Joel & Ethan Coen, the BIG LEBOWSKI

Total Page:16

File Type:pdf, Size:1020Kb

Joel & Ethan Coen, the BIG LEBOWSKI November 23, 2010 (XXI:13) Joel & Ethan Coen, THE BIG LEBOWSKI (1998, 117 min) Produced, written and directed by Joel Coen and Ethan Coen Original Music by Carter Burwell Cinematography by Roger Deakins Film Editing by Tricia Cooke, Ethan Coen and Joel Coen Barry Asher....bowling consultant Pattie Cooke....baby wrangler Jeff Bridges...Jeffrey Lebowski - The Dude John Goodman...Walter Sobchak Julianne Moore...Maude Lebowski Steve Buscemi...Theodore Donald 'Donny' Kerabatsos David Huddleston...Jeffrey Lebowski - The Big Lebowski Philip Seymour Hoffman...Brandt Tara Reid...Bunny Lebowski Philip Moon...Woo, Treehorn Thug Mark Pellegrino...Blond Treehorn Thug Peter Stormare...Nihilist #1, Uli Kunkel / 'Karl Hungus' Flea...Nihilist #2, Kieffer Torsten Voges...Nihilist #3, Franz Jimmie Dale Gilmore...Smokey Jack Kehler...Marty Man 1998. They’ve won four Oscars: Best Directing – No Country John Turturro...Jesus Quintana For Old Men, Best Screenplay Based on Previously Published James G. Hoosier...Liam O'Brien, Quintana's Partner Work – No Country For Old Men, Best Original Screenplay – Carlos Leon...Maude's Thug #1 Fargo, and Best Editing – No Country For Old Men. Terrence Burton...Maude's Thug #2 David Thewlis...Knox Harrington CARTER BURKWELL (18 November 1955, New York, NY) has Sam Elliott...The Stranger composed the scores for 78 films & shows, some of which are: True Ben Gazzara...Jackie Treehorn Grit 2010, The Kids Are All Right 2010, Howl 2010, A Serious Man Leon Russom...Malibu Police Chief 2009, Burn After Reading 2008, In Bruges 2008, Before the Devil Aimee Mann...Nihilist Woman, Franz' Girlfriend Knows You're Dead 2007, No Country for Old Men 2007, Fur: An Jerry Haleva...Saddam Hussein Imaginary Portrait of Diane Arbus 2006, Kinsey 2004, The Ladykillers 2004, Adaptation 2002, The Rookie 2002, The Man JOEL COHEN (29 November 1954, Minneapolis, Minnesota) and Who Wasn't There 2001, A Knight's Tale 2001, Three Kings 1999, ETHAN COHEN (21 September 1957, Minneapolis, Minnesota) have Being John Malkovich 1999, The General's Daughter 1999, The Big jointly directed, written, produced and edited 12 films: True Grit Lebowski 1998 , Gods and Monsters 1998, The Spanish Prisoner (2010), A Serious Man 2009, Burn After Reading 2008, No Country 1997, Conspiracy Theory 1997, The Chamber 1996, Fargo 1996, for Old Men 2007, The Ladykillers 2004, Intolerable Cruelty 2003, The Hudsucker Proxy 1994, “And the Band Played On” 1993, This The Man Who Wasn't There 2001, O Brother, Where Art Thou? Boy's Life 1993, Buffy the Vampire Slayer 1992, Doc Hollywood 2000, The Big Lebowski 1998, Fargo 1996, Barton Fink 1991, and 1991, Barton Fink 1991, Miller's Crossing 1990, Raising Arizona Blood Simple. 1984. They wrote and directed 5 others: True Grit 1987, Blood Simple. 1984 2010, Paris, je t'aime 2006, The Hudsucker Proxy 1994, Miller's Crossing 1990, and Raising Arizona 1987. They produced 2: ROGER DEAKINS (24 May 1949, Torquay, Devon, England) has Romance & Cigarettes 2005 and Down from the Mountain 2000. been cinematographer for 64 films and shows, some of which are And they wrote two: A Fever in the Blood 2002 and The Naked True Grit 2010, The Company Men 2010, A Serious Man 2009, Coens—THE BIG LEBOWSKI —2 Revolutionary Road 2008, The Reader 2008, Doubt 2008, The The Survivors 1983, Eddie Macon's Run 1983, The Face of Rage Assassination of Jesse James by the Coward Robert Ford 2007, No 1983,and Jailbait Babysitter 1977. Country for Old Men 2007, Jarhead 2005, House of Sand and Fog JULIANNE MOORE (3 December 1960, Fayetteville, North 2003, Intolerable Cruelty 2003, A Beautiful Mind 2001, The Man Carolina) has appeared in 62 films and tv series, some of which are Who Wasn't There 2001, Thirteen Days 2000, O Brother, Where Art Crazy, Stupid, Love 2011, "As the World Turns" 1985-2010, Thou? 2000, The Hurricane 1999, The Big Lebowski 1998, Kundun Elektra Luxx 2010, The Kids Are All Right 2010, Shelter 2010, A 1997, Fargo 1996, Dead Man Walking 1995, The Shawshank Single Man 2009, The Ballad of G.I. Joe 2009, I'm Not There. 2007, Redemption 1994, The Hudsucker Proxy 1994, The Secret Garden Savage Grace 2007, Children of Men 2006, Marie and Bruce 2004, 1993, Passion Fish 1992, Thunderheart 1992, Barton Fink 1991, The Hours 2002, Far from Heaven 2002, The Shipping News 2001, Homicide 1991, Air America 1990, Pascali's Island 1988, Stormy World Traveler 2001, Hannibal 2001, Magnolia 1999, The End of Monday 1988, White Mischief 1988, Sid and Nancy 1986, Nineteen the Affair 1999, An Ideal Husband 1999, Psycho 1998, The Big Eighty-Four 1984, Van Morrison in Ireland 1980, Cruel Passion Lebowski 1998, Boogie Nights 1997, The Lost World: Jurassic Park 1977, and Mothers Own 1975. 1997, Surviving Picasso 1996, Assassins 1995, Nine Months 1995, Vanya on 42nd Street 1994, Short Cuts 1993, The Fugitive 1993, JEFF BRIDGES (4 December Benny & Joon 1993, Body of 1949, Los Angeles, California) Evidence 1993, The Hand That has appeared in 76 films and TV Rocks the Cradle 1992, Tales series, among them True Grit from the Darkside: The Movie 2010, TRON: Legacy 2010, 1990, and "The Edge of Night" Crazy Heart 2009, The Men 1984. Who Stare at Goats 2009, The Open Road 2009, How to Lose STEVE BUSCEMI (13 December Friends & Alienate People 2008, 1957, Brooklyn, New York) has Iron Man 2008 , The Moguls appeared in 121 films and shows, 2005, The Door in the Floor some of which are Pete Smalls Is 2004, Seabiscuit 2003, Scenes of Dead 2010, "Boardwalk Empire", the Crime 2001, The Contender The Chosen One 2010, Grown 2000, The Big Lebowski 1998, Ups 2010, "30 Rock" 2007-2009, The Mirror Has Two Faces Rage 2009, John Rabe 2009, Igor 1996, White Squall 1996, Wild 2008, I Now Pronounce You Bill 1995, Blown Away 1994, Chuck & Larry 2007, Paris, je Fearless 1993, The Vanishing t'aime 2006, "The Sopranos" 1993, American Heart 1992, The 2002-2006, Romance & Fisher King 1991, Texasville 1990, The Fabulous Baker Boys 1989, Cigarettes 2005, The Island 2005, Coffee and Cigarettes 2003, Tucker: The Man and His Dream 1988, Nadine 1987, The Morning Love in the Time of Money 2002, "Saturday Night Live" 1994-2000, After 1986, 8 Million Ways to Die 1986, Jagged Edge 1985, 28 Days 2000, Big Daddy 1999, Armageddon 1998, The Big Starman 1984, Against All Odds 1984, TRON 1982, Cutter's Way Lebowski 1998, Con Air 1997, Escape from L.A. 1996, Kansas City 1981, Heaven's Gate 1980, The American Success Company 1980, 1996, Trees Lounge 1996, Fargo 1996, Things to Do in Denver Winter Kills 1979, King Kong 1976, Stay Hungry 1976, Hearts of When You're Dead 1995, Desperado 1995, Airheads 1994, Pulp the West 1975, Rancho Deluxe 1975, Thunderbolt and Lightfoot Fiction 1994, The Hudsucker Proxy 1994, Reservoir Dogs 1992, 1974, The Iceman Cometh 1973, The Last American Hero 1973, Billy Bathgate 1991, Barton Fink 1991, Miller's Crossing 1990, Lolly-Madonna XXX 1973, Bad Company 1972, Fat City 1972, The King of New York 1990, Mystery Train 1989, “Borders” 1989, New Last Picture Show 1971, Halls of Anger 1970, "The Lloyd Bridges York Stories 1989, "Lonesome Dove" 1989, Heart 1987, "Miami Show" 1962-1963, and "Sea Hunt" 1958-1960. He won a Best Vice" 1986, and Tommy's 1985. He has directed 12 films & shows: Actor Oscar for Crazy Heart, 2010. Queer 2011, "Nurse Jackie" 2009, "30 Rock" 2009, "The Sopranos" 2001-2006, Lonesome Jim 2005, “Baseball Wives” 2002, "Oz" JOHN GOODMAN (20 June 1952, St. Louis, Missouri) has appeared 1999-2001, Animal Factory 2000, "Homicide: Life on the Street" in 114 and tv shows, some of which are Spring Break '83 2010, 1998, Trees Lounge 1996, and What Happened to Pete 1992. "Treme" 2010, You Don't Know Jack 2010, Pope Joan / Die Päpstin 2009, Alabama Moon 2009, Speed Racer 2008, Evan DAVID HUDDLESTON (17 September 1930, Vinton, Virginia) has Almighty 2007, Dirty Deeds 2002, My First Mister 2001, The appeared in 138 films and shows, some of which are It's Always Adventures of Rocky & Bullwinkle 2000, O Brother, Where Art Sunny in Philadelphia: A Very Sunny Christmas 2009, Postal 2007, Thou? 2000, "The Simpsons" 1999, Bringing Out the Dead 1999, Old Glory 2007, The Producers 2005, "The West Wing" 2000- "Saturday Night Live" 1998-1999, The Big Lebowski 1998, Blues 2002, "The Practice" 1999, The Big Lebowski 1998, "Walker, Texas Brothers 2000 1998, Fallen 1998, Mother Night 1996, “Kingfish: A Ranger" 1994, Life with Mikey 1993, "Murder, She Wrote" 1990, Story of Huey P. Long” 1995, The Flintstones 1994, The Hudsucker “M.A.D.D.: Mothers Against Drunk Drivers” 1983, “The Proxy 1994, Born Yesterday 1993, The Babe 1992, Barton Fink Oklahoma City Dolls” 1981, Smokey and the Bandit II 1980, Zero 1991, Always 1989, Sea of Love 1989, Everybody's All-American to Sixty 1978, Capricorn One 1977, The World's Greatest Lover 1988, Burglar 1987, Raising Arizona 1987, The Big Easy 1986, 1977, The Greatest 1977, "Charlie's Angels" 1976, "Hawaii Five- True Stories 1986, Revenge of the Nerds 1984, Heart of Steel 1983, O" 1976, Breakheart Pass 1975, "The Rockford Files" 1975 , "Emergency!" 1975, "Kung Fu" 1973-1975, "Petrocelli" 1974, Coens—THE BIG LEBOWSKI —3 "Gunsmoke" 1971-1974, Billy Two Hats 1974, Blazing Saddles Peach 1996, Restoration 1995, Black Beauty 1994, Naked 1993, 1974, "The Waltons" 1971-1972, "Bonanza" 1971-1972, Bad The Trial 1993, Damage 1992, Afraid of the Dark 1991, Company 1972, "McMillan & Wife" 1971, Fools' Parade 1971, Rio "Screenplay" 1987-1991, Resurrected 1989, "A Bit of a Do" 1989, Lobo 1970, and Slaves 1969. "Valentine Park" 1987-1988, Little Dorrit 1988, and "Only Fools and Horses...." 1985.
Recommended publications
  • Hole a Remediative Approach to the Filmmaking of the Coen Brothers
    University of Dundee DOCTOR OF PHILOSOPHY Going Down the 'Wabbit' Hole A Remediative Approach to the Filmmaking of the Coen Brothers Barrie, Gregg Award date: 2020 Link to publication General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 24. Sep. 2021 Going Down the ‘Wabbit’ Hole: A Remediative Approach to the Filmmaking of the Coen Brothers Gregg Barrie PhD Film Studies Thesis University of Dundee February 2021 Word Count – 99,996 Words 1 Going Down the ‘Wabbit’ Hole: A Remediative Approach to the Filmmaking of the Coen Brothers Table of Contents Table of Figures ..................................................................................................................................... 2 Declaration ............................................................................................................................................
    [Show full text]
  • Martin Neužil
    Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Martin Neužil Violence and humour in In Bruges and The Guard Bachelor’s Diploma Thesis Supervisor: Stephen Paul Hardy, Ph. D. 2018 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Martin Neužil 2 I would like to thank my supervisor, Stephen Paul Hardy, for his unending patience and guidance. Also huge thanks to my family and friends for their support and encouragement. 3 Table of Contents Page Introduction ..................................................................................................................... 5 Irish Movie Industry ....................................................................................................... 7 In Bruges ........................................................................................................................ 10 The Guard ..................................................................................................................... 20 Comparison ................................................................................................................... 30 Conclusion ..................................................................................................................... 40 Works Cited ................................................................................................................... 41 Resumé ..........................................................................................................................
    [Show full text]
  • The Humorous View of a Psychotic Break in Raising Arizona, by the Coen Brothers
    The Humorous View of a Psychotic Break in Raising Arizona, by the Coen Brothers Thoughts on the bizarre object. Robert A.W. Northey Raising Arizona, the second film by the now well known writer/director duo, Joel and Ethan Coen, was released in 1987. Many of the actors in the film were relatively unknown at the time. The young Nicolas Cage had just caught attention starring beside Cher in Moonstruck, with a few smaller roles in some feature films before that. Holly Hunter was relatively unknown. Frances McDormand had recognition for her stage acting with one Tony nomination, otherwise a few television series and one feature film, Blood Simple, the first Coen brothers film (know that she is married to Joel Coen). John Goodman had been in a few films, but his fame from the TV series Rosanne was still ahead of him. Raising Arizona is a film I know well, first seeing it shortly after it was released, and having re- watched it at least a dozen times since then. The quirky comedy speaks to my sense of humour, and it was an early lesson to me about the art of making film, and of telling a story. Reviewing it more recently from a psychoanalytic perspective has brought me great joy as I was able to discover yet more in this film that I love. Could this story be told in any other way than a comedy? Certainly a story of a childless couple, devastated by their inability to have a child, kidnapping a baby to try and fill the need, hiding the crime from inquiring friends, and being hunted by police and bounty hunters, might be possible as a drama; but would it be watchable or relatable or on any level believable? I would suggest that the story as a comedy nullifies believability as a concern.
    [Show full text]
  • Now AVAILABLE in a BLU-RAY Edition! the CRITERION COLLECTION PRESENTS Beauty and the Beast
    1946 now AVAILABLE In A BLU-RAY EdItIon! THE CRITERION COLLECTION PRESENTS BeautY And thE BEAst CINEMA’S MOST GLORIOUS FAIRY TALE COMES TO NEW LIFE ON CRITERION BLU-RAY! The sublime adaptation by JEAN Cocteau (Orpheus) of Mme. Leprince de Beaumont’s fairy-tale masterpiece—in which the true love of a beautiful girl melts the heart of a feral but gentle beast—is a landmark feat of motion picture fantasy, with unforgettably romantic performances by JEAN MARAIS (Orpheus) and Josette Day (Les parents terribles). The spectacular visions of enchantment, desire, and death in Beauty and the Beast (La Belle et la Bête) have become timeless icons of cinematic wonder. Blu-ray SPECIAL EDITION FEATURES WINNER • High-definition digital transfer from restored film PRIx LOUIS Delluc, 1946 elements, with uncompressed monaural soundtrack • Composer Philip Glass’s opera La Belle et la Bête, presented in 5.1 DTS-HD Master Audio as an alternate soundtrack • Two commentaries: one by film historian Arthur “One of the most magical of all films.” Knight and one by writer and cultural historian —Roger Ebert Sir Christopher Frayling • Screening at the Majestic, a 1995 documentary featuring interviews with cast and crew “A sensuously fascinating film, • Interview with cinematographer Henri Alekan a fanciful poem in movement.” —The New York Times • Rare behind-the-scenes photos and publicity stills • Film restoration demonstration • Original trailer, directed and narrated by director 1946 • 93 mInUtEs • BLAck & whItE • monaural • In Jean Cocteau, plus restoration trailer from 1995 FREnch wIth EngLIsh sUBtItLEs • 1.33:1 AspEct RAtIo • PLUS: A booklet featuring an essay by film critic BLU-RAY EDITION SRP $39.95 Geoffrey O’Brien, a piece on the film by Cocteau, PREBOOK 6/21/11 STREET 7/19/11 excerpts from Francis Steegmuller’s 1970 book Cat.
    [Show full text]
  • I'm a Sicilian American
    I’m a Sicilian American Dedicated to my parents Gaetano and Rosa Alessi Coniglio and my eldest brother Guy , who came to America in 1913 and 1914 from Serradifalco, SICILY . I’m a Sicilian American. I’m a Sicilian American. I’m the son of immigrants who left a land of history and beauty, of poets and dreamers, volcanoes and olive trees. A land that taught the world what a modern nation could be, before most modern nations existed. A land that formed the largest country, The Kingdom of the Two Sicilies , from Naples and Abruzzo to Messina and Palermo, that was subsumed into the new ‘Kingdom of Italy’ after the ‘unification’. My parents left because for all its lore and loveliness, and their fierce pride in it, Sicily was poor and demeaned, and could offer little hope for their family’s future. I’m a Sicilian American. My heritage includes mythical Persephone, Vulcan, and Icarus; Greek scholars Archimedes, Empedocles and Diodorus Siculus; composers Bellini and Scarlatti, and writers Verga and Sciascia. I’m a Sicilian American. I’m Antonio Crisafi. I came before there was a United States and in 1696 commanded the fort at Onondaga. I’m Padre Saverio Saetta, who died in 1695 while bringing Christianity to the New World. I’m Enrico Fardella, who fought against the Bourbons in Sicily, one of the first people’s revolutions in Europe, in 1848, and then became a brigadier general in America’s Civil War. I’m a Sicilian American. I’m a descendant of Southern Italian immigrants who formed 80% of the ‘Italians’ who came to America in the ‘Great Migration’ of the late 1800s and early 1900s, most, from the island of Sicily.
    [Show full text]
  • 71 Ans De Festival De Cannes Karine VIGNERON
    71 ans de Festival de Cannes Titre Auteur Editeur Année Localisation Cote Les Années Cannes Jean Marie Gustave Le Hatier 1987 CTLes (Exclu W 5828 Clézio du prêt) Festival de Cannes : stars et reporters Jean-François Téaldi Ed du ricochet 1995 CTLes (Prêt) W 4-9591 Aux marches du palais : Le Festival de Cannes sous le regard des Ministère de la culture et La 2001 Salle Santeuil 791 (44) Mar sciences sociales de la communication Documentation française Cannes memories 1939-2002 : la grande histoire du Festival : Montreuil Média 2002 Salle Santeuil 791 (44) Can l’album officiel du 55ème anniversaire business & (Exclu du prêt) partners Le festival de Cannes sur la scène internationale Loredana Latil Nouveau monde 2005 Salle Santeuil 791 (44) LAT Cannes Yves Alion L’Harmattan 2007 Magasin W 4-27856 (Exclu du prêt) En haut des marches, le cinéma : vitrine, marché ou dernier refuge Isabelle Danel Scrineo 2007 Salle Santeuil 791 (44) DAN du glamour, à 60 ans le Festival de Cannes brille avec le cinéma Cannes Auguste Traverso Cahiers du 2007 Salle Santeuil 791 (44) Can cinéma (Exclu du prêt) Hollywood in Cannes : The history of a love-hate relationship Christian Jungen Amsterdam 2014 Magasin W 32950 University press Sélection officielle Thierry Frémaux Grasset 2017 Magasin W 32430 Ces années-là : 70 chroniques pour 70 éditions du Festival de Stock 2017 Magasin W 32441 Cannes La Quinzaine des réalisateurs à Cannes : cinéma en liberté (1969- Ed de la 1993 Magasin W 4-8679 1993) Martinière (Exclu du prêt) Cannes, cris et chuchotements Michel Pascal
    [Show full text]
  • Sans Titre-2
    A l’Espace Audiovisuel: Les Palmes d’Or du festival de Cannes Année Titre Réalisateur Pays Cote 2010 Oncle Boonmee Weerasethakul Apichatpong Thaïlande 3344DVD 2009 Le ruban blanc Haneke Michael Autriche 2720DVD 2008 Entre les murs Cantet Laurent France 1727DVD 2007 4 mois, 3 semaines, 2 jours Mungiu Cristian Roumanie 1403DVD 2006 Le vent se lève Loach Ken Royaume-Uni 1161DVD Jean-Pierre et 2005 L'enfant Dardenne Luc Belgique 1284DVD 2004 Fahrenheit 9 / 11 Moore Michael Etats-Unis 2692DVD 2003 Elephant Van Sant Gus Etats-Unis 496DVD 2002 Le pianiste Polanski Roman Pologne 649DVD 2001 La chambre du fils Moretti Nanni Italie 1892DVD 2000 Dancer in the dark Trier Lars von Danemark 269DVD Jean-Pierre et 1999 Rosetta Dardenne Luc Belgique 57DVD 1998 L'éternité et un jour Angelopoulos Theo Grèce 1503DVD Le goût de la cerise Kiarostami Abbas Iran 1929AVV 1997 L'anguille Imamura Shohei Japon 1921AVV 1996 Secrets et mensonges Leigh Mike Royaume-Uni 1028DVD 1995 Underground Kusturica Emir Yougoslavie 1994 Pulp fiction Tarantino Quentin Etats-Unis 1203DVD Nouvelle- 1993 La leçon de piano Campîon Jane Zélande 1032DVD Adieu ma concubine Kaige Chen Chine 1086DVD 1992 Les meilleures intentions August Bille Danemark 1991 Barton Fink Coen Ethan et Joel Etats-Unis 1505DVD 1990 Sailor et Lula Lynch David Etats-Unis 1218DVD 1989 Sexe, mensonge et vidéo Soderbergh Steven Etats-Unis 1068AVV 1988 Pelle le conquérant August Bille Danemark 288DVD 1987 Sous le soleil de Satan Pialat Maurice France 11DVD 1986 Mission Joffé Roland Royaume-Uni 1985 Papa est en voyage
    [Show full text]
  • Elijah Siegler, Coen. Framing Religion in Amoral Order Baylor University Press, 2016
    Christian Wessely Elijah Siegler, Coen. Framing Religion in Amoral Order Baylor University Press, 2016 I would hardly seem the most likely candidate to review a book on the Coen brothers. I have not seen all of their films, and the ones I saw … well, either I did not understand them or they are really as shallow as I thought them to be. With one exception: I did enjoy O Brother, Where Art Thou? (2000). And I like A Serious Man (2009). So, two exceptions. And, of course, True Grit (2010) – so, all in all three exceptions1 … come to think of it, there are more that have stuck in my mind in a positive way, obfuscated by Barton Fink (1991) or Burn After Reading (2008). Therefore, I was curious wheth- er Elijah Siegler’s edited collection would change my view on the Coens. Having goog- led for existing reviews of the book that might inspire me, I discovered that none are to be found online, apart from the usual flattery in four lines on the website of Baylor University Press, mostly phrases about the unrivalled quality of Siegler’s book. Turns out I have do all the work by myself. Given that I am not familiar with some of the films used to exemplify some of this book’s theses, I will be brief on some chapters and give more space to those that deal with the films I know. FORMAL ASPECTS Baylor University Press is well established in the fields of philosophy, religion, theol- ogy, and sociology. So far, they have scarcely published in the media field, although personally I found two of their books (Sacred Space, by Douglas E.
    [Show full text]
  • A Serious Man (2009)
    A Serious Man (2009) “Receive with simplicity everything that happens” --Rashi Major Credits: Directors: Joel and Ethan Coen Script: Joel and Ethan Coean Cinematography: Roger Deakins Editing: Roderick Jaynes (pseudonym for Joel and Ethan Coen) Music: Carter Burwell Cast: Michael Stuhlbarg (Larry Gopnik); Richard Kind (Uncle Arthur); Fred Melamed (Sy Abelman); Sari Lennick (Judith Gopnik); Amy Landecker (Mrs. Samsky) Background: Following the success of No Country for Old Men (2007), the Coen brothers felt free to return to an uncharacteristically personal story that they had been thinking about for many years. Set in 1967 in an upper Midwest suburbia like the one outside Minneapolis in which they were raised, A Serious Man draws upon Joel’s and Ethan’s memories as it re-tells the Biblical tale of Job. Although generally praised by critics (earning a Best Picture nomination from the Academy under its newly expanded system of selecting ten movies instead of five), the film, perhaps not surprisingly, did not generate the same buzz as their multiple Oscar-winning Western. Nevertheless, it remains one of their most skillfully crafted works, one that manages to be both painfully funny and deeply disturbing. Its reputation will almost surely grow. Cinematic Elements: 1. The Yiddish prologue, with its narrowed frame, sepia tone, and focused lighting, evokes both the style of silent movies and the vernacular language and storytelling of the Yiddish theatre. Although the Coens have explicitly denied any relevance to the modern story, the prologue clearly resonates with the themes and tone of the rest of A Serious Man. 2. Music: The Coens again collaborate with their favorite composer, Carter Burwell, and the film’s eclectic score—from the Jefferson Airplane’s “Don’t You Want Somebody to Love” to Sidor Belarsky’s melancholy Yiddish song “The Miller’s Tears”—reinforces the film’s shifts from hallucination and dream to comedy and melodrama.
    [Show full text]
  • The Political Agenda of Todd Haynes's Far from Heaven Niall Richardson, University of Sunderland, UK
    Poison in the Sirkian System: The Political Agenda of Todd Haynes's Far From Heaven Niall Richardson, University of Sunderland, UK Certainly Haynes's work does qualify as queer, but in the traditional sense of the word: unusual, strange, disturbing. (Wyatt, 2000: 175) Haynes "queers" heterosexual, mainstream narrative cinema by making whatever might be familiar or normal about it strange, and in the process hypothesising alternatives that disrupt its integrity and ideological cohesiveness. (DeAngelis, 2004: 41) Todd Haynes is one of the most controversial directors of contemporary cinema. From his student film Superstar: The Karen Carpenter Story (1987), to his most controversial, Poison (1991), Haynes has continually challenged spectators' expectations by making the familiar appear unfamiliar and evoking a sense of the unusual, strange, or "queer" within everyday lives. Committed to an agenda of political filmmaking, Haynes's films not only subvert Hollywood's storytelling conventions and assail the spectator with challenging images (especially Poison) but also ask the spectator to acknowledge the alienation of minority groups from mainstream society. It would, therefore, seem odd that Haynes should have recently directed Far From Heaven (2002), a homage to the melodramas of the 1950s. Unlike Haynes's other films -- Superstar, Poison, Dottie Gets Spanked (1993), Safe (1995) and Velvet Goldmine (1998) -- Far From Heaven is Haynes's first "commercial" success, popular with both mainstream audiences and critics. This paper will argue that Far From Heaven is more than simply an affectionate pastiche of Douglas Sirk's classic melodrama All That Heaven Allows (1955). Instead, Far From Heaven combines the social critique of the "Sirkian System" with the political agenda found in Poison.
    [Show full text]
  • (XXXIX:9) Mel Brooks: BLAZING SADDLES (1974, 93M) the Version of This Goldenrod Handout Sent out in Our Monday Mailing, and the One Online, Has Hot Links
    October 22, 2019 (XXXIX:9) Mel Brooks: BLAZING SADDLES (1974, 93m) The version of this Goldenrod Handout sent out in our Monday mailing, and the one online, has hot links. Spelling and Style—use of italics, quotation marks or nothing at all for titles, e.g.—follows the form of the sources. DIRECTOR Mel Brooks WRITING Mel Brooks, Norman Steinberg, Richard Pryor, and Alan Uger contributed to writing the screenplay from a story by Andrew Bergman, who also contributed to the screenplay. PRODUCER Michael Hertzberg MUSIC John Morris CINEMATOGRAPHY Joseph F. Biroc EDITING Danford B. Greene and John C. Howard The film was nominated for three Oscars, including Best Actress in a Supporting Role for Madeline Kahn, Best Film Editing for John C. Howard and Danford B. Greene, and for Best Music, Original Song, for John Morris and Mel Brooks, for the song "Blazing Saddles." In 2006, the National Film Preservation Board, USA, selected it for the National Film Registry. CAST Cleavon Little...Bart Gene Wilder...Jim Slim Pickens...Taggart Harvey Korman...Hedley Lamarr Madeline Kahn...Lili Von Shtupp Mel Brooks...Governor Lepetomane / Indian Chief Burton Gilliam...Lyle Alex Karras...Mongo David Huddleston...Olson Johnson Liam Dunn...Rev. Johnson Shows. With Buck Henry, he wrote the hit television comedy John Hillerman...Howard Johnson series Get Smart, which ran from 1965 to 1970. Brooks became George Furth...Van Johnson one of the most successful film directors of the 1970s, with Jack Starrett...Gabby Johnson (as Claude Ennis Starrett Jr.) many of his films being among the top 10 moneymakers of the Carol Arthur...Harriett Johnson year they were released.
    [Show full text]
  • Series 28: 7) John Cassavetes, KILLING of a CHINESE BOOKIE (1976, 135 Minutes)
    March 11, 2014 (Series 28: 7) John Cassavetes, KILLING OF A CHINESE BOOKIE (1976, 135 minutes) Directed by John Cassavetes Cinematography by Mitch Breit Ben Gazzara ... Cosmo Vittelli Timothy Carey ... Flo Al Ruban ... Marty Reitz JOHN CASSAVETES (director) (b. John Nicholas Cassavetes, December 9, 1929 in New York City, New York—d. February 3, 1989 (age 59) in Los Angeles, California) directed 16 films and TV shows, which are 1986 Big Trouble, 1984 Love Streams, 1980 Gloria, 1977 Opening Night, 1976 The Killing of a Chinese Bookie, 1974 A Woman Under the Influence, 1972 “Columbo” (TV Series), 1971 Minnie and Moskowitz, 1970 Husbands, 1968 Faces, 1966 “Bob Hope Presents the Chrysler Theatre” (TV Series), 1962-1963 “The Lloyd Bridges Show” (TV Series), 1963 A Child Is Waiting, 1961 Too Late Blues, 1959-1960 “Johnny Staccato” (TV Series), and 1959 Shadows. He also wrote 14 films and TV shows—2010 Antes del estreno (original story), MITCH BREIT (cinematography) has been cinematographer for 1999 Gloria (1980 screenplay), 1997 She's So Lovely, 1984 Love 2 films: 1976 The Killing of a Chinese Bookie and 1974 A Streams, 1980 Gloria, 1977 Opening Night, 1976 The Killing of Woman Under the Influence. a Chinese Bookie, 1974 A Woman Under the Influence, 1971 Minnie and Moskowitz, 1970 Husbands, 1968 Faces, 1966 “Bob BEN GAZZARA ... Cosmo Vittelli (b. Biagio Anthony Gazzara, Hope Presents the Chrysler Theatre” (TV Series), 1961 Too Late August 28, 1930 in New York City, New York—d. February 3, Blues, and 1959 Shadows—and edited 2—1968 Faces and 1959 2012 (age 81) in New York City, New York) appeared in 133 Shadows.
    [Show full text]