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Myth, Metatext, Continuity and Cataclysm in Dc Comics’ Crisis on Infinite Earths
WORLDS WILL LIVE, WORLDS WILL DIE: MYTH, METATEXT, CONTINUITY AND CATACLYSM IN DC COMICS’ CRISIS ON INFINITE EARTHS Adam C. Murdough A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2006 Committee: Angela Nelson, Advisor Marilyn Motz Jeremy Wallach ii ABSTRACT Angela Nelson, Advisor In 1985-86, DC Comics launched an extensive campaign to revamp and revise its most important superhero characters for a new era. In many cases, this involved streamlining, retouching, or completely overhauling the characters’ fictional back-stories, while similarly renovating the shared fictional context in which their adventures take place, “the DC Universe.” To accomplish this act of revisionist history, DC resorted to a text-based performative gesture, Crisis on Infinite Earths. This thesis analyzes the impact of this singular text and the phenomena it inspired on the comic-book industry and the DC Comics fan community. The first chapter explains the nature and importance of the convention of “continuity” (i.e., intertextual diegetic storytelling, unfolding progressively over time) in superhero comics, identifying superhero fans’ attachment to continuity as a source of reading pleasure and cultural expressivity as the key factor informing the creation of the Crisis on Infinite Earths text. The second chapter consists of an eschatological reading of the text itself, in which it is argued that Crisis on Infinite Earths combines self-reflexive metafiction with the ideologically inflected symbolic language of apocalypse myth to provide DC Comics fans with a textual "rite of transition," to win their acceptance for DC’s mid-1980s project of self- rehistoricization and renewal. -
Notice of Opposition Opposer Information Applicant Information
Trademark Trial and Appeal Board Electronic Filing System. http://estta.uspto.gov ESTTA Tracking number: ESTTA983716 Filing date: 06/26/2019 IN THE UNITED STATES PATENT AND TRADEMARK OFFICE BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD Notice of Opposition Notice is hereby given that the following party opposes registration of the indicated application. Opposer Information Name DC Comics Entity Partnership Citizenship New York Composed Of: E.C. Publications, Inc. a New York corporation, and Warner Communications LLC, a Delaware Limited Liability Company Address 2900 West Alameda Avenue Burbank, CA 91505 UNITED STATES Attorney informa- James D. Weinberger tion Fross Zelnick Lehrman & Zissu, P.C. 151 West 42nd Street 17th Floor New York, NY 10036 UNITED STATES [email protected], [email protected], [email protected] (212) 813-5900 Applicant Information Application No 88303465 Publication date 06/18/2019 Opposition Filing 06/26/2019 Opposition Peri- 07/18/2019 Date od Ends Applicant SHP Animation LLC 500 West Putnam Avenue, 4th Floor Greenwich, CT 06830 UNITED STATES Goods/Services Affected by Opposition Class 028. First Use: 0 First Use In Commerce: 0 All goods and services in the class are opposed, namely: Toys, games, and playthings, namely, toy action figures, toy vehicles and gamesin the nature of board games and miniature toy sports games Class 041. First Use: 0 First Use In Commerce: 0 All goods and services in the class are opposed, namely: Entertainment services, namely, the provi- sion of continuing television shows and movies in the field of animated cartoons delivered by televi- sion, and animation production services Grounds for Opposition Priority and likelihood of confusion Trademark Act Section 2(d) Dilution by blurring Trademark Act Sections 2 and 43(c) Marks Cited by Opposer as Basis for Opposition U.S. -
741.5 Batman..The Joker
Darwyn Cooke Timm Paul Dini OF..THE FLASH..SUPERBOY Kaley BATMAN..THE JOKER 741.5 GREEN LANTERN..AND THE JUSTICE LEAGUE OF AMERICA! MARCH 2021 - NO. 52 PLUS...KITTENPLUS...DC TV VS. ON CONAN DVD Cuoco Bruce TImm MEANWHILE Marv Wolfman Steve Englehart Marv Wolfman Englehart Wolfman Marshall Rogers. Jim Aparo Dave Cockrum Matt Wagner The Comics & Graphic Novel Bulletin of In celebration of its eighty- queror to the Justice League plus year history, DC has of Detroit to the grim’n’gritty released a slew of compila- throwdowns of the last two tions covering their iconic decades, the Justice League characters in all their mani- has been through it. So has festations. 80 Years of the the Green Lantern, whether Fastest Man Alive focuses in the guise of Alan Scott, The company’s name was Na- on the career of that Flash Hal Jordan, Guy Gardner or the futuristic Legion of Super- tional Periodical Publications, whose 1958 debut began any of the thousands of other heroes and the contemporary but the readers knew it as DC. the Silver Age of Comics. members of the Green Lan- Teen Titans. There’s not one But it also includes stories tern Corps. Space opera, badly drawn story in this Cele- Named after its breakout title featuring his Golden Age streetwise relevance, emo- Detective Comics, DC created predecessor, whose appear- tional epics—all these and bration of 75 Years. Not many the American comics industry ance in “The Flash of Two more fill the pages of 80 villains become as iconic as when it introduced Superman Worlds” (right) initiated the Years of the Emerald Knight. -
Crossmedia Adaptation and the Development of Continuity in the Dc Animated Universe
“INFINITE EARTHS”: CROSSMEDIA ADAPTATION AND THE DEVELOPMENT OF CONTINUITY IN THE DC ANIMATED UNIVERSE Alex Nader A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2015 Committee: Jeff Brown, Advisor Becca Cragin © 2015 Alexander Nader All Rights Reserved iii ABSTRACT Jeff Brown, Advisor This thesis examines the process of adapting comic book properties into other visual media. I focus on the DC Animated Universe, the popular adaptation of DC Comics characters and concepts into all-ages programming. This adapted universe started with Batman: The Animated Series and comprised several shows on multiple networks, all of which fit into a shared universe based on their comic book counterparts. The adaptation of these properties is heavily reliant to intertextuality across DC Comics media. The shared universe developed within the television medium acted as an early example of comic book media adapting the idea of shared universes, a process that has been replicated with extreme financial success by DC and Marvel (in various stages of fruition). I address the process of adapting DC Comics properties in television, dividing it into “strict” or “loose” adaptations, as well as derivative adaptations that add new material to the comic book canon. This process was initially slow, exploding after the first series (Batman: The Animated Series) changed networks and Saturday morning cartoons flourished, allowing for more opportunities for producers to create content. References, crossover episodes, and the later series Justice League Unlimited allowed producers to utilize this shared universe to develop otherwise impossible adaptations that often became lasting additions to DC Comics publishing. -
All Batman References in Teen Titans
All Batman References In Teen Titans Wingless Judd boo that rubrics breezed ecstatically and swerve slickly. Inconsiderably antirust, Buck sequinedmodernized enough? ruffe and isled personalties. Commie and outlined Bartie civilises: which Winfred is Behind Batman Superman Wonder upon The Flash Teen Titans Green. 7 Reasons Why Teen Titans Go Has Failed Page 7. Use of teen titans in batman all references, rather fitting continuation, red sun gauntlet, and most of breaching high building? With time throw out with Justice League will wrap all if its members and their powers like arrest before. Worlds apart label the bleak portentousness of Batman v. Batman Joker Justice League Wonder whirl Dark Nights Death Metal 7 Justice. 1 Cars 3 Driven to Win 4 Trivia 5 Gallery 6 References 7 External links Jackson Storm is lean sleek. Wait What Happened in his Post-Credits Scene of Teen Titans Go knowing the Movies. Of Batman's television legacy in turn opinion with very due respect to halt late Adam West. To theorize that come show acts as a prequel to Batman The Animated Series. Bonus points for the empire with Wally having all sorts of music-esteembody image. If children put Dick Grayson Jason Todd and Tim Drake in inner room today at their. DUELA DENT duela dent batwoman 0 Duela Dent ideas. Television The 10 Best Batman-Related DC TV Shows Ranked. Say is famous I'm Batman line while he proceeds to make references. Spoilers Ahead for sound you missed in Teen Titans Go. The ones you essential is mainly a reference to Vicki Vale and Selina Kyle Bruce's then-current. -
“I Am the Villain of This Story!”: the Development of the Sympathetic Supervillain
“I Am The Villain of This Story!”: The Development of The Sympathetic Supervillain by Leah Rae Smith, B.A. A Thesis In English Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Approved Dr. Wyatt Phillips Chair of the Committee Dr. Fareed Ben-Youssef Mark Sheridan Dean of the Graduate School May, 2021 Copyright 2021, Leah Rae Smith Texas Tech University, Leah Rae Smith, May 2021 ACKNOWLEDGMENTS I would like to share my gratitude to Dr. Wyatt Phillips and Dr. Fareed Ben- Youssef for their tutelage and insight on this project. Without their dedication and patience, this paper would not have come to fruition. ii Texas Tech University, Leah Rae Smith, May 2021 TABLE OF CONTENTS ACKNOWLEDGMENTS………………………………………………………….ii ABSTRACT………………………………………………………………………...iv I: INTRODUCTION……………………………………………………………….1 II. “IT’S PERSONAL” (THE GOLDEN AGE)………………………………….19 III. “FUELED BY HATE” (THE SILVER AGE)………………………………31 IV. "I KNOW WHAT'S BEST" (THE BRONZE AND DARK AGES) . 42 V. "FORGIVENESS IS DIVINE" (THE MODERN AGE) …………………………………………………………………………..62 CONCLUSION ……………………………………………………………………76 BIBLIOGRAPHY …………………………………………………………………82 iii Texas Tech University, Leah Rae Smith, May 2021 ABSTRACT The superhero genre of comics began in the late 1930s, with the superhero growing to become a pop cultural icon and a multibillion-dollar industry encompassing comics, films, television, and merchandise among other media formats. Superman, Spider-Man, Wonder Woman, and their colleagues have become household names with a fanbase spanning multiple generations. However, while the genre is called “superhero”, these are not the only costume clad characters from this genre that have become a phenomenon. -
Men in Tights, Women in Tighter Tights: How Superheroes Influence and Inform the Perceptions of Gender and Morality in Children and Adolescents
MEN IN TIGHTS, WOMEN IN TIGHTER TIGHTS: HOW SUPERHEROES INFLUENCE AND INFORM THE PERCEPTIONS OF GENDER AND MORALITY IN CHILDREN AND ADOLESCENTS A thesis submitted to the Kent State University Honors College in partial fulfillment of the requirements for University Honors (or General or Departmental Honors, as appropriate) (Note: Follow this four-line format exactly.) by Bradyn Shively December, 2016 ii Thesis written by Bradyn Shively Approved by _____________________________________________________________________, Advisor ______________________________________________, Chair, Department of Psychological Sciences Accepted by ___________________________________________________, Dean, Honors College ii iii TABLE OF CONTENTS ACKNOWLEDGEMENTS................................................................................................iv ABSTRACT.........................................................................................................................v CHAPTER I. BACKGROUND...............................................................................................1 II. INTRODUCTION.............................................................................................3 III. OVERVIEW OF SUPERHEROES & RESPECTIVE GENDER ISSUES.......7 Superman: The Man of Steel.............................................................................7 Batman: The Dark Knight..................................................................................9 Wonder Woman: The Amazonian Princess.....................................................13 -
Foregrounding Narrative Production in Serial Fiction Publishing
University of Rhode Island DigitalCommons@URI Open Access Dissertations 2017 To Start, Continue, and Conclude: Foregrounding Narrative Production in Serial Fiction Publishing Gabriel E. Romaguera University of Rhode Island, [email protected] Follow this and additional works at: https://digitalcommons.uri.edu/oa_diss Recommended Citation Romaguera, Gabriel E., "To Start, Continue, and Conclude: Foregrounding Narrative Production in Serial Fiction Publishing" (2017). Open Access Dissertations. Paper 619. https://digitalcommons.uri.edu/oa_diss/619 This Dissertation is brought to you for free and open access by DigitalCommons@URI. It has been accepted for inclusion in Open Access Dissertations by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. TO START, CONTINUE, AND CONCLUDE: FOREGROUNDING NARRATIVE PRODUCTION IN SERIAL FICTION PUBLISHING BY GABRIEL E. ROMAGUERA A DISSERTATION SUBMITTED IN PARTIAL FULLFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN ENGLISH UNIVERSITY OF RHODE ISLAND 2017 DOCTOR OF PHILOSOPHY DISSERTATION OF Gabriel E. Romaguera APPROVED: Dissertation Committee: Major Professor Valerie Karno Carolyn Betensky Ian Reyes Nasser H. Zawia DEAN OF THE GRADUATE SCHOOL UNIVERSITY OF RHODE ISLAND 2017 Abstract This dissertation explores the author-text-reader relationship throughout the publication of works of serial fiction in different media. Following Pierre Bourdieu’s notion of authorial autonomy within the fields of cultural production, I trace the outside influence that nonauthorial agents infuse into the narrative production of the serialized. To further delve into the economic factors and media standards that encompass serial publishing, I incorporate David Hesmondhalgh’s study of market forces, originally used to supplement Bourdieu’s analysis of fields. -
Starlog Magazine
THE MATRIX SCIENCE FICTION FILMS*TV*VIDEO Indiana Carrie-Anne 4 Jones' wild iss & the death JANUARY #318 r women * of Trinity Exploit terrain to gain tactical advantages. 'Welcome to Middle-earth* The journey begins this fall. OFFICIAL GAME BASED OS ''HE I.l'l't'.RAKY WORKS Of J.R.R. 'I'OI.KIKN www.lordoftherings.com * f> Sunita ft* NUMBER 318 • JANUARY 2004 THE SCIENCE FICTION UNIVERSE ^^^^ INSIDEiRicinE THISti 111* ISSUEicri ir 23 NEIL CAIMAN'S DREAMS The fantasist weaves new tales of endless nights 28 RICHARD DONNER SPEAKS i v iu tuuay jfck--- 32 FLIGHT OF THE FIREFLY Creator is \ 1 *-^J^ Joss Whedon glad to see his saga out on DVD 36 INDY'S WOMEN L/UUUy ICLdll IMC dLLIUII 40 GALACTICA 2.0 Ron Moore defends his plans for the brand-new Battlestar 46 THE WARRIOR KING Heroic Viggo Mortensen fights to save Middle-Earth 50 FRODO LIVES Atop Mount Doom, Elijah Wood faces a final test 54 OF GOOD FELLOWSHIP Merry turns grim as Dominic Monaghan joins the Riders 58 THAT SEXY CYLON! Tricia Heifer is the model of mocmodern mini-series menace 62 LANDniun OFAC THETUE BEARDEAD Disney's new animated film is a Native-American fantasy 66 BEING & ELFISHNESS Launch into space As a young man, Will Ferrell warfare with the was raised by Elves—no, SCI Fl Channel's new really Battlestar Galactica (see page 40 & 58). 71 KEYMAKER UNLOCKED! Does Randall Duk Kim hold the key to the Matrix mysteries? 74 78 PAINTING CYBERWORLDS Production designer Paterson STARLOC: The Science Fiction Universe is published monthly by STARLOG GROUP, INC., Owen 475 Park Avenue South, New York, NY 10016. -
Dabney Donovan
Dabney Donovan This is the Dabney Donovan disambiguation page. Dabney Donovan is a mad scientist and antagonist to Superman. Believing that there should be no limits to genetic experimentation, he has created numerous horrors and monstrosities. In addition he is a clo Search for 'Dabney Donovan' on Amazon. Bio: None entered. Notes: First Appearance: Secret Origins (1986) #49. View a chronological listing of this character's appearances. Issue Appearances: Action Comics (1938). #678 - 'Talking Heads!'Â #1 - 'No One Can Stop...Trev-Orr!' #2 - 'Donovan's Circus!' #4 - 'Race the Devil!' Legends of the DC Universe (1998). #22 - 'Supremum Vale' #23 - 'Dies Irae'. Lex Luthor: A Celebration of 75 Years (2015). HC - 'Lex Luthor: A Celebration of 75 Years'. Secret Origins (1986). Dabney Donovan. Real Name: Donovan, Dabney Identities: Dabney Donovan First Appearance: Featuring The Newsboy Legion, Silent Knight & Bouncing Boy Issue Appearances. ComicBook.com Composite ? N/A. X. ComicBook.com Composite is a proprietary algorithm that compiles ratings listed in the public domain by the major media services and user ratings from the ComicBook.com community, creating the industry's most comprehensive and unbiased movie ratings and rankings. 0/5 from 0 users. The co-founder and former director of Project CADMUS who was obsessed with cloning. Amoral and ethically challenged, Donovan did not believe there should be any restrictions on experimenting with human genes, and the research conducted by CADMUS on his watch resulted in numerous bizarre, often grotesque, new life-forms. Some of the monstrosities he helped create were released into the labyrinthine tunnels of CADMUS' subterranean headquarters, where they would terrorize CADMUS employees at the most User Summary A DC Comics supervillain, primarily seen in stories against Superman and Superboy, Dabney is an eccentric scientist with interests in the area of genetics. -
What Superman Teaches Us About the American Dream and Changing Values Within the United States
TRUTH, JUSTICE, AND THE AMERICAN WAY: WHAT SUPERMAN TEACHES US ABOUT THE AMERICAN DREAM AND CHANGING VALUES WITHIN THE UNITED STATES Lauren N. Karp AN ABSTRACT OF THE THESIS OF Lauren N. Karp for the degree of Master of Arts in English presented on June 4, 2009 . Title: Truth, Justice, and the American Way: What Superman Teaches Us about the American Dream and Changing Values within the United States Abstract approved: ____________________________________________________________________ Evan Gottlieb This thesis is a study of the changes in the cultural definition of the American Dream. I have chosen to use Superman comics, from 1938 to the present day, as litmus tests for how we have societally interpreted our ideas of “success” and the “American Way.” This work is primarily a study in culture and social changes, using close reading of comic books to supply evidence. I argue that we can find three distinct periods where the definition of the American Dream has changed significantly—and the identity of Superman with it. I also hypothesize that we are entering an era with an entirely new definition of the American Dream, and thus Superman must similarly change to meet this new definition. Truth, Justice, and the American Way: What Superman Teaches Us about the American Dream and Changing Values within the United States by Lauren N. Karp A THESIS submitted to Oregon State University in partial fulfillment of the requirements for the degree of Master of Arts Presented June 4, 2009 Commencement June 2010 Master of Arts thesis of Lauren N. Karp presented on June 4, 2009 APPROVED: ____________________________________________________________________ Major Professor, representing English ____________________________________________________________________ Chair of the Department of English ____________________________________________________________________ Dean of the Graduate School I understand that my thesis will become part of the permanent collection of Oregon State University libraries. -
Superman Infinite Crisis Free
FREE SUPERMAN INFINITE CRISIS PDF Geoff Johns,Jeph Loeb,Joe Kelly,Marv Wolfman | 128 pages | 12 Jul 2006 | DC Comics | 9781401209537 | English | New York, NY, United States Crisis On Infinite Earths' Ending Vindicated Brandon Routh's Superman So Arrowverse producer Marc Guggenheim was delighted when the actor approved of how they wrapped his version of the DC superhero in the latest crossover. Related: Arrow 's Stephen Amell reveals if he'll ever return to the Arrowverse in a guest role. Later, it was explained that Clark had hung up his cape for good so that he could settle down and start a family with his wife. It just makes sense," Guggenheim recalled during an interview on Fake Nerd Podcast. Related: The Flash 's big Iris storyline will have "tragic consequences" for the show. Digital Spy now has a newsletter Superman Infinite Crisis sign up to get it sent straight to your Superman Infinite Crisis. Want Superman Infinite Crisis entertainment news and features? Type keyword s to search. Arrow season 8 [DVD]. Superman Infinite Crisis Now. Arrow Pop! Vinyl Figure. Funko Pop! Shop Now. Arrow: Season 7. Arrow seasons [DVD] []. The Flash: Season 5. The Flash seasons [DVD] []. The Flash Pop! Black Lightning - Season 1 [Blu-ray] []. Crisis on Infinite Earths Box Set. Supergirl: Season 4. Supergirl: Season [DVD] []. DC's Legends of Tomorrow: Season 4. DC Comics amazon. This content is created and maintained by a third party, and imported onto this page to help users provide their email addresses. You may be able to find more information about this and similar content at piano.