Still on the Road: 2001 US Fall Tour
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Bob Dylan and the Reimagining of Woody Guthrie (January 1968)
Woody Guthrie Annual, 4 (2018): Carney, “With Electric Breath” “With Electric Breath”: Bob Dylan and the Reimagining of Woody Guthrie (January 1968) Court Carney In 1956, police in New Jersey apprehended Woody Guthrie on the presumption of vagrancy. Then in his mid-40s, Guthrie would spend the next (and last) eleven years of his life in various hospitals: Greystone Park in New Jersey, Brooklyn State Hospital, and, finally, the Creedmoor Psychiatric Center, where he died. Woody suffered since the late 1940s when the symptoms of Huntington’s disease first appeared—symptoms that were often confused with alcoholism or mental instability. As Guthrie disappeared from public view in the late 1950s, 1,300 miles away, Bob Dylan was in Hibbing, Minnesota, learning to play doo-wop and Little Richard covers. 1 Young Dylan was about to have his career path illuminated after attending one of Buddy Holly’s final shows. By the time Dylan reached New York in 1961, heavily under the influence of Woody’s music, Guthrie had been hospitalized for almost five years and with his motor skills greatly deteriorated. This meeting between the still stylistically unformed Dylan and Woody—far removed from his 1940s heyday—had the makings of myth, regardless of the blurred details. Whatever transpired between them, the pilgrimage to Woody transfixed Dylan, and the young Minnesotan would go on to model his early career on the elder songwriter’s legacy. More than any other of Woody’s acolytes, Dylan grasped the totality of Guthrie’s vision. Beyond mimicry (and Dylan carefully emulated Woody’s accent, mannerisms, and poses), Dylan almost preternaturally understood the larger implication of Guthrie in ways that eluded other singers and writers at the time.2 As his career took off, however, Dylan began to slough off the more obvious Guthrieisms as he moved towards his electric-charged poetry of 1965-1966. -
Bad Cops: a Study of Career-Ending Misconduct Among New York City Police Officers
The author(s) shown below used Federal funds provided by the U.S. Department of Justice and prepared the following final report: Document Title: Bad Cops: A Study of Career-Ending Misconduct Among New York City Police Officers Author(s): James J. Fyfe ; Robert Kane Document No.: 215795 Date Received: September 2006 Award Number: 96-IJ-CX-0053 This report has not been published by the U.S. Department of Justice. To provide better customer service, NCJRS has made this Federally- funded grant final report available electronically in addition to traditional paper copies. Opinions or points of view expressed are those of the author(s) and do not necessarily reflect the official position or policies of the U.S. Department of Justice. This document is a research report submitted to the U.S. Department of Justice. This report has not been published by the Department. Opinions or points of view expressed are those of the author(s) and do not necessarily reflect the official position or policies of the U.S. Department of Justice. Bad Cops: A Study of Career-Ending Misconduct Among New York City Police Officers James J. Fyfe John Jay College of Criminal Justice and New York City Police Department Robert Kane American University Final Version Submitted to the United States Department of Justice, National Institute of Justice February 2005 This project was supported by Grant No. 1996-IJ-CX-0053 awarded by the National Institute of Justice, Office of Justice Programs, U.S. Department of Justice. Points of views in this document are those of the authors and do not necessarily represent the official position or policies of the U.S. -
1988 Tour of North America
1988 TOUR OF NORTH AMERICA Interstate 88 Tour, part 1: Summer Tour of North America. JUNE 7 Concord, California Concord Pavilion 9 Sacramento, California Cal Expo Amphitheatre 10 Berkeley, California Greek Theatre, University Of California 11 Mountain View, California Shoreline Amphitheatre 13 Salt Lake City, Utah Park West, Park City 15 Denver, Colorado Fiddler's Green Amphitheatre 17 St Louis, Missouri The Muny, Forest Park 18 East Troy, Wisconsin Alpine Valley Music Theatre 21 Cuyahoga Falls, Ohio Blossom Music Center 22 Cincinnati, Ohio Riverbend Music Center 24 Holmdel, New Jersey Garden State Performing Arts Center 25 Holmdel, New Jersey Garden State Performing Arts Center 26 Saratoga Springs, New York Saratoga Performing Arts Center 28 Canandaigua, New York Finger Lakes Performing Arts Center 30 Wantagh, New York Jones Beach Theater, Jones Beach State Park JULY 1 Wantagh, New York Jones Beach Theater, Jones Beach State Park 2 Mansfield, Massachussetts Great Woods Performing Arts Center 3 Old Orchard Beach, Maine Old Orchard Beach Ballpark 6 Philadelphia, Pennsylvania Frederick Mann Music Center 8 Montreal, Quebec, Canada Forum de Montréal 9 Ottawa, Ontario, Canada Ottawa Civic Centre Arena 11 Hamilton, Ontario, Canada Copps Coliseum 13 Charlevoix, Michigan Castle Fares Music Theatre 14 Chicago, Illinois Poplar Creek Music Theatre, Hoffman Estates 15 Indianapolis, Indiana Indiana State Fairground Grandstand 17 Rochester, Michigan Meadowbrook Music Theatre, Oakland University 18 Rochester, Michigan Meadowbrook Music Theatre, Oakland -
Bob Dylan Performs “It's Alright, Ma (I'm Only Bleeding),” 1964–2009
Volume 19, Number 4, December 2013 Copyright © 2013 Society for Music Theory A Foreign Sound to Your Ear: Bob Dylan Performs “It’s Alright, Ma (I’m Only Bleeding),” 1964–2009 * Steven Rings NOTE: The examples for the (text-only) PDF version of this item are available online at: http://www.mtosmt.org/issues/mto.13.19.4/mto.13.19.4.rings.php KEYWORDS: Bob Dylan, performance, analysis, genre, improvisation, voice, schema, code ABSTRACT: This article presents a “longitudinal” study of Bob Dylan’s performances of the song “It’s Alright, Ma (I’m Only Bleeding)” over a 45-year period, from 1964 until 2009. The song makes for a vivid case study in Dylanesque reinvention: over nearly 800 performances, Dylan has played it solo and with a band (acoustic and electric); in five different keys; in diverse meters and tempos; and in arrangements that index a dizzying array of genres (folk, blues, country, rockabilly, soul, arena rock, etc.). This is to say nothing of the countless performative inflections in each evening’s rendering, especially in Dylan’s singing, which varies widely as regards phrasing, rhythm, pitch, articulation, and timbre. How can music theorists engage analytically with such a moving target, and what insights into Dylan’s music and its meanings might such a study reveal? The present article proposes one set of answers to these questions. First, by deploying a range of analytical techniques—from spectrographic analysis to schema theory—it demonstrates that the analytical challenges raised by Dylan’s performances are not as insurmountable as they might at first appear, especially when approached with a strategic and flexible methodological pluralism. -
Meet Me in the Land of Hope and Dreams Influences of the Protest Song Tradition on the Recent Work of Bruce Springsteen (1995-2012)
Ghent University Faculty of Arts and Philosophy Meet me in the Land of Hope and Dreams Influences of the protest song tradition on the recent work of Bruce Springsteen (1995-2012) Supervisor: Paper submitted in partial Dr. Debora Van Durme fulfilment of the requirements for the degree of “Master in de Taal- en Letterkunde: Nederlands- Engels” by Michiel Vaernewyck May 2014 Word of thanks The completion of this master dissertation would not have been possible without the help of several people that have accompanied me on this road. First of all, thank you to my loving parents for their support throughout the years. While my father encouraged me to listen to an obscure, dusty vinyl record called The River, he as well as my mother taught me the love for literature and music. Thanks for encouraging me to express myself through writing and my own music, which is a gift that money just cannot buy. Secondly, thanks to my great friends of the past few years at Ghent University, although they frequently – but not unfairly – questioned my profound passion for Bruce Springsteen. Also, thank you to my supervisor dr. Debora Van Durme who provided detailed and useful feedback to this dissertation and who had the faith to endorse this thesis topic. I hope faith will be rewarded. Last but not least, I want to thank everyone who proofread sections of this paper and I hope that they will also be inspired by what words and music can do. As always, much love to Helena, number one Croatian Bruce fan. Thanks to Phantom Dan and the Big Man, for inspiring me over and over again. -
Why Am I Doing This?
LISTEN TO ME, BABY BOB DYLAN 2008 by Olof Björner A SUMMARY OF RECORDING & CONCERT ACTIVITIES, NEW RELEASES, RECORDINGS & BOOKS. © 2011 by Olof Björner All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. Listen To Me, Baby — Bob Dylan 2008 page 2 of 133 1 INTRODUCTION .................................................................................................................................................................. 4 2 2008 AT A GLANCE ............................................................................................................................................................. 4 3 THE 2008 CALENDAR ......................................................................................................................................................... 5 4 NEW RELEASES AND RECORDINGS ............................................................................................................................. 7 4.1 BOB DYLAN TRANSMISSIONS ............................................................................................................................................... 7 4.2 BOB DYLAN RE-TRANSMISSIONS ......................................................................................................................................... 7 4.3 BOB DYLAN LIVE TRANSMISSIONS ..................................................................................................................................... -
2002-03 MIH Media Guide
2002-03 Bemidji State Men’s Ice Hockey Table of Contents IFC Tradition Never Graduates 1 Table of Contents 2 BSU Hockey Quick Facts 2 2002-03 Season Outlook 4-6 Coaching & Support Staff 4 Head Coach Tom Serratore 5 Assistant Coaches Bert Gilling & Shawn Kurulak 6 Grad Assistant Marc Lafl eur & Support Staff 7-20 2002 Bemidji State Beavers 7 2002 Roster 8-18 Returning Student-Athlete Bios 19 Incoming Student-Athlete Bios 20 Pre-Season Line Chart 21-26 2002-03 Opponents 21-22 Non-Conference Opponents 23-24 College Hockey America opponents 24 2002-03 Travel Itineraries 25 Series Records vs 2002-03 Opponents 26 2002-03 College Hockey America Composite Schedule 27-40 2001-02 Season in Review 27 A Look Back at 2001-02 28 2001-02 Schedule & Results 29 2001-02 Final Statistics 30-31 2001-02 Player Game-by-Game Scoring 30 BSU’s record when... 31 The Last Time 32-37 2001-02 Game Recaps 38 College Hockey America 39 2001-02 CHA Recap 40 CHA Players of the Week / Statistical Leaders 41-67 BSU History and Records 41 Year-by-Year Results 42-47 All-Time Results 47 All-Time Series Standings 48-49 Year-by-Year Team Stats 50-51 Individual Year-by-Year Statistical Leaders 52-53 Individual Career Scoring Leaders 52 BSU Career Records 53 Division I-era Scoring Leaders 54 Individual Career Goaltending Leaders 54 BSU Season and Game Records 55 Team Records / Individual Single-Season Leaders 56-57 R.H. “Bob” Peters 58-61 BSU’s 13 National Champions 62-65 BSU Hockey Alumni 66-67 BSU All-Americans 68-76 Welcome to Bemidji State University 68 Welcome to Bemidji 69 Bemidji State University 70-71 John S. -
GESAMTTEXT Final2vati Korrpdfi
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OTHES Diplomarbeit Titel der Diplomarbeit Bob Dylan - Never Ending Tour - Werk eines 'Performing Artist' Verfasser Michael Gizicki Angestrebter Grad Magister der Philosophie (Mag. phil.) Wien, im Oktober 2009 Studienkennzahl lt. Studienblatt: A316 Studienrichtung lt. Studienblatt: Musikwissenschaft Betreuer: Ass.-Prof. Mag. Dr. August Schmidhofer Konzert Nr.1800 der Never Ending Tour am 12.11.2005, Mailand, Italien (li. Stu Kimball, re. Bob Dylan) 1 Inhaltsverzeichnis Danksagung 5 Einleitung 6 1.Kapitel: Historische Vorbedingungen und Kontext 9 1.1 Bob Dylans "Gospel-Phase" 9 1.2 Die Achtziger Jahre 10 1.3 Das Jahr 1988 13 1.4 Dylans Studiowerk ab 1989 14 1.4.1 "Oh Mercy" 1989 14 1.4.2 "Under The Red Sky" 1990 15 1.4.3 "Good as I Been To You" 1992 und "World Gone Wrong" 1993 15 1.4.4 1997: "Time Out Of Mind" - Rückkehr eines großen Künstlers 16 1.4.5 "Things Have Changed" 2000 und "Love and Theft" 2001 17 1.4.6 "Modern Times" 2006 17 1.4.7 "Together Through Life" 2009 18 2.Kapitel: Die Never Ending Tour 20 2.1. Der Name und seine Entstehung 20 2.2. Vorbedingungen: Das Jahr '87 im Detail 22 2.3. Zahlen und Fakten zur NET 30 2.4. Die Chronologie: Das Geschehen der Tourjahre : Repertoire, Format, Setlisten, Bands 33 2.4.1 Die Touren '88 bis '90 33 2.4.2 1991 bis Herbst '92 38 2.4.3 Die Jahre 1993 bis 1996 39 2.4.4 Die Zeit 1997 - 1999 43 2.2.5 2000 / 2001 / 2002 / 2003 47 2.4.6 2004 bis 2009 53 2 3.Kapitel: Dylans "performing art" in den Konzerten der NET 55 3.1. -
2018-19 Graduation Ceremonies ALPHABETICAL by SCHOOL
2018-19 Graduation Ceremonies ALPHABETICAL BY SCHOOL 5280 High School Colorado High School DELTA Friday, April 12, 2019 Charter - Osage Thursday, May 30, 2019 2 P.M. Friday, May 24, 2019 2 P.M. 899 Broadway 5:30 P.M. DCPA/Seawell Ballroom Denver, CO 80203 Auraria Campus/King Center, 1350 Arapahoe St. Concert Hall Denver, CO 80204 Abraham Lincoln 855 Lawrence Way Wednesday, May 29, 2019 Denver, CO 80204 Denver Center for 21st 9 A.M. Century Learning DU/Magness Arena Compassion Road Thursday, May 30, 2019 2240 Buchtel Blvd. 5 P.M. Denver, CO 80208 Academy Saturday, June 1, 2019 DU/Davis Auditorium, Sturm Hall 10:30 A.M. 2000 E. Asbury Ave. Academy of Urban West Campus Auditorium Denver, CO 80210 Learning 951 Elati St. Thursday, June 6, 2019 Denver, CO 80204 Denver Montessori 6 P.M. Monday, June 3, 2019 The Oriental Theater Contemporary Learning 5:30 P.M. 4335 W. 44th Ave. Auraria Campus/PE Event Center Denver, CO 80212 Academy Tuesday, May 21, 2019 900 Auraria Parkway 5 P.M. Denver, CO 80204 Bruce Randolph Auraria Campus/King Center, Tuesday, May 28, 2019 Concert Hall Denver Online High School 7 P.M. 855 Lawrence Way Wednesday, May 22, 2019 DU/Magness Arena Denver, CO 80204 5 P.M. 2240 Buchtel Blvd. Auraria Campus/King Center, Denver, CO 80208 Denver Center for Concert Hall 855 Lawrence Way International Studies Denver, CO 80204 CEC Early College Wednesday, May 22, 2019 Tuesday, May 21, 2019 6 P.M. Noon DU/Newman Center Denver School of the Arts DPAC/Boettcher Concert Hall for Performing Arts, Tuesday, May 21, 2019 1000 14th St. -
American Favorite Ballads, Vol. 4 Lyrics Pete Seeger SFW40153
folkways.si.edu American Favorite Ballads, Vol. 4 Lyrics Pete Seeger SFW40153 *All Lyrics Appear With Permission of Publishers 1. The Banks of Ohio 3:32 Chorus: I asked my love to take a walk, I took her by her lily-white hand, Just to walk a little way, I led her down where the waters stand. And as we walked and as we talked I picked her up and pitched her in, Of our golden wedding day. And watched her as she floated down. Chorus: Chorus: Then only say that you'll be mine, In no other arms you'll find. I started back home twixt twelve and one, Down beside where the waters flow, Crying, "My God! What have I done - On the banks of the Ohio. I've murdered the only woman I love Because she would not be my bride." I drew a sword across her breast, Gently in my arms she pressed, Chorus: Crying, "Willie, Oh Willie, don't you murder me, For I'm unprepared for eternity!" www.folkways.si.edu 2. You are My Sunshine 1:46 Chorus: J. H. Davis-C. Mitchell Oh, springtime has come You are my sunshine, my only sunshine, We're just out of jail, You make me happy when skies are gray. Without any money, You'll never know, dear, how much I love you, Without any bail. Please don't take my sunshine away. Chorus: The other night, dear, as I lay sleeping, I dreamt I held you in my arms. 4. The Foggy Dew 1:59 When I awoke, dear, I was mistaken, And I hung my head and cried. -
Canciones Gira
LAS CANCIONES DE LA GIRA 'WRECKING BALL' Land of Hope and Dreams My Love Will Not Let You Down Out in the Street American Land Long Tall Sally Loose Ends Wrecking Ball Death to My Hometown Atlantic City The River Born in the U.S.A. Cover Me Darlington County Working on the Highway Downbound Train I'm On Fire No Surrender Bobby Jean I'm Goin' Down Glory Days Dancing in the Dark My Hometown Shackled and Drawn Waitin' on a Sunny Day The Rising Badlands Hungry Heart This Hard Land Lost in the Flood Save my love This Land Is Your Land We Are Alive Born to Run Tenth Avenue Freeze‐Out Twist And Shout Shout Bamalama Thunder Road Just like fire would Hungry Heart We Take care of our Own My city of Ruins Because the Night The Ghost of Tom Joad WE are alive Promise Land. Spirit of the Night Incident on 57th Street Open all night Racing in the Street Who'll Stop the Rain Growing Up For you I wish you were Blind Leap of Faith Better Days Factory Streets of Fire Radio Nowhere From Small Things, Big Things One Day Come Pink Cadillac Brilliant Disguise Queen of The Supermarket. I'll Work for your Love Aint good enaught for you Wages of Sin Murder incorporated Cadillach Ranch Raise your Hand Light of Day Prove it all Night Adam Raised Cain High Hopes Pay me my Money Down Seven Nights of Rock Devil &Dust Last to Die The Ties that Bind Darkness on the Edge of Town Does this Bus Stop at 82 th Street? Lonesome Day Jungleland The River Something int the Night Seeds. -
201920 Visiting Team Guide.Pdf
TABLE OF CONTENTS GENERAL INFORMATION……………………………………………………………………………….…….3 VISITING TEAM INFORMATION…………………………………………………………………….……...4-5 SPORTS MEDICINE…………………..………………………………………………………………….……6-8 BOX OFFICE INFORMATION……..…………………………………………………………………...…...9-11 MEDIA RELATIONS …………..…………………………………………………………………………........12 VENUES……………………………………………………………………………………………..………13-14 PHONE DIRECTORY………………...……………………………………………………………….…….15-16 LODGING……….…………………………………………………………………………………….……..17-26 TRANSPORTATION……………………………………………………………………………………..…27-28 RESTAURANT GUIDE……………………………………………………………………………………..…..29 PARKING MAP………………..……………..………………………………………………………………....30 AREA MAPS ……………………..……………………………………………………………………………..31 2 GENERAL INFORMATION Institution Name……………………………………………………………………………University of Denver Address………………………………………………….…………………………….2201 East Asbury Avenue Denver, Colorado 80208 National Affiliation………………………………………………………….…………………NCAA Division I Conferences…………….……….…………………………………...…National Collegiate Hockey Conference, Summit League, Mountain Pacific Sports Federation, Rocky Mountain Intercollegiate Skiing Association, Big East (Men’s Lacrosse) Founded…………………………...…………………………………………….……….………………......1864 Enrollment……………………………………………………...…………………………….…………….11,797 Nickname………..…………………………………………………………………………….………….Pioneers Colors………..…...……………………………………………………………………………Crimson and Gold Chancellor…………………….……………………………………………………………..…....Jeremy Haefer Director of Athletics and Recreation……...…………….………………………………...............Karlton Creech Competition Facilities Magness