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Mixed Martial Arts Authority of Maine)
99-650 COMBAT SPORTS AUTHORITY OF MAINE (formerly Mixed Martial Arts Authority of Maine) PART 1: MIXED MARTIAL ARTS Table of Contents Chapter 1: General Rules for Mixed Martial Arts Contests ................................................................. 1 Chapter 2: Technical Requirements for Mixed Martial Artist Contests ............................................... 4 Chapter 3: Judging/Refereeing Mixed Martial Arts Contests ............................................................ 10 Chapter 4: Rules Governing Judges for Mixed Martial Arts Contests ............................................... 21 Chapter 5: Rules Governing Referees of Mixed Martial Arts Contests ............................................. 23 Chapter 6: Rules Governing Promoters of Mixed Martial Arts Contests ........................................... 25 Chapter 7: Requirements for Mixed Martial Arts Competitors .......................................................... 33 Chapter 8: Rules Governing Managers, Trainers, Seconds, Cutpersons, Scorekeepers, and Cornerpersons for Mixed Martial Competitors ................................................................. 37 Chapter 9: Rules Governing Attending Physicians for Mixed Martial Arts Contests ........................ 41 Chapter 10: Requirements Governing Inspectors for Mixed Martial Arts Contests ............................ 44 Chapter 11: Rules Governing Timekeepers for Mixed Martial Arts Contests ..................................... 46 Chapter 12: Fees for Mixed Martial Arts Contests and Authorized -
The Evolution from Martial Arts to Self Defence
The Evolution from Martial Arts to Self Defence There is no doubt that Jujitsu has changed along with human evolution. Currently, this art has shifted to more functional practices to suit present needs. With this change in Jujitsu practices, it has taken it away from being a martial art and transformed to a self-defence style, combat sport or combat art. The etymology of martial art is of importance in determining whether Jujitsu can still be classified as such. In this context, martial means ‘of war, warlike’ and art a ‘nonscientific branch of knowledge’. Taking this description into account, can it be stated still that Jujitsu is a warlike art? Jujitsu was originally a martial art from Japan created to defeat an opponent without using weapons or only a short weapon. Jujitsu was developed among the samurai of feudal Japan and also, limited to this upper class group. The Samurais knew that striking against an armored opponent was ineffective, hence they learned to neutralize the enemies by using forms of pins, joint locks, and throws. These techniques were developed based on the principle mentioned above that seeks to use the attacker's energy against them. There are many variations of the art, which leads to a diversity of approaches. Jujutsu schools (ryū) may utilize all forms of grappling techniques to some degree, for example, throwing, trapping, joint locks, holds, gouging, biting, disengagements, striking, and kicking. In addition to jujitsu, many schools teach the use of weapons. Then, to describe Jujitsu as a martial art would no longer be correct as it is no longer used to defeat opponents that wear armour or carry small weapons in battle fields. -
The Safety of BKB in a Modern Age
The Safety of BKB in a modern age Stu Armstrong 1 | Page The Safety of Bare Knuckle Boxing in a modern age Copyright Stu Armstrong 2015© www.stuarmstrong.com Contents Introduction ......................................................................................................................................... 3 The Author .......................................................................................................................................... 3 Why write this paper? ......................................................................................................................... 3 The Safety of BKB in a modern age ................................................................................................... 3 Pugilistic Dementia ............................................................................................................................. 4 The Marquis of Queensbury Rules’ (1867) ......................................................................................... 4 The London Prize Ring Rules (1743) ................................................................................................. 5 Summary ............................................................................................................................................. 7 Bibliography ........................................................................................................................................ 8 2 | Page The Safety of Bare Knuckle Boxing in a modern age Copyright Stu Armstrong 2015© -
State Athletic Commission 10/25/13 523
523 CMR: STATE ATHLETIC COMMISSION Table of Contents Page (523 CMR 1.00 THROUGH 4.00: RESERVED) 7 523 CMR 5.00: GENERAL PROVISIONS 31 Section 5.01: Definitions 31 Section 5.02: Application 32 Section 5.03: Variances 32 523 CMR 6.00: LICENSING AND REGISTRATION 33 Section 6.01: General Licensing Requirements: Application; Conditions and Agreements; False Statements; Proof of Identity; Appearance Before Commission; Fee for Issuance or Renewal; Period of Validity 33 Section 6.02: Physical and Medical Examinations and Tests 34 Section 6.03: Application and Renewal of a License as a Professional Unarmed Combatant 35 Section 6.04: Initial Application for a License as a Professional Unarmed Combatant New to Massachusetts 35 Section 6.05: Application by an Amateur for a License as a Professional Unarmed Combatant 35 Section 6.06: Application for License as a Promoter 36 Section 6.07: Application for License as a Second 36 Section 6.08: Application for License as a Manager or Trainer 36 Section 6.09: Manager or Trainer May Act as Second Without Second’s License 36 Section 6.10: Application for License as a Referee, Judge, Timekeeper, and Ringside Physician 36 Section 6.11: Application for License as a Matchmaker 36 Section 6.12: Applicants, Licensees and Officials Must Submit Material to Commission as Directed 36 Section 6.13: Grounds for Denial of Application for License 37 Section 6.14: Application for New License or Petition for Reinstatement of License after Denial, Revocation or Suspension 37 Section 6.15: Effect of Expiration of License on -
AMATEUR MIXED MARTIAL ARTS Rules and Regulations Split Or
AMATEUR MIXED MARTIAL ARTS Rules and regulations Split or different style events Cards split between professional and amateur matches shall be left at the discretion of the sanctioning Commissions. National Database Event Registration All Promoters are required to register in a timely manner, their event in advance with the Association of Boxing Commissions designated national record keeper, MMA.TV, and receive approval from this agency for each specific requested bout Weight classes of amateur mixed martial artists Amateur mixed martial artist shall be divided into the following classes: 01Flyweight (125and under) with not more than a 10 pound spread 02Bantamweight ……………..(126 - 135) 03Featherweight ……………..(136 - 145) 04 Lightweight ………………..(146 - 155) 05 Welterweights …………….(156 - 170) 06 Middleweights ……….……(171 - 185) 07 Light Heavyweights ……...(186 - 205) 08 Cruiser Heavyweights ... ..(206 - 230) 09 Heavyweights…………… .(231 - 265) 10Super Heavyweight over …(265) Weighing of mixed martial artists Weigh in will be determined at the discretion of the sanctioning Commissions. Cage All amateur contests will take place in a cage or ring left at the discretion of the sanctioning Commissions. All rings must adhere to a minimum of five ropes as a standard safety precaution. Equipment The appropriate equipment shall be approved at the discretion of the sanctioning Commissions. Specifications for bandages on mixed martial artists’ hands All mixed martial arts contestants shall be required to gauze and tape their hands prior to all contests. Bandages and tape shall be placed on a contestant’s hands in the dressing room in the presence of the inspector and, if desired, in the presence of the chief second of his or her opponent. -
After-School Martial Arts
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 5-24-2019 After-School Martial Arts: A History, Perceptions of Academic Advantage, and Effects on Academic Performance Rose Marie Kelley Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Educational Sociology Commons, Inequality and Stratification Commons, and the Sports Studies Commons Recommended Citation Kelley, Rose Marie, "After-School Martial Arts: A History, Perceptions of Academic Advantage, and Effects on Academic Performance" (2019). LSU Doctoral Dissertations. 4939. https://digitalcommons.lsu.edu/gradschool_dissertations/4939 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. AFTER-SCHOOL MARTIAL ARTS: A HISTORY, PERCEPTIONS OF ACADEMIC ADVANTAGE, AND EFFECTS ON ACADEMIC PERFORMANCE A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Sociology by Rose Marie Kelley B.A., Loyola University New Orleans, 2010 M.A., Louisiana State University, 2013 August 2019 I dedicate this dissertation to my family. To my partner, Jaren, thank you for always staying by my side through the late nights and many adversities faced throughout this process. You were always my refuge through this journey providing comfort when I needed it most. -
Modified July 27, 2005 ASSOCIATION of BOXING COMMISSIONS
Modified July 27, 2005 ASSOCIATION OF BOXING COMMISSIONS REGULATORY GUIDELINES AND RULES FOR ALL WORLD AND REGIONAL CHAMPIONSHIP BOUTS The following regulatory guidelines and rules govern all championship professional boxing competitions held within the United States of America , Puerto Rico, The Virgin Islands, District of Columbia , and any Indian reservation. In the event of a dispute regarding the guidelines, rules, or any other issue that is not clearly covered under the ABC rules, the supervising Commission of the bout will be the final authority. General Rules Licensees/Officials – Control All licensees and officials involved in the actual conduct of an event shall be under the direct control of the supervising commission assigned to regulate the event. No official shall in any manner display partiality for one contestant over the other. The Uniform Championship Rules shall be utilized in conjunction with these guidelines. Physical Examinations All boxers competing shall receive a pre-fight physical examination by a ringside physician who certifies in writing whether or not the boxer is physically fit to safely compete. A true and correct copy of the event physician’s certification shall be provided to the supervising Commission. If the event physician’s certification fails to certify that the boxer is physically fit to safely compete, the boxer shall not participate in any contest, and immediately be placed on the National suspension list. Unless the supervising Commission determines otherwise, all post-fight physicals shall be conducted by the ringside physician after the final bout of the event. Boxers shall also be required to meet all supervising Commission licensing and medical requirements. -
WAKO Points Fighting Rules
WAKO Points Fighting Rules Chapter 4 - Tatami Sports Semi Contact V18 Page1 to 13 WAKO Rules of Tatami Sports / Points Fighting Table of Contents Art. 1. Definition 3 Art. 2. Fighting Rules 3 Art. 3. Competition Commands 4 Art. 4. Legal Target Areas 4 Art. 5. Illegal Target Areas (Prohibited Techniques and Behaviour) 4 Art. 6. Legal Techniques 5 Art. 7. Illegal Techniques and Actions 5 Art. 8. Scoring Criteria 6 Art. 8.1 Calls Referees and Judges may make (Points) 6 Art. 8.1.1 Score 6 Art. 8.1.2 No Score 6 Art. 8.1.3 Awarding Points 7 Art. 8.1.4 Overviews awarding points 7 Art. 9. Penalty – Exits (Warning, Disqualifications and Exits) 7 Art. 9.1 Disqualification 8 Art. 10. Hand signals 8 Art. 11. Violations of rules 8 Art. 12. Stopping the match (Time-out) 9 Art. 12.1 Reasons for Time-out 9 Art. 13. Injuries 9 Art. 14. Procedure if KO, RSC, RSC-H, Injury 10 Art. 14.1 Procedure of injuries in general 10 Art. 15. Grand Champ and Team Competition 11 Art. 15.1 Grand Champ 11 Art. 15.1.1 Original Grand Champ 11 Art. 15.2 Team Competition 11 Art. 15.2.1 World/Continental Championships 11 Art. 16. Hand Shaking / Touching of Gloves 12 Art. 17. WAKO Use of Drugs 12 Art. 18. Note! 12 Art. 19. Weigh-in 12 Chapter 4 - Tatami Points Fighting V19 Page2 to 13 WAKO Rules of Tatami Sports / Points Fighting Definition Points Fighting is a fighting discipline where two fighters fight with the primary goal of scoring Defined points/ using controlled legal Techniques with speed agility and focus. -
FIGHTER LICENCE WCA Weight Divisions
FIGHTER LICENCE WCA Weight Divisions WCA Men’s Weight Divisions (KB, K1, Boxing, MMA) Superatomweight 50.5kg and below Flyweight 50.6kg - 51.8kg Superflyweight 51.9kg - 53.2kg Bantamweight 53.3kg - 54.5kg Superbantamweight 54.6kg - 56.4kg Featherweight 56.5kg - 58.2kg Lightweight 58.3kg - 60.0kg Superlightweight 60.1kg - 62.3kg Lightwelterweight 62.4kg - 64.5kg Welterweight 64.6kg - 66.8kg Superwelterweight 66.9kg - 69.5kg Lightmiddleweight 69.6kg - 72.3kg Middleweight 72.4kg - 75.0kg Supermiddleweight 75.1kg - 78.1kg Lightheavyweight 78.2kg - 81.4kg Lightcruiserweight 81.5kg - 84.6kg Cruiserweight 84.7kg - 88.2kg Supercruiserweight 88.3kg - 91.8kg Heavyweight 91.9kg - 96.4kg Superheavyweight 96.5kg and above WCA Women’s Weight Divisions (KB, K1, Boxing, MMA) Atomweight 49.1kg and below Superatomweight 49.2kg - 50.0kg Flyweight 50.1kg - 51.8kg Superflyweight 51.9kg - 53.2kg Bantamweight 53.3kg - 54.5kg Superbantamweight 54.6kg - 56.4kg Featherweight 56.5kg - 58.2kg Lightweight 58.3kg - 60.0kg Superlightweight 60.1kg - 62.3kg Lightwelterweight 62.4kg - 64.5kg Welterweight 64.6kg and above World Combat Arts PO Box 337. Bristol BS9 4WT W. worldcombatarts.org E. [email protected] T. 00 44 (0) 7962 800 800 Fight Record For Official Use Only Fight 1 Fight 2 Fight 3 Fight 4 Date Event Weight Rules Pro-Am Rounds Medical Opponent Club Record Weight Pro/Am Result KO Rounds Fight Record For Official Use Only Fight 5 Fight 6 Fight 7 Fight 8 Date Event Weight Rules Pro-Am Rounds Medical Opponent Club Record Weight Pro/Am Result KO Rounds Fight -
Black-History-Month Champions
As we conclude Black History Month, we take a look at a few of the iconic trailblazing black boxers who have made a huge impact on the Amateur boxing scene. There are many more boxers who are also deserving to be among this group. However, the ones chosen have had significant impact and have all gone on to inspire (or will inspire) the next generation of Black boxers in our great sport. Randy began boxing aged 12 for the Leamington Boys Club, In winning the Senior Title, Randy also became the youngest where he won 95 out of 100 amateur contests. He became Senior ABA champion at only 17 years old. He repeated the feat the only British amateur boxer to win the Junior and Senior the following year in 1946, then turned professional, where he National ABA titles in the same year, in 1945. continued to shine. One of the greatest amateur boxers ever produced in this country. Originally from Leicester, he however boxed his entire amateur Champion in every tournament he ever entered, and listed in the career for Standard Triumph ABC in Coventry. Won the Senior ABA Guinness Book of World Records as the only British boxer to win National Title in 1981 at Light-Middleweight and won a Bronze all 10 amateur titles, Errol also won a European under-19 Gold medal at the European Championships the same year. Captained medal in 1982. England team from 1980 to 1983. Won Olympic Gold at Super-Heavyweight at Sydney in 2000, Twice won the Senior National ABA Championship (1997 and 1998) thereby becoming Great Britain’s first Boxing Gold medallist since for Repton, and won Commonwealth Gold in 1998. -
AXS TV Canada Schedule for Mon. August 29, 2016 to Sun. September 4, 2016
AXS TV Canada Schedule for Mon. August 29, 2016 to Sun. September 4, 2016 Monday August 29, 2016 5:40 PM ET / 2:40 PM PT 8:00 AM ET / 5:00 AM PT Alice Cooper Live From Austin, TX Rock Legends Legendary star Alice Cooper brings his world famous shock rock antics to the Moody Theater Rod Stewart - Rod Stewart took to the blues circuit early in his career and became the first solo in Austin, TX. Filmed in February of 2015, Alice Cooper performs in front of a sold out crowd at artist to achieve the number 1 position in both the US and the UK after releasing his 3rd album, Austin’s premier concert venue. Every Picture Tells A Story. Rock Legends Rod Stewart tells the story of one of Britain’s enduring rock stars. 7:25 PM ET / 4:25 PM PT MusiCares® Person of the Year 2012 8:30 AM ET / 5:30 AM PT Sir Paul McCartney - The 2012 MusiCares® Person of the Year honored Paul McCartney and his Rick Steves’ Europe legendary career. Also featuring artists like Tony Bennett, Coldplay, Foo Fighters, Alicia Keys, Travel Skills II - In this second of three shows focusing on travel skills, we’ll learn about trip plan- Katy Perry and Neil Young with Crazy Horse. ning, packing, safety, and connecting with the locals. 8:35 PM ET / 5:35 PM PT 9:00 AM ET / 6:00 AM PT Live From Red Rocks: Barenaked Ladies Rudy Maxa’s World Best known for massive hits such as “One Week”, “Pinch Me”, “Brian Wilson”, and “If I Had Estonia - Venture into the countryside of Estonia, to the large island of Saaremaa and the much $1,000,000”, catch the Barenaked Ladies at the historic and beautiful Red Rocks Amphitheater. -
By Peter Dell ' O Rto and S Ean Punch
BY P ETER D ELL’ORTO AND S EAN P UNCH Written by PETER DELL’ORTO and SEAN PUNCH Additional Material by VOLKER BACH and C.J. CARELLA Edited by SEAN PUNCH Cover Art by BOB STEVLIC Illustrated by ABRAR AJMAL and BOB STEVLIC ISBN 978-1-55634-762-7 1 2 3 4 5 6 7 8 9 10 STEVE JACKSON GAMES Committed Attack . 99 Defensive Attack. 100 Evaluate . 100 Feint . 100 ONTENTS Ready . 101 C Who Draws First?. 103 Move . 105 Realism Level . 29 INTRODUCTION . 4 Move and Attack . 107 Beginning Students as PCs. 30 Publication History . 4 Wait . 108 About the Authors . 4 CHARACTER TEMPLATES . 31 ADDITIONAL COMBAT OPTIONS . 109 Del Duque (350 points) . 33 Melee Attack Options . 109 1. HISTORY . 5 Frauds . 35 A Matter of Inches . 110 Adrian Froste (200 points) . 37 TIMELINE . 6 Untrained Fighters . 113 Kai Lian (250 points) . 39 ASIA . 8 Close-Combat Options. 114 China . 8 ADVANTAGES, DISADVANTAGES, Teeth. 115 Xia . 8 AND SKILLS . 42 Grab and Smash! . 118 Monks and Martial Arts . 9 Advantages . 42 Ranged Attack Options . 119 India . 10 Desirable Advantages . 43 Rapid Fire with Thrown Weapons. 120 Northern vs. Southern Kung Fu . 10 Chi Powers for Martial Artists . 46 Active Defense Options . 121 Religion, Philosophy, and Fists . 11 Perks . 49 Harsh Realism for Indonesian Archipelago. 12 Disadvantages. 53 Unarmed Fighters . 124 Japan . 12 Common Disadvantages. 53 CINEMATIC COMBAT . 125 Ryu . 12 Skills . 54 Multiple Attacks . 126 Ninja: Legend vs. History . 13 Combat Skills . 55 Chambara Fighting . 128 Korea. 14 Wildcard Skills for Styles . 60 Mind Games . 130 Other Nations.