An Extensible and Flexible Middleware for Real-Time Soundtracks in Digital Games
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Silvester Mit Portal 29 an Silvester Haben Wir Unseren Eigenen Domino Ralph Reicht‘S, Ein Disney-Film Für Gamer
„Zum nächsten Heft gehören Seiten. Erinnerst du dich? Diese flachen weißen Dinger voller Buchstaben.“ „Oh, warte, das liest du in fünf Sekunden!“ verse Merchandise-Artikel wie etwa die Neca Portal Gun dürfen nicht vergessen In diesem Sinne: werden. Also lest noch einmal nach, was 2012 alles passiert ist! Willkommen zur zwölften Ausgabe des Portal-Magazins! Ansonsten haben wir wieder fleißig Mods und Maps getestet. Außerdem erwartet Und nachträglich einen guten Rutsch ins euch in dieser Ausgabe ein umfangreicher neue Jahr 2013! Artikel über die Gele, in dem ihr sogar ein Gel kennenlernt, das zwar von Valve pro- Sorry für zwei Wochen Verspätung, aber grammiert wurde, aber im offiziellen Spiel jetzt sind wir in alter Frische wieder da. nicht vorkommt. Seid gespannt! Ausgabe 13 setzen wir jetzt allerdings erst für Anfang März an - würde sie bereits in Übrigens, wenn ihr Kontakt mit uns Möch- zwei Wochen (also Anfang Februar) er- tegern-Redakteuren aufnehmen wollt, scheinen, würde sich das nämlich kaum dann schreibt an: noch lohnen. Ab März versuchen wir dann wieder, uns monatlich einzupendeln. [email protected] Den Anfang dieser Ausgabe macht ein Oder meldet euch in unserem Forum an: großer Jahresrückblick, dessen Schwer- punkt natürlich auf Portal und Valve liegt. http://portal-forum.xobor.de Dieses Jahr war nämlich ganz schön viel los, was unser Lieblingsspiel betrifft, allem Und jetzt wünschen wir euch viel Spaß voran die Perpetual Testing Initiative. Aber beim Lesen! Und vergesst nicht: The cake auch das Fan-Jump‘n‘Run Mari0 und di- is a lie! Flo2912 Mit diesem QR-Code die aktuelle Ausgabe auf‘s Handy holen: Chikorita Portal-Magazin 2 www.portal-mag.de >>> Inhaltsverzeichnis Special: 2012 4 Der große Jahresrückblick: Wir werfen einen Blick zurück auf das Portal-Jahr 2012, gehen aber auch auf Games allgemein und weitere Er- eignisse ein. -
Design Guidelines for Audio Games
Design Guidelines for Audio Games Franco Eusébio Garcia and Vânia Paula de Almeida Neris Federal University of Sao Carlos (UFSCar), Sao Carlos, Brazil {franco.garcia,vania}@dc.ufscar.br Abstract. This paper presents guidelines to aid on the design of audio games. Audio games are games on which the user interface and game events use pri- marily sounds instead of graphics to convey information to the player. Those games can provide an accessible gaming experience to visually impaired play- ers, usually handicapped by conventional games. The presented guidelines resulted of existing literature research on audio games design and implementa- tion, of a case study and of a user observation performed by the authors. The case study analyzed how audio is used to create an accessible game on nine au- dio games recommended for new players. The user observation consisted of a playtest on which visually impaired users played an audio game, on which some interaction problems were identified. The results of those three studies were analyzed and compiled in 50 design guidelines. Keywords: audio games, accessibility, visual impairment, design, guidelines. 1 Introduction The evolution of digital interfaces continually provides simpler, easier and more intui- tive ways of interaction. Especially in games, the way a player interacts with the system may affect his/her overall playing experience, immersion and satisfaction. Currently, game interfaces mostly rely on graphics to convey information to the play- er. Albeit being an effective way to convey information to the average user, graphical interfaces might be partially or even totally inaccessible to the visually impaired. Those users are either unable or have a hard time playing a conventional game, as the graphical content of the user interface is usually essential to the gameplay. -
Super Mario Portal Game
1 / 2 Super Mario Portal Game Lessons of Game Design learned from Super Mario Maker ... The portal gun is one of those mechanics that sounds like it has an unlimited .... The game combines the elements of the two popular video games: the platforming Super Mario Bros and the puzzle solving Portal. The game retains the traditional .... It's a mashup of Nintendo's classic Super Mario Bros. platform game with Portal. That's right – Mario now has a portal gun, which he can use to .... New Super Mario Bros. U is a game ... Portal 2, like Minecraft, is a highly popular console game that encourages experimentation and flexibility.. Last August we were promised to be able to play the classic Super Mario Bros. with 1 major difference integrated into the game. Aperature ... mario portal game · super mario bros meets portal game · blue television games portal mario.. Mario Bros Mappack Portal Mappack Mari0 Bros Mappack No WW Mari0 ... If you enjoy this game then also play games Super Mario Bros. and Super Mario 64.. Much like nuts and gum, Portal and Super Mario Bros. are together at last.. Click on this exciting game of the classic Super Mario bros, Portal Mario bros 64. You must help the famous Mario bros to defend himself from all his enemies in .... and Portal hybrid from indie game developer Stabyourself.net. Yup, it's the old Super Mario Bros. with portal guns, user created content, a map .... Mario and Portal, a perfect mix. Super Smash Flash 2. A fun game inspired by Super Smash Bros. -
Playing with Sound and Gesture in Digital Audio Games
“proceedings” — 2015/7/27 — 18:40 — page 423 — #435 A. Weisbecker, M. Burmester & A. Schmidt (Hrsg.): Mensch und Computer 2015 Workshopband, Stuttgart: Oldenbourg Wissenschaftsverlag, 2015, S. 423-429. Playing with sound and gesture in digital audio games Dr. Sonia Fizek 1, Dr. Julie Woletz 2, Jarosław Beksa 3 Gamification Lab, Centre for Digital Cultures, Leuphana University Lüneburg 1 Media Uselab, Centre for Digital Cultures, Leuphana University Lüneburg 2 School of Computer and Mathematical Sciences, Auckland University of Technology 3 Abstract This article introduces the genre of a digital audio game and discusses selected play interaction solu- tions implemented in the Audio Game Hub , a prototype designed and evaluated in the years 2014 and 2015 at the Gamification Lab at Leuphana University Lüneburg. 1 The Audio Game Hub constitutes a set of familiar playful activities (aiming at a target, reflex-based reacting to sound signals, labyrinth exploration) and casual games (e.g. Tetris , Memory ) adapted to the digital medium and converted into the audio sphere, where the player is guided predominantly or solely by sound. The authors will discuss the design questions raised at early stages of the project, and confront them with the results of user experience testing performed on two groups of sighted and one group of visually impaired gamers. 1 Introducing digital audio games Have you been mesmerized in your childhood by playing the “ blind man's buff“? Or maybe you always wondered why the fables read out by your parents were far more magical than their counterparts watched on the TV screen? After all, sounds have limitless potential to create beautifully immersive sceneries without the help of a single paintbrush or animated pixel. -
A Case Study of Audio Game Hub
25 TH I NTERNATIONAL C ONFERENCE O N I NFORMATION S YSTEMS D EVELOPMENT (ISD2016 P OLAND ) Adapting Videogame Interfaces for the Visually Impaired: A Case Study of Audio Game Hub Jaroslaw Beksa [email protected] Auckland University of Technology, Computer and Mathematical Sciences, Auckland, New Zealand Alexandra Garkavenko [email protected] Auckland University of Technology, Computer and Mathematical Sciences, Auckland, New Zealand Sonia Fizek [email protected] Gamification Lab, Centre for Digital Cultures, Leuphana University, Lüneburg, Germany Shahper Vodanovich [email protected] Auckland University of Technology , Computer and Mathematical Sciences, Auckland, New Zealand Phil Carter [email protected] Auckland University of Technology, Computer and Mathematical Sciences, Auckland, New Zealand Abstract Technology applications including games are generally not designed with the blind or visually impaired in mind. This is an invaluable area of research as it is this population that would benefit the most from accessible technology enabling inclusion and participation in society. “Nobody makes ga mes for us” was a motivator for this research. This paper describes the process of creating a set of audio games for the visually impaired. The principles of audio game design are discussed and based upon these the Audio Game Hub is proposed. Audio Game Hu b is currently a set of four audio games that have suitable interfaces for the visually impaired. Audio Game Hub is currently available for download on multiple platforms and has seen popularity with both visually impaired and normal sighted players, which provides an area for future research. Keywords: audio game, user interface , visually impaired, video game . -
Game Audio in Audio Games Towards a Theory on the Roles and Functions of Sound in Audio Games
Dalarna University College Sound and Music Production 180 ECTS Credits Bachelor Programme Bachelor Degree Thesis Game Audio in Audio Games Towards a Theory on the Roles and Functions of Sound in Audio Games Written by Rickard Åsén Supervisor: Johnny Wingstedt Course coordinator: Toivo Burlin Examiner: Jacob Derkert Publishing year: 2013 B A C H E L O R D E G R E E T HESIS G A M E A U D I O I N A U D I O G AMES Abstract For the past few decades, researchers have increased our understanding of how sound functions within various audio–visual media formats. With a different focus in mind, this study aims to identify the roles and functions of sound in relation to the game form Audio Games, in order to explore the potential of sound when acting as an autonomous narrative form. Because this is still a relatively unexplored research field, the main purpose of this study is to help establish a theoretical ground and stimulate further research within the field of audio games. By adopting an interdisciplinary approach to the topic, this research relies on theoretical studies, examinations of audio games and contact with the audio game community. In order to reveal the roles of sound, the gathered data is analyzed according to both a contextual and a functional perspective. The research shows that a distinction between the terms ‘function’ and ‘role’ is important when analyzing sound in digital games. The analysis therefore results in the identification of two analytical levels that help define the functions and roles of an entity within a social context, named the Functional and the Interfunctional levels. -
A Survey on Sound-Based Games
JOURNAL OF INFORMATION SYSTEMS & OPERATIONS MANAGEMENT A SURVEY ON SOUND-BASED GAMES Diana-Elena BELMEGA 1* Costin-Anton BOIANGIU 2 ABSTRACT This paper aims to explore the realm of sound-based games and to discover this field originality, challenges and advancements. Fully discovering and enjoying a sound-based game does not mean only to pay attention to the various sounds that “surrounds” the player, but to try to construct in player’s imagination the world that generated them. This is a world where imagination, music composition, sound generation, imaginative plots and a lot of modern technologies intersect. In recent years, a consistent list of titles from all the game territories (action, adventure, survival thriller, stealth thriller, mystery, horror, psychological, first-person shooter, and puzzle-based adventure) have emerged. The paper at hand tried to make a novelty-based selection of the representative games and will try to understand their main concept, and their contributions to the genre. KEYWORDS: Sound-Based Games, Sense Substitution, Binaural Audio, Sonic Landscape, Soundscape, VR Headset, Doppler Effect. 1. INTRODUCTION 1.1. About sound-based games While having sound in a game is common nowadays, when referring to sound-based games, one means that these games put an emphasis on the sound and use it as one of the main mechanisms of the game. One example is using sound intensity to guide the player towards its source in a dark environment. 1.2. Action game As explained in the book Fundamentals of Game Design, by Ernest Adams, an action game is a game in which the player’s physical skills and coordination are tested [1]. -
Exploring Audio Storytelling in Mobile Exergames to Affect the Perception of Physical Exercise
Exploring Audio Storytelling in Mobile Exergames to Affect the Perception of Physical Exercise Luca Chittaro and Francesco Zuliani HCI Lab, Department of Mathematics and Computer Science University of Udine, Italy [email protected], [email protected] Abstract—Exergames (video games that combine exercise and ing a physical activity is hard. For these reasons, the design of play) can make the experience of physical activities more enjoy- effective mobile exergames requires alternative solutions to the able. Mobile exergames are particularly interesting as they can use of graphics as a primary element to engage the player in the be used for outdoors, open-air physical activities. Unfortunately, game. Therefore, our research pursued two main goals. First, current mobile exergames tend to require the player to frequently we wanted to explore how to use audio storytelling techniques or continuously look at the screen. This can be hard to do while to make physical exercise more engaging and enjoyable by exercising, and it also requires the player to considerably distract visual attention from the surrounding physical environment, exploiting a soundscape that provides prompt feedback in introducing safety issues in activities such as outdoor running. In response to players’ activity, and does not require the player to this paper, we focus on two main goals. First, we explore how to look at the screen during running. Second, we wanted to study use audio storytelling techniques to make physical exercise more if the exergame was fun for users and if it could positively engaging and enjoyable by exploiting a soundscape that provides affect the perception of physical exercise. -
Coding Vs. Aesthetics
Game Audio : Coding vs. Aesthetics Leonard J. Paul info [at] lotusaudio.com Abstract The key to creating successful immersive game audio to balance the technical and creative elements. Too often one is sacrificed at the expense of the other due to their assumed opposing natures. In the “good old days” of video game audio, one person would wear both hats of audio coder and sound designer/composer. In today’s video game world with escalating budgets and highly complex game platforms, the work must be split between several people, which threatens to increase this fundamental rift. In an effort to bridge this problem we should approach audio production from the creative and technical viewpoints simultaneously to arrive at the desired goal of successful game audio. Topics 1) Prototyping 2) Peer Review 3) Audio Control Parameters 4) Voice and Memory Usage 5) Tools 6) Automated Dynamic Mixing Video Game Audio Process Levels Level 1: Largely unaware of existing practices. Misapplication of practices. Level 2: Aware of existing practices. Application of existing techniques. Level 3: Proactive practice of techniques. Apply and create new effective techniques. Usage Terms The term “composer” is used to mean sound artist, sound designer or otherwise the person creating audio content for the game and deciding how it should play. “Coder” is a term meant to apply to the game audio programmer or otherwise the person responsible for realizing the structures which control the audio playback in the game. Coding vs. Aesthetics Many things have changed from the days of “bleeps and bloops” of yesteryear to our multi- channel 3D digital surround-sound audio systems of today, but the basic context in which we create video game audio has remained primarily unchanged. -
Mari0 Schirmer
LNVESTIGATION OF MULTISCALE BIODEGRADATION PROCESSES: A MODELLING APPROACH MARI0 SCHIRMER A thesis presented to the University of Waterloo in fulfillment of the thesis requirement for the degree of Doctor of Philosophy in Earth Sciences Waterloo, Ontario, Canada, 1998 @Mari0 Schirmer 1998 National Library Bibliothèque nationale 191 ofC,Ch du Canada Acquisitions and Acquisitions et Bibliogaphic Services services bibliographiques 395 Wellington Street 395, nie Wellington OtiawaON KtAON4 OltawaON K1AON4 Canada Canada Yautbii vanlu- Our tlia Nom The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant a la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distri'bute or sell reproduire, prêter, distri'buer ou copies of this thesis in microfonn, vendre des copies de cette thése sous paper or electronic formats. la forme de microfiche/nlm, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur consexve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thèse ni des exîraîts substantiels may be printed or otherwise de celle-ci ne doivent être imprimes reproduced without the author's ou autrement reproduits sans son permission. autorisation. The University of Waterloo requires the signatures of al1 penons using or photocopying this thesis. Please sign below, and give address and date. ABSTRACT This thesis attempts to link processes involved in biodegradation of BTEX (benzene, toluene, ethylbenzene and the xylenes) compounds in groundwater environments at three different observation scales. the micro-, meso- and macroscale, by means of numerical modelling. -
Audio-Based Game for Visually Impaired Children Bachelor Thesis
Audio-based game for visually impaired children Bachelor Thesis J.T. Coppoolse W.J.L. van Dam Technische Universiteit Delft AUDIO-BASED GAME FOR VISUALLY IMPAIRED CHILDREN BACHELOR THESIS by J.T. Coppoolse W.J.L. van Dam in partial fulfillment of the requirements for the degree of Bachelor of Science in Electrical Engineering at Delft University of Technology, to be defended on the 29th of June, 2015. Supervisors: dr. ir. R. Hendriks S. Khademi, M.Sc. Thesis committee: dr. ir. M. A. P.Pertijs dr. ir. R. Hendriks dr. ir. R. F.Wolffenbuttel ABSTRACT This thesis was made for the Bachelor Graduation Project (Electrical Engineering). The purpose of the project was to design an audio-based game for visually impaired children. In this thesis the gameplay and the graph- ical user interface are designed. We choose to make a simplified dungeon crawler in the programming language Python. We designed tutori- als and levels for the game. For the tutorials the methods interaural time difference and interaural intensity difference are used to simulate localised audio. For the levels more advanced audio simulation methods are used, but these are provided by two other groups of students. A graphical user interface is made for validation purposes and for parents and caretakers of the visually impaired children. The game is tested with visually impaired children and sighted students. The controls of the game were too complex for young children and the game was not completely accessible for the visually impaired. However, almost all test subjects were able to learn the mechanics of the game and complete levels on their own. -
December 2018 History Marketing Experience Criticism Psychology Social Aspects Future Editorial Journal Board Orientation
Acta Ludologica Faculty of Mass Media Communication Vol. 1, No.2Vol. Theory Education Design Development Research December 2018 History Marketing Experience Criticism Psychology Social Aspects Future Editorial Journal Board Orientation Editor-In-Chief Acta Ludologica is a scientific journal in the field of digital Zdenko Mago games. The journal contains professional scientific reflec- tions on digital games; it also offers academic discourses on games, especially media and digital competencies, cre- Deputy Managing Editors ation, design, marketing, research, development, psycho- Zuzana Bučková Martin Solík logy, sociology, history and the future of digital games and game studies. Indexing Process and Technical Editor Zuzana Bučková Acta Ludologica is a double-blind peer reviewed jour- nal published twice a year. It focuses on theoretical stud- ies, theoretical and empirical studies, research results and Technical Editors their implementation into practice, as well as professional Nikola Kaňuková Miroslav Kapec publication reviews. English Editor Michael Valek Distribution Lenka Ďurišová Online Content Manager Johny Domanský Acta Ludologica Vol. 1, No. 2, December 2018 Advisory Board Masayuki Uemura Peter A. Bruck Publisher Malgorzata Luszczak Faculty of Mass Media Communication Juraj Malíček University of SS. Cyril and Methodius in Trnava Jaroslav Světlík Námestie Jozefa Herdu 2 917 01 Trnava Editorial Team SLOVAK REPUBLIC Anna Hurajová Michal Kabát IČO: 360 789 13 Monika Porubanová Price: 1,99 € Hana Pravdová Published twice a year. Illustrations Filip Streďanský ISSN 2585-8599 e-ISSN 2585-9218 Graphic Production Coordinator & Cover EV 5620/18 Martin Klementis Martin Graca ACTA LUDOLOGICA Editorial Contents Slovakia on the Game Studies’ Map GAME Slovakia has never been very affable to grounds, originating from our region.