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Hunt.Race & What Is Madness?
RACE & WHAT IS MADNESS ? HISTORY THROUGH ARTIFACTS ABOUT AFRICAN, BLACK, & EUROAMERICAN PSYCHIATRIC WORLDS UF Quest 1 Course, IDS2935-Special Topics (Class #23197; section 1EH1) General Education: in Humanities, International, Writing (with 2000 words) Note: A minimum grade of C is required for General Education credit Spring 2020 | Tuesday, 5.10-6pm (period 10); & Thursday, 5.10-7.05pm (periods 10-11, with break) Instructor: Prof. Nancy Rose qua, Professor of History & African Studies Email: [email protected] Office hours: 12-1, Fridays, or by appointment; the best idea is scheduling a time with me (aiming for Fridays before 2); just email me to do so. Class resources, announcements, updates, and assignments will be made available through the class Canvas site: https://ufl.instructure.com/courses/362848 This syllabus WILL be revised when needed to meet course goals and learning needs. Welcome to this QUEST course! What does quest mean? noun 1: INVESTIGATION 2: an act or instance of seeking: a: PURSUIT, SEARCH 3 a person or group of persons who search or make inquiry verb 1 : to go on a quest 2: to search for 3: to ask for And so this course too is organized. We will ask about manifestations of “madness” – when it is clinical (psychiatric), preclinical, metaphorical, psychopolitical, related to an individual or shared “crisis of presence,” and the like. Madness circles around notions of mental illness, but is more capacious, as we will see. REFLECT Mamie Phipps Clark: “A racist system inevitably destroys and damages human beings; it brutalizes and dehumanizes them, blacks and white alike.” Stuart Hall: “Itʼs the notion that identity is position, that identities are not fixed. -
The Aroostook Times, September 4, 1912
i: iaajftQok Vol 62. Houlton, Maine, Wednesday, September 4, 1912. No. 36 nett. Limestone; F. N. Yose, o f, spoke wheel. The next double booth was oc Fredericton o FIRST ANNUAL FAIR Houlton, proprietor of the Fair-! The International Harvester Co. cupied by die Dunn Furniture Co. \\ ednesdav s game was another view poultry yards, and Harry j represented by Geo. H. Taber dx who showed a fine line of the new variety cf ball sometimes played Circassian Walnut furniture, the by the teams in the league, and Moody of Houlton, beside many j Co. showed a very large line of celebrated Crawford ranges and our St. John brothers had no diffi Houlton Agricultural Society others. ! their goods. w a s h i n g machines. Souvenirs culty in landing a 7-inning game Machinery Exhibit j McCluskey Bros. Hardware Co. were also in great demand at this to the tune of 16 to 4. booth. Many labor saving devices were j had on display,^the easy running Thursday's game offered still Many Attraction*. Fast Horses, Aviator Terrill Thrills Thous another variety of baseball, a class shown in this department and at- i anc^ we^ know n I aber fai m wagon ands by His Wonderful Air by itself, and the spectators saw tracted a large number of visitors. W. L. McGee showed the Oliver} the home team win, lose and win __ j; A Terrill F ligh ts. The Putnam Hardware Co. had sulky p 1 o w. Worcester K e m p | again in a closely contested game, ■ v ' ■ ■ E f T manure spreader and the DeLavalj Prof- F. -
State of Bass
First published by Velocity Press 2020 velocitypress.uk Copyright © Martin James 2020 Cover design: Designment designment.studio Typesetting: Paul Baillie-Lane pblpublishing.co.uk Photography: Cleveland Aaron, Andy Cotterill, Courtney Hamilton, Tristan O’Neill Martin James has asserted his right under the Copyright, Designs and Patents Act 1988 to be identied as the author of this work All rights reserved. No part of this publication may be reproduced, in any form or by any means, without permission from the publisher While the publishers have made every reasonable eort to trace the copyright owners for some of the photographs in this book, there may be omissions of credits, for which we apologise. ISBN: 9781913231026 1: Ag’A THE JUNGLISTS NAMING THE SOUND, LOCATING THE SCENE ‘It always has been such a terrible name. I’ve never known any other type of music to get so misconstrued by its name.’ (Rob Playford, 1996) Of all of the dance music genres, none has been surrounded with quite so much controversy over its name than jungle. No sooner had it been coined than exponents of the scene were up in arms about the racist implications. Arguments raged over who rst used the term and many others simply refused to acknowledge the existence of the moniker. It wasn’t the rst time that jungle had been used as a way to describe a sound. Kool and the Gang had called their 1973 funk standard Jungle Boogie, while an instrumental version with an overdubbed ute part and additional percussion instruments was titled Jungle Jazz. The song ends with a Tarzan yell and features grunting, panting and scatting throughout. -
Safety Activity Checkpoints (SAC)
1 GSUSA 2021 Edition Safety Activity Checkpoints Change Memo – Important Updates to 2021 Edition The 2021 Edition of GSUSA’s Safety Activity Checkpoints has been updated to reflect the following changes as outlined in this three-page memo. National guidelines are developed in collaboration with the Girl Scout Council Safety Activity Checkpoints Task Team which includes a balanced regional representation as well as in-depth expertise and experience in the areas of Girl Scout programs, safety, and risk management. Standard Safety Guidelines. GSUSA’s Standard Safety Guidelines (formerly titled “Girl Scout Activity Safety Standards & Guidelines”) are located on pages 4 - 22 and apply to all Girl Scout activities including: troop meetings, day trips, special events, camp, travel, and product program. Accordingly, a link under each activity chapter has been added to direct volunteers to the Standard Safety Guidelines section. Within the Standard Safety Guidelines (p. 4 - 22) are the following updates: Adult Supervision. Further emphasizes the long-standing Girl Scout rule of at least two registered and approved, unrelated Girl Scout volunteers, one of whom is female. Examples of unrelated are provided as: not a sibling, spouse, domestic partner, parent, child, or anyone who would be considered a family member, and who do not live in the same residence. This rule applies to all Girl Scout gatherings and is mandatory whenever girls meet, whether in person or virtually. It is recommended that councils advise troops and parents of this requirement so that the council can be alerted if the supervision is not meeting this requirement. Activities not Listed in Safety Activity Checkpoints. -
Carles Santos El Fervor De La Perseverancia
folleto fest07-41+ 12/4/07 19:16 Página 1 folleto fest07-41+ 12/4/07 19:16 Página 2 El Festival Internacional de las Artes de Castilla No hemos querido en esta nueva edición del y León es una iniciativa de la Consejería de Cultura y Turismo que Festival limitarnos a dirigir una mirada pasiva al mundo de la crea- nació con una intención clara de apertura hacia formas actuales de ción, sino adoptar una actitud de compromiso y apoyo a la creación expresar y sentir el arte y la cultura, en el marco de una ciudad contemporánea internacional, con una apuesta decidida por las como Salamanca, Patrimonio de la Humanidad, y que constituye por compañías, desarrollando líneas de coproducción que nos han lleva- sí sola el más prestigioso escenario urbano, dispuesto siempre a do a colaborar con otros importantes festivales europeos, como son acoger y proyectar al mundo, con la fuerza y prestigio que le conce- los Festivales de Avignon, Atenas y Roma. Damos así un trascenden- de su trayectoria histórica, su tradición científica y su vocación cul- te paso hacia delante, ya que además de escaparate de la creación tural, las más importantes creaciones del arte moderno. artística más novedosa, el Festival se convierte en plataforma de la misma, y nos concede el privilegio de asistir al descubrimiento de Este objetivo de trascender el marco de lo local los espectáculos coproducidos que, después de Salamanca, girarán abriéndose a horizontes más amplios y situar a Salamanca como por el resto del mundo. centro de las artes escénicas se manifiesta más firme que -
Uestlove Interview
here's a certain satisfaetion Ahlrir "?uestlove,, T'hompson can take in sharingtheArea:One stage *.ith a slew ofartists and DJs that are drau'n b1'and large from the global elecrronica scene. crantid, acts like New Order, IUobli the Orb and Carl Cox are separated by sel'eral large degrees from the commercial success enjol-ed b1- most of this country"s reigning hip-hop ardr,s. But ?uest- lor,r, the wild-Afroed co-lbu-,ider, dr-umrner, and principal spokesrnan for hip-hop coilec- tive the Roots, has 2 berter memorv than statesid e hip hoP farrs, and he se ES a bit differentlr-. "Basically, I thint ciaece mu5ic and the of electronica anC all that smflis the I offspring of bass musi: anc rausic rhat the BombSquad u-as doing- Thompson opines fiom the Roots' home bese in philadeiphia. 'It's just more dense ani fuc..er. Not ro men- B-hop on a dance- tion the subculture ofdsrce mr.sic in Detroit A lot ofpeople faii ro recognize that the bill? The Boots' birthplace of dairce m'.rsic. eleckonic music. is actuallvDeroir -{ ieq'brodre.s are rufflei sees nothing orcr there hecause the,t're not getting their p!:ops, but basicaill,, I sdd about it. see them as one an<i the same.rThsy're both BY JUSTIN HAMPTOIi black subcultures that started in and had underground begin- nings. Hip-hop in Nerv York, dance in the ghet- i ros of Detroit and parts tr of Chicago." } Such is the point of }f Area:One, the 17-date TJ urban music package tour concocted by elec- ,! tronica guru Richard "Moby" Hall and his management compan'. -
Issue 29 | Aug 2017 |
AN INDEPENDENT, FREE MONTHLY GUIDE TO MUSIC, ART, THEATRE, COMEDY, LITERATURE & FILM IN STROUD. ISSUE 29 | AUG 2017 | WWW.GOODONPAPER.INFO GOOD 2017 ON PAPER SPECIAL ISSUE #29 INSIDE: STROUD STROUD GOOD FRINGE BLOCK ON PAPER PREVIEW PARTY STAGE + Joe Magee: The Process | Stroud Fringe Choir | Index Projects: Corridor Burning House Books | Comedy At The Fringe Cover image: Ardyn by Adam Hinks (Original image by Tammy Lynn Photography) Lynn Tammy image by Hinks (Original Adam by image: Ardyn Cover #29 | AUG 2017 EDITOR Advertising/Editorial/Listings: EDITOR’S Alex Hobbis [email protected] DESIGNER Artwork and Design NOTE Adam Hinks [email protected] ONLINE FACEBOOK TWITTER goodonpaper.info /GoodOnPaperStroud @GoodOnPaper_ WELCOME TO THE TWENTY NINTH ISSUE OF GOOD ON PAPER – YOUR FREE MONTHLY GUIDE TO MUSIC CONCERTS, ART EXHIBITIONS, THEATRE PRINTED BY: PRODUCTIONS, COMEDY SHOWS, FILM SCREENINGS AND LITERATURE Tewkesbury Printing Company EVENTS IN STROUD... The fringe returns! And with it our annual Stroud Fringe Special providing a defi nitive guide to the 21st edition of the festival. SPONSORED BY: The team behind the fringe have worked tirelessly throughout the year to bring you another packed programme of events featuring live music, comedy, art, literature, street entertainment and much much more over the course of the last weekend in August. CO-WORKING STUDIO As well as the Bank Gardens, Canal and Cornhill stages the hugely popular Stroud Block Party also returns with a brand new venue, Good On Paper will be taking stroudbrewery.co.uk -
Congressional Record United States Th of America PROCEEDINGS and DEBATES of the 105 CONGRESS, SECOND SESSION
E PL UR UM IB N U U S Congressional Record United States th of America PROCEEDINGS AND DEBATES OF THE 105 CONGRESS, SECOND SESSION Vol. 144 WASHINGTON, TUESDAY, MAY 19, 1998 No. 64 House of Representatives The House met at 10:30 a.m. its program underestimated the politi- Given this horrific outburst of vio- f cal fragility and instability, both polit- lence in Indonesia, Congress has an im- ical and social, of Indonesia. This is a portant obligation to examine the role MESSAGE FROM THE SENATE relevant concern because political in- of the IMF and the role it has played in A message from the Senate by Mr. stability could well undermine the po- contributing to this situation with, I Lundregan, one of its clerks, an- tential for economic stabilization. might add, the use of U.S. taxpayers' nounced that the Senate passed a bill In yesterday's Wall Street Journal dollars. While it is clear that the poli- of the following title, in which concur- there was an article, and I would like cies of the Indonesian government had rence of the House is requested: to read a few lines from it. Date line, caused severe economic problems, it S. 1723. An act to amend the Immigration Washington: appears that the IMF conditions made and Nationality Act to assist the United Last fall, Indonesia turned to the Inter- the situation even worse. States to remain competitive by increasing national Monetary Fund for an economic life The fragility of the political environ- the access of United States firms and insti- raft. -
Tackling Challenging Issues in Shakespeare for Young Audiences
Shrews, Moneylenders, Soldiers, and Moors: Tackling Challenging Issues in Shakespeare for Young Audiences DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Elizabeth Harelik, M.A. Graduate Program in Theatre The Ohio State University 2016 Dissertation Committee: Professor Lesley Ferris, Adviser Professor Jennifer Schlueter Professor Shilarna Stokes Professor Robin Post Copyright by Elizabeth Harelik 2016 Abstract Shakespeare’s plays are often a staple of the secondary school curriculum, and, more and more, theatre artists and educators are introducing young people to his works through performance. While these performances offer an engaging way for students to access these complex texts, they also often bring up topics and themes that might be challenging to discuss with young people. To give just a few examples, The Taming of the Shrew contains blatant sexism and gender violence; The Merchant of Venice features a multitude of anti-Semitic slurs; Othello shows characters displaying overtly racist attitudes towards its title character; and Henry V has several scenes of wartime violence. These themes are important, timely, and crucial to discuss with young people, but how can directors, actors, and teachers use Shakespeare’s work as a springboard to begin these conversations? In this research project, I explore twenty-first century productions of the four plays mentioned above. All of the productions studied were done in the United States by professional or university companies, either for young audiences or with young people as performers. I look at the various ways that practitioners have adapted these plays, from abridgments that retain basic plot points but reduce running time, to versions incorporating significant audience participation, to reimaginings created by or with student performers. -
17 Cut and Run EP- by ECMO (Ozone Records)
19 Nicolette “Ohsay,NaNa” 18 Depth Charge “Depth Charge vs Silver Fox” 17 Cut and Run EP- by ECMO (Ozone records) 16 Badman MDX “Come with me” 15 Orbital “Midnight or choice” 14 Rebel MC “Black meaning good” 13 Nightmares on Wax “A case of Funk” 11 Eon “Fear mind killer” 10 Blapps Posse “Don't hold back” 9 State of Mind “Is that it?” 7 Cookie Watkins “I'm attracted to you” 6 Oceanic “Insanity” 5 Outlander “Vamp” 4 Bugcann “Plastic Jam” 3 Utah Saints “What can you do?” 2 DSK “What would we do?” 1 Prodigy “Charlie says” THE HOUSE THAT JACK BUILT:-____________________________ -Witch Doctor “Sunday afternoon” (Remix) -DCBA “Acid bitch” (Colin Dale dtd 26.08) -Mellow House “The Flower” TONYMONSON;- THE “SWEET RHYTHYMS CHART”:-31.08.1991 25 Reach “Sooner or later” 23 Sable Jeffries “Open your heart” 21 Boyzn'Hood (Force one network) “Spirit” 20 (CD) Le Genre 19 Cheryl Pepsi Riley “Ain't no way” 12 Pride and Politic “Hold on” 11 Phyllis Hyman “Prime of my life” 10 De Bora “Dream about you” 9 Frankie Knuckles “Rain falls” 8 Your's Truly “Come and get it” 7 Mica Parris “Young Soul Rebels” 6 Jean Rice Your'e a victim” (remix) 5 Pinkie “Looking for love” 4 Young Disciples “Talking what I feel” COLIN DALE;- THE “ABSTRACT DANCE SHOW”:-02.09.1991 1 Bizarre,Inc (Brand new) “Raise me” 2 12” on white label from deejay Trance “Let there be house” 3 IE Records - Reel-to-Real “We are EE” 4 Underground Music movement “ Voice of the rave” (from Italy) Electronic- from PTL 5 Exclusive on Acetate 12” from Virtual Reality “Here” 6 12” called Aah - Really hardcore -
The Speculators - Leicester’S Foremost Speculative Fiction Writers Group FREE War of the World Builders Socks ISSUE Daniel Ribot Rhian Williams ONE
Issued by The Speculators - Leicester’s foremost speculative fiction writers group FREE War of the World Builders Socks ISSUE Daniel Ribot Rhian Williams ONE No-one remembers now how The War began; a conflict “It’s been a while.” that swept through the multiverse all those aeons ago. The voice came out of the darkness, followed by What madness could overtake both people and Gods an exhalation of air and a stream of dirty white smoke. in such a way? Who indeed started the whole thing off? Harry heard the flutter of wings, and caught the slight Did Fantasy turn on Science Fiction –or Scyfy launch an bounce of light as Jack came out of the alley, cigarette attack on their fellow travellers in the Fantastic… What in one spindly hand, the other dug deep into the pocket old and ancient enmity could give rise to such antipathy? of a brown mac. He scratched his forehead with the Still it continues. A struggle without end; a war where same hand, brushing lank bits of blue hair to the side. no quarter was given, no peace declared, no coherent “Yeah, well, needs must,” Harry said, looking argument marshalled. They fought on, over a dwindling around before stepping deeper into the shadows. readership, as two bald men over a comb. “What needs are those then? The 21st century had reached its second decade and Back on the dust, Harry? What colour?” it was the turn of the Fantasy camp to be jubilant. Their “I’m clean. Don’t want anything either.” fortifications were impressive; walls buttressed by seemingly “I’m not selling,” Jack lied. -
Wk 27 – 1994 July 2 – UK Top 75
Wk 27 – 1994 July 2 – UK Top 75 1 1 7 LOVE IS ALL AROUND Wet Wet Wet 2 7 3 I SWEAR All-4-One 3 4 5 SWAMP THING Grid 4 2 5 BABY I LOVE YOUR WAY Big Mountain 5 3 4 YOU DON'T LOVE ME Dawn Penn 6 5 4 DON'T TURN AROUND Ace of Base 7 - 1 GO ON MOVE Reel 2 Real 8 6 6 NO GOOD Prodigy 9 19 3 SHINE Aswad 10 12 3 U AND ME Cappella 11 - 1 SHAKERMAKER Oasis 12 9 7 GET-A-WAY Maxx 13 8 3 ANYTIME YOU NEED A FRIEND Mariah Carey 14 - 1 CAUGHT IN THE MIDDLE Juliet Roberts 15 - 1 BODY IN MOTION Atlantic Ocean 16 - 1 BACK AND FORTH Aaliyah 17 23 2 WILLING TO FORGIVE Aretha Franklin 18 24 2 C RAZY FOR YOU Let Loose 19 20 3 I WANNA BE YOUR MAN Chaka Demus And Pliers 20 11 10 COME ON YOU REDS Manchester United Football Squad & status quo 21 - 1 AIN'T NOBODY KWS And Gwen Dickey 22 14 8 AROUND THE WORLD East 17 23 10 4 ABSOLUTELY FABULOUS Absolutely Fabulous 24 - 1 SHUT UP AND DANCE Aerosmith 25 27 2 MIDDLE MAN Terrorvision 26 15 4 NO MORE TEARS Kym Mazelle And Jocelyn Brown 27 13 3 ANY TIME ANY PLACE Janet Jackson 28 17 9 INSIDE Stiltskin 29 26 2 DO YOU WANT IT RIGHT NOW Degrees Of Motion 30 21 2 MOVE YOUR BODY Anticappella 31 16 5 EVERYBODY'S TALKIN' Beautiful South 32 25 8 CARRY ME HOME Gloworm 33 28 2 DOLPHIN Shed Seven 34 18 3 TAKE ME AWAY D:Ream 35 40 2 7 SECONDS Youssou N'Dour ft Neneh Cherry 36 - 1 GLORYLAND Daryl Hall And The Sounds Of Blackness 37 - 1 NIGHT IN MY VEINS Pretenders 38 RE 13 I DON'T LIKE MONDAYS Boomtown Rats 39 - 1 I CAN'T IMAGINE THE WORLD WITHOUT ME Echobelly 40 - 1 GHETTO DAY Crystal Waters 41 22 5 SINCE I DON'T HAVE YOU Guns n Roses