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Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
THE BUCKET LIST (Adapted from the Session Developed by Peter Bowden)
THE BUCKET LIST (adapted from the session developed by Peter Bowden) OPENING WORDS & CHALICE LIGHTING: To Risk To laugh is to risk appearing the fool. To weep is to risk appearing sentimental. To reach out for another is to risk exposing our true self. To place our ideas – our dreams – before the crowd is to risk loss. To love is to risk not being loved in return. To hope is to risk despair. To try is to risk failure. To live is to risk dying. #658, Singing the Living Tradition PURPOSE: We come together to build connections and to talk about what deeply matters. CHECK IN: What you share may be about your physical or spiritual health, cares or concerns for loved ones, issues you are facing. What are you leaving behind to be here today? READING OF GROUP COVENANT FOCUS: The Bucket List Each person in the group speaks uninterrupted; if time remains, general response and conversation are welcome. Background for this session: In the movie “The Bucket List”, a billionaire played by Jack Nicholson and a mechanic played by Morgan Freeman befriend each other in the hospital as they discover they each have only 6 months to a year to live. Freeman has a “bucket list” – things he wants to do before he “kicks the bucket”. Nicholson offers to finance the adventure and the two of them head off to tackle a joint “bucket list”. Questions for reflection: In this movie the two main characters are in a unique situation – they know when they will die, more or less, and they have the means to live their final days as they wish. -
Academy Award® Winner the Adventures of Robin Hood
ACADEMY AWARD® WINNER THE ADVENTURES OF ROBIN HOOD (1938) SCREENING SPOTLIGHTS THE PRODUCTION DESIGNS OF CARL JULES WEYL PRESENTED BY THE ART DIRECTORS GUILD FILM SOCIETY AND AMERICAN CINEMATHEQUE Sunday, June 28 at 5:30 PM at the Aero Theatre in Hollywood LOS ANGELES, June 17, 2015 - The Art Directors Guild (ADG) Film Society and American Cinematheque will present a screening of Errol Flynn’s swashbuckling adventure fantasy THE ADVENTURES OF ROBIN HOOD (1938) spotlighting the production design by Academy Award®- winning designer Carl Jules Weyl, as part of the 2015 ADG Film Series on Sunday, June 28, at 5:30 P.M. at the Aero Theatre in Santa Monica. The ADG “Confessions of a Production Designer” Film Series is sponsored by The Hollywood Reporter. “Welcome to Sherwood, my lady!” Legendary, beloved, much imitated but never surpassed, The Adventures of Robin Hood is pure escapism epitomizing the very best in classical Hollywood matinee adventure storytelling. Rich in its visual imagination, it remains a case study in film design excellence. Inspired by the romantic illustrations of famed illustrator and artist N.C. Wyeth, Carl Jules Weyl’s masterful designs served well this Warner Bros.’ first venture into three-strip Technicolor productions. “The Adventures of Robin Hood remains a fitting tribute to the achievements and talent of this exceptional designer, as well as being a reminder of the many less celebrated but equally gifted masters of design who have left us with a visually-inspired legacy,” said Production Designer Thomas A. Walsh, -
197 KB 14Th Feb 2019 Austin-Letter-2019-02-15
Volume 40, Number 44 February 15, 2019 Dear Client: It’s more than a coincidence. It’s a bigtime trend unfolding before your eyes. The companies of the future are betting on a future in Austin. When you look at the size of the deals, it’s not bet-hedging or dipping-a-corporate-toe in the water. You’re seeing full-blown commitments the likes of which are seldom seen in cities around the US. The big office towers downtown and in North Austin’s Domain are visual indicators of this trend. It’s usually risky business for a developer to put up a speculative office building. Not now in Austin. Before buildings are even completed, they are substantially leased by substantial companies. Those pre-leases have the financial backers patting themselves on the back about how “smart” they were to support such normally-risky ventures. Consider a few examples of what is happening in Austin in recent weeks. The biggest and most obvious example is a visually-strikingly 35-story office building on the north shore of Lady Bird Lake downtown. It soars to the sky, with setbacks that taper toward the top to resemble a sail on a giant sailboat. According to news reports, all 723,000 sf have been leased by Google. Let this sink in. Then consider another example. It was reported this week Amazon is leasing 145,000 sf (four floors) of a Tower under construction in The Domain that is set to be completed in the 2nd quarter of next year. Amazon already occupies about 250,000 sf in two other office towers in The Domain. -
Laurence Olivier in Hamlet (1949)
1 Laurence Olivier in Hamlet (1949) In the late 1930s and early 1940s, when Samuel Goldwyn, MGM, and David Selznick were wooing him, Laurence Olivier chose not to become a movie star “like dear Cary.” After playing Heathcliff in Wuthering Heights (1939), Darcy in Pride and Prejudice (1940), and Maxim Dewinter in Rebecca (1940), he appeared in Hollywood pictures sparingly and tried to avoid a fixed persona. He nevertheless became the symbol of what midcentury America thought of as a distinguished actor, and was the most successful English theatrical type in the movies. He wasn’t romantically flamboyant (Orson Welles was closer to that), he wasn’t a naturalist like the students of the Method, he wasn’t a Brechtian, and he wasn’t the sort of movie actor who plays variations on a single character. He belonged instead to a school of disciplined, tastefully romantic verisimilitude, and within that school was a master. He was also the best-known Shakespearian in films. Olivier often said that his favorite movie role was the working-class comedian Archie Rice in The Entertainer (1960), but his performances in the Shakespeare films that he directed are more representative of his skills and more significant in film history. Based on canonical texts with a long performance history, they foreground his stylistic choices 2 and make his influences relatively easy to identify. His version of Hamlet (1949), for example, seems to derive pretty equally from the English romantics, Sigmund Freud, and William Wyler. These sources are not so eclectic as they might appear. Romantic-realist ideas of narrative shaped nearly all feature films of the period; Wyler had been the director of Wuthering Heights and at one point was scheduled to direct Olivier’s production of Henry V; and Olivier’s conceptions of character and performance are similar to the ones that shaped Hollywood in the 1940s, when Freud was in vogue. -
CLE On-Demand
Garden State CLE 2000 Hamilton Ave. Hamilton, N.J. 08619 (609) 584-1924 (609) 895-1899 Fax www.gardenstatecle.Com [email protected] CLE On-Demand View and record the “Secret Words” Print this form and write down all the “secret Words” during the program: (Reporting the words is a required step in getting CLE Credit) Word #1 was: Word #2 was: Word #3 was: Word #4 was: Garden State CLE presents: A Pop Corn CLE: "An Offer You Can't Refuse" Winning Negotiating Techniques as Portrayed in Cinema Lesson Plan Part I - Negotiation as a Process Two Critical Process Issues: 1.) Get your adversary to invest time and effort in the process. The more time, energy & resources invested, the harder it will be for him to walk away. 2.) Build a foundation of consensus by agreeing to as many (usually smaller, insignificant) things as possible early on in the process and leave the highly disputed matters until the end. -------------------------------------------------- The following film is not about war. It is about the process of negotiation. The Bridge on the River Kwai (1957) William Holden Alec Guinness Jack Hawkins Sessue Hayakawa Negotiating Issues: Recognition of negotiation as a process; Note mistake of revealing key data early in the process; Zero-sum game; Note the use of all negotiator styles: analytical, practical, amiable, extrovert; The power of time/deadlines – investing and effort time; Late counter offer meets the needs of both parties; Note how emotion & pride clouds judgment & delays resolution. Part II - BATNA The person with the best alternative to a negotiated settlement (BATNA) has the most leverage. -
One Flew Over the Cuckoo's Nest
A Level Film Studies - Focus Film Factsheet One Flew over the Cuckoo’s Nest (1975, Forman, USA) Component 1: Varieties of Film wilderness. The car delivering McMurphy to the & Filmmaking – Section A psychiatric institution cuts the frame in two. Core Study Areas (02:05:31) Freedom: virtually the last shot Key Elements of Film Form of the film. Another ELS, low key image but Meaning & Response this time of an individual, Chief, escaping The Contexts of Film into the Wilderness. Free at last. Specialist Study Area Hollywood Comparison CORE STUDY AREAS 1 - STARTING POINTS - Key Elements of Film Auteur Form (Micro Features) Rationale for study Cinematography This is a film famous for winning the top five The cinematography is remarkable for its Oscars (Best film, actor, actress, director and realism. Filmed on location in a real psychiatric screenplay) in 1976 – a rare feat. The film remains institution the film is largely shot in a clinical, a hugely admired counter-culture classic from the high key lit, environment. There are no New Hollywood era. Its stark realism, brilliantly shadows within which to hide from the stony, performed by an ensemble cast, produces a gripping, disapproving glare of Nurse Ratched. often hilarious and harrowing drama that perfectly 01:44-2:07 reflects the counter culture of the 60s and 70s. Nurse Ratched (Louise Fletcher) enters the The film concerns a protagonist anti-hero, film in a long take, deep focus shot, dressed McMurphy (Jack Nicholson), who is sent from an in villainous black. She dominates the frame. American work-farm prison for petty criminals to A baleful red light hanging over her head a locked psychiatric unit for assessment. -
How Do You Go from Bridgemaker to Filmmaker? Woodcliff Lake Native
LIFE STORY reel ambition How do you go from bridgemaker to filmmaker? Woodcliff Lake native Jon Doscher parlayed his construction gig into a chance to head his own movie company — and it all started with a box of cigars he sent to Jack Nicholson. You’ll never guess what happened next BY JIM WALTZER • PHOTOGRAPHY BY JOHN BLAISE Some moviemakers are born clutching a Saddle River–based “indie” is courting big May 2000, Doscher’s Restoration Co. camera. But long before founding the names and big dreams. And what’s even had a job at the Saddle River home of independent production company more intriguing is its artistic aim. Current veteran character actor Danny Aiello. Starline Films, Jon Doscher was busy projects include a pair of searing true “So here I am at Danny Aiello’s house as with more ponderous hardware. stories, one an echo of Truman Capote’s a contractor,” says Doscher. “I took a “I was hanging columns, drilling steel, chilling In Cold Blood, the other based on shot — it was totally unplanned.” making good money,” the Woodcliff Lake an ill-advised state police action turned Doscher, who had just begun studying native says of his construction job right cause célèbre. Each is being developed as acting at the famed Lee Strasberg Theater out of high school. “I said to myself, ‘I a documentary and a feature film. Institute in New York City, “auditioned” guess I’m gonna be an ironworker.’” That’s pretty heady fare for a fledgling for Aiello by doing a dead-on impression It was a reasonable guess. -
Greatest Year with 476 Films Released, and Many of Them Classics, 1939 Is Often Considered the Pinnacle of Hollywood Filmmaking
The Greatest Year With 476 films released, and many of them classics, 1939 is often considered the pinnacle of Hollywood filmmaking. To celebrate that year’s 75th anniversary, we look back at directors creating some of the high points—from Mounument Valley to Kansas. OVER THE RAINBOW: (opposite) Victor Fleming (holding Toto), Judy Garland and producer Mervyn LeRoy on The Wizard of Oz Munchkinland set on the MGM lot. Fleming was held in high regard by the munchkins because he never raised his voice to them; (above) Annie the elephant shakes a rope bridge as Cary Grant and Sam Jaffe try to cross in George Stevens’ Gunga Din. Filmed in Lone Pine, Calif., the bridge was just eight feet off the ground; a matte painting created the chasm. 54 dga quarterly photos: (Left) AMpAs; (Right) WARneR BRos./eveRett dga quarterly 55 ON THEIR OWN: George Cukor’s reputation as a “woman’s director” was promoted SWEPT AWAY: Victor Fleming (bottom center) directs the scene from Gone s A by MGM after he directed The Women with (left to right) Joan Fontaine, Norma p with the Wind in which Scarlett O’Hara (Vivien Leigh) ascends the staircase at Shearer, Mary Boland and Paulette Goddard. The studio made sure there was not a Twelve Oaks and Rhett Butler (Clark Gable) sees her for the first time. The set single male character in the film, including the extras and the animals. was built on stage 16 at Selznick International Studios in Culver City. ight) AM R M ection; (Botto LL o c ett R ve e eft) L M ection; (Botto LL o c BAL o k M/ g znick/M L e s s A p WAR TIME: William Dieterle (right) directing Juarez, starring Paul Muni (center) CROSS COUNTRY: Cecil B. -
The Pledge La Retraite De Jerry La Promesse, États-Unis 2001, 124 Minutes Philippe Théophanidis
Document généré le 25 sept. 2021 19:42 Séquences La revue de cinéma The Pledge La retraite de Jerry La promesse, États-Unis 2001, 124 minutes Philippe Théophanidis Numéro 212, mars–avril 2001 URI : https://id.erudit.org/iderudit/59216ac Aller au sommaire du numéro Éditeur(s) La revue Séquences Inc. ISSN 0037-2412 (imprimé) 1923-5100 (numérique) Découvrir la revue Citer ce compte rendu Théophanidis, P. (2001). Compte rendu de [The Pledge : la retraite de Jerry / La promesse, États-Unis 2001, 124 minutes]. Séquences, (212), 44–44. Tous droits réservés © La revue Séquences Inc., 2000 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ -LES FILMS CRITIQUES -^ THE PLEDGE présumé tueur en série. Or, ces pistes, maigres et floues, semblent La retraite de Jerry être principalement le résultat du travail d'interprétation de Jerry. L'inévitable question que suscite chaque scène (posée directement par l'entourage de Jerry, par Jerry lui-même ou par le spectateur) est la suivante : est-il possible que notre homme s'imagine des choses qui n'existent pas parce que l'idée de la retraite ne lui revient pas ? Jerry s'accroche malgré tout (que peut-il faire d'autre : c'est d'un tueur de fillettes dont on parle ici). -
Crossword Clues and Goblins
D6: Thursday, May 28, 2020 The Post and Courier MYCHARLESTONQUARANTINE BY LIZ FOSTER || [email protected] Name: n keeping with this week’s other posthumous nomination 1 for “Giant” (1956), but is most movie-themed edition of 2 Charleston Scene, I created well-known as the epitome of Ia crossword puzzle this time teenage angst in “Rebel Without 3 4 around. As a tip of the hat to a Cause” (1955). 5 our cover story, there are some 19. What is the name of the clues related to films that had ruthless and mysterious crime drive-in theater scenes in them, lord that people can’t stop saying 6 but the majority are about some in “The Usual Suspects” (1995)? of the top movies of all time. As you answer, you must exclaim 7 The others are, quite simply, it just like the guy in the hospital 8 just ones I really like. Note: bed does. 9 While some of these movies are 21. This hideous creature, based on books, I’m referenc- formerly known as Smeagol, ing what ended up in the film is obsessed with his Precious, version. Perhaps this will give the “one ring to rule them all,” you some ideas for a streaming in “The Hobbit” and the “Lord 10 11 12 binge over the weekend. Enjoy! of the Rings” franchise. His diet 13 14 15 consists of raw fish, baby rabbits Crossword clues and goblins. 16 17 Across 22. “Look, you shoot off a 2. During the drive-in scene of guy’s head with his pants down, the 1978 film _____, Danny Zuko believe me, Texas is not the 18 19 20 tries to get a little handsy with place you wanna get caught!” is 21 Sandy after he gives her his class a quote that sets the audience ring, and Rizzo worries she may up for the upcoming adventure 22 23 be pregnant. -
Movie Class 6 Bucket List Script and Vocab
Movie Class – Week 6 Mini Script and Vocabulary List Movie: The Bucket List (35:20 – 42:02) ________________________________________________________________________ Main characters: Carter (Morgan Freeman) and Edward (Jack Nicholson) Virginia – Carter’s wife, Thomas (Matthew) – Edward’s assistant ________________________________________________________________________ The Hospital Room Virginia What kind of a hospital is this? There isn’t an M.D.1 within a mile2. 1. M.D: Doctor of Medicine 2. there isn’t an M.D. within a mile: there are no doctors anywhere Virginia I knew we should have gone to UCLA3. The surgeons are better; the post-op4 is better. I want another opinion. Yes, oncology5 please, Dr. Veteri’s office. Let me handle this. 3. UCLA: UCLA (University of California, Los Angeles) Medical Center 4. post-op (postoperative): done or happening after a medical operation 5. oncology: the study and treatment of cancer Carter I’m going away for a while. I’m talking about Edward and I are going away. I don’t expect you to understand. Given up on them?! Given up on them?! I’ve got 45 years greased up under the hood of a car so that they didn’t want for anything6. And they didn’t! I think I have earned some time for myself! 6. to not want for anything: to be provided of have anything and everything needed 1 Virginia You are a fool who thinks he has figured out a way, how not to have cancer! My husband is not for sale7! 7. My husband is not for sale: Virginia says this to Edward, saying that Edward can not use his money to attract Carter and take him away from her Edward and Carter Go Skydiving Carter I’ve always been afraid to go up in an airplane.