Boston Symphony Orchestra Concert Programs, Summer, 1986, Tanglewood
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Management Plan 2013
Upper Housatonic Valley National Heritage Area Management Plan 2013 Housattonio c River, Kenene t,, Cononneccticiccut. PhoP tograph by the Houo satoninic Valll eyy AssAss ociiatiion. Prepared by: Upper Housatonic Valley Heritage Area, Inc. June 2013 24 Main Street PO Box 493, Salisbury, CT 06068 PO Box 611 Great Barrington, MA 01257 Table of Contents Chapter 1: Purpose and Need 1 2.6.2 Connections to the Land 15 1.1 Purpose of this Report 1 2.6.3 Cradle of Industry 17 1.2 Definition of a Heritage Area 1 2.6.4 The Pursuit of Freedom & Liberty 19 1.3 Significance of the Upper Housatonic Valley 2.7 Foundations for Interpretive Planning 21 National Heritage Area 1 Chapter 3: Vision, Mission, Core Programs, 1.4 Purpose of Housatonic Heritage 3 and Policies 22 1.5 Establishment of the Upper Housatonic Valley 3 National Heritage Area 3.1 Vision 22 1.6 Boundaries of the Area 4 3.2 Mission 22 3.3 The Nine Core Programs 23 Chapter 2: Foundation for Planning 5 3.4 The Housatonic Heritage “Toolbox” 28 2.1 Legislative Requirements 5 3.5 Comprehensive Management Policies 30 2.2 Assessment of Existing Resources 5 3.5.1 Policies for Learning Community Priorities 30 2.3 Cultural Resources 5 3.5.2 Policies for Decision-Making 32 2.3.1 Prehistoric and Native American Cultural Resources 5 Chapter 4: Development of the Management Plan 33 2.3.2 Historic Resources 7 4.1 Public Participation and Scoping 33 2.4 Natural Resources 9 4.2 Summary of Issues Raised in Scoping 33 2.4.1 Geologic Resources 9 4.3 Management Scenarios 34 2.4.2 Geographic Area 9 4.3.1 Scenario 1: Continue the Nine Core 2.4.3 Ecosystems 10 Programs 34 2.4.4 Conservation Areas for Public 4.3.2 Scenario 2: Catalyst for Sharing Enjoyment 12 our Heritage 34 2.5 Recreational Resources 13 4.3.3 Scenario 3: Promote Regional Economic Vitality and Address 2.6 Interpretive Themes 14 Regional Heritage 35 2.6.1. -
Digital Concert Hall Die Berliner Philharmoniker Live Im Internet
www.digital-concert-hall.com DIGITAL CONCERT HALL DIE BERLINER PHILHARMONIKER LIVE IM INTERNET PROGRAMM 2013/ 2014 3 WILLKOMMEN WILLKOMMEN IN DER DIGITAL CONCERT HALL Ein kleines Jubiläum ist zu feiern: Seit fünf Jahren übertragen die Berliner Philharmoniker ihre Konzerte in der Digital Concert Hall — live und in exzel- lenter HD-Qualität. Über 200 Produktionen mit rund 450 Werken sind bisher entstanden und bleiben dauerhaft im Video-Archiv verfügbar. Hinzu kommen zahlreiche Künstlerinterviews und vielfältige Bonus-Videos. All das lässt sich nicht nur über die Website der Digital Concert Hall abrufen, sondern ebenso als App für Mobilgeräte und Fernseher. — Für viele Konzert-Highlights der neuen Saison 2013/2014 zeichnet Chefdirigent Sir Simon Rattle verantwortlich. Nach seinem Eröffnungs- konzert mit einem Mozart-Programm ist vor allem das Festkonzert zum 50-jährigen Bestehen der Philharmonie zu nennen, ebenso die Wieder- aufnahme der hoch gelobten Matthäus-Passion in der halbszenischen Fassung von Peter Sellars, der in dieser Spielzeit außerdem seine Lesart der Johannes-Passion präsentieren wird. — Wie immer bereichern bedeutende musikalische Gäste — New- comer wie Altmeister — den Konzertkalender: von Gustavo Dudamel bis Claudio Abbado, von Andris Nelsons bis Nikolaus Harnoncourt. Eine gute Nachricht gibt es außerdem für alle Freunde Lorin Maazels, der nach langer Pause mit einem Strauss-Abend in die Philharmonie zurückkehrt. Und wir erleben zwei weitere Jubiläen mit Daniel Baren- boim und Bernard Haitink, die beide seit einem halben Jahrhundert mit den Berliner Philharmonikern musizieren. — Unser Partner Deutsche Bank unterstützt die Digital Concert Hall seit ihrem Start 2008. Sony stellt die audiovisuelle Aufnahmetechnik zur Verfügung. Bis heute ist dieser virtuelle Konzertsaal ein weltweit einzigartiges Angebot. -
The Arts Council of Great Britain
A-YUAAt J`2 101" The Arts Council Twenty-ninth of Great Britain annual report and accounts year ended 31 March 1974 ARTS COUNCIL OF GREAT BR(fAMm REFERENCE ONLY DO NOT REAAOVE I j,FROM THE LIBRARY ISBN 0 7287 0036 0 Published by the Arts Council of Great Britai n 105 Piccadilly, London wIV oAu Designed and printed at Shenval Press, Englan d Text set in `Monotype' Times New Roman 327 and 334 Membership of the Council , Committees and Panels Council Committees of the Art Pane l Patrick Gibson (Chairman ) Exhibitions Sub-Committee Sir John Witt (Vice-Chairman ) Photography Committee The Marchioness of Anglesey Serpentine Gallery Committee Professor Harold C . Baldry Performance Art Committee The Lord Balfour of Burleigh Alan Bowness The following co-opted members serve on the Lady Casson Photography Committee : Colonel Sir William Crawshay, DSO, TD Michael Elliott Bill Gaskins The Viscount Esher, CBE Ron McCormic k The Lord Feather, CBE Professor Aaron Scharf Sir William Glock, CBE Pete Turner Stuart Hampshire Jeremy Hutchinson, Q c and the Performance Art Committee : J. W. Lambert, CBE, DsC Dr A. H. Marshall, CB E Gavin Henderso n James Morris Adrian Henri Neil Paterson Ted Littl e Professor Roy Shaw Roland Miller Peter Williams, OBE Drama Panel Art Panel J. W. Lambert, CBE, DsC (Chairman) The Viscount Esher, CBE (Chairman) Dr A. H. Marshall, CBE (Deputy Chairman) Alan Bowness (Deputy Chairman ) Ian B. Albery Miss Nancy Balfour, OBE Alfred Bradley Victor Burgi n Miss Susanna Capo n Michael Compton Peter Cheeseman Theo Crosby Professor Philip Collins Hubert Dalwood Miss Jane Edgeworth, MBE The Marquess of Dufferin and Av a Richard Findlater Dennis Farr Ian Giles William Feaver Bernard Gos s Patrick George Len Graham David Hockney G. -
Decca Discography
DECCA DISCOGRAPHY >>V VIENNA, Austria, Germany, Hungary, etc. The Vienna Philharmonic was the jewel in Decca’s crown, particularly from 1956 when the engineers adopted the Sofiensaal as their favoured studio. The contract with the orchestra was secured partly by cultivating various chamber ensembles drawn from its membership. Vienna was favoured for symphonic cycles, particularly in the mid-1960s, and for German opera and operetta, including Strausses of all varieties and Solti’s “Ring” (1958-65), as well as Mackerras’s Janá ček (1976-82). Karajan recorded intermittently for Decca with the VPO from 1959-78. But apart from the New Year concerts, resumed in 2008, recording with the VPO ceased in 1998. Outside the capital there were various sessions in Salzburg from 1984-99. Germany was largely left to Decca’s partner Telefunken, though it was so overshadowed by Deutsche Grammophon and EMI Electrola that few of its products were marketed in the UK, with even those soon relegated to a cheap label. It later signed Harnoncourt and eventually became part of the competition, joining Warner Classics in 1990. Decca did venture to Bayreuth in 1951, ’53 and ’55 but wrecking tactics by Walter Legge blocked the release of several recordings for half a century. The Stuttgart Chamber Orchestra’s sessions moved from Geneva to its home town in 1963 and continued there until 1985. The exiled Philharmonia Hungarica recorded in West Germany from 1969-75. There were a few engagements with the Bavarian Radio in Munich from 1977- 82, but the first substantial contract with a German symphony orchestra did not come until 1982. -
City of Birmingham Choir Concerts from 1964
City of Birmingham Choir concerts from 1964. Concerts were conducted by Christopher Robinson and took place in Birmingham Town Hall with the CBSO unless otherwise stated. Messiah concerts and Carols for All concerts are listed separately. 1964 Mar 17 Vaughan Williams: Overture ‘The Wasps’ Finzi: Intimations of Immortality Vaughan Williams: Dona Nobis Pacem Elizabeth Simon John Dobson Peter Glossop Christopher Robinson conducts the Choir for the first time Jun 6 Britten: War Requiem Heather Harper Wilfred Brown Thomas Hemsley Performed in St Alban’s Abbey Meredith Davies’ final concert as conductor of the Choir Nov 11 & 12 Britten: War Requiem (Nov 11 in Wolverhampton Civic Hall Nov 12 in Birmingham Town Hall) Jacqueline Delman Kenneth Bowen John Shirley-Quirk Boy Choristers of Worcester Cathedral CBSO concert conducted by Hugo Rignold 1965 Feb 27 Rossini: Petite Messe Solennelle Barbara Elsy Janet Edmunds Gerald English Neil Howlett Colin Sherratt (Piano) Harry Jones (Piano) David Pettit (Organ) Performed in the Priory Church of Leominster Mar 11 Holst: The Planets CBSO concert conducted by Hugo Rignold Mar 18 Beethoven: Choral Symphony Jennifer Vyvyan Norma Proctor William McAlpine Owen Brannigan CBSO concert conducted by Hugo Rignold Mar 30 Elgar: The Dream of Gerontius Marjorie Thomas Alexander Young Roger Stalman May 18 Duruflé: Requiem Poulenc: Organ Concerto Poulenc: Gloria Elizabeth Harwood Sybil Michelow Hervey Alan Roy Massey (Organ) 34 Jun 2 Rossini: Petite Messe Solennelle Elizabeth Newman Miriam Horne Philip Russell Derek -
Boston Symphony Orchestra Concert Programs, Season 126, 2006-2007, Subscription, Volume 02
v^. \i.> 2006-2007 SEASON BOSTON SYM PHONY ORCHESTRA JAMES LEVINE MUSIC DIRECTOR BERNARD HAITINK CONDUCTOR EMERITUS SEIJI OZAWA MUSIC DIRECTOR LAUREATE Lead a richer life. * r _ }*,p00* i *v!' * MB _ {* ' John Hancock is proud t Boston Symphony Orchestra. A DS Manulife Financial Company the future is yours A World-Class Alcohol and Drug Treatment Program 11 Hi;: View from The McLean Center, Princeton, MA -v. E McLEAN CENTER AT FERNSIDE A comprehensive residential treatment program. Expertise in treating co-occurring psychiatric disorders. Highly discreet and individualized care for adults. Exceptional accommodations in a peaceful, rural setting. McLean Hospital: A Legacy of Compassionate Care and Superb Clinical Treatment www.mclean.harvard.edu • 1-800-906-9531 McLean Hospital is a psychiatric teachingfacility Partners. ofHarvard Medical School, an affiliate of Healthcare Massachusetts General Hospital and a member of Partners HealthCare. REASON #75 transplan exper s It takes more than just a steady hand to perform a successful organ transplant. The highly complicated nature of these procedures demands the utmost in experience and expertise. At Beth Israel Deaconess Medical Center, we offer one of the most comprehensive liver, kidney and pancreas transplant programs available today. Our doctors' exceptional knowledge and skill translate to enhanced safety and care in transplant surgery - and everything that goes into it. For more information on the Transplant Center, visit www.bidmc.harvard.edu or call 1-800-667-5356. Israel A teaching hospital of Beth Deaconess Harvard Medical School Medical Center Affiliated with Joslin Clinic | A Research Partner of the Boston Red Sox Dana-Farber/Harvard Cancer Center | Official Hospital of r James Levine, Music Director Bernard Haitink, Conductor Emeritus Seiji Ozawa, Music Director Laureate 126th Season, 2006-2007 Trustees of the Boston Symphony Orchestra, Inc. -
1 TREORCHY Ramah Chapel JHD TJ 2 PENTRE St Peter's Church JHD
1947 TOTAL NO DATE VENUE ARTISTS REMARKS PROCEEDS CHOIR CON ACC AUD 1 1 Sun July TREORCHY Cas Powell, Jack A collection of £12 made for Choir Funds JHD TJ 20 Hughes, D. Davies, choir funds – the start of a Ramah Chapel Eddie Hughes glorious future! 2 2 Sun July PENTRE Olive Jones & organists A £2.2.0 from the church to Choir Funds JHD TJ 27 Nancy Dotter, Myra choir funds St Peter’s Church Lewis, Bryn Howells 3 3 Sun Aug CWMPARC Leslie Edwards, Idris A £7 collection for the choir Choir Funds JHD TJ 10 Higgon, Tom Griffiths. funds Salem Chapel Eddie Hughes 4 4 Mon PORTHCAWL Hilda Edwards, Idris The first “away” concert JHD TJ Sept 14 Higgon, Eddie Hughes. The Pavilion D. Davies 5 5 Sun Dec TREORCHY Hilda Edwards, Idris Organised by the Chapel JHD TJ 9 Higgon, D. Davies Fellowship Bethlehem Chapel 1948 TOTAL NO DATE VENUE ARTISTS REMARKS PROCEEDS CHOIR CON ACC AUD 6 1 Sun TREORCHY Linda Parker, William The Choir’s First Celebrity JHD TJ April 1 Parsons Concert Bethlehem Chapel Sat May Adjudicators Dr The Whitsun Eisteddfod. £20 won for 7 2 TREORCHY nd JHD TJ 18 Sumpsion & Ivor Owen Awarded 2 Place (behind Choir Funds Parc & Dare Hall Pendyrus) on Nidaros Sat June Adjudicator: Prof Semi-National Eisteddfod. £40 won for 8 3 LLANHARAN st JHD TJ 26 Joseph Lewis Awarded 1 Place for Choir Funds Eisteddfod Field (Guildhall School Mus) performance of Nidaros 9 4 Sun TREHERBERT Miss Bick, Tom £10 to church JHD TJ June 27 Griffiths, Idris Higgon funds Blaen-y-Cwm Chapel 10 5 Sun July TREORCHY Sam Griffiths, Haydn First appearance of Sam £15 to chapel JHD TJ 2 Parfitt, Master John Griffiths as choir soloist funds Ramah Chapel Hughes 11 6 Sun July CWMPARC W. -
A Conductor's Guide to Twentieth-Century Choral-Orchestral Works in English
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. University Microfilms International A Bell & Howell Information Company 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 313/761-4700 800/521-0600 Order Number 9314580 A conductor's guide to twentieth-century choral-orchestral works in English Green, Jonathan David, D.M.A. The University of North Carolina at Greensboro, 1992 UMI 300 N. -
Sir Colin Davis Discography
1 The Hector Berlioz Website SIR COLIN DAVIS, CH, CBE (25 September 1927 – 14 April 2013) A DISCOGRAPHY Compiled by Malcolm Walker and Brian Godfrey With special thanks to Philip Stuart © Malcolm Walker and Brian Godfrey All rights of reproduction reserved [Issue 10, 9 July 2014] 2 DDDISCOGRAPHY FORMAT Year, month and day / Recording location / Recording company (label) Soloist(s), chorus and orchestra RP: = recording producer; BE: = balance engineer Composer / Work LP: vinyl long-playing 33 rpm disc 45: vinyl 7-inch 45 rpm disc [T] = pre-recorded 7½ ips tape MC = pre-recorded stereo music cassette CD= compact disc SACD = Super Audio Compact Disc VHS = Video Cassette LD = Laser Disc DVD = Digital Versatile Disc IIINTRODUCTION This discography began as a draft for the Classical Division, Philips Records in 1980. At that time the late James Burnett was especially helpful in providing dates for the L’Oiseau-Lyre recordings that he produced. More information was obtained from additional paperwork in association with Richard Alston for his book published to celebrate the conductor’s 70 th birthday in 1997. John Hunt’s most valuable discography devoted to the Staatskapelle Dresden was again helpful. Further updating has been undertaken in addition to the generous assistance of Philip Stuart via his LSO discography which he compiled for the Orchestra’s centenary in 2004 and has kept updated. Inevitably there are a number of missing credits for producers and engineers in the earliest years as these facts no longer survive. Additionally some exact dates have not been tracked down. Contents CHRONOLOGICAL LIST OF RECORDING ACTIVITY Page 3 INDEX OF COMPOSERS / WORKS Page 125 INDEX OF SOLOISTS Page 137 Notes 1. -
War Requiem”—Benjamin Britten (1963) Added to the National Registry: 2018 Essay by Neil Powell (Guest Post)*
“War Requiem”—Benjamin Britten (1963) Added to the National Registry: 2018 Essay by Neil Powell (guest post)* In October 1958, Benjamin Britten was invited to compose a substantial work for chorus and orchestra to mark the consecration of Coventry’s new cathedral, designed by Sir Basil Spence and intended to replace the building destroyed by German bombing in 1940. He accepted at once: the commission resonated deeply with Britten, a lifelong pacifist who intended to dedicate it to three friends killed in the Second World War. But by the time he began work on what was to become the “War Requiem,” in the summer of 1960, his interest in the project had been both complicated and deepened by two factors: one was his re-reading of Wilfred Owen’s war poems, which he proposed to interleave with the traditional movements of the Latin Requiem Mass; the other was the suicide of his friend Piers Dunkerley, whom Britten regarded as a delayed casualty of the war and who became the work’s fourth dedicatee. A very public commission had thus acquired a very private subtext. It was surely at this point that Britten began to think of his “War Requiem” as (in his own words) “a kind of reparation.” At the foreground of the work are an English and a German soldier, intimately accompanied by a chamber orchestra: in keeping with his overarching theme of reconciliation, Britten decided that these two male soloists should be his partner, the tenor Peter Pears, and the German baritone Dietrich Fischer-Dieskau. Beyond them are the performers of the liturgical texts--soprano soloist, chorus, symphony orchestra--and, more distant still, boys’ chorus and organ. -
Take a Walk on the Wild Side This Year
Photo: Nancy-Fay Hecker/Apple Hill Designs Take a walk on the wild side “I just love Stockbridge. this year... I mean, Stockbridge is the best of America, the best of New England.” NORMAN ROCKWELL or a hike, bike, swim, or kayak! Stockbridge is located approximately 2 hours west of Boston via Exit 2 of the Mass Pike, and 2 1/2 hours north of New York via the Taconic State Parkway, Rte. 23, and U.S. Rte. 7. From the west, take Interstate 90 East to B3 of the NY Thruway and follow Rte. 102 East. From Hart- ford, take I-91 north to the Mass Pike, then west to Exit 2. STOCKBRIDGE CHAMBER OF COMMERCE 50 Main Street, P.O. Box 224, Stockbridge, MA 01262 413.298.5200 • www.stockbridgechamber.org Photo: Catie May Stockbridge is shaped by its rich history – from its origin as an Indian mission town, to its heyday as a summer home for wealthy families of the Gilded Age, to its current small-town atmosphere captured so endearingly by the American illustrator, Norman Rockwell. (see map, pages 22-23) STOCKBRIDGE: A WALKING TOUR We have mapped out a route that samples our now the left wing, was built in 1864. The library “Cottages” built by wealthy industrialists as sum- history, culture, vistas, and leisurely shopping. houses the Historical Room, a museum and mer mansions during the opulent Gilded Age. Start at the town’s crossroads, Main and South research center containing the original Hitty doll The corner of Main and Sergeant Street pres- Street (Rte. -
The Delius Society Journal
The Delius Society Journal Winter 1997, Number 122 The Delius Society (Registered Charity No. 298662) Full Membership and Institutions £15 per year USA and Canada US$31 per year Africa, Australasia and Far East £18 per year President Felix Aprahamian, I Ion D Mus, I Ion FRCO Vice Presidents Roland Gibson MSc, PhD (Founder Member) Meredith Davies CBE, MA, B Mus, FRCM, I Ion RAM Vernon I Iandley MA, FRCM, D Univ (Surrey) Richard I lickox FRCO (Cl IM) Rodney Meadows Robert Threlfall Clrairma11 Lyndon Jenkins Treas11rcr (to whom changes of address and membership queries should be directed) Derek Cox Mercers, 6 Mount Pleasant, Blockley, Clos GL56 9BU Tel: (01386) 700175 Secretary Anthony Lindsey 1 The Pound, Aldwick Village, West Sussex P021 3SR Tel: (01243) 824964 Editor Roger Buckley Magpie Shaw, Speldhurst, Kent TN3 OLE Tel: (01892) 863123 Fax: (0171) 935 5429 email: RJBucl<lcy <!_,Jaol.com Ch<1irman's Message........................................................................................... 5 Editorial................................................................................................................. 6 Delius Trust Press Release, 24 October 1997................................................... 7 ARTICLES Similar Cities? Delius's Paris, RVW's 1.m11io11 Sy111JJ!rcmy and Stravinsky's Petrouslika, by Robert Matthew-Walker............................. 8 The Loss at the I Ieart of his Music, by Tasmin Little (Daily Telegraph)...... 20 TI lE DELIUS TRUST (Part 1) An Account of the Delius Trust, by Martin Williams...................................