Odes by John Keats
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Representation of Natural World in Keats‟S “Ode to a Nightingale”
International Journal of Engineering Applied Sciences and Technology, 2019 Vol. 3, Issue 11, ISSN No. 2455-2143, Pages 53-61 Published Online March 2019 in IJEAST (http://www.ijeast.com) REPRESENTATION OF NATURAL WORLD IN KEATS‟S “ODE TO A NIGHTINGALE” Lok Raj Sharma Associate Professor of English Head of Faculty of Education Makawanpur Multiple Campus, Hetauda, Nepal Abstract - The prime objective of this article Nature carries a great symbolic significance is to explore the representations of the natural in creative writings. world as presented in one of the famous odes “Ode to a Nightingale" is a romantic poem of Keats‟s “Ode to a Nightingale” published composed by John Keats (1795-1821), who in 1819. This paper seeks to analyze this ode was a great romantic poet. “Ode to a from the Ecocritical Perspective which deals Nightingale" is one of the most highly with the study of man's relationships with his admired regular odes in English literature. It physical environment along with his reveals Keats's keen imaginative faculty, perception and conception of it. This article heightened sensibility and those aesthetic concludes that nature plays a very prominent qualities for which Keats is much well- role to generate sheer pleasure in man. The known. He was one of the greatest lovers and nature is represented as an active force, admirers of nature. His love of nature was whereas persons are represented as positively solely sumptuous and he cherished the beneficialized entities. This article is expected gorgeous sights and scenes of nature. to be significant to those who are involved in The article writer has attempted to teaching and learning ecocriticism. -
The Streak of Sadness in Keats' Poetry: Understanding Meaning
The streak of sadness in Keats’ poetry: understanding meaning through his structures and lexis Dr. Sukanya Saha VSWC, Chennai Tamilnadu India Abstract Keats‟ short and tragic life left him with fewer options to enjoy and celebrate the colours of nature and fruits of love. His odes communicate a host of emotions which strived to find expression. Keats‟ preoccupation with self, his fear of pain and death, his unfulfilled desires of love, his tendency to escape from the agonising present to nature or to a world of fancy are some predominant emotions which find their place in different forms in his poetry. Through all his odes, there runs a streak of sadness which connects his odes in a very eloquent manner. The sorrow reverberates throughout his odes in different fashion and haunts the reader in the same way as it haunted Keats himself. Keats‟ poetry has been a subject of appreciation and criticism both. The genuineness with which he voiced his feelings capture attention. Keats did not obscure his writing by adding complex tropes or intellectual allusions and employing intricate structures. Agreeable rhythmic patterns, simplistic structures and lexis retain interest and are prime reason for the admiration of his odes. The present paper studies the theme of sadness in Keats‟ odes. As we go through his famous odes we understand how his world was revolving around his lone self, its fears, desires and wishes. We also understand the way he handled sadness and pain and wished to escape repeatedly. The paper is an attempt to observe the structure and lexis of his odes and understand a connection between his style and theme. -
Durham E-Theses
Durham E-Theses To see as a God sees : ctions of self in the works of P.B. Shelley and John Keats. Sandy, Mark How to cite: Sandy, Mark (1997) To see as a God sees : ctions of self in the works of P.B. Shelley and John Keats., Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/1712/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 'To see as a God sees' Fictions of the Self in the Works A thesis submitted in December 1997 for the degree of Ph. D to the University of Durham By Mark Sandy. (Department of English Studies) The copyright of this thesis rests with the author. No quotation from it should be published without the written consent of the author and information derived from it should be acknowledged. -
The Poetry of John Keats: Lamia, Endymion, Poems 1817, and Poems 1820
Keats’ Poetry: 4 Books The poetry of John Keats: Lamia, Endymion, Poems 1817, and Poems 1820 AN ELECTRONIC CLASSICS SERIES PUBLICATION Keats’ Poetry: 4 Books by John Keats is a publication of The Electronic Classics Series. This Portable Document file is furnished free and without any charge of any kind. Any person using this document file, for any purpose, and in any way does so at his or her own risk. Neither the Pennsylvania State University nor Jim Manis, Editor, nor anyone associated with the Pennsylvania State Uni- versity assumes any responsibility for the material con- tained within the document or for the file as an elec- tronic transmission, in any way. Keats’ Poetry: 4 Books by John Keats, The Electronic Classics Series, Jim Manis, Editor, PSU-Hazleton, Hazleton, PA 18202 is a Portable Document File pro- duced as part of an ongoing publication project to bring classical works of literature, in English, to free and easy access of those wishing to make use of them. Jim Manis is a faculty member of the English Department of The Pennsylvania State University. This page and any preceding page(s) are restricted by copyright. The text of the following pages are not copyrighted within the United States; however, the fonts used may be. Cover Design: Jim Manis Copyright © 2010 - 2012 The Pennsylvania State University is an equal opportunity university. Contents LAMIA .................................................... 6 ENDYMION: ....................................... 27 PREFACE..................................................................28 -
The Song of Keats's Nightingale
The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English Volume 10 | Issue 1 Article 3 2008 Catalyst and Inhibitor: The onS g of Keats’s Nightingale Jonathan Krol John Carroll University University Heights, Ohio Follow this and additional works at: https://scholarcommons.sc.edu/tor Part of the Literature in English, Anglophone outside British Isles and North America Commons, and the Literature in English, British Isles Commons Recommended Citation Krol, Jonathan (2008) "Catalyst and Inhibitor: The onS g of Keats’s Nightingale," The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English: Vol. 10 : Iss. 1 , Article 3. Available at: https://scholarcommons.sc.edu/tor/vol10/iss1/3 This Article is brought to you by the College of Humanities and Social Sciences at Scholar Commons. It has been accepted for inclusion in The sO wald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English by an authorized editor of Scholar Commons. For more information, please contact [email protected]. Catalyst and Inhibitor: The onS g of Keats’s Nightingale Keywords John Keats, Ode to a Nightingale, Romantic Era literature This article is available in The sO wald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English: https://scholarcommons.sc.edu/tor/vol10/iss1/3 1 Catalyst and Inhibitor: The Song of Keats’s Nightingale Jonathan Krol John Carroll University University Heights, Ohio n his poem “Ode to a Nightingale,” John Keats Idemonstrates a desire to leave the earthly world behind in hopes of unifying with the elusive bird in a fleeting, fantastical world. -
Top Left-Hand Corner
The four novels Hyperion, The Fall of Hyperion, Endymion and The Rise of Endymion constitute the Hyperion Cantos by the American science fiction writer Dan Simmons. This galactic-empire, epic, science fiction narrative contains a plethora of literary references. The dominant part comes from the nineteenth-century Romantic poet John Keats. The inclusion of passages from his poetry and letters is pursued in my analysis. Employing Lubomír Doležel’s categorizations of intertextuality— “transposition,” “expansion,” and “displacement”—I seek to show how Keats’s writings and his persona constitute a privileged intertext in Simmons’s tetralogy and I show its function. Simmons constructs subsidiary plots, some of which are driven by Keats’s most well-known poetry. In consequence, some of the subplots can be regarded as rewrites of Keats’s works. Although quotations of poetry have a tendency to direct the reader’s attention away from the main plot, slowing down the narrative, such passages in the narratives evoke Keats’s philosophy of empathy, beauty and love, which is fundamental for his humanism. For Keats, the poet is a humanist, giving solace to mankind through his poetry. I argue that the complex intertextual relationships with regards to Keats’s poetry and biography show the way Simmons expresses humanism as a belief in man’s dignity and worth, and uses it as the basis for his epic narrative. Keywords: Dan Simmons; The Hyperion Cantos; John Keats’s poetry and letters; intertextuality; empathy; beauty; love; humanism. Gräslund 2 The American author Dan Simmons is a prolific writer who has published in different genres. -
Keats Essay Ode to Psyche October 2015 Final
1 Keats, Myth, and the Science of Sympathy Gregory Tate Keywords: Keats, ‘Ode to Psyche’, science, medicine, sympathy, myth Abstract This essay considers the connections between myth and sympathy in Keats’s poetic theory and practice. It argues that the ‘Ode to Psyche’ exemplifies the way in which Keats uses mythological narrative, and the related trope of apostrophe, to promote a restrained form of sympathy, which preserves an objectifying distance between the poet and the feelings that his poetry examines. This model of sympathy is informed by Keats’s medical training: the influential surgeon Astley Cooper and The Hospital Pupil’s Guide (1816) both identify a sensitive but restrained sympathy for patients’ suffering as an essential part of the scientific and professional methods of nineteenth- century medicine. However, while The Hospital Pupil’s Guide claims that mythological superstition has been superseded in medicine by positivist science, Keats’s ode suggests that myth retains a central role in poetry, as the foundation of a poetic method that mediates between imaginative sympathy and objective impartiality. In an 1843 biography of Sir Astley Cooper, one of Cooper’s students, Benjamin Travers, comments of the eminent surgeon that Neither his temperament nor his education had endowed him with a sensitiveness which in any degree disqualified him for the performance of his professional duties on the most trying occasions. In other words, he possessed an insusceptibility, equal to his powers of physical endurance. I mention this to meet the imputation of want of sensitiveness, with which I have heard him 2 reproached. He was not deficient in feeling, although it flowed in a deeper current, out of the reach of ordinary circumstances.1 Travers insists that there was no ‘want of sensitiveness’ in Cooper’s treatment of patients; the professional surgeon was also a man of feeling. -
Dialogical Odes by John Keats: Mythologically Revisited
ISSN 1799-2591 Theory and Practice in Language Studies, Vol. 4, No. 8, pp. 1730-1734, August 2014 © 2014 ACADEMY PUBLISHER Manufactured in Finland. doi:10.4304/tpls.4.8.1730-1734 Dialogical Odes by John Keats: Mythologically Revisited Somayyeh Hashemi Department of English, Tabriz Branch, Islamic Azad University, Tabriz, Iran Bahram Kazemian Department of English, Tabriz Branch, Islamic Azad University, Tabriz, Iran Abstract—This paper, using Mikhail Bakhtin’s theory of dialogism tries to investigate the indications of dialogic voice in Odes by John Keats. Indeed this study goes through the dialogic reading of ‘Ode to a Nightingale’, ‘Ode on a Grecian Urn’, ‘Ode to Psyche’, and ‘Ode on Melancholy’, considering mythological outlooks. Analyzing Keats’s odes through dialogical perspective may reveal that Keats plays a role of an involved and social poet of his own time. Moreover, Keats embraces the world of fancy and imagination to free himself from sufferings of his society. Keats’ odes are influenced by expression of pain-joy reality by which he builds up a dialogue with readers trying to display his own political and social engagement. Applying various kinds of mythological elements and figures within the odes may disclose Keats’s historical response and reaction toward a conflicted society and human grieves in general. Index Terms—Bakhtinian dialogism, Keats’ Odes, pain, pleasure, mythology I. INTRODUCTION John Keats as one of the major poets of Romanticism, composed multiple popular poems and his odes gained the most attention of them. Going through his odes, it appears to the reader that Keats attempts to deal with different interpretation of pain and pleasure concepts. -
“Ode on a Grecian Urn” and Go Down, Moses
"ODE ON A GRECIA N URN" AND GO DOWN, MOSES: AN INTERTEXTUAL INQUIRY IN TO JOHN KEATS AND WILLIAM FAU LKNE Rl Jose Roberto O'Shea Universidade Federal de Santa Catarina The existence of an artistic legacy with which the artist is bound to come to terms has preoccupied a number of individ uals througho ut the history of art, and whe ther such legacy is mainly a burden or a blessin g-or both-rem ain s a controversial issue. In litera ture, this discussion has centered mainly around the notion of intertextuality and the study of sources and influences. Many critical theorists, disparate in time and point of view, have addressed the issue. Among othe rs, Waiter Jackson Bate, in The Burden of the Past and the English Poet (1970), Harold Bloom, in The Anxiety of Influence (1973) and in Poetry and Repression (1975), Jacqu es Derrida, in "Structure, Sign and Play in Th e Discourse of the Human Sciences" (1966) and in Of Grammatology (1967), and Julia Kristeva, in Semi6tica do Romance (trans . 1977), have attemp ted to construct or deconstruct a theoretical apparatus regarding the problem of in ter textuali ty. In the Int roduction to his interesting ly titled Books Speaking to Books, William T. Stafford remarks that he has been "listening to books speak to books for many years" (5), and he argues tha t, 1 All par enthetical documen tatio n, overall m echanics, as well as list of w ork s cited her ein com ply with the MLA Sty le Manual, by Walter S. -
John Keats 1 John Keats
John Keats 1 John Keats John Keats Portrait of John Keats by William Hilton. National Portrait Gallery, London Born 31 October 1795 Moorgate, London, England Died 23 February 1821 (aged 25) Rome, Italy Occupation Poet Alma mater King's College London Literary movement Romanticism John Keats (/ˈkiːts/; 31 October 1795 – 23 February 1821) was an English Romantic poet. He was one of the main figures of the second generation of Romantic poets along with Lord Byron and Percy Bysshe Shelley, despite his work only having been in publication for four years before his death.[1] Although his poems were not generally well received by critics during his life, his reputation grew after his death, so that by the end of the 19th century he had become one of the most beloved of all English poets. He had a significant influence on a diverse range of poets and writers. Jorge Luis Borges stated that his first encounter with Keats was the most significant literary experience of his life.[2] The poetry of Keats is characterised by sensual imagery, most notably in the series of odes. Today his poems and letters are some of the most popular and most analysed in English literature. Biography Early life John Keats was born in Moorgate, London, on 31 October 1795, to Thomas and Frances Jennings Keats. There is no clear evidence of his exact birthplace.[3] Although Keats and his family seem to have marked his birthday on 29 October, baptism records give the date as the 31st.[4] He was the eldest of four surviving children; his younger siblings were George (1797–1841), Thomas (1799–1818), and Frances Mary "Fanny" (1803–1889) who eventually married Spanish author Valentín Llanos Gutiérrez.[5] Another son was lost in infancy. -
236201457.Pdf
View metadata, citation and similar papers at core.ac.uk brought to you by CORE ź ±·±± ź ɷ˂ʎɁŽ í ù ± ¸ ± ¹ ô å í ð å ò žɥɔȣȶȹª Ode on Indolence ᝲ ᴥȰɁ̝ᴦ ࠞюඩˢ ᴥ੪Ұᴦ ᴥ˧ᴦ ˹Ode on Indolence ఊጶᣵɂǾႆȁȪȗͶȻԇȪȲ˧ᐐɥѓɆЫɁ۫Ɂ ȾߨȫȦɔɞǾমᰅᇒȗɁᠲɥ࢛ɆȹȗɞǿͽֿȾўȨɟȲɁᐥբᴥŽÔèåù ôïéì îïô¬ îåéôèåò äï ôèåù óðéᴦɂǾȦɁЕࣻɥӎɋ߳Ȣ឴ቺȻɕțɞǿ Óï¬ ùå ôèòåå çèïóôó¬ áäéåõ¡ Ùå ãáîîïô òáéóå Íù èåáä ãïïìâåääåä éî ôèå æìï÷åòù çòáóó» Æïò É ÷ïõìä îïô âå äéåôåä ÷éôè ðòáéóå¬ Á ðåôìáíâ éî á óåîôéíåîôáì æáòãå¡ Æáäå óïæôìù æòïí íù åùåó¬ áîä âå ïîãå íïòå Éî íáóñõåìéëå æéçõòåó ïî ôèå äòåáíù õòî» Æáòå÷åìì¡ É ùåô èáöå öéóéïîó æïò ôèå îéçèô¬ Áîä æïò ôèå äáù æáéîô öéóéïîó ôèåòå éó óôïòå» Öáîéóè¬ ùå ðèáîôïíó¬ æòïí íù éäìå óðòéçèô¬ Éîôï ôèå ãìïõäó¬ áîä îåöåò íïòå òåôõòî¡ ¨Ode on Indolence¬ì쮵±¶°© ᴥ±ᴦ ź ±·±² ź Ȉ˧̷Ɂ̪ȉɥ۫ȾᩐȫȦɔɞᚐའɂǾ˧ᐐɥȈɮʽʓʶʽʃɁȉᴥì® ±¶º ŽÔèå âìéóóæõì ãìïõä ïæ óõííåòéîäïìåîãåž» ì® ¶°ºŽôèå ãìïõäóžᴦȺӿɒᣅ ɒǾፅɔɞȦȻȺɕȕɞǿȦɁ Ode on Indolence Ɂɸʴʁɬ᭛Ɂ۫ᴥì® µº ᴻȻȪȹ۫ట఼ۃŽá íáòâìå õòîžᴦɂǾ˧ᐐɥᖃɞᴹᯏ۫ᴻȕɞȗɂᴹ ɁमҾɥȲȬȦȻȾȽɞǿ²± ȦȦȺǾɸʴʁɬ᭛Ɂ۫Ⱦ૫ȞɟȲ̷࿎ЅȻȗ șպሗɁɮʫ˂ʂɥႊȗɞ OdeonaGrecianUrnȻ Ode on Indolence ȻɁ ᩖɁ᪨ȳȶȲᄾᤏཟȾႡȪȲȗǿҰᐐȾȝȗȹɂǾᝂ̷ɂЅӌɥႊȗȹ۫ Ɂ̷࿎ɥႆᐐȨȽȟɜᅓҰȾ֣ɆҋȪǾयɜɁ˰ႜɋɁՎоɥ᭐șǿȳȟǾ˨ ऻᐐȺɂǾᝂ̷ᴥɁျॴᴦɂᅓҰȾးɟҋȲ̷࿎ȻɁպԇɥઑɒǾ˧ᐐɥѯȲ ȗᆀɁधЅȻȪȹᖃɝՍɠșȻȬɞǿOde on a Grecian Urn Ɂᝂ̷ɁᝁɒɂǾ ᄠᐼȽȦȻȾǾ̷࿎ȲȴȟЫɁᆀɁ˰ႜȾᣝԵȬɞȦȻȺ༆țȹȪɑșᴥìì® ´´´µºŽÔèïõ¬ óéìåîô æïòí¬ äïóô ôåáóå õó ïõô ïæ ôèïõçèô ¯ Áó äïôè åôåòîéôùº Ãïìä Ðáóôïòá졞ᴦǿȦɟȾߦȪȹǾ˧ᐐɥ۫˨ɋᣜȗᣌȰșȻȬɞ Ode on ઔȽমᰅᇒȗɁᕹȾɕȞȞɢɜȭᴥìì® µ¹ږIndolence Ɂᝂ̷Ɂ᭐ȗɂǾयɁ ¶°ºŽÖáîéóè¬ ùå ðèáîôïíó¬ æòïí íù éäìå óðòéçèô¬ ¯ Éîôï ôèå ãìïõäó¬ áîä îåöåò íïòå òåôõòᴦǾȰșዊԨȾկțɜɟȰșȾɂțȽȗǿ²² ȽȯȽɜǾ ᝂ̷ɂ˧ᐐɋɁȪȟȲȗঢ়ᅔȾસțɜɟȹɕȗɞȞɜȺȕɞᴥìì® ³³³´ -
June 2021 Newsletter
Registered Charity: 1147589 THE KEATSIAN The Newsletter of the Keats Foundation, Spring 2021 Donations Keats Foundation wishes to acknowledge with very many thanks the following generous donations and bequests: Justin Barnard, Keatsian, a legacy of £1000. Kiyoshi Nishiyama, Professor Emeritus of Waseda University, Tokyo, Japan, a donation of £100. Peter Phillips, a donation of £150. Brenda Walton in memory of her friend, Janet Cheshire, a donation of £100. Time to renew your subscription to the Keats Foundation As we gear up to bring the Keats Foundation out of the period of Covid restrictions, we are busy planning future events. Later this year, in November, we hope to stage The John Keats Anniversary Lecture (in London’s Guildhall), followed the same evening by the premiere of Emily Hall’s choral settings of lines from some of Keats’s poems. And for next year we are planning our seventh Keats Conference at Keats House, Hampstead, on 20-22 May 2022 - as well as an Eve of St Agnes event at Keats House in January 2022, the Annual John Keats Lecture and the Birthday wreath laying ceremony at Westminster Abbey. We hope to be able to produce more videos of readings of Keats’s poetry and to stage a performance featuring readings of letters between Keats, Fanny Brawne and Fanny Keats. We have plenty of activities planned, and your subscription makes it possible for us to prepare and stage them. A year’s Steadfast Supporter membership costs £28 (if you use PayPal) or £25 (if you pay by cheque). Please go to our website page: https://keatsfoundation.com/support/ Our Policy on privacy and holding information is set out on the Keats Foundation website here: https://keatsfoundation.com/privacy-policy/ Keats Foundation Anniversary Lecture Provisional plans are in place for The John Keats Anniversary Lecture to be held at Guildhall, London, in November 2021.