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Thursday 17 January 2019 National Theatre: February
Thursday 17 January 2019 National Theatre: February – July 2019 Inua Ellams’ Barber Shop Chronicles will play at the Roundhouse, Camden for a limited run from July as part of a UK tour Gershwyn Eustache Jnr, Leah Harvey and Aisling Loftus lead the cast of Small Island, adapted by Helen Edmundson from Andrea Levy’s prize-winning novel, directed by Rufus Norris in the Olivier Theatre Justine Mitchell joins Roger Allam in Rutherford and Son by Githa Sowerby, directed by Polly Findlay Phoebe Fox takes the title role of ANNA in Ella Hickson and Ben and Max Ringham’s tense thriller directed by Natalie Abrahami Further casting released for Peter Gynt, directed by Jonathan Kent, written by David Hare, after Henrik Ibsen War Horse will return to London as part of the 2019 UK and international tour, playing at a new venue, Troubadour Wembley Park Theatre, for a limited run in October Olivier Theatre SMALL ISLAND adapted by Helen Edmundson based on the novel by Andrea Levy Previews from 17 April, press night 1 May, in repertoire until 10 August Andrea Levy’s epic, Orange Prize-winning novel bursts into new life on the Olivier Stage. A cast of 40 tell a story which journeys from Jamaica to Britain through the Second World War to 1948, the year the HMT Empire Windrush docked at Tilbury. Adapted for the stage by Helen Edmundson Small Island follows the intricately connected stories of two couples. Hortense yearns for a new life away from rural Jamaica, Gilbert dreams of becoming a lawyer, and Queenie longs to escape her Lincolnshire roots. -
Production Electrician [email protected] | 631-903-3192 | Justinmpetito.Com
Justin M. Petito | Production Electrician [email protected] | 631-903-3192 | justinmpetito.com ELECTRICS EXPERIENCE Production Electrician Charlie and the Chocolate Factory Tour NETworks Presentations Japhy Weideman, LD Winter 2019 Luminature Philadelphia Zoo Ken Billington, LD Fall 2019 The Color Purple Tour Troika Entertainment Tess James, ALD Fall 2019 Blue Man Group Speechless Tour NETworks Presentations Jen Schriever, LD Summer 2019 Falsettos – 1st National Tour NETworks Presentations Jeff Croiter, LD Winter 2019 A Bronx Tale – 1st National Tour NETworks Presentations Howell Binkley, LD Fall 2018 Fellow Travelers Bay Street Theater Ken Billington, LD Summer 2018 Frost/Nixon Bay Street Theater Ken Billington, LD Summer 2018 Gala Fundraiser Bay Street Theater Scott Schwartz, Dir Summer 2018 Evita Bay Street Theater Mike Billings, LD Summer 2018 The Last Five Years Rubicon Theatre Mike Billings, LD Winter 2015 Head Electrician The Phantom of the Opera - North American Tour NETworks Presentations Paule Constable, LD Summer 2017 Once the Musical - North American Tour NETworks Presentations Natasha Katz, LD Fall 2016-Spring 2017 The New Sincerity Bay Street Theater Mike Billings, LD Summer 2015 Five Presidents Bay Street Theater Mike Billings, LD Summer 2015 Grey Gardens Bay Street Theater Robert Wierzel, LD Summer 2015 Gala Fundraiser Bay Street Theater Mike Billings, LD Summer 2015 Twelfth Night Bay Street Theater Scott Schwartz, Dir Summer 2015 Commencement Eve Pops Concert: South Pacific Rockefeller Arts Center Jefferson Westwood, -
English 252: Theatre in England 2006-2007 * [Optional Events
English 252: Theatre in England 2006-2007 * [Optional events — seen by some] Wednesday December 27 *2:30 p.m. Guys and Dolls (1950). Dir. Michael Grandage. Music & lyrics by Frank Loesser, Book by Jo Swerling and Abe Burrows. Based on a story and characters of Damon Runyon. Designer: Christopher Oram. Choreographer: Rob Ashford. Cast: Alex Ferns (Nathan Detroit), Samantha Janus (Miss Adelaide), Amy Nuttal (Sarah Brown), Norman Bowman (Sky Masterson), Steve Elias (Nicely Nicely Johnson), Nick Cavaliere (Big Julie), John Conroy (Arvide Abernathy), Gaye Brown (General Cartwright), Jo Servi (Lt. Brannigan), Sebastien Torkia (Benny Southstreet), Andrew Playfoot (Rusty Charlie/ Joey Biltmore), Denise Pitter (Agatha), Richard Costello (Calvin/The Greek), Keisha Atwell (Martha/Waitress), Robbie Scotcher (Harry the Horse), Dominic Watson (Angie the Ox/MC), Matt Flint (Society Max), Spencer Stafford (Brandy Bottle Bates), Darren Carnall (Scranton Slim), Taylor James (Liverlips Louis/Havana Boy), Louise Albright (Hot Box Girl Mary-Lou Albright), Louise Bearman (Hot Box Girl Mimi), Anna Woodside (Hot Box Girl Tallulha Bloom), Verity Bentham (Hotbox Girl Dolly Devine), Ashley Hale (Hotbox Girl Cutie Singleton/Havana Girl), Claire Taylor (Hot Box Girl Ruby Simmons). Dance Captain: Darren Carnall. Swing: Kate Alexander, Christopher Bennett, Vivien Carter, Rory Locke, Wayne Fitzsimmons. Thursday December 28 *2:30 p.m. George Gershwin. Porgy and Bess (1935). Lyrics by DuBose Heyward and Ira Gershwin. Book by Dubose and Dorothy Heyward. Dir. Trevor Nunn. Design by John Gunter. New Orchestrations by Gareth Valentine. Choreography by Kate Champion. Lighting by David Hersey. Costumes by Sue Blane. Cast: Clarke Peters (Porgy), Nicola Hughes (Bess), Cornell S. John (Crown), Dawn Hope (Serena), O-T Fagbenie (Sporting Life), Melanie E. -
National Theatre
WITH EMMA BEATTIE OLIVER BOOT CRYSTAL CONDIE EMMA-JANE GOODWIN JULIE HALE JOSHUA JENKINS BRUCE MCGREGOR DAVID MICHAELS DEBRA MICHAELS SAM NEWTON AMANDA POSENER JOE RISING KIERAN GARLAND MATT WILMAN DANIELLE YOUNG 11 JAN – 25 FEB 2018 ARTS CENTRE MELBOURNE, PLAYHOUSE Presented by Melbourne Theatre Company and Arts Centre Melbourne This production runs for approximately 2 hours and 30 minutes, including a 20 minute interval. The Curious Incident of the Dog in the Night-Time is presented with kind permission of Warner Bros. Entertainment. World premiere: The National Theatre’s Cottesloe Theatre, 2 August 2012; at the Apollo Theatre from 1 March 2013; at the Gielgud Theatre from 24 June 2014; UK tour from 21 January 2017; international tour from 20 September 2017 Melbourne Theatre Company and Arts Centre Melbourne acknowledge the Yalukit Willam Peoples of the Boon Wurrung, the Traditional Owners of the land on which this performance takes place, and we pay our respects to Melbourne’s First Peoples, to their ancestors past and present, and to our shared future. DIRECTOR MARIANNE ELLIOTT DESIGNER LIGHTING DESIGNER VIDEO DESIGNER BUNNY CHRISTIE PAULE CONSTABLE FINN ROSS MOVEMENT DIRECTORS MUSIC SOUND DESIGNER SCOTT GRAHAM AND ADRIAN SUTTON IAN DICKINSON STEVEN HOGGETT FOR AUTOGRAPH FOR FRANTIC ASSEMBLY ASSOCIATE DIRECTOR RESIDENT DIRECTOR ELLE WHILE KIM PEARCE COMPANY VOICE WORK DIALECT COACH CASTING CHARMIAN HOARE JEANNETTE NELSON JILL GREEN CDG The Cast Christopher Boone JOSHUA JENKINS SAM NEWTON* Siobhan JULIE HALE Ed DAVID MICHAELS Judy -
Season Premiere of Tosca Glitters
2019–20 Season Repertory and Casting Casting as of November 12, 2019 *Met debut The Gershwins’ Porgy and Bess By George Gershwin, DuBose and Dorothy Heyward, and Ira Gershwin New Production Sep 23, 27, 30, Oct 5mat, 10, 13mat, 16, Jan 8, 11, 15, 18, 24, 28, Feb 1mat Conductor: David Robertson Bess: Angel Blue/Elizabeth Llewellyn* Clara: Golda Schultz/Janai Brugger Serena: Latonia Moore Maria: Denyce Graves Sportin’ Life: Frederick Ballentine* Porgy: Eric Owens/Kevin Short Crown: Alfred Walker Jake: Ryan Speedo Green/Donovan Singletary Production: James Robinson* Set Designer: Michael Yeargan Costume Designer: Catherine Zuber Lighting Designer: Donald Holder Projection Designer: Luke Halls The worldwide copyrights in the works of George Gershwin and Ira Gershwin for this presentation are licensed by the Gershwin family. GERSHWIN is a registered trademark of Gershwin Enterprises. Porgy and Bess is a registered trademark of Porgy and Bess Enterprises. A co-production of the Metropolitan Opera; Dutch National Opera, Amsterdam; and English National Opera Production a gift of The Sybil B. Harrington Endowment Fund Additional funding from Douglas Dockery Thomas Manon Jules Massenet Sep 24, 28mat, Oct 2, 5, 19, 22, 26mat ____________________________________________________________________________________________________________ PRESS DEPARTMENT The Metropolitan Opera Press: 212.870.7457 [email protected] 30 Lincoln Center Plaza General: 212.799.3100 metopera.org New York, NY 10023 Fax: 212.870.7606 Conductor: Maurizio Benini Manon: Lisette Oropesa Chevalier des Grieux: Michael Fabiano Guillot de Morfontaine: Carlo Bosi Lescaut: Artur Ruciński de Brétigny: Brett Polegato* Comte des Grieux: Kwangchul Youn Production: Laurent Pelly Set Designer: Chantal Thomas Costume Designer: Laurent Pelly Lighting Designer: Joël Adam Choreographer: Lionel Hoche Associate Director: Christian Räth A co-production of the Metropolitan Opera; Royal Opera House, Covent Garden, London; Teatro alla Scala, Milan; and Théâtre du Capitole de Toulouse Production a gift of The Sybil B. -
FY13 Annual Report View Report
ANNUAL REPORT 2012–13 3 Introduction 5 Metropolitan Opera Board of Directors 7 2012–13 Season Repertory & Events 14 2012–13 Artist Roster 15 The Financial Results 46 Patrons Introduction The Metropolitan Opera’s 2012–13 season featured an extraordinary number of artistic highlights, earning high praise for new productions, while the company nevertheless faced new financial challenges. The Met presented seven new stagings during the 2012–13 season, including the Met premieres of Thomas Adès’s The Tempest and Donizetti’s Maria Stuarda, the second of the composer’s trilogy of Tudor operas (with the third installment planned for a future season). All seven new productions, plus five revivals, were presented in movie theaters around the world as part of the Met’s groundbreaking Live in HD series, which continued to be an important revenue source for the Met, earning $28 million. Combined earned revenue for the Met (Live in HD and box office) totaled $117.3 million. This figure was lower than anticipated as the company continued to face a flat box office, complicated by the effects of Hurricane Sandy, the aftermath of which had a negative impact of approximately $2 million. As always, the season featured the talents of the world’s leading singers, conductors, directors, designers, choreographers, and video artists. Two directors made stunning company debuts: François Girard, with his mesmerizing production of Parsifal on the occasion of Wagner’s bicentennial, and Michael Mayer, whose bold reimagining of Verdi’s Rigoletto in 1960 Las Vegas was the talk of the opera world and beyond. Robert Lepage returned to direct the highly anticipated company premiere of Thomas Adès’s The Tempest, with the composer on the podium. -
Nominated Women
BEST LIGHTING DESIGN - TONY AWARDS 1970-2019 = 50 YEARS NOMINATION WINNER Year Best Lighting Design of a PLAY Best Lighting Design of a MUSICAL Best Lighting Design of a PLAY Best Lighting Design of a MUSICAL MALE FEMALE MALE FEMALE MALE FEMALE MALE FEMALE 1970 2 1 1 1971 3 1 No women nominated 1972 3 1 1 1973 3 1 1 1974 4 1 1 1975 6 1 No women nominated 1976 2 2 1 1977 2 2 1 1978 3 1 1 1979 2 2 1 1980 3 1 1 1981 2 2 1 1982 2 2 1 1983 4 1 No women nominated 1984 4 1 No women nominated 1985 4 1 No women nominated 1986 3 1 1 1987 4 1 1 1988 4 1 No women nominated 1989 2 3 1 MORE women nominated 1990 5 1 No women nominated 1991 3 1 1 1992 4 1 No women nominated 1993 4 1 No women nominated 1994 2 2 1 1995 3 1 1 1996 4 1 1 1 1997 3 1 1 1998 4 2 1 1999 3 1 1 2000 2 2 1 2001 4 1 1 2002 3 1 1 2003 4 1 No women nominated 2004 3 1 1 1 2005 3 1 4 1 1 2006 4 4 1 1 1 2007 4 2 4 2 1 1 2008 3 1 3 1 1 1 2009 4 4 1 1 2010 4 4 1 1 2011 2 2 4 1 1 2012 4 2 2 1 1 2013 3 2 4 1 1 1 2014 1 3 4 1 1 MORE women nominated 2015 2 3 3 1 1 MORE women nominated AND women won BOTH 2016 3 1 4 1 1 1 2017 2 2 3 1 1 1 2018 4 2 5 1 1 1 2019 5 2 6 1 1 NOMINATION WINNER Best Lighting Design of a PLAY Best Lighting Design of a MUSICAL Best Lighting Design of a PLAY Best Lighting Design of a MUSICAL MALE FEMALE MALE FEMALE MALE FEMALE MALE FEMALE TOTALS 161 56 58 7 41 14 13 2 TOTAL NUMBERS All wins: 70 All nominations: 282 Total Play Wins: 55 Total Mus Wins 15 All Noms Play 217 All men noms: 219 All women noms: 63 All Noms Mus 65 All men wins 54 All women wins 16 TOTAL PERCENTAGES -
Tony Award Winners
M N 2015 TONY AWARD WINNERS BEST PLAY Disgraced by Ayad Akhtar Hand to God by Robert Askins The Curious Incident of the Dog in the Night-Time by Simon Stephens Wolf Hall Parts One & Two by Hilary Mantel and Mike Poulton BEST MUSICAL An American in Paris Fun Home Something Rotten! The Visit BEST REVIVAL OF A PLAY Skylight The Elephant Man This is Our Youth You Can’t Take it With You BEST REVIVAL OF A MUSICAL On the Town On the Twentieth Century The King and I GreatWhiteWay.com (212) 757-9117 (888) 517-0112 M N 2015 TONY AWARD WINNERS BEST LEADING ACTOR IN A PLAY Steven Boyer, Hand to God Bradley Cooper, The Elephant Man Ben Miles, Wolf hall Parts One & Two Bill Nighy, Skylight Alex Sharp, The Curious Incident of the Dog in the Night-Time BEST LEADING ACTRESS IN A PLAY Geneva Call, Hand to God Helen Mirren, The Audience Elisabeth Moss, The Heigi Chronicles Carey Mulligan, Skylight Ruth Wilson, Constellations BEST PERFORMANCE BY AN ACTOR IN A MUSICAL Michael Cerveris, Fun Home Robert Fairchild, An American in Paris Brian d’Arcy James, Something Rotten! Ken Watanabe, The King and I Tony Yazbeck, On The Town BEST PERFORMANCE BY AN ACTRESS IN A MUSICAL Kristin Chenowith, On the Twentieth Century Leanne Cope, An American in Paris Beth Malone, Fun Home Kelli O’Hara, The King and I Chita Rivera, The Visit GreatWhiteWay.com (212) 757-9117 | (888) 517-0112 M N 2015 TONY AWARD WINNERS BEST ORIGINAL SCORE (MUSIC / LYRICS) FOR THE THEATRE Music: Jeanine Tesori, Lyrics: Lisa Kron, Fun Home Music and Lyrics: Sting, The Last Ship Music and Lyrics: Wayne and Karey Kirkpatrick, Something Rotten! Music: John Kander, Lyrics: Fred Ebb, The Visit BEST BOOK OF A MUSICAL Craig Lucas, An American in Paris Lisa Kron, Fun Home Karey Kirkpatrick, John O’Farrell, Something Rotten! Terrence McNally, The Visit BEST PERFORMANCE BY AN ACTOR IN A FEATURED ROLE IN A PLAY Matthew Beard, Skylight K. -
Die Meistersinger Von Nürnberg
DIE MEISTERSINGER VON NÜRNBERG PRODUCTION TEAM BIOGRAPHY PAULE CONSTABLE, Lighting Designer Paule Constable (Lighting Designer) is an Associate Director of the National Theatre and an associate of the Lyric Hammersmith and for Matthew Bourneʼs New Adventures. She has been nominated for a further 6 Olivier awards and for a 2007 Tony Award for Coram Boy and a 2013 Tony for The Cripple of Inishmaan. She was the recipient of the Hospital Award for Contribution to Theatre and has also received the LA Drama Desk Award for Les Mis and for Warhorse; and both the New York Critics Circle Award and Drama Desk Award for both Curious Incident and Warhorse on Broadway. She was the first recipient of the Opera Award for Lighting in 2013. Opera includes Carmen, Faust, Rigoletto, The Marriage of Figaro, The Magic Flute and Macbeth for the Royal Opera House; Entfuhrung aus dem Serail, The Marriage of Figaro, The Cunning Little Vixen, Die Meistersinger, Billy Budd (also BAM), Rusalka, St Matthew Passion, Cosi Fan Tutti, Giulio Cesare (also Metropolitan Opera, New York), Carmen, The Double Bill and La Boheme at Glyndebourne; Benvenuto Cellini, Cosi fan Tutti, Medea, Idomeneo, Satyagraha (also Metropolitan Opera New York), Clemenza Di Tito, Gotterdamerung, The Rape of Lucretia ,The Rakes Progress and Manon for ENO; Cav and Pag, The Merry Widow, the Marriage of Figaro, Don Giovanni and Anna Bolena at the Metroplitan Opera, New York; Tales of Hoffman for Salzburg Festival; Poppea for Theatre Champs Elysees; Agrippina and A Midsummer Nightʼs Dream (La Monnaie); Cosi and The Ring Cycle for Opera National du Rhin, Tristan and Isolde for the New National Opera in Tokyo, Peter Grimes, Don Giovanni, La Traviata, Magic Flute and Rosenkavaliar for Opera North; Innes di Castro and Madama Butterfly at Scottish Opera and Don Giovanni, The Sacrifice and Katya Kabanova for WNO as well as productions throughout Europe, North America, Australia and New Zealand. -
BAM Celebrates Britten's Centenary with Glyndebourne Festival Opera's
BAM celebrates Britten’s centenary with Glyndebourne Festival Opera’s acclaimed Billy Budd, Feb 7—13 Tony Award-winning director Michael Grandage directs a powerful production which transforms the stage into an 18th-century royal battleship Bloomberg is the BAM 2014 Winter/Spring Season sponsor Billy Budd is made possible by a generous gift from The Howard Gilman Foundation Billy Budd US Premiere By Benjamin Britten Glyndebourne Festival Opera London Philharmonic Orchestra The Glyndebourne Chorus Conducted by Sir Mark Elder Directed by Michael Grandage Set design by Christopher Oram Costume design by Christopher Oram Lighting design by Paule Constable Movement direction by Tom Roden Cast: Mark Padmore (Captain Vere), Jacques Imbrailo (Billy Budd), Brindley Sherratt (Claggart), Stephen Gadd (Mr. Redburn), David Soar (Mr. Flint) BAM Howard Gilman Opera House (30 Lafayette Ave) Feb 7, 9, 11 & 13 at 7:30pm Tickets start at $30 Talk: On Benjamin Britten with Fred Plotkin Feb 9 at 5pm BAM Fisher (Fishman Space, 321 Ashland Pl) Tickets: $15 ($7.50 for Friends of BAM) “An unmissable musical and theatrical presentation”— The Sunday Times (London) Brooklyn, NY/December 20, 2013—BAM presents Benjamin Britten’s sweeping masterpiece, Billy Budd, in Michael Grandage’s acclaimed Glyndebourne Festival production, the culminating event of the city-wide celebration of the composer’s centennial. Britten fashioned this seafaring saga from the Herman Melville novella with a libretto by E.M. Forster and Eric Crozier in 1951. Set on a British battleship in the politically tumultuous 18th century, the story concerns the title character—a young sailor—whose conflict with a senior officer leads to their mutual demise. -
Lighting Design
AS DRAMA AND THEATRE Understanding and designing theatre lighting 7261 Teaching guide: lighting design Please note: this guide contains references to a number of designers/practitioners, not all of whom are prescribed practitioners for the AQA AS and A-level Drama and Theatre specifications. For assessment of AS Component 2, A-level Component 2 and A-level Component 3, students must select from the prescribed practitioner list published in the AS and A-level specifications. Contents Understanding and designing theatre lighting Understanding theatre lighting 3 What is the lighting doing? What style is the lighting? What about the audience? Examples in action Do it yourself Designing theatre lighting 9 What do I need to do? What practicalities should I consider? Where can I get inspiration? Understanding the context How can I present my ideas? Examples in action Do it yourself Component 1: Interpreting drama 17 Hints and tips for the written paper Component 2: Process and performance 20 Hints and tips for the practical work 2 Understanding and designing theatre lighting – AS Understanding theatre lighting Introduction The purpose of this section is to introduce you to some of the different elements of stage lighting, and to give you some ways of approaching and understanding theatre lighting designs. It will suggest some key questions you can consider when you see or create a theatre lighting design. What is the lighting doing? Lighting design in theatre goes beyond effect on stage. Moods and atmospheres can simply making sure that the audience can also be achieved through the intensity, or see the stage (although this is very brightness, of the light. -
Media Kit Cameron Mackintosh Announces His Acclaimed New Production of Les Misérables Will Open in Australia in 2014
MELBOURNE, AUSTRALIA 2014 MEDIA KIT CAMERON MACKINTOSH ANNOUNCES HIS ACCLAIMED NEW PRODUCTION OF LES MISÉRABLES WILL OPEN IN AUSTRALIA IN 2014 Cameron Mackintosh announced today that his acclaimed new production of Boublil & Schönberg’s legendary musical, LES MISÉRABLES, will arrive in Australia in 2014. With glorious new staging and dazzlingly reimagined scenery designed by Matt Kinley, inspired by the paintings of Victor Hugo, this new record breaking production is directed by Laurence Connor and James Powell and will premiere at Melbourne’s Her Majesty’s Theatrein June 2014. Tickets will go on sale in October 2013. The new production ofLES MISÉRABLES has been acclaimed by critics, fans and new audiences for the last three years, breaking box office records internationally and inspiring filmmakers to make the outstandingly successful movie which has gone on to win 3 Golden Globes®, 4 BAFTA’s and receive 8 Academy Award® nominations. ‘Thrilling, spectacular & unforgettable’ - The New York Times ‘A five star hit, astonishingly powerful’ - The Times, UK ‘The new production ofLES MISÉRABLES qualifies as a truly extraordinary theatrical experience. It is nothing less than stunning. This production is so breathtaking, you simply won’t want it to end.’ - The Boston Globe ‘This actually exceeds the original – Les Mis is born again’ - New York 1 Television Cameron Mackintosh said, “These are very exciting times for LES MISÉRABLES, having inspired such a hugely successful film - with amazing Australian cast - to now confirming the 25th Anniversary Production going to Broadway and Melbourne in 2014, as well as playing in Canada, Korea, Japan, Spain and continuing its record- breaking run on tour in the United States.