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Mar Customer Order Form
OrdErS PREVIEWS world.com duE th 18MAR 2013 MAR COMIC THE SHOP’S PREVIEWSPREVIEWS CATALOG CUSTOMER ORDER FORM Mar Cover ROF and COF.indd 1 2/7/2013 3:35:28 PM Available only STAR WARS: “BOBA FETT CHEST from your local HOLE” BLACK T-SHIRT comic shop! Preorder now! MACHINE MAN THE WALKING DEAD: ADVENTURE TIME: CHARCOAL T-SHIRT “KEEP CALM AND CALL “ZOMBIE TIME” Preorder now! MICHONNE” BLACK T-SHIRT BLACK HOODIE Preorder now! Preorder now! 3 March 13 COF Apparel Shirt Ad.indd 1 2/7/2013 10:05:45 AM X #1 kiNG CoNaN: Dark Horse ComiCs HoUr oF THe DraGoN #1 Dark Horse ComiCs GreeN Team #1 DC ComiCs THe moVemeNT #1 DoomsDaY.1 #1 DC ComiCs iDW PUBlisHiNG THe BoUNCe #1 imaGe ComiCs TeN GraND #1 UlTimaTe ComiCs imaGe ComiCs sPiDer-maN #23 marVel ComiCs Mar13 Gem Page ROF COF.indd 1 2/7/2013 2:21:38 PM Featured Items COMIC BOOKS & GRAPHIC NOVELS Mouse Guard: Legends of the Guard Volume 2 #1 l ARCHAIA ENTERTAINMENT Uber #1 l AVATAR PRESS Suicide Risk #1 l BOOM! STUDIOS Clive Barker’s New Genesis #1 l BOOM! STUDIOS Marble Season HC l DRAWN & QUARTERLY Black Bat #1 l D. E./DYNAMITE ENTERTAINMENT 1 1 Battlestar Galactica #1 l D. E./DYNAMITE ENTERTAINMENT Grimm #1 l D. E./DYNAMITE ENTERTAINMENT Wars In Toyland HC l ONI PRESS INC. The From Hell Companion SC l TOP SHELF PRODUCTIONS Valiant Masters: Shadowman Volume 1: The Spirits Within HC l VALIANT ENTERTAINMENT Rurouni Kenshin Restoration Volume 1 GN l VIZ MEDIA Soul Eater Soul Art l YEN PRESS BOOKS & MAGAZINES 2 Doctor Who: Who-Ology Official Miscellany HC l DOCTOR WHO / TORCHWOOD Doctor Who: The Official -
English-Language Graphic Narratives in Canada
Drawing on the Margins of History: English-Language Graphic Narratives in Canada by Kevin Ziegler A thesis presented to the University of Waterloo in fulfilment of the thesis requirement for the degree of Doctor of Philosophy in English Waterloo, Ontario, Canada, 2013 © Kevin Ziegler 2013 Author’s Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. ii Abstract This study analyzes the techniques that Canadian comics life writers develop to construct personal histories. I examine a broad selection of texts including graphic autobiography, biography, memoir, and diary in order to argue that writers and readers can, through these graphic narratives, engage with an eclectic and eccentric understanding of Canadian historical subjects. Contemporary Canadian comics are important for Canadian literature and life writing because they acknowledge the importance of contemporary urban and marginal subcultures and function as representations of people who occasionally experience economic scarcity. I focus on stories of “ordinary” people because their stories have often been excluded from accounts of Canadian public life and cultural history. Following the example of Barbara Godard, Heather Murray, and Roxanne Rimstead, I re- evaluate Canadian literatures by considering the importance of marginal literary products. Canadian comics authors rarely construct narratives about representative figures standing in place of and speaking for a broad community; instead, they create what Murray calls “history with a human face . the face of the daily, the ordinary” (“Literary History as Microhistory” 411). -
Check All That Apply)
Form Version: February 2001 EFFECTIVE TERM: Fall 2003 PALOMAR COLLEGE COURSE OUTLINE OF RECORD FOR DEGREE CREDIT COURSE X Transfer Course X A.A. Degree applicable course (check all that apply) COURSE NUMBER AND TITLE: ENG 290 -- Comic Books As Literature UNIT VALUE: 3 MINIMUM NUMBER OF SEMESTER HOURS: 48 BASIC SKILLS REQUIREMENTS: Appropriate Language Skills ENTRANCE REQUIREMENTS PREREQUISITE: Eligibility for ENG 100 COREQUISITE: NONE RECOMMENDED PREPARATION: NONE SCOPE OF COURSE: An analysis of the comic book in terms of its unique poetics (the complicated interplay of word and image); the themes that are suggested in various works; the history and development of the form and its subgenres; and the expectations of comic book readers. Examines the influence of history, culture, and economics on comic book artists and writers. Explores definitions of “literature,” how these definitions apply to comic books, and the tensions that arise from such applications. SPECIFIC COURSE OBJECTIVES: The successful student will: 1. Demonstrate an understanding of the unique poetics of comic books and how that poetics differs from other media, such as prose and film. 2. Analyze representative works in order to interpret their styles, themes, and audience expectations, and compare and contrast the styles, themes, and audience expectations of works by several different artists/writers. 3. Demonstrate knowledge about the history and development of the comic book as an artistic, narrative form. 4. Demonstrate knowledge about the characteristics of and developments in the various subgenres of comic books (e.g., war comics, horror comics, superhero comics, underground comics). 5. Identify important historical, cultural, and economic factors that have influenced comic book artists/writers. -
EDITORIAL: SCANDINAVIAN JOURNAL of COMIC ART VOL. 1: 2 (AUTUMN 2012) by the Editorial Team
EDITORIAL: SCANDINAVIAN JOURNAL OF COMIC ART VOL. 1: 2 (AUTUMN 2012) by the Editorial Team SCANDINAVIAN JOURNAL OF COMIC ART (SJOCA) VOL. 1: 2 (AUTUMN 2012) Everything starts with a First step – but to keep going with a sustained eFFort is what really makes for change. This is the second issue of the Scandinavian Journal of Comic Art and its release makes us just as proud – if not even more so – as we were when the very First issue was published last spring. We are also immensely proud to be part oF the recently awaKened and steadily growing movement oF academic research on comics in the Nordic countries. Since our First issue was published, another three Nordic comics scholars have had their PhDs accepted and several more PhD students researching comics have entered the academic system. Comics studies is noticeably growing in the Nordic countries at the moment and SJoCA is happy to be a part of this exciting development. SJoCA was initiated to ensure that there is a serious, peer reviewed and most importantly continuous publishing venue for scholars from the Scandinavian countries and beyond who want to research and write about all the diFFerent aspects oF comics. In order to Keep this idea alive, SJoCA is in constant need of interesting, groundbreaKing and thought-provoking texts. So, do send us everything from abstracts to full fledged manuscripts, and taKe part in maKing the field of Nordic comics research grow. – 2 – SCANDINAVIAN JOURNAL OF COMIC ART (SJOCA) VOL. 1: 2 (AUTUMN 2012) “TO EMERGE FROM ITS TRANSITIONAL FUNK”: THE AMAZING ADVENTURES OF KAVALIER & CLAY’S INTERMEDIAL DIALOGUE WITH COMICS AND GRAPHIC NOVELS by Florian Groß ABSTRACT ThE artIclE tracEs thE currENt crItIcal dEbatE oN thE phENomENoN of thE graphIc Novel through an analysIs of MIchael ChaboN’s Novel The Amazing Adventures of Kavalier & Clay (2000). -
Igncc18 Programme
www.internationalgraphicnovelandcomicsconference.com [email protected] #IGNCC18 @TheIGNCC RETRO! TIME, MEMORY, NOSTALGIA THE NINTH INTERNATIONAL GRAPHIC NOVEL AND COMICS CONFERENCE WEDNESDAY 27TH – FRIDAY 29TH JUNE 2018 BOURNEMOUTH UNIVERSITY, UK Retro – a looking to the past – is everywhere in contemporary culture. Cultural critics like Jameson argue that retro and nostalgia are symptoms of postmodernism – that we can pick and choose various items and cultural phenomena from different eras and place them together in a pastiche that means little and decontextualizes their historicity. However, as Bergson argues in Memory and Matter, the senses evoke memories, and popular culture artefacts like comics can bring the past to life in many ways. The smell and feel of old paper can trigger memories just as easily as revisiting an old haunt or hearing a piece of music from one’s youth. As fans and academics we often look to the past to tell us about the present. We may argue about the supposed ‘golden age’ of comics. Our collecting habits may even define our lifestyles and who we are. But nostalgia has its dark side and some regard this continuous looking to the past as a negative emotion in which we aim to restore a lost adolescence. In Mediated Nostalgia, Ryan Lizardi argues that the contemporary media fosters narcissistic nostalgia ‘to develop individualized pasts that are defined by idealized versions of beloved lost media texts’ (2). This argument suggests that fans are media dupes lost in a reverie of nostalgic melancholia; but is belied by the diverse responses of fandom to media texts. Moreover, ‘retro’ can be taken to imply an ironic appropriation. -
Report on Micro Data, Sorted by Title
English Language Graphic Novels Winners and Nominations of Comics and Graphic Novels Awards up to 2004 (list sorted first by title) Prepared by Olivier Charbonneau [email protected] Concordia University Data current as of May 18, 2004 PS. Please feel free to use and circulate this list – as long as the person using or receiving it does not use it for commercial purposes (selecting books for a library is OK) and agrees to send me a thank you letter at the following address: Olivier Charbonneau, Webster Library, room LB-279 Concordia University 1400 de Maisonneuve Blvd. W. Montreal, Quebec, H3G 1M8 Page 1 of 56 Title Publisher Wins Nominations 100 Unknown 1 Workman, John letterer 100 BulletDC 4 5 Azzarello, Brian writer Johnson, Dave cover 2002-2003 Risso, Eduardo artist 1001 Nights of BacchusDark Horse Comics 1 Schutz, Diana editor 1963 Image 2 Moore, Alan 20 Nude Dancers 20Tundra 1 Martin, Mark 20/20 VisionsDC/Vertigo 1 Alonso, Axel editor Berger, Karen editor 300Dark Horse Comics 2 2 Miller, Frank Varley, Lynn colorist 32 Stories Drawn & Quarterly 1 Tomine, Adrian A Contract with GodDC 2 Eisner, Will A Decade of Dark HorseDark Horse Comics 1 Stradley, Randy editor A History of ViolenceParadox 1 Wagner, John A Jew in Communist PragueNBM 1 4 Giardino, Vittorio Nantier, Terry editor A Small KillingVG Graphics/Dark Horse 1 1 Moore, Alan Zarate, Oscar A1Atomeka 1 2 Elliott, Dave editor Abraham StonePlatinum/Malibu 2 Kubert, Joe Page 2 of 56 Title Publisher Wins Nominations Acid Bath CaseKitchen Sink Press 1 Schreiner, Dave editor -
Writing About Comics
NACAE National Association of Comics Art Educators English 100-v: Writing about Comics From the wild assertions of Unbreakable and the sudden popularity of films adapted from comics (not just Spider-Man or Daredevil, but Ghost World and From Hell), to the abrupt appearance of Dan Clowes and Art Spiegelman all over The New Yorker, interesting claims are now being made about the value of comics and comic books. Are they the visible articulation of some unconscious knowledge or desire -- No, probably not. Are they the new literature of the twenty-first century -- Possibly, possibly... This course offers a reading survey of the best comics of the past twenty years (sometimes called “graphic novels”), and supplies the skills for reading comics critically in terms not only of what they say (which is easy) but of how they say it (which takes some thinking). More importantly than the fact that comics will be touching off all of our conversations, however, this is a course in writing critically: in building an argument, in gathering and organizing literary evidence, and in capturing and retaining the reader's interest (and your own). Don't assume this will be easy, just because we're reading comics. We'll be working hard this semester, doing a lot of reading and plenty of writing. The good news is that it should all be interesting. The texts are all really good books, though you may find you don't like them all equally well. The essays, too, will be guided by your own interest in the texts, and by the end of the course you'll be exploring the unmapped territory of literary comics on your own, following your own nose. -
Drawn & Quarterly
DRAWN & QUARTERLY FALL 2018 BERLIN jAsoN lutes DIRTY PLOTTE: ThE cOMPLETE JuLIE DOUCET jULiE DoUcET COYOTE DOGGIRL LisA hanawalt WOMAN WORLD AmiNDER DhALiwal PYONGYANG NEW PAPERBA cK EDiTioN gUY DELisLE BAD FRIENDS ancco BLAME THIS ON THE BOOGIE RiNA AYUYANg art cOMIC matthEW ThURBER THE SNOOTY BOOKSHOP Tom gauld BEAUTIFUL DARKNESS NEW PAPERBA cK EDiTioN FABiEN VEhLmANN AND KERAscoET BERLIN BOOK 3: CITY OF LIGHT JasoN lutes BERLIN JASON LUTES Twenty years in the making, this sweeping masterpiece charts Berlin through the rise of Nazism ALSO: BERLIN BOOK 3! See pg. 26 During the past two decades, Jason Lutes bling sidewalks, dusty attics, and train sta- has quietly created one of the masterworks tions: all these places come alive in Lutes’s of the graphic novel golden age. Serialized masterful hands. Weimar Berlin was the in twenty-two issues, collected in two vol- world’s metropolis, where intellectual- umes, with a third to be co-released at the ism, creativity, and sensuous liberal val- same time as this omnibus, Berlin has over ues thrived, and Lutes maps its tragic, in- 100,000 in print. Berlin is one of the high- evitable decline. Devastatingly relevant and water marks of the medium: rich in its re- beautifully told, Berlin is one of the great searched historical detail, compassionate in epics of the comics medium its character studies, and as timely as ever in its depiction of a society slowly awaken- ing to the stranglehold of fascism. PRAISE FOR BERLIN Berlin is an intricate look at the fall of the “As the Weimar Republic has declined, Weimar Republic through the eyes of its the art of Jason Lutes has only ascended.” citizens—Marthe Müller, a young woman —Washington Post escaping the memory of a brother killed in World War One; Kurt Severing, an ide- “The longest, most sophisticated work of alistic journalist losing faith in the printed historical fiction in the medium.”—Time word as fascism and extremism take hold; the Brauns, a family torn apart by poverty “A history of [Berlin] that’s accessible and and politics. -
Download Shortcomings, Adrian Tomine, Drawn & Quarterly
Shortcomings, Adrian Tomine, Drawn & Quarterly Publications, 2007, 1897299168, 9781897299166, 108 pages. FROM THE PREEMINENT CARTOONIST OF HIS GENERATION, THE MOST ANTICIPATED GRAPHIC NOVEL OF 2007Shortcomings, Adrian Tomine's first long-form graphic novel, is the story of Ben Tanaka, a confused, obsessive Japanese American male in his late twenties, and his cross-country search for contentment (or at least the perfect girl). Along the way, Tomine tackles modern culture, sexual mores, and racial politics with brutal honesty and lacerating, irreverent humor, while deftly bringing to life a cast of painfully real antihero characters. A frequent contributor to The New Yorker, Tomine has acquired a cultlike fan following and has earned status as one of the most widely acclaimed cartoonists of our time.Shortcomings was serialized in Tomine's iconic comic book series Optic Nerve and was excerpted in McSweeney's Quarterly Concern #13.. DOWNLOAD HERE Lucky , Gabrielle Bell, Nov 28, 2006, , 112 pages. A wry daily comics journal of urban ennui Gabrielle Bell fascinatingly documents the mundane details of her below-minimum-wage, twentysomething existence in Brooklyn, New York .... Good-Bye , Yoshihiro Tatsumi, Adrian Tomine, Jun 24, 2008, , 208 pages. A third collection of illustrated short tales by a forefront Japanese cartoonist is comprised of World War II pieces that were drawn in 1971 and 1972 and includes the stories .... The Acme Novelty Library Volume 17, Chris Ware, Nov 28, 2006, Comics & Graphic Novels, 64 pages. More thorough examinations of many of the main characters' cloudy motivations, personal habits, and favorite restaurants are included in this second half of the introduction to ... -
Graphic Novels: a New Literary Genre in the English-Speaking World
ISSN 0258-0802. LITERATŪRA 2009 51 (4) GRAPHIC NOVELS: A NEW LITERARY GENRE IN THE ENGLISH-SPEAKING WORLD Milda Danytė Vytauto Didžiojo universiteto Humanitarinio mokslų fakulteto Anglų filologijos katedros profesorė Although different forms of popular cul- comics in general in the last two decades. ture are now taken much more seriously In North America, it has only been since by specialists in literature, most current Art Spiegelman’s graphic novel Maus won research remains at the level of historical the most prestigious of American literary surveys or thematic studies. The lack of awards, the Pulitzer Prize for literature in useful critical methods becomes apparent 1992, that English-language criticism of when one attempts to analyse a recent phe- comics of all kinds has burgeoned. Spiegel- nomenon, the graphic novel. This term was man’s text is about the Jewish Holocaust; first used in 1978 by Will Eisner, to iden- it established the notion that comic-book tify his comic-book collection, A Contract forms could also deal with serious and with God (Arnold, 2003). Steve Roiteri even tragic themes. has defined the graphic novel as “a stan- The marketing of this new literary gen- dalone story in comics form, published as re in the English-speaking world has been a book” (Roiteri, 2003). This distinguishes helped by the success of the Japanese ver- the graphic novel from the comic book, sion of graphic novels, the manga, among which is actually a short magazine, usually Western consumers. As Sharon Kinsella about 32 pages in length, published as a what is a new form in North America, the serial with a soft cover and on cheap paper. -
Spring 2020 Drawn & Quarterly (PDF)
DRAWN & QUARTERLY SPRING 2020 The LoNELINESS of The LONG-DISTANce CArtOONIST ADRiAN TomiNE CONSTITUTION ILLUSTRATED R. Sikoryak I KNOw You RIDER LESLiE STEiN WEndy, MaSTER of Art walter ScoTT CITY of beLGIUM BREchT EvENS LITTLe LuLu: The FUZZYTHINGUS PooPI Joh N STANLEY NORI RUmi hARA The SKY IS BLue wITh a SINGLe CLOUD kUNiko tsurita MOMS YEoNg-ShiN mA THe loNelINeSS of THe loNg-DISTaNCe CarTooNIST adrian tOMINE A comedic memoir about fandom, fame, and other embarrassments from the life of The New York Times bestselling cartoonist What happens when a childhood hobby ries are delineated in excruciatingly grows into a lifelong career? The Loneli- hilarious detail. ness of the Long-Distance Cartoonist, In a bold stylistic departure from Adrian Tomine’s funniest and most re- his award-winning Killing and Dying, vealing foray into autobiography, offers Tomine distills his art to the loose, lively an array of unexpected answers. When a essentials of cartooning, each pen stroke sudden medical incident lands Tomine economically imbued with human depth. in the emergency room, he begins to Designed as a sketchbook complete with question if it was really all worthwhile: place-holder ribbon and an elastic band, despite the accolades and opportunities The Loneliness of the Long-Distance of a seemingly charmed career, it’s the Cartoonist shows an acclaimed artist at gaffes, humiliations, slights, and insults the peak of his career. he’s experienced (or caused) within the industry that loom largest in his memory. Tomine illustrates the amusing absur- Praise foR adrian tOMINE dities of how we choose to spend our “Even his smallest, plainest panels are time, all the while mining his conflicted heavy with subtext, thick with unstated relationship with comics and comics emotion and full of the kind of informa- culture. -
Chester Brown Mary Wept Over the Feet of Jesus
DRAWN & QUARTERLY SPRING 2016 CHESTER BROWN MARY WEPT OVER THE FEET OF JESUS CHESTER BROWN MARY WEPT OVER THE FEET OF JESUS THE IDIOSYNCRATIC MASTER CHESTER BROWN CONTINUES HIS THOUGHTS ON SEX WORK The iconoclastic and bestselling cartoonist of Paying for It: A Comic- Strip Memoir About Being a John returns with a polemical interpreta- tion of the Bible that will be one of the most controversial and talked- about graphic novels of 2016. Mary Wept over the Feet of Jesus is the retelling in comics form of nine biblical stories that present Chester Brown’s fascinating and startling thesis about biblical representations of prostitution. Brown weaves a connecting line between Bathsheba, Ruth, Rahab, Tamar, Mary of Bethany, and the Virgin Mother and reassesses the Christian moral code by examining the cultural impli- cations of the Bible’s representations of sex work. Mary Wept over the Feet of Jesus is a fitting follow-up to Brown’s sui generis graphic memoir Paying for It, which was reviewed twice in the New York Times and hailed by sex workers for Brown’s advocacy for the decriminalization and normalization of prostitution. Brown approaches the Bible as he did the life of Louis Riel, making these stories compellingly readable and utterly pertinent to a modern audience. In classic Chester Brown fashion, he provides extensive handwritten endnotes that delve into the biblical lore that informs Mary Wept Over the Feet of Jesus. praise for chester brown “I regard Paying For It, as simply, or not so simply, the most recent in a series of totally