LAD IES' FANCY WORK. tation during the war. It was from the celebrated manufactory of Walcker & Son, at Ludwigsburg, near Stuttgart. Its four TO BOOK OF 1NSTRUCTIONS AND PATTERNS for Artis manuals and pedals command eighty-nine registers and 5,474 A . tic Needle Work, Kensington, Embroidery, directions for pipes, inclucling thre~ thirty-two foot stops. It was at that makmg numerous kinds of Crochet and Knitted Work patterns time by far the largest organ on this continent, and o.ne of the for Hand Bag, Tidy, .Mat, Oak Leaf Lace, Piano Cove1· etc. three or four largest in the world. It was dedicated November C * T Tells how to make South Kensington, Outline Persian i'ent 2, 1863, when an ode by Mrs. James 'l'. Fields was recited by Star, Satin and Feather Stitches, etc. Price, 36 cts. ' ' .Miss Charlotte Cushman, followed by some of tile noblest BOOK OF 100 OROSS-S'l'l'l'CII PATTEl'tNS for Worsted organ works of Bach. Handel, .Palestrina, 1\Iendlessohn, and 207 E CHESTNUT ST. A . Work, etc. B01·de1·s, Co1·ners, Flowers, Birds, Animals Lefebure Wely, played by Messri:l. J. K. Paine, G. W. Morgan, L YPE Pa_ns~es,_ Stork, D~er, Elephant, Comic Designs, 8 Alphabets, etc: B. J. Lang, S. ]>. 'l'uckerman, JDugene Tha3 er, and J. H. Wil Prtce, 2;) cts. 4 'l'tdy Patterns, 10 cts. Special offer-AU for 18 cox. l!.., ortunately the return, shortly before this time, of 1\'fr. ST . LOUIS, MO. 3c. stamps. J. F. INGALLS, Lynn, Mass. Paine from his studies in Germany, full of the music and tra ditions of Sebastian J3ach, brought that greatest of all organ E music into frequent hearing through the medium of this new gigantic instrument. and his eff• ·rts found emulous and able THE PETERSILEA seconding in several of the organists just named. It must be GOLDBECK'S MU810 AL INSTRUCTOR. confessed, with some shame now, that those organ concerts SUBSCRIPTION PRICE $ 1.00 A YEAR. for a year or two gave far more of the highest cl .ss of organ Subscription Year Began April15, 1882. ACADEMY O F MUSIC, compositions than we have had a chance to hear more re· ELOCUTIOl'f AND L A RGU A ~~";S, cently." HE MUSICAL INSTRUCTOR, which appears monthly con 'l'he excitement in lloston when the great m:gan was inaug T tains complete graduating courses, in successive lessons of 281 Columbus Avenue, BOSTON, MASS. m·ated, was intense. Artemus Ward, thetirstAmerican humor the Piano, the Voicl', and Harmony. These are so arranged that • ist, was in the city soon after, and comically alludes to the fact teach~rs may instruct from them, from the 1lrst step to highest Grade of musical education as high as m Europe. that, mixed in with every welcome that he received, was the pro1lctency. Thus the 1lnest and most successful methodA can Prtvate or class lessons. Education of 1lne soloist• question," Have you seen the big organ?" .Mr. Dwight's re be universally tan~ht, raising the standard of musical educa and teachers a specialty. mark concerning the lapse in organ matters is only too true. tion at once to a lugh degree 0f excellence wherever the Musi . There is no city in America which cares less for organ music cal Instructor is received, and its course adopted. Each BEGINNERS ONLY TEN DOLLARS PER TERM. than Boston. monthly issue contains besides six careful vocal and instru History and Theory of Music, Harmony, English Let me close my letter with a word about the opening of the mental lessons upon pieces and songs of good authors, as they Literatur~ Concerts, Readings, Piano Recitals, and New England Conservatory of Music in its. new quarters. I should be taught in all their detail. Much other valuable in Ensemble Lessons free. Situations procured for gmd have never seen a 1m1sic school so 1lnely eqmpped, and 1 doubt formation is likewise given. Inclose $1 00 to uates. Send for circular. if there is any. Everything seems contained within its walls. ROBERT GOLDBECK, The vast dormtiories, with neat and high-studded rooms; the 2640 Washington Ave., St. Louis, Mo. 480 KUNKEL'S MUSICAL REVIEW, OCTOBER. 1882. great dining hall, the parlors and reception rooms, each ap propriately, and some elegantly furnished; with a piano or +1------~ J. HOWARD POOTEt organ (sometimes two) in almost every room, speak of the B.a."Ve:n. ~ Bacon, home comforts. Then in the business department are the Sl Mairlen Lane, J{ew York, large offices, the Director's room, the music store (fully - NOW- and 188 a~tdluu State St., Chicago. equipped in all departments), etc. In the recreation depart SOLE U.S. AGENT FOR mentll , are the reading rooms, the large musical library rooms, with some very rare and valuable books on the shelves; the musical museum, with its many quaint and curious instru ments, the gymnasium, etc., etc. In the working department RAVEN PIANOS .. are numerous instruction rooms, each with its complement of instruments, lecture rooms and recitation rooms, with black (EST.A.BLISHED J.S29.) AND BAND INSTRUi\IENTS, boards set in the wall, and plenty- of apiJliances for ventilation; MANUFACTORY: I WAREROOl\IS: Badger's Boehm Flutes, Bini Guitars, the organ rooms, with large p1pe organs set in the side or 12 Washington Place, 13 East S.ixteenth Street, ~llfeyer Flutes and P.ic,;ulos. placed so that the student e»n study the inte,rior; and the con cert room, with its grand piano and three-manual-and·pedal NE""V'V YO::SX: CJ:TY- r~~~~~a~trf~~ 0te~a~~oW.~ts~ci~~~s~~~~~arsG~~~~ organ, built by Hook &·Hastings. All these things speak of the Used byLevy.Ar- emf A!!ent for the OrguincttP. C'atalogucs free. vastness of the scheme. But the fact that languages, fine arts BtirUprights a Specialty:"a buckle and all artists Mcntioa Kunkel';; )Ius !Cal Jtc ci cw. (paintmg in every branch), elocution and English branches, have also their apJlropriate rooms and halls, proves that the great scheme which Dr. 'l'ourjee has brou~ht into being, is in reality a university with music as its leadmg study. · COMES. G. SCHIR .MER, WHO ARE THEY? Importer and Publisher of JAMES & HOLMSTROM, MANLTFACTUREHS OF There is often a curiosity to know the real names of stage people. We find in the Folio the libt which we publidh below M I an•1 which we have enlarged uy the addition of a dozen names II lUlSI ICII or more: Sole Agent in the United States for .~=.~·. ORA N .. Ph~ladelphia:- We think you will 1lnd Kunkel's edition of Czerny's Etudes de la Velocite just what you want now. Let them be followed bv Cramer's. "BELLA," Napa City, Cal., writes: PALACE ORGANS, 11:ditor KUNKEJ}S MUSICAL REVIEW.-"Teachers feel 'hot' on the subject of 'American and European Fingering.' What is your opinion? I maintain it is better e.ither to begin on.e or the other, and after a couple of terms, giVe llnget· exerc1ses, The Best in the World. and a piece once in n while." As there m·e good compositions publlshed with American Six Grand Gold Medals and Eight Highest Silver fingering, it is well that it should be understood, and tJ:e sye Medals within three years; a record unequaled by tem you propose is, doubtless. a good one to accomplish th.e Wedding and Visiting Card•, any other manufacturer of Reed Organs in the end. American :fingering is, however, doomed, not because 1t Writing Papers and Envelope., World. Send for Illustrated Catalogue to the is not quite as good as the other, bnt because not only are for· ~ Monograms, Initials, and Crt'.,ta. ' ? ? ? ~ ? ? The Albrecht PianQs • • •~ • ~------·----·~ SOBO'MACHBR. HAVE FEW EQUALS, AND N 0 SUPERIORS! ? ? ? ? • ? ? ? JE:iirAGENTS WANTED-. ~ • • ~ --ELECTRO~GOLD~STRING-- • PERTINENT AND IMPERTINENT. • Address for lllustrated Catalogue and Price List Is it true that buck beer was so named in honor of Dudley ALBRECHT & CO. Buck? IIIPII I IIA II N II OII SIII Why should not the choral societies throughout the country These Standard Instruments are unrivaled. No No. 610 Arch Street, Philadelphia, Pa. put in immediate rehearsal, Gounod's "Redemption ? " make of Plano perfect wHhout the Patent Gold Wires. Circulars mailed free on application. ·why not give Boston the organ now in the Mercantile Hall, St. Louis, in order that they may see that the Wes t can beat the 1103 Chestnut St., Philadelphia. East in bad organs? Did Potter of the New York Herald, feel complimented at being kicked out of the Bayreuth Theatre by the "pure fool" minions of the only greatest Wagner? When Musical People speaks of its regret at the troubles of .llfttsic ancl Drama, is it not really mo1 e anxious to make those ditnculties known than to express its sympathy? CHAS. A. DRACH & ' Why is it that, though so glib on othel' subjects, when you CO~-, ask h1m about that pocket-book, once one of his favorite topics, Brother "\Velles is "deaf and dumb and can't talk?" Ditson's M·usical Recm·d used to be a readable paper. Is it ElECTROHPER~ ~ ~TEREOT\PER~, not about time for its editor to return from his summer vaca tion, and resume the chair which the lJrinter's devil seems to have occupied for several months? COR. FOURTH AND PINE STREETS, (Globe-Democrat Building,) BOOK REVIEW. ST. LOUIS, - MO. THE Al\IERICAN MUSICAL DIRECTORY. Andrew Boyd. II I I I I I I I I I I I I I I I I I I o I I I I I I I I I I I I I I I I I I I Incorrect, unreliable, and utterly worthless for the purposes - - - for which it is intended. People who have been aeau ten - - years avpear as dealera, others appear as such who have been - - out of busine~s for an equally long time; names are misspelt, - - addresses wrongly given, etc. - - - - A NA'l'IONAL SCHOOL FOR THE PIANO FORTE, by W. F. - ORGANS, - MARION Sudds. St. Louis: A. Shattinger. - - BARREIRAS' - - Teache"rs are not agreed as to the advis:tbility of using - 1129 Chestnut St., PHILADELPHIA, PA. - "school~" for the piano, many preferring to select such exer - - cises as may appear to be needed for their pupils, from the PIANO WAREROOMS, - - writings of different authors. For those who prefer a curric - New and Beautiful Styles for Church - N . E. Cor. EJeventh & Olive Sts., - and Parlor Use. - ulum of studies already marked out for them, this work will - - be found complete and thorough. It has some features not - - found in othet· "schools," among them a series of written exer ST. LOUIS, MO. - WHOLESALE AND RETAIL. - - cises, which will commend it to thoughtful teachers. 'l'he ~Special Prices to Dealers."'Q b r o~raphical dictionary at the end of the volume is, lJOwever, - a dismal ailure. It also presents the author in a ridiculous PIANOS and OUGANS (new and second-hand) I I I I I I I I I I I I I I I I I I I I o I I I I I I I I I I I I I I I I I I I li~ht, for he mod stly says of himself that "he is a prolific and Bought, Sold, or Exchanged. Pianos for Rent-$2.50 talented composer, with great fertility of inve~otion, :md one to $7.00 per month. of the few able to live on the income from his works;" also, that he "is be· t known by his remarkably graceful and melo dious piano pieces, in which cl;~ss of composition he is said to b the mnst successful in America, at least since Gottschalk." After such an exhibition of fl'Othy nonsense. Sudds is entitled to be called soap-suds. 'l'he "school" is one which we can hon astly commend to the favorble attention of teachers for its excellences far outnumber it~ defects. IVERS 8t. POND UPRIGHT PIANO "DOT vas a mean man which went shoost now der door oud," (ELLIOT PATENTS.) said Mose Fuhrman to a friend who dropped into his store. PIANOS ''Why so?" inquired the friend. ARE STRICTLY FIRST-CLASS. "He tnshult me mit my own store." OFFICE AND FACTORY: "Well, what did he say?" "He says dot bile of bants ud make good milluck strainers For full information, Catalogues, Etc., address 486 TO ~00 H.A.::a::aiSON .A. VENU"J!l, mit a geese factory." "Why didn't you talk back to him?" IVERS & POND PIANO CO., BOSTON, MASS. "Vy didn't I?" Bet! your poots I did. ' "What did you say?" 597 Washington St., Boston. "Vat did I say?" "I dold him to come to hell." I 482 ittrNKEL~S MUSlCAL REVlEW, OCTOBER, 1882. WHAT THEY SAY OF OUR METRONOME. From PROF. WILLIAM SIEBERT, the eminent composer, teacher, etc. Grand, Square and Upright. ~ MCCUNE COLLEGE, LOUISIANA, Mo., I ~ May 27th, 1882. I ST'ECK Mess1·s. Kunkel Bros , St. Louis: GRNTLEMEN-l have examined and thoroughly tested your Pocket :Metronome and find it all you claim, and more. It is mathematically accurate, remarkably simple, and its small size and weight make of it a little jewel. \ ' :=~~"I -\ =-~~-~ =~~ \ ~:" \\~~-: ~ - • WILLIAM• SIEBERT. -- . - _, - ~-~-- -~------. -~- · - · ---.... - ~Q- - ~, - - - .. ------\ \ •, \ JrG1!11r'\ \ :\- !ltlI lPitAR From CARLYLE PE'r.ERSILEA, the great pianist and prin cipal of the Petersilea Academy of Music, Elocution, and Lan Factory: 34th Street, bet. lOth and 11th Avenues. guages: BOSTON, June 17, 1882. MESSRS. KUNKEL:-! have given your Pocket Metrunome careful consideration, and I warmly recommend it. The sim WAREROOMS: No. 11 East Fourteenth Street, NEW YORK. ple and beautiful philosophicallH"inciple upon which its action is based neeessarily makes it ar.curate. As the Metronome should be used only to indicate the general tempo, your Pocket Metronome anowers fully all purposes of a Metronome. Respectfully, CARLYLE PETERSILEA. From L. C. ELSON, Roston's most renowned critic, author of "Curiosities of Music," "Home and School Songs," editor of Celluloid Piano Key Company (Limited) Tlte Score, Musical Herald, etc.: ROCKLAND, )fE. MR. I. D. FOUJ-ON :-Dear Con(1·ere :-Allow me to give you hearty thanks for the excellent portable Metronome which COR. FOURTEENTH ST. & FIFTH AVE. CKEWYOR.B. Kunkel Bros. have sent me through you. It is of course 11n application of the old French invention (Etienne Loulie et al, last century), but while their discovery was impracticable be cau<>e of its awkward shape, etc., this arranfo-ement makes it of real assistance to every musician, and wil probably make Never Turns Yellow, Discolors, it 11niversally useful. It certainly is accurate and its principle scientific. Yours, sincerely, · LOUIS C. ELSON. - :FOR- Shrinks or Warps. J!"'rom the author of "Vita," "Love's Rejoicing, etc." Piano, Organ and Melodeon Keys Sixth Year. No Complaints. To Messrs. Kunkel Bros.: ..... GENTLEMEN-I find your Metronome very simple, both in its construction and in its application-an absolutely correct indicator of measured movements. It is apparently phenome "'a nal, that at the very first instant when set in motion the cor ~Over Three Hundred Thousand Sets of Celluloid Keys now in use. rect movement is indicated and regularly kept up until at rest, yet this regular motion is based upon and consistent with the great law of nature called gravity; the graduated scale for such regular movements has been carefully computed from absolute time. In the two lies the perfection of this little time-keeper, which, in my opinion, can not be impt oved upon. It is an indispensable pocket reference for the observance of correct measlR'ed time for the performance of music, instru mental or vocal, as well as to guide the measured step of the soldier in his drill. Very respectfully yours, Kurtzmann, Man~er of Piano I Fartea, ENG. VOERSTER, ]\[. D. c. PROF. A. J. WILKINS, the eminent teacher of Bridgeport, Ct., wrote us in date of June 20, as follows: I tried your Metronome with my Mrelzel, and I thought that from 126 to 160 it was not as aecurate as the rest of it which GBAB8, S"1J4t\li.ll lm5 lJIPBltGII~So seems perfectly so. It is certainly a very handy thing for a musician to have in his pocket. I like your REVIEW extremely well. It is well worth the L06, 108 & 110 Broadway,· money without any premium. It i:; the best publication of BUFFALO, N. Y. the kind I have ever seen, and I hope it will contmue to be. Every one I have shown it to agrees with me. Yours, truly, A. J. WILKINS. CORRESPONDENCE SOLJCY.rED. To this we replied, asking him to test the two Metronomes by the watch, and report, prophesying that he would then have a Mrelzel's Metronome for sale cheap. We have just re ceived the following answer: I have tested the Metronomes by the watch and find that my Mrolzel is faulty and yours correct. I therefore take back all I have said and acknowledge yours to be perfect. I am more pleased with it every day. Yours, truly, A. J. WILKINS. Excellent in Tone. Perfect in Executwn. BRIDGEPORT, CT., June 27, 1882. Plays all the Latest Music. THE KUNKEL BROS-GENTLEMEN: Your Metronome, identical in its time-arrangement with that of Mrolzel and others, is a valuable adjunct to the correct interpretation of musical Mech~nic~l Drguinetta ~omp~nj works of any l.ind. I have therefore adopted it for the instru mental and vocal lessons in the "Musical Instructot·." Its Sole Manf'rs and Patentees, superior correctness makes it preferable to any other. Very truly yours, ROBERT GOLDBECK. July 28, 1882. 83~ BR.OA.D'WAY. CHICAGO, June 25, 1882. MESSRS. KUNKEL BROS., St. Louis, :Mo.: GEN'l'LEM.I!lN-The Pocket Metronome sent me is quite an in . And by ·their authorized agents through: genious invention, and after a thorough trial, I find it equal to out the country. any made, and much more convenient. Every music teacher should procure one. Yours truly, G1~o. ScuLEIFl!'ARTII. Author of " Careless Elegance," " Come Again, Days of Bliss,'' " Who Will Buy My Roses Red," etc. READ & THOMPSON, General Agents for the 0RGUINETTE, 208 & zro N. Fifth St. UTICA, July 21, 1882. Messrs. Kunkel Bros.: Gto.:NTLEMEN-Tbe Pocket Metronome received-is a perfect ~MANUFACTURERS OF~";) gem. !laving tested it, I can say that it is as exact mathemat ically as the Mrelzel l\fet)'onome and less liable to get out of repair. Its adoption ought to become universal. Yours, truly, G. ELMER JONES. CONOVER BROS.~ UPR.IGHT PIANO-FORTES. Teacher of Music, and Organist St. Luke's Memorial Church. A WAR RELIC. Our Patent Repeating Action, Patent 'Tone Resonator, Patent Metallic Action Frame, are In a very full report recently published in the Philadelphia Ledger, reference is made to the case of l\Ieorge I. Graham, a Valuable Improvements to the Upright Pianos which Pianists will Appreciate. prominent politician and active journalist (connected with the .Philadelphia Sunday Mi1·ror), who by using the great German remedy, St. Jacobs 011, was cured of a troublesome case of Catalogues Mailed upon Application to rheumatism, contracted during the war. He closes his state: ment with-'·to those who are anlictcd with that complaint, it 235 East 21st Street, New York. 613 Main Street, Kansas City. is worth its weight in gold."-St. Louis Globe-Democrat. ------KtJ:NltELts MUSlCAL R£VIEW, 0dTO.B£lt, 1882. 493 GOUNOD'S "REDEMPTION." PERKINS' HAT in the" Redemption'' one more work has GRADED ANTHEMS. been added to those "which the worlll will not :13 <> <> :H:. 1. willinp:ly let die," seems to be beyond doubt. BY ::a:. S. PERKINS. THiindt-'l's operas are forgotten, his oratorios Contains Solos and Duets for all voices, Offertories, Re survive-and whether fnture generations hear Gon sponses, Opening and Closing Pieces, Hymns, Anthems, nod's operas or not. they will doubtless delight in the etc. Adapted for all Denominations. Nearly sheet mmic of this l:ltest ma.ii'ter-piece. It may not be musiC size, 176 pnges, durably bound in heavy !.wards. Price, $1 per copy; $7.50 per dozen. Specimen pages music "of the future," but it is music jo1' the futme mailed free. Published by as well as for the present. vVe append a sho1·t notice WM. A. POND & CO., of the rendering of this composition at the late Birmingham Fe::~tival, which is borrowed from the 25 Union Square, N.Y. London Graphic: "The new and long-expected oratorio, from the pen of the Fren..,h composer most in vogue at the actual period, was heard with sustained attention and interest from beginning to end. Abont the plan and character of this remarkable compo ition our readers BEETHOVEN CONSERVATORY, have been amply informed. We may add, however, 1603 Olive Street, that the form is not merely novel, bnt thoroughly jns1 ified by a success as unquestionable n,g was the .A.. "'V\7" .ALD.A'O"E::S, Director_ fair reward of a work so earnestly contemplated and All branches of MuRic taught at this Institution lab .. I:iously developed. M. Gounod has altogether and every one represented by a first· class ' eschewed the traclitionnl groove, emancipating him TEACHER .AND PERFORMER. self boldly, as Wng·ner has done-and, it must he This Conservatory keeps open all Summer for the admitted, with a voice lllore purely and continuou~ly accommod£tt'ion of pur1ils and such teachers as unsh to mPlodious-from all previous so-called restrictions. CERMiNiiEMEDt perfect themselves during the Summer Term. He has sucecedetl in proportion, and we are greatly FOR TUITION-$12, $16, and $19 per quarter, either for Instrumental or Vocal lessons. Scholars may enter mistal~en if, for a considerable period at least, "The at any time. The beginnings of their quarter com Redemption" is not destined to become, in a "pop mences with tho first lesson they take. ular" sense. the new oratorio of our time. It pos RHEUMITE81l~ Seud fur circulars. sessf>s all the qualities requisite to invite ~wd flatter a p:rowing pre-valent taste which accepts new di::;po- Neuralgia, Sciatica? Lumbago, sitions of things artistic, no matter in what form Backache, Soreness of the Chest? Gout, .------presen1ed; but, happily, the admired French musi 1 Quinsy, Sore Throat? Swellings and KRANICH & BACH'S cian. ·who has carved out for himself a niche in the hearts of our countrymen, and more especially of Sprains, Burns and Scalds, our countrywomen, presents these in a manner so General Bodily Pains, Celebrated New Patent Agraffe Pianos. seclnctive as to be little short of irresistible. For the Tooth, Ear and Headache? Frosted Feet religiously inclined the way in which he has treated LORING & BLAKE'S the theme of '•The Redemption" wi II offer peculiar and Ears, and all other Pains fascination. M. Gm:mod has. treated the theme in an and Aches. entirely independent manner. Even in his illustra No Preparation on earth equals ST. JACOB'! OIL as PARLOR ORGANS, tion of Chaos, which opens .the prologue to his a snfe? sure, sirnple and clwap External Rcmeoy. THE BEST IN THE WORLD. A trial entails but the comparatively trifling outlny "Trilogy" (in itself treating of Calvary, the Resm of uO ()ents, and every one suffering with pain rection, Ascen!"ion, and Pentecost-~vhieh, with equal can have cheap and positive proof of it:; claims. MERKEL. & SONS, propriety, may be regarded as an epilogue), he has Directions in Eleven Languages. (SOLE AGENTS,) 204 S. Fifth St., St. Louis. judiciously avoided all traceable rderence to Haydn's SOLD BY ALL DRUGGISTS AND DEALERS IJf conception of the same theme; while in the del:'crip MEDICINE. tion of darlmess, which he leaves the orchestra to illustrate with chromatic perseverance. he has steered A. VOGELER & CO., clear of the famous passage in Handel's ·'Israel" no Baltirrwre, Md., U. S • ...L Je ss judiciously, where the miracles preceding the ''Exodus" are set forth . . In short, M. Gounod, in the plan and development of his orato1io, speal M.ATHIAS' 50 50 ' ''PRACTICAL MUSIC BOOKS." W, 1th ~t. PATENT PIANO FOOTSTOOL, ~·~~;~ WESTERN ANTHEM BOOKS, by Giff0, B .trnby, Elvey, Snllivnn, etc. MU~IC MU,Ic Of mnd(•r:t1e ditliculty. $1 .00. MUSIC WITH PEDAL ATTACHliENT FOR YOUNG PUPILS. MUSIC MUSIC MADE EASY. Only prncticn l ·Mu sical Primer. In a -....._ .. \ ~\. We O ffer SPECIAL INDUCEMENTS to ---\.---... - ~...... _ ·· ·-.1 ""'- ·-., =~' Wishi ng to Purchase. EVERY INSTRUMENT FULLY WARRANTED. THOMPSON General Agents for the Orguinette. COMICAL CHORDS. WRITE US BEFORE PURCHASING AND SAVE MONEY. HE POPPED. While th• ·y sat before the fire, Nothing more did he desire 'l'han to get a little nigher, lf he could; And his heart beat higher and higher, And her look grew shyer and shyer, WJLC~\TE , ELEGANT IN DESIGN. SUPERIOR IN FINISH. When he sidled up close by her, UNAPPROACHABLE IN TONE. As he should. Then he ventured to inquire If her sister, Jane Mariar, :ort~"~~ And her mother and her sire M£Rl ~, A SUNDAY-SCHOOL teacher asked a pupil how many sacra ments there were. "There ain't any more left." "What do you mean?'' "Well. I heard that our sick neighbor received the last sacrament yesterday; so there can't be any left over. -Anon. SOMETHING awful will happen to the bad boy whose sister Minnie was the young preacher's sweetheart. lie pinned up a piece of paper in the parlor, wrote "Minnie, Minnie, tickle the parson!" on it, and then wanted to know if she had "seen the handwriting on the wall." A SCHOOLMISTRESS, while taking down the names and ages of her pupils and of their parents at the beginning of the term, asked one little fellow: "What's your father's name?" "Oh, you needn't take down his name. He don't come to school. l\Ia says he never had brains anyhow. AN Arkansaw editor, in retiring from the editorial control of a newspaper, said: "It is with a feeling of sadness that we retire from the active control of this paper; but we leave our juurnal with a gentleman who is abler than we are, financially, to handle it. This gentleman is well known in this community. He is the sheriff." "Do you think, mamma," said a little one, "that Uncle Reuben is a good man?" "Why, my child, he is the best of all my brothers--' and an excellent man." "And will he go to heavenr" "J. think so, my child. Why do you ask?" "Oh, nothing, much," replied the child, awaking from a sort of ~~~:.l~i~h::~ was thinking what a homely angel he'd make, JUST down the intervale, where the brakeferns grow rank, she placed her easel and sat down by it, sketching from nature. "Please, ma'am, is that me you're drawing milkmg that cow in the picture?" "Why, yes, my little man; but I didn't know you were looking." "Ooz, if it's me," continued the boy, un mindful or the artist's confusion, "you've put me on the wrong side of the cow, and I'll get kicked way oft the lot." A LADY had in her employ an excellent girl who had one fault. Her face was always in a smudge. Mrs. -tried to tell her to wash her face without offending her, and at last resorted to strategy. "Do you !mow, Bridget," she said in a confidential manner, "that if you wash the face every day in hot soapy water it will make you beautiful?" "Will it?" answered the wily Bridget. "Sure iL' s a wonder ye never tried it, ma'am." '!'HEY were raised in Austin, but she did not know much about gardening; at the same Lime she did not care to expose her ignorance to her husuand. 'l'hey had only IJeen married a t>hort time when he said: ''1 notice the asparagus is aiJout ripe-don't you want to go out in the garden and get son1e?" ::;he replied-''I'll tell you what we will do. We will go out together. You climb up and shake the tree, and I'll catch 1 hem in my apron as they faLl."- Siftings. ONE fine day, as an eminent advocate was arguing a most intr!cate and tiresome <_lase before the Court of Appeals, he noticed that one of the Judges was sound asleep, and stopped short. "Pray continue, Brother X," said the Chief J u,tice benevolently. "'!'hank your Honor, but I do not mean to Jlnish my argument until your colleague has wakened up." " .As you ]>lease," replild the Chief Justice," !Jut I fancy iny colleague does not mean to wake up until you have finished your argument." No, Impudence, you shan't have one. How many times must I refuse? Away! I say! Or else you'll sure my friendship lose. I can not bear such forward fun, So . quick, be gone! if not I'll run. Why, now I'll have to be severe- No, not a Jdss to you I'll give. 'l'ake care! I swear . I'll tell papa, as sure as I live, . I never saw a man so queer! THE SMITH AMERICAN ORGAN CO. But-are you sure there's no one near? Having been in business since 1852-THTRTY 1.-r:EARS-and having made over 96,000 instruments, THE NEW ENGLAND CONSERVATORY. offer for this season, 1882, the :finest list of styles ever presented to the public. 'l'heir Organs are in demand in all the Great Markets of the World, and are everywhere pronounced inferior to none. HEN the St. James Hotel building was :first talked of as the future quarters of the New England Conservatory of Music, says the Bos Wton Times, many of our best :financial men predicted that it would prove a "white elephant," if attempted, but it is no longer a project, it is a substan tial and solid reality. Mainly through the persever ance and clear sighted brain work of its founder, Dr. For Home use they have a For Churches and Schools Eben 'rourjec, who deserves the sympathy and sup they have powerful Organs, port of the public, as he is a genuine public benefac great variety, from the lowest tor. We ought to take great pride in having in the with double manuals and city of Boston the largest music school in the world. prices upward, including the pedal bass; also the unrivaled Fifteen hundred pupils are already registered and it can not prove otherwise than a success, both finan most beautiful designs. "CONNOISSEUR." cially and musically. An ordinary observer can see this at a glance in passing through the well :filled and ·well furnished rooms. Une new feature added to this institution, is a school for instruction in piano tun ing, regulating, etc., in which the celebrate "Chas. E. Rogers'' patent upright pianos are used as no ORGANS ~ other piano would begin to stand the constant strain and wear of putting the piano out of tune every hour 'l'hose who are interested are referred to the Company's Catalogue (which is a Gem of Art). in order to give the student a practical experience h~ putting it in tune again. It is claimed that one of CORRESPONDENCE SOLICITED. these pianos has been through this process over 3 000 times without injury. These pianos are also used in' the Address the Company either at private rooms of pupils (for practice), and in class BOSTON, MASS, 531 Tremont Street, rooms. 'rhe fact of their using these pianos which LONDON, ENG., 57 Holbo1·n Viaduct, E. C., are very expensive, shows that they intend that the KANSAS CITY, MO., 817 Main Street, pupils shall have good tools to work with. The stu ATLANTA, GA •. 27 Whitehall Street, dents sa.y that the table board and all accommoda Or at DEFIANCE, OHIO. tions are first-class, but that the rules are very strict. 486 KUNKEL'S MUSICAL REVIEW, OCTOBER, 1882. MUSIC HOUSE, NO. 10 SOUTH FIFTH S'l,REET, ST. LOUIS, MO. WholcsRie nnd Retail Dealer in MUSICAL INS1'RUMENTS and Publi::;her of SHEET MUSIC. Keeps constantly on hand a full and complete Stock of Musical Merchandise, consisting of BLIND 1.'01\1 is to appear in public as a flutist. PHIL BRANSON has joined the l<~ ord Opera Company. VIOLINS, GUITARS, BANJOS, MLLE . GRISWOLD and Anna de Belocca will sing in the Hal ian Opera at Nice next season. LECOCQ has composed the music of a new comic opera, Le FLUTES, ACCORDIONS, BOW ZITHERS, Cmur et la Main, uook by Nuitter.and Beaumont. MLLE. EMMA Jucu is on her way to this country, and will be a member of Col. lU .ple:;un's operatic company the coming ORGANINAS, ORGUINETTES. season. And Shattinger's cl'lebrated "Russian Gut," Violin. Guitar, and Banjo Strings-E very string warranted. A MONUMENT was recently erected to Rotig-et de Lisle, au thor of "La Mar.,eillaise," at his birthplace, Lons-le-Saulnier, Agent for the Wol'ld-Reno'Aned WEBER and the Celebrated BEHNINC P ianos, and the Unrivaled }~ ranee. CLOUCH & WARREN ORCANS. . 1'IIE Toronto, Canada, Choral Society is rehearsing Gou nod's "Hedemption." Will the ·' Canucks" get ahead or the THE BE ~,.-r G-OODSl AND LO"WE~..-1" PRICES .. "Yanks?" MLLE. PAOLA HOSSIN~ is dangerouE<. A waiter who brought Correspondence solicited and Catalogues mailed on application. Special inducements offered to her supper to her room m New York dropped dead at her feet. Convents, Seminaries, and Schools. Waiters, b ~ ware! CARL KLINDWORTH, the pian ist, has left Moscow and joined the professional staff at the Neue Academia dcr Tonkunst (Kullak's) Berlin. GERSTER, Aimee, .and Campanini, who were announced as coming to t his country thts seuson, will remain on the other SJde of the big Ji ~ h-pon •. ~ruE first performance in London of "The Hedemption'' wi ll take place a t A ll!erL Hall on November J, with Mme. Allmni and the Birmingham ca,; t. 1\1. Gounod will condnc1. 1'HJJ: organization of t he l'hi ladelphia l\lusic J<'e stival Asso ciatio" 1 as ueen comple iCd and a $30,000 guarantee fun d •:mbscl'ibed for a festival in April next, nuder the direcLion.of W. U. Gilchrist. :M: tSS EMMA THURSBY. after a triumphal Lour of Europe, hao returned to this country, a nd will give a. :;el'ies of concertt:1 under the managemeuL of thai genial anti gentlemanly mana- ger and musician, Maurice Strakosch. · l\IR. E. C. WOODJIIAN, of the B riggs Piano Company, call e• l at the oflice of the I{EVI•.w a few da.y s :s ince. H e 1eport s Ihe trade of !lis house rapid ly increasing. A solid re ulation bui ll. o" • olid goods is what the IJriggs ·l'iano Company are working for an 'rapidly gaiuing. 1\.lll . GEo ~>GlJJ. T. Hu r~:..JNG, well antl favot:au ly k nown as a wr1Ler on mmilcal Lopt c:s an 'l'HE Musical Critic and Trade Review says: "KUNKEL'S ;\fus ICAL REVIEw should be guided by an old-established journal· SPECIAL TIES! SPECIAL TIES! is tic custom, which reqnir.es every newspapm·, no matter wh·t t its pretentious are, to give credit to whatever paper it may OF THE GREAT JEWELRY HOUSE OF copy or reprint an article fr,>m. In il.s i•su~ of Septembe•·, Kunkel takes a paragraph from the Musical Critic and Tmde Review, l•Ut >~ it bodily into its own colum s, and does not even hint ft·om where it received that part of its stock in tracle for that issue." We do not know to what paragraph Brother & Welles alludes. If we did quote and fail to give cr. dit, it was MERMOD, JACCARD CO., unintentional. 1-Ve should consider it an aggravated crime to steal from the poor. ()ORNER FOURTH AND LOfUS'f STREETS, ST. LOUIS_, MO. A CORRESPONDENT from Illinois, writes us as follows: "May I suggest, that yon would ~ive a word, in the REVJEW, about the number of lessons pup1ls generally should take in a .Fine Triple Plated Double Wall Solid Gold Watches for Gentle week. There are some persons who imagine one is sufticien•, • lee Pitchers, each one warranted and while we know a pupil should see the teacher oftener. $6 00 $35 • OOmen," arranted good time-pieces, sat With ouly one a week, pupils will get into bad habits and stamped Mermod, Jaccard & Co. These are the best i~faction guarantPed. make mistakes, which will take another week or more to rid bargains ever offered in Ice Pitchers in St. Louis and neat and themselves of. We would be thankful to hear from you on are intensely appropriate to the season. Small American Clocks, the subject." $1 •. attractive time-keepers-warranted. We do not know that we could add anything to our cone 50 spondent's statement. We must say, however, that we indorse Nickel Stem-Winding Watches, Solitaire Diamond Rings, fm it without reserve, at least as to all but the most advanced $10 • 00 warranted good time-pieces and satis • ladies, from $15.00 and upwards in pupils. faction guaranteed to each purchaser by Mermod, $15 00 price. Our stock of Rings is very large and choice. MESSRS. 8TORY AND CAMP had the :finest display of vianos Ja<:card & Co. at the St. Louis Fan·. Mt·. Shattinger, as usual, took the Solitaire Diamond Ear-Rings. premium offe,red, which was for the best display of musical · Solid Gold Watches for Ladies, $35 • 00 Our variety of Ear-Rings is very ex Instruments of all kinds. J. L. Pet .. rs was there with the • warranted good time-pieces, handsome tensive, the largest in the west, and no one should Chase piano and his "Musical Magazine," and made a hand $30 00 some display. Moxter & Bahnsen were on hand with speci • and attr.active ip appearance. purchase Diamonds before examining our stock. mens of their different pianos; their display attrHcted consid erable attention. Some of St. Louis' bel't known dealers were The above are but a few of the extraordinary inducements we offer to buyers of goods in our line. Every article is abso· conspicuous by their absence, among them N. Lebrun, Bal lutely of the quality it is represented to be, the price is marked in plain figures and there is but one price to all. Call and see. mer & Weber, Read and Thompson and J. A. Kieselhorst. No regul~r concerts or r••citals were given, but the indiscriminate .o?Choice Music Boxes of EV'ery Grade at VERY LOW PRICES. banging and grinding of former years was again heard all over "Mechanical Hall." MER'i.OD~ JACCAR1> & CO., THE Strakosch Grand English Opera Company, whose prin Corner Fourth and Locust Streets. cipal artists are: Mrs. Zelda eguin Wallace, Miss Letitia L. Fritch, Miss Carrie Hunking, Mr. Geo. 'l'raverner, Mr. A. Mon tegriffo, Mr. Geo. Sweet, Mr. Lythgow James, Mr. Vincent Hogan, Mr. Edward Connell, and Mr. Wtllet Seaman, will play for one week, beginning October 23d, at the Olympic Theater. 1 The repertoire will be: "The Bohemian Girl," "Fatinitza," "Carmen," "Fra Diavolo," "Lucia di Lammermoor." ~fr:5. Seguin will be remembered as for several seasons the one GR~AT AlTERATWN~, ADDITION~, AND ATTRALTWN~ redeeming feature of the Abbott troupe, and a :first-class artist. Miss Fritch is a St. Louis girl, whom we have never seen in opera, but who has made a success in past seasons on the concert platform, and who deserves, and will get, a wel HAVE BEEN MADE .A'l' come worthy of what she has accomplished. Mr. Geo Sweet was with the troupe last year, and proved himself a genuine artist. The many friends he madE: in St. Louis will be glad to sec and hear him again. We bespeak for the still young IBI~I~I~I 1 ~1 veteran impressario Strakosch a liberal patronage. THE Russian composer, P. Tchaikkovskv, has written a new overture," 'rhe Year 1812," 'hi0h is said to surpass all his ln Many of their Departments, and the Grand Store is now '' 'l'he Very Pink of Perfection." BARR'S previous works. It was in 1812 that the Russians rallie f--4 z ~ 0 w en ~ ~ ~ 'l,o accommodate a large number of buyers we will, CIJ Ul ~ ifJ. until further notice, sell new pianos on payments of CIJ I $10 to $25 per month to suit purchaser. Our stock is 8 ~ ~ 0 carefully selected and contains latest improved 0 .tJ> 0 pianos of all grades, from medium to the best, in all I z ~ ~ 2 - tj [::y 0 ~ SMITH AND JONES. 0 ~ 1\ ~ Smith-Well, Jones! ~ (f) )> kf CD Jones - Well, Smith! (j) Smith-Well; how many wells does it take to make a river, ~ ~ 0 Jones? ~ 0 ~ Jones-Oh, go away with your school-boy talk! stylee of Squares, Uprights, Cabinet Grand:~, Parlor (f) Smith-Well, then, how many Welles does it take to run a ~ 0 \1 music paper? _j Grands, nnd Concert Grands, from the factories of ~ Jones-Well, I should think one Welles could run a limp and ~ DECKER BROS., CH fCKEKJNG, HAINER, STORY ~ ~ 0 moist sort of music paper provided he has a large pocket r & CAMP, M:A'l'IIUSHEK, FISCHER AND OTHER:::>, r book at hand. 0 ~ Smith-But, supvosing that pocket book gives out? ~ ~ P> Jones - Oh, then he will have to look around and tl'y to get z r tr1 somebody's else. 0 (J) ~ 8 (Y) (/). m 0 ~ ~ THE DEGENERATE AGE. C\2 giving a variety to E'elect from that can not be fonnd ~ Ah! those days lave gone rorevet·, with their r,.pleudid fire and in any other house in the con11try. tr1 fever . And their lofty scorn of living, and theiL· quenchless thint 0 Every imtrument warranted. Catalogues mailed trJ of lame! on application. When htith and beauty filled them, and when love and glory ~ thrilled them, z And the sacred light of Honor led them like a iiitting 1lame! And the 1\Iinstrels, tender-hearted! they are silent and de pa• ted. \Vith thdr amatory music, once so delicate lind ;-weet; Now we never sigh to hear tht·m, but we Jly them anJ we fear Lhem- Gone's the glamour and the glory of the Knights of song and story, With ·their love and high endeavor, and their noble decdd and aims; Of hert)iC days behinrl. us, now there's nothing to remind us But the ~olitat·y Horseman in the narrative of James! Yes. the Knights so celebrated, in these days degenerated, Would be madmen or marauders-we would ridicule their cause- And the Pil·at!) of the shipping would be hanged or get a whip ping And the 'l'roubadors be prisoned, under local vagrant laws! Now, the soul that scorns to grovel, can but revel in the novel Of Sir Walter Scott, ot· Bulwer, ou the d tys of long ago; And of Brian de Bourbeon, and of mighty Cceur de Lion, And of Launcelot and Arthur, and immort.d Ivanhoe. l!~or the prosy and the pedantic have extinguished the romantic, And the po 111 )J and pride of chivalry are driven from the stage; All is now so i'aint and tender that the world has lost its gender, And the enervate 1Esthete is the model of the age! -The Centu1·y. PIANO-FORTE MANUFACTORY, "Here's your match!" said -G-- to a conceited 00 Harrison Avenue, from Canton to Brooklyn Street, BOSTON, MASS. wag, hamling- him a match. ••By Lucifer, I ought to be offended," said. the wag, taking a cigar frow his co. pocket, but 1'11 mal,;e light of it.'' ,JMJ:a.n ufa.cturers o::c S~UARE,' S~UARE GRAND, AND IMPERIAL UPRIGHT GRAND CONSERVATORY. Tuition in music, $15 per quarter, with the ablest teachers. This includes collateral advantages amouhting to one hundred and twenty-live hours of musical instruction in a sin!.!,'le quar Every Instrument Fully Warr•flnt.Pd RICHMOND, INDIANA ter, which is twice as much as is offered by any musical insti tution in Europe. Students in the Convervatory have access NICHOLAS LEBRUN, SOLE IMPORTER to a library containing over 8,000 volumes on music. English branches free. Pupils now received. Send for calendar. OF THE E. TOURJEE, Music Hall, Boston. FIFTEEN YEARS OF SUCCESS. ' CELEBRATED 'ROUGH DIAMOND' NICHOLAS LEBRUN, Kanaraetartr, Importer, and Jobber In IT ALlAN STRINGS · AD-VICE TO SINGERS, FOR VIOLIN, GUITAR, BANJO, CELLO, AND BY A SINCER. MUSICAL INSTRUMENTS DOUBLE BASS, This little book is worth many times its cost to every teacher .Ata.cl Mu11,oal .MM"ohata.c~Me, And of the "NE PLUS ULTRA" GERMAN ACCORDION. and student of music. It is designed for a pocket companion, 207 SOUTH FIFTH STREET_ Bands supplied and instruments repaired at lowest fig-1:!-res. to be r~ferred to daily, and as such will prove almost invalua Dealers supplied at New York figures. Sample orders soliCited. ST. LOUIS, MO. It Jean White's and Howe's entire catalogues in sto<:k ~t pub_ ble may be obtained of book and music dealers gm1erally. TEN FIRST PREMIUMS. lishers' prtces. Largest and best stock west of the MISSISSippi. Price, flexible cloth, 75c. Sent by mail. E. TOURJEE, Ten assorted samples of "Uough Diamond" violin, guitar, or Music Hall, Boston. banjo strings mailed upon receipt of $1.00 KUNKEL'S lUUSICAL UEVIEW, OCTOB•~u, 1882. ~ ;J> :::0 tr1 ::0 ~ I.Q 0 00 t_%j ...... ,...17> 0 g. ~ .s {fJ ~ ~ 17> 0 ~=-' ~ 0.. > ~ z Q,) s· 0 z 00 ~ Itt .s ~ 't:l 0 > Q,) s. (.)< (') ..c:l 17> ~ .~ ~ :0 s· 0 Q:l 0:: ::0 ~ 00"""" 1-C Ul ~ ~ ?""" til ;E CJJ < ~ ~ ~ 51' 0 tl:) :=r~ G-ElC>. ~ZLG-E:N" 0 MANUFACTURER OF , tl:) z ~ Church and Parlor Pipe 0 rgans, !D ~< Office and Factory: 639 & 641 Summit Ave., tl:) SAINT LOUIS, MO. ~ ~ Tuning and Repairing done at short notice. Drawings, Specitl .r- cations and Prices fumisbed free on application. {j tl:) ~ z ~ C. F. ZIMMERMANN'S Q Po' MUSIC B;OUSE, <; 1::1p.. 238 N. Second St., Philadelphia, Pa., ~ tl:) -Makes a Specialty of All Kinds of·- -l ~ Strings and Musical Merchandise en w ~ Generally, Conce,·tinas, Accm·dions, Violins, Po' r:IJ Gnitm·s, Zithers, Etc., Etc. X c+ [ call special attention to my own manufacture of Drums, tl:) .Banjos, Tambourines, Flutes, lli{es, and Brass Band Instruments. r Proprietot· of five patents and publishet· of ZIM!\IER!\tANN'S ~ SET-F·[NSTRUCTOR FOR COS'CERTINA AND ACCORDION. p.. Eve•·y one should see ZDUIERMANN'S PATEN'T PIANO IN· 8TRUCTOR, teaching this instrument by FIGUl~E:5-the great 00 -est production of the age. q Send for circulars and learn the prices of my goods, whicb CD defy competitfon . CD ..-DEALERS will tlnd it to their advantage to make my ac quaintance. st' ~ JACOB OHRIST:- CD NO. 19 S. FIF'rli STREET, Temple Builuing, ~ k1 M ·EROHAN T TAILOR 0 NEAR SOUTHER~ HOTEL. ST. LOUIS, MO. DRESS CO.A TS AND EVENING SUITS A SPECIALTY ~ -v-ITT ~-uss .. IV Manufacturer of and Dealer in ~ s:= ~ Q:l 0 +" ti. 11 ••.,ts aad Slloes, s:='"' ~ IV s s:= ~ ~=' 203 SOUTH FIFTH STREET, ·; ~ ST. LOUIS, MO. 1:: "(IJ ~ 0 ~ • 0'"' 0 JC>~N" SO~R..C>E.DEB.., ~~ 0 PRACTICAL PIANO MOVER, ~ ~ g Q,) -00 ~ ,J::l Special attention paid to Moving and Unpacking Pianos. +'> ;aQ,) ~ 11 PRICES RF;ASONAnLE. .s Q:l 0 ~ Address: H. KOERBER, No. 1103 Olive Street. +'> ~ S.fi 0 0 Ul'"' +'> Q,) ~ =" Q,) ~ ~EN"R.Y' ~'l:LGE'N, ~ ...... '"' l=l ~ Church and Chapel Pipe Organ Builder, 1626 Pine St. 0 Q:l ? ~ IV b = Church Pipe and Reed Parlor Organs tuned and repaired ~ s:= ~ ~ r;i1 1-' On hanrl new Twc;> Manuel Pipe Organ, 16 Stops, 2~ Notes, in A . Pedal Gothic 'Valnnt Case. Also 2 Stop Portable P1pe Organ, e '"' +'> manufactured by Felgemaker, Erie, Pa. 17 Notes of Pedals Q:l 00. for ~ale Cheap. 00 '5 ~ ~ .Q'"Estimates and:Drawmgs furnished on application. A~ 11 0 ...... ~ A~ ~ ~ l'NT8 w ANTE o to sell Dr. CHASE'S 2000 ltl!lCIPl!l :eo ox. Ul l=l ; i i Sell~ at sight. You double your money. 0 0 Ao Address: Dr. ·oh~t.sa's Printing Bo11sa, Ann Arbor, K!ch. :e1 lJl :"' CHICKERING& SONS' GRAND, SQUARE AND UPRIGHT ===61,000'=::: SOLD SINCE APRIL 1st, 1823. PlrANO FACTOBY, The use of the Chickering Pianos by the greatest Pianists, Art Critics and Amateurs , ha& given to the Chickering Pianos an universal prestige and reputation far above all other Pianos manufactured in this country or Europe. The overwhelming verdict of the very highest art talent, including Dr. Franz Liszt, Gottschalk, Dr. Hans Von Bulow, Grand, Square, and Upright Piano-Fortes. Louis Plaidy, Stephen Heller, Carl Reinecke, Marmontel, Arabella Goddard, and hundreds of other masters of the art, pJaces the Chickering Pianos of to-day at the head of the entire These Instruments have been before the Public for nearly fifty years, and upon their list of Pianos made in the world. excellence alone have attained an U11purrllased T're-~>minence, which establishes them as unequaled in Tone, Tonch, WorkmanRhip a1ul Ourahlllty. !<~very l'iano fully \Var rante IT..A..L-::L'-188~- - 'I'::S:E- AT TilE GREAl' MILAN, 1881. ITALIAN INDUSTRIAL EXPOSITION, PARIS, MILAN- ., 1B81, [MERSON PIANO COMPANY, NORWAY, SWEDEN, 1878. MASON &· HAMLIN (ESTABLISHED IN 1849) PHILAD'A, 1876. CABINET ORGANS SANTIACO, WERE AWARDED THE 1815. VIENNA, GrJl.iJJ{rJJ SILYER )){_E.D.iiL, being the ONLY HIGHEST AWARD in this Department, to anyinstru· 1873. ments of this class, European or American. The l\IASON & IIAl\ILIN CO. value this extraordinary honor the PARIS, more highly because it comes from a yery musical country, where 1867. discriminatwn in regard to the merits of musical mstruments may be supposed to be mo~t accurate. A 'I' ALL THE GREA 'I' W'ORLD'S INDUSTRIAL EXPOSITIONS Fo•• F0111'teen Teaa·• these Oa•gans bav~ received the :S:IGHEST :S:ONORS, Being the only American Organs which have received such at any. Dnring the year just closed, this C\Ompany have introduced IMPROVEMENTS. • improvements of greater value than in any similar period f!ince the introduction of the American Organ by them, twe 1ty yeat·s since. ~re now ~·eceived from theit· facto!·ies da!ly, surpassing ELEGANT STYLES 111 capaCity and excellence anythmg whtch has before been produced, and certainly worthy to be ranked with the VEHY l<'lNES'r l\1USIC.AL INSTHU MENTS IN THE WORLD. 'I BLACK WALNUT, llfAHOGAN)", CHERHY, hey are in cases of solid -MANUFACTURERS OF- ASH, EBONIZED, etc., and are at net cash prices, $~40, $330, $360, $3HO, $480, $5i0, $i30, $8-!0 and $900. includinp:. also, the most valuable of the recent improve POPULAR STYLES ~ menta, and adapted to all uses, pu!Jlic and private, in plain and elegant cases, are at $22,$30, $57, $66, $i2, $84,$90,$93, ,t99, $102. $105 to $200 and up. SQUARE, UPRIGHT AND COTTAGE These organs m·e not only sold for cash, but also for EASY PAYMENTS • easy payments, or will be rented until rent pays for an organ. A NEW ILLUSTRATED CATAT,OGUE, ~~~fuA~~u:gd n\1t~~tl~~~ ing MORE THAN ONE IIUNDUED STYLES OF ORGANS, with net I'lUCE LISTs ancl circulars, will be sent free to any one desiring them. Certainl?J no one should lm?J m· re1.t any organ without having seen these circulars, which contain much useful information about organs. MASON & HAMLIN ORGAN CO., 164 'l'rem~nt Street, BOS'l'ON; 46 E. 14th Street (tJ'nion Sq.), NEW YORK; 149 Wabash Av .. CHICAGO. Warerooms-595 Washington Street, BOSTON, MASS. astors, choristers, organ hots, and !',hoirs will be esr cially interested in the cl epartmPnt are not inclined to say after a single hearing; but of Chureh and Sundny-school music. 'l'erms, $1.511 a year, less would have been unjust towards a production the which includes merits of which are self-evident. vVe may add 1 $10 Worth of Music however, that Gounod, after the Wagner fashion, has of the highest character. Address TH E MUSICAL HERAJ,D Co., a Leit-motiv, " typical of the Redeemer, God and 1\Ju sic Hall, Boston, l\Iass. Send stamp for postage. Man," which occnrs at freqnent intervals, and once hPard will be difficult to banish from the memory. + ::::::::::·.-.-:.-:::::::::::::::::::·:::::.-:::.-::::::::::::::::·::::::::::::::::·::·.-.:--·-·-·---·------·+ That 1he performance generally was more than ~ntis factory to the composer he himself has candidly :: "SCHEIDLER'S" : i admitted, and we may say with deference that had it beeu otherwise he rnnst indeed be di1iicult to please. !· NEW PIANO SCHOOL.- ·I C. C. :SRICCS ~ 00., There was no appLtuse dming the performance, but MANUFACTURERS OF at the conclusion a mo~t cordial recognition of the ,,:. Mailed Special .:l ,I pleasure it had given came from an auuience that inducementfree~s to tcachel's ~o~~g~ forfo1~ introdu !~~~~tion.ction. filled the vast hall to its extremities, : SQUARE AND UPRIGHT PIANOS, ~! GEORGE WILLIG & CO., ! i : : No.6 N. Charles St., BALTIMORE. i i 1125 Washington St., Oor·. Dover, BOSTON. A HANKER is not always musical, but he possesses cons idcra CATALOGUE SENT FREE ON APPLICATION. hle skill in detecting false notes. + ....:.- ::·:::::·:::::·::::·:::::·::: ::·:: ::·:::::·:::::·:::::·:::::·::::·::::::·::::. :: ..... ::·.. :: +