Nikon Speedlight SB-800
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INSTRUCTION MANUAL Type C / N Design and Specifications Are Subject to Change Without Prior Notice
DIGITAL TTL MACRO FLASH Nissin Japan Ltd., Tokyo http://www.nissin-japan.com Nissin Marketing Ltd., Hong Kong INSTRUCTION MANUAL http://www.nissindigital.com Type C / N Design and Specifications are subject to change without prior notice. MF0611 REV. 1.1 Thank you for purchasing a Nissin product SIMPLE OPERATION When attaching MF18 to the camera, the basic flash exposure operation is fully Before using this flash unit, please read this instruction manual and refer controlled by the camera. It is the same idea as when you use the built-in your camera owner’s manual carefully to get a better understanding of camera flash, but it is placed on the hotshoe of the camera instead of using the proper operation to enjoy flash photography. built-in flash. Nissin Macro Flash MF18 is a flash system for taking close-up photos of small ADVANCED FUNCTIONS subjects using a flash to eliminate shadows, allowing you to enjoy photography. MF18 provides advanced flash functions including 1st curtain synchronization, This instruction manual is intended mainly for Canon or Nikon digital SLR, with Rear curtain synchronization and High speed shutter synchronization are the latest TTL flash control system, and features Nissin’s original rotating color supported. display, easily guiding its operations. It works automatically with Canon ETTL / ETTL II or Nikon i-TTL auto-flash systems. The provided adapter rings make it available for use with different lens. Please note that MF18 is not usable with other branded cameras for TTL Compatible cameras operation. Please refer Nissin’s compatibility chart shown in its home page for details. -
Advanced User Guide
Advanced User Guide E CT2-D068-A © CANON INC. 2020 Contents Introduction. 4 Instruction Manual. 5 About This Guide. 6 Safety Instructions. 8 Nomenclature. 10 Getting Started and Basic Operations. 26 Charging the Battery. 27 Insert the Battery. 31 Attaching and Detaching the Speedlite to and from the Camera. 33 Turning on the Power. 35 Fully Automatic Flash Photography. 40 E-TTL II / E-TTL Autoflash by Shooting Mode. 42 Checking the Battery Information. 47 Advanced Flash Photography. 49 Flash Exposure Compensation. 50 FEB. 52 FE Lock. 54 High-Speed Sync. 56 Second-Curtain Sync. 58 Bounce. 60 Set the Flash Coverage. 67 Manual Flash. 71 Stroboscopic Flash. 78 Flash External Metering. 82 Continuous Shooting Priority Mode. 87 About the Modeling Lamp. 88 Modeling Flash. 89 Color Filter. 90 Clearing Speedlite Settings. 92 Flash Function Settings with Camera Controls. 94 Flash Control from the Camera's Menu Screen. 95 Radio Transmission Wireless Flash Shooting. 102 Radio Transmission Wireless Flash Shooting. 103 Radio Transmission Wireless Settings. 110 Automatic Flash Photography with 1 Flash Receiver. 124 Automatic Flash Photography with Receivers divided into 2 Groups. 133 Automatic Flash Photography with Receivers divided into 3 Groups. 136 Wireless Multiple Flash Shooting with a set Flash Ratio. 141 Shooting in a Different Flash Mode for Each Group. 145 Test Flash / Modeling Flash from a Receiver Unit. 150 Remote Release from a Receiver Unit. 152 Linked Shooting with Radio Transmission. 154 Optical Transmission Wireless Flash Shooting. 159 Optical Transmission Wireless Flash Shooting. 160 Optical Transmission Wireless Settings. 164 Automatic Flash Photography with 1 Flash Receiver. -
Colour Relationships Using Traditional, Analogue and Digital Technology
Colour Relationships Using Traditional, Analogue and Digital Technology Peter Burke Skills Victoria (TAFE)/Italy (Veneto) ISS Institute Fellowship Fellowship funded by Skills Victoria, Department of Innovation, Industry and Regional Development, Victorian Government ISS Institute Inc MAY 2011 © ISS Institute T 03 9347 4583 Level 1 F 03 9348 1474 189 Faraday Street [email protected] Carlton Vic E AUSTRALIA 3053 W www.issinstitute.org.au Published by International Specialised Skills Institute, Melbourne Extract published on www.issinstitute.org.au © Copyright ISS Institute May 2011 This publication is copyright. No part may be reproduced by any process except in accordance with the provisions of the Copyright Act 1968. Whilst this report has been accepted by ISS Institute, ISS Institute cannot provide expert peer review of the report, and except as may be required by law no responsibility can be accepted by ISS Institute for the content of the report or any links therein, or omissions, typographical, print or photographic errors, or inaccuracies that may occur after publication or otherwise. ISS Institute do not accept responsibility for the consequences of any action taken or omitted to be taken by any person as a consequence of anything contained in, or omitted from, this report. Executive Summary This Fellowship study explored the use of analogue and digital technologies to create colour surfaces and sound experiences. The research focused on art and design activities that combine traditional analogue techniques (such as drawing or painting) with print and electronic media (from simple LED lighting to large-scale video projections on buildings). The Fellow’s rich and varied self-directed research was centred in Venice, Italy, with visits to France, Sweden, Scotland and the Netherlands to attend large public events such as the Biennale de Venezia and the Edinburgh Festival, and more intimate moments where one-on-one interviews were conducted with renown artists in their studios. -
Minolta Electronic Auto-Exposure 35Mm Single Lens Reflex Cameras and CLE
Minolta Electronic Auto-Exposure 35mm Single Lens Reflex Cameras and CLE Minolta's X-series 35mm single lens user the creative choice of aperture and circuitry requires a shutter speed faster reflex cameras combine state-of-the-art shutter-priority automation, plus metered than 1/1000 second. These cameras allow photographic technology with Minolta's tra manual operation at the turn of a lever. The full manual control for employing sophisti ditional fine handling and human engineer photographer can select shutter-priority cated photo techniques. The silent elec ing to achieve precision instruments that operation to freeze action or control the tronic self-timer features a large red LED are totally responsive to creative photogra amount of blur for creative effect. Aperture signal which pulsates with increasing fre phy. Through-the-Iens metering coupled priority operation is not only useful for quency during its ten-second operating with advanced, electronically governed depth-of-field control , auto~exposure with cycle to indicate the approaching exposure. focal-plane shutters provide highly accu bellows, extension tubes and mirror lenses, The Motor Drive 1, designed exclusively rate automatic exposure control. All X but for the control of shutter speed as well . for the XG-M, provides single-frame and series cameras are compatible with the Full metered-manual exposure control continuous-run film advance up to 3.5 vast array of lenses and accessories that allows for special techniques. frames per second. Plus, auto winders and comprise the Minolta single lens reflex A vibration-free electromagnetic shutter "dedicated" automatic electronic flash units system. release triggers the quiet electronic shutter. -
Flash in Stereo
FLASH IN STEREO “Golf Legend Bobby Jones Taking a Swing", photo taken by Dr. Harold Edgerton , the inventor of electronic flash in 1938, using stroboscopic flash photography. A Presentation by George Themelis NSA / July 2010 Outline • Why Flash? • Flash Advantages in Stereo • Short History of Flash Photography • Flash Bulbs vs. Electronic Flash • Flash Synchronization • Flash Exposure • Issues when using flash • Special Flash Techniques • Flash in Slide Bar (Single camera) Stereo • Flash with Vintage Stereo Cameras • Flash with compact digital stereo cameras • Flash with twin cameras Why Flash? When the existing light is dim, there is a need for artificial light in order to get good expo- sures . Example: In a well-lit interior space a typical exposure using 100 ISO is f8 at 1 second. Compare this to a “sunny day” f16 1/100, 2+7 = 9 f-stops less light. Hand hold- ing the camera or taking pictures of people at these long exposures is impossible. Hence flash is a necessity for taking pictures indoors. Without extra light, the photographer has three options: 1) Open up the aperture (f-stop), 2) Increase the time of the exposure . 3) Increase sensitivity (ISO) . These methods have disadvantages & limitations: • Opening up the lens aperture reduces the depth of field (can be a problem in stereo) in- creases lens aberrations, plus there is a limit (lens maximum aperture) • Theoretically, there is no limit in increasing exposure time, but in practice 1) film recip- rocity, 2) digital noise, 3) blurry pictures without solid support, 4) subject movement. • Increased sensitivity leads to film grain or digital noise. -
Pro-B3 1200 Airs User´S Guide
Pro-B3 1200 AirS User´s Guide Pro-B3 1200 AirS 2 www.profoto.com Pro-B3 1200 AirS Thank you for choosing Profoto Thanks for showing us your confidence by investing in a Pro- B3 generator. For more than four decades we have sought the perfect light. What pushes us is our conviction that we can offer even yet better tools for the most demanding photographers. 3 Before our products are shipped we have them pass an extensive and strict testing program. We check that each individual product comply with specified performance, quality and safety. For this reason our flash equipment is widely used in rental studios and rental houses worldwide, from Paris, London, Milan, New York, Tokyo to Cape Town. Some photographers can tell just from seeing a picture, if Profoto equipment has been used. Professional photographers around the world have come to value Profoto’s expertise in lighting and light-shaping. Our extensive range of Light Shaping Tools offers photographers unlimited possibilities for creating and adjusting their own light. Every single reflector and accessory creates its special light and the unique Profoto focusing system offers you the possibility to create your own light with only a few different reflectors. Enjoy your Profoto product! www.profoto.com Safety instructions SAfeTy PrecAUTionS! Do not operate the equipment before studying the instruction manual and the accompanying safety. Make Pro-B3 1200 AirS sure that Profoto Safety Instructions is always accompanied the equipment! Profoto products are intended for professional use! Generator, lamp heads and accessories are only intended for indoor photographic use. -
Expand Your Creative Playground Contents
Expand your creative playground Contents Superior performance in diverse scenes. 6-7 FX-Format image sensor and NIKKOR lenses ISO 100-51200. © ful.fi lled © Mattia Bonavida © Mattia Bonavida 8-9 273-point AF system. Eye-detection AF & Animal-detection AF. 5.0-stop in-camera VR. 10-11 NIKKOR Z 24-50mm f/4-6.3. NIKKOR Z 24-70mm f/4 S. NIKKOR Z 24-200mm f/4-6.3 VR. Intuitive operation your style. 12-13 Creative picture controls. Multiple exposure. © ful.fi lled Silent photography function. © Mattia Bonavida 14-15 Electronic viewfi nder. Tilting touch screen monitor. P menu. 16-17 Nikon’s ergonomics. Robustness with anti-weather / dust sealing. Long battery life & USB power delivery. Snapbridge. © Jordi Koalitic © Jordi Koalitic Wide-ranging options to go further. 18-19 4K UHD videos. 4K UHD time-lapse movie. Accessories. 20 Nomenclature. 21 System chart. 22 Specifi cations. © John Wingfi eld © John Wingfi eld © Shohki Eno © Shohki Eno The FX sensor and NIKKOR® Z combo unlocks your hidden potential. Why do you create? Whatever your reasons, do full justice to your creative voice with new range of possibilities from impressive portraits with beautiful bokeh to richly striking, high-quality images brought by the combination of a full-frame sensor and colored landscape shots – all from a portable, tough, easy-to-handle body. City or superb NIKKOR® Z lenses. An ode to every kind of creator, the Z 5 gives you a whole nature, day or night, wherever inspiration strikes – the world is your playground. 4 5 Eye-catching bokeh and remarkable low-light performance. -
User's Manual
Autofocus Speedlight User’s Manual No reproduction in any form of this manual, in whole or in part (except for brief quotation in critical articles or reviews), may be made without written authorization from NIKON CORPORATION. AMA14349 Nikon Manual Viewer 2 Install the Nikon Manual Viewer 2 app on Printed in Europe your smartphone or tablet to view Nikon digital camera manuals, anytime, anywhere. Nikon TT5E05(11) En Manual Viewer 2 can be downloaded free of charge 8MSA4511-05 from the App Store and Google Play. En About the SB-910 and This User’s Manual Thank you for purchasing the Nikon Speedlight SB-910. To get the most out of your A Speedlight, please read this user’s manual thoroughly before use. Keep this manual handy for quick reference. How to find what you are looking for i Table of contents (0A-11) Preparation You can search by item, such as operation method, fl ash mode or function. i Q&A index (0A-9) You can search according to objective without knowing the specifi c name or term of an item. i Index (0H-22) You can search using the alphabetical index. i Troubleshooting (0H-1) This is handy when there is a problem with your Speedlight. For your safety Before using the Speedlight for the fi rst time, read the safety instructions in “For Your Safety” (0A-14 – A-18). A–2 Included items A Check that all items listed below are included with the SB-910. If any items are missing, inform the store where the SB-910 was purchased or the seller immediately. -
KEY BENEFITS for PHOTOGRAPHERS
™ MAKE IT POSSIBLE © Dana Reed Today’s photographers need an edge, and there’s no other product that can give you the creative freedom of a PocketWizard radio. We’ve torn down technical barriers, enabling you to position flashes and cameras in the right places to get the right shots at the right time. PocketWizard radio systems enable wireless triggering ® between all components of your photographic system, no matter how simple or complex your remote triggering needs. With a PocketWizard radio, remote triggering of cameras TRANSCEIVER and flashes is as easy as pushing a button. If your needs go beyond simple triggering, you need the PocketWizard MultiMAX II Transceiver, the most advanced wireless triggering system available. With thirty-two Standard Channels and four separately controllable zones, as well as 20 ControlTL Channels with three zones, the MultiMAX II Transceiver is the ideal solution for working in crowded venues or with multiple lighting set-ups. Featuring sophisticated trigger time control functions and transceiver communication capabilities, the MultiMAX II Transceiver unleashes unlimited creative possibilities for the professional or serious amateur photographer. KEY BENEFITS for PHOTOGRAPHERS • Extreme versatility Thirty-two channels with Selective Quad-Triggering allows you to work in crowded venues or with multiple lighting set-ups. • Reliability The most reliable triggering system available. • Infinite Intervalometer Capture as many exposures as you want for as long as you want. • Ultimate Creativity Add depth of field or stroboscopic effects with Multi-Pop or create uniquely timed images using precision flash delays. • Sequential Triggering Trigger 16 cameras or 16 flashes with SpeedCycler. • PocketWizard Compatible Compatible with ALL PocketWizard radios. -
Wireless Speedlight Commander SU-800
TOTAL DIGITAL IMAGING SYSTEM We’ve Got You Covered Make Your Photography Matter with the Nikon Total Digital Imaging System So you have a digital SLR and an idea — a GREAT idea — for a photograph. Do you have all you need to make that idea hap- pen? A quick look through these pages and you’ll know. Here you’ll find all the accessories available for the Nikon D-SLR lineup: everything you need to realize your present ideas, and inspire new ones. Whether you are a seasoned pro- fessional or a passionate weekend shooter, we’re sure you’ll find something in this brochure that can help you craft better images. Every item found within is designed specifically for Nikon cameras, giving you seamless performance that truly brings out the best in you and your Nikon D-SLR. Got an idea? Make it happen. Here’s where you start. CONTENTS See what one Nikon Make lighting work for Speedlight can do you with wireless Easy, intelligent, amazing: multiple Speedlights The Nikon Creative Lighting Turn good shots into great System shots with Advanced Wireless Lighting pp4-5 pp6-7 Your file, your vision Dramatic close-up lighting made easy Capture NX 2 Software: master post-production Explore fine details with flexible, wireless control pp8-9 pp13-15 Which Speedlight is right for you? Nikon Creative Lighting System compatible pp10-11 Speedlights Flash Accessories p12 Power when you need it View with clarity and comfort Battery packs and power Viewing attachments management p16 p18 Communication technology Close in on every subject for any location Close-up accessories GPS accessories/wireless transmitters p16 p19 Steady shots — night or day pp20-21 Remote control accessories System diagram NIKKOR lens lineup p22 p17 Nikon digital SLRs p23 See what one Nikon Speedlight can do © Gordon Nash Easy, intelligent, amazing: The Nikon Gordon Nash — Wedding photographer (U.S.A.) I shoot about 50 weddings a month, and nearly half of my images Creative Lighting System need a Nikon Speedlight. -
Olympus OM-10
To an OM-10 Owner We appreciate very much that you have acquired other accessories are added to make it a complete an OM-10, a camera designed to allow you to take system of photography. With the OM-10 you can good pictures automatically and with the greatest gradually widen your enjoyment of the photo- ease. graphic art. The Olympus OM-10 is a single lens reflex camera We sincerely wish that it will become for you a of the finest quality in which the automation of source of unending satisfaction. To this effect, photographic functions has been made possible please read this instruction manual carefully be- by employing the most advanced electronics. To fore using the camera, so that you may be sure its acceptability of Olympus interchangeable lens- of taking correct, beautiful pictures every time es, a special film winder, a flash, and a host of you use your OM-10. 1 TABLE OF CONTENTS Description of Controls ... 3 matically ......... 19 Long Exposures ...... 30 Preparations before The OM-10: Designed to Save Flash Photography . 31 Taking Pictures . 6 to 15 Battery Consumption . 22 Using the Winder 2 ..... 33 Mounting and Detaching Switching the Camera Off . 23 From General Photography the Lens .......... 7 Rewinding the Film .... 23 to the Use of Interchange- Inserting the Batteries . 9 Unloading the Film . 24 able Lenses ........ 35 Checking the Batteries ... 10 The Use of the Self-Timer . 25 Making Use of the Depth of Loading the Film ...... 11 Photographic Techniques Field ............ 37 Setting the ASA Film Speed . 15 ............. 26 to 42 Manual Exposure Control . -
User's Manual
DIGITAL CAMERA User’s Manual No reproduction in any form of this manual, in whole or in part (except for brief quotation in critical articles or reviews), may be made without written authorization from NIKON CORPORATION. En Printed in Thailand En 6MB01311-01 Trademark Information • Microsoft and Windows Vista are either registered trademarks or trademarks of Microsoft Corporation in the United States and/or other countries. • Macintosh, Mac OS, and QuickTime are trademarks of Apple Inc. • Adobe and Acrobat are registered trademarks of Adobe Systems Inc. • The SD logo is a trademark of the SD Card Association. • The SDHC logo is a trademark. • PictBridge is a trademark. • All other trade names mentioned in this manual or the other documentation provided with your Nikon product are trademarks or registered trademarks of their respective holders. Introduction First Steps Basic Photography a, b, c, and d Modes Changing Shooting Settings More on Playback Connecting to a Computer, Printer, or TV Menu Guide Optional Accessories Maximizing the Life of the Camera Technical Notes i For Your Safety To prevent damage to your Nikon product or injury to yourself or to others, read the following safety precautions in their entirety before using this equipment. Keep these safety instructions where all those who use the product will read them. The consequences that could result from failure to observe the precautions listed in this section are indicated by the following symbol: This icon marks warnings. To prevent possible injury, read all warnings before using this Nikon product. WARNINGS Keep the sun out of the frame Do not place the strap around the neck of Keep the sun well out of the frame when an infant or child shooting backlit subjects.