20140522-Hanumatjaya

Total Page:16

File Type:pdf, Size:1020Kb

20140522-Hanumatjaya Srirastu Subhamastu Avighnamastu Sri Lalitha Peetham May 22-25, 2012 Sri Hanumat Jayanti Naga Pratistha Mahotsavam Attending this auspicious ceremony is very beneficial, bestows Vivaham (marriage) and Putra Santanam and also provides great relief from Kala Sarpa Dosham, Rahu Dosham, Ketu Dosham and Other Navagraha Doshams. Please contact the Temple office for more details. OM Namo Anjaneyaya Namaha vande vaanaranaarasimhakhagaraatkrodaasvavaktraanvitam naanaalankaranam tripamcanayanam dedeepyamaanam rucaa hastaabjairasikhetapustakasudhaakumbhaamkushaadrim halam khatvaangam phani bhooruham dashabhujam sarvaari veeraapaham I bow to you Hanuman who has five faces - Vanara, Narasimha (lion), Garuda (eagle), Varaha (boar) and Haya (horse); who has fifteen bright eyes and decorated with many ornaments; whose ten hands hold a sword, a shield, a book, a pot of amrita, a spear, a mountain, a plough, a leg of a cot, a snake and a tree; who is the greatest at eliminating the ego of enemies. OM Namo Sarpebhyo Namaha anantam vaasukeem shesham padmanaabham cha kambalam shamkhapaalam drutaraashtram takshakam kaaleeyam tathaa yetaani nava naamaani naagaanaam cha mahaatmanam saayamkaale pathe nityam praatahkaale visheshataha tasya vishabhayam naasti sarvatra vijayee bhavet The names of the 9 Naag Devatas - Ananta, Vasuki, Shesha, Padmanabha, Kambala, Shankhapala, Dhrutarashtra, Takshaka and Kaliya – praying daily, especially in the morning, will keep one protected from all evils and helps to become victorious in life. Sri Lalitha Peetham cordially invites all devotees to participate in Sri Hanumat Jayanti and Naga Pratistha celebrations during May 22 to May 25, 2014. Program Information: Thursday, May 22, 2014 – Hanumat Jayanti 10:30 AM Anugna, Sri Maha Ganapati Puja, Punyahavachanam, Ruthvikvaruna Maha Mantra Japam 06:30 PM Sri Maha Ganapati Puja, Dwara Puja, Kalasa Avahanam, Maha Mantra Japam Friday, May 23, 2014 10:30 AM Kalasa Puja, Adhivasam, Maha Mantra Japam, Archana (Sri Lalitha Devi Abhishekam) 06:30 PM Pancha Kalasa Avahanam, Adhivasa Homam, Archana, Sri Pancha Mukha Anjaneya Abhishekam, Alankaram, Harathi Saturday, May 24, 2014 09:00 AM Sri Venkateswara Suprabhatam, Kalasa Puja, Kala Sarpa Puja, Nava Graha Homam 06:30 PM Pradhana Mantra Homam, Nava Ratna Samarpanam, Yantra Pratistha Sunday, May 25, 2014 9:30 AM Kalanyasam, Vigraha Pratistha, Kala Sarpa Kalasa Abhishekam, Archana, Alankaram, Mangalam, Mahadaaseervachanam Sponsorship Information: Sri Pancha Mukha Anjaneya Swamy Abhishekam - $51 Vada Mala Samarpanam - $31 Kala Sarpa Abhishekam - $101 Special Archana - $21 Whole Event - $501 Pradhana Sponsor - $1001 Interested devotees are requested to call the Temple office by Wednesday morning to register and sponsor any program or whole event. Please support the Temple by sponsoring one or more pujas Temple Address: 910 W. Parker Road, Suite 340, Plano, TX 75075 Phone: 972.423.2009 Mobile: 225.772.9900 Web: www.lalithapeetham.org Temple Priest: “Vaidika Ratna” Brahmasri Nagendra P Sankaramanchi Sri Lalitha Peetham is a registered 501 (c)(3) non-profit organization. Tax ID: 26-3783597. All contributions are tax deductible. .
Recommended publications
  • Iconography of the Recently Discovered Naga Sculptures from Pamba River Basin, Pathanamthitta District, South Kerala
    Iconography of the Recently Discovered Naga Sculptures from Pamba River Basin, Pathanamthitta District, South Kerala Ambily C.S.1, Ajit Kumar2 and Vinod Pancharath3 1. Excavation Branch II, Archaeological survey of India, Purana Qila, New Delhi – 110001, India (Email: [email protected]) 2. Department of Archaeology, University of Kerala, Kariavattom Campus, Thiruvananthapuram - 695581, Kerala, India (Email: [email protected]) 3. Industrial Design Centre, Indian Institute of Technology, Powai, Mumbai, Maharashtra, India (Email: [email protected]) Received: 25 September 2015; Accepted: 18 October 2015; Revised: 09 November 2015 Heritage: Journal of Multidisciplinary Studies in Archaeology 3 (2015): 618-634 Abstract: Recent exploration by the first author brought to light interesting Naga sculptures from the middle ranges of Pamba River basin. All the sculptures are made out of granite and can be classified into Nagarajas and Nagayakshis except one which is a female naga devotee. This paper tries to briefly discuss the iconography, chronology and significance of the sculptures. Keywords: Exploration, Pamba River Basin, Kerala, Nagarajas, Nagayakshis, Iconography, Chronology Introduction Pamba is one of the important and third longest rivers in Kerala. It is apparently the river Baris/Bans mentioned in records of Pliny (Menon 1967-62). It originates from Pulachimalai hill in Peermade plateau at an altitude of 1650 MSL and has a length of 176km. It flows through Idukki, Pathanamthitta and Alappuzha districts and finally empties into the Vembanadu Lake. During medieval period Pamba basin harbored prosperous settlement like Kaviyur, Thiruvanmandoor, Perunnayil and Thiruvalla. Naga and yakshi images have earlier been reported from Niranam-Tiruvalla area (Mathew 2006). The present discoveries add to the list of known images.
    [Show full text]
  • OM NAMO BHAGAVATE PANDURANGAYA BALAJI VANI Volume 6, Issue 6 December 2012
    OM NAMO BHAGAVATE PANDURANGAYA BALAJI VANI Volume 6, Issue 6 December 2012 Hari OM The month of November started with Sankata Hara Chaturthi, prayers to Lord Ganesha.Two days before Deepavali marks the festival of Dhanteras. This falls on the thirteenth day of fortnight. The word ‘Dhan’ means wealth and ‘Tera’ means thirteen and hence ‘Dhanteras’. Swamiji performed puja to Goddess Lakshmi, the goddess of wealth to provide prosperity and well being on this day. On the same day, Dhanvantari pooja was performed for the god of Health. Dhanvantari, incarnation of Lord Vishnu according to Hindu mythology rose with Amrita (nectar) in his hands when Sagar manthan (Samudra) was being churned by devas and asuras using Mandara Mountain and serpent Vasuki. Dhanvantari puja is performed to remove one’s illness and enhance one’s well being. Kedareshwara vratam was performed on Nov13. Puja to Lord Shiva is performed for 21 days till Amavasya. Mahalakshmi & Kubera Pooja Alankar Performing this vratam pleases Lord Kedareswara and blesses one with their desires. Deepavali was celebrated on Atman is full of peace- by nature, i, the atman, am the same day. Pooja to Goddess Mahalakshmi and Kubera were performed. When Lord Rama killed Ravana, the at peace. No misery or fear or stress or tension can disturb my tranquility. I am serene and abductor of Sita mata and returned to his kingdom, the entire Ayodhya celebrated lighting diyas outside their homes. This imperturbable by any external force whatsoever. it marks the festival Deepavali or Diwali. Hindus all over the is just that, I the atman do not know that I have world celebrate the festival wearing new clothes, lighting such an infinite peacefulness and also the way to diyas around home, bursting crackers, making and realize that peacefulness within myself.
    [Show full text]
  • The Gita According to GANDHI
    The Gita according to GANDHI The Gospel of Selfless Action OR The Gita according to GANDHI By: Mahadev Desai First Published: August 1946 Printed & Published by: Vivek Jitendrabhai Desai Navajivan Mudranalaya Ahmedabad 380 014 (INDIA) www.mkgandhi.org Page 1 The Gita according to GANDHI Forward The following pages by Mahadev Desai are an ambitious project. It represents his unremitting labours during his prison life in 1933-'34. Every page is evidence of his scholarship and exhaustive study of all he could lay hands upon regarding the Bhagavad Gita, poetically called the Song Celestial by Sir Edwin Arnold. The immediate cause of this labour of love was my translation in Gujarati of the divine book as I understood it. In trying to give a translation of my meaning of the Gita, he found himself writing an original commentary on the Gita. The book might have been published during his lifetime, if I could have made time to go through the manuscript. I read some portions with him, but exigencies of my work had to interrupt the reading. Then followed the imprisonments of August 1942, and his sudden death within six days of our imprisonment. All of his immediate friends decided to give his reverent study of the Gita to the public. He had copies typed for his English friends who were impatient to see the commentary in print. And Pyarelal, who was collaborator with Mahadev Desai for many years, went through the whole manuscript and undertook to perform the difficult task of proof reading. Hence this publication. Frankly, I do not pretend to any scholarship.
    [Show full text]
  • Bhagavad Gita Free
    öËÅ Ç⁄∞¿Ë⁄“®¤ Ñ∆ || ¥˘®Ωæ Ã˘¤-í‹¡ºÎ ≤Ÿ¨ºÎ —∆Ÿ´ºŸ¿Ÿº® æË⁄í≤Ÿ | é∆ƒºÎ ¿Ÿú-æËíŸæ “ Ÿé¿Å || “§-⁄∆YŸºÎ ⁄“ º´—æ‰≥Æ˙-íË¿’-ÇŸYŸÅ ⁄∆úŸ≤™‰ | —∆Ÿ´ºŸ¿ŸºÅ Ǩ∆Ÿ æËí¤ úŸ≤¤™‰ ™ ÇŸ¿Ëß‹ºÎ ÑôöËÅ Ç⁄∞¿Ë⁄“®¤ Ñ∆ || ¥˘®Ωæ Ã˘¤-í‹¡ºÎ ≤Ÿ¨ºÎ —∆Ÿ´ºŸ¿Ÿº‰® æË⁄í≤Ÿ | éÂ∆ƒºÎ ¿Ÿú ºŸ¿ŸºÅ é‚¥Ÿé¿Å || “§-⁄∆YŸºÎ ⁄“ º´—æ‰≥Æ˙-íË¿’-ÇŸYŸÅ ⁄∆úŸ≤™‰ | —∆Ÿ´ºŸ¿ŸºÅ Ǩ∆Ÿ æËí¤ ¿Ÿú-æËíºÎ ÇŸ¿Ëß‹ºÎ ÑôöËÅ Ç⁄∞¿Ë⁄“®¤ Ñ∆ || ¥˘®Ωæ Ã˘¤-í‹¡ºÎ ≤Ÿ¨ºÎ —∆Ÿ´ºŸ¿Ÿº‰® æË⁄í≤Ÿ 韺Π∞%‰ —∆Ÿ´ºŸ¿ŸºÅ é‚¥Ÿé¿Å || “§-⁄∆YŸºÎ ⁄“ º´—æ‰≥Æ˙-íË¿’-ÇŸYŸÅ ⁄∆úŸ≤™‰ | —∆Ÿ´ºŸ¿Ÿº ∫Ÿú™‰ ¥˘Ë≤Ù™-¿Ÿú-æËíºÎ ÇŸ¿Ëß‹ºÎ ÑôöËÅ Ç⁄∞¿Ë⁄“®¤ Ñ∆ || ¥˘®Ωæ Ã˘¤-í‹¡ºÎ ≤Ÿ¨ºÎ —∆Ÿ´ºŸ¿Ÿ §-¥˘Æ¤⁄¥éŸºÎ ∞%‰ —∆Ÿ´ºŸ¿ŸºÅ é‚¥Ÿé¿Å || “§-⁄∆YŸºÎ ⁄“ º´—æ‰≥Æ˙-íË¿’-ÇŸYŸÅ ⁄∆úŸ≤™‰ | -⁄∆YŸ | ⁄∆∫˘Ÿú™‰ ¥˘Ë≤Ù™-¿Ÿú-æËíºÎ ÇŸ¿ËßThe‹ºÎ ÑôöËÅ Ç⁄∞¿Ë⁄“®¤ Ñ∆ || ¥˘®Ωæ Ã˘¤-í‹¡ºÎ ≤Ÿ¨ ÇúŸ≤™ŸºÎ | “§-¥˘Æ¤⁄¥éŸºÎ ∞%Bhagavad‰ —∆Ÿ´ºŸ¿ŸºÅ é‚¥Ÿé¿Å Gita || “§-⁄∆YŸºÎ ⁄“ º´—æ‰≥Æ˙-íË¿’-ÇŸYŸ {Ÿ “§-æËí-⁄∆YŸ | ⁄∆∫˘Ÿú™‰ ¥˘Ë≤Ù™-¿Ÿú-æËíºÎ ÇŸ¿Ëß‹ºÎ ÑôöËÅ Ç⁄∞¿Ë⁄“®¤ Ñ∆ || ¥˘®Ωæ Ã˘¤ æËíºÎ ÇúŸ≤™ŸºÎ | “§-¥˘Æ¤⁄¥éŸºÎ ∞%‰ —∆Ÿ´ºŸ¿ŸºÅ é‚¥Ÿé¿Å || “§-⁄∆YŸºÎ ⁄“ º´—æ‰≥Æ˙-íË¿’ ≤ Ü¥⁄Æ{Ÿ “§-æËí-⁄∆YŸ | ⁄∆∫˘Ÿú™‰ ¥˘Ë≤Ù™-¿Ÿú-æËíºÎ ÇŸ¿Ëß‹ºÎ ÑôöËÅ Ç⁄∞¿Ë⁄“®¤ Ñ∆ || ¥˘ ≥™‰ ¿Ÿú-æËíºÎ ÇúŸ≤™ŸºÎ | “§-¥The˘Æ¤⁄¥éŸº OriginalÎ ∞%‰ —∆Ÿ´ºŸ¿ŸºÅSanskrit é‚¥Ÿé¿Å || “§-⁄∆YŸºÎ ⁄“ º´—æ‰ —ºÊ æ‰≤ Ü¥⁄Æ{Ÿ “§-æËí-⁄∆YŸ | ⁄∆∫˘Ÿú™‰ ¥˘Ë≤Ù™-¿Ÿú-æËíºÎ ÇŸ¿Ëß‹ºÎ ÑôöËÅ Ç⁄∞¿Ë⁄“®¤ Ñ “‹-º™-±∆Ÿ≥™‰ ¿Ÿú-æËíºÎ ÇúŸ≤™ŸºÎ | “§-¥˘Æ¤⁄¥éŸºand Î ∞%‰ —∆Ÿ´ºŸ¿ŸºÅ é‚¥Ÿé¿Å || “§-⁄∆YŸº Å Ç—™‹ ™—ºÊ æ‰≤ Ü¥⁄Æ{Ÿ “§-æËí-⁄∆YŸ | ⁄∆∫˘Ÿú™‰ ¥˘Ë≤Ù™-¿Ÿú-æËíºÎ ÇŸ¿Ëß‹ºÎ ÑôöËÅ Ç⁄∞¿ Ÿ ∏“‹-º™-±∆Ÿ≥™‰ ¿Ÿú-æËíºÎ ÇúŸ≤™ŸºÎ | “§-¥˘Æ¤⁄¥éŸºÎ ∞%‰ —∆Ÿ´ºŸ¿ŸºÅ é‚¥Ÿé¿Å || “§- An English Translation ≤Ÿ¨Ÿæ
    [Show full text]
  • Bala Bhavan Bhajans Contents
    Bala Bhavan Bhajans 9252, Miramar Road, San Diego, CA 92126 www.vcscsd.org Bala Bhavan Bhajans Contents GANESHA BHAJANS .................................................................................................. 5 1. Ganesha Sharanam, Sharanam Ganesha ............................................................ 5 2. Gauree Nandana Gajaanana ............................................................................... 5 3. Paahi Paahi Gajaanana Raga: Abheri .......................................... 5 4. Shuklambaradharam ........................................................................................... 5 5. Ganeshwara Gajamukeshwara ........................................................................... 6 6. Gajavadana ......................................................................................................... 6 7. Gajanana ............................................................................................................. 6 8. Ga-yi-yeh Ganapathi Raga: Mohana ........................................ 6 9. Gananatham Gananatham .................................................................................. 7 10. Jaya Ganesha ...................................................................................................... 7 11. Jaya Jaya Girija Bala .......................................................................................... 7 12. Jaya Ganesha ...................................................................................................... 8 13. Sri Maha Ganapathe ..........................................................................................
    [Show full text]
  • Bhagavad Gita
    BHAGAVAD GITA The Global Dharma for the Third Millennium Chapter Ten Translations and commentaries compiled by Parama Karuna Devi Copyright © 2012 Parama Karuna Devi All rights reserved. Title ID: 4173075 ISBN-13: 978-1482548501 ISBN-10: 148254850X published by Jagannatha Vallabha Vedic Research Center phone: +91 94373 00906 E-mail: [email protected] Website: www.jagannathavallabha.com © 2011 PAVAN Correspondence address: PAVAN House Siddha Mahavira patana, Puri 752002 Orissa Chapter 10: Vibhuti yoga The Yoga of powers The word vibhuti contains many meanings, such as "powers", "opulences", "glories", "magic". Every living being has some of such "magic powers" - a special ability, or strength, or beauty - but not everyone has the same powers, or a power to an absolute degree. Among the materially embodied beings, such powers are always conditioned by circumstances and exhausted when they are used. Through the correct practice of yoga, a sadhaka can develop special vibhutis up to the level of siddhi ("perfection"), usually listed as being able to become extremely small (anima siddhi), extremely large (mahima siddhi), extremely light (laghima siddhi), reconfiguring the patterns of material atoms (vasitva siddhi), materializing things by attracting atoms from other places (prapti siddhi), controlling the minds of others (isitva siddhi), assuming any shape or form (kamavasayita siddhi), and manifesting all kinds of wonders (prakamya siddhi). Another of such powers consists in entering and controlling the body of another, living or dead (parakaya pravesa). Also, the knowledge of genuine yoga enables the serious sadhaka to control the material elements (such as fire, water, air etc), control the weather (call or dispel storms and lightning, bring or withhold rain, etc), travel in different dimensions and planets without any vehicle, call the dead back into their old body (usually temporarily), and so on.
    [Show full text]
  • Naga Worship in Jammu & Kashmir
    [VOLUME 4 I ISSUE 4 I OCT. – DEC 2017] e ISSN 2348 –1269, Print ISSN 2349-5138 http://ijrar.com/ Cosmos Impact Factor 4.236 Naga Worship in Jammu & Kashmir Meenu Chib Scholar of PHD (History Department) University of Jammu. Received Oct. 27, 2017 Accepted Dec. 01, 2017 Origin: Naga worship most properly referred to as Naga cult in India is one of the oldest and wide spread forms of religion1. There is indication of snake worship in Egypt, Greece, and even in ancient Harappan culture of India2. The evidence of their worship can be traced with the help of various sources like the Harappan figurines, the Vedic literature, Puranas, Epics, Buddhist literature. There is evidence to suggest of veneration of snakes by Indus valley people. Naga worship existed in the Rigveda and various passages of Atharvaveda refers to the group of serpents and one referring to six serpents as the wardens or protectors of six quarters represented as a charm to win the favor of the serpent of all the region under heaven. Various Puranas like MatsyaPurana, PadmaPurana etc., also glorified the cult. Even in Buddhist literature, they were represented as animals or supernatural beings and had been depicted in various Jataka stories as listening to the sermons of Lord Budhha3. Even Alexander had noted the worship of snakes by Indians. Since he had conquered only the North Western regions, such worship, as noted by Arrian, must have been a feature of Punjab and the lower regions of Kashmir4. Even Chinese pilgrims Fa-Hian5 and Yuan Chwang6 refer to Nagas many a time.
    [Show full text]
  • Shri Guru Charitra
    SRI GURUCHARITRA 1 Contents Introduction 1 ...............................................................................................................................................3 Introduction 2 ................................................................................................................................................4 Chapter 1a - Namdharak is blessed with the Vision of Sri Guru Nath.........................................................5 Chapter 1 - Namdharak sees Shri Guru in Dream.........................................................................................7 Chapter 2 - Siddha Muni Guides Namdharak ...............................................................................................7 Chapter 3 - Durwas Curses King Ambarish................................................................................................10 Chapter 4 - Birth of Shri Dattatraya ............................................................................................................11 Chapter 5 - Birth of Shripad Shri Vallabha.................................................................................................12 Chapter 6 - Ravana and Gokarna Mahabaleshwar ......................................................................................13 Chapter 7 - Soumini and Madayanti at Gokarna.........................................................................................15 Chapter 8 - Shripad Shrivallabha Blesses a Brahmani and Her Son...........................................................17
    [Show full text]
  • Indian Serpent Lore Or the Nagas in Hindu Legend And
    D.G.A. 79 9 INDIAN SERPENT-LOEE OR THE NAGAS IN HINDU LEGEND AND ART INDIAN SERPENT-LORE OR THE NAGAS IN HINDU LEGEND AND ART BY J. PH. A'OGEL, Ph.D., Profetsor of Sanskrit and Indian Archirology in /he Unircrsity of Leyden, Holland, ARTHUR PROBSTHAIN 41 GREAT RUSSELL STREET, LONDON, W.C. 1926 cr," 1<A{. '. ,u -.Aw i f\0 <r/ 1^ . ^ S cf! .D.I2^09S< C- w ^ PRINTED BY STEPHEN AUSTIN & SONS, LTD., FORE STREET, HERTFORD. f V 0 TO MY FRIEND AND TEACHER, C. C. UHLENBECK, THIS VOLUME IS DEDICATED. PEEFACE TT is with grateful acknowledgment that I dedicate this volume to my friend and colleague. Professor C. C. Uhlenbeck, Ph.D., who, as my guru at the University of Amsterdam, was the first to introduce me to a knowledge of the mysterious Naga world as revealed in the archaic prose of the Paushyaparvan. In the summer of the year 1901 a visit to the Kulu valley brought me face to face with people who still pay reverence to those very serpent-demons known from early Indian literature. In the course of my subsequent wanderings through the Western Himalayas, which in their remote valleys have preserved so many ancient beliefs and customs, I had ample opportunity for collecting information regarding the worship of the Nagas, as it survives up to the present day. Other nations have known or still practise this form of animal worship. But it would be difficult to quote another instance in which it takes such a prominent place in literature folk-lore, and art, as it does in India.
    [Show full text]
  • The Song Celestial Or Bhagavad-Gita 67 Fifth Avenue
    The Song Celestial or Bhagavad-Gita (From The Mahabharata) Being a Discourse Between Arjuna, Prince of India, and the Supreme Being Under the Form of Krishna Translated from the Sanskrit Text by Sir Edwin Arnold, M.A., K.C.I.E., C.S.I. New York Truslove, Hanson & Comba, Ltd. 67 Fifth Avenue 1900 Dedication TO INDIA So have I read this wonderful and spirit-thrilling speech, By Krishna and Prince Arjun held, discoursing each with each; So have I writ its wisdom here,--its hidden mystery, For England; O our India! as dear to me as She! EDWIN ARNOLD PREFACE This famous and marvellous Sanskrit poem occurs as an episode of the Mahabharata, in the sixth—or “Bhishma”—Parva of the great Hindoo epic. It enjoys immense popularity and authority in India, where it is reckoned as one of the “Five Jewels,”— pancharatnani—of Devanagiri literature. In plain but noble language it unfolds a philosophical system which remains to this day the prevailing Brahmanic belief, blending as it does the doctrines of Kapila, Patanjali, and the Vedas. So lofty are many of its declarations, so sublime its aspirations, so pure and tender its piety, that Schlegel, after his study of the poem, breaks forth into this outburst of delight and praise towards its unknown author: “Magistrorum reverentia a Brachmanis inter sanctissima pietatis officia refertur. Ergo te primum, Vates sanctissime, Numinisque hypopheta! quisquis tandem inter mortales dictus tu fueris, carminis bujus auctor,, cujus oraculis mens ad excelsa quaeque,quaeque,, aeterna atque divina, cum inenarraoih quddam delectatione rapitur-te primum, inquam, salvere jubeo, et vestigia tua semper adore.” Lassen re-echoes this splendid tribute; and indeed, so striking are some of the moralities here inculcated, and so close the parallelism—ofttimes actually verbal— between its teachings and those of the New Testament, that a controversy has arisen between Pandits and Missionaries on the point whether the author borrowed from Christian sources, or the Evangelists and Apostles from him.
    [Show full text]
  • A. Students Completed Semester Registration of Jan-June-2020 As on 06-March-2020
    A. Students completed semester registration of Jan-June-2020 as on 06-March-2020. SNO Reg. No Name Program Subject Semester Registration Status 1 15IAMA03 ANJANA R NAIR I.M.A. (5-yr Integrated) 10 completed Anthropology 2 15IAMA05 P. NAVYA I.M.A. (5-yr Integrated) 10 completed Anthropology 3 15IAMA08 AKHIL BABU I.M.A. (5-yr Integrated) 10 completed Anthropology 4 15IAMA09 VENKATA PAVAN KALYAN I.M.A. (5-yr Integrated) 10 completed OBBANI Anthropology 5 15IAMA10 KUKKALA BLESSY TEJASWI I.M.A. (5-yr Integrated) 10 completed Anthropology 6 15IAMA11 SURTHANI PRABHU I.M.A. (5-yr Integrated) 10 completed Anthropology 7 16IAMA03 BIBIN BABY I.M.A. (5-yr Integrated) 8 completed Anthropology 8 16IAMA04 DHEERAJ SRIGIRI I.M.A. (5-yr Integrated) 8 completed Anthropology 9 16IAMA05 GEORGE LALRUATFELA I.M.A. (5-yr Integrated) 8 completed Anthropology 10 16IAMA06 KIRAN KRISHNAN I.M.A. (5-yr Integrated) 8 completed Anthropology 11 16IAMA08 MARUPAKA SAI SHANKARA I.M.A. (5-yr Integrated) 8 completed SUMUKHI Anthropology 12 16IAMA10 REBEKAH SHINY GOGULAMUDI I.M.A. (5-yr Integrated) 8 completed Anthropology 13 16IAMA12 SREEVIDYA SUNKARI I.M.A. (5-yr Integrated) 8 completed Anthropology 14 16IAMA13 THUPAKULA MAHENDRA I.M.A. (5-yr Integrated) 8 completed Anthropology 15 19IAMA01 DEEPSHIKHA PENTOM I.M.A. (5-yr Integrated) 2 completed Anthropology 16 19IAMA02 KARIDE SHASHANTH I.M.A. (5-yr Integrated) 2 completed Anthropology 17 19IAMA03 YEPURI PRINCY SUJITHA I.M.A. (5-yr Integrated) 2 completed Anthropology 18 19IAMA05 JISHNU P I.M.A. (5-yr Integrated) 2 completed Anthropology 19 19IAMA06 POOLA DINESH I.M.A.
    [Show full text]
  • Sources of Ancient Indian Iconography: - Vedas Are the Primary Sources of All Ideology of the Indian Culture
    Sources of Ancient Indian Iconography: - Vedas are the primary sources of all ideology of the Indian culture. Various forms of various deities have been praised in the Vedas, icons or idols have mentioned in the various eulogies of Vedas. Many deities were conceived in Indian religions. Different sect of Brahmin religion such as Shaivite, Vaishnavism, Shakt, and solar belong to Siva, Vishnu, Shakti and Sun deities respectively. Similarly, Jain and Buddhism are related to Tirthankaras and Buddha respectively. The Brahmin literature: - The early literature of various religions gives a description of the imagination, origin and development of various deities. Various stories, events and different themes related to the deities are found in the early religious literatures such as Vedic texts, Puranas and later Vedic literature. In the Rigveda, Yajurveda, Atharvaveda, Taittariya Samhita, Shatapatha Brahmana, Aitreya Brahmana, Ramayan, Mahabharat, Vayu Purana, Vishnu Purana, Shiva Purana, Markandeya Purana, Matsya Purana, Linga Purana, Harivansh Purana, Padma Purana, Brahma Purana, Devi Bhagavata Purana and Garuna Purana has described the character and nature of Gods and Goddesses, their stories, Armaments, hobbies and interrelations etc. In all the Puranas, the ten chapters of the ancient Matsya Purana described the shape and size of the idols. In this Purana, the details related to the Shivalinga and the human idols of Shiva are presented prominently. The sixteen chapter of Agni Purana describe iconography. In addition to the Saiva and Vaishnav idols in this Purana Devi (Goddess) and sun idols have been discussed. The Vishnu Dharmottar Purana is particularly notable in this context, it has a more detailed description than others Purana.
    [Show full text]