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Ancestors of Margrethe II of Denmark
Ancestors of Margrethe II of Denmark George II of Great Britain Caroline of Ansbach Birth: Nov 9 1683, Hanover Birth: Mar 1 1683, Ansbach Death: Oct 25 1760, London Death: Nov 20 1737, London William IV, Prince of Anne, Princess Royal and George II of Great Britain Caroline of Ansbach Orange Princess of Orange Birth: Nov 9 1683, Hanover Birth: Mar 1 1683, Ansbach Birth: Sep 1 1711, Birth: Nov 2 1709, Hanover Death: Oct 25 1760, London Death: Nov 20 1737, London Leeuwarden Death: Jan 12 1759, The Death: Oct 22 1751, The Hague Hague Charles Christian, Prince Carolina of Orange- Frederick, Prince of Augusta of Saxe-Gotha of Nassau-Weilburg Nassau Wales Birth: Nov 30 1719 Birth: Jan 16 1735, Weilburg Birth: Feb 28 1743, Birth: Feb 1 1707 Death: Feb 8 1772 Death: Nov 28 1788, Leeuwarden Death: Mar 31 1751 Münster-Dreissen Death: May 6 1787, Kirchheimbolanden Frederick William of Louise Isabelle of George III of the United Charlotte of Nassau-Weilburg Kirchberg Kingdom Mecklenburg-Strelitz Birth: Oct 25 1768 Birth: Apr 19 1772 Birth: Jun 4 1738 Birth: May 19 1744 Death: Jan 9 1816 Death: Jan 6 1827 Death: Jan 29 1820 Death: Nov 17 1818 William, Duke of Nassau Pauline of Württemberg Edward, Duke of Kent Victoria of Saxe-Coburg- Birth: Jun 14 1792 Birth: Feb 25 1810 and Strathearn Saalfeld Death: Aug 1839 Death: Jul 7 1856 Birth: Nov 2 1767 Birth: Aug 17 1786 Death: Jan 23 1820 Death: Mar 16 1861 Oscar II of Sweden Sophia of Nassau Albert of Saxe-Coburg Victoria of the United Birth: Jan 1 1829 Birth: Jul 9 1836 and Gotha Kingdom Death: Dec 8 -
JOTTINGS February, March, April 2010
The Danish American Archive and Library John W. Nielsen, Director Jill Hennick, Associate Director Dana College, Blair, Nebraska 68008 ThæW Tel. (402) 426-7910 ho’s Who in Science E-mail [email protected] JOTTINGS February, March, April 2010 ENDOWMENT FUND 600,000 Dane Spends Two Months Forthcoming Lur Book Launches Important New Direction Researching at DAAL With the release of Gustaf Munch-Petersen: Bendt Jensen of Hjoerring, Denmark, spent the Selected Poems in June, Lur Publications launches a months of March and April at DAAL working on a new publishing venture in which it will introduce tourism project in connection with his studies at University College Nordjylland. The project 500,000 American readers to significant works that have appeared in Denmark. This work of Danish poetry involves establishing tourist routes for both Danish has been translated by Brian Young of Port and American travelers to follow as they retrace Townsend, Washington. the routes of their ancestors. Gustaf Munch-Petersen was an early 20th century Bendt’s American experience was enriched by the Danish poet who lost his life when only 26 as a generosity of Thorkild Pedersen, a long-time Blair 400,000 volunteer in the Spanish Civil War opposing resident and recent Archive volunteer, who took Francisco Franco. His poetry was not accepted by him to The Danish Immigrant Museum in Elk Danish critics during his lifetime because it was too Horn, Iowa; the Mormon Cemetery and Museum avant garde. Subsequently it became highly valued in Omaha; the Western Heritage Museum in and Martine Cardel Gertsen, the leading Danish Omaha; the Bertrand Museum and Desoto Wildlife authority on Munch-Petersen has written an Center; Fort Atkinson; the Interstate 80 Arch and introduction to the bilingual Lur edition. -
Scaramouche and the Commedia Dell'arte
Scaramouche Sibelius’s horror story Eija Kurki © Finnish National Opera and Ballet archives / Tenhovaara Scaramouche. Ballet in 3 scenes; libr. Paul [!] Knudsen; mus. Sibelius; ch. Emilie Walbom. Prod. 12 May 1922, Royal Dan. B., CopenhaGen. The b. tells of a demonic fiddler who seduces an aristocratic lady; afterwards she sees no alternative to killinG him, but she is so haunted by his melody that she dances herself to death. Sibelius composed this, his only b. score, in 1913. Later versions by Lemanis in Riga (1936), R. HiGhtower for de Cuevas B. (1951), and Irja Koskkinen [!] in Helsinki (1955). This is the description of Sibelius’s Scaramouche, Op. 71, in The Concise Oxford Dictionary of Ballet. Initially, however, Sibelius’s Scaramouche was not a ballet but a pantomime. It was completed in 1913, to a Danish text of the same name by Poul Knudsen, with the subtitle ‘Tragic Pantomime’. The title of the work refers to Italian theatre, to the commedia dell’arte Scaramuccia character. Although the title of the work is Scaramouche, its main character is the female dancing role Blondelaine. After Scaramouche was completed, it was then more or less forgotten until it was published five years later, whereupon plans for a performance were constantly being made until it was eventually premièred in 1922. Performances of Scaramouche have 1 attracted little attention, and also Sibelius’s music has remained unknown. It did not become more widely known until the 1990s, when the first full-length recording of this remarkable composition – lasting more than an hour – appeared. Previous research There is very little previous research on Sibelius’s Scaramouche. -
Howard J. Garber Letter Collection This Collection Was the Gift of Howard J
Howard J. Garber Letter Collection This collection was the gift of Howard J. Garber to Case Western Reserve University from 1979 to 1993. Dr. Howard Garber, who donated the materials in the Howard J. Garber Manuscript Collection, is a former Clevelander and alumnus of Case Western Reserve University. Between 1979 and 1993, Dr. Garber donated over 2,000 autograph letters, documents and books to the Department of Special Collections. Dr. Garber's interest in history, particularly British royalty led to his affinity for collecting manuscripts. The collection focuses primarily on political, historical and literary figures in Great Britain and includes signatures of all the Prime Ministers and First Lords of the Treasury. Many interesting items can be found in the collection, including letters from Elizabeth Barrett Browning and Robert Browning Thomas Hardy, Queen Victoria, Prince Albert, King George III, and Virginia Woolf. Descriptions of the Garber Collection books containing autographs and tipped-in letters can be found in the online catalog. Box 1 [oversize location noted in description] Abbott, Charles (1762-1832) English Jurist. • ALS, 1 p., n.d., n.p., to ? A'Beckett, Gilbert A. (1811-1856) Comic Writer. • ALS, 3p., April 7, 1848, Mount Temple, to Morris Barnett. Abercrombie, Lascelles. (1881-1938) Poet and Literary Critic. • A.L.S., 1 p., March 5, n.y., Sheffield, to M----? & Hughes. Aberdeen, George Hamilton Gordon (1784-1860) British Prime Minister. • ALS, 1 p., June 8, 1827, n.p., to Augustous John Fischer. • ANS, 1 p., August 9, 1839, n.p., to Mr. Wright. • ALS, 1 p., January 10, 1853, London, to Cosmos Innes. -
Summary for World Conference
World Conference FILE, 016545 PART OF: PHOTOGRAPH COLLECTION > MEETINGS AND EVENTS > WORLD CONFERENCE Collection Contents World Conference (57 records) Juliette Gordon Low speaking to a group of ten Girl Scouts and Adult Leaders beside an encampment of tents. Group portrait of approximately thirty Girl Scouts and Adult Leaders in three rows. Juliette Gordon Low in center. Cottage in background and an American flag. A group of several dozen Girl Scouts and Adult Leaders watch as Juliette Gordon Low digs with a shovel to plant a memorial evergreen sapling. Silver Fish award is shown around her neck. A group of three Adult Leaders plant a memorial tree while other leaders and Girl Scouts observe. Juliette Gordon Low is on far right. Portrait of a group of approximately forty International Adult Leaders in three rows in front of a building. Two American GS Leaders are shown. Portrait of a group of over one hundred International Adult Leaders in several rows in front of a building. Some American GS Leaders are shown. Five International Adult Leaders on the lawn at a conference. An audience in lawn chairs watches an International Girl Scout presentation of troops in formation with Danish flags. High angle view. An audience in lawn chairs at the 18th World Conference. Front Row: King Frederick IX of Denmark with two of his daughters; Princess Benedikte and Anne-Marie Closeup of King Frederick IX of Denmark with two of his daughters; Princess Benedikte and Anne-Marie at the 18th World Conference. Closeup portrait of Princess Benedikte of Denmark standing at a microphone. -
NORTHERN STARS MUSIC from the NORDIC and BALTIC REGIONS NAXOS • MARCO POLO • ONDINE • PROPRIUS • SWEDISH SOCIETY • DACAPO Northern Stars
NORTHERN STARS MUSIC FROM THE NORDIC AND BALTIC REGIONS NAXOS • MARCO POLO • ONDINE • PROPRIUS • SWEDISH SOCIETY • DACAPO Northern Stars Often inspired by folk tradition, nature, landscape and a potent spirit of independence, the music of Scandinavia, Finland and the Baltic states is distinctive and varied, with each country’s music influenced by its neighbours, yet shaped and coloured by its individual heritage. Traveling composers such as Sweden’s Joseph Kraus introduced 18th and early 19th century classical trends from Germany and Italy, but with national identity gaining increasing importance as Romantic ideals took hold, influential and distinctive creative lines were soon established. The muscular strength of Carl Nielsen’s symphonies grew out of the Danish nationalist vigor shown by Friedrich Kuhlau and Niels Gade, extending to names such as Per Nørgård today. Gade was a teacher of Edvard Grieg, who owes his position as Norway’s leading composer, at least in part, to the country’s traditional folk music and the poignant lyricism of the Hardanger fiddle. The music of Finland is dominated by the rugged symphonies of Jean Sibelius, and his Finlandia ensured his status as an enduring national symbol. Sibelius successfully combined the lessons of Viennese romanticism with a strong Nordic character, and this pragmatic approach has generated numerous contemporary giants such as Aus Sallinen, Einojuhani Rautavaara, Kalevi Aho and Kaija Saariaho. Turbulent history in the Baltic States partially explains a conspicuous individualism amongst the region’s composers, few more so than with Arvo Pärt, whose work distils the strong Estonian vocal tradition into music of striking intensity and crystalline beauty. -
Halldór Laxness - Wikipedia
People of Iceland on Iceland Postage Stamps Halldór Laxness - Wikipedia https://en.wikipedia.org/wiki/Halldór_Laxness Halldór Laxness Halldór Kiljan Laxness (Icelandic: [ˈhaltour ˈcʰɪljan ˈlaxsnɛs] Halldór Laxness ( listen); born Halldór Guðjónsson; 23 April 1902 – 8 February 1998) was an Icelandic writer. He won the 1955 Nobel Prize in Literature; he is the only Icelandic Nobel laureate.[2] He wrote novels, poetry, newspaper articles, essays, plays, travelogues and short stories. Major influences included August Strindberg, Sigmund Freud, Knut Hamsun, Sinclair Lewis, Upton Sinclair, Bertolt Brecht and Ernest Hemingway.[3] Contents Early years 1920s 1930s 1940s 1950s Born Halldór Guðjónsson Later years 23 April 1902 Family and legacy Reykjavík, Iceland Bibliography Died 8 February 1998 Novels (aged 95) Stories Reykjavík, Iceland Plays Poetry Nationality Icelandic Travelogues and essays Notable Nobel Prize in Memoirs awards Literature Translations 1955 Other Spouses Ingibjörg Einarsdóttir References (m. 1930–1940) External links [1] Auður Sveinsdóttir (m. 1945–1998) Early years Laxness was born in 1902 in Reykjavík. His parents moved to the Laxnes farm in nearby Mosfellssveit parish when he was three. He started to read books and write stories at an early age. He attended the technical school in Reykjavík from 1915 to 1916 and had an article published in the newspaper Morgunblaðið in 1916.[4] By the time his first novel was published (Barn náttúrunnar, 1919), Laxness had already begun his travels on the European continent.[5] 1 of 9 2019/05/19, 11:59 Halldór Laxness - Wikipedia https://en.wikipedia.org/wiki/Halldór_Laxness 1920s In 1922, Laxness joined the Abbaye Saint-Maurice-et-Saint-Maur in Clervaux, Luxembourg where the monks followed the rules of Saint Benedict of Nursia. -
Radio 3 Listings for 13 – 19 June 2009 Page 1
Radio 3 Listings for 13 – 19 June 2009 Page 1 of 39 SATURDAY 13 JUNE 2009 Chopin, Fryderyk (1810-1849): Polonaise in F sharp minor, Op 44 SAT 01:00 Through the Night (b00kszvp) Erik Suler (piano) 1.00am Haydn, (Franz) Joseph (1732-1809): String Quartet in B flat, Op 5.29am 76, No 4 (Sunrise) Telemann, Georg Philipp (1681-1767): Concerto in F minor Con Tempo Quartet European Union Baroque Orchestra Roy Goodman (director) 1.22am Beethoven, Ludwig van (1770-1827): String Quintet in C, Op 28 5.44am Con Tempo Quartet Haydn, Joseph (1732-1809): Sonata in E flat for piano trio, H XV 28 1.52am Kungsbacka Trio Sirola, Bozidar (1889-1956): Missa Poetica Slovenian Chamber Choir 6.00am Vladimir Kranjcevic (conductor) Moszkowski, Moritz (1854-1925): Piano Concerto in E, Op 59 Janina Fialkowska (piano) 2.25am Kitchener-Waterloo Symphony Orchestra Tchaikovsky, Pyotr Il'yich (1840-1893): Violin Concerto in D, Op Raffi Armenian (conductor) 35 Ann-Sofie Mutter (violin) 6.37am Oslo Philharmonic Grieg, Edvard (1843-1907): Holberg Suite, Op 40 Andre Previn (conductor) Stavanger Symphony Orchestra Eivind Aadland (conductor). 3.00am Dohnanyi, Erno (1877-1960): Suite in F sharp minor, Op 19 West Australian Symphony Orchestra SAT 07:00 Breakfast (b00ktmq7) Jorge Mester (conductor) Suzy Klein 3.30am The complete Breakfast playlist for weekend editions of the Bach, Johann Christoph Friedrich (1732-1795): Cantata - programme is posted online on the Monday following Pygmalion broadcast. Harry Van der Kamp (bass) Das Kleine Konzert 07:03 Hermann Max (conductor) MOZART 4.03am March in D major, K.445 Platti, Giovanni Benedetto (1697-1763): Wind Trio in C minor Academy of St. -
Tattoo 13.02
English TATTOO 13.02. till 06.09.15 AN EXHIBITION OF THE GEWERBEMUSEUM WINTERTHUR 1 Kept under wraps in winter and proudly displayed in summer: tattoos Expedition to Brazil Johann Baptist von Spix, 1817 – 1820 are now ubiquitous. However, they are much more than just a current Between 1817 and 1820, the zoologist Johann Baptist von Spix and the mass phenomenon and trendy fashion accessory: many cultures botanist Carl Friedrich Philipp von Martius undertook an expedition to Brazil throughout the world are familiar with the tradition of tattooing, and at the behest of Maximilian Joseph I, King of Bavaria. They were also inter- human skin has always been used as a canvas. Tattooing is one of the ested in the culture of the Brazilian indigenous tribes on the Rio Yapurà, and earliest art forms and oldest handicrafts. they published their findings in a three-volume travel report. The illustration is a portrait of Juri, “The son of a cacique of the Jurì nation”. Tattoos last for a lifetime. Pigments are inserted under the skin for ever, yet they are as transient as the life of the person who bears them. Illustrated travel books were very popular in the 18th and 19th centuries. They tell personal stories, create identity and affiliation, embellish, They shaped western ideas about foreign cultures and also indicate the heal, protect – and they can both fascinate and repulse. For a long early interest in exotic tattooing practices. James Cook’s reports on his while they were most commonly known as a mark of social distinction expeditions to the South Seas in the 18th century contain the mention of the or as a means of identifying social outcasts, and as a method of word “tattow” derived from the Polynesian. -
War Medals, Orders and Decorations
War Medals, Orders and Decorations To be sold by auction at: Sotheby’s, in the Book Room 34-35 New Bond Street London W1A 2AA Day of Sale: Tuesday 18 July 2006 at 12.00 noon Public viewing: 45 Maddox Street, London W1S 2PE Friday 14 July 10.00 am to 4.30 pm Monday 17 July 10.00 am to 4.30 pm Tuesday 18 July 9.30 am to 11.30 am Or by previous appointment Catalogue no. 21 Price £10 Enquiries: James Morton, Paul Wood or Stephen Lloyd Cover illustrations: Lot 107 (front); Lot 119 (back); Lot 142 (inside front); Lots 172 and 171 (inside back) in association with 45 Maddox Street, London W1S 2PE Tel.: +44 (0)20 7493 5344 Fax: +44 (0)20 7495 6325 E-mail: [email protected] Website: www.mortonandeden.com This auction is conducted by Morton & Eden Ltd. in accordance with our Conditions of Business printed at the back of this catalogue. All questions and comments relating to the operation of this sale or to its content should be addressed to Morton & Eden Ltd. and not to Sotheby’s. Important Information for Buyers All lots are offered subject to Morton & Eden Ltd.’s Conditions of Business and to reserves. Estimates are published as a guide only and are subject to review. The actual hammer price of a lot may well be higher or lower than the range of figures given and there are no fixed “starting prices”. A Buyer’s Premium of 15% is applicable to all lots in this sale. -
Printer's Pairs 24
THE SIBELIUS EDITION PIANO MUSIC II BIS-CD-1927/29 BIS-CD-1927-29_f-b.indd 1 10-02-12 14.42.13 SIBELIUS, Johan (Jean) Christian Julius (1865–1957) Piano Music II 2 DISC 1 [75'57] Pelléas och Mélisande (Pelléas and Mélisande), Op. 46 27'19 Incidental music to the play by Maurice Mæterlinck · Concert Suite (1905) Piano transcription (1905) by the composer (Lienau) 1 No. 1. Am Schlosstor (At the Castle Gate). Grave e largamente 3'32 2 No. 2. Mélisande. Andantino con moto 4'22 3 No. 3. Am Wunderborn im Park (By a Spring in the Park). Comodo 2'04 4 No. 4. Die drei blinden Schwestern (The Three Blind Sisters). Tranquillo 3'13 5 No. 5. Pastorale. Andantino pastorale 2'06 6 No. 6. Mélisande am Rocken (Mélisande at the Spinning Wheel). Con moto 2'01 7 No. 7. Zwischenaktsmusik (Entr’acte). Allegro 2'54 8 No. 8. Mélisandes Tod (The Death of Mélisande). Andante 6'37 Belsazars gästabud (Belshazzar’s Feast), Op. 51 11'40 Incidental music to the play by Hjalmar Procopé · Concert Suite (1906–07) Piano transcription (1907) by the composer (Lienau) 9 No. 1. Einzug (Oriental Procession). Moderato 2'07 10 No. 2. Einsames Lied (Solitude). Andante 2'20 11 No. 3. Nachtmusik (Nocturne). Andantino 3'20 12 No. 4. Khadras Tanz (Khadra’s Dance). Commodo 3'38 3 DISC 1 Ten Pieces, Op. 58 (1909) (Breitkopf & Härtel JSW) 35'52 13 No. 1. Rêverie. Lento 4'48 14 No. 2. Scherzino. Con moto 1'35 15 No. 3. Air varié. -
A Rhetorical Analysis of Miami Ink TATTOO TELEVISION
Tattoo Television: A Rhetorical Analysis of Miami Ink TATTOO TELEVISION: A RHETORICAL ANALYSIS OF MIAMI INK VIA NARRATIVE PARADIGM THEORY Joseph Robert Nicola Abstract We are witness to a dramatic shift in cultural acceptance of tattoos. The first American Television program on tattoos, Miami Ink, is a distinct and substantial marker reflecting this current cultural shift in tattoo acceptance. Studying the narrative themes within Miami Ink can then serve as a reflection of cultural views when it first aired. Specifically, this analysis will examine the themes presented in the show and what they accomplish in terms of meaning. Keywords: tattoo, television, stigma, stereotypes, narrative paradigm theory Originally published in The Online Journal of Communication and Media: Volume 4 Issue 1, January 2018 Tattoo Television: A Rhetorical Analysis of Miami Ink 2 The TLC network reality series, Miami Ink, is the first American reality television series about a tattoo parlor, and the first show completely devoted to tattoos (Hibberd, 2005)1. The show closely follows four tattoo artists’ journey into starting a tattoo studio and the clientele they tattoo in South Beach, Florida. The tattoo artists engage each client in conversation as to their personal reasons for getting a tattoo. In addition, the show highlights the intricate and inspiring tattoos the artists create on their clients. Miami Ink was first broadcast on television in 2005 and ran till 2008 (Saraiya, 2014). The show is in syndication and continues to air worldwide ('Miami Ink' Comes to Fuse on Sunday, 2015; Tattoodo, 2015, 2014; Thobo-Carlsen & Chateaubriand, 2014). Miami Ink averaged 1.2 million viewers during its first season on the TLC network (Azote, 2005; Crupi, 2005).